From space, at night, Nigeria is awash in light. But the glow almost entirely flares from oil and gas wells. The country, with the world’s largest proven oil reserves, leaves half its population without electricity, and the rest with erratic service.
Take Light, the feature directorial debut from Shasha Nakhai, takes us to her hometown in the country where she grew up, Port Harcourt, Nigeria, the ironically-nicknamed “Garden City” where the skies have turned grey. There, she follows the lives of workers for PHED, the previously state-owned Port Harcourt Electricity Distribution Company (PHED) which was privatized in 2013. If any public servants anywhere feel unappreciated, they should compare their lot with the likes of Martins, an unflaggingly upbeat and religious family-man and electrical engineer, or Deborah, a sales-representative-turned-debt-collector.
Both face anger and even mob violence on a daily basis as they cut off service to delinquent customers (most of whom have little ability to pay, in a country with 7.5 million jobless). Martins, who has miraculously survived electrocution in the past, climbs poles to cut off dangerous makeshift wiring that is used to steal power. (We also meet Godwin, an “illegal electrician,” who invariably reconnects the “People’s Power” the following night).
The powerlessness closes businesses and forces people to use generators when they can (often bringing them indoors where they often succumb to fires and carbon monoxide poisoning). Even hospitals fall prey, unable to maintain refrigeration in their morgue, forcing them to “dry embalm” corpses.
“Shasha has crafted a film with global implications while maintaining focus on the intimate humanity of the people on screen,” says Tony Piantedosi, Director of Acquisitions at Gravitas. “We are proud to be presenting this powerful documentary to US audiences.”
“This is the film I’ve always wanted to see made about the power situation in Nigeria,” says Director Nakhai, “and I’m excited to finally be able to share it widely with audiences in my hometown of Port Harcourt, Nigeria and around the world.”
“Port Harcourt is the source of my fondest childhood memories,” says Nakhai, who produced the Oscar short-listed Frame 394. “Today, however, the city is much different than what I remember. Perfectly manicured green hedges have turned to black dust—the fallout zone of a fossil-fuel economy.
“Take Light is a film about Nigeria’s energy crisis, with my hometown as the backdrop. It’s about a crisis of electrical energy, but also about other kinds of power struggles – the tensions between people, between past and present, between governments and colonial powers—and about the transformation of it all into a seething, powerful force.
“I want to show the urgency and challenges of transitioning to greener and more egalitarian economies.
“But, this is also a film about the power of hope. With people like Martins, it is about keeping the candle lit in times of darkness and despair, about fighting to remain a good person when corruption is the status-quo, and harnessing the power of humour and religion to make it through each day.”
Take Light can be found on VOD: Comcast, Cox, dish Network, Verizon, Frontier, suddenlink, Mediacom, WOW! Also on iVOD: iTunes, Google play, YouTube, vudu, primevideo, Microsoft, vimeo, redbox.
And Home Video: amazon, Barnes&Noble, Target, Walmart, Baker & Taylor, Alliance, Midwest Tape.
https://www.youtube.com/watch?v=9eu1ToXEvtA-
TAKE LIGHT, Film about Nigeria’s Energy Crisis, Releases on Dec 14
From space, at night, Nigeria is awash in light. But the glow almost entirely flares from oil and gas wells. The country, with the world’s largest proven oil reserves, leaves half its population without electricity, and the rest with erratic service.
Take Light, the feature directorial debut from Shasha Nakhai, takes us to her hometown in the country where she grew up, Port Harcourt, Nigeria, the ironically-nicknamed “Garden City” where the skies have turned grey. There, she follows the lives of workers for PHED, the previously state-owned Port Harcourt Electricity Distribution Company (PHED) which was privatized in 2013. If any public servants anywhere feel unappreciated, they should compare their lot with the likes of Martins, an unflaggingly upbeat and religious family-man and electrical engineer, or Deborah, a sales-representative-turned-debt-collector.
Both face anger and even mob violence on a daily basis as they cut off service to delinquent customers (most of whom have little ability to pay, in a country with 7.5 million jobless). Martins, who has miraculously survived electrocution in the past, climbs poles to cut off dangerous makeshift wiring that is used to steal power. (We also meet Godwin, an “illegal electrician,” who invariably reconnects the “People’s Power” the following night).
The powerlessness closes businesses and forces people to use generators when they can (often bringing them indoors where they often succumb to fires and carbon monoxide poisoning). Even hospitals fall prey, unable to maintain refrigeration in their morgue, forcing them to “dry embalm” corpses.
“Shasha has crafted a film with global implications while maintaining focus on the intimate humanity of the people on screen,” says Tony Piantedosi, Director of Acquisitions at Gravitas. “We are proud to be presenting this powerful documentary to US audiences.”
“This is the film I’ve always wanted to see made about the power situation in Nigeria,” says Director Nakhai, “and I’m excited to finally be able to share it widely with audiences in my hometown of Port Harcourt, Nigeria and around the world.”
“Port Harcourt is the source of my fondest childhood memories,” says Nakhai, who produced the Oscar short-listed Frame 394. “Today, however, the city is much different than what I remember. Perfectly manicured green hedges have turned to black dust—the fallout zone of a fossil-fuel economy.
“Take Light is a film about Nigeria’s energy crisis, with my hometown as the backdrop. It’s about a crisis of electrical energy, but also about other kinds of power struggles – the tensions between people, between past and present, between governments and colonial powers—and about the transformation of it all into a seething, powerful force.
“I want to show the urgency and challenges of transitioning to greener and more egalitarian economies.
“But, this is also a film about the power of hope. With people like Martins, it is about keeping the candle lit in times of darkness and despair, about fighting to remain a good person when corruption is the status-quo, and harnessing the power of humour and religion to make it through each day.”
Take Light can be found on VOD: Comcast, Cox, dish Network, Verizon, Frontier, suddenlink, Mediacom, WOW! Also on iVOD: iTunes, Google play, YouTube, vudu, primevideo, Microsoft, vimeo, redbox.
And Home Video: amazon, Barnes&Noble, Target, Walmart, Baker & Taylor, Alliance, Midwest Tape.
https://www.youtube.com/watch?v=9eu1ToXEvtA
-
MY COUNTRY NO MORE Docu on Rise and Fall North Dakota’s Oil Boom to Premiere on PBS Independent Lens
[caption id="attachment_33014" align="aligncenter" width="1200"]
My Country No More[/caption]
Between 2011 and 2016, oil drilling in rural North Dakota reached its peak, setting off a modern-day gold rush in Trenton, North Dakota, population less than 1000. With billions of dollars to be gained in an industry-friendly state with a “reasonable regulation” climate, small towns like Trenton became overwhelmed by an influx of workers, and countless acres of farmland were repurposed for industrial development. My Country No More, a new documentary produced and directed by Rita Baghdadi and Jeremiah Hammerling, follows the rise and fall of the oil boom in North Dakota and paints a portrait of a rural American community in crisis. Through the voices of Trenton’s residents, the film challenges the notion of “progress” and questions the long-term human consequences of short-term approaches to land use, decisions that ultimate affect all Americans, rural and urban alike. My Country No More premieres on Independent Lens Monday, January 7, 2019, 10:00-11:00 PM ET (check local listings) on PBS.
Kalie Rider and her older brother Jed are striving to return to a life of farming after having suffered the loss of their parents’ farm during the 1980s farm crisis. Their uncle’s decision to sell a piece of land for a planned ethanol plant sets off a chain of consequences from which there is no turning back. With the Trenton church being eyed for a diesel refinery, the community becomes divided, with some favoring development and jobs, and others bemoaning the loss of their rural way of life.
“Although the media frenzy surrounding the Dakota Access Pipeline has faded, My Country No More reveals how small communities like Trenton, North Dakota are forever changed by the rise and fall of the oil boom,” said Lois Vossen, executive producer of Independent Lens. “Rita and Jeremiah have created a contemplative, beautifully shot film about a town caught between economic opportunity and personal regret. As the foundation of life and identity shifts beneath their feet, the people of Trenton are left asking what is the value of community history and what sacrifices are they willing to make to preserve a vanishing way of life.”
-
2019 Sundance Film Festival Reveals Indie Episodic, Shorts and Special Events
[caption id="attachment_33006" align="aligncenter" width="1200"]
Now Apocalypse[/caption]
Continuing its commitment to showcasing bold independent storytelling regardless of form, format or length, the 2019 Sundance Film Festival will feature 12 Episodic Works, 73 Short Films and 4 Special Events.
Of the projects announced today, 53% were directed or created by one or more women, 51% were directed or created by one or more filmmaker of color, and 26% by one or more people who identify as LGBTQIA. 12 were supported by Sundance Institute in development, whether through direct granting or residency Labs.
73 short films will screen at the Festival from 33 countries and chosen from 9,443 submissions — 4,720 from the U.S. and 4,723 international. Among the shorts the Festival has shown in recent years are World of Tomorrow, Thunder Road, Whiplash, The Tsunami and the Cherry Blossom, Gregory Go Boom and Edmond.
INDIE EPISODIC
A dedicated showcase for emerging creators of independently produced episodic content for broadcast, web, and streaming platforms. Past projects that have premiered within this category include I’m Poppy, Mr. Inbetween and America to Me. Bootstrapped / U.S.A. (Creator: Danielle Uhlarik, Director: Stephanie Laing) — Best friends Madeline and Aimee are underdog entrepreneurs who launch a fashion and tech startup out of a garage in their hometown of Kansas City. The duo’s overly positive attitude convinces two other coders to join them on their broke-ass entrepreneurial journey to make BitchThatWouldLookBetterOnMe.Com a household name. Cast: Danielle Uhalrik, Maribeth Monroe, Sam Richardson, Kezii Curtis, Nancy Lenehan, Erika Alexander. World Premiere Delhi Crime Story / India (Director and screenwriter: Richie Mehta) — Following the Delhi Police during their investigation of a horrific gang rape of a young woman on a bus in 2012. Based on actual events and case files.Cast: Shefali Shah, Rasika Dugal, Rajesh Tailang, Adil Hussain, Gopal Datt, Vinod Sherawat. World Premiere Delivery Girl / U.S.A (Director and screenwriter: Kate Krieger) — Tricia is a woman struggling with her identity, living in a fiercely Catholic household leading a double life, selling drugs to make ends meet and carrying on an affair. She fights for the courage to embrace her future as the first of many delivery girls. Cast: Kate Krieger, Adam LeFevre, Liz Larsen, Joe Holt. World Premiere [caption id="attachment_33009" align="aligncenter" width="1200"]
Don’t Hug Me I’m ScaredDon’t Hug Me I’m Scared[/caption]
Don’t Hug Me I’m Scared / United Kingdom (Creators and screenwriters: Becky Sloan, Joseph Pelling, Baker Terry) — In the small town community of Clayhill, roommates Red Guy, Yellow Guy and Duck live simple, uneventful lives – until Mayor Pigface disappears. Cast: Baker Terry, Joseph Pelling, Becky Sloan. World Premiere
The Dress Up Gang / United States (Creators: Robb Boardman, Cory Loykasek, Donny Divanian, Executive Producers: Dave Kneebone, Tim Heidecker, Eric Wareheim) — Donny, a responsible adult with the innocence and outlook of a child, relies on guidance and life advice from his friend Cory, the dad-like thirtysomething who has been crashing on his couch for quite some time. Cast: Donny Divanian, Cory Loykasek, Frankie Quinones, Andie MacDowell, Christian Duguay, Brent Weinbach. World Premiere
Girls Weekend / U.S.A. (Director: Kyra Sedgwick, Creator: Ali Liebegott) — When a queer daughter returns home to Las Vegas for a “girls weekend” with her estranged homophobic sister and people-pleasing mother, her gun-toting dad lets it slip that her mother’s cancer is back with a vengeance, forcing her to decide whether or not she can rejoin her family. Cast: Ali Liebegott, Linda Lavin, Amy Landecker, Ken Jenkens. World Premiere
It’s Not About Jimmy Keene / U.S.A. (Creator: Caleb Jaffe, Executive Producers: Jim Frohna, Diana Kunce) — The police shooting of an unarmed black teen reveals deep divisions within a mixed race family.Ivan, the youngest sibling, stalked by visions of Jimmy Keene’s floating corpse,is torn between opposing worldviews of his two older sisters.Cast: Caleb Jaffe, Roger Guenveur Smith, Gabrielle Maiden, Okwui Okpokwasili, Ayana Peters, David Warshofsky. World Premiere
Maggie / U.S.A. (Director and screenwriter: Sasha Gordon) — A darkly comedic series about a struggling new mom who ditches her dreary postpartum group for the stand-up comedy class next door. In the pilot episode, Maggie struggles with inappropriate fantasies about her live-in nanny. Cast: Christine Woods, David Walton, Maddison Ridley, Veronica Mosey, Dina Hashem, Jon Bander. World Premiere
Quarter Life Poetry / U.S.A. (Creator: Samantha Jayne, Arturo Perez Jr., Screenwriter: Samantha Jayne) — Poems for the young, broke and hangry. Cast: Samantha Jayne, Tori Ward, Meredith Thomas, Hailey Harris, Samantha Dockser, Tyler Haines. World Premiere
State of the Union / United Kingdom (Creator: Nick Hornby, Director: Stephen Frears) — Every week before their weekly marital therapy session, estranged couple Tom and Louise meet at a pub to try and get their story straight for the therapist. With each successive episode we piece together how their lives were, what drew them together and what has started to pull them apart.Cast: Rosamund Pike, Chris O’Dowd. World Premiere
Wu-Tang Clan: Of Mics and Men / U.S.A. (Director: Sacha Jenkins, Executive Producers: Peter J Scalettar, Peter Bittenbender, Chris Gary) — The cultural history of Wu-Tang Clan; artists who escape the poverty, violence, and oppression of their neighborhoods through music. They encounter wild success and heartbreak along the way to becoming the most recognized musical movement in the world — all while walking the tightrope that links business with brotherhood. Cast: All members of the Wu-Tang Clan. World Premiere
Work In Progress / U.S.A. (Creators and screenwriters: Abby McEnany, Tim Mason) — After her therapist dies mid-session and she begins to date a trans man, Abby is forced to re-evaluate her life choices, her dating options and whether or not to confront the woman responsible for ‘ruining her life’: SNL’s Julia Sweeney. Cast: Abby McEnany, Theo Germaine, Karin Anglin, Celeste Pechous, Julia Sweeney, Alison Gates. World Premiere
SPECIAL EVENTS
One-of-a-kind moments highlighting new independent works that add to the unique Festival experience. Past projects that have played in this category include Wild Wild Country, Top of the Lake, O.J.: Made in America, and The Jinx: The Life and Deaths of Robert Durst. Documentary Now! Season 52 Preview The documentary series returns. Celebrate the art of nonfiction storytelling as the creators of Documentary Now! present two new films: “Waiting for the Artist”, starring Cate Blanchett and Fred Armisen, and “Original Cast Album: Co-op”, starring John Mulaney, Renee Elise Goldsberry, Alex Brightman, Paula Pell, Richard Kind and Taran Killam. Post screenings, they will share their insights into these two episodes from the upcoming season and about the game of paying loving homage to documentary filmmaking. Untitled Amy Berg Documentary / U.S.A. (Director: Amy Berg, Producers: Amy Berg, Paul McGuire, Ruchi Mital, Joy Gorman Wettels) — While the 2016 election catalyzed the Women’s March and a new era of feminist activism, Tamika Mallory and Erika Andiola have been fighting for their communities for decades. Their stories expose the fundamental connection between personal and political and raise the question: what’s intersectionality and can it save the world? World Premiere Lorena / U.S.A. (Executive Producers: Joshua Rofé, Steven J Berger, Jordan Peele, Win Rosenfeld, Thomas Lesinski, Jenna Santoianni) — 25 years after the notorious case of John and Lorena Bobbitt, this groundbreaking series re-investigates the story that made international headlines and helped birth a 24-hour news cycle, exploring vital moral issues and the missed opportunity for a national discussion about domestic violence and sexual assault within this American scandal. World Premiere [caption id="attachment_33006" align="aligncenter" width="1200"]
Now Apocalypse[/caption]
Now Apocalypse / U.S.A. (Director: Gregg Araki, Executive Producers: Gregg Araki, Gregory Jacobs, Steven Soderbergh) — Ulysses and his friends are trying to navigate Los Angeles, as they pursue love, sex and fame. Between dating app adventures, Ulysses grows increasingly troubled as foreboding dreams make him paranoid — or maybe he’s just smoking too much weed. Cast: Avan Jogia, Kelli Berglund, Beau Mirchoff, Roxane Mesquida. World Premiere
U.S. NARRATIVE SHORT FILMS
America / U.S.A. (Director and screenwriter: Garrett Bradley) — A cinematic omnibus rooted in New Orleans, challenging the idea of black cinema as a “wave” or “movement in time,” proposing instead, a continuous thread of achievement. World Premiere
As Told To G/D Thyself / U.S.A. (Directors: Bradford Young, Terence Nance, Jenn Nkiru, Screenwriters: Terence Nance, Kamasi Washington, Bradford Young) — The cosmic journey of sacred youth, during which pain, pleasure and sublimation are non-negotiable. World Premiere
Crude Oil / U.S.A. (Director and screenwriter: Christopher Good) — Jenny breaks free from a toxic friendship and learns to harness her magical, useless superpower. World Premiere
Fainting Spells / U.S.A. (Director and screenwriter: Sky Hopinka) — Told through recollections of youth, learning, lore, and departure, this is an imagined myth for the Indian Pipe Plant, used by the Ho-Chunk to revive those who have fainted.
Feathers / U.S.A. (Director and screenwriter: A.V. Rockwell) — Elizier, an emotionally-dejected new enrollee at The Edward R. Mill School for Boys, must overcome memories of a tragic past and present hazing by his peers in order to tackle larger issues dominating his young life. DAY ONE
Fran This Summer / U.S.A. (Director and screenwriter: Mary Evangelista) — Teenage lovebirds Fran and Angie spend the summer at home while Fran begins their transition. They must face who and what they mean to each other when they visit the beach, their love on display for all to see.
Green / U.S.A. (Director: Suzanne Andrews Correa, Screenwriters: Suzanne Andrews Correa, Mustafa Kaymak) — Green, an undocumented Turkish pedicab driver, unwittingly draws police attention, endangering his brother, his community, and himself.
How Does It Start / U.S.A. (Director and screenwriter: Amber Sealey) — With her self-absorbed parents distracted by their recent divorce, twelve-year-old Rain is left alone to navigate the complexities of love and adulthood, and learns to do it her own way. World Premiere
I Snuck Off the Slave Ship / U.S.A. (Directors: Lonnie Holley, Cyrus Moussavi, Screenwriters: Lonnie Holley, Cyrus Moussavi, Brittany Nugent) — Lonnie Holley, a “self-taught African American artist” and dimensional traveler, attempts to sneak off the slave ship America. World Premiere
Lavender / U.S.A. (Director and screenwriter: Matthew Puccini) — A young gay man grows increasingly entangled in the marriage of an older couple. World Premiere. DAY ONE
Lockdown / U.S.A. (Directors and screenwriters: Celine Held, Logan George) — Struggling with feelings for her best friend, 14-year-old Marie stages an almost perfect plan. World Premiere
The MINORS / U.S.A. (Director and screenwriter: Robert Machoian) — A slice of life about a grandpa and his grandsons, the future and the past. World Premiere
Old Haunt / U.S.A. (Director and screenwriter: Andre Hyland) — A procrastinating writer stays in an Airbnb to get some work done, but after an unexpected visitor arrives, he finds himself in an increasingly unsettling set of situations that he can’t explain. World Premiere
One Cambodian Family Please for My Pleasure / U.S.A. (Director and screenwriter: A.M. Lukas) — A lonely Czech refugee paints an all-too-appealing picture of her American life as she writes a letter begging an organization to send a Cambodian refugee family to resettle in her new, “dreamland” hometown: Fargo, North Dakota. DAY ONE
The Rat / U.S.A. (Director and screenwriter: Carlen May-Mann) — It’s Halloween night, and Renee is madly in love with Jim. On their way to a party, Jim detours to a haunted house, where Renee is forced to confront a terrifying situation. World Premiere
Shinaab, Part II / U.S.A. (Director and screenwriter: Lyle Corbine Jr.) — A look at Ojibwe ideas surrounding the death process, as a young man strives to honor his late father. U.S. Premiere
sometimes, i think about dying / U.S.A. (Director: Stefanie Abel Horowitz, Screenwriters: Stefanie Abel Horowitz, Katy Wright-Mead, Kevin Armento) — Fran is thinking about dying, but a man in the office might want to date her. World Premiere
Squirrel / U.S.A. (Director and screenwriter: Alex Kavutskiy) — A meager apology tests a woman’s fortitude to forgive.
Suicide By Sunlight / U.S.A. (Director: Nikyatu Jusu, Screenwriters: Nikyatu Jusu, R. Shanea Williams) — Valentina, a day-walking Black vampire protected from the sun by her melanin, is forced to restrain her bloodlust to regain custody of her estranged daughters. World Premiere
Sundowners / U.S.A. (Director: Lisa Steen, Screenwriters: Anna Greenfield, Jessy Hodges) — Ali and her father cook, drink, and ignore what’s going on in the next room. World Premiere
INTERNATIONAL NARRATIVE SHORT FILMS
Acid / France (Director and screenwriter: Just Philippot) — A troubling cloud is taking shape somewhere out west. It’s now slowly moving inland, forcing the population to flee. As the cloud keeps on moving forward inescapably, panic strikes.
Adalamadrina / Spain (Director: Carlota Oms, Screenwriters: Joan Pàmies, Carlota Oms) — While she claims to be an expert in sex and love on YouTube, Ada can barely speak to her gym trainer, with whom she’s madly in love. When she sets her sights on him, everything changes. International Premiere
Aziza / Syria, Lebanon (Director: Soudade Kaadan, Screenwriters: Soudade Kaadan, May Hayek) — A dynamic take on the life of Syrian refugees, told through black comedy. World Premiere
BAJO LA SOMBRA DEL GUACARI / Colombia (Director and screenwriter: Greg Méndez) — Dead bodies have washed upon the banks of the river. When Abraham finds out the one of them was his friend, he embarks on a journey to fulfill a promise that will take him to the Guacari tree.World Premiere
Birds in the Earth / Finland (Director and screenwriter: Marja Helander) — Examining the deeper questions of the ownership of Sami land through the ballet performances of two young dancers.
Brotherhood / Canada, Tunisia, Qatar, Sweden (Director and screenwriter: Meryam Joobeur) — When a hardened Tunisian shepherd’s son returns home after a long journey with a new wife, tension rises between father and son. U.S. Premiere
Chowboys: An American Folktale / Canada (Director and screenwriter: Astron 6) — Things seem hopeless when three mysterious cowboys find themselves stranded on the coldest night in recorded history.
Desires of the flesh / Brazil (Director and screenwriter: Rafaela Camelo) — Blessed be the Sunday, that it is the day to see Giovana. International Premiere
Docking / Canada (Director and screenwriter: Trevor Anderson) — Trevor reflects on his fear of dating. World Premiere
Dunya’s Day / Saudi Arabia, U.S.A. (Director and screenwriter: Raed Alsemari) — Abandoned by her domestic help, Dunya fights to throw the perfect graduation soirée. World Premiere. DAY ONE
END / Cuba (Director: Yimit Ramírez, Screenwriters: Yimit Ramírez, Tatiana Monge) — Juan is dead. Surprisingly, he is given an opportunity: to relive a moment of his past life, but it will not be an ordinary moment. World Premiere
Fatherland / Georgia (Director and screenwriter: George Sikharulidze) — In 2016, on the 63rd anniversary of Stalin’s death, his worshipers gather outside of his birthplace in Georgia to demand his canonization as a saint… when something uncanny materializes. DAY ONE
The Field / France, United Kingdom, India (Director and screenwriter: Sandhya Suri) — A poor agricultural laborer leads a double life in the village’s last remaining cornfield. But the harvest is approaching.
Fuck You / Sweden (Director and screenwriter: Anette Sidor) — Alice is together with Johannes but she doesn’t have enough space to be herself. On a night out with friends, she steals a strap-on and challenges her boyfriend’s thoughts about girls. U.S. Premiere
Hot Dog / Germany (Directors and screenwriters: Alma Buddecke, Marleen Valien) — Hannah, in a love-hate relationship with her vagina, chronicles how her feelings towards her sexuality have changed over time. Like that one moment when she discovered the vibration function of her PlayStation controller. International Premiere
Kado (A Gift) / Indonesia (Director and screenwriter: Aditya Ahmad) — Isfi can wear her comfortable pants among her male friends, but has to wear hijab to be accepted at Nita’s house. With two days until Nita’s birthday, all Isfi wants is to prepare the best gift in Nita’s room. U.S. Premiere
Manicure / Iran (Director and screenwriter: Arman Fayaz) — After the unexpected death of his wife, a man struggles to deal with the aftermath under the eyes of the local villagers.
The silence of the dying fish / Greece, France (Director and screenwriter: Vasilis Kekatos) — On his way to work one morning, a fish farm worker is told that he died the day before. Failing to prove that he is alive, he spends his last day securing caretakers for his beloved canaries. North American Premiere
Those bad things / Italy (Director: Loris Giuseppe Nese, Screenwriters: Loris Giuseppe Nese, Chiara Marotta) — You cannot choose your parents. These are the thoughts of a daughter who can’t rebel, as time slips by slowly both inside and outside their home in the Campania suburbs. International Premiere
DOCUMENTARY SHORT FILMS
All Inclusive / Switzerland (Director and screenwriter: Corina Schwingruber Ilić) — Under the spell of mass entertainment on the high seas.
Black 14 / U.S.A. (Director: Darius Clark Monroe) — An archival social study examining white pathology and cognitive dissonance via media coverage of a 1969 racial protest at the University of Wyoming.
Cablestreet / U.S.A. (Director: Meredith Lackey) — A cable system designed by controversial Chinese company Huawei Technologies enables communication between an expert and a machine. Time succumbs to space in a ‘New Cold War’ played out in technological materials. World Premiere
The Dispossessed / India (Director and screenwriter: Musa Syeed) — Hazari is a traditional faith healer, exorcising patients who’ve been possessed by jinn. But in Kashmir, amidst the world’s longest running conflict, nothing is as it seems. World Premiere
Dulce / U.S.A., Colombia (Directors: Guille Isa, Angello Faccini) — In coastal Colombia, facing rising tides made worse by climate change, a mother teaches her daughter how to swim so that she may go to the mangroves and harvest ‘piangua’ shellfish with the other women in the village.
Easter Snap / U.S.A. (Director: RaMell Ross) — With a baited handling of American symbolism, an examination of five Alabama men, who resurrect the homestead ritual of hog processing in the deep South under the guidance of Johnny Blackmon. World Premiere
Edgecombe / U.S.A. (Director: Crystal Kayiza) — Through the deeply personal truths of three local residents, an examination of the ways trauma repeats and reinvents itself in rural Black communities.
Everything You Wanted to Know About Sudden Birth* (*but were afraid to ask) / U.S.A. (Director and screenwriter: Scott Calonico) — The true story of how the Berkeley Police Department, the Nazi invasion of the Netherlands, and Mr. Spock from Star Trek are all connected by one of the most disturbing educational films ever created. World Premiere
[caption id="attachment_33011" align="aligncenter" width="1200"]
FAST HORSE[/caption]
FAST HORSE / Canada (Director and screenwriter: Alexandra Lazarowich) — The Blackfoot bareback horse-racing tradition returns in the astonishingly dangerous Indian Relay. Siksika horseman Allison Red Crow struggles with second-hand horses and a new jockey on his way to challenge the best riders in the Blackfoot Confederacy.
U.S. Premiere.DAY ONE
The Ghost Behind / U.S.A. (Director: Caroline Rumley) — Four friends. Many bands. Expectations. Addiction. Loss.
Ghosts of Sugar Land / U.S.A. (Director: Bassam Tariq) — In Sugar Land, Texas, a group of young Muslim-American men ponder the disappearance of their friend “Mark,” who is suspected of joining ISIS. World Premiere
It’s Going To Be Beautiful / U.S.A., Mexico (Directors and screenwriters: Luis Gutierrez Arias, John Henry Theisen) — The U.S. Border Patrol has been given the task of choosing a winning design for building a wall on the U.S.- Mexico border.
Libre / U.S.A. (Director: Anna Barsan) — Undocumented immigrants forced to spend months in detention are turning to private companies to secure their release on bond. In exchange, immigrants pay exorbitant monthly fees for a GPS ankle monitor they can’t remove.
Life in Miniature / United Kingdom (Director and screenwriter: Ellen Evans) — A celebration of one woman’s mission to document the every day, as she carves a place for herself in the precious world of miniatures. U.S. Premiere
Life Overtakes Me / Sweden, U.S.A. (Directors: John Haptas, Kristine Samuelson) — Facing deportation, hundreds of refugee children in Sweden have become afflicted with Resignation Syndrome, withdrawing from the world into a coma-like state, as if frozen, for months, or even years. World Premiere
STAY CLOSE / U.S.A., China (Directors and screenwriters: Shuhan Fan, Luther Clement) — The underdog story of a fencer from Brooklyn who overcomes a gauntlet of hardships on the road to the Olympics. World Premiere
Throat Singing in Kangirsuk / Canada (Directors: Eva Kaukai, Manon Chamberland, Screenwriters: Emilie Baillargeon and Clark Ferguson) — Eva and Manon practice the art of throat singing in their native Arctic land, in the small village of Kangirsuk. World Premiere
The Tough / Poland (Director and screenwriter: Marcin Polar) — A discovery arouses a man’s imagination and propels him forward in an uncouth and obsessive way. Step by step, the camera participates as he explores of places hitherto unknown to humankind, which offer increasingly stronger resistance against human delicacy. World Premiere
ANIMATED SHORT FILMS
Acid Rain / Poland (Director and screenwriter: Tomek Popakul) — After running away from her depressing village in eastern Europe, a teenage girl meets a new friend under a bridge. International Premiere
Albatross Soup / U.S.A. (Director and screenwriter: Winnie Cheung) — A dizzying descent into deductive reasoning based on an entertaining yet disturbing lateral thinking puzzle.
animistica / Austria, Germany, Mexico (Director: Nikki Schuster) — An expedition into rotting animal carcasses and rampant spider webs, accompanied by a gloomy drone like a swarm of hungry flies. Foraging around the borderlands of the horror genre in a kaleidoscope of ecology in all its horrifying beauty. North American Premiere
The Call / Romania, France (Director and screenwriter: Anca Damian) — A phone call, a bathroom and a woman are at the intersection of the world. U.S. Premiere
CHICHI / U.S.A. (Director and screenwriter: David Nessl) — My dog has dreams and he tells me about them. I made a movie about those dreams. This is that movie. U.S. Premiere
Count Your Curses / Belgium (Director and screenwriter: Lorène Yavo) — In a town where supernatural beings are part of everyday life, two roommates had their house spirit devoured overnight, again. They go on their way to find a replacement spirit and a solution to their pest problem.
Knockstrike / Spain (Directors and screenwriters: Marc Torices, Pau Anglada, Genis Rigol) — Two men accidentally exchange briefcases. One contains a videotape that will lead the new owner to embark on an unexpected journey to figure out what is in it.
Muteum / Estonia, Hong Kong (Director and screenwriter: Aggie Pak Yee Lee) — In an art museum, we learn — from outer to inner, from deep to its deepest, seriously and sincerely. DAY ONE
OBON / Germany (Directors: André Hörmann, Anna Samo, Screenwriter: André Hörmann) — During the festival of Obon, one of the last survivors of the atomic bombing of Hiroshima receives the spirits of her parents, and is haunted by memories.
OCTANE / U.S.A. (Director and screenwriter: Jeron Braxton) — A man’s street race through hell and back parallels the Black experience in America.
The Phantom 52 / U.S.A. (Director and screenwriter: Geoff Marslett) — Loneliness: a trucker who calls out on his CB radio waiting for a reply that never comes. A ghost that haunts the deserted highways. A whale that sings at a frequency no other whale can even hear. World Premiere
Reneepoptosis / U.S.A., Japan (Director and screenwriter: Renee Zhan) — Three Renees go on a quest to find God, who is also Renee. As they traverse the mountains and valleys of Renee, they discover all the great joys, sorrows, and mysteries of being Renee. U.S. Premiere
Sister / U.S.A., China (Director and screenwriter: Siqi Song) — A man thinks back to his childhood memories of growing up with an annoying little sister in China in the 1990s. What would his life have been like if things had gone differently?
Under Covers / U.S.A. (Director and screenwriter: Michaela Olsen) — On the night of a lunar eclipse, we uncover the sweet, salacious, and spooky secrets of a small town. From a pigtailed psychopath to naughty nuns, this stop-motion animated film conjures a comforting thought: that weird is relative. World Premiere
Untravel / Serbia, Slovakia (Directors: Ana Nedeljkovic, Nikola Majdak, Screenwriter: Ana Nedeljkovic) — A girl lives in an isolated country, enclosed by a huge wall. She has never traveled anywhere, but all her life she has dreamed of leaving forever for a perfect world called Abroad.
-
Washington, D.C. Area Film Critics Names ROMA Best Film of 2018
[caption id="attachment_33001" align="aligncenter" width="1200"]
Roma[/caption]
“Roma” the Mexico-set period drama dedicated to director Alfonso Cuarón’s real-life childhood nanny, triumphed with four wins when the Washington, D.C. Area Film Critics Association (WAFCA) announced their 2018 honorees. “Roma” won Best Film and Best Director, as well as Best Foreign Language Film and Best Cinematography for its sweeping black-and-white lensing.
Best Documentary kudos went to the lovely, feel-good “Won’t You Be My Neighbor?” The film centers on the life and philosophy of the late Fred Rogers, host of long-running, often groundbreaking children’s program “Mr. Rogers’ Neighborhood.”
The Joe Barber Award for Best Portrayal of Washington, DC, given each year in honor of one of WAFCA’s cherished late members, went to Adam McKay’s offbeat Dick Cheney biopic “Vice.”
The Washington, D.C. Area Film Critics Association comprises 60 DC-VA-MD-based film critics from television, radio, print and the Internet.
2018 Washington, D.C. Area Film Critics Association Award Winners
Best Film: Roma Best Director: Alfonso Cuarón (Roma) Best Actor: Bradley Cooper (A Star Is Born) Best Actress: Lady Gaga (A Star Is Born) Best Supporting Actor: Mahershala Ali (Green Book) Best Supporting Actress: Regina King (If Beale Street Could Talk) Best Acting Ensemble: The Favourite Best Youth Performance: Elsie Fisher (Eighth Grade) Best Voice Performance: Bryan Cranston (Isle of Dogs) Best Motion Capture Performance: Josh Brolin (Avengers: Infinity War) Best Original Screenplay: Deborah Davis and Tony McNamara (The Favourite) Best Adapted Screenplay: Nicole Holofcener and Jeff Whitty (Can You Ever Forgive Me?) Best Animated Feature: Isle of Dogs Best Documentary: Won’t You Be My Neighbor? Best Foreign Language Film: Roma Best Production Design: Production Designer: Hannah Beachler; Set Decorator: Jay Hart (Black Panther) Best Cinematography: Alfonso Cuarón (Roma) Best Editing: Tom Cross, ACE (First Man) Best Original Score: Nicholas Britell (If Beale Street Could Talk) The Joe Barber Award for Best Portrayal of Washington, DC: Vice
-
Yorgos Lanthimos’ THE FAVOURITE Wins a Record 10 Awards at 2018 British Independent Film Awards
[caption id="attachment_32995" align="aligncenter" width="1199"]
Emma Stone and Olivia Colman in the film THE FAVOURITE. Photo by Yorgos Lanthimos.ʩ 2018 Twentieth Century Fox Film Corporation[/caption]
The Favourite was clearly that at the 2018 British Independent Film Awards (BIFA) in London winning a record ten awards including Best British Independent Film and Best Director for Yorgos Lanthimos. Other major awards include Evelyn won for Best Documentary, Ray & Liz‘s Richard Billingham won The Douglas Hickox Award for Best Debut Director, and Roma won for Best International Independent Film.
2018 British Independent Film Awards Winners
Best British Independent Film
THE FAVOURITE Yorgos Lanthimos, Deborah Davis, Tony McNamara, Ceci Dempsey, Ed Guiney, Lee MagidayBest Director
YORGOS LANTHIMOS The FavouriteBest Screenplay
DEBORAH DAVIS, TONY McNAMARA The FavouriteBest Actress
OLIVIA COLMAN The FavouriteBest Supporting Actress
RACHEL WEISZ The FavouriteBest Actor
JOE COLE A Prayer Before DawnBest Supporting Actor
ALESSANDRO NIVOLA DisobedienceMost Promising Newcomer
JESSIE BUCKLEY BeastThe Douglas Hickox Award (Best Debut Director)
RICHARD BILLINGHAM Ray & LizDebut Screenwriter
BART LAYTON American AnimalsBreakthrough Producer
JACQUI DAVIES Ray & LizThe Discovery Award
VOYAGEUSE May Miles ThomasBest Documentary
EVELYN Orlando von Einsiedel, Joanna NatasegaraBest British Short Film
THE BIG DAY Dawn Shadforth, Kellie Smith, Michelle SteinBest International Independent Film
ROMA Alfonso Cuarón, Nicolás Celis, Gabriela RodriguezBest Casting
DIXIE CHASSAY The FavouriteBest Cinematography supported by Blackmagic Design
ROBBIE RYAN The FavouriteBest Costume Design
SANDY POWELL The FavouriteBest Editing
NICK FENTON, JULIAN HART, CHRIS GILL American AnimalsBest Effects
HOWARD JONES Early ManBest Make Up & Hair Design
NADIA STACEY The FavouriteBest Music
JONNY GREENWOOD You Were Never Really HereBest Production Design
FIONA CROMBIE The FavouriteBest Sound
PAUL DAVIES You Were Never Really HereThe Richard Harris Award for Outstanding Contribution by an Actor to British Film
Judi DenchThe Special Jury Prize
Horace Ové CBE
-
THE FAVOURITE Leads Nominations for 2018 Washington DC Area Film Critics Award
[caption id="attachment_30991" align="aligncenter" width="1200"]
The Favourite[/caption]
The Washington DC Area Film Critics Association (WAFCA) which comprises of 60 DC-based film critics from the District, Maryland and Virginia announced their nominees for the 2018 awards. The Favourite lead with 10 nominations including Best Film and Best Director for Yorgos Lanthimos. Other films nominated for Best Film include A Star Is Born, Green Book, If Beale Street Could Talk, and Roma.
The nominees for Best Documentary are Free Solo, RBG, Science Fair, Three Identical Strangers and Won’t You Be My Neighbor? The nominees for Best Foreign Film are Burning, Capernaum, Cold War, Roma and Shoplifters. The nominees for the special category The Joe Barber Award for Best Portrayal of Washington, DC are The Front Runner, RBG and Vice.
The 2018 WAFCA Award winners will be announced on Monday, December 3, 2018.
2018 Washington DC Area Film Critics Association (WAFCA) AWARD NOMINEES
Best Film:
The Favourite Green Book If Beale Street Could Talk Roma A Star Is BornBest Director:
Ryan Coogler (Black Panther) Bradley Cooper (A Star Is Born) Alfonso Cuarón (Roma) Barry Jenkins (If Beale Street Could Talk) Yorgos Lanthimos (The Favourite)Best Actor:
Christian Bale (Vice) Bradley Cooper (A Star Is Born) Ethan Hawke (First Reformed) Rami Malek (Bohemian Rhapsody) Viggo Mortensen (Green Book)Best Actress:
Glenn Close (The Wife) Toni Collette (Hereditary) Olivia Colman (The Favourite) Lady Gaga (A Star Is Born) Melissa McCarthy (Can You Ever Forgive Me?)Best Supporting Actor:
Mahershala Ali (Green Book) Timothée Chalamet (Beautiful Boy) Sam Elliott (A Star Is Born) Richard E. Grant (Can You Ever Forgive Me?) Michael B. Jordan (Black Panther)Best Supporting Actress:
Cynthia Erivo (Bad Times at the El Royale) Nicole Kidman (Boy Erased) Regina King (If Beale Street Could Talk) Emma Stone (The Favourite) Rachel Weisz (The Favourite)Best Acting Ensemble:
Black Panther The Favourite If Beale Street Could Talk Vice WidowsBest Youth Performance:
Elsie Fisher (Eighth Grade) Thomasin Harcourt McKenzie (Leave No Trace) Milly Shapiro (Hereditary) Millicent Simmonds (A Quiet Place) Amandla Stenberg (The Hate U Give)Best Voice Performance:
Bryan Cranston (Isle of Dogs) Holly Hunter (Incredibles 2) Shameik Moore (Spider-Man: Into the Spider-Verse) Sarah Silverman (Ralph Breaks the Internet) Ben Whishaw (Paddington 2)Best Motion Capture Performance:
Josh Brolin (Avengers: Infinity War) Tye Sheridan (Ready Player One) Phoebe Waller-Bridge (Solo: A Star Wars Story)Best Original Screenplay:
Bo Burnham (Eighth Grade) Deborah Davis and Tony McNamara (The Favourite) Paul Schrader (First Reformed) Nick Vallelonga & Brian Currie & Peter Farrelly (Green Book) Alfonso Cuarón (Roma)Best Adapted Screenplay:
Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee (BlacKkKlansman) Ryan Coogler & Joe Robert Cole (Black Panther) Nicole Holofcener and Jeff Whitty (Can You Ever Forgive Me?) Barry Jenkins (If Beale Street Could Talk) Eric Roth and Bradley Cooper & Will Fetters (A Star Is Born)Best Animated Feature:
Incredibles 2 Isle of Dogs Mirai Ralph Breaks the Internet Spider-Man: Into the Spider-VerseBest Documentary:
Free Solo RBG Science Fair Three Identical Strangers Won’t You Be My Neighbor?Best Foreign Language Film:
Burning Capernaum Cold War Roma ShopliftersBest Production Design:
Production Designer: Hannah Beachler; Set Decorator: Jay Hart (Black Panther) Production Designer: Fiona Crombie; Set Decorator: Alice Felton (The Favourite) Production Designer: Nathan Crowley; Set Decorator: Kathy Lucas (First Man) Production Designer: John Myhre; Set Decorator: Gordon Sim (Mary Poppins Returns) Production Designer: Eugenio Caballero; Set Decorator: Bárbara Enríquez (Roma)Best Cinematography:
Robbie Ryan, BSC (The Favourite) Linus Sandgren, FSF (First Man) James Laxton (If Beale Street Could Talk) Alfonso Cuarón (Roma) Matthew Libatique, ASC (A Star Is Born)Best Editing:
Yorgos Mavropsaridis, ACE (The Favourite) Tom Cross, ACE (First Man) Alfonso Cuarón, Adam Gough (Roma) Jay Cassidy, ACE (A Star Is Born) Joe Walker, ACE (Widows)Best Original Score:
Ludwig Göransson (Black Panther) Justin Hurwitz (First Man) Nicholas Britell (If Beale Street Could Talk) Thom Yorke (Suspiria) Hans Zimmer (Widows)The Joe Barber Award for Best Portrayal of Washington, DC:
The Front Runner RBG Vice
-
A COLONY Sweeps Borsos Awards, Wins Best Canadian Feature at 2018 Whistler Film Festival
[caption id="attachment_32983" align="aligncenter" width="1200"]
A Colony (Une colonie) by Geneviève Dulude De Celles[/caption]
Geneviève Dulude-De Celles first feature A COLONY, a touching and heartbreaking coming of age story, swept the Borsos Awards of the 18th annual Whistler Film Festival with three wins including Best Canadian Feature, Best Director in a Borsos Film for Geneviève Dulude-De Celles, and Best Performance in a Borsos Film for Emilie Bierre taking the $15,000 cash prize and $15,000 post production prize. The jury stated: “We awarded A COLONY the Borsos awards for its strength of vision and raw authenticity.
The Borsos Award for Best Screenplay went to Robert Budreau, writer and director of STOCKHOLM, for the complex emotional clockwork that balances action, suspense and romance.
Best Cinematography in a Borsos Film went to cinematographer Michel La Veaux for his work in THE FIREFLIES ARE GONE. The jury said they presented this to the movie that they felt showed an elegant authenticity and strong visual storytelling through classic use of framing color and choreography.
The World Documentary Award went to MOMENTUM GENERATION. The jury stated that “This documentary provides unparalleled access to the events that shaped its iconic subjects, presenting a powerful story of the bond between friends throughout profound personal struggle. An uplifting coming of age film that nails its slick and engaging execution, our award winner delivers undeniable audience impact and critical potential. The Jury awards the World Documentary Award to this memorable tribute to hardship and friendship, MOMENTUM GENERATION” directed by Jeff and Michael Zimbalist.
The jury also gave an honorable mention to Jordan Manley, director of TREELINE, ”for its original choice of subject matter, striking imagery and masterful visual storytelling, the Jury wishes to recognize this film for its poetic approach to filmmaking and ability to open our minds to a world never before seen.”
The Best Mountain Culture Film Award went to FREE SOLO directed by Jimmy Chin and E. Chai Vasarhelyi. The Jury stated “ It’s pretty incredible when a film has you totally gripped from beginning to end, despite already knowing the ending. FREE SOLO did just that and we chose it as our Mountain Culture winner for many reasons. Its ability to deeply humanize a character who is quantifiably “crazy” by most definitions, its technical filmmaking commitment and prowess, and its ability to open the sport of climbing to a wider audience in a relatable way. We felt its storytelling and entertaining portrayal of this unparalleled athletic achievement embodied the Mountain Culture award.“
The $1,000 Canadian ShortWork Award went to BROTHERHOOD, directed by Meryam Joobeur; the International ShortWork Award went to MISS WORLD, directed by Georgia Fu; and the $500 ShortWork Student Award went to THE BUS STOP directed by Kama Sood. The MPPIA Short Film Award, presented by MPPIA and Creative BC, was awarded to Alayna Silverberg for B-SIDE. The award consists of a $15,000 cash award plus up to $100,000 in services. The completed project will have its world premiere screening at the 2018 Whistler Film Festival.
Jen Araki with her “Slip Into Darkness” project won the WFF Power Pitch $41,000 prize package that included a $1,000 cash prize and a $40,000 production package featuring a $10,000 post production credit from Encore Vancouver, and a $10,000 studio credit, $10,000 lighting and grip credit and a $10,000 camera credit from Sim. WFF’s Power Pitch had seven Canadian producers with feature projects in development participating in the program designed to set them up for success by fine-tuning their project packages and pitching skills.
The Alliance of Women Film Journalists presented this year’s EDA Award for Best Female-directed Feature to two films, HONEY BEE directed by Rama Rau and FAMILY FIRST directed by Sophie Dupuis; and the EDA Award for Best Female-Directed Short Film to BROTHERHOOD directed by Meryam Joobeur.
“The Alliance of Women Film Journalists is honored and proud to partner with the Whistler Film Festival for the 5th consecutive year to present EDA awards recognizing women filmmakers. WFF, in our experience, has a uniquely successful record in programming women’s films, not only for screenings, but also in programs that open opportunities for women,” said Jennifer Merin, President of the Alliance of Women Film Journalists. “We applaud Shauna Hardy Mishaw for her singular efforts in this regard. This year’s nominees were extraordinarily good, and it was difficult for us to single out one in each category.”
-
7 Indie Films Awarded $240,000 in Fall 2018 SFFILM Rainin Grants
Seven indie narrative films will receive a total of $240,000 in funding in the latest round of SFFILM Rainin Grants to support the next stage of their creative process, from screenwriting to post-production. SFFILM Rainin Grants are awarded twice annually to filmmakers whose narrative feature films will have significant economic or professional impact on the Bay Area filmmaking community and/or meaningfully explore pressing social issues.
SFFILM, in partnership with the Kenneth Rainin Foundation, is the largest granting body for independent narrative feature films in the United States. The SFFILM Rainin Grant program has awarded over $5 million to more than 100 projects since its inception, including Boots Riley’s indie phenomenon Sorry to Bother You, which was released in theaters nationwide this summer; Reinaldo Marcus Green’s Monsters and Men, which won a Special Jury Prize at Sundance earlier this year; Geremy Jasper’s Sundance breakthrough Patti Cake$, which closed the 2017 Cannes Director’s Fortnight program; Chloé Zhao’s Songs My Brothers Taught Me, which screened at Sundance and Cannes in 2015; Short Term 12, Destin Cretton’s sophomore feature which won both the Narrative Grand Jury Award and Audience Award at SXSW 2013; Ryan Coogler’s debut feature Fruitvale Station, which won the 2014 Film Independent Spirit Award for Best First Feature, the Un Certain Regard Avenir Prize at the 2013 Cannes Film Festival, and both the Grand Jury Prize and Audience Award in the narrative category at Sundance 2013; and Ben Zeitlin’s debut phenomenon Beasts of the Southern Wild, which won Sundance’s Grand Jury Prize and Cannes’ Camera d’Or in 2012 and earned four Academy Award nominations (including Best Picture).
The jury noted in a statement: “We are thrilled to support these seven ambitious projects and the voices—both lyrical and incisive—of these talented filmmakers. This cohort of SFFILM Rainin grantees are grappling beautifully with questions of how we define ourselves and our homes in a world that is constantly changing. We very much look forward to playing a part in elevating their visions in the months ahead.”
FALL 2018 SFFILM RAININ GRANT WINNERS
18+ Ceylan Özgün Özçelik, writer/director/producer; Armagan Lale, producer — screenwriting – $25,000 On the feast of the sacrifice, a family gathering of women turns into a tragicomic night of bloody vengeance. all dirts roads taste of salt Raven Jackson, writer/director; Maria Altamirano, producer — screenwriting – $25,000 In lyrical, non-linear portraits evoking the texture of memories, all dirt roads taste of salt viscerally and experientially explores the life of a Black woman in the American South, from her youth to her older years. Cicada Matthew Fifer, writer/co-director; Kieran Mulcare, co-director; Jeremy Truong and Ramfis Myrthil, producers — post-production – $40,000 Some things are worth waiting 17 years for, others should have come out sooner. Colewell Tom Quinn, writer/director; Craig Shilowich, Alexandra Byer, and Matthew Thurm, producers — post-production – $50,000 For 35 years, Nora Pancowski has been the postmaster of Colewell, Pennsylvania. She runs the office out of her home and has become the center of this community, which has no other common space. When Nora receives word that her office will be closed, she must decide whether to relocate and take a new job or face retirement in Colewell. Freeland Kate McLean and Mario Furloni, writer/directors; Laura Heberton, producer — post-production – $50,000 Aging pot farmer Devi suddenly finds her world shattered as she races to bring in what could be her final harvest. KEE-kay Pedro González Kuhn, director; Rodrigo Ordoñez, writer; Vanessa Perez and Laura Irene Arvizu, producers — development – $25,000 Enrique is deported to Mexico, a country he has never called home. As he struggles to integrate, survive, and force his way back to the US, he meets Rita, who provides shelter and protection that he has never had before, which makes him question where home really is. Sandy Song, The High Priestess of Souls Pete Lee, writer/director — screenwriting – $25,000 Sandy Song, a grumpy middle-aged grifter, becomes the sole defender of Oakland’s Chinatown in a battle against loan sharks, white saviors, and demons.
-
Northern Banner Releasing to Release THIS IS NORTH PRESTON Documentary
This Is North Preston, the remarkable documentary film by Jaren Hayman which will have its world premiere at Whistler Film Festival on Friday November 30, will be released in Canada by Northern Banner Releasing.
Northern Banner will have a limited theatrical release in Canada starting in the new year, and the film has been picked up in the US by Virgil Films, who will release digitally, also in the new year.
North Preston is the largest black community in the country and started as a safe haven for escaped slaves but has more recently been painted as one of the biggest hubs of pimping & human trafficking in the nation.
This Is North Preston explores how the town of 4,000 has dealt with generations of pimp culture, violence, economic struggle, and constant systemic racism through the eyes of the pimps, trafficking victims, politicians, police, and community members looking to change the narrative.
This Is North Preston not only tells a truly unique story, but also an incredibly important one. While the community has several deep rooted issues it’s facing including an accepted pimp culture and high levels of gun violence, the film explores how and why this is now a reality. The movie also looks at the decades of systemic racism that the town has experienced and continues to experience.
-
EIGHTH GRADE, THE RIDER, TRANSMILITARY Among Finalists for 44th HUMANITAS Prize
[caption id="attachment_27753" align="aligncenter" width="1200"]
EIGHTH GRADE[/caption]
The HUMANITAS Prize which honors film and television writers whose work inspires compassion, hope, and understanding in the human family, has named fifty-eight film and television writers as finalists for the 44th Annual HUMANITAS Prize. All Prize winners will be announced at The 44th Annual HUMANITAS Prize event on Friday, February 8, 2019 at The Beverly Hills Hotel in Beverly Hills, CA.
Six college students have also been named as finalists for The David and Lynn Angell College Comedy Fellowship and The Carol Mendelsohn College Drama Fellowship. The winning writers in each category will be awarded $20,000 in prize money.
HUMANITAS will also honor Marta Kauffman with The Kieser Award and Kenya Barris with the VOICE FOR CHANGE Award.
Marta Kauffman is a critically acclaimed writer/director/producer. She won a Primetime Emmy Award for Outstanding Comedy Series for Friends, a series she co-created. She also co-created HBO’s Dream On, was the co-producer for NBC’s Veronica’s Closet, and is the co-creator of Netflix’s Grace and Frankie.
Kenya Barris is also a critically acclaimed writer/producer and the creator of ABC’s Black-ish and Grown-ish. He won The HUMANITAS Prize for Black-Ish: “Hope” in 2017. He won the NAACP Image Award for Outstanding Writing in a Comedy Series in 2016/17. He has received three nominations for Outstanding Comedy Series at the Primetime Emmy Awards.
Since its inception in 1974, The HUMANITAS Prize has awarded over $3.5 million to more than 360 deserving television and motion picture writers whose work examines what it means to be a fully realized human being in a world struggling with racism, terrorism, sexism, ageism, anti-Semitism, political polarization, religious fanaticism, extreme poverty, violence, and unemployment. By deeply exploring the cultures, lifestyles, sexual orientations, political views, and religious beliefs of people who are very different from ourselves, we can dissolve the walls of ignorance and fear that separate us from one another.
All winners, except for those in the Independent Feature Film and College Fellowship categories, designate a non-profit focused on nurturing the next generation of writers to receive their earnings. Past recipients have included Young Storytellers, Film2Future, P.S. Arts, The Heidelberg Project, Rosie’s Theatre Kids, International Documentary Association, and Inside Out Writers.
“HUMANITAS enjoyed an embarrassment of riches this year,” said HUMANITAS President Ali LeRoi, “There were so many incredible submissions from such gifted writers.”
44th Annual HUMANITAS Prize Finalists
Drama Feature Film Category
BLACK PANTHER Written by Ryan Coogler & Joe Robert Cole, Based on the Marvel Comics by Stan Lee and Jack Kirby BOY ERASED Screenplay by Joel Edgerton, Based on the memoir Boy Erased by Garrard Conley ON THE BASIS OF SEX Written by Daniel Stiepleman WHAT THEY HAD Written and Directed by Elizabeth ChomkoComedy Feature Film Category
BOUNDARIES Written and Directed by Shana Feste CRAZY RICH ASIANS Screenplay by Peter Chiarelli and Adele Lim, Based on the Novel Crazy Rich Asians by Kevin Kwan EIGHTH GRADE Written and Directed by Bo Burnham LOVE, SIMON Screenplay by Elizabeth Berger & Isaac Aptaker, Based on the Novel Simon vs. The Homo Sapiens Agenda by Becky AlbertalliFamily Feature Film Category
CHRISTOPHER ROBIN Screenplay by Alex Ross Perry and Tom McCarthy and Allison Schroeder, Story by Greg Brooker and Mark Steven Johnson, Based on the characters created by A.A. Milne and E.H. Shepard INCREDIBLES 2 Written and Directed by Brad Bird ISLE OF DOGS Screenplay by Wes Anderson, Story by Wes Anderson, Roman Coppola, Jason Schwartzman, and Kunichi Nomura MARY POPPINS RETURNS Screenplay by David Magee, Screen Story by David Magee & Rob Marshall & John DeLuca, Based upon the Mary Poppins stories by P.L. TraversIndependent Feature Film Category
BRIAN BANKS Written by Doug Atchison LAUGH OR DIE Screenplay by Heikki Kujanpää and Mikko Reitala SORRY TO BOTHER YOU Written and Directed by Boots Riley THE GRIZZLIES Written by Moira Walley-Beckett and Graham Yost THE RIDER Written and Directed by Chloé ZhaoDocumentary Category
TRANSMILITARY Concept by Fiona Dawson, Written by Jamie Coughlin and Gabriel Silverman, Directed by Gabriel Silverman, Co-Directed by Fiona Dawson STOLEN DAUGHTERS: KIDNAPPED BY BOKO HARAM Written and Produced by Karen Edwards, Directed by Gemma Atwal THE FOURTH ESTATE, “Part 3: American Carnage” Directed by Liz Garbus and Jenny Carchman, Produced by Liz Garbus, Jenny Carchman, Justin Wilkes THE PRICE OF FREE Story by Davis Guggenheim, Derek Doneen, Sarah Anthony, Directed by Derek Doneen, Produced by Davis Guggenheim and Sarah Anthony60-minute Drama Category
GOD FRIENDED ME, “Pilot” Written by Steven Lilien & Bryan Wynbrandt ORANGE IS THE NEW BLACK, “Be Free” Written by Brian Chamberlayne THE GOOD DOCTOR, “More” Written by David Shore & Lloyd Gilyard Jr. THIS IS US, “This Big, Amazing, Beautiful Life” Written by Kay Oyegun30-minute Comedy Category
DEAR WHITE PEOPLE, “Volume 2: Chapter VIII” Written by Jack Moore ONE DAY AT A TIME, “Hello, Penelope” Written by Michelle Badillo & Caroline Levich THE GOOD PLACE, “Jeremy Bearimy” Written by Megan Amram THE MARVELOUS MRS. MAISEL, “Mid-way to Mid-town” Written and Directed by Amy Sherman-PalladinoChildren’s Teleplay Category
ALEXA & KATIE, “Winter Formal, Part 2” Written by Matthew Carlson MY LITTLE PONY: FRIENDSHIP IS MAGIC, “Surf and/or Turf” Written by Brian Hohlfeld MUPPET BABIES, “You Say Potato, I Say Best Friend” Written by Laura Sreebny Z-O-M-B-I-E-S Written by David Light & Joseph Raso, Based on Zombies & Cheerleaders Written by David Light & Joseph RasoThe David and Lynn Angell College Comedy Fellowship
BAND OF MOTHERS – Sabrina Brennan (USC) FERNANDO – Adam Lujan (NYU) HEAD CASE – Ellie Goodman (Northwestern University)The Carol Mendelsohn College Drama Fellowship
RUE PIGALLE – Jessica Shields (Columbia University) THE BARGEMAN – Joe Hemphill (Boston University) WILCOX PARK – Omar Willis (USC)
-
ESPN Films Next 30 for 30 is “42 to 1” on Buster Douglas 1990 Victory Over Mike Tyson
ESPN Films Next 30 for 30 is “42 to 1”, the documentary on Buster Douglas defeating Mike Tyson for the 1990 Heavyweight Championship of the World.
The documentary “42 to 1”, co-directed by Jeremy Schaap and Ben Houser, premieres Tuesday, December 11th at 9:00p.m. ET on ESPN
If you were a sports fan in 1990, you’ll never forget where you were when you heard about Tyson-Douglas. Because, after all, it was impossible.
In sports, we’re used to seeing the improbable. But the impossible is another matter entirely. And on February 11, 1990, while the odds were technically 42-1, it was very much the impossible that happened in a boxing ring in Tokyo, Japan, when James “Buster” Douglas defeated Mike Tyson for the heavyweight championship of the world.
The 30 for 30 documentary “42-1” tells the story of just how incredibly unlikely it was. It starts in Columbus, Ohio, where Douglas grew up the son of a boxer, who trained and guided him to become a top-10 heavyweight contender in the mid 1980’s. Of course, it was all in the shadow of the rise of “Iron” Mike Tyson, who became a worldwide phenomenon in a remarkable undefeated run to the undisputed title. And by the time their fight was set, Douglas was lightly regarded, merely a stepping stone for bigger fights for the champion. But on the day they met, a series of extraordinary circumstances led to an unimaginable result.
Featuring rare footage and never before seen images, this is a film about how Douglas pulled off a victory that changed the course of sports history, channeling the absolute best version of himself, if only for one fight, when it mattered most and no one thought it was possible.
Co-Directed by 11-time Emmy Award winner Jeremy Schaap (E:60, The Sporting Life) & 17-time Emmy award and 4-time Edward R. Murrow Award winner Ben Houser (E:60 docs Owen & Haatchi, The Number, Leaf).
Image via YouTube
-
30th Anniversary Screening of WHEN HARRY MET SALLY to Kick Off 10th TCM Classic Film Festival
[caption id="attachment_32960" align="aligncenter" width="1200"]
WHEN HARRY MET SALLY[/caption]
Who would believe it’s 30 years already – the 30th anniversary screening of the seminal romantic comedy When HARRY Met Sally… with stars Billy Crystal and Meg Ryan and director/producer Rob Reiner in attendance, will kick off the 10th annual TCM Classic Film Festival on Thursday, April 11th
Celebrated director Rob Reiner had no idea he would strike such a chord with audiences by posing the simple question: “can men and women really be friends?” The charming and TIMELESS film explores this idea by following the characters of HARRY (Billy Crystal) and Sally (Meg Ryan) over the course of twelve years through a series of chance encounters. When HARRY Met Sally… was an instant hit with audiences and critics alike: the film grossed more than $90 million at the box office and Nora Ephron’s taut, hilarious script garnered an Oscar nomination for Best Orginal Screenplay. Billy Crystal and Meg Ryan were also both nominated for Golden Globes for their performances, along with director Rob Reiner.
“There are romantic comedies – and then there’s When HARRY Met Sally…” said Ben Mankiewicz, TCM primetime anchor and official host of the TCM Classic Film Festival. “The chemistry between Billy Crystal and Meg Ryan makes them part of a legacy that includes the greats of classic movies: Spencer Tracy and Katherine Hepburn; Cary Grant and Rosalind Russell; and Jack Lemmon and Shirley MacLaine. And Rob Reiner – utilizing Nora Ephron’s word-perfect screenplay – follows in the rarefied air of the filmmaking giants who made those earlier pictures.”
The 2019 TCM Classic Film Festival, held in the heart of Hollywood Thursday, April 11 – Sunday, April 14, 2019, marks the 10th annual celebration of classic films on the big screen from TCM. The TCM network will also celebrate its 25th anniversary on closing night of the festival.
TCM Primetime host Ben Mankiewicz will serve as official host of the TCM Classic Film Festival. The festival’s official hotel and central gathering point for the tenth consecutive year will be The Hollywood Roosevelt Hotel, which has a longstanding role in movie history and was the site of the first Academy Awards® ceremony. The Hollywood Roosevelt Hotel will also offer special rates for festival attendees. Screenings and events during the festival will be held at the TCL Chinese Theatre IMAX, the TCL Chinese 6 Theatres and the Egyptian Theatre, as well as other Hollywood venues.
