French filmmaker Bertrand Bonello will chair the Cinéfondation and Short Films Jury of the 71st edition of the Festival de Cannes taking place May 8 to 19, 2018. Bonello will succeed Romanian director Cristian Mungiu.
From his very first film (Something Organic, 1998) to Nocturama (2016), Bertrand Bonello has occupied a unique place in the cinematographic landscape. His filmography includes seven feature films and eight short films, all of them highly distinctive. Since 2003, his films have been screened in Competition at the Festival de Cannes: Tiresia (2003), House of Tolerance (2011) and Saint Laurent (2014).
Whether in his portrait of a Brazilian transsexual, the refined but frosty everyday life of a brothel at the close of the nineteenth century, or a virtuoso biopic about creation and the pain it causes, sexual identity and the relationship to the body haunt his work. In his exploration of the troubled margins of our thoughts and desires, Bertrand Bonello ceaselessly questions the boundaries of reality.
Trained as a classical musician, this self-taught artisan works in music and cinema, sound and images, writes the script and composes the music for all his films. His critically acclaimed works reveal an acute mastery of audacity and aesthetics. Preferring perception over traditional narrative, long shots that emphasise the sensoriality of imagery, his worlds conjure up visual and sound experiences that break free of all limits. An admirer of Bresson, Pasolini and Jarmusch, fan of the Godfather and eXistenZ, Bonello seems to gravitate instinctively towards recurrent obsessions.
Bertrand Bonello: “What do we expect from young people, unknown filmmakers and early films? Let them shake us up, let them make us look at what we’re unable to see, let them enjoy the freedom, the sharpness, the recklessness and the daring that we sometimes no longer possess. The Cinéfondation has been working for 20 years to make these voices heard and I’m extremely proud this year to be able to accompany them.”
For his part, Gilles Jacob says of Bonello: “This year will be presided by one of the greatest contemporary directors, an iconoclastic and unique artist. And besides his art, his genuine humanity continues to shine to this day.”Cannes Film Festival
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French Filmmaker Bertrand Bonello to Chair Cinéfondation and Short Films Jury for Cannes Film Festival
French filmmaker Bertrand Bonello will chair the Cinéfondation and Short Films Jury of the 71st edition of the Festival de Cannes taking place May 8 to 19, 2018. Bonello will succeed Romanian director Cristian Mungiu.
From his very first film (Something Organic, 1998) to Nocturama (2016), Bertrand Bonello has occupied a unique place in the cinematographic landscape. His filmography includes seven feature films and eight short films, all of them highly distinctive. Since 2003, his films have been screened in Competition at the Festival de Cannes: Tiresia (2003), House of Tolerance (2011) and Saint Laurent (2014).
Whether in his portrait of a Brazilian transsexual, the refined but frosty everyday life of a brothel at the close of the nineteenth century, or a virtuoso biopic about creation and the pain it causes, sexual identity and the relationship to the body haunt his work. In his exploration of the troubled margins of our thoughts and desires, Bertrand Bonello ceaselessly questions the boundaries of reality.
Trained as a classical musician, this self-taught artisan works in music and cinema, sound and images, writes the script and composes the music for all his films. His critically acclaimed works reveal an acute mastery of audacity and aesthetics. Preferring perception over traditional narrative, long shots that emphasise the sensoriality of imagery, his worlds conjure up visual and sound experiences that break free of all limits. An admirer of Bresson, Pasolini and Jarmusch, fan of the Godfather and eXistenZ, Bonello seems to gravitate instinctively towards recurrent obsessions.
Bertrand Bonello: “What do we expect from young people, unknown filmmakers and early films? Let them shake us up, let them make us look at what we’re unable to see, let them enjoy the freedom, the sharpness, the recklessness and the daring that we sometimes no longer possess. The Cinéfondation has been working for 20 years to make these voices heard and I’m extremely proud this year to be able to accompany them.”
For his part, Gilles Jacob says of Bonello: “This year will be presided by one of the greatest contemporary directors, an iconoclastic and unique artist. And besides his art, his genuine humanity continues to shine to this day.”
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Actress Cate Blanchett Named President of the Jury of 2018 Cannes Film Festival
Actress Cate Blanchett will be the President of the Jury of the 71st edition of the Cannes Film Festival taking place May 8th to 19th, 2018.
“I have been to Cannes in many guises over the years; as an actress, producer, in the marketplace, the Gala-sphere and in Competition,” she declared, “but never solely for the sheer pleasure of watching the cornucopia of films this great festival harbours.”v
Cate Blanchett follows Pedro Almodóvar, Jury President of the 70th edition, whose jury awarded the Palme d’or to The Square by Swedish director Ruben Östlund.
“I am humbled by the privilege and responsibility of presiding over this year’s jury,” she continued. “This festival plays a pivotal role in bringing the world together to celebrate story; that strange and vital endeavour that all peoples share, understand and crave.”
Pierre Lescure, Festival de Cannes President and Thierry Frémaux, General Delegate, said: “We are delighted to welcome such a rare and unique artist whose talent and convictions enrich both screen and stage. Our conversations from this autumn tell us she will be a committed President, a passionate woman and a big-hearted spectator.”
Cate Blanchett will next appear in Ocean’s 8; the highly-anticipated film adaptation of Maria Semple’s Where’d You Go Bernadette, directed by Richard Linklater; and in The House with a Clock in its Walls, directed by Eli Roth.
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Cannes Film Festival Shakes Up Calendar – Announces 2018 Dates
The 71st Cannes Film Festival will take place from Tuesday, May 8th to Saturday, May 19th, 2018. It will start one day earlier than in previous years, but will run for exactly the same length of time.
The opening will therefore take place on the evening of Tuesday, May 8th and the awards ceremony will be on Saturday, May 19th.
“Following 2017’s anniversary edition, the Festival is beginning a new period in its history,” says Festival President Pierre Lescure. “We intend to renew the principles of our organization as much as possible, while continuing to question the cinema of our age and to be present through its upheavals.”
In its announcement the festival notes that the new schedule will allow it to rebalance the two weeks of the event and to bring new energy to the proceedings. Starting on a Tuesday is expected to allow the festival to hold an additional gala evening before the Festival weekend and to organize previews of the opening film throughout France. Finally, bringing forward the announcement of awards by one day, to Saturday evening, will increase its prestige, while at the same time giving the closing film better exposure.
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THE SQUARE Wins Palme d’Or at 70th Cannes Film Festival, Sofia Coppola, Joaquin Phoenix, Diane Kruger Win Awards
[caption id="attachment_22468" align="aligncenter" width="1200"]
The Square by Ruben Östlund[/caption]
The Square by Ruben Östlund is the winner of the Palme d’Or at the 70th edition of the Cannes Film Festival. Other award winners include Best Director for Sofia Coppola for The Beguiled; Best Actor for Joaquin Phoenix in You Were Never Really Here by Lynne Ramsay; and Best Actress for Diane Kruger in In The Fade by Fatih Akin.
2017 Cannes Film Festival Awards
Feature Films – Competition
Palme d’Or The Square directed by Ruben Östlund Christian is the respected curator of a contemporary art museum, a divorced but devoted father of two who drives an electric car and supports good causes. His next show is “The Square”, an installation which invites passersby to altruism, reminding them of their role as responsible fellow human beings. But sometimes, it is difficult to live up to your own ideals: Christian’s foolish response to the theft of his phone drags him into shameful situations. Meanwhile, the museum’s PR agency has created an unexpected campaign for ”The Square”. The response is overblown and sends Christian, as well as the museum, into an existential crisis. 70th Anniversary Award Nicole Kidman The 70th Anniversary Award was awarded by Will Smith. “I feel blessed to be able to work in this profession. The 70th celebration was incredible; it was the celebration of cinema and stories.” – Nicole Kidman, Video from Nashville, Tennessee – Grand Prix 120 BPM – Beats Per Minute (Battements Par Minute) directed by Robin Campillo Early 1990s. With AIDS having already claimed countless lives for nearly ten years, Act up-Paris activists multiply actions to fight general indifference. Nathan, a newcomer to the group, has his world shaken up by Sean, a radical militant, who throws his last bits of strength into the struggle. “This film can be thought of as a tribute to those who died and especially those who are living, who fought, were subjected to harsh treatment and who put their life on hold during this time. People are never as fine or as strong as when they come together. – Robin Campillo – Best Director Prize Sofia Coppola for The Beguiled The Beguiled is a thriller from acclaimed writer/director Sofia Coppola. The story unfolds during the Civil War, at a Southern girls’ boarding school. Its sheltered young women take in an injured enemy soldier. As they provide refuge and tend to his wounds, the house is taken over with sexual tension and dangerous rivalries, and taboos are broken in an unexpected turn of events. “I like to thank my father, who taught me to write and how to be a film director, and my mother, for teaching me how to be an artist. Thanks as well to Jane Campion, for being a role model and inspiring women to be directors.” -Sofia Coppola – Best Performance By An Actor Joaquin Phoenix in You Were Never Really Here directed by Lynne Ramsay A missing teenage girl. A brutal and tormented enforcer on a rescue mission. Corrupt power and vengeance unleash a storm of violence that may lead to his awakening. Best Performance By An Actress Diane Kruger in In The Fade (Aus Dem Nichts) directed by Fatih Akin Katja’s life collapses after the death of husband and son in a bomb attack. After the time of mourning and injustice, here comes the time of revenge. “Fatih, my brother, thank you for having believed in me; you gave me a strength that I never believed I could possess. I can’t receive this award without thinking of those who have been victims of terrorism. Please know that you are not forgotten.” – Diane Kruger – Jury Prize Loveless (Nelyubov) directed by Andrey Zvyagintsev Boris and Zhenya are going through a divorce. Arguing constantly, and in the process of selling their apartment, they are already preparing for their new lives: Boris with his younger, pregnant girlfriend and Zhenya with the wealthy lover who is keen to get married. Neither seems interested in their 12-year-old son Alyosha. Until he disappears. “I’d like to thank all the members of the Jury, and one in particular: Will Smith. He really exists!” – Andrey Zvyagintsev – Best Screenplay (tie) Yorgos Lanthimos and Efthimis Filippou for The Killing Of A Sacred Deer Lynne Ramsay for You Were Never Really HereShort Films – Competition
Palme d’Or A Gentle Night (Xiao Cheng Er Yue) directed by Qiu Yang Special Distinction By The Jury The Ceiling (Katto) directed by Teppo Airaksinen The Palme d’or and the Jury Special Mention for Shorts Films were awarded by Uma Thurman and Cristian Mungiu.Un Certain Regard
Un Certain Regard Prize A Man of Integrity (Lerd) directed by Mohammad Rasoulof Reza (35), having distanced himself from the ur- ban quagmire, leads a simple life along with his wife and sole son, somewhere in a remote village in Northern Iran. He spends his days working in his gold fish farm. Nearby, a private company with close links to the government and local authori- ties, has taken control of nearly every aspect of the regional life. Its shareholders, accumulating wealth, power and economic rents, have been pushing local farmers and small owners to dilap- idate their belongings, farms and estates, to the benefit of the Company’s influential net- work and its monopoly. It is under their pressure that many villagers have them- selves become local rings of the larger network of corruption. Prize For Best Actress Jasmine Trinca for Fortunata directed by Sergio Castellitto Fortunata has a difficult life, a daughter of eight and a failed marriage behind her. She works as a hairdresser in people’s houses, leaving from the outskirts to cross the city, going to the homes of the well-off to do women’s hair. Fortunata fights every day with determination to achieve her dream: opening her own salon and challenging fate, in an attempt at emancipating herself and gaining her independence and the right to some happiness. She knows that to achieve her dreams she has to be firm: she has thought of everything, she is ready for anything, but she had not considered the variable of love, the one subversive force capable of sweeping aside every certainty. Also because, perhaps for the first time, someone looks at her as the woman she is and truly loves her. Prize For The Best Prize For The Best Poetic Narrative Barbara directed by Mathieu Amalric An actress, Brigitte, is playing Barbara in a film that soon begins shooting. Brigitte works on her character, her voice, the songs and scores, the imitation of her gestures, her knitting, the lines to learn. Things move along. The character grows inside her. Invades her, even… Yves, the director, is also working – via encounters, archival footage, the music. He seems inhabited and inspired by her… But by whom? The actress or Barbara? Prize For Best Direction Taylor Sheridan for Wind River WIND RIVER is a chilling thriller that follows a rookie FBI agent who teams up with a local game tracker with deep community ties and a haunted past to investigate the murder of a local girl on a remote Native American Reservation in the hopes of solving the mysterious death. Written and directed by Taylor Sheridan, WIND RIVER also stars Gil Birmingham, Jon Bernthal, Julia Jones, Kelsey Asbille, and James Jordan. Jury Prize April’s Daughter (Las Hijas de Abril) directed by Michel Franco Valeria is 17 and pregnant. She lives in Puerto Vallarta with Clara, her half-sister. Valeria has not wanted her long-absent mother, April, to find out about her pregnancy, but due to the economic strain and the overwhelming responsibility of having a baby in the house, Clara decides to call their mother. April arrives, willing to help her daughters, but soon it will be clear why Valeria had kept her away.CAMÉRA D’OR
Jeune Femme (Montparnasse Bienvenüe) directed by Léonor Serraille presented as part of UN Certain RegardCinefondation
First Prize Paul Is Here (Paul Est Lå ) directed by Valentina Maurel INSAS, Belgium Second Prize AniMal (Heyvan) directed by Bahram & Bahman Ark Iranian National School of Cinema, Iran Third Prize Two Youths Died (Deux Égares Sont Morts) directed by Tommaso Usberti La Fémis, France The CST Jury decided to award the Vulcain Prize for Artist-Technician to: Josefin Asberg for her remarkable artistic contribution to match the inventiveness of the film The Square.
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Iranian Film LERD (A MAN OF INTEGRITY) Wins Un Certain Regard Prize at 2017 Cannes Film Festival.
[caption id="attachment_22455" align="aligncenter" width="1000"]
(Lerd) A Man Of Integrity[/caption]
A Man Of Integrity (LERD) by Mohammad Rasoul of Iran, is the winner of the Un Certain Regard prize at the 2017 Cannes Film Festival.
Un Certain Regard 2017 presented in competition 18 films hailing from 22 different countries. 6 of the works were first films. The Opening film was Barbara by Mathieu Amalric.
Under the presidency of Uma Thurman (actress – United States), the Jury was comprised of Mohamed Diab (director – Egypt), Reda Kateb (actor – France), Joachim Lafosse (director – Belgium) and Karel Och (artistic director of the Karlovy Vary Film Festival – Czech Republic).
The Jury commented “We feel enormous gratitude to have had the honor of serving on the Jury for this historic 70th anniversary of the Festival de Cannes. We are proud to present an esthetically diverse and beautiful awards list for Un Certain Regard.“
“UN CERTAIN REGARD” PRIZE
LERD (A MAN OF INTEGRITY)
by Mohammad Rasoulof
Reza (35), having distanced himself from the ur- ban quagmire, leads a simple life along with his wife and sole son, somewhere in a remote village in Northern Iran. He spends his days working in his gold fish farm. Nearby, a private company with close links to the government and local authori- ties, has taken control of nearly every aspect of the regional life. Its shareholders, accumulating wealth, power and economic rents, have been pushing local farmers and small owners to dilap- idate their belongings, farms and estates, to the benefit of the Company’s influential net- work and its monopoly. It is under their pressure that many villagers have them- selves become local rings of the larger network of corruption.
PRIZE FOR BEST ACTRESS
JASMINE TRINCA for FORTUNATA by Sergio Castellitto
Fortunata has a difficult life, a daughter of eight and a failed marriage behind her. She works as a hairdresser in people’s houses, leaving from the outskirts to cross the city, going to the homes of the well-off to do women’s hair. Fortunata fights every day with determination to achieve her dream: opening her own salon and challenging fate, in an attempt at emancipating herself and gaining her independence and the right to some happiness. She knows that to achieve her dreams she has to be firm: she has thought of everything, she is ready for anything, but she had not considered the variable of love, the one subversive force capable of sweeping aside every certainty. Also because, perhaps for the first time, someone looks at her as the woman she is and truly loves her.
PRIZE FOR THE BEST POETIC NARRATIVE
BARBARA de Mathieu Amalric
An actress, Brigitte, is playing Barbara in a film that soon begins shooting.
Brigitte works on her character, her voice, the songs and scores, the imitation of her gestures, her knitting, the lines to learn. Things
move along. The character grows inside her. Invades her, even…
Yves, the director, is also working – via encounters, archival footage, the music. He seems inhabited and inspired by her…
But by whom? The actress or Barbara?
PRIZE FOR BEST DIRECTION
Taylor Sheridan for WIND RIVER
WIND RIVER is a chilling thriller that follows a rookie FBI agent who teams up with a local game tracker with deep community ties and a haunted past to investigate the murder of a local girl on a remote Native American Reservation in the hopes of solving the mysterious death. Written and directed by Taylor Sheridan, WIND RIVER also stars Gil Birmingham, Jon Bernthal, Julia Jones, Kelsey Asbille, and James Jordan.
JURY PRIZE
LAS HIJAS DE ABRIL (APRIL’S DAUGHTER) by Michel Franco
Valeria is 17 and pregnant. She lives in Puerto Vallarta with Clara, her half-sister.
Valeria has not wanted her long-absent mother, April, to find out about her pregnancy, but due to the economic strain and the overwhelming responsibility of having a baby in the house, Clara decides to call their mother.
April arrives, willing to help her daughters, but soon it will be clear why Valeria had kept her away.
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Cannes Film Festival Announces Winners of 2017 Cinéfondation Prizes
Paul Is Here directed by Valentina Maurel of INSAS, Belgium is the First Prize winner of the 2017 Cinéfondation at the Cannes Film Festival.
The Cinéfondation and Short Films Jury headed by Cristian Mungiu and including Clotilde Hesme, Athina Rachel Tsangari, Barry Jenkins and Eric Khoo, awarded the 2017 Cinéfondation Prizes during a ceremony held in the Buñuel Theatre, followed by the screening of the winning films.
The Cinéfondation Selection consisted of 16 student films, chosen out of 2,600 entries coming from 626 film schools around the world.
First Prize
Paul Is Here (PAUL EST LÀ)
directed by Valentina Maurel
INSAS, Belgium
Second Prize
Animal (HEYVAN)
directed by Bahram & Bahman Ark
Iranian National School of Cinema, Iran
Third Prize
Two Youths Died (DEUX ÉGARÉS SONT MORTS)
directed by Tommaso Usberti
La Fémis, France
The Cinéfondation allocates a €15,000 grant for the First Prize, €11,250 for the Second and €7,500 for the Third. The winner of the First Prize is also guaranteed the presentation of his/her first feature film at the Festival de Cannes.
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RIP: Kim Ji-seok, Deputy Director of Busan International Film Festival, Dies of Heart Attack at Cannes
Kim Ji-seok, the Deputy Director and the Executive Programmer of Busan International Film Festival, died at age 57 on Thursday evening, May 18th (French local time), following a heart attack while attending the 2017 Cannes Film Festival, France, the Busan International Film Festival confirmed in a statement.
Born in 1960, Kim was a founding member of Busan International Film Festival from 1996 and was currently the Deputy Director and the Executive Programmer of the Festival.
In its statement, the Busan International Film Festival said, “In undying efforts, contribution and devotion in discovery of Asian films, Kim led Busan International Film Festival to be the center of Asian cinema and one of world-class film festivals.”
Kim Ji-seok
1960 Born in Busan, Korea
1983 Graduated from Busan National University
1990 M.A. in Film and Theater at Joong Ang University
1996-2017 Working in Busan International Film Festival
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GOOD TIME Starring Robert Pattinson to World Premiere at Cannes Film Festival, in Theaters on August 11 | Trailer
A24 will release Good Time starring Robert Pattinson, Benny Safdie, Jennifer Jason Leigh, Buddy Duress and Barkhad Abdi, on August 11, 2017. The film, from Josh & Benny Safdie, will make its World Premiere as a Competition title at this year’s 70th Annual Cannes Film Festival.
Following the mind-bending Heaven Knows What, celebrated filmmakers Josh and Ben Safdie return to the mean streets of New York City with Good Time, a hypnotic crime thriller that explores with bracing immediacy the tragic sway of family and fate.
After a botched bank robbery lands his younger brother in prison, Constantine Nikas (Robert Pattinson) embarks on a twisted odyssey through the city’s underworld in an increasingly desperate—and dangerous—attempt to get his brother out of jail. Over the course of one adrenalized night, Constantine finds himself on a mad descent into violence and mayhem as he races against the clock to save his brother and himself, knowing their lives hang in the balance.
Anchored by a career-defining performance from Robert Pattinson, Good Time is a psychotic symphony of propulsive intensity crafted by two of the most exciting young directors working today. Josh and Ben Safdie’s transcendent vision is an intoxicating portrait of desperation and destruction that will not be soon forgotten.
https://www.youtube.com/watch?v=AVyGCxHZ_Ko
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Documentary BECOMING CARY GRANT to World Premiere at Cannes Film Festival | Trailer
The new documentary Becoming Cary Grant, a definitive biography of the extraordinary Hollywood icon, will world premiere at the 2017 Cannes Film Festival. Following the festival, the film will have its world television debut on Showtime on Friday, June 9 at 9 p.m. ET/PT. Directed by Mark Kidel (Elvis Costello: Mystery Dance, A Journey With Peter Sellars), the captivating biopic reveals Cary Grant’s inner search to find himself at the height of his fame.
Using words and insights from his unpublished autobiography and newly discovered personal footage, Becoming Cary Grant unveils the intimate story of Archie Leach, the man behind the mask of the beloved and charming Hollywood legend known as Cary Grant. From his difficult childhood without his mother, through his 30 years of stardom, to the joys of his later years as a father, the film uncovers a side of Grant never seen by the public.Becoming Cary Grant plumbs the depths of Grant’s insecurities and reveals his unique journey of self-exploration through recounts of his probing LSD therapy sessions. The 85-minute documentary features a treasure trove of extracts from Grant’s films and exclusive interviews with his close friends about his troubled past.
The words of Cary Grant are spoken by actor Jonathan Pryce (Game of Thrones, Wolf Hall).
https://www.youtube.com/watch?v=WHkMZfmxDB8
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Cannes Classics 2017 Lineup to Focus on History of Cannes Film Festival
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Le Salaire de la peur (The Wages of Fear) by Henri-Georges Clouzot[/caption]
Almost fifteen years after the Cannes Film Festival created Cannes Classics program, the lineup for this year’s Cannes Classics 2017 will be dedicated for its most part to the history of the Festival. Cannes Classics showcases vintage films and masterpieces of the history of cinema in restored prints.
The program of the 2017 edition of Cannes Classics consists of twenty-four screenings, one short film and five documentaries. The films are screened as wanted by the right-holders, in DCP 2K or DCP 4K, and L’Atalante by Jean Vigo that Gaumont wished to screen in 35mm.
The films selected for this 2017 edition will focus mostly on the history of Cannes. They come from nations that have allowed the Cannes Film Festival to become a land of cinematographic discoveries: Hungary, Lebanon, Serbia, United Kingdom, Italy, United States, Israel, Mauritania, Niger, Poland, Switzerland, Japan, Spain, the Netherlands, Canada, Belgium and Australia.
A brief history of the Cannes Film Festival
From 1946 to 1992, from René Clément to Victor Erice, sixteen history-making films of the Festival de Cannes 1946: La Bataille du Rail (Battle of the Rails) by René Clément (1h25, France): Grand Prix International de la mise en scène and Prix du Jury International. Presented by Ina. Film digitized and restored by Ina with the support of the CNC. 2K restoration made from an acetate interpositive and an answer print. Technical means: Jean-Pierre Peltier. Coordination: Bénilde Da Ponte, Brice Amouroux. 1953: Le Salaire de la peur (The Wages of Fear) by Henri-Georges Clouzot (1952, 2h33, France, Italy): Grand Prix. Presented by TF1 Studio in collaboration with la Cinémathèque française and the support of the CNC, of the Archives audiovisuelles de Monaco, of Kodak and the CGR cinémas. 4K Restoration from nitrate image negative and a sound duplicate made by Hiventy. Please note that this presentation is the preview of a major Clouzot event scheduled in France in the fall of 2017. 1956: Körhinta (Merry-Go-Round/Un Petit carrousel de fête) by Zoltán Fábri (1955, 1h30, Hungary): in Competition. Presented by the Hungarian National Film Fund – Hungarian National Film Archive. A 4K Scan and Digital Restoration from the original 35mm image & sound negatives plus additional materials: the original dupe positive and another film positive. Restoration made by the Hungarian National Film Fund – Hungarian Filmlab. 1957: Ila Ayn? (Vers l’inconnu ?) by Georges Nasser (1h30, Lebanon): in Competition. Presented by Abbout Productions and Fondation Liban Cinema. With the generous support of Bankmed – Lebanon. The original 35mm Fine Grain Master Positive was scanned in 4k, retouched and color-corrected in a resolution of 2K. All works were carried out by Neyrac Films – France. Sound restoration by db Studios – Lebanon. In collaboration with The Talkies. World Sales: Nadi Lekol Nas. 1967: Skupljači Perja (I Even Met Happy Gypsies/J’ai même rencontré des Tziganes heureux) by Aleksandar Petrović (1h22, Serbia): in Competition, Grand Prix Spécial du Jury ex-æquo, Prix de la Critique Internationale – FIPRESCI ex-aequo Presented by Jugoslovenska Kinoteka/The Yugoslav Film Archive and Malavida. New 35mm print from the original negative in perfect shape then scanned in 2K and cleaned up. 1967: Blow-up by Michelangelo Antonioni (1966, 1h51, United Kingdom, Italy, United States of America): Grand Prix International du Festival. Presented by Criterion, Cineteca di Bologna and Istituto Luce – Cinecittà, in collaboration with Warner Bros and Park Circus. Restoration work carried out at Criterion, New York and L’Immagine Ritrovata, Bologna under the supervision of Director of Photography Luca Bigazzi. 1969: Matzor (Siege/Siège) by Gilberto Tofano (1h29, Israel): in Competition. A presentation of the Jerusalem Cinematheque – Israel Film Archive, in partnership with United King Films and the support of the Rabinovich Foundation. The original 35mm black and white negatives were scanned in 4K by Cinelab Romania. It was digitally restored and finalized in 2K by Opus Digital Lab in Tel Aviv. Restoration and color grading lead by Ido Karilla, supervised by DOP David Gurfinkel. 1970: Soleil O (Oh, Sun) by Med Hondo (1h38, Mauritania-France): Semaine de la critique. Presented by The Film Foundation. Restored by Cineteca di Bologna at L’Immagine Ritrovata laboratory in collaboration with Med Hondo. Restoration funded by the George Lucas Family Foundation and The Film Foundation’s World Cinema Project. 1976: Babatu, les trois conseils by Jean Rouch (1h33, Nigeria-France): in Competition. Pressented by the CNC, Inoussa Ousseini, the Comité du film ethnographique and the Fondation Jean Rouch. Digital restoration made from the 2K digitization of the 16mm negatives. Restoration carried out by L21. 1976: Ai no korîda (In the Realm of the Senses/L’Empire des sens) de Nagisa Oshima (1h43, France-Japan): Quinzaine des Réalisateurs. Presented by Argos Films and TAMASA. Digization and 4K resoration from the original negative by Eclair. Sound restoration from the original magnetic sound by L.E. Diapason. The film will be released in French theaters. 1980: All that Jazz (Que le spectacle commence) by Bob Fosse (1979, 2h03, United States of America): Palme d’or ex-æquo. Presented by Park Circus. 4K restoration by Twentieth Century Fox and the Academy Film Archive in collaboration with The Film Foundation. The restoration was produced from the original camera negative at Sony Colorworks in Culver City California. 1981: Człowiek z żelaza (Man of Iron/L’Homme de fer) by Andrzej Wajda (2h33, Poland): Palme d’or. A presentation of the ZEBRA Film Studio (Studio Filmowe ZEBRA) with the collaboration of the Polish Film Institute. 2K film restoration from original colour 35 mm negative. Restored sound from original magnetic tape. Restoration lead by Daniel Pietrzyk, colour grading lead by Aleksandra Kraus, at Yakumama Film, Warsaw. Sound restoration lead by Tomasz Dukszta. Artistic supervision by: Andrzej Wajda (director), Jerzy Łukaszewicz (DOP), Piotr Zawadzki (sound). 1982: Yol – The Full Version (The Way/La Permission) by Yilmaz Güney, directed by Serif Gören (1h53, Switzerland): Palme d’or ex-æquo, Prix de la Critique Internationale – FIPRESCI Presented by DFK FILMS LTD. Zürich. Restoration from the original 35mm negative, from the interpositive and the positive print. Restoration and new sound mix from the original digitized tapes. International Sales: The Match Factory. 1983: Narayama Bushikō (Ballad of Narayama/La Ballade de Narayama) by Shôhei Imamura (2h13, Japan): Palme d’or. Presented by Toei. 4K Scan, image restoration ARRISCAN and sound Golden Eye in 2K from the 35mm original negative, a duplicate and video tapes. 1992: El sol del membrillo (Le Songe de la lumière) by Victor Erice (2h20, Spain): Prix du Jury ex-æquo, Prix de la Critique Internationale – FIPRESCI Presented by the Filmoteca de Catalunya and Camm Cinco SL. 6K scan, restoration and color-grading from the 35mm negatives and other original video tapes. Digitazing and sound restoration from 35mm magnetic tapes. Technical support made by the Filmoteca de Catalunya, supervised by Victor Erice. Variations on the initial editing brought by the director. 1951-1999: A short history of short films presented by the Festival de Cannes. A program curated by Christian Jeune and Jacques Kermabon. Spiegel van Holland (Miroirs de Hollande) by Bert Haanstra (1951, 10mn, The Netherlands) / La Seine a rencontré Paris by Joris Ivens (1958, 32mn, France) / Pas de deux by Norman McLaren (1968, 13mn, Canada) / Harpya by Raoul Servais (1979, 9mn, Belgium) / Peel by Jane Campion (1986, 9mn, Australia) / L’Interview by Xavier Giannoli (1998, 15mn, France) / When the Day Breaks by Amanda Forbis and Wendy Tilby (1999, 10mn, Canada)Other events, other restored prints, other guests
Madame de… by Max Ophüls (1953, 1h45, France) A Gaumont restoration. A show to pay a tribute to Danielle Darrieux for her birthday and presented by Dominique Besnehard, Pierre Murat and Henri-Jean Servat who will screen the latest filmed interview of Danielle Darrieux. L’Atalante by Jean Vigo (1934, 1h28, France), restored 35mm print Presented by Gaumont, la Cinémathèque française and The Film Foundation of Martin Scorsese. First digital restoration in 4k and conversion to a 35mm print. A new discovery of the closest version of the director’s work thanks to Gaumont, Luce Vigo and historian Bernard Eisenschitz. Restoration carried out at L’Image Retrouvée laboratory in Bologna and Paris. Native Son (Sang noir) by Pierre Chenal (1951, 1h47, Argentina) A presentation by Argentina Sono Film. Restoration with the collaboration of the Library of Congress. Paparazzi by Jacques Rozier (1963, 18mn, France) Presented by Jacques Rozier and la Cinémathèque française. 4K Digitization and 2K restoration works made from image and sound negatives at Hiventy laboratory, with the support of the CNC and in collaboration with Les Archives Audiovisuelles de Monaco, la Cinémathèque Suisse and Extérieur nuit. The film will be introduced by Jacques Rozier. Belle de jour (Beauty of the Day) by Luis Buñuel (1967, 1h40, France) Presented by STUDIOCANAL. Digitization from the original negative and 4K restoration carried out by Hiventy laboratory for STUDIOCANAL with the support of the CNC, of la Cinémathèque française, of the Fonds Culturel Franco-Américain and the Maison YVES SAINT LAURENT. French theater distribution: Carlotta. A River Runs Through it (Et au milieu coule une rivière) by Robert Redford (1992, 2h04, United States of America) Presented by Pathé. 4K Scan and 4K restoration from original image and sound 35mm negatives. Restoration carried out by Pathé at Technicolor France laboratory for the image in collaboration with Philippe Rousselot, cinematographer of the film, and L.E. Diapason for the sound restoration. Lucía by Humberto Solas (1968, 2h40, Cuba) A presentation of the Film Foundation. Restored by Cineteca di Bologna at L’Immagine Ritrovata laboratory in association with Instituto Cubano del Arte e Industria Cinematográficos (ICAIC). Restoration funded by Turner Classic Movies and The Film Foundation’s World Cinema Project.Documentaries about Cinema
The history of cinema by cinema itself, a presentation of five documentaries La belge histoire du festival de Cannes (The Belgian’s Road to Cannes) by Henri de Gerlache (2017, 1h02, Belgium) Presented by Alizé Production. Produced by Alizé Production, co-produced by RTBF (Belgian television) & Proximus. A joyful road movie to discover the Belgian cinema which has been at Cannes for 70 years. The filmmakers of yesterday are talking with those of today to paint a picture of a free and heterogeneous cinema. A “Belgian story” of the biggest festival in the world. David Stratton – A Cinematic Life by Sally Aitken (2017, 1h37, Australia) Presented by Stranger Than Fiction Films. Produced by Stranger Than Fiction Films, with Screen Australia, ABC TV Arts, Screen NSW and Adelaide Film Festival. An love adventure of film critic David Stratton with his adopted country, Australia, which led him to understand himself. It is also the glorious history of Australian cinema and its creators told by this Cannes-regular film-lover interested in the world. Filmworker by Tony Zierra (2017, 1h29, United States of America) Presented and produced by True Studio Cinema. Young actor Leon Vitali abandoned his prosperous career after Barry Lyndon to become the faithful right hand of director Stanley Kubrick. For more than two decades, Leon has played a crucial role behind the scenes by helping Kubrick. A complex and interdependent relationship between Leon and Kubrick based on devotion, sacrifice and the harsh and joyful reality of creative process. Becoming Cary Grant (Cary Grant – de l’autre côté du miroir) by Mark Kidel (2017, 1h25, France) Presented by ARTE France and Showtime Documentary Films. Produced by YUZU Productions, coproduced by ARTE France, in association with ro*co films productions. Cary Grant is one of the biggest Hollywood actors. In his fifties, he started a cure of LSD to free himself from his demons. For the first time, with his words, he retraces his journey. The story of a man in search of himself and the love he did not find in his life. The words of Cary Grant are interpreted by Jonathan Pryce. Jean Douchet, l’enfant agité by Fabien Hagège, Guillaume Namur, Vincent Haasser (2017, 1h30, France) Presented and produced by Carlotta and Kidam. Three young cinephiles follow Jean Douchet, question his friends and former students. This documentary reveals the man and his critical philosophy, a part of the history of the Cahiers du Cinéma and this Art of loving to which he has devoted his existence.
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Roman Polanski’s BASED ON A TRUE STORY Among New Films Added to 2017 Cannes Film Festival
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Roman Polanski[/caption]
Roman Polanski’s latest film Based on a True Story (D’après une histoire vraie) along with six other films have been added to the lineup of the 2017 Cannes Film Festival. Based on a True Story will screen Out of Competition.
The complete list of films added to the 2017 Cannes Film Festival
Competition
The Square by Ruben Ostlund
Out of Competition
Based on a True Story (D’après une histoire vraie) by Roman Polanski
Un Certain Regard
La Cordillera by Santiago Mitre
Walking past the Future by Li Ruijun
Special Screenings
Le Vénérable W. by Barbet Schroeder
Carré 35 by Eric Caravaca
Children’s Screening
Zombillénium by Arthur de Pins and Alexis Ducord
The Festival de Cannes will also offer a screening tribute to André Téchiné presenting his newest film Nos années folles; and an event with a concert and a film by Tony Gatlif whose movie Djam will be screened at the Cinéma de la plage (“Movies on the Beach).
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Cannes Film Festival Unveils 2017 Jury, Pedro Almodóvar, Will Smith, Jessica Chastain and More
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Pedro Almodóvar[/caption]
Spanish director Pedro Almodóvar will preside over the Jury for the 70th Cannes Film Festival. The jury will be made up of eight key figures from cinema world to judge the films in Competition. The winners will be announced on Sunday 28th May at the Closing Ceremony, following which the Palme d’or will be awarded.
THE 2017 JURY
Pedro Almodóvar – President
(Director, Screenwriter, Producer – Spain)
Maren Ade (Director, Screenwriter, Producer – Germany)
Jessica Chastain (Actress, Producer – United States)
Fan Bingbing (Actress, Producer – China)
Agnès Jaoui (Actress, Screenwriter, Director, Singer – France)
Park Chan-Wook (Director, Screenwriter, Producer – South Korea)
Will Smith (Actor, Producer, Musician – United States
Paolo Sorrentino (Director, Screenwriter – Italy)
Gabriel Yared (Composer – France)
Maren Ade, director, screenwriter, producer – Germany
In 1998, Maren Ade began studying film production and direction in Munich. During her studies, she co-founded the film production company Komplizen Film. In 2004, Maren Ade first film, The Forest for the Trees, premiered in Toronto and won the Special Jury Award at the Sundance Film Festival. In 2009, her second film Everyone Else received the Silver Bear for Best Film and for Best Actress. Maren Ade third film, Toni Erdmann, debuted in Competition at the 2016 Festival de Cannes and won numerous awards like the European Film Award. As a producer, she worked on productions like Tabu by Miguel Gomes and Sleeping Sickness by Ulrich Köhler.
Jessica Chastain, actress, producer – United States
Two-time Academy Award nominee Jessica Chastain has emerged as one of Hollywood’s most sought after actresses of her generation. She has received numerous nominations and accolades for her work, in Kathryn Bigelow’s Zero Dark Thirty, A Most Violent Year by J.C. Chandor, The Disappearance of Eleanor Rigby by Ned Benson and Ridley Scott’s The Martian. Jessica Chastain launched a production company Freckle Films. She is currently in production for Susanna White’s period drama Woman Walks Ahead and will be seen in Xavier Dolan’s The Death and Life of John F. Donovan
Fan Bingbing, actress, producer – China
Born in 1981, Fan Bingbing rose to fame in 1998 with the mega-hit TV series My Fair Princess. In 2003, she starred in Cell Phone, which became the highest-grossing Chinese film of the year. Since then, she has starred in many films, most notably Lost in Beijing (2007), Buddha Mountain (2011), and Double Xposure (2012). In 2014, she participated in the Hollywood blockbuster X-Men: Days of Future Past. In 2016, she starred in I Am not Madame Bovary and received the San Sebastian Film Festival Best Actress Award as well as the 11th Asian Film Best Actress Award. Fan is selected for the 2017 TIME 100.
Agnès Jaoui, actress, screenwriter, director, singer – France
Multi-award winning artist Agnès Jaoui joined forces with Jean-Pierre Bacri to develop a theatre and film style of which Kitchen with Apartment and Family Resemblances were first to meet with success. They worked with Alain Resnais on Smoking/No Smoking and Same Old Song. In 2000, Agnès Jaoui directed The Taste of Others which won four César. She wrote and directed Look at Me, which won Best Screenplay Award at the 2004 Festival de Cannes, followed by Let’s Talk about the Rain (2008) and Under the Rainbow (2013). She is a singer, and her Latin “Canta” album won a Victoire de la Musique award in 2007. She can be currently seen in Aurore by Blandine Lenoir.
Park Chan-Wook, director, screenwriter, producer – South Korea
Ever since his Korean box office record breaking Joint Security Area in the year 2000, Park Chan-wook’s diverse body of work has garnered recognition both at home and abroad. These include his successes at the Festival de Cannes in 2004 with the Grand Prix for Old Boy and the Jury Prize for Thirst in 2009. In 2013, Park Chan-wook expanded his œuvre to include English language films with Stoker and also produced Korean filmmaker Bong Joon-ho’s Snowpiercer. In 2016, Park Chan-wook returned to Cannes in Competition with The Handmaiden and won the Vulcan Prize, once again establishing him as one of the most significant talents working in cinema today.
Will Smith, actor, producer, musician – United States
Two-time Academy Award nominee Will Smith has a vast filmography including portrayals of true-life icons in Ali, The Pursuit of Happiness and Concussion. His headlining credits include Independence Day, I, Robot, Hitch, I Am Legend, Men in Black I, II, & III, and last summer’s Suicide Squad. The two-time Grammy Award winner began his career as a musician selling millions of records worldwide before crossing over into television with The Fresh Prince of Bel Air. Will Smith is dedicated to working toward the advancement of communities and individuals through the Will and Jada Smith Family Foundation.
Paolo Sorrentino, director, screenwriter – Italy
Paolo Sorrentino, director and screenwriter, was born in Naples in 1970. Seven of his 8 films have been presented in Competition at the Festival de Cannes, where Il Divo won the Prix du Jury in 2008. In 2014, his film La Grande Bellezza (The Great Beauty) won the Oscar and Golden Globe for Best Foreign Language Film, as well as a BAFTA. In 2016, La Giovinezza (Youth) gained an Oscar nomination and won three European Film Awards. In 2016, he made his first TV Series: The Young Pope. He has also published a novel “Hanno tutti ragione” in 2010, and two collections of short stories: “Tony Pagoda e i suoi amici” (2012), and “Gli aspetti irrilevanti” (2016).
Gabriel Yared, composer – France
After spending his childhood in Lebanon, Gabriel Yared attended the composition classes of Henri Dutilleux in Paris. He stayed in Brazil and returned to France in 1972, and quickly became an orchestrator and producer sought after by the biggest European singers of the time. Since 1980, he devoted most of his time to film composition. He has written more than a hundred scores to date, of which many have earned him prestigious international awards. He wrote his first score for Jean-Luc Godard, which was followed by successful notable collaborations with Jean-Jacques Beineix, Jean-Jacques Annaud (Cesar for The Lover), Anthony Minghella (Oscar for The English Patient) and Xavier Dolan.
