Gaga: Five Foot Two[/caption]
One hundred seventy features have been submitted for consideration in the Documentary Feature category for the 90th Academy Awards. A shortlist of 15 films will be announced in December.
Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture, provided they meet the requirements for those categories.
Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018.
The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide.
The submitted features, listed in alphabetical order, are:
Abacus: Small Enough to Jail
Aida’s Secrets
Al Di Qua
All the Rage
All These Sleepless Nights
AlphaGo
The American Media and the Second Assassination of President John F. Kennedy
And the Winner Isn’t
Angels Within
Architects of Denial
Arthur Miller: Writer
Atomic Homefront
The B-Side: Elsa Dorfman’s Portrait Photography
Bang! The Bert Berns Story
Bending the Arc
Big Sonia
Bill Nye: Science Guy
Birthright: A War Story
Bobbi Jene
Bombshell: The Hedy Lamarr Story
Born in China
Born to Lead: The Sal Aunese Story
Boston
Brimstone & Glory
Bronx Gothic
Burden
California Typewriter
Can’t Stop, Won’t Stop: A Bad Boy Story
Casting JonBenet
Chasing Coral
Chasing Trane
Chavela
Citizen Jane: Battle for the City
City of Ghosts
Clive Davis: The Soundtrack of Our Lives
Cries from Syria
Cruel & Unusual
Cuba and the Cameraman
Dawson City: Frozen Time
Dealt
The Death and Life of Marsha P. Johnson
Destination Unknown
Dina
Dolores
Dream Big: Engineering Our World
A Dying King: The Shah of Iran
Eagles of Death Metal: Nos Amis (Our Friends)
Earth: One Amazing Day
11/8/16
Elian
Embargo
Eric Clapton: Life in 12 Bars
Escapes
Everybody Knows… Elizabeth Murray
Ex Libris – The New York Public Library
Extraordinary Ordinary People
Faces Places
The Farthest
The Final Year
Finding Oscar
500 Years
Food Evolution
For Ahkeem
The Force
The Freedom to Marry
From the Ashes
Gaga: Five Foot Two
A German Life
Get Me Roger Stone
Gilbert
God Knows Where I Am
Good Fortune
A Gray State
Hare Krishna! The Mantra, the Movement and the Swami Who Started It All
Harold and Lillian: A Hollywood Love Story
Hearing Is Believing
Hell on Earth: The Fall of Syria and the Rise of ISIS
Human Flow
I Am Another You
I Am Evidence
I Am Jane Doe
I Called Him Morgan
Icarus
If You’re Not in the Obit, Eat Breakfast
The Incomparable Rose Hartman
An Inconvenient Sequel: Truth to Power
Intent to Destroy
Jane
Jeremiah Tower The Last Magnificent
Jim & Andy: The Great Beyond – Featuring a Very Special, Contractually Obligated Mention of Tony Clifton
Joan Didion: The Center Will Not Hold
Joshua: Teenager vs. Superpower
Karl Marx City
Kedi
Keep Quiet
Kiki
LA 92
The Last Dalai Lama?
The Last Laugh
Last Men in Aleppo
Legion of Brothers
Let It Fall: Los Angeles 1982 – 1992
Let’s Play Two
Letters from Baghdad
Long Strange Trip
Look & See
Machines
Man in Red Bandana
Mr. Gaga: A True Story of Love and Dance
Motherland
Mully
My Scientology Movie
Naples ’44
Neary’s – The Dream at the End of the Rainbow
Night School
No Greater Love
No Stone Unturned
Nobody Speak: Trials of the Free Press
Nowhere to Hide
Obit
Oklahoma City
One of Us
The Paris Opera
The Pathological Optimist
Prosperity
The Pulitzer at 100
Quest
Rancher, Farmer, Fisherman
The Rape of Recy Taylor
The Reagan Show
Restless Creature: Wendy Whelan
Risk
A River Below
Rocky Ros Muc
Rumble: The Indians Who Rocked the World
Santoalla
School Life
Score: A Film Music Documentary
Served Like a Girl
The Settlers
78/52
Shadowman
Shot! The Psycho Spiritual Mantra of Rock
Sidemen: Long Road to Glory
The Skyjacker’s Tale
Sled Dogs
Soufra
Spettacolo
Step
Stopping Traffic: The Movement to End Sex-Trafficking
Strong Island
Surviving Peace
Swim Team
Take Every Wave: The Life of Laird Hamilton
Take My Nose… Please!
They Call Us Monsters
32 Pills: My Sister’s Suicide
This Is Everything: Gigi Gorgeous
Tickling Giants
Trophy
Twenty Two
Unrest
Vince Giordano – There’s a Future in the Past
Voyeur
Wait for Your Laugh
Wasted! The Story of Food Waste
Water & Power: A California Heist
Whitney. Can I Be Me
Whose Streets?
The WorkThe Death and Life of Marsha P. Johnson
The Death and Life of Marsha P. Johnson
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VIDEO: Netflix Debuts THE DEATH AND LIFE OF MARSHA P. JOHNSON Trailer
Netflix debuted the trailer for The Death and Life of Marsha P. Johnson, documentary on the self-described “street queen” of NY’s gay ghetto found floating in New York’s Hudson River in 1992.
The documentary that premiered at the 2017 Tribeca Film Festival, launches on Netflix on Friday, October 6, 2017.
Who killed Marsha P Johnson? When the beloved, self-described “street queen” of NY’s gay ghetto was found floating in the Hudson River in 1992, the NYPD chalked it up as a suicide and refused to investigate. However, as shown in Academy Award(R) nominated director and journalist David France’s (How to Survive A Plague) new film, it’s a decision many questioned.
Having played a pivotal role in the previous year’s Stonewall Riots, in 1970, Johnson and fellow trans icon Sylvia Rivera formed the world’s first trans-rights organization, STAR (Street Transvestites Action Revolutionaries). And despite their many challenges over the years-homelessness, illness, alcoholism-Marsha and Sylvia ignited a powerful and lasting civil rights movement for gender nonconforming people.
Now, a quarter century later, at a time of unprecedented visibility and escalating violence in the transgender community, Marsha’s old friend and fellow activist Victoria Cruz has taken it upon herself to reexamine what happened to Marsha. Dipping deep into jaw-dropping archival footage of another era of New York City life, The Death and Life of Marsha P. Johnson follows as this champion pursues leads, mobilizes officials, and works to tell the story of Marsha’s life and get to the bottom of Marsha’s death.
https://www.youtube.com/watch?v=pADsuuPd79E
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2017 Reeling LGBTQ Film Festival Unveils Lineup, Opens with HELLO AGAIN, Closes with SATURDAY CHURCH
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Nolan Gerard Funk in Hello Again[/caption]
Reeling, the second-oldest LGBTQ film festival in the world, celebrates its 35th anniversary edition from September 21 to 28 at Landmark Theatres’ Century Centre Cinema in Chicago. The 2017 Reeling will present 30 feature films and 10 programs of shorts, coming from 22 countries.
The festival kicks off Thursday, September 21 at Music Box Theatre with the Chicago premiere of Northwestern alum Tom Gustafson’s HELLO AGAIN. The sex-fueled all-star screen adaptation of the 1994 Off-Broadway musical stars Cheyenne Jackson, Audra McDonald, Martha Plimpton, Tyler Blackburn and Rumer Willis. Reeling 2017 closes Thursday, September 28 with SATURDAY CHURCH, the coming-of-age story of a young Black teen exploring gender expression and finding acceptance in the Harlem Ball scene, which stars Golden Globe- and Emmy-nominated actor and Goodman Theatre playwright Regina Taylor.
From Trudie Styler’s hotly anticipated directorial debut, the outrageous dramedy FREAK SHOW, about the fictional high school “transvisionary” Billy Bloom, starring Alex Lawther ( The Imitation Game ), Bette Midler and Laverne Cox; and writer-director Vincent Gagliostro’s intergenerational gay romantic drama AFTER LOUIE, starring Alan Cumming in a career-defining performance; to the crackling energy and entertaining story of the rise of YouTube musical superstar Todrick Hall in the documentary BEHIND THE CURTAIN; to the inspiring story of the long road to acceptance for Brooke Guinan, New York’s first out transgender firefighter in WOMAN ON FIRE; to Looking actor Russell Tovey’s stunning performance in THE PASS, the story of two football players whose reactions to the homoerotic tension between them as young men shape their divergent futures; the 35th edition of Reeling Film Festival has something to satisfy every film taste!
Reeling launches its eight-day festival with the Opening Night Gala presentation of the sensual musical HELLO AGAIN, Northwestern alumni Tom Gustafson’s ( Were the World Mine, Mariachi Gringo ) red hot film adaptation of Michael John LaChiusa’s acclaimed 1994 Off-Broadway musical. The film follows ten lovestruck souls who pair off in an erotic daisy chain of sex and song, looking for meaning beyond their steamy hookups. Jack ( Tyler Blackburn, Pretty Little Liars ) sexes up Robert ( Cheyenne Jackson, American Horror Story ) who pleasures Sally ( six-time Tony winner Audra McDonald ) who revels in her tryst with Ruth ( Martha Plimpton, The Real O’Neals ). Along for the sexy hijinks are T.R. Knight ( Grey’s Anatomy ), Rumer Willis ( Empire, Dancing with the Stars ), Jenna Ushkowitz ( Glee ), Sam Underwood ( Fear the Walking Dead ), vocalist Al Calderon and Nolan Gerard Funk ( Glee and former Calvin Klein model ). The musical numbers — everything from pop to operetta to Broadway to swing to searing torch ballads — are as fluid as the sexual proclivities of the characters. Prepare to indulge your senses with this visually stylish, ultra-sensual musical extravaganza.
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Saturday Church[/caption]
Reeling closes on Thursday, September 28 with an advance screening of SATURDAY CHURCH. This audacious hybrid — part drama, part comedy, part musical — is pulled off with aplomb by debuting writer-director Damon Cardasis and his young cast of newcomers. After the recent death of his father, Ulysses ( Luka Kain ) has begun experimenting with his sexuality and gender expression; his nights are full of stolen nylons and high heels. But Aunt Rose — played by acclaimed actor, playwright and Chicago resident Regina Taylor — is having none of this, so Ulysses flees the Bronx, finding himself enthralled by a new group of colorful, streetwise friends who introduce him to the Ball community. This thrilling, genre-busting film, soulful and heartfelt, has received raves on the film festival circuit and is a superlative and tender, coming-of-age story.
Reeling will present the premieres of two locally made features: Chicago based writer-director Wendell Etherly’s MARKET VALUE is a compelling child custody courtroom drama focused on a lesbian couple fighting to keep their adopted son; and On the Down Low writer-director Tadeo Garcia returns to Reeling with EN ALGUN LUGAR, a gay romantic drama set against the backdrop of the controversial U.S. immigration system.
Other festival highlights include the World Premiere of writer-director Rob Williams’ ( Role/Play, Shared Rooms, Make the Yuletide Gay ) ninth feature film, HAPPINESS ADJACENT, a bisexual love triangle set aboard a cruise ship; the critically acclaimed Sundance hit, I DREAM IN ANOTHER LANGUAGE, Mexican director Ernest Contreras’ drama about two elderly men who are the last living people able to speak a dying language but who refuse to talk to each other; SEBASTIAN, writer-director-actor James Fanizza’s romantic drama about a fling between two men living in different countries who unexpectedly fall in love; the eccentric Scottish film SEAT IN SHADOW, director Henry Coombes’ film about an aging free-spirited artist who plays therapist for the young gay grandson of a friend; APRICOT GROVES, Pouria Heidary Oureh’s beautifully realized story about an Iranian Armenian transman living in the U.S. who visits Armenia to ask his girlfriend’s father for her hand in marriage; THE RING THING, about a lesbian couple facing the pressures of getting married now that it’s legal, directed by William Sullivan, whose That’s Not Us screened at Reeling 2015; and EASTSIDERS SEASON 3: GO WEST, all new episodes from the Emmy-nominated gay web series that went viral on YouTube and was later picked up by Netflix.
Young love is explored in UK director Daniel Grasskamp’s CAT SKIN, in which a shy photography student captures the attention of a popular girl whose boyfriend refuses to leave the picture; David Berry’s SOMETHING LIKE SUMMER, a film adaptation of a popular novel series focusing on a young gay couple that includes Glee-like musical numbers; and Jakob M. Erwa’s CENTER OF MY WORLD, a gay coming of age romance from Germany.
Thrills, excitement, mayhem and various kinds of trouble can be found in two British and two Australian films. In the British crime thriller B&B, two men who successfully sued a small inn for gay discrimination return to gloat and find their triumph is short-lived, and in PALACE OF FUN, a rich young British woman’s calculating gay brother plays sinister games with her love interest. The Australian BOYS IN THE TREES is an eerie surrealist coming of age drama that takes place on Halloween night; and in BAD GIRL, a rebellious teenager is single-white-femaled by a doe-eyed beauty whom her parents are convinced is a good role model for her.
Comic relief is offered by SENSITIVITY TRAINING, in which an abrasive microbiologist finds herself attracted to the woman hired by her company to be her sensitivity coach; DATING MY MOTHER, about an aimless recent college graduate who moves back in with his widowed mom and finds that they are both trying to find Mr. Right; and PROM KING, 2010, which chronicles the failed attempts of an awkward 20-year-old college freshman in New York to find the man of his dreams.
The lives of women of color are explored in two web series: 195 LEWIS, set in Bed-Stuy, Brooklyn; and the locally produced, Emmy nominated BROWN GIRLS, set in Chicago. The latter series was funded in part by Chicago Filmmakers’ Chicago Digital Media Production Fund, and creators Samantha Bailey and Fatimah Asghar were recently signed to a development deal to adapt the series for HBO.
Documentaries, as always, are an important part of the Reeling lineup. Documentaries include CHAVELA, an affectionate portrait of the legendary lesbian Costa Rican Ranchera singer who counted Pedro Almodóvar among her friends and Frida Kahlo among her lovers; THE DEATH AND LIFE OF MARSHA P. JOHNSON, Oscar nominated David France’s follow-up to How to Survive a Plague which focuses on the mysterious circumstances surrounding the death of the trans activist as well as her close friendship with Sylvia Rivera; BONES OF CONTENTION, an historical documentary focusing on the repression of gays and lesbians under the Franco regime during the Spanish Civil War which weaves in the life of murdered queer poet Federico Garcia Lorca; and AGAINST THE LAW, a docudrama about the punitive life for gay men in conservative England in the 1950s.
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CHAVELA, THE WOUND, SIGNATURE MOVE Among Winners of Outfest LA LGBT Film Festival
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Chavela[/caption]
The 2017 Outfest Los Angeles LGBT Film Festival, which ran from July 6th to July 16th, announced the award winners. Chavela won both the Documentary Grand Jury Prize and Audience Award; and Best US Narrative Feature Film prize went to Jennifer Reeder for Signature Move. The 2017 Outfest Los Angeles LGBT Film Festival closed with Trudie Styler’s comedic Freak Show, starring Bette Midler, Alex Lawther, AnnaSophia Robb, Abigail Breslin, Ian Nelson, Larry Pine and featuring a cameo from Laverne Cox.
Outfest Los Angeles 2017 Award Winners
Audience Awards
Best Documentary Short Audience Award Little Potato, Directed by Wes Hurley and Nate Miller Best Documentary Feature Audience Award Chavela, Directed by Catherine Gund and Daresha Kyi Best Narrative Short Audience Award The Real Thing, Directed by Brandon Kelley Best Narrative Audience Award The Chances, Created by Shoshanna Stern and Josh Feldman, Directed by Anna Kerrigan Best Experimental Short Audience Award Pussy, Directed by Renata Gasiorowska Audience Award for Best First U.S. Narrative Feature A Million Happy Nows, Directed by Albert AlarrGrand Jury Awards
Documentary Grand Jury Prize “We award Best Documentary Feature to Chavela, for its artistic style that elegantly and poetically brings together raw archival footage, animation, editing, and sound design.” Documentary Special Mention “For Excellence in Filmmaking we award a Special Jury mention to Girl Unbound: The War to Be Her, for its brave, humorous, and inspired depiction of Maria, a world class SQUASH player and her rock star family who live on their own terms and challenge misconceptions of feminism and Islam in the Muslim and Western worlds. This film illustrates Maria’s nonbinary journey, her quest for athletic excellence and her desire to show all girls everywhere that, “Fear is taught. That you are born free and you are born brave.”” U.S. Narrative Jury Prize Best Actor For his quiet intensity in a fresh and non-traditional coming of age role and his on-screen transformation both physically and emotionally, the US Narrative Jury honors Luka Kain for his outstanding performance in Saturday Church. U.S. Narrative Jury Prize Best Actress In a cast of strong female performances, she not only supported the ensemble cast but stood out with her comic timing and effortlessly hilarious presence. The US Jury Prize for Best Actress goes to Ever Mainard in The Feels. Best Screenwriting in a U.S. Feature For its naturalistic yet spare and unforced dialogue, even in the most harrowing of situations the award for Best Screenwriting in a U.S. Narrative goes to Eliza Hittman for Beach Rats. U.S. Grand Jury Prize For a delightful, well-acted and incisive romp into Chicago’s multi-cultural neighborhoods and a moving exploration of the unique bonds between mothers and daughters. Its inspiring message of love and acceptance explodes with humor and heart. We award the Best US Narrative Feature Film prize to Jennifer Reeder for Signature Move. U.S. Narrative Special Mention The US Narrative Jury would like to present a Special Mention for amplifying unheard voices with authenticity, highlighting the contemporary life of queer black woman with flair, vibrancy and substance to 195 Lewis. International Grand Jury Prize This film breaks new ground through skillful storytelling and stunning cinematography and an unflinching focus on masculinities – toxic or otherwise. The Jury Award for Best International Narrative Feature goes to the South African film The Wound, directed by John Trengove. International Special Mention For authentic, grounded storytelling that successfully captures a universal tale of youth, the International Narrative Feature Special Mention for Directing goes to Marcelo Caetano for his work on Body Electric. Best Documentary Short For its elegant storytelling, its economical sweep of history, and its sensitivity to lovers together in the struggle, whose intimate point of view enlightens and moves us to see the intricacies of the personal & political victories we can achieve together. The Best Documentary short prize goes to: Bayard & Me by Matt Wolf. Creatively employing the few surviving archival interviews to illuminate a forthright, outspoken, dynamic and sexy old school butch who was unstoppable in her quest for equality & fairness for lesbians, women and the queer community. The Best Documentary short prize goes to Jeanne Cordova: Butches, Lies & Feminism by Gregorio Davila. Documentary Short Special Mention The Special Mention goes to Al Otro Lado (The Other Side), directed by Rodrigo Alvarez Flores and Pedazos, directed by Alejandro Pena. Best Narrative Short Demonstrating restraint in both dialogue and narrative while also presenting a rich visual tapestry in a claustrophobic household, the film portrays an intense, simmering passion between two women yearning to break free from the norms of sexuality and caste (class) in a matriarchal Indian household. The Best Narrative Short Film Award goes to Goddess (Devi), directed by Karishma Dube.Special Programming Awards
Emerging Talent This assured debut feature film combines dreamy cinematography, honest and energetic performances, and snappy, contemporary dialogue, heralding the arrival of a fresh new voice in queer Asian cinema, the 2017 Programming Award for Emerging Talent goes to Samantha Lee for Maybe Tomorrow. Freedom This long overdue BIOGRAPHY of a civil rights icon merges empathetic documentary filmmaking with the tenacity of investigative journalism to highlight the injustices that trans people still face today, the 2017 Programming Award for Freedom goes to David France and Victoria Cruz for The Death and Life of Marsha P. Johnson. Artistic Vision For a chilling tale that blends Hitchcockian suspense filtered through the eerie Icelandic countryside with a rumination on the lingering effects of past trauma, the 2017 Programming Award for Artistic Achievement goes to Erlingur Thoroddsen for Rift. Fox Inclusion Feature Film Award Boys For Sale, Directed by Itako Fox Inclusion Short Film Award Ma, Directed by Vera Miao
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The LGBT Documentary THE LIFE AND DEATH OF MARSHA P JOHNSON to Debut on Netflix | Trailer
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THE DEATH AND LIFE OF MARSHA P. JOHNSON[/caption]
David France’s The Death and Life of Marsha P. Johnson, a deeply compelling look at the murder of a transgender legend, known as “the Rosa Parks of the LGBT movement” has been acquired by Netflix, for release later this year. The powerful, haunting film is France’s follow-up to his Academy Award(R) nominated How to Survive a Plague.
When Marsha P. Johnson, the beloved, self-described “street queen” of NYC’s gay ghetto, was found floating in the Hudson River in 1992, the NYPD refused to investigate. Instead, they chalked it up to suicide, a widely dismissed conclusion, and left the mystery to fester for decades. Having played a pivotal role in the Stonewall Riots of 1969, Marsha and fellow icon Sylvia Rivera went on to form the world’s first trans-rights organization, STAR (Street Transvestites Action Revolutionaries) in 1970. And despite their many challenges over the years – harassment, homelessness, alcoholism – Marsha and Sylvia ignited a powerful and lasting civil rights movement for gender nonconforming people.
Now, 25 years after her untimely death, at a time of unprecedented visibility for, and escalating violence against, the transgender community, veteran crime-victim advocate Victoria Cruz has taken it upon herself to reexamine what happened to Marsha and measure the challenges that still face the community. The film follows as this intrepid champion pursues leads, mobilizes officials, and raises troubling new questions about a famous cold case. Along the way she burnishes the political legacy of a celebrated historical figure.
“Almost single-handedly, Marsha P. Johnson and her best friend Sylvia Rivera touched off a revolution in the way we talk about gender today,” said David France. “Their names should be household words. But Marsha’s life was cut tragically short and Sylvia died shortly thereafter, the victim of a broken heart. Getting to know their story through the investigation undertaken by Victoria Cruz, a seminal activist in her own right, has been one of the great honors of my career. Now, with Netflix as our distribution partner, I am confident the legacy of these tremendous women will never be forgotten.”
“We are honored to bring much deserved recognition to the dynamic life of Marsha P Johnson,” said Netflix VP of Original Documentary Programming Lisa Nishimura. “Her effervescent spirit and pioneering leadership of the LGBT movement is illuminated with an eloquent force by director David France and is a true testament to the power of documentary films.”
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2017 QDoc, Portland’s LGBTQ Doc Fest, to Open with THE UNTOLD TALES OF ARMISTEAD MAUPIN
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THE UNTOLD TALES OF ARMISTEAD MAUPIN[/caption]
QDoc, the only film festival in the United States (and one of only two in the world) devoted exclusively to LGBTQ documentaries kicks of Thursday, May 18 at the historic Hollywood Theatre in Portland, Oregon with THE UNTOLD TALES OF ARMISTEAD MAUPIN and continues through May 21 with 11 additional films, broadly exploring LGBTQ history, culture and politics.
Thursday, May 18 at 7:30pm: THE UNTOLD TALES OF ARMISTEAD MAUPIN
The Untold Tales Of Armistead Maupin examines the life and work of one of the world’s most beloved storytellers. The film follows Armistead Maupin’s evolution from a son of the Old South — at one time even a staffer for arch-conservative Senator Jesse Helms — into a gay rights pioneer whose novels (Tales of the City) have inspired millions to claim their own truth. Filmmaker and two-time QDoc alum Jennifer Kroot captures the playful, poignant and laugh-out-loud funny perspective of a literary legend. Subject Armistead Maupin, director Jennifer Kroot and co-director/editor Bill Weber will be in attendance.
Friday, May 19 at 6:30pm: JEWEL’S CATCH ONE
Jewel Thais-Williams helped changed laws, save lives and influence communities across Los Angeles at her legendary nightclub, a home for LGBTQ people of color for 42 years. Through interviews with clubgoers Sharon Stone, Sandra Bernhard and Bonnie Pointer, among others, director C. Fitz draws a portrait of a determined entrepreneur who overcame the challenges of being black, female, poor and lesbian to create a lasting legacy in the community. Subject Jewel Thais-Williams and director C. Fitz will be in attendance.
Friday, May 19 at 8:45pm: BAYARD & ME (short)
Iconic U.S. civil rights leader Bayard Rustin and his longtime partner, Walter Naegle, wanted to legally marry in the 1980s, but that was not possible. Still wanting legal protection for their union, Bayard adopted Naegle, who was 30 years his junior. In this intimate love story, Naegle remembers Bayard and a time when same-sex marriage was inconceivable. He reflects on the little-known phenomena of intergenerational gay adoption and its connection to the civil rights movement.
Friday, May 19 at 8:45pm A GIANT’S LOVE (immediately following Bayard & Me) Leonardo Munoz was born in 1943 in Argentina. At the age of 14, Leonardo became Mariela. Being transgender under a right-wing military dictator was not without complication. A loved and loving woman, Mariela welcomed, fostered and raised 17 abandoned children in her lifetime, and became the first transgender person ever to obtain legal documents, thus setting a precedent in Argentina. Through the testimonies of her children and others close to her, A Giant’s Love traces the fight for the recognition of Mariela’s identity in a country under military junta and highlights her commitment to the protection of the oppressed. Director Maria Audras will be in attendance.
Saturday, May 20 at 1pm: MY WONDERFUL WEST BERLIN
My Wonderful West Berlin offers a brilliant homage to hedonism, the story of 1960s West Berlin and the righteous freedom of the gay community of the era. Weaving archival material with contemporary footage, director Jochen Hick offers a bittersweet tribute to a city whose bars, cruising, radical bookstores and left-wing politics paved the way for new German attitudes toward liberation. Director Jochen Hick will be in attendance.
Saturday, May 20 at 3:30pm: THE DEATH AND LIFE OF MARSHA P. JOHNSON Who killed Marsha P. Johnson? When the beloved, self-described “street queen” of New York’s Christopher Street was found floating in the Hudson River in 1992, the NYPD called her death a suicide. Protests erupted, but the police remained impassive and refused to investigate. Now, 25 years on, Oscar-nominated director and journalist David France (How to Survive a Plague) re-examines the death of a beloved icon of the trans world while celebrating the story of two landmark pioneers of the trans rights movement.
Saturday, May 20 at 6:30pm: CHAVELA
According to The Guardian, legendary Mexican singer Chavela Vargas is “probably Donald Trump’s ultimate nightmare: a Mexican lesbian diva who can wring your very soul.” The Hollywood Reporter calls her “a trailblazing free spirit whose appetite for tequila and women was as legendary as her soul-stirring vocals.” Through its lyrical structure, Chavela takes viewers on an evocative, thought-provoking journey through the life of this iconoclastic, game-changing artist. Director/producer Catherine Gund will be in attendance.
Saturday, May 20 at 9pm: THE FABULOUS ALLAN CARR
For someone who spent most of his Hollywood career behind the scenes, Allan Carr lived a lavish lifestyle that was made for the spotlight. A producer, manager and marketing genius, Carr built his bombastic reputation amid a series of successes including the mega-hit musical film Grease, until it all came crashing down when he produced the 1989 Academy Awards, a notorious debacle. Directed by Jeffrey Schwarz (past QDoc favorites I Am Divine, Tab Hunter Confidential, Vito), The Fabulous Allan Carr brings this complex character to life through cheeky animated sequences and heartfelt interviews. Director Jeffrey Schwarz in attendance.
Sunday, May 21 at noon: CONVERSATIONS WITH GAY ELDERS
QDoc co-founder and filmmaker David Weissman (The Cockettes and We Were Here) returns with a recently completed Conversation featuring Portland resident Kerby Lauderdale, who has been active in Portland’s LGBT community since the early 1980s. The father of Pink Martini founder Thomas Lauderdale, Kerby’s story differs from others in the series because he was in a heterosexual marriage for many years. The editor of this piece is Michiel Thomas, who directed the 2015 QDoc opening night film, Game Face. Director David Weissman, subject Kerby Lauderdale, and editor Michiel Thomas will be in attendance.
Sunday, May 21 at 2:30pm SMALL TALK
In Taiwanese culture, questioning a mother’s love is taboo. But as filmmaker Hui-chen Huang sets out on a journey with her mother, such an inquiry forms the basis for an intimate exploration of a complex and nuanced relationship. Huang seeks to understand her mother, Anu, who took the radical step in the 1970s of leaving her violent husband and raising her two children alone, forging an unusual path in which her female lovers have all shared her profession as a Taoist priestess and professional mourner. Through often-unresolved conversations with her mother, as well as interviews with her mother’s siblings and ex- lovers, Huang reveals the complex and changing landscape for Taiwanese women. Teddy Award winner for Best Documentary at the Berlinale film festival.
Sunday, May 21 at 4:30pm THE LAVENDER SCARE
With the United States gripped in the panic of the Cold War, President Dwight D. Eisenhower deemed homosexuals to be “security risks” and ordered the immediate firing of any government employee discovered to be gay or lesbian. It triggered a vicious witch-hunt that lasted for 40 years and ruined thousands of lives, while thrusting an unlikely hero into the forefront of what would become the modern LGBT rights movement. The Lavender Scare is a compelling story of one man’s fight for justice — and a chilling reminder of how easy it can be, during a time of fear and uncertainty, to trample the rights of an entire class of people in the name of patriotism and national security. Josh Howard, 24-time Emmy- winning producer and director of the film, will be in attendance.
Sunday, May 21 at 7:30pm REBELS ON POINTE
Exploring universal themes of identity, dreams, family, loss and love, filmmaker Bobbi Jo Hart’s Rebels on Pointe is the first-ever documentary celebrating the world-famous Les Ballets Trockadero de Monte Carlo. The notorious all-male, comic ballet troupe was founded more than 40 years ago in New York City on the heels of the Stonewall riots, and has a passionate cult following around the world. The film blends intimate, behind-the- scenes access with rich archives and history, engaging character-driven stories and live performances. Rebels on Pointe is a creative mix of gender-bending artistic expression, diversity, passion and purpose. A story that ultimately proves that a ballerina is not only a woman dancing — but an act of revolution in a tutu. Subject Bobby Carter will be in attendance.
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Tribeca 2017: Who Killed Marsha P Johnson “street queen” of NY’s Gay Ghetto? | Trailer
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THE DEATH AND LIFE OF MARSHA P. JOHNSON[/caption]
Marsha P Johnson, the beloved, self-described “street queen” of NY’s gay ghetto was found floating in the Hudson River in 1992, the NYPD chalked it up as a suicide and refused to investigate.
Who killed Marsha P. Johnson? When the beloved, self-described “street queen” of NY’s Christopher Street was found floating in the Hudson River in 1992, the NYPD called her death a suicide. Protests erupted but the police remained impassive and refused to investigate. Now, twenty-five years on, Academy Award® nominated director and journalist David France (HOW TO SURVIVE A PLAGUE) examines Marsha’s death—and her extraordinary life—in his new film. Marsha arrived in the Village in the 1960s where she teamed up with Sylvia Rivera when both claimed their identities as “drag queens,” to use the vernacular of the times. Together, the radical duo fought arrests, condemned police brutality, organized street kids, battled the intolerant majority within the gay community, and helped spearhead the Stonewall Riots. In 1970 they formed the world’s first trans-rights organization, STAR (Street Transvestites Action Revolutionaries). Despite their many challenges over the years—bias, homelessness, illness —Marsha and Sylvia ignited a powerful and lasting civil rights movement for gender nonconforming people. Now, a quarter century later, at a time of unprecedented visibility and escalating violence in the transgender community, a dynamic activist named Victoria Cruz has taken it upon herself to reexamine what happened at the end of Marsha’s life. As the film dips in and out of jawdropping archival footage from the 1970s, ’80s and ’90s, THE DEATH AND LIFE OF MARSHA P. JOHNSON follows as this champion pursues leads, mobilizes officials, and works to get to the bottom of Marsha’s death.
In an interview with director David France, he described what inspired to make the film now,”Marsha died twenty-five years ago this July and her fame—and mythology—has only increased over that quarter century. She’s become a very well-known touchstone within the LGBT movement but very little is really known about her. I wanted to fill in the historical record. In addition, I knew that her death was never thoroughly investigated by the police. In fact, as a print journalist I had begun to investigate her case back in 1992, but never did follow through on that work, so I felt a personal obligation to go back to it, and I felt that that offered an opportunity to reallyput flesh on this mythical character of Marsha P. Johnson.”
THE DEATH AND LIFE OF MARSHA P. JOHNSON had its world premiere at the 2017 Tribeca Film Festival, with additional screenings through Friday, Apr. 28th.

GURRUMUL ELCHO DREAMING[/caption]
The 2017 Melbourne International Film Festival (MIFF) unveiled its full program line-up of more than 358 films representing 68 countries, including 251 features, 88 shorts, 17 Virtual Reality experiences, 12 MIFF Talks events, 31 world premieres and 135 Australian premieres. It all happens over 18 days, spanning 13 venues across Melbourne, from August 3 to 20, 2017.
“What a pleasure it is to launch this year’s Melbourne International Film Festival,” said Artistic Director Michelle Carey. “This year’s program offers audiences an amazing opportunity to explore new worlds through film – from our Pioneering Women and Sally Potter retrospectives to the return of our Virtual Reality program as well as a particularly strong line-up of special events, we can’t wait to open the doors to MIFF 2017.”
The festival will kick off with the Opening Night Gala screening of Greg McLean’s MIFF Premiere Fund-supported JUNGLE, and will wind up with the world premiere Closing Night screening of Paul Williams’ GURRUMUL ELCHO DREAMING. A profound exploration of the life and music of revered Australian artist Geoffrey Gurrumul Yunupingu, the film uses the tools of the artist’s music – chord, melody, song – and the sounds of the land to craft an audio-first cinematic experience, offering a rare insight into a reclusive master.
Joining the MIFF guest line-up are Australia’s Melissa George, starring in the MIFF Premiere Fund-supported THE BUTTERFLY TREE; Italian director Luca Guadagnino with his acclaimed new film CALL ME BY YOUR NAME, a sensuous story of first love and the end of adolescence; and newcomer Jennifer Brea making her way to MIFF with UNREST, a feature documentary capturing her darkest moments as she is derailed by Chronic Fatigue Syndrome.
Further international guests include Peter Mackie Burns, the debut feature director of DAPHNE, a refreshing portrait of contemporary womanhood; Francis Lee, with his depiction of British rural life in GOD’S OWN COUNTRY; Slavko Martinov, the force behind the entertaining flockumentary PECKING ORDER; Gabe Klinger on behalf of PORTO, a film presented in Super 8, 16mm and breathtaking 35mm; director Sami Saif and cinematographer Anders Löfstedt with their music documentary THE ALLINS; Thai filmmaker Anocha Suwichakornpong, winner of the Top Prize at the 2016 Thai National Film Association Awards for her feature BY THE TIME IT GETS DARK; and Annie Goldson, director of KIM DOTCOM: CAUGHT IN THE WEB, a documentary about the court case surrounding the internet’s most wanted criminal. MIFF guests also include Daniel Borgman, director of LOVING PIA, a winsome tale blurring documentary and fiction; and Florian Habicht, director of SPOOKERS, a film focusing on a former psychiatric hospital that is now a haunted attraction.
Following last year’s success, VIRTUAL REALITY (VR) returns to MIFF in 2017. Leading the charge is the world premiere of Lucas Taylor’s INSIDE MANUS, taking the audience behind the razor wire to meet the asylum seekers on the Manus Island detention centre. Other VR world premieres include Lester Francois’ RONE, a distinctive portrait of the Melbourne street artist; Khoa Do and Piers Mussared’s THE EXTRACTION, a work imagining a perilous journey through the post apocalypse; and Christopher Bailey’s ACROSS, set in a world where two beings live in opposite cliffs – where one side is a paradise and the other a wasteland.
The VR program continues with Jeff Goldblum making a cameo appearance in MIYUBI, a feature length film about a family’s relationship with its Japanese toy robot, from co-directors Félix Lajeunesse and Paul Raphaël; George Gittoes expands upon his MIFF 2015 feature Snow Monkey, taking audiences on a VR tour to Afghanistan in the world premiere of FUN FAIR JALALABAD; and Ben Smith’s THE HUNT FOR THE YIDAKI, the companion piece to the MIFF 2017 Premiere Fund-supported feature WESTWIND: DJALU’S LEGACY, will also receive its world premiere. Meanwhile UNREST VR, a film about Chronic Fatigue Syndrome – made by Amaury La Burthe and other key collaborators on Notes on Blindness: Into Darkness (MIFF 2016) – screens as an expansion piece to Jennifer Brea’s feature documentary, also showing at MIFF 2017.
In addition to UNREST, MIFF’s much-loved DOCUMENTARIES program delivers an array of gripping real-life character studies. Catch WINNIE, Pascale Lamche’s Sundance Directing Award-winning portrait of Winnie Madikizela-Mandela, variously viewed as the wife of South Africa’s most revered leader, the mother and/or enemy of her nation and a revolutionary force in her own right; Andres Veiel’s BEUYS: ART AS A WEAPON, an extensive look at the felt-clad, hat-wearing German performance artist Joseph Beuys; and DINA, the Sundance Grand Jury Prize-winner from Dan Sickles and Antonio Santini that offers a heartfelt and heart-melting portrait of love in all its strangeness and wonder.
The Documentaries program also takes audiences behind the closed doors of wildly diverse environments. In the remarkable debut film THE WORK, America’s most hardened criminals share their demons with the everyday public during the world’s most intense group therapy session in Jairus McLeary and Gethin Aldous’ SXSW Grand Jury Prize-winner; Jean-Stéphane Bron’s THE PARIS OPERA is a film candidly charting the day-to-day drama during a season of upheaval for the revered company; and ROLLER DREAMS finds Australian director Kate Hickey tracking down the original stars of the Venice Beach 80s roller dancing movement to build a funky portrait of the rise and fall of the craze.
MIFF’s toe-tapping MUSIC ON FILM program dances to its own beat with THE ALLINS where award-winning Danish documentarian Sami Saif turn his lens on the most outrageous musician to ever live – GG Allin – revealing the man behind the maniac behind the music; and in Kyoko Miyake’s TOKYO IDOLS, teenage girl pop stars grapple with finding fame and the creeping fixation of their male fan bases in an eye-opening look at Japanese idol culture.
Musical influencers take centre stage in the Sundance Special Jury Prize-winning RUMBLE: THE INDIANS WHO ROCKED THE WORLD, where Catherine Bainbridge sets out to reinstate Native American trailblazers to their rightful place in the pop music pantheon; and Lucy Walker, director of the MIFF 2013 Best Documentary Audience Award-winner The Crash Reel, returns with BUENA VISTA SOCIAL CLUB: ADIOS, a touching farewell to the beloved son cubano musicians as they complete their final tour.
A stellar line-up of homegrown talent will be showcased in AUSTRALIAN FILMS. Marking the halfway point of the festival will be the CENTREPIECE GALA world premiere screening of THREE SUMMERS, the first Australian film from comedian Ben Elton. Romantic leads Robert Sheehan and Rebecca Breeds are joined by a glittering ensemble featuring Michael Caton, Magda Szubanski, Deborah Mailman, Jacqueline McKenzie and John Waters for an of-the-moment, multi-story comedy set over three years at a fictional folk-music festival.
Continuing the Australian Films showcase, David Wenham makes his feature directorial debut with a Before Sunrise-style romance set to the distinctive sounds of Megan Washington with ELLIPSIS, starring Emily Barclay and Benedict Samuel; MIFF offers an exclusive preview of the second series of GLITCH, a Matchbox Pictures production commissioned by ABC TV and co-produced by Netflix, set in a fictional Victorian town where deceased former residents have crawled out of their graves in the local cemetery; and in a special screening presented by the National Film and Sound Archive’s digital restoration program – NFSA RESTORES, MIFF will also present the classic rip-roaring homegrown action flick, SHAME, where an award-winning Deborra-Lee Furness – also a guest of MIFF 2017 – turns the tables on a country town’s entrenched male violence.
Celebrating its 10th birthday in 2017, the MIFF PREMIERE FUND stages six world premieres (each with its director in attendance) comprising: Greg McLean’s MIFF Opening Night Film JUNGLE, starring Daniel Radcliffe; Luke Shanahan’s uniquely stylish psychological thriller RABBIT, featuring The Great Gatsby’s Adelaide Clemens playing identical twins linked by more than just DNA; MIFF guests Melissa George and Ed Oxenbould starring alongside Ewen Leslie and Sophie Lowe in Priscilla Cameron’s THE BUTTERFLY TREE, a coming-of-age tale of love and loss tinged with magical realism; Eddie Martin’s HAVE YOU SEEN THE LISTERS?, an intimate account of the cost of success of Australia’s most renowned street artist, Anthony Lister (also a guest of the festival); Naina Sen’s THE SONG KEEPERS, telling the incredible story of a hidden musical legacy of ancient Aboriginal languages and German baroque songs that are being preserved by the Central Australian Aboriginal Women’s Choir (who will also attend the festival); and Ben Strunin’s WESTWIND: DJALU’s LEGACY, portraying the quest of Yolngu elder Djalu Gurruwiwi (who will attend the festival) to preserve his songlines with a little help from global pop star Gotye.
Marking the MIFF Premiere Fund’s 10-year milestone, the festival will also screen three retrospective highlights from the Fund’s early years: the 2009 MIFF Opening Night film BALIBO, written and directed by Robert Connolly and starring Oscar Isaac, Anthony LaPaglia and MIFF Ambassador Gyton Grantley; Amiel Courtin-Wilson’s BASTARDY, a poetic and impressionistic portrait of the life of indigenous arts personality Jack Charles; and Ana Kokkinos’ all-star ensemble BLESSED, which features Frances O’Connor in an AFI Award-winning performance.
PIONEERING WOMEN, a program of 80s and early 90s Australian films directed by women, will pay tribute to some of the country’s finest cinematic trailblazers, including director Ann Turner with the world premiere of her digitally restored horror meets coming-of-age drama CELIA; Gillian Armstrong with a digital restoration screening of STARSTRUCK, the iconic and colourful musical comedy about two Sydney teenagers who try to break into the music biz to save the family pub (which also features an appearance by MIFF Ambassador Geoffrey Rush). Both films are proudly presented by the National Film and Sound Archive’s restoration program – NFSA RESTORES. Don’t miss this opportunity to revisit other classics such as BEDEVIL (directed by Tracey Moffatt), THE BIG STEAL (directed by Nadia Tass) and FLOATING LIFE (directed by Clara Law), with guest Q&As and a Conversation panel in store among other events.
MIFF’s ever popular NIGHT SHIFT program returns with innovative horror and genre films including A PRAYER BEFORE DAWN, in which French provocateur Jean-Stéphane Sauvaire (Johnny Mad Dog, MIFF 2008) returns to the brutal underworlds of masculine violence, in an adaptation of Billy Moore’s memoir of his time in Bangkok’s notorious Klong Prem prison; MY FRIEND DAHMER, Marc Meyers’ disturbing vision of America’s most notorious serial killer during his adolescence, featuring a breathtaking performance by Disney star Ross Lynch; and BLOODLANDS, a brutal mix of family blood feud and supernatural horror marking the first ever co-production between Australia and Albania, directed by Steven Kastrissios (The Horseman, MIFF 2008).
For the first time in its history MIFF will also present a SCI-FI program, showcasing a selection of the genre’s best films including IKARIE XB-1, Jindřich Polák’s little-known pioneering masterpiece that influenced everything from Star Trek to 2001: A Space Odyssey… and beyond; INVENTION FOR DESTRUCTION, from inventive animator Karel Zeman, the first steampunk film, bringing the stories and visuals of Jules Verne to life; LE DERNIER COMBAT, a work taking audiences back to where it all began for renowned sci-fi director Luc Besson, with his striking 1983 film starring Jean Reno in his feature debut; and STRANGE DAYS, featuring Ralph Fiennes, Angela Bassett and Juliette Lewis, Kathryn Bigelow’s 20-year-old, James Cameron-scripted, VR tech-noir. And for the night owls, running all night at the Astor Theatre is MIFF’s inaugural SCI-FI MARATHON, presenting a collection of the genre’s most venerated, controversial and enduring or under-appreciated fan favourites. For full details visit miff.com.au/marathon.
The TRUE CRIME program returns in 2017 with some of the most intriguing and sinister stories of our time. Oscar-nominated documentarian David France (How to Survive a Plague, MIFF 2012) delivers a piercing survey of the origins of transgender activism and a search for justice in THE DEATH AND LIFE OF MARTHA P JOHNSON; Erik Nelson’s A GRAY STATE is a riveting murder mystery, political thriller and unparalleled psychological profile about rising alt-right filmmaker and Iraq veteran David Crowley and his family; and Pete Nicks’ THE FORCE is an award-winning look at the day-to-day operations of the Oakland Police Department as it grapples with endemic corruption, sexism and racial violence.
ANIMAL DOCUMENTARIES, a new program strand for 2017, puts the spotlight on some of the world’s most intriguing creatures. TROPHY sees Shaul Schwarz (Narco Cultura, MIFF 2013) and Christina Clusiau take on a charged debate in a controversial film that will upend everything audiences thought they knew about animal conservation; PECKING ORDER, the year’s best feel-good flockumentary from Slavko Martinov, introduces us to people taking the world of chicken fancying as seriously as life and death; and A RIVER BELOW, Mark Grieco’s provocative and murky morality tale about a TV conservationist’s battle to save the Amazon’s disappearing pink river dolphin, will leave audiences shocked and awed.
MIFF’s HEADLINERS program will bring audiences the most-buzzed about films from the festival circuit. Highlights include Ruben Östlund’s Palme d’Or-winning THE SQUARE, a film marking the director as modern cinema’s most savage and inventive satirist; Claire Denis’ Cannes Director’s Fortnight award-winning romantic comedy LET THE SUNSHINE IN, starring Juliette Binoche; Geremy Jasper’s fabulous Sundance triumph PATTI CAKE$, featuring Australian acting discovery Danielle Macdonald in the role of a New Jersey battler and aspiring rapper; SONG TO SONG, a love story from Terrence Malick set against the backdrop of the Austin music scene, featuring Ryan Gosling, Rooney Mara, Michael Fassbender and Natalie Portman; and THE PARTY, Sally Potter’s caustic comic satire of a broken England, with a stellar ensemble headed by Kristin Scott Thomas, Patricia Clarkson and Timothy Spall.
Showcasing MIFF’s admiration for the inimitable British director, this year the festival also proudly presents a SALLY POTTER RETROSPECTIVE. Screening the complete oeuvre of Potter’s feature films, along with a selection of her early shorts from 1969 to 1986, the retrospective includes: THE TANGO LESSON, where Potter plays opposite Argentine tango performer Pablo Verón for a seductive dance of reality and fiction; ORLANDO, the director’s stunning second film featuring a triumphant lead performance by Tilda Swinton as the androgynous titular character living across four centuries; THE GOLD DIGGERS, Potter’s seminal work that came to influence and define feminist cinema of the 1980s; and GINGER AND ROSA, starring Alice Englert and Elle Fanning as two friends threatened by a belief-shattering betrayal.
The festival’s INTERNATIONAL program is packed with innovative cinema from countries near and afar. MIFF Patron Geoffrey Rush shines as Alberto Giacometti in Stanley Tucci’s FINAL PORTRAIT, a snapshot of several weeks the artist spent trying to paint author James Lord; Fatih Akin (Head-On, MIFF 2004) delivers the morally charged thriller IN THE FADE, featuring Diane Kruger in the performance that won her Best Actress at Cannes; and from Aisling Walsh comes MAUDIE, starring Oscar nominees Sally Hawkins and Ethan Hawke exploring the sensitive but rousing true tale of Maud Lewis, one of Canada’s most inspiring folk artists.
Some 14 of Australia and New Zealand’s hottest emerging directors will have their short films premiere in the festival’s ACCELERATOR program and also participate in Accelerator Lab, MIFF’s prestigious development workshop assisting directors to transition to feature filmmaking. They are W.A.M (Bill) Bleakley; Nina Buxton; Kate Lefoe; Frank Magree; Zoe McIntosh; Victoria McIntyre; Greta Nash; Tin Pang; Simon Portus; Nikki Richardson; Rachel Ross; John Sheedy; Nick Waterman; and Dave Whitehead.
The MIFF SHORTS program will screen local and international films spanning animation, documentary, experimental works and more, with highlights including the riveting INDONESIAN SHORTS, a program screening works from some of Australia’s closest neighbours, and Cannes Short Film Palme d’Or winner A GENTLE NIGHT, from MIFF Accelerator alumnus Qiu Yang, while other Accelerator alumni directors returning with new short films are Alice Englert, Audrey Lam, Nora Niasari, Julietta Boscolo, Billie Pleffer, Dylan River and Alena Lodkina.
Zuzana KrÛnerov· as Hana in ICE MOTHER.[/caption]
The Tribeca Film Festival today unveiled an exciting slate of films that will premiere at the 2017 festival. The Festival announced the feature films across the following programs: Competition, including U.S. Narrative, Documentary, and International Narrative categories; Spotlight, a selection of anticipated premieres from major talent; Viewpoints, which recognizes distinct voices in international and American independent filmmaking; and the popular Midnight Section, featuring the best in psychological thriller, horror, sci-fi, and cult cinema.
The 16th