The Big Bang Theory star Kunal Nayyar[/caption]
The Indian Film Festival of Los Angeles (IFFLA) has added two exciting programs and revealed the members of its features and shorts juries for the 16th annual festival, which takes place April 11 to 15 at the Regal L.A. LIVE: A Barco Innovation Center cinemas in downtown Los Angeles.
The Big Bang Theory star Kunal Nayyar will sit down for a moderated discussion about his career beginnings, his path to stardom on U.S. television’s highest rated comedy, and to advise the next generation of artists on how to gain a foothold in a competitive industry.
Best known for his role as Rajesh Koothrappali on The Big Bang Theory, Nayyar’s career has spanned television, features and the stage. He’s performed voice work in the DreamWorks animated feature TROLLS, and Fox’s ICE AGE: CONTINENTAL DRIFT, as well as the Nickelodeon series Sanjay and Craig. His television credits also include a recurring role on TBS’ Sullivan & Sons, and a 2015 stint as guest host on CBS’ The Late Late Show. In 2015, he made his off-Broadway and London West End debut starring alongside Jesse Eisenberg in The Spoils, and he produced the documentary feature BEYOND ALL BOUNDARIES, which won an IFFLA Grand Jury Prize in 2013.
The master class is presented with support from the India Center Foundation and will take place on Thursday, April 12 at 9:00pm.
IFFLA has also added to its 2018 lineup the world premiere of rising star director Karthik Subbaraj’s new feature MERCURY. The film features South Indian superstar Prabhu Deva, and focuses on five long-time friends, all of whom are maimed as a result of their town’s mercury poisoning, who come together for their high school reunion. But a moment of mischief and misfortune during the after-party puts them on a one-way road to hell. MERCURY will screen on Thursday, April 12 at 9:15pm with director Karthik Subbaraj in attendance.
An impressive panel of jurors will preside over IFFLA’s features and shorts competitions.
The features jury includes: director Haifaa Al-Mansour, whose multiple award-winning debut feature WADJDA was the first film shot entirely in Saudi Arabia; film critic Carlos Aguilar, whose work appears in Indiewire, MovieMaker Magazine, Filmmaker Magazine, Variety Latino and Remezcla; and actress Sujata Day, known for her starring role on Issa Rae’s The Misadventures of Awkward Black Girl, and her recurring role as Sarah on HBO’s Insecure.
The shorts jury will include: Internationally renowned religious scholar and writer Reza Aslan, whose books include the #1 New York Times best-seller Zealot: The Life and Times of Jesus of Nazareth, and who has served as producer on HBO’s The Leftovers, ABC’s Of Kings and Prophets, and hosted CNN’s original series Believer; director Aneesh Chaganty, whose debut feature SEARCHING was acquired by Sony Pictures for worldwide release in 2018 after its world premiere in Sundance, where it was awarded the Alfred P. Sloan Feature Film prize and the NEXT Audience Award; and Guinevere Turner, screenwriter of AMERICAN PSYCHO, THE NOTORIOUS BETTIE PAGE, and Mary Harron’s forthcoming CHARLIE SAYS. Turner also wrote, produced and starred in the 1994 landmark queer film GO FISH.Terry P.
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‘Big Bang Theory’ Star Kunal Nayyar + World Premiere of MERCURY Added to Indian Film Festival of Los Angeles 2018 Lineup
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The Big Bang Theory star Kunal Nayyar[/caption]
The Indian Film Festival of Los Angeles (IFFLA) has added two exciting programs and revealed the members of its features and shorts juries for the 16th annual festival, which takes place April 11 to 15 at the Regal L.A. LIVE: A Barco Innovation Center cinemas in downtown Los Angeles.
The Big Bang Theory star Kunal Nayyar will sit down for a moderated discussion about his career beginnings, his path to stardom on U.S. television’s highest rated comedy, and to advise the next generation of artists on how to gain a foothold in a competitive industry.
Best known for his role as Rajesh Koothrappali on The Big Bang Theory, Nayyar’s career has spanned television, features and the stage. He’s performed voice work in the DreamWorks animated feature TROLLS, and Fox’s ICE AGE: CONTINENTAL DRIFT, as well as the Nickelodeon series Sanjay and Craig. His television credits also include a recurring role on TBS’ Sullivan & Sons, and a 2015 stint as guest host on CBS’ The Late Late Show. In 2015, he made his off-Broadway and London West End debut starring alongside Jesse Eisenberg in The Spoils, and he produced the documentary feature BEYOND ALL BOUNDARIES, which won an IFFLA Grand Jury Prize in 2013.
The master class is presented with support from the India Center Foundation and will take place on Thursday, April 12 at 9:00pm.
IFFLA has also added to its 2018 lineup the world premiere of rising star director Karthik Subbaraj’s new feature MERCURY. The film features South Indian superstar Prabhu Deva, and focuses on five long-time friends, all of whom are maimed as a result of their town’s mercury poisoning, who come together for their high school reunion. But a moment of mischief and misfortune during the after-party puts them on a one-way road to hell. MERCURY will screen on Thursday, April 12 at 9:15pm with director Karthik Subbaraj in attendance.
An impressive panel of jurors will preside over IFFLA’s features and shorts competitions.
The features jury includes: director Haifaa Al-Mansour, whose multiple award-winning debut feature WADJDA was the first film shot entirely in Saudi Arabia; film critic Carlos Aguilar, whose work appears in Indiewire, MovieMaker Magazine, Filmmaker Magazine, Variety Latino and Remezcla; and actress Sujata Day, known for her starring role on Issa Rae’s The Misadventures of Awkward Black Girl, and her recurring role as Sarah on HBO’s Insecure.
The shorts jury will include: Internationally renowned religious scholar and writer Reza Aslan, whose books include the #1 New York Times best-seller Zealot: The Life and Times of Jesus of Nazareth, and who has served as producer on HBO’s The Leftovers, ABC’s Of Kings and Prophets, and hosted CNN’s original series Believer; director Aneesh Chaganty, whose debut feature SEARCHING was acquired by Sony Pictures for worldwide release in 2018 after its world premiere in Sundance, where it was awarded the Alfred P. Sloan Feature Film prize and the NEXT Audience Award; and Guinevere Turner, screenwriter of AMERICAN PSYCHO, THE NOTORIOUS BETTIE PAGE, and Mary Harron’s forthcoming CHARLIE SAYS. Turner also wrote, produced and starred in the 1994 landmark queer film GO FISH.
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15 Israeli Films to Compete in 2018 Docaviv – The Tel Aviv International Documentary Film Festival
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Bus 881[/caption]
Around 120 new local and international documentaries will be screened at the 20th anniversary edition of Docaviv – The Tel Aviv International Documentary Film Festival which will take place in Tel Aviv from May 17 through May 26, 2018. Docaviv is the largest documentary film festival in Israel, and the only one dedicated exclusively to documentary films.
This year 15 Israeli documentaries were selected from 78 submissions for the Israeli Competition. The selection represents superb, rich and diverse filmmaking, and includes: A Sister’s Song by Danae Elon, The Candidate by Tali Shemesh & Asaf Sudry, A Song of Ascension by David Ofek & Gad Aisen, In the Desert: Firing Zone 918 by Avner Faingulernt, The Jewish Underground by Shai Gal, Settler by Iris Zaki, and others. Three Israeli films were selected for the international Depth of Field Competition. These films stretch the boundaries of documentary filmmaking and explore the cinematic language: Salarium by Daniel Mann & Sasha Litvintseva, The Disappeared by Gilad Baram & Adam Kaplan and Standby Painter by Amir Yatziv.
In addition, six films by students from Israel’s leading film schools were selected for Docaviv’s annual Student Film Competition.
Additional films will be screened outside of competition: The King of Börek by Orit Ronel, Daddy, Where are Mom and Grandma? by Nili Tal, The Assassination by Avi Weissblei, and others. To mark the festival’s 20th edition, founder Ilana Tzur has curated a special slate of films from the festival’s early years, including No. 17 by David Ofek, winner of the Israeli Competition from Docaviv’s fifth edition.
The winner of this year’s Israeli Competition will be presented with the Howard Gilman award: NIS 70,000—Israel’s largest prize for documentary filmmaking. Other honors include the Mayor’s Award for Best Debut Film, Honorable Mention, as well as the Editing, Cinematography, Research, and Original Score awards.
Israeli Competition:
A Sister’s Song Director: Danae Elon Producers: Danae Elon & Paul Cadieux Israeli Premiere Marina, a young Jewish woman from Haifa, sets out to confront her sister, who has become a nun and lives in a monastery in Greece, where she is known as “Sister Jerusalem”. Marina hopes her sister will let her family back into her heart. A Perfect Housewife Director: Jane Bibi Producer: Arik Bernstein World Premiere All her life Jane has stood against the conventions of conservative Georgian society. Now a mother-to-be, she returns to her family after years of resentment. Armed with a camera, she tries to understand her mother and herself, and maybe even find it in her heart to forgive, despite the looming shadow of their complex relationships with the men of the family. You Only Die Twice Director: Yair Lev Producers: David Deri & Markus Glaser By: Yair Lev and David Deri International Premiere Who stole the identity of Ernest Bachinsky, the director’s grandfather? This surprising mystery thriller tells the story of a man who became the president of the Jewish community in Austria while living with a family of high-ranking S.S. officials and concealing his true identity. What dark fate was he trying to run from? In the Desert: Firing Zone 918 A Documentary Diptych Director: Avner Faingulernt Producers: Shlomi Elkabetz, Hagar Saad Shalom, Paul Cadieux, Danae Elon, Avner Faingulernt International Premiere Two documentary features about Jewish and Arab shepherds who live next to each other in the southern reaches of Mt. Hebron, but never actually meet. As they struggle to adhere to ancient traditions, they find that the desert is deceptive, and politics are even more so. But the struggle that determines their fate is the struggle within. Yeshurun in 6 Chapters Director: Amichai Chasson Producer: Yair Qedar World Premiere Yehiel Perlmutter wrecked his own house to be reborn in Tel Aviv as the great outsider poet Avoth Yeshurun, who wrote in a unique mix of Hebrew, Yiddish and Arabic. This is a portrait of a lone revolutionary and silence breaker, suspended between ostracism and recognition. The Wounded Healer Director: Yochay Rosenberg Producer: Ron Ofer World Premiere Dan Philipp, a senior clinical criminologist, has spent a career treating sex offenders. His friendship with the most despised of all criminals and his refusal to uphold the boundaries between normality and deviance have driven him away from his professional community and immediate family. At 87, shortly before he “cashes in his chips”, he finally faces the one memory he never dared to face. Dudu Tassa & the Kuwaitis Director: Tal Hake Producer: Or Davidson World Premiere Dudu Tassa & the Kuwaitis, a successful Arab-Israeli ensemble, join legendary band Radiohead to support them on their USA tour. They try to win the hearts of the audience with almost-forgotten Iraqi music, written a century ago by Tassa’s grandfather and his brother. This is a film about the dream, the excitement, the journey and the distance. Der Nister (The Hidden one) Director: Nahar Shabtai Producers: Elad Peleg & Haggai Arad World Premiere Der Nister is what my mother, Coleen Shabtai, called the house where she dreamed of raising a happy family. She married my father, the poet Aharon Shabtai, and gave birth to six children. Together they raised them in a house in Jerusalem, surrounded by cypress trees—until one day it was all taken away. The Candidate Directors & producers: Tali Shemesh & Asaf Sudry World Premiere The film follows Moshe Kahlon and his campaign staff from the 2015 elections to the moment he sat down in the minister’s office. The mystery man of Israeli politics has agreed to let a camera into his headquarters, where the key players of today’s political arena plan their next moves. The Jewish Underground Director: Shai Gal Producers: Lisa Shiloach-Uzrad, Idit Mistriel, Amit Stretiner, Yossi Uzrad, Guy Jacoel Israeli Premiere This political detective thriller begins with the Shin Bet’s investigation that led to the arrest of the members of the Jewish Underground, who had planned to blow up the Dome of the Rock. Using unique archive footage and interviews, it tells the story of how the members of the underground made their way to the top of Israel’s political power structure, where they continue to pull the strings even today. Flood Director & producer: Ohad Milstein International Premiere Thousands of years after the Great Flood, four people, floating between heaven and earth, must face nature’s changes. Family in Transition Director: Ofir Trainin Producers: Ofir Trainin & Tal Barda World Premiere A Nahariya based family copes with the father’s gender transition. Galit, Amit and their four children believe love conquers all, but just when it seems Amit has finally made it through his gender journey, it is Galit’s personal journey that threatens the relationship. Settler Director: Iris Zaki Producers: Iris Zaki & Osnat Saraga Israeli Premiere Director Iris Zaki enters the heart of Tekoa, a West-Bank settlement, and sits down to talk to the locals. Though fearful at first of the left-wing invader, settlers from various backgrounds gradually open up to her. Their honest, surprising and sometimes funny conversations offer a fresh take on Israeli reality from both sides of the Green Line. A Song of Ascension Directors: David Ofek & Gad Aisen Production: Producer in Chief: Enav Shenhar, Head of Documentary Department: Ilanit Baumann By David Ofek, Gad Aisen and Sigal Russak Gissin World Premiere The film follows Rinat, Elad and Einav. Elad was left disabled after a botched simple operation. He and his wife Rinat bond with Einav as they enter the surrogacy process. The film follows their emotionally intense journey and dramatic life-choices. Wild Directors: Uriel Sinai & Danel Elpeleg Producer: Sol Goodman World Premiere The small staff of this wildlife hospital is acutely aware that an infirm animal cannot survive in the wild. But when an animal makes only a partial recovery, hard choices have to be made. Is life worth living at any cost?Depth of Field Competition
Standby Painter Director & Producer: Amir Yatziv International Premiere In September, 2000, Poznan Art Museum in Poland gave Robert Z permission to copy the painting “Beach in Pourville” by Claude Monet. Robert Z tells the untold story of what really happened that day at the museum, including the consequences. The Disappeared Directors & producers: Gilad Baram & Adam Kaplan Israeli Premiere The Disappeared is an experimental documentary unraveling the story of an action-drama feature film produced by the Israeli Army in the year 2000 and censored just a few weeks before its release. Salarium Directors and producers: Daniel Mann & Sasha Litvintseva Israeli Premiere Salarium captures the entanglement of economic, military and geological forces at work around the tens of thousands of sinkholes on the Dead Sea shores. The sinkholes in Salarium are the point of convergence for many themes: colonization, ecological disaster, military occupation and economic appropriation, human history and geological timelines.Student Film Competition:
Hebrew Kisses Director & producer: Manya Lozovskaya Sapir Academic College Newly repatriated from Russia, Manya tries to build a relationship with Erez, a native born Israeli Jew. But to be with him she must first undergo the process of Giyur and convert to Judaism. The Bride’s Tree Director & producer: Shadi Habib Allah Sam Spiegel Film and Television School Like his father before him, 12-year-old Murhaf is “the Secret-Keeper of the Tree”. He is responsible for a 400-year-old oak. Under the oak, the reality of living in poverty in an occupied land meets a world of fantasy and myth, and Murhaf finds the path to love. My Father’s Son Director & Producer: Hillel Rate Ma’aleh School of Television, Film and the Arts The symbiotic love between father and son is about to be tested by the son’s search for love. Bus 881 Director: Ron Goldin Producers: Christopher Albrodt & Cedric Engels Film Dept. at HaMidrasha – Faculty of the Arts at Beit Berl Academic College Anyone who wants to cross Dormagen has to ride bus 881, where newly-arrived refugees and native Germans find themselves stuck together in forced intimacy. It is a microcosm that tells the story of Germany’s coping with its recent immigration wave. A Train to the Horizon Director & producer: Sharon Shahanny Bezalel Academy of Arts and Design, Department of Screen-Based Arts Following a dream about a train shooting out from the yard of her Moroccan grandmother’s block, Sharon arrives at the picturesque town of Ofakim. The train turns out to be the block itself, and in it she finds a surprising, difficult and touching reality. Shudia Director & producer: Maayan Kapach Bezalel Academy of Arts and Design, Department of Photography Shudia is 95, and she can’t wait to die. When her son Meir reopens an old wound—the kidnapping of her eldest daughter—he is surprised to find not only pain, but also humor and an ongoing intergenerational conflict about a girl and a lost identity.Selected Israeli films from the festival’s various sections:
In Search of Ladino Director: David Perlov Producers: Liat Benhabib & Yael Perlov Israel 1981, 49 min A restored version Ladino encapsulates the sounds of an entire world—complete with culture, hopes and memories. David Perlov brings this world back to life, allowing Israeli Ladino speakers, some of them Holocaust survivors, to tell their stories and sing their songs in the rich language that has always been at the heart of their identities. No. 17 Directors: David Ofek & Ron Rotem Producers: Edna & Elinor Kowarsky Screening category: Rare Gems—Ilana Tzur Israel 2003, 75 min, Hebrew, English subtitles On June 2, 2002, a bus was blown up on its way to Tiberias. 17 people were killed. 16 of the bodies were identified, but nobody came for number 17. He was buried some weeks later, a John Doe. The German Director: Noga Nezer Producers: Noga Nezer & Robert Cibis Screening category: Panorama World Premiere In this documentary thriller, a romance between a young German man and the grandchild of a Holocaust survivor spirals of control in grandma’s old house. The Assassination Director & producer: Avi Weissblei Screening category: Panorama World Premiere 85 years ago an influential political leader was murdered on a beach in Tel Aviv. The two shooters were never identified. The film takes us back to those crucial minutes and delves into the unsolved mystery: who killed Haim Arlosoroff. Covered Up Director: Rachel Elitzur Producer: Avigail Sperber Screening category: Panorama World Premiere Rachel does not want to keep wearing her wig after her divorce, but it is forbidden by the Halakha and frowned upon by her family and the ultra-orthodox Jewish community she lives in. Her attempts to understand the meaning of the wigs worn by ultra-orthodox women after marriage lead her to a journey through personal, family and community life. Phoenix Director and producer: Anat Tel Screening category: Panorama World Premiere Phoenix, 32, was born in the Hebrew Israelite Nation in Dimona. When Phoenix was 3, his father was cast out of the community. They say that was when he got his curse. Now, as he starts a new chapter, he wants to forgive his parents, make his dreams come true and find happiness. Memory Agents Directors: Amalia Rosenblum & Ido Rosenblum Producer: Meital Cohen Screening category: Art World Premiere A decade after the death of Adam Baruch—a controversial cultural figure—his children, Ido and Amalia Rosenblum, try to get to know him. They create a temporary museum that displays more than a thousand items from his vast archive, and invite key figures to guide them through memory’s backstreets. The King of Börek Orit Ronell Producers: Yoram Ivry & David Noy Screening category: Panorama World Premiere This is the story of the Alkolombris, a family of Bulgarian bakers who immigrated to the newborn state of Israel, introducing the famous Bourekas pastry. A household name in Jaffa, Bourekas Sami has grown into a large franchise under the name Sami & Sons, but when money and respect began to flow, everything started to go wrong. Neighbors Director: Shay Levi Producers: Yoav Roeh & Orit Zamir Screening category: Panorama World Premiere After years of living in a moshav, I returned to my home town of Rehovot. I traded greenhouses and orchards for an elevator and a stairwell. All of a sudden there are other people living on the other side of my wall—parallel worlds, disturbingly close. Daddy, Where are Mom and Grandma? Director & Producer: Nili Tal Screening category: Panorama World Premiere In May 1996, when Itay Bleichman was 11, his father Dr. Amiram Hochberg murdered his mother Shlomit and his grandmother Ida Bleichman, kidnapped him and took him to Switzerland. In an exclusive interview, Itay recounts his story up to the day he was found in Basel.
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World Premiere of Elissa Down’s THE HONOR LIST to Kick Off 2018 Bentonville Film Festival
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THE HONOR LIST[/caption]
Bentonville Film Festival will open with the world premiere of Elissa Down’s THE HONOR LIST, and the festival will present a Centerpiece Screening of Lea Thompson’s THE YEAR OF SPECTACULAR MEN.
“We’re thrilled to be hosting these trailblazing women in the beautiful region of Northwest Arkansas at the fourth installment of BFF,” said co-founder Geena Davis, Academy Award®-winning actor and founder of the Geena Davis Institute on Gender in Media. “This IS the Year of the Woman, and BFF is proud to be at the forefront of this seismic change. If they can see it, they can be it!”
BFF will kick-off its celebration of inclusive filmmaking with its Opening Night film with the World Premiere of THE HONOR LIST as its Opening Night film from Studio L, a Lionsgate company. Directed by Elissa Down and written by Marilyn Fu, THE HONOR LIST is based on a story by Marilyn Fu and Meghan Rienks, and stars Meghan Rienks, Sasha Pieterse, Karrueche Tran, and Arden Cho. The film follows former best friends who reunite when tragedy strikes before their graduation. It is produced by sisters Mariel, Zoe, and Cisely Saldana’s Cinestar Pictures, along with PopSugar Films, and had a crew of over 60% women. Truly a film made by women, for women, it explores the complexities of friendships, family, love, loss, and high school.
“We are very happy to premiere THE HONOR LIST at this year’s Bentonville Film Festival,” said Executive Producer Zoe Saldana. “The festival’s focus on women and inclusion perfectly reflect the theme and spirit of our film, filmmakers, and cast. We couldn’t ask for a better setting to launch this special movie.”
In addition, BFF will present a Centerpiece Screening of Lea Thompson’s THE YEAR OF SPECTACULAR MEN, from a script by Thompson’s daughter, Madelyn Deutch, who also scored the film. Thompson plays a supporting role opposite both Madelyn and her other daughter, Zoey Deutch.
Madelyn Deutch portrays a woman out of college dealing with the seemingly incessant failures of adulthood and the reality of a substandard dating pool, so she resigns herself to the support of her mother and sister, who are struggling with their own relationship problems. Zoey Deutch and Thompson’s husband, Howard Deutch, served as the film’s producers, alongside Gordon Gilbertson and Parkside’s Dan Roth and Damiano Tucci. The movie also stars Avan Jogia, Melissa Bolona, Jesse Bradford, Brandon T. Jackson, Cameron Monaghan, Zach Roerig, and Nicholas Braun.
THE YEAR OF SPECTACULAR MEN is the first feature film Lea Thompson, Madelyn Deutch and Zoey Deutch have worked on together as creatives behind the scenes. It has been a long collaboration and labor of love that evolved from a yearning for funnier and more honest young women’s stories. The film is set for a June theatrical release by MarVista Entertainment
“From our inception, MarVista has taken pride in supporting female filmmakers and voices,” said CEO Fernando Szew. “With THE YEAR OF SPECTACULAR MEN, we immediately connected with the authenticity of the story and performances and know this multilayered film will have strong appeal across generations. We are honored to be working with such a talented, creative and passionate group of women like Lea, Maddie, and Zoey, who also bring amazing dynamism as an inspiring family.”
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Documentary Filmmaker Louie Psihoyos to Receive Inaugural DocLands Honors Award
Iconic photographer and award-winning filmmaker Louie Psihoyos will be honored with the inaugural DocLands Honors Award at the 2018 DocLands Documentary Film Festival, on Friday, May 4, 2018, 6:30 PM in Mill Valley.
The DocLands Honors Award is presented to a filmmaker in recognition of exceptional storytelling within the documentary genre, an artist whose films resonate universally, emphasizing our common humanity – no matter the subject.
The inaugural DocLands Honors Award is presented to director Louie Psihoyos (The Cove, Racing Extinction, The Game Changers) for his dogged determination and tenacity in exposing wrongs and expanding awareness. We also show our appreciation for his astounding efforts in outreach, bringing some of our most pressing environmental and social issues to a worldwide audience.
Recognized as one of the top photographers in the world, Louie Psihoyos was hired directly out of college, where he won an unprecedented first place in every category of the prestigious College Photographer of the Year award, to shoot for National Geographic. He worked for the magazine for 18 years, establishing himself as one of the medium’s most prolific and profound visionaries and social observers. His ability to bring humanity and wit to complicated stories carries over to his filmmaking. His first documentary film, The Cove, won over 75 awards around the world including the 2010 Academy Award® for Best Documentary. His second feature, Racing Extinction, premiered on Discovery in over 200 countries and territories on the same day, was nominated for an Emmy (Exceptional Merit in Documentary Filmmaking) and an Academy Award® (Best Song). The film also sparked the #StartWith1Thing movement. Most recently Psihoyos finished directing The Game Changers, executive produced by James Cameron, which debuted at the 2018 Sundance Film Festival.
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‘Damsel’ and ‘This One’s For the Ladies’ Added to the 2018 San Francisco International Film Festival
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Damsel[/caption]
Two new films – David Zellner and Nathan Zellner’s Damsel (USA 2018) and Gene Graham’s This One’s For the Ladies (USA 2018) have been added to the schedule for the 2018 San Francisco International Film Festival taking place April 4 to 17, 2018.
“I’m goin’ West, of course!” exclaims Samuel (Robert Pattinson, a hoot), who has enlisted the help of Parson Henry (David Zellner) to save his beloved Penelope (Mia Wasikowska) so that he may propose to her, in David and Nathan Zellner’s (Kumiko, the Treasure Hunter, Festival 2014) upended Western. The journey is made, things go awry, and they encounter a slew of interesting characters—including a miniature horse named Butterscotch—but in the hands of the Zellner brothers, nothing is as it seems. Damsel screens Saturday, April 14, 8:00 pm at the Victoria Theatre. Both directors are expected to attend. Magnolia Pictures will release Damsel in theaters this summer.
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This One’s For the Ladies[/caption]
On Thursday evenings, a children’s karate school transforms into a male strip joint. Hundreds of women convene for a potluck fundraiser and the opportunity to throw singles at the hot New Jersey Nasty Boyz. This One’s For the Ladies isn’t just about the tips or the dancing. It’s a heartwarming story about friendship, community, these incredible women, and the resilience they show toward whatever comes their way. Winner, Special Jury Recognition for Best Cast Award, SXSW. This One’s For the Ladies screens Sunday, April 15, 8:00 pm at the Victoria Theatre. NEON will open the film theatrically later this year.
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‘IN THE ORCHARD’ ‘SALYUT-7’ ‘THE NEED TO GROW’ Win at 21st Sonoma International Film Festival
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IN THE ORCHARD[/caption]
The 21st annual Sonoma International Film Festival came to a close over the weekend with the awards ceremony, and IN THE ORCHARD directed by Christopher Knoblock won the prize for Best American Independent Feature. In the film a grief-stricken woman befriends a Marine Veteran with PTSD, and the two begin a relationship which may lead them towards tragic consequences.
https://www.youtube.com/watch?v=lv3eTd7rEYU
Other winners include SALYUT-7 directed by Klim Shipenko snagging the prize for Best World Feature; and THE NEED TO GROW directed by Rob Herring & Ryan Wirick won for Best Documentary Feature.
In SALYUT-7, Astronauts are sent to the rescue of Salyut 7, an unresponsive Soviet space station in what will become one of the most complicated mission in the history of space navigation. The documentary THE NEED TO GROW follows the personal journeys of solution innovators as they fight to localize sustainable food systems and regenerate Earth’s dying soils.
The SIFF 2018 winners are:
SIFF JURIED AWARDS
Best American Independent Feature: IN THE ORCHARD / Directed by Christopher Knoblock Best World Feature: SALYUT-7 / Directed by Klim Shipenko Best Documentary Feature: THE NEED TO GROW / Directed by Rob Herring & Ryan Wirick Best Animated Short: TWO BALLOONS / Directed by Mark C. Smith Best Comedy Short: SAM DID IT / Directed by Dominic Burgess Best Dramatic Short: WOODMAN / Directed by Mike Jackson Best World Short: INTO THE BLUE / Directed by Antoneta Alamat KusijanovicSIFF AUDIENCE AWARDS
The A3 Audience Award: Best Documentary: THE PUSH / Directed by Grant Korgan & Brian Niles (co-directors Geoff Callan) The Stolman Audience Award for Best American Indie: FUNNY STORY / Directed by Michael Gallagher SIFF Award for Best World Cinema: TULIPANI / Directed by Mike van DiemAUDIENCE SHORTS AWARDS
Best Animated: THE DRIVER IS RED / Directed by Randall Christopher Best Comedy: GRAHAM’S MATE/ Directed by Andy Hill Best Dramatic: WOODMAN / Directed by Mike Jackson Best Documentary: EMPIRE ON MAIN STREET / Directed by Jessica Congdon Best World Cimena: CROSSING FENCES / Directed by Annika Pampel Best Delicious: SAFRON / Directed by Andreas Ewels
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THE FEELING OF BEING WATCHED, Assia Boundaoui’s Personal Story of FBI Surveillance, to World Premiere at Tribeca Film Festival
A personal journey that unfolds like a thriller, The Feeling of Being Watched charts journalist Assia Boundaoui’s investigation into a secret FBI counterterrorism probe of her Arab-American neighborhood outside of Chicago – code-named “Operation Vulgar Betrayal”- and its enduring impact on her family and community. The Feeling of Being Watched will World Premiere at the 2018 Tribeca Film Festival, running April 18 to 29, 2018.
In the village of Bridgeview, Illinois, where director Assia Boundaoui grew up, most of her Muslim-American neighbors think they have been under surveillance for over a decade. While investigating their experiences, Assia uncovers hundreds of pages of declassified FBI documents that prove her hometown was the subject of one of the largest counterterrorism investigations ever conducted in the U.S. before 9/11.
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The Feeling of Being Watched[/caption]
With unprecedented access, The Feeling of Being Watched weaves the personal and the political as it follows the filmmaker’s examination of why her community—including her own family—fell under blanket government surveillance. Assia struggles to disrupt the government secrecy shrouding what happened and takes the FBI to federal court to compel them to make the records they collected about her community public. In the process, she confronts long-hidden truths about the FBI’s relationship to her community. The Feeling of Being Watched follows Assia as she pieces together this secret FBI operation, while grappling with the effects of a lifetime of surveillance on herself and her family.
The Feeling of Being Watched was written and directed by Assia Boundaoui and produced by Boundaoui and Jessica Devaney. Director of photography was Shuling Yong and the film was edited by Rabab Haj Yahya with illustrations by Molly Crabapple and original music by Angélica Negrón. Executive producers are Jim Butterworth, Daniel J. Chalfen, Dan Cogan, Jenny Raskin, Geralyn White Dreyfous, Debra Mcleod, Jay K. Sears, Bill Harnisch, Ruth Ann Harnisch, Alexa Poletto, Michael D. Mann, Barry W. Rashkover, and Vijay Dewan.
Assia Boundaoui is an Algerian-American journalist who has reported for the BBC, NPR, Al Jazeera, VICE, and CNN. Her debut short, a film about hijabi hair salons for the HBO Lenny documentary series, premiered at Sundance in 2018, and she has worked in an editorial capacity on the production of a number of documentaries, including HBO’s Emmy Award-winning Manhunt (2013). Assia has a Master’s degree in journalism from New York University and is fluent in Arabic. The Feeling of Being Watched is her feature debut.
Tribeca Film Festival Screenings
Saturday, April 21, 6:45 pm Cinepolis Chelsea 2, 260 W. 23rd St. (at 8th Ave.) Sunday, April 22, 7:30 pm Cinepolis Chelsea 3, 260 W. 23rd St. (at 8th Ave.) *A special extended Q&A panel discussion will follow the screening Wednesday, April 25, 5:45 pm Regal Battery Park 3, 102 North End Ave. (at Murray St.) Thursday, April 26, 5:00 pm Cinepolis Chelsea 6, 260 W. 23rd St. (at 8th Ave.)
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BEING SERENA, Intimate Documentary Series on Tennis Superstar Serena Williams, Debuts May 2 on HBO | trailer
HBO Sports is teaming up agin with IMG’s Original Content group for a five-part documentary series chronicling tennis icon Serena Williams at a pivotal moment in her personal and professional life. Being Serena debuts Wednesday, May 2 (10:00-10:30 p.m. ET/PT), exclusively on HBO, followed by other new episodes subsequent Wednesdays at the same time.
Being Serena will give viewers unprecedented access to Williams during her pregnancy, new motherhood and marriage, while documenting her journey back to supremacy on the court. Viewers will experience her life from every angle as the intimate first-person show delves into her landmark career, family life and expanding role as a businesswoman and investor in the worlds of tech, fashion, fitness and philanthropy.
“HBO is honored to work with Serena Williams on such a personal project,” says Peter Nelson, executive vice president, HBO Sports. “Even though she has been in the spotlight since her teenage years, Serena continues to capture the imagination. With our partners at IMG, we look forward to giving viewers a revealing, behind-the-scenes portrait of her life on and off the court.”
“Serena Williams is a force unlike any other,” says Mark Shapiro, co-president of WME and IMG. “Her entire life is one of the hero’s journey, and it has been a privilege to work with her as she enters this next phase. HBO was an incredible partner in developing a unique look into Serena’s world, and we look forward to sharing this all-access story with the world in May.”
Serena Williams, 36, is one of the most dominant forces tennis has ever seen, with 39 Grand Slam titles, four Olympic Gold Medals and the most women’s singles match victories in Grand Slam history. Her supremacy on the court earned her Sports Illustrated’s Sportsperson of the Year honors in 2015 and made her a four-time winner of the Associated Press Female Athlete of the Year, first in 2002 and most recently in 2015.
In Jan. 2017, Williams bested her sister Venus in the final match of the Australian Open, marking her seventh time winning that singles event. Four months after her historic victory, Williams revealed that she and her fiancé, Alexis Ohanian, were expecting their first child, confirming that she was eight weeks pregnant when she won her 23rd Grand Slam singles title. On Sept. 1, Williams gave birth to her daughter, Alexis Olympia Ohanian Jr. Williams and Ohanian wed soon after in a stunning ceremony before family and friends in New Orleans on Nov. 16.
Williams will return to the tennis circuit this spring to compete in her first Grand Slam event of the year at the French Open in late May.
For more than a decade, HBO Sports has been responsible for some of the most compelling unscripted sports programming, with a stylish and contemporary approach marked by unrestricted access. “Hard Knocks,” launched in 2001 in partnership with NFL Films, has won 15 Sports Emmy(R) Awards, and the groundbreaking all-access reality franchise “24/7” has earned 18 Sports Emmy(R) Awards.
Being Serena marks the third collaborative docu-series for HBO Sports and IMG. The first was 2016’s “Gonzaga: The March to Madness,” chronicling the Gonzaga men’s basketball team’s march to its 18th consecutive NCAA men’s basketball tournament berth, followed by 2017’s Primetime Emmy(R) nominee “UConn: The March to Madness,” spotlighting the powerhouse University of Connecticut’s women’s basketball team as it sought a fifth consecutive national championship.
https://www.youtube.com/watch?v=udW7HcmDMJY
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Documentary I AM EVIDENCE on Shocking Number of Untested Rape Kits in America, Sets HBO Premiere Date | Trailer
[caption id="attachment_27791" align="aligncenter" width="1200"]
I Am Evidence[/caption]
Produced by Mariska Hargitay, star of “Law & Order: Special Victims Unit” and directed by Trish Adlesic and Geeta Gandbhir, I Am Evidence exposes the alarming trend of unsolved rape cases. The eye-opening documentary debuts Monday, April 16 (8:00-9:30 p.m. ET/PT), on HBO.
Despite the power of DNA to solve crimes, hundreds of thousands of rape kits, containing crucial DNA evidence, are currently languishing untested in police-evidence storage rooms across the country. Behind each one of these kits is a sexual-assault survivor waiting for justice to be served, and a perpetrator potentially evading prosecution.
I Am Evidence exposes the alarming trend of unsolved rape cases, revealing how a flawed system has historically mistreated sexual assault survivors and showing how victims, advocates and some forward-thinking law enforcement officials are challenging the status quo.
Spotlighting four resilient women in the Detroit, Cleveland and Los Angeles areas as they trace the fates of their kits and re-engage in the criminal justice process, this powerful film also follows survivors, advocates, prosecutors and police officials who are leading the charge to work through the backlog and hold perpetrators accountable. Putting a human face on this deplorable injustice and neglected issue, I Am Evidence is a timely call to action, asserting that survivors matter.
In 2009, Wayne County, Mich. Prosecutor Kym Worthy was shocked to uncover over 11,000 untested rape kits in a run-down police annex warehouse. Though the backlog was partially due to a lack of finances, reports showed that officers often didn’t believe the overwhelmingly black and poor victims. “They were violated in the most intimate of ways and nobody gave a damn,” laments Worthy.
Mariska Hargitay, a longtime advocate for survivors of sexual assault and domestic violence, offered her support to Worthy in her efforts to end the rape kit backlog in Detroit and the state of Michigan and bring justice to survivors. Hargitay’s role as Lieutenant Olivia Benson on “Law and Order: Special Victims Unit” had opened her eyes to these issues and inspired her to found the Joyful Heart Foundation in 2004.
“I Am Evidence, literally. My name is on a box, on a shelf that’s never been tested,” says Ericka, one of thousands of women across the U.S. whose rape kits, containing DNA evidence that could identify their attackers, have never been opened. Ericka reported that she was raped on her 21st birthday, and after going through the arduous process of getting a rape kit done at a local hospital, she remembers going with her father to speak to a detective. The detective told Ericka and her father that nothing would happen with her kit, offering to show them thousands of untested kits waiting to be processed before hers.
Cleveland began the long and daunting process of working up cases on its backlogged kits in 2013. As Tim McGinty, former Cuyahoga County prosecutor in Cleveland says, “These rape kits are the best bargain in the history of law enforcement. Four hundred dollars a rape kit, and one in four results in an indictment. One in four of the four is a serial rapist. I’ve never seen an opportunity like this in law enforcement.”
Out of more than 5,000 tested, there have already been 1,935 DNA matches in CODIS, the national criminal database, but the challenge lies in prioritizing cases by urgency. Investigator Nicole DiSanto’s latest assignment is tracking an alleged three-time offender. (Serial rapists have made up one-third of the cases from the city’s backlogged kits.) DiSanto visits Danielle, a 1997 victim, who is easily able to identify her attacker in a photo lineup. DiSanto eventually finds the man in North Carolina, and news of his arrest gives Danielle closure. I Am Evidence reveals that he was convicted of her rape and kidnapping more than 20 years after the crime.
In Los Angeles, 12,000 untested kits were unearthed (and even more destroyed, due to the LAPD’s misjudgment of the statute of limitations). Among the kits opened was Helena’s, who was abducted at a car wash and raped at age 17 in 1996. Helena spent years trying to learn what happened to her rape kit, and eventually discovered, with the help of an ex-DA, that the DNA matched Charles Courtney, a long-distance truck driver who targeted women along his route. One of his other victims, Amberly, was abducted and raped in 1998 in Fairfield, Ohio.
In 2001, funding allowed police to test Amberly’s kit, which also identified Courtney, who was already in CODIS for a sex offense against his wife. He took a plea deal for 30 years in prison. Despite information provided by Fairfield police, however, Helena’s case fell through the cracks in LA and the statute of limitations expired. She was only able to obtain justice after the DA used a loophole to charge Courtney for money he’d taken from her.
Police are often woefully underprepared to deal with sexual assault victims, but even when perpetrators are arrested, many prosecutors don’t aggressively pursue these cases, which Worthy admits are some of the hardest to prosecute due to “victim blaming.” Now a mother of adopted daughters, Worthy was assaulted herself when she was in law school and wants the system to be better for her children.
So far, the results of Detroit’s testing have been far-reaching, linking to CODIS hits in 39 states and garnering nationwide attention. Still, it’s estimated that hundreds of thousands of untested kits remain nationally. Ericka assumed her case would never be addressed? – ?until she met Worthy. Now Ericka says she feels “very free,” and urges women in her position to “press forward because I feel strong, stronger than I’ve ever known I could feel.”
I Am Evidence had its world premiere at the 2017 Tribeca Film Festival and has since screened at AFI Docs Film Festival, the Hamptons International Film Festival and many other festivals. It won the Audience Award for Best Documentary Film at both the Provincetown and Traverse City festivals.
Producer Mariska Hargitay, who appears in the film, won an Emmy(R) and Golden Globe for “Law & Order: Special Victims Unit”; she also serves as an executive producer on the show and has directed episodes. After receiving numerous letters from survivors, she founded the Joyful Heart Foundation in 2004. Its mission is to transform society’s response to sexual assault, domestic violence and child abuse and its initiative, End the Backlog, aims to eliminate the backlog of hundreds of thousands of untested rape kits in the U.S.
https://www.youtube.com/watch?v=7_b1SbbSu6Y
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Daniel Roebuck’s Critically Acclaimed Family Film GETTING GRACE Now Playing in Theaters | Trailer
“Getting Grace,” is all about a spunky teenaged girl with terminal cancer who decides to make her own funeral arrangements, and sets in motion a plan that affects all of those around her. The critically-praised family film from director and star Daniel Roebuck, opened in theaters across the USA on Friday, March 23; and is now playing at fifty-nine locations across the country, with another fifty locations planned for expansion over the next three weeks.
Daniel Roebuck is a widely recognized star from over one-hundred feature film roles (including “The Fugitive”, “U.S. Marshalls” and the current Christian theatrical hit “Let There Be Light“) as well as from the enormously successful TV series recurring roles in “LOST” and 8-seasons of “Matlock” with Andy Griffith. During the recently completed, multi-city Bus Tour, Roebuck was joined in different cities by other cast members, including newcomer Madelyn Dundon in the title role and film veteran Marsha Dietlein. “Getting Grace” tells the story of a teenaged girl’s unusual response to a terminal cancer diagnosis. Other stars include Dana Ashbrook, Timothy Goodwin and Duane Whitaker. The film is rated PG-13 and has already won the best picture accolade at two, major film festivals.
Audiences would be hard-pressed to find a more likable protagonist in any film. GRACE, the title character, is funny, sarcastic, empathetic and riveting. But, unfortunately, she is going to die.
Although Grace’s time is short, her positive impact on the world around her is monumental. The story is about a young girl who knows that she is dying. Grace goes into a funeral home to learn about death and ends up teaching the disenfranchised funeral director, BILL, about life.
We soon learn that while trying to “hedge the bet” about her afterlife possibilities she is also trying her best to prepare her mother, VENUS, for a future without her only child. Venus, we learn, is not dealing with the sad imminent truth well and is reverting to her old ways of drinking and “drugging.” Simultaneously, Grace humorously hijacks an ironically named “EMBRACE LIFE” class offered by her hospital for children dealing with their own fatal diseases and moves it to the funeral home. Not only does she do her best to teach the adults in her life to live their lives to the fullest, she has the same effect on her peers. And she discovers love, herself.
Grace is also desperately searching for someone to take care of her mother. Will it be Bill, REVEREND OSBURN (the hospital’s chaplain) or RON, the charismatic and successful author of a book about the afterlife. Once those around her actually “GET” Grace (meaning they finally understand her), every one of them is able to transition to their own new life.
“Getting Grace” is an extraordinary story with a lead character who affects a chain of positive events in the lives of all she comes in contact with…be they doctors or morticians or her own mother. Through Grace, her loved ones learn that life need not be lived long to be lived fully.
https://www.youtube.com/watch?v=N5j28U_ocVU
GETTING GRACE – March 23 Theatres
Alabama
Regal Mobile Stadium, Mobile, AL
Arizona
Harkins Arizona Mills 25, Tempe, AZ
Harkins Superstition Springs, Mesa, AZ
California
Laemmle Monica Film Center, Santa Monica, CA
Edwards Fairfield Stadium, Fairfield, CA
Regal Fresno 22, Fresno, CA
Regal Merced 13, Merced, CA
Ontario Palace Stadium 22, Ontario, CA
Regal Long Beach Stadium 26, Long Beach, CA
Conneticut
AMC Plainville Stadium, Plainville, CT
Florida
Regal Citrus Park Stadium, Tampa, FL
Cypress Creek Station, Fort Lauderdale, FL
Oveido Mall Stadium, Oveido, FL
Pointe Orlando Stadium, Orlando, FL
Regal Sawgrass Stadium, Sunrise, FL
South Beach Stadiu, Miami Beach, FL
Park Place Stadium 16, Pinellas Park, FL
Belltower Stadium 20, Fort Myers, FL
Regal Beach Blvd. Stadium, Jacksonville, FL
Georgia
Hollywood24 @ I-85, Chamblee, GA
Austell Stadium, Austell, GA
Hawaii / Pacifica
Regal Dole Cannery 18, Honolulu, HI
Guam Megaplex Stadium, Guam
Illinois
Round Lake Beach Stadium, Round Lake Beach, IL
GQT Willow Knolls 14, Peoria, IL
Indiana
New Albany Stadium 16, New Albany, IN
Village Park Stadium 17, Carmel, IN
Kansas
B&B Overland Park 16, Overland Park, KS
Kentucky
Regal Bowling Green 12, Bowling Green, KY
Minnesota
Marcus Shakopee Cinema, Shakopee, MN
Marcus Hastings Cinema, Hastings, MN
Marcus Elk River Cinema, Elk River, MN
Regal Eagan Stadium, Eagan, MN
Missouri
St. Louis Stadium, Hazelwood, MO
New York
Elmwood Center 16, Buffalo, NY
Henrietta Stadium 18. Rochester, NY
North Carolina
Stonecrest at Piper Glenn, Charlotte, NC
Crossroads Stadium 20, Cary, NC
Greensboro Grand 16, Greensboro NC
Greenville Grand Stadium, Greenville, NC
Ohio
Chakeres Springfield 10, Springfield, OH
Oklahoma
Spotlight 14, Norman, OK
Promenade Palace 12, Tulsa, OK
Oregon
Movies on TV Stadium, Hillsboro, OR
Pennsylvania
U.E.C. College 9, State College, PA
Regal Riverview Plaza, Philadelphia, PA
Regal Cinema Oaks 24, Oaks, PA
Harrisburg Stadium 14, Harrisburg, PA
AMC Allentown 16, Allentown, PA
AMC Center Valley 16, Center Valley, PA
Tennessee
Regal Opry Mills Stadium, Nashville, TN
Streets of Indian Lake Stadium, Hendersonville, TN
Pinnacle Stadium, 18, Knoxville, TN
Texas
Edwards Marq’E Stadium, Houston, TX
Regal West Oaks Mall 14, Houston, TX
Regal Metropolitan Cinemas, Austin, TX
Regal Fiesta Stadium, San Antonio, TX
Washington
Parkway Plaza Stadium, Tukwila, WA
West Virginia
Morgantown Stadium 12, Morgantown, WV

Unfriended: Dark Web[/caption]
The Overlook Film Festival today announced its second year programming lineup of 40 films (23 features and 17 short films from 12 countries) along with exciting parties, virtual reality, interactive events, and live performances – all taking place in America’s most haunted city: New Orleans, Louisiana.
On opening night of the festival, audience members will enjoy the chiller Unfriended: Dark Web (United States, 2018), from Blumhouse Productions and Bazelevs Productions, directed by Stephen Susco, and starring Colin Woodell, Betty Gabriel, Rebecca Rittenhouse, Andrew Lees, Connor del Rio, Stephanie Nogueras, and Savira Windyani.
The Overlook Film Festival will screen A24’s highly anticipated
Lou Andreas-Salomé: The Audacity to be Free[/caption]
SR Socially Relevant™ Film Festival 2018 (SRFF 2018) wrapped up its Fifth Edition at Cinema Village in NYC on March 22, 2018, revealing the winners. Stand-out awards were the Empowering Women and Girls Award, given to Dr. Ruchira Gupta of Apne Aap, and the tie for Grand Prize Narrative Feature presented to ‘Lou Andreas-Salomé: The Audacity to be Free’ and ‘Hot Country Cold Winter’.
The awards are: Vanya Exerjian – Empowering Women and Girls Award, Grand Prize Narrative Feature, Grand Prize Documentary, Best Narrative Short, Best Documentary Short, Women Film Critics Circle (WFCC) Award, Best Ensemble Work, Best Actor in a Feature Film, Best Actress in a Feature Film, Best Actor in a Short Film, Best Actress in a Short Film, Immigrant Filmmaker Award, and three winning scripts from the script-writing competition.
“On our fifth year, SRFF is thrilled to continue its quest to spotlight the most impactful stories from around the world,” said Nora Armani, Founding Artistic Director of SR Socially Relevant™ Film Festival. “Our goal is to highlight films and filmmakers who choose to tell socially relevant stories oft not given a commercial platform. These films have a strong impact on people’s lives.”
The 2018 Fifth Edition of SRFF screened 70 films from 35 countries in the narrative feature, documentary feature, short film, and immersive VR/360º categories, along with finalists in script-writing. The winners are selected by a hand-picked international jury of industry veterans.
SRFF’s original trophies are the Molten Bowl, designed and donated by Michael Aram and a wine by City Winery bearing the specially designed 5th-anniversary label of SR Film Festival. In-kind awards include Inclusion in InkTip, download certificates by Final Draft, consultation services by Cinema Libre Studio and Candy Factory Films, distribution on IndiePix, stock footage by Pond5 and more.