Berlin International Film Festival

The Berlinale is a unique place of artistic exploration and entertainment. It is one of the largest public film festivals in the world, attracting tens of thousands of visitors from around the globe each year. For the film industry and the media, the eleven days in February are also one of the most important events in the annual calendar and an indispensable trading forum.

The Berlin International Film Festival enjoys an eventful history. The festival was created for the Berlin public in 1951, at the beginning of the Cold War, as a “showcase of the free world”. Shaped by the turbulent post-war period and the unique situation of a divided city, the Berlinale has developed into a place of intercultural exchange and a platform for the critical cinematic exploration of social issues. To this day it is considered the most political of all the major film festivals.

Berlin International Film Festival started in 1951 and takes place in Berlin, Germany, Europe

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Berlinale 2017: Karam Ghossein’s STREET OF DEATH Wins Audi Short Film Award

[caption id="attachment_20708" align="aligncenter" width="1200"] The Audi Short Film Award goes to Lebanese director Karam Ghossein – here with Jason Lusty, Head of Marketing Germany at AUDI AG[/caption] Lebanese director Karam Ghossein has won the Audi Short Film Award, along with its €20,000 cash prize at the 2017 Berlin International Film Festival for his short film Street of Death. Director and cameraman Karam Ghossein creates a stream of images from the present combined with stories from the past, occurring like a kaleidoscope along the highway to the Beirut International Airport. In the 22-minute-long firm, struggles for power and respect remain as persistent points throughout the ages. The international short film jury for 2017 includes Christian Jankowski, an artist and Professor at the State Academy of Art and Design in Stuttgart; Kimberly Drew, Curator and Social Media Manager at the Metropolitan Museum of Art New York; and Carlos Núñez, Artistic Director of the SANFIC Santiago International Film Festival. A total of 23 films from 19 countries competed in the Berlinale Shorts section. Under the title “Reframing the Image,” curator Maike Mia Höhne assembled a series of films focused on recalibrating one’s own perception, offering the filmgoer a unique new perspective. “The short film is the hotbed of creativity for the film industry. This is where directors execute their visions and provide food for thought, sometimes experimentally, sometimes essayistically. This gives rise to new trends – and that’s what we want to support with the Audi Short Film Award,” says Jason Lusty, Head of Marketing Germany at AUDI AG, explaining Audi’s involvement. The Audi Short Film Award is presented in the Berlinale Shorts section alongside the Golden and Silver Bears, and is among the world’s most lucrative short film awards.
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Berlinale 2017: Complete List of Awards – ON BODY AND SOUL Wins Golden Bear

[caption id="attachment_20704" align="aligncenter" width="1200"] On Body and Soul (Testről és lélekről) by Ildikó Enyedi[/caption] A slaughterhouse in Budapest is the setting of a strangely beautiful love story, the Hungarian film On Body and Soul by Ildikó Enyedi, crowned winner of the Golden Bear for Best Film at the 2017 Berlin International Film Festival. The film also is the winner of the Berliner Morgenpost Readers’ Jury Award.
THE AWARDS OF THE 67th BERLIN INTERNATIONAL FILM FESTIVAL

PRIZES OF THE INTERNATIONAL JURY
GOLDEN BEAR FOR BEST FILM (awarded to the film’s producer) Testről és lélekről On Body and Soul by Ildikó Enyedi SILVER BEAR GRAND JURY PRIZE Félicité by Alain Gomis SILVER BEAR ALFRED BAUER PRIZE for a feature film that opens new perspectives Pokot Spoor by Agnieszka Holland SILVER BEAR FOR BEST DIRECTOR Aki Kaurismäki for Toivon tuolla puolen (The Other Side of Hope/Die andere Seite der Hoffnung) SILVER BEAR FOR BEST ACTRESS Kim Minhee in Bamui haebyun-eoseo honja (On the Beach at Night Alone) by Hong Sangsoo SILVER BEAR FOR BEST ACTOR Georg Friedrich in Helle Nächte (Bright Nights) by Thomas Arslan SILVER BEAR FOR BEST SCREENPLAY Sebastián Lelio and Gonzalo Maza for Una mujer fantástica (A Fantastic Woman) by Sebastián Lelio SILVER BEAR FOR OUTSTANDING ARTISTIC CONTRIBUTION in the categories camera, editing, music score, costume or set design Dana Bunescu for the editing in Ana, mon amour by Călin Peter Netzer
GWFF BEST FIRST FEATURE AWARD
GWFF BEST FIRST FEATURE AWARD Estiu 1993 Summer 1993 Sommer 1993 by Carla Simón
GLASHÜTTE ORIGINAL DOCUMENTARY AWARD
GLASHÜTTE ORIGINAL DOCUMENTARY AWARD Istiyad Ashbah Ghost Hunting by Raed Andoni
PRIZES OF THE INTERNATIONAL SHORT FILM JURY
GOLDEN BEAR FOR BEST SHORT FILM Cidade Pequena Small Town Kleine Stadt by Diogo Costa Amarante SILVER BEAR JURY PRIZE (SHORT FILM) Ensueño en la Pradera Reverie in the Meadow Träumerei in der Prärie by Esteban Arrangoiz Julien AUDI SHORT FILM AWARD Street of Death by Karam Ghossein SPECIAL MENTION Centauro Centaur Zentaur by Nicolás Suárez BERLIN SHORT FILM NOMINEE FOR THE EUROPEAN FILM AWARDS Os Humores Artificiais The Artificial Humors Die Künstlichen Humore by Gabriel Abrantes
PRIZES OF THE JURIES GENERATION
Children’s Jury Generation Kplus CRYSTAL BEAR for the Best Film Piata loď Little Harbour Das fünfte Schiff by Iveta Grófová SPECIAL MENTION Amelie rennt Mountain Miracle — An Unexpected Friendship by Tobias Wiemann CRYSTAL BEAR for the Best Short Film Promise Versprechen by Xie Tian SPECIAL MENTION Hedgehog’s Home Das Haus des Igels by Eva Cvijanovic
International Jury Generation Kplus
THE GRAND PRIX OF THE GENERATION KPLUS INTERNATIONAL JURY for the best feature-length film Becoming Who I Was Werden wer ich war by Chang-Yong Moon and Jin Jeon tie Estiu 1993 Summer 1993 Sommer 1993 by Carla Simón THE SPECIAL PRIZE OF THE GENERATION KPLUS INTERNATIONAL JURY for the best short film Aaba Grandfather Großvater by Amar Kaushik SPECIAL MENTION Sabaku by Marlies van der Wel
Youth Jury Generation 14plus
CRYSTAL BEAR for the Best Film Butterfly Kisses by Rafael Kapelinski SPECIAL MENTION Ceux qui font les révolutions à moitié n’ont fait que se creuser un tombeau Those Who Make Revolution Halfway Only Dig Their Own Graves by Mathieu Denis and Simon Lavoie CRYSTAL BEAR for the Best Short Film Wolfe by Claire Randall SPECIAL MENTION SNIP by Terril Calder
International Jury Generation 14plus
THE GRAND PRIX OF THE GENERATION 14PLUS INTERNATIONAL JURY for the best feature-length film, Shkola nomer 3 School Number 3 by Yelizaveta Smith and Georg Genoux SPECIAL MENTION Ben Niao The Foolish Bird by Huang Ji and Ryuji Otsuka THE SPECIAL PRIZE OF THE GENERATION 14PLUS INTERNATIONAL JURY for the best short film, The Jungle Knows You Better Than You Do by Juanita Onzaga SPECIAL MENTION U Plavetnilo Into the Blue by Antoneta Alamat Kusijanović
PRIZES OF INDEPENDENT JURIES
PRIZES OF THE ECUMENICAL JURY Competition Testről és lélekről (On Body and Soul) by Ildikó Enyedi Special Mention: Una mujer fantástica (A Fantastic Woman) by Sebastián Lelio Panorama Tahqiq fel djenna (Investigating Paradise) by Merzak Allouache Special Mention: I Am Not Your Negro by Raoul Peck Forum Maman Colonelle (Mama Colonel) by Dieudo Hamadi Special Mention: El mar la mar by Joshua Bonnetta and J.P. Sniadecki PRIZES OF THE FIPRESCI JURY Competition: Testről és lélekről (On Body and Soul) by Ildikó Enyedi Panorama: Pendular by Julia Murat Forum: Shu’our akbar min el hob (A Feeling Greater Than Love) by Mary Jirmanus Saba GUILD FILM PRIZE The Party by Sally Potter CICAE ART CINEMA AWARD Panorama: Centaur by Aktan Arym Kubat Forum: Newton by Amit V Masurkar LABEL EUROPA CINEMAS Insyriated by Philippe Van Leeuw TEDDY AWARD Best Feature Film: Una mujer fantástica (A Fantastic Woman) by Sebastián Lelio Best Documentary/Essay Film: Ri Chang Dui Hua (Small Talk) by Hui-chen Huang Best Short Film: Min Homosyster (My Gay Sister/Meine Homoschwester) by Lia Hietala Special Jury Award: Karera ga Honki de Amu toki wa (Close-Knit) by Naoko Ogigami Special Teddy Award: Monika Treut CALIGARI FILM PRIZE El mar la mar by Joshua Bonnetta and J.P. Sniadecki PEACE FILM PRIZE El Pacto de Adriana (Adriana’s Pact) by Lissette Orozco AMNESTY INTERNATIONAL FILM PRIZE La libertad del diablo (Devil’s Freedom) by Everardo González (Berlinale Special) HEINER CAROW PRIZE Fünf Sterne (Five Stars) by Annekatrin Hendel
READERS’ JURIES AND AUDIENCE AWARD
PANORAMA AUDIENCE AWARD Fiction Film Insyriated by Philippe Van Leeuw PANORAMA AUDIENCE AWARD Documentary Film I Am Not Your Negro by Raoul Peck BERLINER MORGENPOST READERS’ JURY AWARD Testről és lélekről (On Body and Soul) by Ildikó Enyedi TAGESSPIEGEL READERS’ JURY AWARD Maman Colonelle (Mama Colonel) by Dieudo Hamadi HARVEY – MÄNNER READERS’ JURY AWARD God’s Own Country by Francis Lee
DEVELOPMENT AWARDS
COMPASS-PERSPEKTIVE-AWARD Die beste aller Welten (The Best Of All Worlds) by Adrian Goiginger Special Jury Prize: Final Stage by Nicolaas Schmidt KOMPAGNON-FELLOWSHIP System Crasher (Systemsprenger) by Nora Fingscheidt (Berlinale Talents 2017) Der grüne Wellensittich by Levin Peter and Elsa Kremser (Perspektive Deutsches Kino 2016) ARTE INTERNATIONAL PRIZE Lost Country by Vladimir Perišić (Serbia), produced by KinoElektron (France), MPM Film (France) and Trilema Films (Serbia) EURIMAGES CO-PRODUCTION DEVELOPMENT AWARD Razor Film Produktion (Germany) for The Wife of the Pilot (Director: Anne Zohra Berrached) VFF TALENT HIGHLIGHT AWARD Producer Nefes Polat (Turkey) for The Bus to Amerika (Director: Derya Durmaz)
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Berlinale 2017: Fest Announces Winners of Generation Kplus Awards

[caption id="attachment_20700" align="aligncenter" width="1200"] Little Harbour (Piata loď )[/caption] The members of the Children’s Jury awarded Little Harbour (Piata loď ) by Iveta Grófová the winner of the Crystal Bear for the Best Film in Generation Kplus program at the 2017 Berlin International Film Festival. The Grand Prix of the Generation Kplus International Jury for the Best Film award is a tie – the prize went to Becoming Who I Was by Chang-Yong Moon, Jin Jeon, of Republic Korea, and Summer 1993 (Estiu 1993) by Carla Simón of Spain.
Children’s Jury in Generation Kplus awards:
Crystal Bear for the Best Film: Little Harbour (Piata loď ) By Iveta Grófová, Slovak Republic / Czech Republic 2017 We selected a film that is creative and authentic. It’s about two children who create a little world of their own, rules. We found the story very moving and the actors are very believable too. Special Mention: Mountain Miracle – An Unexpected Friendship (Amelie rennt) By Tobias Wiemann, Germany / Italy 2017 With great wit and fast-paced dialogue, this film describes the development of an unlikely friendship between two fascinating characters. Crystal Bear for the Best Short Film: Promise By Xie Tian, USA 2016 Set in a breath-taking landscape, this film tells the moving story of a Chinese boy. The convincing performances and masterful cinematography lend the film great authenticity. Special Mention Short Film: Hedgehog’s Home By Eva Cvijanovic, Canada / Croatia 2016 The message of this tale, that a home of one’s own is very important, is beautifully conveyed by the creative use of felt animation. We were also impressed by the unusual verse form of the narrative in this stop-motion film.
International Jury Generation Kplus Awards:
The Grand Prix of the Generation Kplus International Jury for the Best Film, endowed with € 7,500 by the Deutsches Kinderhilfswerk (The Children’s Charity of Germany): tie Becoming Who I Was By Chang-Yong Moon, Jin Jeon, Republic Korea 2017 In this beautifully shot tale we learn in a wonderful bittersweet way how much a parent and a child can learn from each other. The filmmaker achieved the most difficult: making the audience laugh and cry many times. The film gave the jury confidence in humanity and if the values of the young hero of this story would be only reflected a little bit by its audience the world will become a better place. Summer 1993 (Estiu 1993) By Carla Simón, Spain 2017 In this remarkable film we learn through the eyes of a little girl how to cope with loss. The lesson that this incredible heroine learns and that moved us to tears is that no matter how much it hurts, it is the unconditional love of the people around you that will ease your pain. Besides the outstanding performance of the young main actress the jury was also very impressed by the beautiful cinematography and sensual mise-en-scène! The Special Prize of the Generation Kplus International Jury for the Best Short Film, endowed with € 2,500 by the Deutsches Kinderhilfswerk (The Children’s Charity of Germany): Grandfather (Aaba) By Amar Kaushik, India 2016 It tells a story of the circle of life in an elegiac and slow pace with a beautiful cinematography. Special Mention: Sabaku By Marlies van der Wel, The Netherlands 2016 This very short film tells with simple but very efficient use of extremely skilled artistic animation technique the story of a bird that goes around the world to find a new friend. The jury was blown away by its pace and incredible joy of the filmmaker to entertain her audience.
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Berlinale 2017: INSYRIATED and I AM NOT YOUR NEGRO Win Audience Awards

[caption id="attachment_20697" align="aligncenter" width="1200"] Insyriated[/caption] The audience at the 2017 Berlin International Film Festival has cast its votes, and the Panorama Audience Awards go to Insyriated by Philipp Van Leeuw for best fiction film and I Am Not Your Negro by Raoul Peck for best documentary. Insyriated is a tautly-constructed chamber drama about trying to live a normal life in a war zone. It is the second film starring Hiam Abbass that has won the Panorama Audience Award (she also played the lead in Eran Riklis’s Lemon Tree in 2008). [caption id="attachment_20591" align="aligncenter" width="1200"] I Am Not Your Negro[/caption] Raoul Peck’s filmic essay I Am Not Your Negro about James Baldwin and his three assassinated friends – civil rights activists Medgar Evers, Martin Luther King, and Malcolm X – has also been nominated for an Academy Award as Best Documentary Feature. The Panorama Audience Award has been given since 1999. Since 2011, not only the best fiction film but also the best documentary film have received awards. During the festival, moviegoers are asked to rate the films shown in Panorama on voting cards after the screenings. In 2017 a total of 29,000 votes were cast and counted. This year Panorama presented 50 feature-length films from 43 countries, of which 21 screened in the Panorama Dokumente series. Panorama Audience Award Winner Fiction Film 2017 Insyriated Belgium / France / Lebanon 2017 By Philippe Van Leeuw 2nd place Panorama Audience Award Fiction Film 2017 Close-Knit (Karera ga Honki de Amu toki wa) Japan 2017 By Naoko Ogigami 3rd place Panorama Audience Award Fiction Film 2017 1945 Hungary 2017 By Ferenc Török Panorama Audience Award Winner Panorama Dokumente 2017 I Am Not Your Negro France / USA / Belgium / Switzerland 2016 By Raoul Peck 2nd place Panorama Audience Award Panorama Dokumente 2017 Chavela USA 2017 By Catherine Gund, Daresha Kyi 3rd place Panorama Audience Award Panorama Dokumente 2017 Ghost Hunting (Istiyad Ashbah) France / Palestine / Switzerland / Qatar 2017 By Raed Andoni
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Berlinale 2017: Kompagnon Fellowships Go to Nora Fingscheidt, Levin Peter and Elsa Kremser

The Kompagnon Fellowships and stipends of EUR 5,000 were awarded for the first time at the 2017 Berlin International Film Festival to System Crasher (Systemsprenger) by Nora Fingscheidt, and Der grüne Wellensittich by Levin Peter and Elsa Kremser. With the Kompagnon Fellowships, Berlinale Talents and Perspektive Deutsches Kino have joined forces to support talented directors and screenwriters residing in Germany. The initiative does not, however, merely intend to further concrete film projects. In addition to strengthening the artists’ signatures, the mentoring program will provide the winners with professional coaching and a chance to network with the industry. The jury commented on Systemsprenger (System Crasher) by Nora Fingscheidt, “Nora Fingscheidt’s Systemsprenger (System Crasher) outlines the story of nine-year-old Benni, a problem child whose mother, unable to cope, hands her over to the authorities. But Benni proves resistant to all corrective measures – that is, until social worker Micha decides to risk establishing a personal relationship with the child and in doing so crosses a line. A disquieting, sensitive, and very well researched portrayal of our educational system and a poignant humanistic plea for those labelled difficult, non-conformist, or dysfunctional. Nora Fingscheidt refrains from providing answers, but instead lets the questions she has raised resound in space. Systemsprenger touched our hearts and lastingly affected our thinking.” In its statement on Der grüne Wellensittich by Levin Peter and Elsa Kremser, the jury commented, “Der grüne Wellensittich plays in Belarus and recounts the story of 34-year-old Mischa. At night he works as an autopsy assistant, during the day he paints corpses in oils. Mischa gets to know 17-year-old Anna, whose suicide attempt made it possible for them to meet in the first place. For both of them, loneliness has led to an obsession with death – yet out of this situation, authors Levin Peter and Elsa Kremser unleash the most beautiful forms of feeling alive: creativity and love. This fiction film treatment has realistic protagonists, in particular Mischa, who is supposed to play himself. Interweaving documentary principles and staged components, this experimental hybrid exploration promises to produce an extraordinary film in both form and content. This is all the more so because the authors never seem to judge or interpret – neither the people, nor the world in which they are trying to define themselves. Instead they observe and let spaces emerge that are driven by compelling images and characters, and not by authorial narrative intentions. When a radical trust in one’s material is stronger than all fears of rejection, then it becomes possible for unforgettable films with a heartbeat to evolve. Der grüne Wellensittich has this potential.”
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Berlinale 2017: Adrian Goiginger’s THE BEST OF ALL WORLDS Wins Compass Perspektive Award for Best Film

[caption id="attachment_20689" align="aligncenter" width="1200"] The Best of All Worlds (Die Beste aller Welten) by Adrian Goiginger[/caption] Awarded for the first time this year and endowed with EUR 5,000, The Best of All Worlds (Die Beste aller Welten) by Adrian Goiginger is the winner of the 2017 Compass Perspektive Award for Best Film at the Berlin International Film Festival. The jury members watched the 14 films in the Berlinale’s Perspektive Deutsches Kino section, and after debating passionately, they picked their favorite – The Best of All Worlds. The jury commented, “The film is the story of seven-year-old Adrian, who lives in 1990s Salzburg with a heroin-addicted, but loving mother and her friends. His life is like an adventure playground – until both child services and the brutal reality of drug addiction threaten to destroy his world.” Director Adrian Goiginger’s film is based on his own childhood and is a disturbingly realistic portrayal of the seemingly hopeless battle between maternal love and addiction. Goiginger leaves open to interpretation whether it is the drug itself, or society’s way of dealing with it, that presents a greater threat to the child protagonist. With his sensitive direction of a brilliant ensemble cast, the film is touching without becoming kitschy; the unpretentious cinematography gets under your skin without being voyeuristic. The jury also spontaneously awarded a “special jury prize” to Final Stage directed by Nicolaas Schmidt. The jury commented, “Final Stage by Nicolaas Schmidt is an experiment in essayistic montage set in an urban consumer space. It comprises three sequences – separation, pain and reunion. The film turns cinema into an interactive space, in which the audience’s associations become the narrative. With this prize, we want to encourage young filmmakers to take structural-technical risks.”
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Berlinale 2017: BUTTERFLY KISSES and SCHOOL NUMBER 3 Win Top Generation 14plus Awards

[caption id="attachment_20653" align="aligncenter" width="1200"] Butterfly Kisses[/caption] Butterfly Kisses by Rafael Kapelinski, of the United Kingdom is the winner of the Crystal Bear for the Best Film by the Youth Jury Generation 14plus at the 2017 Berlin International Film Festival. The Generation 14plus International Jury awarded the Grand Prix of the Generation 14plus for the Best Film to School Number 3 (Shkola nomer 3) by Yelizaveta Smith and Georg Genoux. Crystal Bears and the Awards by the Bundeszentrale für Politische Bildung (Federal Agency for Civic Education) in Generation 14plus
Youth Jury Generation 14plus Awards:
Crystal Bear for the Best Film: Butterfly Kisses By Rafael Kapelinski, 2017, United Kingdom Propelled by the rhythm of its powerful soundtrack and imagery, this film awakens a terrifying suspicion in the viewer. Without resorting to simple accusations of guilt, it confronts us with an explosive issue which our society has so far been unable to resolve. The finely differentiated characterizations inspire profound empathy for the protagonists in the situations they face. From the kaleidoscopic opening sequence onwards, we are captivated by the haunting intensity of this electrifying feature film debut. Special Mention: Those Who Make Revolution Halfway Only Dig Their Own Graves (Ceux qui font les révolutions à moitié n’ont fait que se creuser un tombeau) By Mathieu Denis, Simon Lavoie, 2016, Canada With epic aspirations, this film is an accurate portrayal of destructive group dynamics. With brutal honesty, it gradually unleashes its hypnotic potential as the narrative unfolds. Contemporary footage, fictional life stories and performances fuse together to create a disturbing yet rousing cinematic work. Crystal Bear for the Best Short Film: Wolfe By Claire Randall, 2016, Australia By means of its authentic narrative and tactful approach to a sensitive subject, this documentary manages to demystify a taboo without sentimentality or judgment. With impressive honesty and intimacy, the protagonist discloses his experiences of psychological illness, accompanied by lovingly animated memory sequences. We thank the filmmaker for this factually informative and deeply moving work. Special Mention Short Film: SNIP By Terril Calder, 2016, Canada This film takes the viewer on a journey into a painful chapter of a country’s history. The synthesis of diverse animation styles provides for a compelling and emotionally direct exploration of this often neglected subject. We would like to thank the director for this unconventional approach to opening our generation’s eyes to the past as we head towards the future.
Generation 14plus International Jury Awards:
The Grand Prix of the Generation 14plus International Jury for the Best Film, endowed with € 7,500 by the Bundeszentrale für Politische Bildung (Federal Agency for Civic Education): School Number 3 (Shkola nomer 3) By Yelizaveta Smith, Georg Genoux, 2016, Ukraine / Germany We give the Grand Prix to a film that unpacked itself slowly involving the audience through details and personal account from the perspective of its protagonists, delivering with a range of tenderness, trauma, and even banality and humor. It has a sensitive approach and is direct in form without discourse or presumption. We admire the collaboration between director, cinematographer and protagonists and how they built a space of trust. This film doesn’t let the narrative of war take over the emotional world of its young characters, who allowed us to connect with the most precious and intimate details of their lives. Special Mention: Ben The Foolish Bird (Niao) By Huang Ji, Ryuji Otsuka, 2017, People’s Republic of China Our special mention goes to a film that haunted us with its mystery and how it speaks about human relationships that pave their way through detached modern tools of communications. What sets this film apart are the well planned ellipses and the remarkable performance of the young actress, Yao Honggui from China. Special Prize of the Generation 14plus International Jury for the Best Short Film, endowed with € 2,500 by the Bundeszentrale für Politische Bildung (Federal Agency for Civic Education): The Jungle Knows You Better Than You Do By Juanita Onzaga , 2016, Belgium / Colombia We give the special price for best short to a film that has a hybrid approach to the autobiographical. A film that hovers between the past and the present and yet has an intuitive way of showing us a character who couldn’t be closer to the filmmaker herself. Special Mention: U Plavetnilo (Into the Blue) By Antoneta Alamat Kusijanović, 2017, Croatia / Slovenia / Sweden Special mention goes to a film which reveals the complexities of adolescence, when its four characters must confront their expectations and desires against a dramatic seaside landscape.
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Berlinale Talents 2017 Announces Winners – THE BUS TO AMERIKA Wins VFF Talent Highlight Award

Prizes were awarded to the winning filmmakers at the close of the 15th edition of Berlinale Talents at the Berlin International Film Festival. As part of the “Talent Project Market,” the VFF Talent Highlight Award, endowed with € 10,000, went to The Bus to Amerika by producer Nefes Polat and director Derya Durmaz (Turkey). Cash prizes of €1,000 each were awarded to the Cuban producer Maria Carla del Rio and the Singaporean producer Jeremy Chua for their nominated projects. For the fifth time, the Robert Bosch Stiftung awarded during Berlinale Talents film prizes to promote international cooperation between German and Arab filmmakers, endowed with up to € 60,000 each. Animation: Night by director Ahmad Saleh (Jordan) and producers Jessica Neubauer (Germany) and Saleh Saleh (Jordan) Short Film: The Trap by director Nada Riyadh (Egypt) and producers Eva Schellenbeck (Germany) and Ayman El Amir (Egypt) Documentary: Behind Closed Doors (Mor L’Bab) by director Yakout Elhababi (Morocco) and producers Karoline Henkel (Germany) and Hind Sah (Morocco / France) Co-Partner Nespresso kicked off the vertical video contest “Nespresso Talents 2017” during Berlinale Talents. The competition is open for entries until April 17, 2017, at nespresso.com/talents. Winners will be officially announced during the Cannes Film Festival and receive a cash prize and participation in a mentoring programme. “Once again, this year’s Berlinale Talents proves to be the festival’s innovation lab. Where else can young filmmakers and experienced experts from every culture, country and profession have such open, inspiring exchange and collaborate on bringing new films to life? I wish these Talents success as they turn their ideas into reality. And above all: Have courage!” said the Federal Commissioner for Culture and the Media, Prof. Monika Grütters, on the occasion of the 15th anniversary of Berlinale Talents. Throughout over 100 events and workshops, Talents discussed and worked with renowned experts and mentors, including Paul Verhoeven and Maggie Gyllenhaal, Christo, Agnieszka Holland, Ana Lily Amirpour, Isabel Coixet, Andres Veiel, Gurinder Chadha, Laura Poitras, Timothy Spall and many more. Berlinale Talents opened on Sunday with this year’s Berlinale International Jury President Paul Verhoeven and Berlinale International Jury member Maggie Gyllenhaal setting the tone for this year’s edition. “Be courageous and step into the unknown,” was Paul Verhoeven’s encouragement for the Talents. Christo, in his 90-minute discussion with the audience, called for creative work to be based in real contexts: “The most important thing of all our work is that it is about real things: real wind, real wet, real dry, real fear.” The days to come were a journey towards discovering personal, creative and filmic moments of courage. Talents alumna Ana Lily Amirpour, who returned this year as an expert, summed up what makes Berlinale Talents so special: “I loved it here when I came in 2010, and I still feel the same. It’s invigorating to be around so many people from everywhere in the world who are just madly in love with their ideas.”
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Berlinale 2017: Three Films Awarded Prizes at the Berlinale Co-Production Market

Three monetary prizes were awarded to selected narrative film projects at the 2017 Berlinale Co-Production Market which runs February 12 to 15. The Eurimages Co-Production Development Award, with an endowment of 20,000 euros, was awarded to The Wife of the Pilot (director: Anne Zohra Berrached), which Razor Film Produktion from Germany presented here. The prize money is intended as a development grant from the European film fund Eurimages. The three members of this year’s jury were renowned industry professionals Pablo Pérez de Lema (Spain), Leontine Petit (The Netherlands) and Manfred Schmidt (Germany). Two additional prestige prizes were also awarded. The VFF – Verwertungsgesellschaft der Film und Fernsehproduzenten from Munich awarded its VFF Talent Highlight Award, with an endowment of 10,000 euros, to the project The Bus to Amerika, presented at the market by producer Nefes Polat from Turkey and director Derya Durmaz. Since 2004, the VFF has each year honored a promising project by up-and-coming filmmakers from the “Talent Project Market”, organized by the Berlinale Co-Production Market in cooperation with Berlinale Talents. Nominated for the VFF Talent Highlight Award this year in addition to Nefes Polat were Cuban producer Maria Carla del Rio, with her project Shock Labor, and producer Jeremy Chua from Singapore, with Tomorrow is a Long Time. Each project received a recognition of 1,000 euros as well as the opportunity to pitch their projects to participants of the Berlinale Co-Production Market. This year, the renowned ARTE International Prize, which has been presented since 2011, was awarded to the project Lost Country by Serbian director Vladimir Perišić, which is represented by KinoElektron (France), MPM Film (France) and Trilema Films (Serbia). ARTE bestows the 6,000 euro prize on an artistically outstanding project drawn from the entire Berlinale Co-Production Market. The 14th Berlinale Co-Production Market, which runs until February 15, is a place where the producers of the 36 selected narrative film projects can also meet with potential co-producers and funding partners. Over the four days, some 600 participants take a total of more than 1,200 individual meetings. More than 240 films that came to the market looking for partners have since become completed films, and seven of those are screening this year alone in the film festival programme.
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Berlinale 2017: Protest for Arrested Director Oleg Sentsov

Agnieszka Holland, Volker Schlöndorff, the European Film Academy, and Amnesty International staged a protest against the incarceration of the Ukrainian director Oleg Sentsov at a Berlin International Film Festival screening of THE TRIAL – THE STATE OF RUSSIA VS. OLEG SENTSOV by Askold Kurov, Presented by the Berlinale and the European film Academy as part of the Berlinale Special section, the Berlinale premiere had filmmakers team up with with the 650 spectators holding up signs demanding the release of the director.
Moderated by EFA Deputy Chairman Mike Downey, the discussion saw director Askold Kurov point out: “The story of making this film is a story of solidarity,” adding his hope that the film makes Oleg less of an abstract person. While the filmmaker’s cousin had no optimistic news to report, his lawyer Dmitrii Dinze stated that if an international campaign continues, “it will push the legal regime in Russia.” To much applause, EFA Chairwoman Agnieszka Holland said: “Oleg needs us but we also need Oleg. His courage is very relevant in times like these, maybe more so than two years ago!”
In May 2014, the Ukrainian filmmaker Oleg Sentsov, who was involved in supporting the Euro Maidan protests in Kiev and who has opposed the annexation of Crimea by Russia, was arrested by the Federal Security Service of the Russian Federation (FSB) in his house in Simferopol (Crimea). Eventually, at the end of what Amnesty International describes as “an unfair trial in a military court”, Oleg Sentsov was sentenced to 20 years in jail for having committed “crimes of a terrorist nature”. In his documentary Askold Kurov investigates the truth behind this political show trial. He was joined in a conversation after the screening by EFA Chairwoman Agnieszka Holland, Oleg Sentsov’s cousin Natalya Kaplan and his lawyer Dmitrii Dinze.
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Berlinale 2017: Sony Pictures Classics Acquires Spanish Trans Drama A FANTASTIC WOMAN

[caption id="attachment_20524" align="aligncenter" width="1200"] A Fantastic Woman (Una Mujer Fantástica)[/caption] Chilean filmmaker Sebastian Lelio’s trans drama A Fantastic Woman (“Una Mujer Fantástica”) has been acquired by Sony Pictures Classics for release in North America, Australia and New Zealand. The film starring Daniela Vega and Francisco Reyes, will have its world premiere at the 2017 Berlin International Film Festival. Daniela Vega plays Marina, a waitress and singer, and Francisco Reyes plays Orlando, an older man, who is in love with Marina, and planning for the future. After Orlando suddenly falls ill and dies, Marina is forced to confront his family and society. Marina and Orlando are in love and plan to spend their lives together. She is working as a waitress and adores singing. Her lover, twenty years her senior, has left his family for her. One night, when they return home after having exuberantly celebrated Marina’s birthday at a restaurant, Orlando suddenly turns deathly pale and stops responding. At the hospital, all the doctors can do is confirm his death. Events follow thick and fast: Marina finds herself facing a female police inspector’s unpleasant questions, and Orlando’s family shows her nothing but anger and mistrust. Orlando’s wife excludes Marina from the funeral; she also orders her to leave the apartment – which on paper at least belonged to Orlando – as soon as possible. Marina is a transgender woman. The deceased’s family feels threatened by her sexual identity. With the same energy she once used to fight for her right to live as a woman Marina, with head held high, now insists on her right to grieve. Even if her environment conspires against her, the film at least is entirely on her side, showing us a protagonist who, although increasingly side-lined, is nonetheless strong and worldly-wise – a truly fantastic woman. “I’m thrilled Sony Pictures Classics will be releasing ‘A Fantastic Woman,’ and am excited by their passion for Marina’s story,” Lelio said in a statement. “The story is one of great human strength, which I hope will invite and challenge audiences to explore the limits of their own empathy. For me, Marina is an inspiration.”
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Berlinale 2017: Festival to Honor John Hurt with a Screening of “An Englishman in New York”

[caption id="attachment_20481" align="aligncenter" width="1200"] John Hurt in An Englishman in New York by Richard Laxton[/caption] The Berlin International Film Festival will present a special screening of An Englishman in New York by Richard Laxton to commemorate the recently deceased actor John Hurt. In 2009 Hurt received the Teddy Award for his outstanding performance in this film. Since the 1990s he had attended the Berlinale with regularity and starred in twelve films presented at the festival. The British actor is know for his roles in Midnight Express (dir: Alan Parker, 1978) and The Elephant Man (dir: David Lynch, 1980), for which he garnered Oscar nominations. Younger audiences are acquainted with Hurt from his portrayal of Mr. Ollivander in the Harry Potter films, and more recently in Jackie directed by Pablo Larraín. Berlinale entries with John Hurt that screened in the Competition include The Commissioner (dir: George Sluizer, 1998), V for Vendetta (dir: James McTeigue, out of competition in 2006), and Jayne Mansfield’s Car (dir: Billy Bob Thornton, 2012). John Nossiter’s Resident Alien (1991) and Owning Mahowny by Richard Kwietniowski (2003) were shown in the Panorama.
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