Grace Jones: Bloodlight & Bami[/caption]
The Toronto International Film Festival’s 2017 documentary program presents a distinct collection of works from award-winning directors, and will open with Sophie Fiennes’ Grace Jones: Bloodlight & Bami, a film that captures the legendary performer on and off stage.
The lineup features celebrated filmmakers, including Morgan Spurlock, who reignites his battle with the food industry in Super Size Me 2: Holy Chicken!; Brett Morgen, with his portrait of primatologist Jane Goodall in Jane; Greg Barker, who grants viewers unprecedented access into President Barack Obama’s foreign policy team in The Final Year; Frederick Wiseman, who takes us behind the scenes of a New York institution in Ex Libris – The New York Public Library; and Heidi Ewing and Rachel Grady, who follow three Hasidic Jews who attempt to enter the secular world in One of Us. The TIFF Docs Program is made possible through the generous sponsorship of A+E IndieFilms.
“Resistance is a key theme in this year’s documentaries,” said TIFF Docs Programmer Thom Powers. “We pay witness to rebels challenging the status quo in art, politics, sexuality, religion, fashion, sports and entertainment. They speak powerfully to our times as audiences seek inspirations for battling powerful and corrupt systems.”
The theme of resistance plays out in a diverse range of films, including Jed Rothstein’s The China Hustle, executive produced by Alex Gibney and Frank Marshall, which confronts a new era of Wall Street fraud; Matt Tyrnauer’s Scotty and the Secret History of Hollywood, which profiles the sexual taboo breaker Scotty Bowers; Anjali Nayar and Hawa Essuman’s Silas, which portrays Liberian activist Silas Siakor; and Erika Cohn’s The Judge, which follows the first female Shari’a judge, Kholoud Al-Faqih, practicing law in the West Bank.
We gain insights into high-profile figures in the worlds of entertainment and sports in films such as Chris Smith’s JIM & ANDY: the Great Beyond – the story of Jim Carrey & Andy Kaufman featuring a very special, contractually obligated mention of Tony Clifton, which examines Jim Carrey’s immersion into the role of Andy Kaufman; Lili Fini Zanuck’s Eric Clapton: Life in 12 Bars, which delivers the definitive biography of the rock legend; and Jason Kohn’s Love Means Zero, which investigates the controversial tennis coach Nick Bollettieri and his history with Andre Agassi.
Several films deepen our understanding of black cultural figures, including Sam Pollard’s Sammy Davis, Jr.: I’ve Gotta Be Me on the complex career of the multi-talented Rat Pack performer; Kate Novack’s The Gospel According to André on the trend-setting fashion writer André Leon Talley; and Sara Driver’s BOOM FOR REAL The Late Teenage Years of Jean-Michel Basquiat on the formative years of the acclaimed artist.
TIFF Docs upholds its tradition of featuring films and filmmakers from around the world with films such as Violeta Ayala’s Cocaine Prison on the drug trade in Bolivia; Mila Turajlić’s The Other Side of Everything on the dissident activism of her Serbian mother; Hüseyin Tabak’s The Legend of the Ugly King on the Kurdish filmmaker Yilmaz Güney; Sabiha Sumar’s Azmaish: A Journey through the Subcontinent on the politics of India and Pakistan; and Gustavo Salmerón’s Lots of Kids, a Monkey and a Castle on his eccentric family in Spain. The TIFF Docs closing film is Emmanuel Gras’ Makala, which won the Grand Jury prize at Cannes’ Critics Week and portrays the heroic struggles of a subsistence laborer in the Democratic Republic of Congo.
The 42nd Toronto International Film Festival runs September 7 to 17, 2017.
Terry P.
VIMOOZ is for lovers of independent films + foreign film + documentary + film festivals. We love championing the little films.
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VIDEO: Watch New Clip from GOOK Featuring Comedian David So
Check out this brand new clip from GOOK, featuring comedian David So. In the scene, a group of female customers flirt with Daniel, played by David So, and receive the special manager discount.
GOOK directed by Justin Chon opens in Los Angeles August 18th and in NY and other cities on August 25th.
The film follows Eli and Daniel, two Korean American brothers that run their late father’s shoe store in a predominantly African American community of Los Angeles. These two brothers strike up a unique and unlikely friendship with an 11-year-old African American girl, Kamila. As Daniel dreams of becoming a recording artist and Eli struggles to keep the story afloat, racial tensions build to a breaking point in L.A. as the “infamous” L.A. Riots break out.
Gook Official trailer
https://www.youtube.com/watch?v=u_UxfY-wdaw
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Stony Brook Film Festival Announces 2017 Awards, Catherine Eaton’s THE SOUNDING Wins Best Film
The 22nd Stony Brook Film Festival ran July 20 to 29, and had the largest attendance in the history of the Festival. The Sounding directed by Catherine Eaton walked away with the Jury Award for Best Feature.
Alan Inkles, founder and director of the Stony Brook Film Festival said, “It truly was a magical year where almost every feature and shorts filmmaker attended their screenings to represent their films and host
Q & As. When we add in the sales agents and distributors that attended, we saw our Filmmaker Lounge humming with energy and interaction among filmmakers, talent and industry. As for the films we showed, the audience scores were the best in our 22 years. Great films, great guests and packed houses nightly. It’s what I envisioned for Stony Brook when we started this festival and it was certainly achieved this year.”
Award Winners of 2017 Stony Brook Film Festival
2017 Jury Award – Best Feature The Sounding United States – 93 min Directed by Catherine Eaton. Written by Bryan Delaney and Catherine Eaton. With Catherine Eaton, Teddy Sears, Harris Yulin, Frankie Faison and David Furr. Writer-Director-Actress Catherine Eaton gives a stunning performance as Liv, a mysterious woman residing on an island off the coast of Maine who has chosen to remain silent for years. When she suffers a terrible loss, Liv suddenly begins to speak as she weaves a language out of Shakespeare’s words. After a series of events result in her being committed to a psychiatric hospital, Liv becomes a full-blown rebel, fighting for both her voice and her freedom. A powerful, uplifting drama. Produced by Catherine Eaton, Caitlin Gold, Veronique Huyghebaert, Aliki Paraschis and Jessica Vale. Edited by Marco Perez. Director of Photography: David Kruta. From Corsetless Productions. 2017 Audience Choice – Best Feature (tie) Fanny’s Journey France, Belgium – 94 min Directed by Lola Doillon. Written by Fanny Ben-Ami, Lola Doillon, Anne Peyrègne. With Léonie Souchaud and Cécile De France. In French with subtitles In 1943, after avoiding the authorities with other Jewish children in France for three years, 13-year-old Fanny and her sisters are quickly sent to an Italian foster home. When the Nazis arrive in Italy, their caretakers plan an escape to Switzerland. Suddenly left on their own, eleven children do the impossible. Based on a true story, this moving tale of bravery, strength, and survival features exceptional performances by the young cast. Produced by Saga Blanchard, Marie de Lussigny. Edited by Valérie Deseine. Director of Photography: Pierre Cottereau. A David-Films, Scope Pictures, France 2 Cinéma, Rhône-Alpes Cinéma, and Ce Qui Me Meut Motion Pictures production. From Menemsha Films. 2017 Audience Choice – Best Feature (tie) To the Edge of the Sky World Premiere – United States – 118 min Directed by Todd Wider and Jedd Wider. How far would you go to save your son’s life? To the Edge of the Sky follows four families as they fight the FDA to gain access to a potentially lifesaving drug for Duchenne Muscular Dystrophy, a fatal disease their sons suffer from and the number one genetic killer of boys in the world. With a promising drug on the horizon, we witness the transformation of the mothers of four boys into “the rogue moms” as they become political activists and heroes during their righteous battle against time and the FDA. A challenging and uplifting documentary from Long Island brothers Todd and Jedd Wider (Client 9, God Knows Where I Am). Produced by Brian Ariotti. Edited by Mona Davis and Colin Nusbaum. Director of Photography: Gerardo Puglia. A Wider Film Projects film. 2017 Special Recognition by the Jury – Spirit of Independent Filmmaking Laura Gets a Cat United States – 83 min Written and Directed by Michael Ferrell. With Dana Brooke, Michael Ferrell, Jason Kravits (Unbreakable Kimmy Schmidt). Laura is a 30-something unemployed writer living in New York City and struggling with adulthood. She has a ‘weekend’ boyfriend she can’t commit to, friends who seem to have achieved their dreams, and a vivid imaginary life she uses to run away from reality. When she starts a new relationship with a coffee shop barista, real life proves too complicated and she tries to actually run away. Veteran stage actress Dana Brooke shines in this funny, fresh, poignant independent feature. Produced by Michael Ferrell, Chris Prine and Devin Sanchez. Edited by Chris Prine. Director of Photography: Paul Rondeau. From Living Boy Productions. 2017 Special Recognition by the Jury – Achievement in Social Impact Purple Dreams New York Premiere – United States – 72 min Directed by Joanne Hock. This inspirational documentary follows several students from the Northwest School of the Arts, in Charlotte, N.C., after it is chosen to be the first high school permitted to perform the musical The Color Purple. From auditions through opening night and beyond, the filmmakers follow these students as they pursue their dreams while struggling with homelessness, low-income neighborhoods, gang-related violence and single-parent households. A behind-the-scenes look at an amazing group of teachers and students who work relentlessly to put on a triumphant musical production that propels them into a world of opportunity they never expected. Produced by Robin Grey, Sara Patel. Edited by John Disher. Director of Photography: Joanne Hock. From GreyHawk Films. 2017 Jury Award – Best Short Across the Line World Premiere – Israel – 29 min In Arabic and Hebrew with subtitles A film by Nadav Shlomo Giladi A Jewish settler, hurrying home for Shabbat, encounters a stubborn Palestinian hitchhiker. 2017 Audience Choice Award – Best Short Just, Go! Latvia – 11 minutes A film by Pavels Gumennikovs In Latvian with subtitles A young man without legs chases down surprised purse snatchers for the girl he loves. Photo: July 29, 2017 Award winners at the Closing Night Awards reception, 22nd Annual Stony Brook Film Festival presented by Island Federal Credit Union L to R: Jury Award-Best Feature: The Sounding, Catherine Eaton, writer/director/actor/co-producer Audience Choice-Best Feature: To the Edge of the Sky, Todd and Jedd Wider, directors; (tie with Fanny’s Journey, director Lola Doillon, not pictured) Special Recognition by the Jury-Spirit of Independent Filmmaking: Laura Gets a Cat, Michael Ferrell, writer/director/actor/co-producer Special Recognition by the Jury-Achievement in Social Impact: Purple Dreams, Robin Grey, co-producer Jury Award-Best Short: Across the Line Nadav Shlomo Giladi Audience Choice Award-Best Short: Just, Go! Pavels Gumennikovs Photo credits: Nick A. Koridis for the Stony Brook Film Festival
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Martha’s Vineyard African American Film Festival to Open with MARSHALL + Feature Kathryn Bigelow, Spike Lee
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Marshall[/caption]
The 15th Annual Martha’s Vineyard African American Film Festival (MVAAFF) will be held from August 7 to 12, 2017, and will officially kick off with Reginald Hudlin’s Marshall.
The 2017 Martha’s Vineyard African American Film Festival will kick-off with a presentation by the Smithsonian National Museum of African American History and Culture’s Earl W. and Amanda Stafford Center for African American Media Arts’ department of digitization and preservation. On Monday, August 7 at 4 p.m. at the MVPAC the museum will preview, from their historical collection, home movies from Cab Calloway, among others.
Exclusive Spotlight Screenings: 4 p.m. – 6 p.m. Annapurna Pictures will screen Detroit starring John Boyega and Anthony Mackie. Talk-back to follow with Kathryn Bigelow, moderated by Khalil Muhammad, professor of History, Race and Public Policy, Harvard Kennedy School – Harvard University. From 8 p.m. – 10 p.m. Amazon Studio’s Crown Heights will screen starring Lakeith Stanfield and Nnamdi Asomugha.
Opening Night film will be a special screening of Reginald Hudlin’s Marshall, presented by Open Road Films, on Tuesday, August 8 at 7 p.m. at the MVPAC. “The Color of Conversation” will immediately follow with Reginald Hudlin.
Wednesday, August 9 at 7 p.m. at MVPAC, the Global Sport Institute at Arizona State University will present a screening of the NAACP Image Award-nominated “Little Ballers” – talk-back to immediately follow.
On Thursday, August 10 at 7 p.m. at MVPAC, the Global Sport Institute at Arizona State University and Spike Lee will present clips from, the Netflix acquired, Rodney King starring Roger Guenveur Smith.
The short film competition, sponsored by HBO and Saatchi & Saatchi Global Advertising, will be held Friday, August 11 from 3 p.m. – 4:30 p.m. at the MVPAC. Immediately following, at 5 p.m., HBO will showcase an episode of the network’s inventive series, Issa Rae’s “Insecure” with moderated talk-back. At 7 p.m. HBO’s “The Defiant Ones” will screen. Moderated talk-back to immediately follow with Allen Hughes and Dr. Henry Louis “Skip” Gates, Jr.
Spike Lee to present preview the Original Netflix series “She’s Gotta Have It” on Saturday, August 12 at 7 p.m. at MVPAC. “The Color of Conversation” to follow.
The annual Martha’s Vineyard African American Film Festival is presented by Run&Shoot Filmworks.
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2017 Venice Film Festival Unveils Official Lineup Featuring George Clooney, Darren Aronofsky and More
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Suburbicon[/caption]
The Venice Film Festival today revealed the official lineup of films for the 74th edition of the festival taking place August 30 to September 9, 2017. The in-competition lineup features films Mother! by Darren Aronofsky, Suburbicon by George Clooney, and Downsizing by Alexander Payne.
Venezia 74
International competition of feature films, presented as world premieres AI WEIWEI – HUMAN FLOW Germany, USA, 140’ DARREN ARONOFSKY – MOTHER! USA, 120’ Jennifer Lawrence, Javier Bardem, Michelle Pfeiffer, Domhnall Gleeson, Ed Harris GEORGE CLOONEY – SUBURBICON USA, 104’ Matt Damon, Julianne Moore, Noah Jupe, Oscar Isaac GUILLERMO DEL TORO – THE SHAPE OF WATER USA, 119’ Sally Hawkins, Michael Shannon, Richard Jenkins, Doug Jones, Michael Stuhlbarg, Octavia Spencer ZIAD DOUEIRI – L’INSULTE France, Lebanon, 110’ Adel Karam, Kamel El Basha, Camille Salameh, Rita Hayek ROBERT GUÉDIGUIAN – LA VILLA France, 107’ Ariane Ascaride, Jean-Pierre Darroussin, Gérard Meylan, Jacques Boudet, Anaïs Demoustier, Robinson Stévenin ANDREW HAIGH – LEAN ON PETE United Kingdom, 121’ Charlie Plummer, Steve Buscemi, Chloë Sevigny ABDELLATIF KECHICHE – MEKTOUB, MY LOVE: CANTO UNO France, Italy, 180’ Shain Boumedine, Ophélie Baufle, Salim Kechiouche, Lou Luttiau, Alexia Chardard, Hafsia Herzi KOREEDA HIROKAZU – SANDOME NO SATSUJIN (THE THIRD MURDER) Japan, 124’ Fukuyama Masaharu, Yakusho Koji, Hirose Suzu XAVIER LEGRAND – JUSQU’À LA GARDE France, 90’ Denis Ménochet, Léa Drucker, Thomas Gioria, Mathilde Auneveux, Saadia Bentaïeb MANETTI BROS. – AMMORE E MALAVITA Italia, 133’ Giampaolo Morelli, Serena Rossi, Claudia Gerini, Carlo Buccirosso SAMUEL MAOZ – FOXTROT Israel, Germany, France, Switzerland, 113’ Lior Ashkenazi, Sarah Adler, Yonatan Shiray MARTIN MCDONAGH – THREE BILLBOARDS OUTSIDE EBBING, MISSOURI United Kingdom, 110’ Frances McDormand, Woody Harrelson, Sam Rockwell, Abbie Cornish, John Hawkes, Peter Dinklage ANDREA PALLAORO – HANNAH Italy, Belgium, France, 95’ Charlotte Rampling, André Wilms ALEXANDER PAYNE – DOWNSIZING USA, 140’ Matt Damon, Christoph Waltz, Hong Chau, Kristen Wiig VIVIAN QU – JIA NIAN HUA (ANGELS WEAR WHITE) China, France, 107’ Wen Qi, Zhou Meijun, Shi Ke, Geng Le, Liu Weiwei, Peng Jing SEBASTIANO RISO – UNA FAMIGLIA Italy, 105’ Micaela Ramazzotti, Patrick Bruel PAUL SCHRADER – FIRST REFORMED USA, 108’ Ethan Hawke, Amanda Seyfried, Cedric Kyles WARWICK THORNTON – SWEET COUNTRY Australia, 112’ con Sam Neill, Bryan Brown, Hamilton Morris, Thomas M. Wright PAOLO VIRZÌ – THE LEISURE SEEKER Italia, 112’ Helen Mirren, Donald Sutherland FREDERICK WISEMAN – EX LIBRIS. THE NEW YORK PUBLIC LIBRARY USA, 197’Out of Competition
Important works by directors already established in previous editions of the Festival JON ALPERT – CUBA AND THE CAMERAMAN [NON-FICTION] USA, 113’ GIANNI AMELIO – CASA D’ALTRI [SPECIAL EVENTS] Italy, 16’ RITESH BATRA – OUR SOULS AT NIGHT USA, 101’ Jane Fonda, Robert Redford DAVID BATTY – MY GENERATION [NON-FICTION] United Kingdom, 85’ Michael Caine ANTONIETTA DE LILLO – IL SIGNOR ROTPETER Italy, 37’ Marina Confalone ABEL FERRARA – PIAZZA VITTORIO [NON-FICTION] Italy, 82’ STEPHEN FREARS – VICTORIA & ABDUL United Kingdom, 149’ Judi Dench, Ali Fazal, Eddie Izzard WILLIAM FRIEDKIN – THE DEVIL AND FATHER AMORTH [NON-FICTION] USA, 68’ RACHID HAMI – LA MÉLODIE France, 102’ Kad Merad, Samir Guesmi, Renély Alfred, Youssouf Gueye TAKESHI KITANO – OUTRAGE CODA Japan, 104’ Beat Takeshi, Nishida Toshiyuki JERRY KRAMER – MAKING OF MICHAEL JACKSON’S THRILLER [SPECIAL EVENTS] USA, 45’ JOHN LANDIS – MICHAEL JACKSON’S THRILLER 3D [SPECIAL EVENTS] USA, 14’ Michael Jackson, Ola Ray FERNANDO LEÓN DE ARANOA – LOVING PABLO Spain, Bulgaria, 123’ Javier Bardem, Penélope Cruz, Peter Sarsgaard LUCRECIA MARTEL – ZAMA Argentina, Brazil, 115’ Daniel Giménez Cacho, Lola Dueñas, Matheus Nachtergaele, Juan Minujín DANIEL MCCABE – THIS IS CONGO [NON-FICTION] Congo, 91’ ERROL MORRIS – WORMWOOD USA, 300’ (TV series, 6 episodes) Peter Sarsgaard, Molly Parker, Christian Camargo, Scott Shepherd, Tim Blake Nelson, Bob Balaban STEPHEN NOMURA SCHIBLE – RYUICHI SAKAMOTO: CODA [NON-FICTION] USA, Japan, 100’ FRANCESCO PATIERNO – DIVA! Italy, 75’ Barbora Bobulova, Anita Caprioli, Carolina Crescentini, Silvia D’Amico, Isabella Ferrari, Carlotta Natoli, Greta Scarano, Anna Foglietta, Michele Riondino MICHAËL R. ROSKAM – LE FIDÈLE Belgium, France, Netherlands, 130’ Matthias Schoenaerts, Adèle Exarchopoulos CHRIS SMITH – JIM & ANDY: THE GREAT BEYOND. THE STORY OF JIM CARREY, ANDY KAUFMAN AND TONY CLIFTON [NON-FICTION] USA, Canada, 90’ SILVIO SOLDINI – IL COLORE NASCOSTO DELLE COSE Italy, Switzerland, 115’ Valeria Golino, Adriano Giannini, Arianna Scommegna, Laura Adriani JAMES TOBACK – THE PRIVATE LIFE OF A MODERN WOMAN USA, 71’ Sienna Miller, Alec Baldwin, Charles Grodin, Colleen Camp, Carl Icahn GIOVANNI TOTARO – HAPPY WINTER [NON-FICTION] Italy, 91’ S. CRAIG ZAHLER – BRAWL IN CELL BLOCK 99 USA, 132’ Vince Vaughn, Jennifer Carpenter, Don Johnson, Udo KierVenice Virtual Reality
Competitive section of VR films, with a selection of out-of-competition VR films NICOLÁS ALCALÁ – MELITA USA, 24’ (Animation) LAURIE ANDERSON, HUANG HSIN-CHIEN – LA CAMERA INSABBIATA USA, 20’ (Animation) GABO ARORA – THE LAST GOODBYE USA, 20’ LYSANDER ASHTON, LEO WARNER – MY NAME IS PETER STILLMAN United Kingdom, 6’ (Amimation) MATHIAS CHELEBOURG – ALICE, THE VIRTUAL REALITY PLAY France, 20’ Robin Berry, Josh Jefferies EUGENE YK CHUNG – ARDEN’S WAKE EXPANDED USA, 16’ (Animation) NONNY DE LA PEÑA – GREENLAND MELTING USA, 11’ GINA KIM – DONGDUCHEON (BLOODLESS) South Korea, USA, 12’ URI KRANOT, MICHELLE KRANOT – NOTHING HAPPENS Denmark, France, 14’ (Animation) MI LI – SHI MENG LAO REN (THE DREAM COLLECTOR) China, 11’ (Animation) RICHARD MILLS, KIM-LEIGH PONTIN – NEFERTITI United Kingdom, 15’ (Animation) RAFAEL PAVÓN, NICOLÁS ALCALÁ – SNATCH VR HEIST EXPERIENCE USA, 5’ Rupert Grint, Luke Pasqualino, Lucien Laviscount, Phoebe DynevorOrizzonti
A competition dedicated to films that represent the latest aesthetic and expressive trends in international cinema ALI ASGARI – NAPADID SHODAN (DISAPPEARANCE) Iran, Qatar, 89′ with Sadaf Asgari, Amir Reza Ranjbaran, Nafiseh Zare, Sahar Sotoodeh GILLES BOURDOS – ESPÈCES MENACÉES France, Belgium, 105’ with Alice Isaaz, Vincent Rottiers, Grégory Gadebois, Suzanne Clément NANCY BUIRSKI – THE RAPE OF RECY TAYLOR Usa, 91′ LUCIEN CASTAING-TAYLOR, VERENA PARAVEL – CANIBA France , 90′ SOFIA DJAMA – LES BIENHEUREUX France, Belgium, 102′ with Sami Bouajila, Nadia Kaci, Amine Lansari, Lyna Khoudri ANNE FONTAINE – MARVIN France , 115′ with Finnegan Oldfield, Isabelle Huppert, Grégory Gadebois, Vincent Macaigne PABLO GIORGELLI – INVISIBLE Argentina, Brazil, Uruguay, Germany, 87’ with Mora Arenillas, Mara Bestelli, Diego Cremonesi COSIMO GOMEZ – BRUTTI E CATTIVI Italy, France, 87’ with Claudio Santamaria, Marco D’Amore, Sara Serraiocco TZAHI GRAD – HA BEN DOD (THE COUSIN) Israel, 92′ with Ala Dakka, Tzahi Grad, Osnat Fishman AMICHAI GREENBERG – HA EDUT (THE TESTAMENT) Israel, Austria, 91’ with Ori Pfeffer, Rivka Gur, Hagit Dasberg Shamul, Ori YanivCinema nel Giardino
Films, talks, and visions DARIO ALBERTINI – MANUEL Italy, 97’ Andrea Lattanzi, Giulia Elettra Gorietti, Francesca Antonelli, Raffaella Rea RÄ DI MARTINO – CONTROFIGURA Italy, France, Morocco, Switzerland, 75’ Valeria Golino, Filippo Timi, Corrado Sassi, Nadia Kounda, Younes Bouab KATE MULLEAVY, LAURA MULLEAVY – WOODSHOCK USA, 116’ Kirsten Dunst, Pilou Asbaek, Joe Cole, Stephan Duvall BRUNO OLIVIERO – NATO A CASAL DI PRINCIPE Italy, Spain, 96’ Alessio Lapice, Massimiliano Gallo, Donatella Finocchiaro, Lucia Sardo, Antonio Pennarella MICHELE PLACIDO, ANDREA MOLAIOLI, GIUSEPPE CAPOTONDI – SUBURRA. LA SERIE Italy, 100’ Alessandro Borghi, Giacomo Ferrara, Eduardo Valdarnini, Francesco Acquaroli, Filippo Nigro, Claudia Gerini FRANÇOIS TROUKENS, JEAN-FRANÇOIS HENSGENS – TUEURS Belgium, France, 86’ Olivier Gourmet, Lubna Azabal, Kevin Janssens, Bouli Lanners
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2017 Open City Documentary Festival Unveils Lineup

MOTHERLAND OR DEATH, Vitaly Mansky The 2017 Open City Documentary Festival today announced the program for the 7th edition of the festival, taking place in London from September 5 to 10, 2017.
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38th Durban International Film Festival Awards, A FATHER’S WILL Wins Best Film
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A Father’s Will[/caption]
The Durban International Film Festival (DIFF) announced this year’s award-winners at the 38th DIFF Awards ceremony, with the award for the Best Feature Film going to A Father’s Will; and the award for Best South African Feature Film going to Vaya directed by Akin Omotoso.
The Best Director for a South African Film went to John Trentgrove The Wound.
The Best South African Documentary award was taken by Strike A Rock, directed by Aliki Saragas which the jury described as a powerful documentary that reflects the context of the current South African society; while the Best International Documentary went to Dusk Chorus directed by Nika Šaravanja and Alessandro D’Emilia.
The award for Best Direction in the international competition, went to A Father’s Will (Bakyt Mukul, Dastan Zhapar Uulu) in addition to the award for Best Cinematography (Akjol Bekbolotov).
The Amnesty International Durban Human Rights Award for the film that best reflects human rights issues which comes with a cash prize donated by the Amnesty International went to Strike a Rock and Mama Colonel ; and the African Critic Award was won by Serpent which also opened DIFF this year.
38th Durban International Film Festival Awards
Best Feature Film – A Father’s Will Best South African Feature – Vaya Best Director for a South African Film: John Trentgrove The Wound Best Direction – A Father’s Will (Bakyt Mukul, Dastan Zhapar Uulu.) Best Cinematography – A Father’s Will (Akjol Bekbolotov) Best Screenplay – La Soledad (Jorge Thielen Armand, Rodrigo Michelangeli) Best Actor – Nakhane Touré (The Wound) Best actress – Mariam Al Ferjani (Beauty and the Dogs) Best editing – La Soledad (Felipe Guerrero) Artistic Bravery – Liyana Best International Short Film – Witnesses Best African Short Film – All of Us Best South African Short – The Hangman Best South African Documentary Film – Strike A Rock Best International Documentary Film – Dusk Chorus
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VIDEO: Poster + Watch Official Trailer for Eliza Hittman’s Sundance Award Winning Indie Drama BEACH RATS
Neon has released the official trailer and poster for the Sundance Film Festival award-winning indie drama Beach Rats, from filmmaker Eliza Hittman, a follow-up to her debut It Felt Like Love. The film will be released in select theaters starting August 25th.
Beach Rats premiered earlier this year at the 2017 Sundance Film Festival where the film won the Best Director award for Eliza Hittman.
An aimless teenager (Harris Dickinson) on the outer edges of Brooklyn struggles to escape his bleak home life and navigate questions of self-identity, as he balances his time between his delinquent friends, a potential new girlfriend, and older men he meets online.
https://www.youtube.com/watch?v=df0TQJBkPP4
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Cecilia Aldarondo Delves into the Secrecy Her Uncle’s Death In MEMORIES OF A PENITENT HEART | Trailer
Twenty-five years after her uncle died of AIDS, filmmaker Cecilia Aldarondo delves into the secrecy surrounding his death in the documentary Memories of a Penitent Heart.
Memories of a Penitent Heart, which premiered at the 2016 Tribeca Film Festival, will have its national broadcast premiere on the PBS documentary series POV (Point of View) on July 31, 2017.
Like many gay men in the 1980s, Miguel moved to New York City in search of a life out of the closet; he found a career in theater and a rewarding relationship. Yet in the midst of the AIDS crisis, his devout Catholic mother pressured him to repent for his homosexuality on his deathbed. Twenty-five years later, his niece Cecilia Aldarondo breaks the silence surrounding her uncle’s death, sifting through conflicting memories of a man she never really knew. She locates Miguel’s estranged partner and begins to unlock long-dormant family secrets.
Through home movies, audio recordings, family photos, letters and interviews, Cecilia Aldarondo’s Memories of a Penitent Heart reconstructs her uncle Miguel’s New York life, one he lived far from his family, especially his religious mother. Along the way, her investigation untangles a knot of family secrets, denials and repressed conflicts.
Born and raised in the 1970s in Puerto Rico, Miguel Dieppa was a gay man eager to leave the island in search of Broadway fame in New York City.
Aldarondo’s investigation begins with a two-year search for Miguel’s long-time partner, Bob, who disappeared after Miguel’s funeral. When she eventually finds him, he is living in Pasadena, California, as Father Aquin, a Franciscan monk. Through the reminiscences of Aquin and others who knew him, Miguel emerges as a charismatic and vivacious actor and playwright, struggling to live comfortably in his own skin.
We see glimpses into Miguel’s restlessness in his autobiographical play, Island Fever: “I guess that’s a diagnosis for my case. It’s that feeling that creeps on up on those who have known wide spaces, or long to do so.”
Miguel seems eternally torn between two identities. His New York friends know him as Michael, a freedom-loving gay thespian, while to his family in Puerto Rico he remains Miguel, the obedient son who downplays his sexuality.
Unexpectedly, Miguel begins to get sick, and although he refuses to be tested, telltale skin lesions on his legs indicate AIDS as the underlying illness.
Miguel’s illness places Bob on a collision course with Miguel’s mother, Carmen, as the two come to represent opposing faces of faith. Fearing that her son is not yet “dead to life but dead to grace,” Carmen feels Miguel can only find redemption if he repents.
Delving into her family’s trove of secrets, Aldarondo’s Memories of a Penitent Heart examines the light and dark sides of faith and how we fight over the memories of those we love. In the director’s intensely personal film, Miguel’s friends and family reflect on their imperfect relationships. Considering her own flaws, Miguel’s sister (Aldarondo’s mother) Nylda reflects, “The bottom line is that we all need to survive and we use different ways of surviving, according to our gifts, our limitations and our circumstances.” That prompts her daughter to ask, “Can’t we survive and look out for others as well?”
Memories of a Penitent Heart is a brave and honest exhumation of buried resentments that ultimately reveals how reflections on grief, betrayal and love bring us closer to reconciliation.
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Mohamed Diab’s CLASH, Egypt’s Street Protest Drama, to Open in Theaters August 25 | Trailer
Mohamed Diab’s CLASH, a film set entirely within the confines of a police van in Cairo, Egypt, two years after the Arab Spring, will get a release in the US beginning late August, 2017.
An official selection at Cannes, London, Cairo, and Palm Springs film festivals, among others, CLASH will open at New York’s Village East Cinema on Friday, August 25, 2017, before a national rollout during the fall.
Dramatizing the mass protests and political unrest after the ouster of Islamist President Mohamed Morsi by the Egyptian army, CLASH takes viewers inside a society struggling with violent street protests – and in a state of chaotic breakdown.
Stuck together in a small moving cell, journalists, elderly men and women, teenagers, and demonstrators from opposing political, ideological and religious affiliations, are forced to work together in order to face police brutality and stifling heat.
Furthermore, as the general public grows increasingly angry and threatens to harm the police (and even those arrested by them, often mistaking diverse groups as a single enemy faction), it becomes pressing for them to find a way out. But can the detainees overcome their differences? Can Egypt build a new social order in the face of internal violence and the breakdown of its democratic institutions?
https://www.youtube.com/watch?v=SmcXa2MaKw4

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