Monster, based on the award-winning novel of the same name by Walter Dean Myers, will world premiere at the 2018 Sundance Film Festival. The film from Tonya Lewis Lee and Nikki Silver’s ToniK Productions, and written by Radha Blank (She’s Gotta Have It, Empire), Colen C. Wiley and Janece Shaffer, will debut on Monday, January 22nd at 3PM in the Dramatic Competition.
Shot entirely in New York City, Monster surrounds the story of 17-year-old honors student Steve Harmon. Steve is an aspiring filmmaker attending an elite high school in New York, and is being charged with felony murder for a crime he says he did not commit. “Monster” is what the prosecutor calls Harmon, but is Steve truly a Monster? As Steve’s world comes crashing down around him, the film follows his journey from a smart, likeable young man from Harlem through a complex legal battle that could leave him spending the rest of his life in prison. Monster is sure to stimulate conversation in today’s relevant narrative on youth in prisons, excessive sentencing, peer pressure, and likeminded issues.
Monster features an outstanding ensemble cast including: Kelvin Harrison Jr. (The Birth of A Nation), Academy Award winner Jennifer Hudson (Dreamgirls), Jennifer Ehle (Little Men, Zero Dark Thirty), A$AP Rocky, (Dope, Zoolander 2), Nas, (The Get Down), Tim Blake Nelson (Fantastic Four, Billy Lynn’s Long Halftime Walk), John David Washington (Ballers) and Jeffrey Wright (The Hunger Games: Mockingjay 1 & 2, Westworld).
“We’re thrilled and humbled to be participating in this year’s Sundance Film Festival. We believe the current social and cultural landscape makes the message of Monster even more relevant and important,” says Tonya Lewis Lee of ToniK Productions.
“As producers committed to tackling the toughest issues of our time, we believe Monster is no exception. This has been an ongoing passion project for us and we are thrilled to bring it to the public forum.” adds ToniK co-founder Nikki Silver.
In addition to Tonya Lewis Lee, Nikki Silver, and ToniK Productions, Monster producers include Aaron L. Gilbert and Bron Studios, Edward Nahem and Mike Jackson of Get Lifted Film Co. Nas, Red Crown’s Daniel Crown and Yoni Liebling, Creative Wealth’s Jason Cloth and Richard McConnell, Linnea Roberts and Get Lifted’s John Legend and Ty Stiklorius are all executive producers. Legend and Nas will both play a role in the film’s music.
Image: Kelvin Harrison Jr. appears in Monster by Anthony Mandler, an official selection of the U.S. Dramatic Competition at the 2018 Sundance Film Festival. Courtesy of Sundance Institute | photo by David Devlin.
Terry P.
VIMOOZ is for lovers of independent films + foreign film + documentary + film festivals. We love championing the little films.
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Tonya Lewis Lee And Nikki Silver’s ToniK Productions’ Film “MONSTER” To Premiere At 2018 Sundance Film Festival
Monster, based on the award-winning novel of the same name by Walter Dean Myers, will world premiere at the 2018 Sundance Film Festival. The film from Tonya Lewis Lee and Nikki Silver’s ToniK Productions, and written by Radha Blank (She’s Gotta Have It, Empire), Colen C. Wiley and Janece Shaffer, will debut on Monday, January 22nd at 3PM in the Dramatic Competition.
Shot entirely in New York City, Monster surrounds the story of 17-year-old honors student Steve Harmon. Steve is an aspiring filmmaker attending an elite high school in New York, and is being charged with felony murder for a crime he says he did not commit. “Monster” is what the prosecutor calls Harmon, but is Steve truly a Monster? As Steve’s world comes crashing down around him, the film follows his journey from a smart, likeable young man from Harlem through a complex legal battle that could leave him spending the rest of his life in prison. Monster is sure to stimulate conversation in today’s relevant narrative on youth in prisons, excessive sentencing, peer pressure, and likeminded issues.
Monster features an outstanding ensemble cast including: Kelvin Harrison Jr. (The Birth of A Nation), Academy Award winner Jennifer Hudson (Dreamgirls), Jennifer Ehle (Little Men, Zero Dark Thirty), A$AP Rocky, (Dope, Zoolander 2), Nas, (The Get Down), Tim Blake Nelson (Fantastic Four, Billy Lynn’s Long Halftime Walk), John David Washington (Ballers) and Jeffrey Wright (The Hunger Games: Mockingjay 1 & 2, Westworld).
“We’re thrilled and humbled to be participating in this year’s Sundance Film Festival. We believe the current social and cultural landscape makes the message of Monster even more relevant and important,” says Tonya Lewis Lee of ToniK Productions.
“As producers committed to tackling the toughest issues of our time, we believe Monster is no exception. This has been an ongoing passion project for us and we are thrilled to bring it to the public forum.” adds ToniK co-founder Nikki Silver.
In addition to Tonya Lewis Lee, Nikki Silver, and ToniK Productions, Monster producers include Aaron L. Gilbert and Bron Studios, Edward Nahem and Mike Jackson of Get Lifted Film Co. Nas, Red Crown’s Daniel Crown and Yoni Liebling, Creative Wealth’s Jason Cloth and Richard McConnell, Linnea Roberts and Get Lifted’s John Legend and Ty Stiklorius are all executive producers. Legend and Nas will both play a role in the film’s music.
Image: Kelvin Harrison Jr. appears in Monster by Anthony Mandler, an official selection of the U.S. Dramatic Competition at the 2018 Sundance Film Festival. Courtesy of Sundance Institute | photo by David Devlin.
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Critically-Acclaimed Documentary THE FAMILY I HAD to Premiere on Investigation Discovery
In The Family I Had a mother’s love and ability to forgive is profoundly tested when her teenage son kills her daughter. The film which had its world premiere in April at this year’s Tribeca Film Festival will premiere exclusively on Investigation Discovery on Thursday, December 21st.
It’s been ten years since Charity’s son, Paris, killed her daughter, Ella, and she is left questioning both his chance at redemption and her ability to forgive. The Family I Had peels back the layers to reveal a history previously marked by intra-family violence, illuminating the anatomy of a broken family. Multiple accounts allow for conflicting points of view, leaving the audience questioning where the ultimate truth and accountability lies in this family rocked by tragedy.
The Family I Had is co-directed and produced by Katie Green and Carlye Rubin, who have shared a fascination with family stories and the themes of loss and dysfunction within them, stemming from having each experienced loss at a young age. Centering around the taboo, and largely under covered, issue of violence within a family, this revealing new documentary examines the complicated relationships of a family in mourning. With unprecedented access to the family, The Family I Had follows Charity on her journey toward trust with her son and mother, while she tries to redefine her place in the world and rebuild her family. She faces difficult questions as she navigates an uncertain future. Will the fear of losing another child ever go away? Will she ever be able to agree with her mother about Paris’ past and what caused him to commit such a horrific act?
“Filmmakers Katie and Carlye have created an emotionally moving, and brutally honest portrait of a real-life single mother whose family has been ripped apart by an unspeakable tragedy,” said Henry Schleiff, Group President, Investigation Discovery, Destination American and American Heroes Channel. “The Family I Had presents a unique opportunity to consider the complex issues around the loss of a loved one, through this touching story of a family on a path to forgiveness, while desperately seeking a means to move forward.”
“Thematically, we’re very drawn to stories surrounding loss,” said filmmakers Katie Green and Carlye Rubin. “We saw Charity as a mother whose love and ability to forgive was profoundly tested when her son killed her daughter. After losing both of her children, she was left redefining her place in the world, and did so by retracing her family’s past. We wanted to put the audience in that uncomfortable place to challenge their preconceived notions of guilt and accountability (in the same way making this film has challenged ours) so viewers come away with a more nuanced understanding of unconditional love and forgiveness.”
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2018 London Short Film Festival Unveils Lineup, Spotlights Early Films from Francis Lee, Alice Lowe and More
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BRADFORD HALIFAX LONDON, Francis Lee[/caption]
London Short Film Festival (LSFF) unveiled its full 2018 program of over 500 UK and international short films, screening over 10 days, from January 12 to 21, 2018.
The 15th anniversary content includes We Dare To Fail, a strand that screens the early LSFF entries from uncompromising auteur filmmakers. There will be shorts shown from Francis Lee (God’s Own Country), Hope Dickson-Leach (The Levelling), and Alice Lowe (Prevenge). The celebratory retrospective will also feature shorts from the directors behind The Greasy Strangler, Berberian Sound Studio, Couple in a Hole, Spaceship, Gone Too Far, True West, and Nina Forever. There are also early-career cameos from the likes of Michael Fassbender and Danny Dyer when their stars were rising.
Brexit Shorts: Dramas From A Divided Nation marks the one year anniversary of the divisive decision to leave the EU, with new short films from notable scriptwriters and actors in response to the referendum.
Other highlights from the program include trailblazing films from Iranian poet Forough Farrokhzad (in partnership with MUBI), video artist William E Jones’ reclaiming of police surveillance footage of the gay community in 60s Ohio, and LSFF’s own With Teeth artists premiering newly commissioned experimental AV work. Ngozi Onwurah is the first Black British woman to have a feature film released in UK cinemas (Welcome II The Terrordome,1995), and there will be a legacy screening of her rare works, for which Ngozi will be in attendance. Pioneering lesbian filmmaker Barbara Hammer will be answering questions following a screening of her films.
There will also be a retrospective of Dawn Shadforth’s music video back catalogue, looking at the work of pop doyennes Kylie Minogue, Bjork, Sugababes, and Peaches. Other music video events include a new visual project from Domino, in celebration of their long association with LSFF.
A brand new competition strand to celebrate the 15th anniversary is made up of six programs, all of which exemplify the Festival’s commitment to diversity and continual audience development. The 36 selected films take in migration, prejudice, survival and the darker side of family life, and dissect everything from the entertainment industry to reality itself. The esteemed international short film jury includes French filmmaker Lucile Hadžihalilović, international short film festival curator Lili Hartwig, and Fish Tank actress Katie Jarvis. Each LSFF 2018 Competition program will screen twice, at Curzon Soho and Rich Mix.
As always, the core of LSFF is the New Shorts section; programs of short films selected from 2500 open submissions into the Festival, with popular, returning slots from Funny Shit to Leftfield & Luscious, from Lo-Budget Mayhem to A Winter’s Matinee of Romantic Films, alongside new themes around identity, visibility and relationships.
LSFF will screen films at important cultural landmarks in London’s film community, including the ICA, which has hosted LSFF every year since it began. New venues for 2018 includethe Rich Mix in Shoreditch; Regent Street Cinema Curzon Soho, the Rio Cinema in Dalston and the BFI Southbank. The industry program will take place entirely at its new home at MOTH Club in Hackney.
2018 will also showcase new With Teeth projects. LSFF’s long-term short film commissioning fund, aims to become a solid support base for the most exciting emerging cinematic voices and auteurs, supported by Arts Council England National Lottery Funding. Tash Tung, Kim Noce and Zoe Aiano, will premiere newly commissioned experimental work that uses a range of unconventional AV techniques to enhance and communicate beautiful and nuanced stories.
As a champion of diverse and inclusive film, LSFF continues to see a huge contribution from women, LGBT and BAME filmmakers, and in a Festival first will introduce a program led by and for the D/deaf community.
With an established network of sponsors and supporters who help champion the Festival, LSFF strives to become more accessible and inclusive with the support of the BFI and Arts Council England, both awarding funds from the National Lottery. LSFF is also proud to have been awarded the Screen Diversity mark of good practice for meeting the BFI Diversity Standard, which recognises the Festival’s commitment in this endeavour.
LONDON SHORT FILM FESTIVAL 15TH ANNIVERSARY
The festival celebrates its 15th year in 2018 with a retrospective of the early works of auteur directors who all showcased short films at the festival at the beginning of their careers. With films like God’s Own Country, The Greasy Strangler, Berberian Sound Studio, The Levelling, Prevenge, Couple in a Hole, Spaceship, Gone Too Far, True West, Nina Forever representing great British films from the last few years, by uncompromising auteurs, who have all screened early works at London Short Film Festival. We Dare To Fail: 15 Years of LSFF looks at pieces by the directors of films including Francis Lee (God’s Own Country) and Alice Lowe (Prevenge), amongst many others. Filmmakers will be in attendance, and the event will be hosted on stage by LSFF co-founders Philip Ilson and Kate Taylor. Alongside BAFTA winners Simon Ellis and Joe Lawlor & Christine Molloy (The Desperate Optimists), we bring an incredible selection of shorts back to this very special 15th anniversary screening. This impressive collection of shorts come from: FREE SPEECH The Blaine Brothers 2004, 6 mins LITTLE CLUMPS OF HAIR Jim Hosking 2003, 12 mins WHAT THE Simon Ellis 2004, 7 mins WHO KILLED BROWN OWL? The Desperate Optimists 2004, 10 mins A METAPHYSICAL EDUCATION Peter Strickland 2004, 3 mins SHAME Tom Geens 2006, 4 mins LADIES IN WAITING Hope Dickson Leach 2005, 7 mins STICKS AND BALLS Alice Lowe / Jacqueline Wright 2007, 4 mins TIGHT JEANS Destiny Ekaragha 2008, 9 mins KIDS MIGHT FLY Alex Taylor 2009, 7 mins MAN ON A MOTORCYCLE John McClean 2009, 12 mins BRADFORD HALIFAX LONDON Francis Lee 2013, 9 minsPOLITICAL
The Guardian and Headlong Theatre have teamed up to mark the one-year anniversary of the controversial decision to leave the EU, with Brexit Shorts: Dramas From A Divided Nation. A raft of prominent scriptwriters and well-known actors from each region were commissioned to highlight the nation’s growing divisions in their area at a moment of seismic political change. A mix of noteworthy names across screenwriting and acting are involved in the shorts, with scripts and stories from Maxine Peake and Abi Morgan, playwrights David Hare and Gary Owen, and actors including Kristen Scott Thomas, Meera Syal, and Penelope Wilton amongst many others. The screenings will be followed by a panel discussion with Jess Gormley and Noah Payne-Frank from The Guardian, Amy Hodge from Headlong Theatre and a live performance from one of the actors in the films.MUSIC
Dawn Shadforth: Spinning Around takes a look at one of the most quietly prolific music video auteurs of the 90s, Dawn Shadforth, who has created visuals for the likes of Kylie Minogue, Björk, Sugababes, and Peaches. A Q&A with Dawn and special guests follows. This year there’s a celebration of 15 years of LSFF and Domino, working together, It’s All Good!, is an evening of music videos, DJs, giveaways and surprises. Domino have created and curated music videos from a wealth of directors since LSFF’s inception, and this event will see the introduction of new visual projects. To celebrate the legacy of of women in British rap and MC-ing, Home Girls: Live sees LSFF team up with contemporary performers who are currently raising the bar in a scene dominated by men. The closing night party will feature a special guest appearance from Hackney-based Paigey Cakey, and special guests TBA, in a homegrown London-centric talent event. Home Girls: From Cookie Crew to Now, takes stock of the representation of female hip-hop artists over the decades, from the swim-suited video vixen to the in control and hyper sexualized. Cookie Crew, Wee Papa Girl Rappers and She Rockers burst onto the scene in the 80s and 90s with a self-defined, powerful onscreen image. A panel discussion with members of the bands, and key industry figures will follow.LGBTQ
LGBTQ content this year is led by long time LSFF collaborators New Queer Visions. The first film program, Don’t Look Back In Anger, looks at the nature of hate and positivity, with touching stories about queer characters dealing with ups, downs, and everything in between. This is accompanied by Medium Rare, a program of medium length shorts exploring the mixed-up mind of an impressionable young man. In partnership with MUBI, Radical Softness Through A Haptic Lens is a retrospective of the works of Barbara Hammer, feminist filmmaker and one of the pioneers of lesbian film, and Chick Strand, avant-garde documentary filmmaker. The films examine the idea of ‘radical softness’, the power that can be found in in being both abrasively feminine and openly vulnerable, through a soft and kinesthetic style of filmmaking. Following incredibly rare screenings of Superdyke and Soft Fictions, there will be a Skype Q&A with the legendary Barbara Hammer. Also in association with MUBI is Cruelty and Crime, a showcase of the key works of American writer Chris Kraus. From feminist readings of Antonin Artaud to Cold War sleeper agents, via dominatrices and New York City crime scenes, these films are filled with humour, sexuality, abjection, metaphor, allusion, an insatiable curiosity and a Dadaist sense of provocation and absurdity. A collection of 1962 police footage documenting men cruising in a public toilet, was reworked and re-presented by William E Jones as a separate work, Tearoom* in 2007. The experimental video art project shows how surveillance is used as a blunt tool of oppression. The footage shown was eventually used as evidence to prosecute the men of sodomy and public deviancy. Prior to the screening LSFF will also be showcasing Robert Yang’s game The Tearoom, a cruising simulation made in direct response to the film. On release the game ran afoul of the censors and so in a bold piece of satirical provocation Yang replaced all the penises with guns. The game was then successfully passed uncut. Additionally we also welcome filmmaker Sam Ashby, who will present a newly commissioned work in response to Tearoom, and artist Prem Sahib for a post screening discussion of the themes highlighted in the work. *18 – contains scenes of real sexual activity.BAME
When director Julie Dash created the groundbreaking Daughters of the Dust in 1991, a multigenerational tale of black women from the Gullah sea islands struggling to hold on to their culture, little did she know that 25 years later her work would be held up on the world stage thanks to one of the music industry’s most influential artists: Beyoncé. Given the subject matter and the detail paid to the cinematography, Dash’s film provided an obvious touchstone to inspire Beyoncé’s vision in Lemonade. 2009’s Taqwacore: The Birth of Punk Islam refers respectively to ‘taqwa’ and ‘core’, a synthesis of an awe-inspiring consciousness of Allah, and a hard-core punk music style, and a fusion of Muslim and American culture. A panel discussion, Muslim Punk and the New Subculture, hosted by filmmaker Hammad Khan asks what happened to Taqwacore, and questions how class, race, and gender are tied to Muslim resistance to Trump and Brexit. Hammad Khan’s Anima State is arguably the most important film to come out of Pakistan in decades. As we approach the 70th anniversary of the country’s independence from British India, it is an uncomfortable, in-your-face examination of the country’s violence, to its apathy, to its refusal to recognize its moral corruption, in every single facet of Pakistani society. Pioneer of Black British cinema Ngozi Onwurah’s body of work weaves autobiographical narrative with astute socio-political observation. As the first Black British woman filmmaker to have a feature film released in UK cinemas we celebrate Ngozi’s legacy with a screening of early works and panel discussion in Ngozi Onwurah: Shorts. A rare 35mm screening of Welcome II The Terrordome will also show at the festival. The House is Black, a screening of the only known film by one of Iran’s greatest 20th century poets Farough Farrokazad, depicts an isolated community of lepers living in Northwestern Iran, and is soundtracked by a reading from the poet herself. There will be a reading of her work, translated into English, and The Oberhausen Archive have kindly donated a 35mm print of the film.CULTURE
The festival will open with Adrena Adrena’s Movements of A Nebulous Dawn, supported by Arts Council England. This is a one-off audiovisual collaboration, with a 360-degree nebulous orb defying the conventions of theatrical presentation, as musicians perform in-the-round beneath multiple circular projections created by Daisy Dickinson. An improvised live set will see a constantly changing and evolving set of guest musicians from Faust, Wire, Boredoms and other experimental, electronic and progressive bands. Julian Hand, who directed the 2018 LSFF trailer, will be projecting psychedelic visuals using coloured liquids and slides. This year’s festival sees a first for LSFF, with a premiere screening exclusively for D/deaf audiences, curated by LSFF’s Deaf Young programr Zoe McWhinney. Save The Date, a selection of archive and contemporary short films, brings stories about D/deaf culture and experience to the screen. The screening, at BFI Southbank, will be fully supported by BSL interpreters, and films will include BSL dialogue, and/or subtitles. The Final Girls Present: The Witching Hour is a screening of two of the original 1970s documentaries that showcase the continuing, cultural obsession with witchcraft and the occult. Secret Rites is a pseudo documentary illustrating a series of initiation rites for a novice witch, while The Power of the Witch is a rarely-seen documentary featuring interviews with the King and Queen of the witch craze, Alex and Maxine Sanders. The Final Girls will host a panel discussion following the screenings. An in-conversation event around the works of the cult sci-fi author, JG Ballard: This Is The Way, Step Inside, explores the writer’s 20th century preoccupation with the machine vs. the 21st century obsession with the digital towards an anthropological take on disembodiment, honing in on how Ballard perceives both the body, and the human condition. The panel is made up of filmmakers Jason Wood, Simon Barker and Harley Cokeliss, with Ballard scholar Dr. Jeanette Baxter. Radio Atlas: Risk is an award-winning platform for subtitled audio from around the world. A place to hear inventive documentaries and aural art works that have been made in languages you don’t necessarily speak. This intimate event premieres documentaries which explore the thin line between freedom and risk, taking the listener to unexpected places, with a Q&A discussion with Radio Atlas founder Eleanor McDowall.INTERNATIONAL
As the international film strand enters its fourth year, a program of four screenings brings together some of the most unique voices in fiction, documentary and experimental filmmaking. LSFF have shorts from all over the world, with entries from China, Cuba, Slovenia, and Mozambique, to name a fraction. The festival is becoming a key player on the festival circuit when it comes to showing high quality and well-curated international short film.WITH TEETH
With Teeth is a bi-annual commissioning award from LSFF, supported by Arts Council England, aimed at embodying LSFF’s core principle of championing contemporary artists moving image works, diverging from more traditional avenues of funding to nurture diverse and unconventional independent short filmmaking. Following the second round of awards from the commissioning fund, the With Teeth Premiere will showcase the works of the three recipients of this year’s grant, Kim Noce, Zoe Aiano, and Tash Tung. Their films use experimental methods, including Your Mothers Are Mine! a projected live animation by Kim Noce observing the complexities of the mother daughter relationship. A multi-screen fiction explores the multiplicities of the image and female domesticity by Tash Tung in Unknown Pleasure. Zoe Aiano presents a wild and delicate documentary of a life spent communicating with the dead, in Imam Pesnu.INDUSTRY EVENTS
This year’s industry program sees experts from across the industry offering their words of wisdom on everything from getting your film funded, to engaging audiences. There’ll be contributions from Channel 4 Random Acts, BBC3, Noisey, and Bechdel Test Fest; Director of VR and New Media at Raindance Mária Rakušanová, will be sharing her expertise in ‘AR You Feeling It?’ and Alexander Karotsch of Fringe! Film Festival will be there to discuss ethical responsibility in ‘Let’s Talk About Sex’. All LSFF 2018 Industry events take place at MOTH Club, which has been turned into the festival’s day time Industry hub. As well as tips on funding, and what commissioners are looking for, the talks and discussions cover everything from driving feminist change in cinema, depicting sex on screen, how to manage the relationship between filmmakers and progamers, and an insight into how new AR technologies are being used to drive stories and emotional responses.
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Biopic OLIVER TAMBO: HAVE YOU HEARD FROM JOHANNESBURG to World Premiere on AfriDocs on BET
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Oliver Tambo: Have You Heard from Johannesburg[/caption]
This month, AfriDocs on BET will present a powerful broadcast event, the World Premiere of the just completed biopic: Oliver Tambo: Have You Heard from Johannesburg on the man who freed Nelson Mandela and engineered the fall of Apartheid.
This unique film comes at a critical time in South Africa’s history as the current ANC heads into its elective conference. Through this powerful film viewers are given the rare opportunity for insights into the life, ethos, and politics of Oliver Tambo, the leader of the ANC who was instrumental in bringing an end to apartheid.
The broadcast of the film, just recently been completed in this the 100th year of Oliver Tambo’s birth, could not come at a more opportune moment with the entire southern-African region focused on political upheaval and the toppling of established leaders and norms.
Albie Sachs, the Executive Producer of the film, has this to say of its upcoming screening, “The Oliver and Adelaide Tambo Foundation would like to express its support for the upcoming screening of Oliver Tambo: Have You Heard from Johannesburg on AfriDocs on BET on December 10th. This is a spirited, lively and eminently watchable film that brings Oliver Tambo to life on-screen, with moving and poignant interviews from Chris Hani, Kenneth Kaunda and members of the Tambo family. The film shows not just the politics of the man, but also shines a light on a life lived on principles of ethics, compassion, inclusion, social justice and equality. We hope this film is seen by as many people as possible and we are actively supporting efforts to make it as accessible as possible.”
The film will be broadcast at a special time on December 10th, at 9:30pm CAT and re-broadcast on December 15th at 1:25pm, The film will also be available on #AFRIDOCSANYTIME, www.afridocs.net for a LIMITED run Dec 11th -20th.
Additionally, December will also see the re-broadcast of the classic, Finding Fela, and Omar Sosa: Out of Africa, an intimate musical trip through East Africa with the multiple Grammy nominated Cuban composer, pianist, and bandleader.
3 December
When Paul Came Over the Sea | Jakob Preuss | Germany | 2017 | 97 min
Paul has made his way from his home in Cameroon across the Sahara to the Moroccan coast where he now lives in a forest waiting for the right moment to cross the Mediterranean. This is where he meets Jakob, a filmmaker from Berlin, who is filming along Europe’s borders. Soon afterwards, Paul manages to cross over to Spain on a rubber boat. He survives – but half of his companions die on this tragic 50-hour odyssey. When Paul decides to continue on to Germany, Jakob has to make a choice: will he become an active part of Paul’s pursuit of a better life or remain a detached documentary filmmaker?
Golden Goblet for Best Documentary, Shanghai International Film Festival, 2017
10 December
SPECIAL TIME 9:30pm CAT
Oliver Tambo: Have You Heard from Johannesburg | Connie Field | South Africa | 2017 | 90 min
Political comrades and law partners, Mandela and Tambo shared a political destiny. Nelson Mandela is a household name. Oliver Tambo is virtually unknown. Banned in South Africa, Tambo led the liberation struggle in exile from 1960-1990 while Nelson Mandela was imprisoned on Robben Island. During those 30 years he not only kept the African National Congress (ANC) unified, led his movement both inside and outside South Africa in a successful battle against apartheid, his calls to the international community to isolate and sanction the South African regime created the most globalised human rights struggle of the 20th century. In the end, his actions released Nelson Mandela and laid the foundation for a new South Africa. Suffering a stroke on the eve of success, OR would not live to see his livelong friend become the first black president of a democratic South Africa.
AVAILABLE FREE TO STREAM ON CATCH-UP www.afridocs.net from Dec 11th – 20th
17 December
Omar Sosa: Out of Africa | Olivier Taieb | Cuba/ Africa | 2010 | 52 min
An intimate musical trip with the multiple Grammy nominated Cuban composer, pianist and bandleader through East Africa. Omar Sosa, influenced by traditional Afro-Cuban music, records a song with a local musician in each country in this epic road movie.
24 December
Finding Fela | Alex Gibney | Nigeria | 2014 | 120 min
Finding Fela tells the story of Fela Anikulapo Kuti’s life, his music, his social and political importance. He created a new musical movement, Afrobeat, using that forum to express his revolutionary political opinions against the dictatorial Nigerian government of the 1970s and 1980s. His influence helped bring a change towards democracy in Nigeria and promoted Pan Africanist politics to the world. The power and potency of Fela’s message is completely current today and is expressed in the political movements of oppressed people, embracing Fela’s music and message in their struggle for freedom.
Sundance Film Festival, 2014
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Gloria Allred Documentary SEEING ALLRED Set For Release Early Next Year
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Allred with client Norma McCorvey (“Jane Roe” in Roe v. Wade), 1989[/caption]
The documentary Seeing Allred, that explores the public and private sides of feminist firebrand attorney Gloria Allred, will launch globally on Netflix after its world premiere in the US Documentary Competition at the 2018 Sundance Film Festival.
Seeing Allred directed by Sophie Sartain (Mimi and Dona, 2015) and Roberta Grossman (Above and Beyond, 2014) will launch on Netflix in early 2018.
As sexual violence allegations grip the nation, Seeing Allred provides a candid look at one of the most public crusaders against sexual assault and the war on women. Through rare archival footage and revealing sit-down interviews with both her supporters and critics, this fascinating biographical portrait examines Allred’s personal trauma and assesses both her wins and setbacks on high-profile cases against the likes of Bill Cosby and Donald Trump.
“I feel fortunate that “Seeing Allred” captures my passion and battle for justice for many victims of injustice”, said Allred. ” The courage that my clients demonstrate, in speaking truth to power, inspires me every day as we fight together.”
What motivates her 40-year-long commitment to justice for women and equal rights for the LGBT community? And do her often-controversial methods work? Featuring interviews with Gloria Steinem, Don Lemon and Allred’s daughter Lisa Bloom, directors Sophie Sartain and Roberta Grossman have crafted a portrait of a woman everyone thinks they know, at a time when those without need her the most.
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“OH, RICK!”, “THE STRANGER”, “ANTONIO LOPEZ 1970” Win 2017 DOC NYC Awards
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Antonio Lopez 1970: Sex Fashion & Disco[/caption]
Earlier this month three juries selected films from each of the 2017 DOC NYC festival’s Viewfinders, Metropolis and Shorts sections to recognize for their outstanding achievements. Festival audiences voted for the DOC NYC Audience Award, and a panel of industry professionals voted to select the winner of this year’s DOC NYC PRO Pitch Perfect Award, given to a work-in-progress. The winner of last year’s DOC NYC PRO Pitch Perfect Award, Naila and the Uprising from director Julia Bacha, had its World Premiere at the 2017 festival with a sold out screening in the festival’s largest venue, the SVA Theatre.
Viewfinders Competition
Films chosen for their distinct directorial visions. Grand Jury Prize Winner: The Stranger, directed by Nicole N. Horanyi, follows a 25-year-old single mother who meets the man of her dreams on Facebook, but she soon discovers that the charming, worldly man has secrets. Jurors’ statement: “For its multilayered approach to storytelling and challenge to the definition of nonfiction the Viewfinders jury awards The Stranger by filmmaker Nicole N. Horanyi.”Metropolis Competition
Films that exemplify the diverse range of stories in New York City. Grand Jury Prize Winner: Antonio Lopez 1970: Sex Fashion & Disco, directed by James Crump, is a portrait of the most influential fashion illustrator of 1970s New York and Paris, known for discovering talents such as Pat Cleveland and Grace Jones. Jurors’ statement: “For rescuing a vital figure in the fashion industry from the background of New York in the 1970s, when the joy and diversity of a new creative vision helped the city emerge from darkness, the Metropolis jury awards Antonio Lopez 1970: Sex Fashion & Disco by filmmaker James Crump.”Shorts Competition
Grand Jury Prize Winner: Traffic Stop, directed by Kate Davis, exposes a problematic police force using dashcam footage as a forensic recounting of a routine traffic stop turned brutal assault of Breaion King. Jurors’ statement: “For its powerful portrait of a woman at the center of one of America’s most important current issues, the Shorts jury awards Traffic Stop by filmmaker Kate Davis.” Special Mention: Winter’s Watch, directed by Brian Bolster, about a hotel caretaker embracing the solitude of the off-season. The 2017 winning Short film qualifies for consideration in the Documentary Short Subject category of the annual Academy Awards® without the standard theatrical run, provided the film otherwise complies with the Academy rules.Audience Award
Winner: Oh, Rick!, directed by Dustin Sussman and Aaron Rosenbloom, profiles comedian Rick Crom, the long-running emcee at Greenwich Village’s Comedy Cellar, and features Ray Romano, Colin Quinn, Sarah Silverman and Wanda Sykes.DOC NYC PRO Pitch Perfect Award
Recognizes the best pitch given during DOC NYC PRO’s Pitch Perfect Day, based on the pitch itself, as well as the viability of the project, and is determined by industry professionals taking part in the daylong pitch event. Winner: Blue Code of Silence, directed by Magnus Skatvold and Gregory Mallozzi, tells the forty-year-old story of when policeman Bob Leuci brought down New York City’s most corrupt police unit, but at a grave personal cost.
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Slamdance Film Festival Announces 2018 Feature Film Competition Lineup + Russo Fellowship Award
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Rock Steady Row[/caption]
The Slamdance Film Festival today unveiled its narrative and documentary feature film competition lineup for its 24th edition, taking place January 19 to 25, 2018 in Park City, Utah.
The feature competition lineup will showcase 10 narrative and eight documentary features. All competition films are feature-length directorial debuts with budgets of less than $1 million and without U.S. distribution.
Captain America: Civil War directors and alumni Anthony and Joe Russo are partnering with Slamdance for the inaugural Russo Fellowship award. The award winner will receive a $25,000 cash prize and mentorship from the Russo brothers in the development of the winner’s next project at their new Los Angeles-based studio. Every participating filmmaker at the 2018 festival is eligible for this prize. The award will be presented annually.
“The Russo brothers exemplify our ‘by filmmakers for filmmakers’ paradigm,” says Slamdance co-founder and president Peter Baxter. “They are joined by a great number of dedicated alumni who’ve shown when it comes to recognizing talent and launching careers, Slamdance’s independent and grassroots film community really can do it themselves.”
“Born out of rejection, Slamdance’s artist-led group continues to discover cutting edge talent creating work outside of convention. Our 2018 competition lineup is daring, varied, and vivid. It represents the spirit of our time and leads us into the future.”
2018 Slamdance Film Festival Feature Film Competition Lineup
NARRATIVE FEATURES
Birds Without Feathers (USA) World Premiere Director: Wendy McColm Screenwriter: Wendy McColm Desperate for human interaction, six emotionally damaged individuals risk self respect, shedding their disillusionment in a last grasp for happiness. A cruel-world comedy populated by struggling Instagram stars, Russian cowboys, Self-help gurus and more, their lives collide and crash in astounding ways. Cast: Wendy McColm, Lenae Day Cooper Oznowicz, William Gabriel Greer, Sara Estefanos, and Alexander Stasko Charlie And Hannah’s Grand Night Out (Belgium) World Premiere Director: Bert Scholiers Screenwriter: Bert Scholiers Two Girls. One Night. Magical Candy Consumed. Twenty-somethings, Charlie and Hannah, find themselves strolling through the city as events take a wildly surreal turn. Transported to a trippy galaxy, filled with cosmic wisdom and contradictions, the pair learn to realize the search for love can take many forms. Cast: Evelien Bosmans, Daphne Wellens, Patrick Vervueren Fake Tattoos (Canada) US Premiere Director: Pascal Plante Screenwriter: Pascal Plante Shy Theo finds himself unexpectedly kicked in the heart by a punk-rock romance on his 18th birthday as Mag bursts into his life for a rollicking encounter. Set against a backdrop of music and mayhem, this coming-of-age tale, explores the thrashing fragility of summer love as life choices and separation loom with no true answers in sight. Cast: Anthony Therrien, Rose-Marie Perreault Fish Bones (USA) World Premiere Director: Joanne Mony Park Screenwriter: Joanne Mony Park Hana, a Korean immigrant on winter break, is caught between worlds. While struggling to find peace with her conservative mother and the expectations surrounding her future, Hana finds herself falling for Nico, a tender and affectionate Latina music producer. Cast: Joony Kim, Cris Gris Human Affairs (USA) World Premiere Director: Charlie Birns Screenwriter: Charlie Birns This richly earnest drama follows Geneviève, a surrogate who must reckon with her ambivalence about the pregnancy and her precarious feelings for the parents-to-be. Cast: Dominic Fumusa, Kerry Condon, David Harbour, Julie Sokolowski Lovers (Denmark) US Premiere Director: Niels Holstein Kaa Screenwriter: Magnus B. B. Lysbakken In the streets, parks and cafes of Copenhagen, a triptych of love stories come to vivid life. Framed with a superb naturalism, these tales through the seasons tackle the ever rising tide of loneliness and self-doubt that can come in the face of new love. Cast: Marie Mailand, Niklas Herskind, Nina Terese Rask M/M (Canada, Germany) World Premiere Director: Drew Lint Screenwriter: Drew Lint Wayward Canadian, Matthew, crushed by the isolation of being new to Berlin, turns his sexual desires toward Matthias that spiral into a dark fixation of assumed identity. Soon, this obsessive power struggle between the two, careens toward brutal passion and violence in a bid for dominance. Cast: Antoine Lahaie, Nicolas Maxim Endlicher Rock Steady Row (USA) World Premiere Director: Trevor Stevens Screenwriter: Bomani Story Demented chaos rules this bizarro-world college campus where the reigning gang-frats target a freshman, who dare crosses their path. Trapped between a blaze of twisted ‘Mad Max’ style power games, he shrewdly plays both sides, fueling apocalyptic-sized battles that escalate to ensnare the school Dean who’s coming unglued. Cast: Heston Horwin, Diamond White, Logan Huffman, Isaac Alisma, Allie Marie Evans, Larry Miller, Peter Gilroy Songs in the Sun (Denmark) US Premiere Director: Kristian Sejrbo Lidegaard Screenwriter: Allan Hyde, Kristian Sejrbo Lidegaard Off the coast of Denmark, young Anna discovers she is the only lifeline to ailing childhood friend Julie and Sonja, Julie’s apathetic mother. Over the course of one momentous afternoon, Anna will learn the healing power of belief and myth-making in everyday living Cast: Emma Sehested Høeg, Charlotte Munck, Victoria Carmen Sonne The Starry Sky Above Me (France) US Premiere Director: Ilan Klipper Screenwriter: Ilan Klipper, Raphaël Neal Bruno is happy to live out his days luxuriating in the existential highs and lows only a brilliant literary mind can appreciate. But when his loved ones seek to intervene with the help of a psychiatrist, Bruno’s bohemian lifestyle may in fact be the perfect anecdote to the colorless, PC lives they didn’t know they hated. Cast: Laurent Poitrenaux, Camille Chamoux, Marilyne Canto, Alma Jodorowsky, François Chattot, Michèle Moretti, Frank WilliamsDOCUMENTARY FEATURES
Circus Ecuador (Ecuador, USA) World Premiere Directors: Ashley Bishop and Jim Brassard James and Ashley travel to the jungles of Ecuador to make a documentary about a school being built for an indigenous community only to discover that the community may or may not be involved in aliens, gold smuggling, human trafficking, and murder. Freedom for the Wolf (Germany, USA) Director: Rupert Russell From Hong Kong to Tunisia to Bollywood, people are fighting against elected leaders dismantling freedom and democracy. These seemingly disparate international stories are cohesively tied into what is happening in the US to reach some very compelling conclusions. Ingrid (USA) World Premiere Director: Morrisa Maltz An intimate look at a woman who left her life as a successful fashion designer and mother in Texas to become a reclusive hermit, immersed in nature, focused solely on creating art. Instant Dreams (Netherlands) North American Premiere Director: Willem Baptist An essayistic quest for the secret of instant film, the magic appeal of Polaroid and what that tells us about the fascinating relationship we have with the photographic image. Man on Fire (USA) World Premiere Director: Joel Fendelman Grand Saline, Texas was a sleepy, unremarkable town–until a white preacher lit himself on fire to protest the town’s racism in 2014. MexMan (USA) World Premiere Director: Josh Polon Germán is a young artist and filmmaker struggling to complete his first feature film and express his undying love to a girl, while secretly living at an airport and trying to stay sane. Mr. Fish: Cartooning From The Deep End (USA) Director: Pablo Bryant This personal documentary follows a controversial political cartoonist as he struggles to provide for his family and stay true to his creativity in a world where biting satiric humor has an ever-diminishing commercial value. Sunnyside (Belgium, Netherlands) North American Premiere Director: Frederik Carbon On a seaside mountain in Northern California two old friends (one a visionary architect and the other an influential sound artist) dream, talk, live, and create.
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2017 Gotham Awards- CALL ME BY YOUR NAME Wins Best Feature, STRONG ISLAND Wins Best Documentary
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Call Me By Your Name[/caption]
The Gotham Awards officially signaled the kick-off to the film awards season last night and Call Me By Your Name, directed by Luca Guadagnino, was one of the night’s top winners grabbing two awards – Best Feature, and Breakthrough Actor award for twenty one year old Timothee Chalamet.
Jordan Peele’s Get Out took home the most awards of the night – three awards – including Best Director, Bingham Ray Breakthrough Director Award, and Best Screenplay.
Best Feature
Call Me by Your Name
Best Documentary
Strong Island
Best Actor
James Franco in The Disaster Artist
Best Actress
Saoirse Ronan in Lady Bird
Breakthrough Series – Long Form
Atlanta
Bingham Ray Breakthrough Director Award
Jordan Peele for Get Out
Breakthrough Actor
Timothée Chalamet in Call Me by Your Name
Breakthrough Series – Short Form
The Strange Eyes of Dr. Myes
Best Screenplay
Get Out, Jordan Peele
Special Jury Award For Ensemble Performance
Mudbound: presented to Carey Mulligan, Garrett Hedlund, Jason Clarke, Jason Mitchell, Mary J. Blige, Rob Morgan, and Jonathan Banks
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Women Filmmakers to Shine at 2017 Whistler Film Festival

BECOMING BURLESQUE The Whistler Film Festival will present an unprecedented number of female focused films, talent, events, and awards throughout its 2017 programs.
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Alex de Ronde’s DEAF CHILD Wins IDFA Audience Award
Deaf Child by Alex de Ronde has been voted the winner of the VPRO IDFA Audience Award – the International Documentary Film Festival Amsterdam’s big audience prize.
Director Alex de Ronde was presented with the VPRO IDFA Audience Award (€ 5,000) by Chairman of the IDFA Board Derk Sauer during the VPRO broadcast Best of IDFA: Audience Award 2017, presented by Marijn Frank.
In Deaf Child, a father looks back over his life, prompted by old photographs, home movies and frank discussions with his two sons, now young adults, and evaluates the choices he has made. Was his fear that his deaf son would live an isolated life justified?
The winner of the VPRO IDFA Audience Award is decided by the audiences voting at the end of each screening, using ballot cards to express their opinion of the film.

The Kindergarten Teacher[/caption]
The 2018 Sundance Film Festival returns to Park City, Salt Lake City and at Sundance Mountain Resort, from January 18 to 28, and today announced the feature films lineup showcasing bold, independent storytelling.
For the 2018 Festival, 110 feature-length films were selected, representing 29 countries and 47 first-time filmmakers, including 30 in competition.These films were selected from 13,468 submissions including 3,901 feature-length films and 8,740 short films. Of the feature film submissions, 1,799 were from the U.S. and 2,102 were international. One-hundred feature films at the Festival will be world premieres
Robert Redford, President and Founder of Sundance Institute, said, “The work of independent storytellers can challenge and possibly change culture, illuminating our world’s imperfections and possibilities. This year’s Festival is full of artfully-told stories that provoke thought, drive empathy and allow the audience to connect, in deeply personal ways, to the universal human experience.”
Lady Bird[/caption]
The National Board of Review today named THE POST as Best Film of the Year, Greta Gerwig as Best Director of the Year for