Bosnia-Herzegovina has selected Alen Drljevic’s Men Don’t Cry (Muskarci koji ne placu) as the country’s official entry in the Foreign Language Film category of the 90th Academy Awards.
Men Don’t Cry, which won the Special Jury Prize at the 2017 Karlovy Vary International Film Festival last month, tells the story of a group therapy workshop, set in a hotel in the Bosnian mountains. A group of war-scarred veterans from different sides in the Yugoslavian conflict are brought together by a peace group to share their wartime experiences, and to try to establish a degree of trust and faith between them. Emotions are highly charged as old enmities and hostilities emerge, but the participants gradually learn to overcome their divisions and achieve a kind of understanding and respect for each other, or at least a tolerance, despite all the bloodshed that has flowed between them in the past.
The film features an all-star team of Balkan actors including Croatia’s Leon Lučev (The Black Pin, Circles) and Ivo Gregurević (Ungiven, The Reaper), Serbia’s Boris Isaković (Requiem for Mrs. J., A Good Wife), Bosnia and Herzegovina’s Emir Hadžihafizbegović (These Are the Rules, Death of a Man in the Balkans), Boris Ler (Circus Columbia) and Ermin Bravo (Love Island), as well as Slovenia’s Sebastian Cavazza (Nika, On the Path).
https://www.youtube.com/watch?v=3dgSSQGJSe4Terry P.
VIMOOZ is for lovers of independent films + foreign film + documentary + film festivals. We love championing the little films.
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Alen Drljevic’s MEN DON’T CRY is Bosnia-Herzegovina’s Entry for 2018 Oscar Race for Best Foreign Film | TRAILER
Bosnia-Herzegovina has selected Alen Drljevic’s Men Don’t Cry (Muskarci koji ne placu) as the country’s official entry in the Foreign Language Film category of the 90th Academy Awards.
Men Don’t Cry, which won the Special Jury Prize at the 2017 Karlovy Vary International Film Festival last month, tells the story of a group therapy workshop, set in a hotel in the Bosnian mountains. A group of war-scarred veterans from different sides in the Yugoslavian conflict are brought together by a peace group to share their wartime experiences, and to try to establish a degree of trust and faith between them. Emotions are highly charged as old enmities and hostilities emerge, but the participants gradually learn to overcome their divisions and achieve a kind of understanding and respect for each other, or at least a tolerance, despite all the bloodshed that has flowed between them in the past.
The film features an all-star team of Balkan actors including Croatia’s Leon Lučev (The Black Pin, Circles) and Ivo Gregurević (Ungiven, The Reaper), Serbia’s Boris Isaković (Requiem for Mrs. J., A Good Wife), Bosnia and Herzegovina’s Emir Hadžihafizbegović (These Are the Rules, Death of a Man in the Balkans), Boris Ler (Circus Columbia) and Ermin Bravo (Love Island), as well as Slovenia’s Sebastian Cavazza (Nika, On the Path).
https://www.youtube.com/watch?v=3dgSSQGJSe4
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2017 Sarajevo Film Festival Awards: SCARY MOTHER Wins Heart of Sarajevo for Best Film
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HEART OF SARAJEVO FOR BEST FEATURE FILM SCARY MOTHER, 2017 SARAJEVO FILM FESTIVAL[/caption]
The Georgia film Scary Mother directed by Ani Urushadze, was awarded the Heart of Sarajevo for Best Film at the 2017 Sarajevo Film Festival. In the film, Manana, a 50-year-old housewife, struggles with a dilemma – she has to choose between her family life and her passion for writing, which she has repressed for years. She decides to follow her passion and plunges herself into writing, sacrificing everything to it, both mentally and physically.
The award for Best Documentary went to City of the Sun, directed by Rati Oneli. City of the Sun portrays a few of the remaining inhabitants of the mining city of Chiatura, in western Georgia. Up to 50 percent of the world’s manganese, a vital metal across the globe, used to be mined here, but today, it resembles an apocalyptic ghost town. Music teacher Zurab dismantles ramshackle concrete buildings by hand and sells the iron girders to make some money on the side. Archil still works in the mine, but his real passion is the local amateur theatre group. Despite being malnourished, two young female athletes train stoically for the next Olympic Games.
Actor and comedian John Cleese, best known as a member of the famous comedy team Monty Python’s Flying Circus, received the honorary lifetime achievement award. “I accept it not as a film person, but more as a comedian because I think at this time in world history, we’ve never needed comedians more,” Cleese said.
2017 Sarajevo Film Festival Awards
COMPETITION PROGRAM – FEATURE FILM
HEART OF SARAJEVO FOR BEST FEATURE FILM SCARY MOTHER / SASHISHI DEDA Georgia, Estonia Director: Ana Urushadze Producer: Lasha Khalvashi HEART OF SARAJEVO FOR BEST DIRECTOR EMANUEL PÂRVU MEDA OR THE NOT SO BRIGHT SIDE OF THINGS / MEDA SAU PARTEA NU PREA FERICITĂ A LUCRURILOR Romania SPECIAL JURY MENTION DIRECTIONS / POSOKI Bulgaria, Germany, Macedonia Director: Stephan Komandarev HEART OF SARAJEVO FOR BEST ACTRESS Ornela Kapetani, DAYBREAK / DITA ZË FILL HEART OF SARAJEVO FOR BEST ACTOR Şerban Pavlu, MEDA OR THE NOT SO BRIGHT SIDE OF THINGS / MEDA SAU PARTEA NU PREA FERICITĂ A LUCRURILORCOMPETITION PROGRAM – SHORT FILM
HEART OF SARAJEVO FOR BEST SHORT FILM INTO THE BLUE / U PLAVETNILO Croatia, Slovenia Director: Antoneta Alamat Kusijanović Financial Award, in the amount of 2.500 €. SPECIAL JURY MENTION SOA Montenegro Director: Dušan Kasalica SPECIAL JURY MENTION COPA – LOCA Greece Director: Christos MassalasCOMPETITION PROGRAM – STUDENT FILM
HEART OF SARAJEVO FOR BEST STUDENT FILM CLEAN / ČISTOĆA Bosnia and Herzegovina Director: Neven Samardžić SPECIAL JURY MENTION LJUBLJANA – MÜNCHEN 15:27 / LJUBLJANA – MUNICH 15:27 Slovenia Director: Katarina MoranoCOMPETITION PROGRAM – DOCUMENTARY FILM
HEART OF SARAJEVO FOR BEST DOCUMENTARY FILM CITY OF THE SUN / MZIS QALAQI Georgia, USA, Qatar, Netherlands Director: Rati Oneli SPECIAL JURY PRIZE FOR COMPETITION PROGRAM DOCUMENTARY FILM KINDERS Austria Directors: Arash T. Riahi, Arman T. Riahi SPECIAL JURY MENTION HOME / DOM Croatia, Bosnia and Herzegovina Director: Zdenko Jurilj HUMAN RIGHTS AWARD MR. GAY SYRIA Turkey, France, Germany Director: Ayse Toprak Best film of the Competition Programme – Documentary Film dealing with the subject of human rights.HONORARY HEART OF SARAJEVO
John Cleese, Actor Oliver Stone, DirectorCINELINK AWARDS
CINELINK CO-PRODUCTION MARKET AWARDS EURIMAGES COPRODUCTION DEVELOPMENT AWARD HALF-SISTER Director: Damjan Kozole Writers: Damjan Kozole, Urša Menart Producer: Danijel Hočevar Production company: Vertigo Slovenia MACEDONIAN FILM AGENCY CINELINK AWARD HOLY EMY Director: Araceli Lemos Writers: Araceli Lemos, Gulia Caruso Producers: Elina Psykou, Giulia Caruso, Konstantinos Vassilaros Production company: StudioBauhaus Greece ARTE INTERNATIONAL RELATIONS CINELINK AWARD CAT IN THE WALL Directors: Mina Mileva, Vesela Kazakova Writer: Mina Mileva Producers: Mina Mileva, Vesela Kazakova Production company: Activist38 Bulgaria SPECIAL MENTION THE GREAT TRAM ROBBERY Director: Slobodan Šijan Writers: Slobodan Šijan, Biljana Maksić, Vladimir Mančić Producer: Marko Paljić Production company: Gargantua Films Serbia MDM EAVE SCHOLARSHIP Konstantinos Vassilaros / HOLY EMYWORK IN PROGRESS AWARDS
TRT AWARD HONEYLAND Directors: Ljubo Stefanov, Tamara Kotevska Producers: Ljubo Stefanov, Atanas Georgiev Production company: Apollo Media, Trice Films Macedonia POST REPUBLIC AWARD THE DAY AFTER I’M GONE Director: Nimrod Eldar Producer: Eitan Mansuri Production company: Spiro Films Ltd Israel RESTART AWARD WHAT COMES AROUND Director: Reem Saleh Producers: Reem Saleh, Konstantina Stavrianou Production company: Mazameer Productions Lebanon / Egypt / QatarCINELINK DRAMA AWARD
FILM CENTER SERBIA CINELINK DRAMA AWARD ALL PANTHERS ARE PINK / SVI PANTERI SU PINK Creators: Titus Kreyenberg, Miroslav Mogorović Writer: Dimitrije Vojnov Director: TBC Producers: Titus Kreyenberg, Miroslav Mogorović Production company: Unafilm, Art & Popcorn Germany, Serbia SPECIAL MENTION GLYCERIN / GLICERIN Creators: Ivan Knežević, Miloš Pušić Writers: Ivan Knežević, Miloš Pušić Director: Miloš Pušić Producers: Ivan Knežević, Miloš Pušić Production company: Altertise Serbia23rd SARAJEVO FILM FESTIVAL PARTNER’S AWARDS
AWARDS OF ASSOCIATION OF BOSNIAN FILMMAKERS
Ivica Matić Award Redžinald Šimek Ivica Matić Award Tomislav Topić Ivica Matić Award Action Group of the Association of Bosnian Filmmakers for copyrights (Pjer Žalica, Jovan Marjanović, Elma Tataragić and Amar Nović) CINEUROPA NAGRADA SCARY MOTHER / SASHISHI DEDA Director: Ana Urushadze CICAE NAGRADA SON OF SOFIA / O GIOS TIS SOFIAS Director: Elina Psykou THE EUROPEAN DOCUMENTARY NETWORK – TALENT GRANT WHEN PIGS COME Director: Biljana Tutorov SARAJEVO SHORT FILM NOMINEE FOR EUROPAN FIOM AWARDS 2017 COPA-LOCA Director: Christos Massalas BEST PACK & PITCH AWARD (TALENTS SARAJEVO PACK & PITCH) SIRIN Senad Šahmanović – invitation for participation in the co-production market CineLink PINKLER Patricia D’Intino The postproduction of sound services in the amount of 4.000 EUR (studio Chelia)BH FILM STUDENT PROGRAMME AWARD
Best B&H Student Film Award TO OUTLIVE A TURTLE / NADŽIVETI KORNJAČU Director: Katarina Živanović Fakultet dramskih i filmskih umjetnosti Bijeljina Special Jury Award CLEAN / ČISTOĆA Director: Neven Samardžić Akademija scenskih umjetnosti Sarajevo Special Mention WINTER SUN / ZIMSKO SUNCE Director: Pilar Palomero Sarajevo Film Academy image via Facebook
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Pinoy HipHop Film RESPETO Wins 7 Awards at Cinemalaya Philippine Independent Film Festival
Alberto Monteras II’s RESPETO, an exploration of the Pinoy hiphop underground world where a young aspiring rapper and a Martial Law poet cross paths, won seven awards at the 13th Cinemalaya Philippine Independent Film Festival.
Respeto won Best Film, Best Supporting Actor for Dido de La Paz, Best Sound, Best Editing, the 2017 NETPAC (Network for the Promotion of Asia Pacific Cinema) Award and the Audience Choice Award.
The film shared the Best Cinematography Award with another full length feature Joseph Israel Laban’s film Baconaua.
Baconaua, based on an actual story of how one morning after a particularly strong squall, a sleepy fishing village woke up to the astonishing sight of the sea that had turned red, won the Special Jury Prize and Best Direction awards.
Angeli Bayani won Best Actress for her role in Bagahe by Zig Dulay while Noel Comia Jr. and Yayo Aguila landed the Best Actor and Best Supporting Actress awards respectively for their work in Kiko Boksingero by Thop Nazareno.
Bayani was hailed for her role as an OFW suspected of dumping a newborn child in the trash bin of an airplane toilet; Comia for his heartrending performance of a boy grieving for his mother while trying to win the love of his estranged father; and Aguila for her endearing portrayal of the nanny who tries to soothe her ward’s loneliness.
Bagahe also won the Best Screenplay award for Zig Dulay while Kiko Boksingero bagged Best Musical Score for Pepe Manikan. Nabubulok won Best Production Design for Marxie Maolen Fadul.
In the short feature category, the Best Film award went to Hilom by P.R. Patindol while Fatima Marie Torres and the Invasion of Space Shuttle Pinas 25 by Carlo Francisco Manatad won the Special Jury Prize. Aliens Ata by Karl Glenn Barit scooped up the 2017 NETPAC Award; Best Direction went to E Del Mundo for her Manong ng Pa-Aling and Duwi Monteagudo won Best Screenplay for Bawod. The Audience Choice Award was given to Marvin Cabangunay and Jaynus Olaivar’s Nakauwi Na. Best Short Film winner Hilom won Php150,000 cash award and the Cinemalaya Balanghai trophy.
In this year’s Cinemalaya, nine films competed in the Full Length Feature category. These were: Ang Guro Kong Di Marunong Magbasa (My Teacher Who Doesn’t Know How To Read) by Perry Escaño; Ang Pamilyang Hindi Lumuluha (The Family That Doesn’t Weep) by Mes de Guzman;Baconaua by Joseph Israel Laban; Bagahe (The Baggage) by Zig Dulay; Nabubulok (The Decaying) by Sonny Calvento; Kiko Boksingero by Thop Nazareno; Requited by Nerissa Picadizo; Respeto by Alberto Monteras II; and, Sa Gabing Nanahimik ang mga Kuliglig (Clouds of Plague) by Iar Lionel Benjamin Arondaing.
For the first time in Cinemalaya history, there were 12 short films, instead of the usual 10, that competed. These were: Aliens Ata (Maybe Aliens) by Karl Glenn Barit; Bawod (Bent) by TM Malones; Fatima Marie Torres and the Invasion of Space Shuttle Pinas 25 by Carlo Francisco Manatad; Hilom (Still) by P.R. Patindol; Islabodan (Free Men) by Juan Carlo Tarobal; Juana and the Sacred Shores by Antonne Santiago; Lola Loleng (Grandma Loleng) by Jean Cheryl Tagyamon;Manong ng Pa-Aling (Man of Pa-Aling) by E del Mundo; Maria by JP Habac Jr.; Nakauwi Na by Marvin Cabangunay and Jaynus Olaivar; Nakaw by Arvin Belarmino and Noel Escondo; and Sorry For The Inconvenience by Carl Adrian Chavez.
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VIDEO: Watch Love Blossom in Prison in Trailer for Dominican Republic Film WOODPECKERS (CARPINTEROS)
Here is the new trailer and poster for the Woodpeckers (Carpinteros) directed by Jose Maria Cabral. Love can spring up in the most unlikely places, and the new film Woodpeckers (Carpinteros) tells one such tale of illicit and slow-boil attraction.
The film starring Jean Jean, Ramon Emilio Candelario and Judith Rodriguez, was an official selection of many film festivals including the 2017 Sundance Film Festival and the Guadalajara Film Festival, where the film won the awards for Best Actor and Jury Prize. Woodpeckers will be released in theaters on Friday, September 15, 2017 at (AMC EMPIRE 25, UA KAUFMAN ASTORIA STADIUM 14) with a wider national release to follow.
Dreadlocked and handsome Dominican-Haitian Julián (actor Jean Jean in a breakout role) begins a jail sentence for petty theft inside the notorious Najayo prison just outside Santo Domingo. While navigating the indignities, corruption and everyday violence from both guards and fellow inmates, he becomes immersed in the system of “Woodpecking,” the unique sign language the male prisoners use to communicate with women in the adjacent penitentiary just over 400 feet away.
Standing in windows or out in prison yards, love – and heated liaisons – blossom. Julián’s entanglement with one female inmate, Yanelly (the astonishing Dominican actress Judith Rodriguez Perez), is the fuse that ignites the events of Woodpeckers, which was shot on location at the actual prison using real inmates for all but the lead roles. Director José María Cabral, whose previous work was the Dominican Republic’s official submission for the Foreign Language Oscar, delivers a knockout film, full of atmosphere, sexuality, and grit.
Trailer Woodpeckers (Carpinteros)
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Unrated Psychological Thriller AGAINST THE NIGHT Heads into Theaters September 25
Against The Night is a psychological thriller that tests the boundaries of trust as nine friends sneak into an abandoned prison to film a ghost hunting video. When their friend, Hank, disappears, everyone is pointing fingers and placing blame until they realize they may not be alone.
A riveting psychological thriller about paranoia, loyalty, ambition, and trust, Against The Night is directed by Emmy Award winning and CLIO nominated commercial director Brian Cavallaro and features Hannah Kleeman, Tim Torre, and Frank Whaley (Pulp Fiction, Vacancy, Swimming with Sharks). The film was produced by Brian Cavallaro and Arielle Brachfeld, and co-produced by Mike Mendez and Hank Braxton.
Against The Night will be released theatrically in LA, NY and additional select markets on September 15. The film has a running time of 86 minutes and will not be rated by the MPAA.
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TOM OF FINLAND, Biopic on LGBTQ Icon, Sets Fall Release Date | Trailer
Award-winning filmmaker Dome Karukoski brings to screen the life and work of one of the most influential and celebrated figures of twentieth century LGBTQ culture in Tom of Finland starring Pekka Strang, Lauri Tilkanen, Werner Daehn and Jessica Grabowsky. The film, an official selection of the 2017 Tribeca Film Festival will open Friday, October 13 in New York at The Quad and on Friday, October 20 in Los Angeles at the Nuart Theater with a national release to follow.
Touko Laaksonen, a decorated officer, returns home after a harrowing and heroic experience serving his country in World War II. But life in Finland during peacetime proves equally distressing. He finds post-war Helsinki rampant with homophobic persecution, and gay men around him are being pressured to marry women and have children. Touko finds refuge in his liberating art: homoerotic drawings of muscular men, free of inhibitions.
But it is only when an American publisher sees them and invites Tuoko over to the West Coast that his life really takes a turn. Finally being able to walk free and proud in Los Angeles, Tuoko dives head first into the sexual revolution, becoming an icon and a rallying point. His work – made famous by his signature ‘Tom of Finland’ – became the emblem of a generation of men and fanned the flames of the worldwide gay revolution.
One of Finland’s most acclaimed directors, Dome Karukoski has been named one of “Variety’s” Top 10 Directors to Watch and his films have gathered numerous international awards. Winner of several Finnish National Film Awards, and Best Director for Dark Butterflies and Lapland Odyssey, Karukoski’s films are as successful abroad as they are at home. Karukoskihas recently been set to direct The Starling starring Keanu Reeves and Tolkien, a biopic of J.R.R.Tolkien, who wrote The Lord of The Rings and The Hobbit.
https://www.youtube.com/watch?v=I6v3w9yfyVY
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Lynn Shelton’s Drama OUTSIDE IN Acquired by The Orchard for 2018 Release
Lynn Shelton’s drama Outside In, starring Jay Duplass and Edie Falco which will premiere next month at the 2017 Toronto International Film Festival has been acquired by The Orchard for a release in early 2018. Outside In also stars Kaitlyn Dever and Ben Schwartz.
The screenplay for Outside In was written by Lynn Shelton and Jay Duplass. Shelton has directed six previous feature films including Humpday, Your Sister’s Sister, and Laggies. She’s received two Independent Spirit Awards, and has directed a number of television shows including “Mad Men,” “Master of None,” “The Mindy Project,” “Love,” “New Girl,” “Shameless,” “Fresh Off the Boat” and “Glow.”
Jay Duplass is currently starring on the hit Amazon series “Transparent,” producing the acclaimed HBO anthology series “Room 104,” and recently starred in Beatriz at Dinner and Landline. Four-time Emmy® Award winner Edie Falco most recently starred Landline (alongside Jay), Megan Leavey, and Louis C.K.’s drama series “Horace and Pete.”
Outside In follows Carol (Falco), a high school teacher, and Chris (Duplass), her ex-student, as they explore a relationship after his release from a 20-year prison sentence. While Chris navigates his re-entry into the world, Carol works to rebuild her family, and reconnect with her teenage daughter (Dever). Featuring an original score from singer-songwriter Andrew Bird and shot on location in Washington state,Outside Inwas produced by Mel Eslyn and Lacey Leavitt.
Outside In marks the most recent release in the ongoing relationship between Duplass Brothers Productions and The Orchard. Since acquiring The Overnight at Sundance in 2015, DBP and The Orchard have collaborated on a variety of films including Take Me, Blue Jay, 6 Years, Manson Family Vacation, Rainbow Time and Creep.
Following The Orchard’s theatrical and digital release, Netflix will be releasing the film on its worldwide streaming platform.
Lynn Shelton commented, “I couldn’t be happier that Outside In will be included in the incredible catalog of films that The Orchard has acquired as a distributor.”
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Mina Shum’s MEDITATION PARK Starring Sandra Oh to Open Vancouver International Film Festival
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Meditation Park[/caption]
Mina Shum’s Meditation Park will be showcased as the Opening Night Gala Film of the 2017 Vancouver International Film Festival. On the heels of her critically acclaimed 2015 documentary, Ninth Floor, Shum makes a triumphant return to narrative filmmaking with this bittersweet comedy about a devoted Chinese-Canadian wife and mother (Cheng Pei Pei) who is shaken out of her isolation and stupor by suspicions that her husband (Tzi Ma) has been untrue. Shum makes fantastic use of East Vancouver and Chinatown locations and draws fantastic performances from an all-star cast that also includes Sandra Oh and Don McKellar.
VIFF will present Movie Nights Across Canada as part of its opening night festivities on September 28, 2017.
The festival also revealed 18 additional Canadian feature films in the True North stream and Future//Present film series, which celebrate the extraordinary creativity and craft being demonstrated by Canadian storytellers from coast to coast.
Opening Gala
Meditation Park
DIR. MINA SHUM
Maria (Cheng Pei Pei) has spent decades of devoted marriage dutifully excusing the prejudices and vices of her husband (Tzi Ma). But when she discovers another woman’s thong in his pocket, she embarks on some unintentionally comic sleuthing which soon introduces her to new East Vancouver communities and ultimately sets her on the course to self-discovery. Mina Shum makes an inspired return to narrative feature filmmaking with this richly detailed, emotionally rewarding and unmistakably Vancouver story.
True North Stream
Indian Horse DIR. STEPHEN CAMPANELLI In this moving adaptation of Richard Wagamese’s novel, Stephen Campanelli condemns Canada’s most deplorable transgression while celebrating our national game’s transcendent power. Languishing in a residential school, Saul Indian Horse finds salvation on a sheet of ice. But while a preternatural hockey sense lets him slip bodychecks with a dancer’s grace, he can’t evade the ramifications of past abuses. Saul’s strength in this struggle is a testament to the Indigenous peoples’ indomitable spirit. Infiltration DIR. ROBERT MORIN This dark thriller brings us into the carefully constructed world of narcissistic plastic surgeon Dr. Louis Richard (Christian Bégin) as it comes crashing down around him. Director Robert Morin delivers a voyeuristic and claustrophobic experience. His camera parallels the control-freak doctor’s state of mind as his sense of authority over his wife, his son and his career slips away. A beautifully shot and lit travelogue of a journey into isolation and madness. Like a Pebble in the Boot DIR. HÉLÈNE CHOQUETTE Against the picturesque backdrop of Brunelleschi’s Dome of Santa Maria del Fiore in Florence, Senegalese migrants peddle Chinese trinkets and selfie sticks to tourists – but only if they’re lucky. People are often racist, street vending is illegal and many of the vendors are undocumented. It’s frustrating, and they’re barely scraping by, but their families in Africa depend on them. Filmmaker Hélène Choquette turns her empathetic eye on these harassed peddlers, resilient victims of global inequality. Rebels on Pointe DIR. BOBBI JO HART For over 40 years, the all-male drag troupe Les Ballets Trockadero de Monte Carlo has been delighting audiences around the world. In size 11 toe shoes, the Trocs send up the high art and formality of classical ballet. Director Bobbi Jo Hart shares the rich archival history of this New York collective, born in the wake of the Stonewall Riots, and their progress from preposterous to phenomenal. Best of all, we get to know the international ballerinos while enjoying their satiric wit and outré virtuosity. A Skin So Soft DIR. DENIS CÔTÉ Iconoclastic director Denis Côté is at his playful best with this equally awe-inspiring and amusing profile of bronzed, inked and bulging-at-the-sinews bodybuilders. While there’s abundant absurd comedy courtesy of the surreal sight of these man-mountains negotiating suburban homes or labouring to meet their caloric needs, Côté’s inquisitive camera reverentially appraises the astonishing frames that their devotion has wrought, while also revealing glimpses of vulnerability lurking in these Goliaths’ eyes. Suck It Up DIR. JORDAN CANNING Determining that Ronnie (Grace Glowicki), her hot mess of a besty, is in desperate need of a change of scenery, obsessive-compulsive Faye (Erin Carter) whisks her away to placid Invermere. However, the best laid recovery program derails into debauchery as the two fall prey to ill-advised hookups and bowling under the influence. And that’s before the MDMA kicks in. Jordan Canning’s wickedly funny, BC-set buddy comedy shirks sentimentality in favour of a barbed sincerity that leaves a lasting mark. Tattoos DIR. PASCAL PLANTE Crossing post-gig paths with Mag (Rose-Marie Perreault), Théo (Anthony Therrien) is all scowling swagger until she calls him on the fake tattoo he’s brandishing. As he sheepishly drops his defences, Pascal Plante’s “punk rock romance” likewise abandons brashness in favour of character-centric drama reminiscent of Richard Linklater’s Before trilogy. Demonstrating a remarkable gift for eliciting naturalistic performances, Plante traces the formative experiences that will shape Mag and Théo’s adult lives. Unarmed Verses DIR. CHARLES OFFICER At the cusp of adolescence and facing forced relocation, Francine has a lot on her mind. And while this Toronto ‘tween possesses a way with written words, she has yet to develop the necessary confidence to express herself in full voice. Charles Officer’s luminous, poignant documentary charts this marginalized yet magnetic young woman’s determination to make herself and her community heard. “Like [Jim Jarmusch’s] Paterson, Unarmed Verses is both about poetry and a work of poetry in itself.” – RogerEbert.com Worst Case, We Get Married DIR. LÉA POOL Léa Pool’s 13th film is not for the faint of heart. Working from a novel by Sophie Bienvenu, Pool tells the disturbing, poignant story of 14-year-old Aïcha (a luminous Sophie Nélisse), who spends most of the time roaming around her Montréal neighbourhood. She lives with her distracted mother Isabelle (Karine Vanasse) and the memory of her turfed stepfather. When she encounters Baz (Jean-Simon Leduc), a sympathetic twenty-something musician, she falls hard for him, and teenage fantasy rules. You’re Soaking in It DIR. SCOTT HARPER Advertising is no longer the arcane territory of a few well-lubricated characters. The creative leaps of Mad Men have been replaced by precise, targeted surveillance rooted in complicated computer modelling. The data collected is often very personal information, and it is used to design advertising that influences you at the precise moment you are most ready to spend. Scott Harper documents this chilling shift and introduces us to corporate execs who proudly let us know how much they know about us.Future//Present Series
Black Cop DIR. CORY BOWLES With tension growing and Black Lives Matter putting the heat on law enforcement, a black police officer is torn between his affinity for the badge and the colour of his skin. He decides to take matters into his own hands and changes the priority of his targets from black to white, embarking on a spree of vengeance. With its provocative use of dash-cam and chest-cam footage, Cory Bowles’ film is as stylistically bold as it is politically charged, standing pointedly between the satirical and the dead serious. Fail to Appear DIR. ANTOINE BOURGES Isolde is a caseworker adjusting to the challenges of her new job when she is assigned to a man charged with theft and facing an upcoming court hearing. She does her best to help, but when the two meet she struggles to connect. Antoine Bourges’ film is many things at once: a portrait of those who fall through the cracks and the few who try to help them, a studious analysis of the systems in place and how they operate, and a poignant reflection on the difficulty of human connection across social strata. Forest Movie DIR. MATTHEW TAYLOR BLAIS A young woman dreams of the forest. Upon waking she texts a friend, cancelling their plans. She packs up, compelled to head into the woods. The deeper she moves into the forest, the more it begins to take on a life of its own. What waits for her there? Hypnotic, deceptively simple, and graced with strikingly sensual cinematography, Matthew Taylor Blais’ Forest Movie is a liberating experience that plays like a call to embrace nature, slow down, pay attention and get in touch with your thoughts. In the Waves DIR. JACQUELYN MILLS In Jacquelyn Mills’ impressionistic documentary, her grandmother Joan Alma Mills is struggling to come to terms with the death of her younger sister and searching for answers in the natural beauty that surrounds her coastal village home. With a delicate attention to detail, spoken musings on mortality and meaning are intricately interwoven with elegiac imagery. This is a soulful rumination on the passage of time–its ebbs, flows and eternal mysteries. Maison du bonheur DIR. SOFIA BOHDANOWICZ 2016’s Emerging Canadian Director award-winner Sofia Bohdanowicz (Never Eat Alone) returns with the colourful documentary Maison du bonheur. When asked to make a film about her friend’s mother, a widowed Parisian astrologer named Juliane, the director sets off for Montmartre and produces a lovingly made portrait of an infectiously exuberant personality and the lovely pre-war apartment she’s called home for 50 years. Shooting gorgeously on 16mm, Bohdanowicz again transforms quotidian details into beauty. Mass for Shut-Ins DIR. WINSTON DEGIOBBI Amidst poverty in New Waterford, Cape Breton, 25-year old Kay Jay is sleeping on his grandfather’s couch. Without much of anything, the two sit around eating 5-cent candies, drinking pop and watching movies. This film looks squarely at a type of comatose living in which the aging residents are dwindling away and the futures of the young are dim at best. Director Winston DeGiobbi bends the mundane slightly towards the surreal, distilling the directionless daily existence of his characters into poetry. PROTOTYPE DIR. BLAKE WILLIAMS From experimental filmmaker Blake Williams comes this ambitious 3D sci-fi film, which reimagines the Galveston Hurricane of 1900 and its aftermath with the presence of a mysterious, futuristic televisual device. Then the cultural centre of Texas, Galveston was devastated by the storm. PROTOTYPE moves from stereoscopic pictures of the city to an awesome visceral conjuring of the storm and then into further sense-engaging abstraction, interrogating notions of origin and historical memory. Still Night, Still Light DIR. SOPHIE GOYETTE An existential meditation on longing, loss and memory, Sophie Goyette’s lyrical drama seamlessly moves between three characters and three distinct locations. Haunted by the death of her parents, Eliane leaves her Montreal home to teach piano in Mexico City. Her student’s father Romes is coping with midlife disappointment. Lastly, Pablo’s father harbours memories of a lost love. Each character is processing their past and unsure about how to move into the future.
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Director Stephen Frears to Receive Award at Venice International Film Festival
Director Stephen Frears (Philomena, The Queen, Dangerous Liaisons) will receive the Jaeger-LeCoultre Glory to the Filmmaker award at the 74th Venice International Film Festival, dedicated to a personality who has made an original contribution to innovation in contemporary cinema.
Stephen Frears will be awarded the prize at a ceremony to be held on Sunday September 3rd, before the Out of Competition screening of his new film Victoria & Abdul, receiving its world premiere screening in Venice. The film is set in 1887, when Abdul travels from India to present a ceremonial medal as part of the Queen’s Golden Jubilee but surprisingly finds favor with the elderly Queen. The unprecedented and unlikely relationship causes a battle royale within the royal household, pitting the Queen against court and family. Victoria & Abdul humorously explores questions of race, religion, power, and the farce of Empire through the prism of a highly unusual and deeply moving friendship.
The Director of the Venice Film Festival, Alberto Barbera, made the following statement about the award: “Prolific and unpredictable, eclectic and provocative, Stephen Frears seems to challenge the very idea of a monolithic definition of his cinema. Along with Ken Loach and Mike Leigh, he is one of the most vibrant and representative exponents of contemporary British cinema. As opposed to many other directors, he is not afraid of seeming self-contradictory: he nonchalantly passes from the social realism of the 1980s to biographies, from comedies to historical dramas, alternating British and American movies, low-budget and high-budget productions, cinema and television, and each time he is at ease. This evident contrast might be the most interesting aspect of his work, along with his universally recognized qualities: an uncommon sensitivity in the way he directs his actors; the ability to get the most out of his relationship with famous authors (Alan Bennet, Christopher Hampton, Hanif Kureishi, Nick Hornby); his apparent modesty, which consists in subordinating style to the demands of the material. A great narrator of stories with recurring topics, such as his attention to oppressed and marginalized characters, in his best movies Frears has the rare gift of creating a portrait of British society: sharp, caustic, unconventional, and simultaneously disturbing and amusing.”

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