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  • 13 Film Projects to Receive Funding from Berlinale’s World Cinema Fund

    [caption id="attachment_21119" align="aligncenter" width="1200"]Félicité Félicité[/caption] 13 film projects including Berlin Film Festival award winning Felicité by Alain Gomis, have been recommended for funding at the 26th jury session of the Berlinale’s World Cinema Fund (WCF). Five film projects from Bangladesh, Palestine, Brazil, Afghanistan and Uruguay were nominated for production funding. In the additional WCF Europe funding program, four projects from Tunisia, Brazil, Argentina and Egypt were nominated for production funding. In the special program WCF Africa, two projects from South Africa and Sudan / South Africa were nominated for funding. Two films were nominated for distribution funding in Germany, including Felicité by Alain Gomis, which was awarded the Silver Bear Grand Jury Prix at the Berlinale 2017. The latest funding recommendations also include projects by Berlinale Talents alumni, as well as projects that were once in search of co-producers and so participated in the Berlinale Co-Production Market.

    Production Funding WCF

    The Reports on Sarah and Saleem, director: Muayad Alayan (Palestine), Production: PalCine Productions (Palestine) and Manderley Films GmbH (Germany). Feature film. Funding: 50.000 euros. Director Muayad Alayan is an alumnus of Berlinale Talents (2016). Iron Stream, director: Kamar Ahmad Simon (Bangladesh), Production: Beginning Film (Bangladesh) and Weydemann Bros. (Germany). Feature Film. Funding: 40.000 euros. Director Kamar Ahmad Simon is an alumnus of Berlinale Talents (2012). The Fever, director: Maya da Rin (Brazil). Production: Enquadramento Produçoes (Brazil), Still Moving (France) and Komplizen Film (Germany). Feature film. Funding: 40.000 euros. Thus Spoke the Money Changer, director: Federico Veiroj (Uruguay). Production: Oriental Features (Uruguay) Pandora Filmproduktion GmbH (Germany). Feature film. Funding: 48.500 euros. The Orphanage, director: Shahrbanoo Sadat (Afghanistan). Production: Wolf Pictures (Afghanistan) and Adomeit Films (Germany / Denmark). Feature Film. Funding: 60.000 euros.

    WCF Europe

    Weldi, director: Mohamed Ben Attia (Tunisia), Production: Nomadis Images (Tunisia) and Les Films du Fleuve (Belgium). Feature film. Funding: 40.000 euros. Director Mohamed Ben Attia received the GWFF Best First Feature Award for his feature debut Inhebbek Hedi which was shown in competition at the Berlinale 2016. Overgod, director: Gabriel Mascaro (Brazil). Production: Desvia (Brazil) and Snowglobe (Denmark). Feature film. Funding: 60.000 euros. The project was chosen for Berlinale Co-Production Market (2015). Muere, Monstruo, Muere!, director: Alejandro Fadel (Argentina). Production: La Unión de los Ríos (Argentina) and Rouge International (France). Feature film. Funding: 40.000 euros. The project was chosen for Berlinale Co-Production Market (2017). Amal, director: Mohamed Siam (Egypt), Production: Artkhana (Egypt) and Andolfi Films (France). Documentary. Funding: 30.000 €. Director Mohamed Siam is an alumnus of Berlinale Talents (2012).

    WCF Africa

    A Kasha, director: Hajooj Kuka (Sudan) Production: Big World Cinema (South Africa). Feature film. Funding: 40.000 €. Director Hajooj Kuka is an alumnus of Berlinale Talents (2016). Sew the Winter to my Skin, director: Jahmil X.T (South Africa). Production: Spier Moving (South Africa). Feature film. Funding: 60.000 €.

    WCF Distribution Funding in Germany

    Felicité Director: Alain Gomis (Senegal / France). Distribution: Grandfilm (Germany). Feature film. Funding: 10.000 €. Silver Bear Grand Jury Prix at Berlinale 2017 German release: August 31, 2017 Frenzy (original title: Abluka) Director: Emin Alper (Turkey). Distribution: Grandfilm (Germany). Feature film. Funding: 5.500 €. German release: October 18, 2017

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  • “Cemetery of Splendor” Wins Top Prize – Best Feature Film at Asia Pacific Screen Awards

    Cemetery of Splendour

    Cemetery of Splendour from Thai filmmaker Apichatpong Weerasethakul won the 2015 Asia Pacific Screen Award (APSA) for Best Feature Film, considered the region’s highest accolade in film. Cemetery of Splendour is set in and around a hospital ward full of comatose soldiers. Attached to glowing dream machines, and tended to by a kindly volunteer (Jenjira Pongpas Widner) and a young clairvoyant (Jarinpattra Rueangram), the men are said to be waging war in their sleep on behalf of long-dead feuding kings, and their mysterious slumber provides the rich central metaphor: sleep as safe haven, as escape mechanism, as ignorance, as bliss.

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  • SOUTHBOUND, FRANKENSTEIN, THE DEVIL’S CANDY Among Lineup for Scary Movies 9, Film Society of Lincoln Center Annual Horror Fest

    Southbound Roxanne Benjamin, David Bruckner, Patrick Horvath

    The Film Society of Lincoln Center announced the lineup for Scary Movies 9, the annual horror fest featuring highly anticipated new thrillers, genre rarities, and special guests, as well as a two-day event to celebrate the release of Kent Jones’s new documentary Hitchcock/Truffaut.

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