VIMooZ

  • Home
  • Film Festival News
  • VIMooZ Cinema

Film Festivals


  • Laurence Fishburne, Billy Bob Thornton and Alice Eve to be Honored at Napa Valley Film Festival

    Academy Award-winning writer, actor, director and musician Billy Bob Thornton will receive the Caldwell Vineyard Maverick Tribute and actress Alice Eve will receive the Raymond Vineyards Trailblazer Tribute alongside Charles Krug Legendary Actor honoree Laurence Fishburne at this year’s 8th Napa Valley Film Festival (NVFF) Celebrity Tributes presentation on November 8. Thornton has an extensive and impressive career in motion pictures and television, most recently seen starring in the Amazon series Goliath, for which his performance received raved reviews and garnered him a Golden Globe Award for Best Actor in a Television Drama. He recently reprised his iconic and Golden Globe nominated performance in the 2003 box-office hit, Bad Santa, in Bad Santa 2. He can also be seen in A Million Little Pieces, the screen adaptation of James Frey’s best-selling book, and is currently preparing to start filming season 3 of Goliath. Eve’s work in film and television has proven her as a versatile and dynamic talent in the entertainment industry. She can be next seen in Jeffrey Nachmanoff’s sci-fi thriller, Replicas, opposite Keanu Reeves. This fall, Eve will play Fox & Friends host Ainsley Earhardt in Jay Roach’s feature, Fair and Balanced, opposite John Lithgow, Charlize Theron, and Margot Robbie. Eve most recently starred in the second season of Netflix’s Iron Fist and her other film credits include Star Trek Into Darkness, Men in Black 3, and Before We Go. “We are thrilled to share our hospitality, food, wine, and our appreciative film-loving audiences with these fantastic actors,” said NVFF Co-Founder & Artistic Director Marc Lhormer. “Billy Bob Thornton has demonstrated in his career the ability to take on dynamic roles that demonstrate remarkable range and Alice Eve impresses us with the risks she takes and in doing so, achieves great success. We look forward to hosting them throughout their stay at the festival.” The Celebrity Tributes program with Laurence Fishburne, Billy Bob Thornton and Alice Eve will take place on Thursday, November 8 at the Lincoln Theater in Yountville and will include highlight reels and an intimate on-stage conversation with Access’ Natalie Morales. Additionally, on Friday, November 9, Geena Davis (Thelma & Louise, A League of Their Own) will be honored with the Davis Estates Visionary Tribute following a screening of the documentary film This Changes Everything. Earlier in the day on November 9, NVFF will be honoring the esteemed alumni of The Groundlings Theatre and School with the Miner Family Winery Legacy Ensemble award. Accepting on behalf of The Groundlings are Stephanie Courtney (Progressive Insurance’s Flo), Taran Killam (Saturday Night Live, Single Parents), Laraine Newman (Saturday Night Live, Coneheads), Cheri Oteri (Saturday Night Live, Scary Movie) and Julia Sweeney (Saturday Night Live, It’s Pat). The second annual Rising Star Showcase presented by Materra | Cunat Family Vineyards on Saturday, November 10 will honor a handful of young talent including Taissa Farmiga (American Horror Story, The Nun), Billy Magnussen (Maniac, Game Night), Camila Mendes (Riverdale, The New Romantic), Rosa Salazar (Alita: Battle Angel, Maze Runner: The Death Cure), Tye Sheridan (Ready Player One, X-Men: Dark Phoenix) and Alexandra Shipp (Love, Simon, X-Men: Dark Phoenix).

    Read more


  • LA Film Festival to End After 18 Years

    LA Film Festival to End After 18 Years After 18 years of showcasing independent fiction, documentary, and short films the LA Film Festival will end, and Film Independent announced today that its Board of Directors has voted to shift the energy and resources of the organization from the Festival structure to a variety of year-round events aimed at building community and broadening its support of visual storytellers. These programs will include a number of new initiatives to be announced in coming months as well as several that have traditionally taken place during the LA Film Festival—among them, The Portal, a showcase of VR and immersive storytelling, produced in partnership with Loyola Marymount University School of Film and Television; a two day event around inclusion in the film industry, launched in 2013 by Stephanie Allain and continued by Hasan Foster; Fast Track, a film financing market supporting both fiction and non-fiction projects; and Future Filmmakers, which features work by L.A. high-school filmmakers. “We took a hard look at the healthy growth of Film Independent’s year-round programs and events over the past six years: the Spirit Awards, our film series curated by Elvis Mitchell, membership, labs, workshops, filmmaker grants and international programs,” said Mary Sweeney, Chair of the Film Independent Board of Directors. “In the end, we concluded that the organization should explore a more nimble, sustainable form of exhibiting and celebrating independent film artists year round.” “While we are very proud of what we’ve accomplished with the LA Film Festival over the past eighteen years, the truth is that it has struggled to thrive, and the time has come for us to try something new,” said Josh Welsh, President of Film Independent. “We are all deeply grateful to Jennifer Cochis for her vision, passion, and creativity and we’re enormously proud of the Festival that she oversaw these past two years. We remain committed to serving filmmakers and film audiences across Los Angeles.” As a result of discontinuing the Festival in its present form, the nonprofit arts organization will eliminate three full-time staff positions. Film Independent will continue with its current suite of programs and events, including: The Film Independent Spirit Awards; Film Independent Presents, curated by Elvis Mitchell; Global Media Makers, an innovative mentoring initiative for international visual storytellers; Project Involve, the 25-year-old mentorship program for filmmakers from underrepresented backgrounds; as well as its annual suite of Filmmaker Labs and the Film Independent Forum and Directors Close-Up. image via Facebook

    Read more


  • Rammy Park’s “Monitor City” Wins Rhode Island International Film Festival Screenplay Competition

    [caption id="attachment_32459" align="aligncenter" width="960"]2018 Rhode Island International Film Festival Screenplay Competition Shawn Quirk, RIIFF Program Director (l) with Dr. Nancy Carriuolo and Lukas Hassel, previous Grand Prize Winner for Best Screenplay.[/caption] Rammy Park from Brooklyn, NY is the Best Screenplay Grand Prize Winner for this year’s 2018 Flickers’ Rhode Island International Film Festival (RIIFF) Screenplay Competition. Rammy’s winning screenplay is entitled “Monitor City.” The “Monitor City” storyline: A Greek tragedy in a futuristic sci-fi setting, “Monitor City” pits reluctant hero Olivia Andressa against a totalitarian system of control and surveillance, as she struggles to accept her role in the City’s resistance movement and to bring her fractured family back together “Rammy Park’s script breathes new life into the dystopian genre. The script is a defining work, that is teeming with social commentary. Rammy has successfully created a tragic futurist tale that serves as a timely parable for today’s ever growing dependence on technology and surveillance,” said Shawn Quirk, RIIFF Program Director. “What an amazing year for storytelling and our screenplay competition. This year’s entries were inventive and re-defining. They were scored on criteria that included character, dialogue, setting, plot, structure and technique,” added Quirk. “We reviewed the largest entry base in competition’s history making for difficult decision-making on the part of our international group of judges. “After extensive and careful deliberation, prize winners were chosen in seven distinct categories: Best Screenplay, Best International, Vortex Sci-Fi/Fantasy/Horror, Best LGBTQ, Spotlight on New England, Best Short Screenplay and Best Television Pilot,” Quirk noted.

    2018Flickers’ Rhode Island International Film Festival (RIIFF) Screenplay Competition Prize Winners

    BEST SCREENPLAY

    GRAND PRIZE: “Monitor City” |Rammy Park, Author | Brooklyn, NY FIRST PLACE: “Hinterland”| S.J. Main Muñoz, Author | Venice, CA

    INTERNATIONAL SCREENPLAY

    GRAND PRIZE: “Sound of the Somme” | Written by: Alexander Menu & Thomas Besançon, Authors | Belgium FIRST PRIZE: “White Whale”| Rustem Samigullin, Author | Homberg, Germany

    VORTEX HORROR/SCI-FI SCREENPLAY

    GRAND PRIZE: “Blank Shores” | Alex Kyrou, Author | London, United Kingdom FIRST PRIZE: “Silence” | Collin Kornfeind, Author | Astoria, NY

    JAMES L. SEAVOR LGBTQ SCREENPLAY

    GRAND PRIZE: “Liza Herself” | Joan Kelly, Author | Somerville, MA FIRST PRIZE: “Chasing The Dragon”| Eduardo Ayres Soares, Author | Porto Alegre, Brazil

    RI SPOTLIGHT ON NEW ENGLAND

    GRAND PRIZE: “Oil and Water” | Alfred Thomas Catalfo, Author | Dover, NH FIRST PRIZE: “Blood and Plunder” | Adam Olenn, Author | Providence, RI

    BEST TELEVISION PILOT SCRIPT

    GRAND PRIZE: “The Reservoir” | Dylan Allen, Author | Brooklyn, NY FIRST PRIZE: “Matched”| Tess Allen, Author | Playa Vista, CA

    BEST SHORT SCRIPT

    GRAND PRIZE: “Red Shirt” | Mary C. Ferrara, Author | Quincy, MA FIRST PRIZE: “Last Day of School”| Gypsy Nelson | Mason, WI Photo by Mike Braca via RIIF

    Read more


  • ASCENSION, KILLER UNICORN Win 2018 Vortex Film Festival Awards

    ASCENSION, KILLER UNICORN Win at 2018 Vortex Film Festival Awards A phantasmagoric symphony of international genre films were given their due with the wrap of the 19th Annual Flickers’ Vortex Sci-Fi, Fantasy, and Horror Film Festival through adjudicated awards. The Festival celebrated and showcased imagination and creativity in filmmaking and included nine (9) World and U.S. Premieres. In all, 61 films were selected from over 3,000 genre submissions, representing 16 countries and presented at 15 locations. This year’s Festival was planned, developed and curated by Shawn Drywa, Vortex Program Director and creator of the annual genre Festival with Shawn Quirk, RIIFF Program Director. “Over the past several years, we have been expanding our screenings to educational institutions, literally bringing Vortex to our audience. We made a concerted effort this year to include a dynamic mix of the Horror, Fantasy, and Sci-Fi genres,” said Shawn Drywa, Vortex Program Director. “These films represent the vanguard of genre filmmaking from across the globe, and showcase a rising generation of filmmakers, who are redefining genre films for the next generation of cinephiles. “Vortex filmmakers are leaders of tomorrow’s entertainment industry, and it’s our mission to empower them and help them move forward in their respective careers through showcasing their work.” “We are proud to see that this sidebar to RIIFF has become an important cultural event for the State and an international draw for filmmakers and audiences. This year saw over a dozen filmmakers, cast and crew coming from the United Kingdom, Canada and from throughout the United States,” he added. “From our ongoing educational outreach with area colleges and universities, free library and museum screenings, high school-based programs, to a master class on filmmaking and conversations on the film industry with noted leaders, this year’s Vortex Film Festival laid the foundation for an even more expanded event next year” noted Shawn Quirk, RIIFF’s Program Director.

    Winners of Top Prizes of 2018 Flickers’ Vortex Sci-Fi, Fantasy, and Horror Film Festival

    BEST SCI-FI SHORT FILM:

    GRAND PRIZE: FACE | Directed by: Luke Tierney, Australia, 2017 First Prize: One Way Wolf Blitzer Freaky Friday| Directed by: Jared Neumark, USA, 2017 Tied With: In Her Image | Directed by: Nikoloz Kevkhishvili, Georgia, 2018

    BEST FANTASY SHORT FILM

    GRAND PRIZE: The Lossen | Directed by: Colin Skevington, United Kingdom, 2018 First Prize: The Whistler | Directed by: Jennifer Nicole Stang, Canada, 2018

    BEST HORROR SHORT FILM:

    GRAND PRIZE: Zombied | Directed by: Matthew Van Vorst, USA, 2018 First Prize: A Doll Distorted | Directed by: Niall Shukla, United Kingdom, 2018 Tied With: The Son, the Father… | Directed by: Lukas Hassel, USA, 2017

    BEST ANIMATED SHORT FILM:

    GRAND PRIZE: The Legend of Rasputin | Directed by: Jamie Shannon, Canada, 2017 First Prize: Reruns |Directed by: Rosto —-, Belgium, France, Netherlands, 2017 Tied With: Space Between Stars | Directed by: Samuel W. Bradley, Canada, 2018

    BEST FEATURE FILM:

    GRAND PRIZE: Ascension | Directed by: Ross Wachsman, USA, 2018 FIRST PRIZE: Killer Unicorn | Directed by: Drew Bolton, USA, 2018   DIRECTORIAL DISCOVERY AWARD: Michael Paul, Director of “Strange Clowns,”USA, 2018 H.P. LOVECRAFT AWARD: I Am the Doorway | Directed by: Simon Pearce, United Kingdom, 2018 image via Facebook

    Read more


  • Peter Farrelly’s GREEN BOOK Wins Best Feature Film at 2018 Twin Cities Film Fest

    [caption id="attachment_31408" align="aligncenter" width="1200"]Green Book Green Book[/caption] The Twin Cities Film Fest announced its 2018 award winners Saturday evening and awarded Peter Farrelly’s “Green Book” the year’s Best Feature Film.  “When Jeff Tried to Save the World,” a lighthearted drama that served as the official 2018 centerpiece, was one of the year’s most honored titles, named as a finalist in three separate categories (Best Feature Film, Indie Vision Breakthrough Performance, Indie Vision Debut Director). Star Jon Heder (“Napoleon Dynamite”) walked away with the year’s top performance award. The festival’s top non-fiction award went to “Who Will Write Our History?,” Roberta Grossman’s harrowing account of the journalists, scholars and community leaders in the Warsaw Ghetto who risked everything to secretly document the daily atrocities committed against their Jewish neighbors. The film screened in partnership with the Twin Cities Jewish Film Festival. The 2018 Audience Awards went to Barry Andersson’s “The Lumber Baron,” a period drama about the heir to a failing lumber business and the enduring rumors of a treasure left behind by his grandfather; Tina Brown and Dyana Winkler’s “United Skates,” a documentary about the art, economics and underground subculture of American roller skating; and “small town ROBOT,” a locally-produced short film about the acclaimed robotics team at Greenbush Middle River High School and their journey to a world championship to compete against 300 other teams from around the world. Director Mark Taylor took home the Indie Vision — Debut Director trophy, for his drama “Saving Flora,” which had its U.S. premiere at the festival last week. Starring Jenna Ortega, David Arquette and Tom Arnold, the film’s story of one girl’s unbreakable bond with an elephant, and her mission to save the kind creature, marked the highlight of this year’s TCFF Changemaker Series. Several of the leading stars were in town to celebrate the debut. “One of this year’s unforgettable highlights was ‘Saving Flora,’” said TCFF Executive Director Jatin Setia. “The passion of that filmmaking, the broader mission behind its story, and the electricity that was on full display that night in the movie theater, between the audience and the advocates and the visiting filmmakers….that’s everything that makes a film festival special. It’s not just watching a movie — it’s being part of a transcendent experience. It changes you as a person.” Minnesota filmmaker C.J. Renner was honored with the Indie Vision — Breakthrough Achievement award for his direction of “American Tender,” a widely praised drama about a robbery, a double-cross and one memorable first date. “C.J. Renner exemplifies the talent, commitment and energy to be found in the Minnesota filmmaking community,” said TCFF Managing Director Bill Cooper. “And ‘American Tender’ is exactly the kind of homegrown independent project that we’re so proud to celebrate and showcase here at TCFF. C.J. always surprises us, he’s going places, and we’re so thrilled that so many smart filmgoers from across the country discovered his talent right here at the festival this year.” The 2018 Fun Is Good Bill Murray Comedic Shorts Award went to Matt Hirst’s hilarious “12 Sips to Glory,” about one man’s epic orange soda taste test.

    2018 Twin Cities Film Fest Award Winners

    Best Feature Film: “Green Book,” directed by Peter Farrelly Best Documentary: “Who Will Write Our History?” directed by Roberta Grossman Best Short Film: “Claire Means Well,” directed by Aaron Gervich Audience Award, Feature: “The Lumber Baron,” directed by Barry Andersson (Runner-Up: “If Beale Street Could Talk,” directed by Barry Jenkins) Audience Award, Non-Fiction: “United Skates,” directed by Tina Brown and Dyana Winkler (Runner-Up: “93Queen,” directed by Paula Eiselt) Audience Award, Short Film: “small town ROBOT,” directed by Joe Brandmeier (Runner-Up: “Claire Means Well,” directed by Aaron Gervich) Indie Vision — Breakthrough Performance: Jon Heder (“When Jeff Tried to Save the World”) Indie Vision — Debut Director: Mark Taylor (“Saving Flora”) Indie Vision — Breakthrough Achievement: C.J. Renner (director of “American Tender”) Fun Is Good Bill Murray Comedic Shorts Award: “12 Sips to Glory,” directed by Matt Hirst TCFF 2018 Changemaker Award: Rachel Mairose, founder and executive director of Secondhand Hounds

    Read more


  • THE VICE OF HOPE Wins People Choice Award at Rome Film Fest [Trailer]

    [caption id="attachment_32431" align="aligncenter" width="1200"] The Vice of Hope (Il vizio della speranza) The Vice of Hope (Il vizio della speranza)[/caption] The Italian drama, The Vice of Hope (Il vizio della speranza) by Edoardo De Angelis was voted the winner of the “BNL People’s Choice Award” at the 13th Rome Film Fest.  The film is centered around the hiring of women as surrogate mothers paid to bear children and then hand them over to paying clients. To support her family, Maria works as a trafficker of surrogate mothers, transporting them from place to place along a river — but when one disappears, Maria is left with the task of finding her and must enter deeper into a world she wishes to escape.

    SYNOPSIS

    Along the river flows Maria’s time, her head hooded and her gait resolute. Her existence streams from day to day, with no dreams or desires, taking care of her mother and working at the service of a bejewelled madam. With her courageous pitbull by her side, Maria ferries pregnant women across the river, in what seems like an endless purgatory. This woman will soon be visited by hope, in its most powerful and ancestral form, as miraculous as life itself. Because to stay human has always been the greatest of revolutions. “No one will ever kill me”

    THE DIRECTOR

    Edoardo De Angelis, born in Naples in 1978, discovered cinema at the age of 19 and made his first short films. In 2006, he graduated in film direction from the Centro Sperimentale di Cinematografia in Rome: his graduating essay was the short film Mistero e passione di Gino Pacino. He directed his first feature-length film, Mozzarella Stories, in 2011. In 2014, he directed his second feature-length film Perez with the O’Groove company, which he founded with Pierpaolo Verga. In 2016 he directed Indivisible, which won 6 Nastro d’Argento awards, 8 Ciak d’oro, a Globo d’oro and 17 nominations for a David di Donatello, 6 of which it won.

    TRAILER

    https://www.youtube.com/watch?v=ZL6IYrqaH3o

    DIRECTOR’S STATEMENT

    “In the frame past present and future. No presentation of the characters, no distraction. The story of women and men is written on the body: the past in the scars, the present in the gestures, the future in the eyes. The body is the main instrument of the narration because its mobile material expresses the transformation of the characters; it is a thematic vehicle in that it reveals the injured beauty of human beings as they wait for something or someone, desperate people clinging to one last hope; finally, the body expresses the desire of the soul to subvert the order of desperation, through resistance, and at the right time, rebellion. Think of a cold winter, a time in which everything around us looks dead and we light a fire to find warmth, while we wait for things to change. The earth generates, the earth hosts, the earth lets us prosper then covers our dead body; the wind blows on the fire and pushes the water of the river towards the earth, to revive it. Life stubbornly fights death: the arc of the world is transformed through birth, death and rebirth. Everything that remains unchanged dies. What moves is alive. For those who have the strength to resist, the reward is the miracle of the world as it is born”.

    Read more


  • Charlamagne Tha God Exec Produces Bakari Sellers Documentary WHILE I BREATHE, I HOPE [Trailer]

    [caption id="attachment_32426" align="aligncenter" width="1200"]While I Breathe, I Hope While I Breathe, I Hope[/caption] What does it means to be young, black, and a Democrat in the American South? While I Breathe, I Hope follows South Carolina politician and CNN political analyst Bakari Sellers as he runs to become the first African American candidate elected statewide in over a century. The film from award-winning director Emily Harrold who is making her documentary feature directing debut, and from Executive Producer Charlamagne Tha God, the radio personality who co-hosts the nationally syndicated iHeartRadio program The Breakfast Club will have it New York Premiere screening at DOC NYC on Sunday, November 11. In 2014, Bakari Sellers–one of the youngest sitting members of the South Carolina House of Representatives–campaigns to be the first African American elected to statewide office since the 1870s. He runs for Lieutenant Governor, the second highest office in the state. The son of Cleveland Sellers, a prominent 1960s Civil Rights activist who was a leading member of SNCC, Bakari understands the difficult race relations in the American South. “Our race is not about what South Carolina was, it’s not about what South Carolina is, but it’s about what South Carolina can be,” he says. But as a Democrat in a red state, Bakari has a tough race ahead. News media consistently place Bakari behind his Republican opponent, Henry McMaster. Moreover, South Carolinians have not elected a Democrat to state office since 2006. Bakari doesn’t help his electability among white voters when he makes removing the Confederate Flag part of his campaign platform. But he refuses to give up. “I can’t win if I don’t run,” he states. But, in the end it seems South Carolina isn’t ready for the kind of change Bakari wants to bring to his state. Just months after the election, racially motivated shootings in Charleston in June of 2015 throw Bakari back into the spotlight. As he struggles to deal with the brutal death of his friend Clementa Pinckney, he finds thousands of faces turn to him for leadership. Bakari rises as a spokesperson for the community while also trying to unravel and understand the strained race relations of his beloved state. As the Confederate Flag drops from the State House grounds, he is on national television explaining the momentous nature of this event. In one of the most significant moments of his life, Bakari addresses the Democratic National Convention in Philadelphia. He brings audiences to their feet as he proclaims “Stand up for progress. Stand up for justice. And stand up if you know like I know that we’re stronger together!”

    NEW YORK PREMIERE SCREENING AT DOC NYC

    Sunday, November 11 at 4:15 PM IFC Center 323 6th Avenue, New York, NY 10014

    Read more


  • Judith Helfand’s Disaster Preparedness Documentary COOKED: SURVIVAL BY ZIP CODE to Premiere at DOC NYC 2018

    COOKED: Survival by Zip Code In COOKED: Survival by Zip Code, peabody award winning director Judith Helfand melds her unique brand of investigative reporting and respectful humor to make a potent argument that the best preparation for a disaster may start with actually redefining disaster and preparedness. COOKED: Survival by Zip Code will World Premiere at DOC NYC, screening November 11 and 14. COOKED: Survival by Zip Code is a searing yet quirky investigation into the “natural” disasters we’re willing to see and prepare for and the “unnatural” ones we’re not. Adapted from Eric Klinenberg’s ground-breaking book HEAT WAVE: A Social Autopsy of Disaster in Chicago. In her signature serious-yet-quirky connect-the-dots style, Peabody Award winning filmmaker Judith Helfand takes audiences from the deadly 1995 Chicago heat disaster deep into one of our nation’s biggest growth industries — Disaster Preparedness. Along the way she forges inextricable links between extreme weather, extreme disparity and the politics of “disaster”; daring to ask: What if a zip code was just a routing number, and not a life-or-death sentence? Chicago suffered the worst heat disaster in U.S history in 1995, when 739 residents ― mostly elderly, poor and disproportionately black―died over the course of one hot week. COOKED: Survival by Zip Code is a connect-the-dots investigation into extreme heat, the politics of disaster and survival by zip code. Helfand uses her quirky investigative lens to ask a radical yet obvious question: what if we reframe the long-term impact of structural racism, systemic inequity and climate change as an official disaster?

    WORLD PREMIERE SCREENINGS AT DOC NYC

    Sunday, November 11, 2018 at 1:30 PM SVA Theatre Wednesday, November 14, 2018 at 2:45 PM IFC Center Director Judith Helfand, producer Fenell Doremus, and author Eric Klinenberg in-person for post-screening Q&A’s after each screening.

    Read more


  • Mahaliyah Ayla O’s MASKS and Kevin David Lin’s MONDAY Sweep Major Awards at 13th NBCUniversal SHORT FILM FESTIVAL

    [caption id="attachment_32414" align="aligncenter" width="1200"]“Masks” by Mahaliyah Ayla O “Masks” by Mahaliyah Ayla O[/caption] The six finalist films and filmmakers of this year’s 13th Annual NBCUniversal SHORT FILM FESTIVAL, were honored with a finale screening and awards ceremony at the Directors Guild of America in Hollywood. Comedian-actor Zainab Johnson (“Late Night with Seth Meyers,” HBO’s “All Def Comedy”) kicked off the evening with screenings of the six finalist shorts, “B.U.T.S: Spanish Class,” “Kyenvu,” “Masks,” “Monday,” “Rani” and “We Know Where You Live,” before an audience of industry professionals including network, cable and film executives as well as managers, producers and agents. “I’m proud that over the past 13 years, our short film festival has not only celebrated those voices, but advocated for them beyond the festival to provide them with opportunities in the industry,” said Karen Horne, SVP of Programming Talent Development & Inclusion, NBC Entertainment and Universal Television.

    13th Annual NBCUniversal SHORT FILM FESTIVAL Awards

    HARNESS Social Impact Award: “Kyenvu” “Kyenvu” writer-director Kemiyondo Coutinho was awarded a $10,000 cash grant for her short film about a young Ugandan woman who struggles to find her footing in a patriarchal society that entitles men to women’s bodies . https://vimeo.com/250220907   Outstanding Comedy: “B.U.T.S: Spanish Class” “B.U.T.S: Spanish Class” co-creators Irene Lucio and Emma Ramos were presented with a $5,000 cash grant and a DJI OSMO+ Handheld Gimbal 4K camera with full accessory kit for an episode from their sketch comedy web series that parodies and satirizes the many ‘afflictions’ of the modern-day woman told through a Latina lens. In “Spanish Class,” a couple gets way more than they bargained for when they set out to learn Spanish in a week. https://www.youtube.com/watch?v=aC_7xSn5vIw Outstanding Drama: “Masks” “Masks” writer-director Mahaliyah Ayla O was presented with a $5,000 grant and a DJI OSMO+ Handheld Gimbal 4K camera with full accessory kit for her film about a closeted Persian woman’s experience after surviving a mass shooting. https://vimeo.com/264696824 Outstanding Writer: Hammad Rizvi, “Rani” Writer-director Hammad Rizvi was awarded a $5,000 cash grant in addition to final round placement in NBC’s Writers on the Verge program that prepares talented writers for staff writing positions on scripted series. He also received the newly released Final Draft 11 software on all platforms and a Fire TV Cube, the latest hands-free streaming media player with Alexa voice command. Rizvi’s short film “Rani” centers on a socially outcast transgender Pakistani woman who sets out to take care of an abandoned child. The short stars trans activist Kami Sid as the titular character in her first acting role. https://www.youtube.com/watch?v=P6wTh9Ifw_c Outstanding Actor: Kevin David Lin, “Monday” Actor Kevin David Lin from the short film “Monday” was awarded a talent holding deal with NBC, a premiere headshot package with JeanPaul SanPedro, a fund for unlimited private audition coaching and advanced acting classes and a $1,000 wardrobe allowance. Lin starred as the central character in “Monday” about a conflicted young hustler who’s forced to confront the immorality of his occupation. Outstanding Director: ­Dinh Thai, “Monday” “Monday” writer-director Dinh Thai received a studio production services package courtesy of Universal Operations, including one day of shooting on the Universal Studios back lot and an $8,500 valued package including lighting, grip, props and costumes as well as one day of sound mixing. He was also awarded a $60,000 camera package from Panavision’s New Filmmaker Program, a longtime festival sponsor, and final round placement in NBCUniversal’s Emerging Directors Program that provides a pipeline for ethnically diverse directors to break into television by offering shadowing opportunities and an in-season commitment to direct an episode of an NBCUniversal scripted series. Next Generation Filmmaker Award: Dinh Thai, “Monday” Writer-director Dinh Thai won the festival’s inaugural Next Generation Filmmaker Award for his short film “Monday” about a conflicted young hustler who’s forced to confront the immorality of his occupation as he ‘code-switches’ through various cliques in his daily dealings throughout Los Angeles . https://vimeo.com/280413643   Critics’ Choice Award: “Masks” “Masks” was chosen as the most impactful short by a jury of 25 film and television critics and entertainment writers. This year’s jury included journalists from The Advocate, Brown Girl Magazine, Essence, CNN, Glamour, Harper’s Bazaar, Her Campus, The Hollywood Reporter, Huffington Post, Kore Asian Media, Latina, the Los Angeles Times, Moviemaker Magazine, NewNowNext, Screen International, Slate, The Teal Mango, TVGuide, USA Today, and Vanity Fair, among others. Los Angeles Film Critics Association President Claudia Puig presented the award to “Masks” writer-director Mahaliyah Ayla O. She received a DJI Phantom 4Series Quadcopter Drone with 4K Digital Camera and corresponding accessories. Audience Award: “Masks” The audience at the finale screening voted “Masks” as its favorite film amongst the six finalists. Writer-director Mahaliyah Ayla O received a $1,000 cash grant and a 4 TB external hard drive for her next project. The festival’s finalists and semifinalists also received an array of prizes including a limited run on COMCAST’S XFINITY to 29 million viewers across the world starting December 1 as well as the opportunity to stream their film on the NBCU SHORT FILM FESTIVAL Hulu Channel and EVERYBODY DIGITAL, a mobile app exclusively for short film content created by actor-writer Allen Maldonado (“The Last O.G.”). They also all received a copy of newly released Final Draft 11 on all platforms from the festival’s returning sponsor.

    Read more


  • IF BEALE STREET COULD TALK, GREEN BOOK Among 2018 Award Finalists for Twin Cities Film Fest

    [caption id="attachment_31277" align="aligncenter" width="1200"]If Beale Street Could Talk If Beale Street Could Talk[/caption] More than 30 finalists will compete for the top awards at the 2018 Twin Cities Film Fest, including among the top contenders for Best Feature Film are the new Barry Jenkins drama “If Beale Street Could Talk,”  Peter Farrelly’s “Green Book,” which recently won the People’s Choice Award at the Toronto International Film Festival, and two lauded Minnesota productions: Barry Andersson’s “The Lumber Baron” and David Buchanan’s “Black.” Other notable 2018 finalists include Joel Edgerton’s harrowing drama “Boy Erased” and Marielle Heller’s thriller “Can You Ever Forgive Me?”, both nominated for this year’s Indie Vision Award for breakthrough performance, recognizing Lucas Hedges and Melissa McCarthy respectively. Tina Brown and Dyana Winkler’s documentary “United Skates,” selected as this year’s closing night film, received two nominations — for Best Documentary and Indie Vision Special Achievement, recognizing Tina Brown, Matthew Peterson and Dyana Winkler’s electrifying cinematography. Rounding out this year’s Best Feature Film nominees were Kendall Goldberg’s comedy “When Jeff Tried to Save the World,” which also received nods for director Kendall Goldberg and lead actor Jon Heder, and Ben Zuckert’s drama “Noah Wise,” which received a second nomination for musical score. Actor Bill Murray is serving as a special guest judge for this year’s Comedy Shorts Award. Murray will be choosing his favorite comedic short from the three finalists listed below. This year’s TCFF slate, which continues to screen in St. Louis Park through Saturday evening, is comprised of more than 130 short and feature films. In addition to staff and audience awards, this year’s Changemaker Award is being bestowed to Rachel Mairose, founder and executive director of the animal rescue nonprofit Secondhand Hounds.

    2018 Twin Cities Film Fest FINALISTS

    Best Feature Film: “If Beale Street Could Talk,” directed by Barry Jenkins; “Black,” directed by David Buchanan; “Green Book,” directed by Peter Farrelly; “The Lumber Baron,” directed by Barry Andersson; “Noah Wise,” directed by Ben Zuckert; “When Jeff Tried to Save the World,” directed by Kendall Goldberg. Best Documentary: “93Queen,” directed by Paula Eiselt; “Finding Hygge,” directed by Rocky Walls; “Fire on the Hill,” directed by Brett Fallentine; “Time for Ilhan,” directed by Norah Shapiro; “United Skates,” directed by Tina Brown and Dyana Winkler; “Who Will Write Our History?” directed by Roberta Grossman. Best Short Film: “The American Wake,” directed by Kevin Quinn; “12 Sips to Glory,” directed by Matt Hirst; “Claire Means Well,” directed by Aaron Gervich; “Lunch Ladies,” directed by J.M. Logan; “Two Black Coffees,” directed by Michael Discoll; “Sexpert Franzen,” directed by Kaitlyn Busbee. Indie Vision — Breakthrough Performance: Adam Christian Clark (“Newly Single”); Jon Heder (“When Jeff Tried to Save the World”); Lucas Hedges (“Boy Erased”); Melissa McCarthy (“Can You Ever Forgive Me?”); Toussaint Morrison (“Black”); Sophia Mitri Schloss (“Sadie”). Indie Vision — Debut Director: Erik Bloomquist (“Long Lost”); Kendall Goldberg (“When Jeff Tried to Save the World”); Jenna Laurenzo (“Lez Bomb”); James Ojala (“Strange Nature”); Mark Taylor (“Saving Flora”); Kulap Vilaysack (“Origin Story”). Indie Vision — Breakthrough Achievement: Sam Boyd (screenplay for “In a Relationship”); Tina Brown, Matthew Peterson and Dyana Winkler (cinematography for “United Skates”); Roxanne Paukner (art direction for “The Lumber Baron”); Vanessa Powers (animation for “Witch”); C.J. Renner (director of “American Tender”); Ben Zuckert (composer of “Noah Wise”). Comedic Shorts Award: “12 Sips to Glory;” “Deep Dish Apocalypse;” “Lunch Ladies.” 2018 TCFF Changemaker Award: Rachel Mairose, founder and executive director of Secondhand Hounds.

    Read more


  • WOMAN AT WAR Wins Best Film at 2018 Byron Bay Film Festival

    [caption id="attachment_32394" align="aligncenter" width="2000"]Woman at War Woman at War[/caption] Woman at War, the Cannes award-winning follow-up to Icelandic director Benedikt Erlingsson’s Of Horses and Men, took both Best Dramatic Feature and Best Film at the 12th Byron Bay Film Festival.  The film follows a 50-year-old independent woman and passionate environmental activist who secretly wages a one-woman war on the local aluminum industry. Woman at War was selected as Iceland’s entry for Best Foreign Language Film at the 91st Academy Awards. https://www.youtube.com/watch?v=TFxz4oNfBV0 Jirga, a redemption tale set in Afghanistan, won the Best Byron Film – the Locals Award, for its director, Bangalow-based Benjamin Gilmour. The film which was in the spotlight at the Festival’s closing gala, Sharkwater: Extinction, won BBFF2018’s Best Environmental Film Award. The film was the last work by the late shark conservationist Rob Stewart, who was well known and widely loved in Byron Shire and along the North Coast. In honor of the work that Rob Stewart achieved, Ms Skippon-Volke announced that from 2019 the award would be known as the Rob Stewart Best Environmental Film Award – giving further gravitas to the importance of recognizing Environmental Films and the strong impact they have in changing minds and behavior. An audience favorite, Backtrack Boys, set in Armidale, won the festival’s Best Documentary Award, beating four international nominees and the Taree-based autobiographical doco Teach A Man to Fish, made by Grant Leigh Saunders. The award for Best Music Documentary went to Michael Franti’s Stay Human, which opened the festival and set its informal theme of nurturing hope over cynicism. Best Surf Film went to Big Wata, set in Sierra Leone; Best Animation went to the French short Bavure; and the Best Cinematography Award went to Cielo for its entrancing photography of the sky above Chile’s Atacama desert. The Best Young Australian Filmmaker Award went to Melbourne-based Greta Nash for her film The Locker Room. The festival had another trophy added to its 2018 awards list – an Encouragement Prize sponsored by Canon, gifting a professional camera to a deserving Young Australian filmmaker. This year’s prize went to brothers Jay and Shaun Perry, for their work creating their short film The Intentions of F Scott Fitzgerald. Byron Shire band Parcels took home the Best Music Video Award for their film, Tied Up Right Now, and the coveted InteractiveVR award was awarded to a unique Virtual Reality Music Video Experience – Chorus.

    Read more


  • AFI FEST Announces 2018 Shorts Lineup, Winners Eligible for Academy Awards

    [caption id="attachment_32390" align="aligncenter" width="1200"]God Never Dies (Dios Nunca Muere) God Never Dies (Dios Nunca Muere)[/caption] The Shorts lineup at AFI FEST 2018 presented by Audi will feature 47 films from filmmakers from all over the world, showcasing their distinct international viewpoints. As the only juried section of the festival, the Grand Jury Award winners for Live Action and Animated Short will be eligible for the 2019 Best Live Action Short and Best Animated Short Academy Awards®. The Shorts jury is comprised of Alison Becker (actor on PARKS AND RECREATION, CURB YOUR ENTHUSIASM), Chinonye Chukwu (director/writer), Alicia Malone (host on Turner Classic Movies), Michael Mohan (co-creator of the Netflix original series EVERYTHING SUCKS!), Eliza Skinner (comedian and writer on THE LATE LATE SHOW WITH JAMES CORDEN) and Sasheer Zamata (comedian, actress, writer and former SNL cast member).

    AFI FEST takes place November 8 to 15, 2018, in the heart of Hollywood. Screenings, Galas and other events will be held at the TCL Chinese Theatre, the TCL Chinese 6 Theatres, the Egyptian Theatre and The Hollywood Roosevelt.

    SHORTS

    III – A sudden meeting of a man and a woman begins a hypnotic act — a game of pleasure and discomfort. III is a portrait of a woman in an exhausting relationship with a man, which allures and repulses at the same time. DIR Marta Pajek. SCR Marta Pajek. Poland 49 MILE SCENIC DRIVE – The compelling and amusing story behind one of San Francisco’s most visually arresting signposts and the design change that tarnished a legacy. DIR Bradley Smith, Tyler McPherron. USA ADA – Ada is an unlikeable competitive walker who makes a dress out of toilet paper and has an unfortunate run-in with a hose. DIR Eleanore Pienta. USA ALL INCLUSIVE – Under the spell of mass entertainment on the high seas. DIR Corina Schwingruber Ilić. Switzerland APPLIED PRESSURE – Ease the pain from past physical and mental distress. The body remembers. Aches may linger. Lay prone, breathe deeply, release tension, let go of the pain. DIR Kelly Sears. USA BABY BROTHER – My baby brother moves back in with our parents. DIR Kamau Bilal. USA BIRDIE – A casual gesture of friendliness quickly spirals into a paralyzing moment for a woman on a train. DIR Shelly Lauman. Australia BLOOMSTREET 11 (BLOEISTRAAT 11) – As summer progresses, the bodies of inseparable best friends start to morph and shift as puberty interrupts their bond. DIR Nienke Deutz. Belgium, Netherlands CAT DAYS (NEKO NO HI) – Jiro, a little boy, feels sick. His father takes him to the doctor. She diagnoses a harmless condition, but it shakes the core of the boy’s identity. DIR Jon Frickey. Germany, Japan COME ON MANDY – A wheelchair-bound woman trying to get her dog to come when she calls. DIR Joshua Wilmott. USA CONCUSSION PROTOCOL – By the end of the 2017-18 season, more than 250 players in the NFL will have sustained concussions. For his latest project, data artist Josh Begley tracked these injuries. DIR Josh Begley. USA COUNTERFEIT KUNKOO – In a city that houses millions, Smita discovers a strange prerequisite for renting a house in middle-class Mumbai. She would make an ideal tenant, except for one glaring flaw — she is an Indian woman without a husband. DIR Reema Sengupta. India CYCLISTS (BICIKLISTI) – During the final race of the cycling season, two men in the lead compete for more than the Grand Trophy. DIR Veljko Popovic. Croatia, France DESERT RATS – Out in the Salt Flats, people think nothing can survive, but Lily did. DIR Shaz Bennett. USA DOWN THERE – A blissful night is unexpectedly interrupted by a sound from downstairs. Different reactions are triggered as well as indifference. DIR Zhengfan Yang. China, France DULCE – In coastal Colombia, a mother teaches her daughter how to swim, so that she may go to the mangroves and harvest piangua shellfish with other women in the village. DIR Angello Faccini, Guille Isa. Colombia, USA EGG – A woman is locked in her home with an egg. She eats the egg, she repents. She kills it. She lets the egg die of hunger. DIR Martina Scarpelli. France, Denmark FAUVE – Set in a surface mine, two boys sink into a seemingly innocent power game with Mother Nature as the sole observer. DIR Jeremy Comte. Canada GINGERBREAD – In 1862, during the bloodiest days of the Civil War, Abraham Lincoln reluctantly agrees to join Mary Todd in a séance to contact their recently departed son. DIR Kendell Courtney Klein. USA GOD NEVER DIES (DIOS NUNCA MUERE) – Living in hidden America, Paula, a Mexican farmworker, struggles to raise her two children on her own. DIR Barbara Cigarroa. USA, Ireland GOOD PEOPLE – Overwhelmed by guilt after an intense affair, Emma returns home to her family hoping to reconnect with her husband. An AFI Conservatory thesis film. DIR Gregory Kohn. USA HAIR WOLF – The staff of a black hair salon fend off a strange new monster: white women intent on sucking the lifeblood from black culture. DIR Mariama Diallo. USA HALF A CHICKEN – Bryan struggles to keep to his chicken alive. DIR Sarah Ginsburg, Will Lennon. USA INSTINCT – A psychosexual thriller about Isabelle, a lonely gallery owner, who meets a dangerously seductive performance artist and discovers they have more in common than expected. An AFI Conservatory thesis film. DIR Maria Alice Arida. USA IRISH PRINCE – When an older Irish gentleman reveals to his pals how he met his wife, the story turns out to be a lot more familiar than expected. DIR Joey Garfield. USA JEOM – A strange and wonderful story about a special connection between father and son. DIR Kangmin Kim. USA A LITTLE BREAK (LES PETITES VACANCES) – While on their summer break, two young women explore their sexuality. DIR Louise Groult. France MAGIC ’85 – During the height of the AIDS epidemic in LA, Gabriel, a lonely hospice worker, helps lead his patients to a conscious death. An AFI Conservatory thesis Film. DIR Annika Kurnick. USA MAGIC ALPS – An Afghani refugee arrives in Italy with his goat and seeks political asylum for both of them. DIR Andrea Brusa, Marco Scotuzzi. Italy MATRIA – Faced with the challenges presented by her daily routine, Ramona tries to take refuge in the relationship that ties her to her daughter and granddaughter. DIR Alvaro Gago. Spain METEORITE – Bird men suffer mysterious falls in the search for where the sun rises. An altered reality through rites that converge in one objective: die to generate life. DIR Mauricio Sáenz. Mexico NORMAL APPEARANCES – An unsettling supercut of the women of #BachelorNation watching themselves being watched. DIR Penny Lane. USA THE ORPHAN (O ÓRFÃO) – Jonathas is adopted but then returned due to his “different” way. Inspired by true events. DIR Carolina Markowicz. Brazil PERIOD. END OF SENTENCE. – In an effort to improve feminine hygiene, a machine that creates low-cost biodegradable sanitary pads is installed in a rural village in Northern India. DIR Rayka Zehtabchi. USA PIU PIU – A restless young woman yearns to escape the confines of romance in order to find her superpower. DIR Naima Ramos-Chapman. USA REBIRTH IS NECESSARY – A video-art film exploring the magic and dynamism of Blackness in a realm where time and space are altered. DIR Jenn Nkiru. UK SHE (AJO) – To escape an early marriage arranged by her father, Zana has to make a courageous decision. DIR More Raca. Kosovo A SIEGE (OSTROM) – A lonely woman in war-torn Sarajevo embarks on a journey to find water, and neither her neighbors nor sniper fire can stop her. DIR István Kovács. Hungary THE SUMMER OF THE ELECTRIC LION (EL VERANO DEL LEON ELECTRICO) – Hidden in a house far from the city, Alonso accompanies his dear sister, Daniela. She expects to become the seventh wife of The Lion, a prophet who (according to stories) electrocutes you when you touch him. DIR Diego Céspedes. Chile UMBRA (TARIKI) – A few minutes after midnight, a young woman realizes that her partner has disappeared after sex. Worried, she goes out to find him in the dark streets. DIR Saeed Jafarian. Iran WAR PAINT – A young, South LA black girl experiences a series of events that intersect racism and sexism during the Fourth of July holiday. An AFI Directing Workshop for Women film. DIR Katrelle Kindred. USA THE WATER SLIDE – Tragedy strikes the world’s tallest water slide. DIR Nathan Truesdell. USA WHERE THE WATER RUNS – During the most drastic and prolonged drought in California history, a water truck delivery driver uses his resources to return water to the communities that need it most. An AFI Conservatory thesis film. DIR DuBois Ashong. USA WHILE I YET LIVE – Five acclaimed African-American quilters from Gee’s Bend, Alabama, talk about love, religion and the fight for civil rights as they continue the tradition of quilting that originally brought them together. DIR Maris Curran. USA X – X, a young black kid, wanders through Los Angeles while confronting the difficult realities of adolescence while being black in America. DIR Yara Shahidi. USA YAEL (CONCEPTION: YAEL) – Becoming a mother is one of the most transformative life experiences. DIR Margaret Cheatham Williams, Jordan Bruner. USA YASAMIN – Amid the Iranian Hostage Crisis, Yasamin moves to the USA and navigates the trials and tribulations of assimilation through the waxing of a unibrow. DIR Julia Elihu. USA

    Read more


←Previous Page
1 … 334 335 336 337 338 … 656
Next Page→

Film News

Animation | Anime

Documentary

Foreign Language Films

Independent Film

SciFi + Horror

Short Films

Thriller

More Film News

Awards

Film Reviews

Trailers

Interviews

People

Film Release Calendar

Film Festivals

Film Festivals News

Film Festivals (List)

Film Festivals Calendar

Company

Home

About Us

Privacy Policy

Terms Of Use

Contact Us

Internship Program

Cookie Policy (EU)

Opt-out preferences

  • Bluesky
  • YouTube
  • Instagram
  • Facebook
  • Pinterest
  • LinkedIn
  • Threads
  • X

Copyright © 2026 — VIMooZ LLC | Designed by TTHINKS

Manage Cookie Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes. The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
  • Manage options
  • Manage services
  • Manage {vendor_count} vendors
  • Read more about these purposes
View preferences
  • {title}
  • {title}
  • {title}