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Florianópolis Dream (Sueño Florianópolis)[/caption]
Twelve films produced, directed or set in Latin America will compete for the Horizontes Award at the 2018 San Sebastian International Film Festival.
Las herederas (Marcelo Martinessi), opening film of the section, Familia sumergida (Immersed Family, María Alché), La noche de 12 años (A Twelve-Year-Night, Álvaro Brechner), Figuras (Figures, Eugenio Canevari), Cómprame un revólver (Buy Me a Gun, Julio Hernández Cordón), Enigma (Ignacio Juricic Merillán), Sueño Florianópolis (Ana Katz), Ferrugem / Rust (Aly Muritiba), Nuestro tiempo (Our Time, Carlos Reygadas), Marilyn (Martín Rodríguez Redondo), Los silencios (Beatriz Seigner) and El motoarrebatador (The Snatch Thief, Agustín Toscano) make up the Horizontes Latinos selection at the 66th edition of the San Sebastian Festival.
Films in Horizontes Latinos at 66th San Sebastian Festival
LAS HEREDERAS
MARCELO MARTINESSI (PARAGUAY – GERMANY – BRAZIL – URUGUAY – NORWAY – FRANCE )
Cast: Ana Brun, Margarita Irún, Ana Ivanova, Nilda Gonzalez, María Martins, Alicia Guerra, Yverá Zayas
OPENING NIGHT FILM
For more than 30 years, Chela and Martina have lived together, like the daughters of families in a well-placed social position: they had inherited enough money to live comfortably with no need to work. But now, when both are over 60, the money has run out. When Martina is sent to prison for being unable to pay her debts, Chela starts providing older women from well-off families with a taxi service which helps her to get by. That’s how she meets Josefina, a glamorous woman 20 years younger than herself, with whom she immediately hits it off. The connection changes the relationship Chela has with herself and with those around her, triggering an internal revolution.
CÓMPRAME UN REVÓLVER (BUY ME A GUN )
JULIO HERNÁNDEZ CORDÓN (MEXICO)
Cast: Matilde Hernández Guinea, Rogelio Sosa
Mexico, sometime in a near future… Women are disappearing and a girl called Huck wears a mask to hide her gender. She helps her dad, a tormented addict, to take care of an abandoned baseball camp where the narcos gather to play. The father tries to protect her as he can. With the help of her friends, a group of lost boys who have the power of camouflaging themselves in the windy desert, Huck has to fight to overcome her reality and to defeat the local capo.
EL MOTOARREBATADOR (THE SNATCH THIEF)
AGUSTÍN TOSCANO (ARGENTINA – URUGUAY – FRANCE)
Cast: Sergio Prina, Liliana Juárez, León Zelarrayán, Daniel Elías, Camila Plaate, Pilar Benítez Vibart, Mirella Pascual
IV Europe-Latin America Co-production Forum
In the Argentinian city of Tucumán, Miguel is making a living as a “motochorro”, a thief who snatches people’s belongings from his motorbike. When he steals the purse of Elena, an old woman, he ends up hurting her badly. After the brutal incident, Miguel is plagued by guilt and unable to forget about his victim. In an attempt to make things right, he conceals his true identity from the old woman and starts to take care of the injured and unsuspecting Elena. The closer he gets to her the more he becomes entangled in his own lies. Afraid of telling Elena the truth, Miguel continues to be haunted by his past and is unable to find true redemption.
ENIGMA
IGNACIO JURICIC MERILLÁN (CHILE)
Cast: Roxana Campos, Rodrigo Pérez, Paula Zúñiga, Claudia Cabezas
Films in Progress 33
Nancy receives the offer from a TV programme on unsolved mysteries to participate in the episode telling the story of her daughter, a young lesbian beaten to death, a crime for which no-one has been declared guilty eight years after it was committed. Nancy confronts her family and each one’s version of the events, as she decides whether or not to participate in the space and learn more about the person her daughter was.
FAMILIA SUMERGIDA (IMMERSED FAMILY)
MARIA ALCHÉ (ARGENTINA – BRAZIL – GERMANY – NORWAY)
Cast: Mercedes Morán, Esteban Bigliardi, Marcelo Subiotto, Ia Arteta, Laila Maltz, Federico Sack
Films in Progress 32
It’s summertime in an empty and heated Buenos Aires. Marcela’s world is shaken as her sister passes away, and it becomes estranged and unfamiliar. While still grieving, she will have to deal with clearing out her sister’s apartment. Willing to help out, Nacho, a young friend of her daughter’s, bursts in. His presence gives way to shared road trips and adventures. During these confusing days, people and conversations from another time will get intertwined, leading her to some self-questioning, as the imminence of everyday life pushes in.
FERRUGEM / RUST
ALY MURITIBA (BRAZIL)
Cast: Tifanny Dopke, Giovanni Di Lorenzi, Pedro Inoue, Enrique Diaz, Clarissa Kiste, Dudah Azevedo
Films in Progress 32
Tati is a 16-year-old girl, joyful and lively, who likes to share her happiest moments on social networks. She eagerly looks forward to a weekend trip with her school friends. She knows this may be a good opportunity to get to know Renet better, her mysterious classmate. Renet belongs to a family where things are not openly spoken, merely suggested, and most often in silence. The current unspoken matter between father and son is the departure of Renet’s mother, who left David, her ex-husband, caring alone for the boy. David is a teacher at the same school where Tati and Renet study. The hot topic at school is a video shared among the students in which the girl appears in a compromising situation.
FIGURAS (FIGURES)
EUGENIO CANEVARI (SPAIN – ARGENTINA)
Cast: Stella Maris Santo, Francisco Dominguez, Valeria Ballerini
Stella, an argentinian immigrant living in Spain, suffers from Amyotrophic lateral sclerosis (ALS) and needs constant attention. Paco, her longtime partner, helps her to move, eat, and communicate. Valeria, Stella’s daughter, visits them sporadically and, anguished by the visible deterioration of her mother, finds a manner of escape by going out to parties. While they wait for an answer about an opportunity for subsidized housing, they attempt to cope with the situation through humor and love. A real family performing in a real story.
LA NOCHE DE 12 AÑOS (A TWELVE-YEAR-NIGHT)
ÁLVARO BRECHNER (SPAIN – ARGENTINA – FRANCE – URUGUAY)
Cast: Antonio de la Torre, Chino Darín, Alfonso Tort
IV Europe-Latin America Co-production Forum
September 1973. Uruguay is under the control of military dictatorship. The Tupamaros guerrilla movement has been crushed and out of action for a year. Its members imprisoned and tortured. One autumn night, three Tupamaros prisoners are taken from their prison cells in a secret military operation that will last for twelve years. From then on they will be hauled around different camps all over the country, subject to a macabre experiment; a new kind of torture aiming to break the limits of their mental resistance. The military order is clear: “since we couldn’t kill them, we’re going to drive them insane”. For more than a decade, the prisoners will be kept in isolation in tiny cells where they spend most of their time with hoods on, tied up, deprived of their basic needs, with hardly any food, and seeing how their senses are reduced to a minimum. With their bodies and minds pushed beyond the limits, La noche de 12 años (A Twelve-year Night) tells us how they managed to survive.
LOS SILENCIOS
BEATRIZ SEIGNER (BRAZIL – FRANCE – COLOMBIA)
Cast: Marleyda Soto, Enrique Diaz, Maria Paula Tabares Peña, Adolfo Savilvino
Films in Progress 33
Nuria, Fabio and their mother Amparo arrive in a small island in the middle of Amazonia, at the border of Brazil, Colombia and Peru. They ran away from the Colombian armed conflict in which their father disappeared. One day, he reappears in their new house. The family is haunted by this strange secret and discovers the island is peopled with ghosts.
MARILYN
MARTÍN RODRÍGUEZ REDONDO (ARGENTINA – CHILE)
Cast: Walter Rodríguez, Catalina Saavedra, Germán de Silva, Ignacio Giménez, Germán Baudino, Andrew Bargsted, Rodolfo García Werner, Josefina Paredes
III Europe-Latin America Co-production Forum Films in Progress 31
Marcos, a 17 year-old farmhand, discovers his sexuality in a hostile atmosphere. Nicknamed “Marilyn” by the other village teenagers, he becomes an object of desire and discrimination. Marcos feels increasingly more penned in.
NUESTRO TIEMPO (OUR TIME)
CARLOS REYGADAS (MEXICO – FRANCE – ALEMANIA – DENMARK – SWEDEN)
Cast: Carlos Reygadas, Natalia López, Eleazar Reygadas, Rut Reygadas, Phil Burgers
A family lives in the Mexican countryside raising fighting bulls. Esther is in charge of running the ranch, while her husband Juan, a world-renowned poet, raises and selects the beasts. When Esther becomes infatuated with a horse trainer, named Phil, the couple struggles to stride through the emotional crisis.
SUEÑO FLORIANÓPOLIS (FLORIANÓPOLIS DREAM)
ANA KATZ (ARGENTINA – BRAZIL – FRANCE)
Cast: Mercedes Morán, Gustavo Garzón, Marco Ricca, Andréa Beltrão
Couple Pedro and Lucrecia travel to Brazil with their teenage children. They have recently decided to separate, but to spend the holidays together as planned all the same. Marco, the Brazilian renting their summer house to the family, and Larissa, his ex-girlfriend, befriend Pedro and Lucrecia. On the beaches, among the waves, karaoke and water excursions, overlapping romances emerge together with an attraction that will rub off on the children on all sides. Parents and siblings have fun as they test the “Brazilian happiness”. While endless samba awakens the tourists from their lethargy, they separate to indulge in the passion and exploration, in the mirror, of more liberal and unexpected versions of themselves.
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The Chicago International Film Festival selected Chicago’s own Michael Zhang as the winner of 2018’s poster design competition. Zhang’s design will be the signature look of the Festival, held October 10 to 21, 2018.
Zhang won a truly global contest, which in the past three years has featured winners from Scotland, Taiwan and the Netherlands. His design was chosen from more than 200 submissions spanning 30 countries. The poster depicts the façade of a vintage movie theater, presenting the exciting thrill of a neon-lit marquee and a classic art deco design. This year’s event tagline, “Everybody Loves Movies,” runs across the marquee alongside the Festival’s beloved “eyes” logo. Zhang, a Chicago resident, also incorporated the City of Chicago’s time-honored four-star flag design into the poster.
“This competition is meant to gather diverse perspectives on what the Festival is and what it means to people,” Cinema/Chicago Founder and CEO Michael Kutza said. “Michael’s design captures the glamour and allure of a visit to a classic movie house while also being very contemporary, and we loved his personal connection to the art, Chicago and the Film Festival itself.”
“I’m honored and so excited to see it in print at the Festival. I’ve been attending the Festival for a few years now, so this really means a lot to me,” Zhang said. “No matter what theater you go to, the excitement of marquee lights are a part of every movie-goer’s experience. For me, the lights were always a sign that I was about to leave the real world behind and get lost in a story on screen. When designing this poster, I wanted to evoke a similar sense of wonder and nostalgia.”
As the winner of the competition, Michael will receive a $2,500 USD prize and his design will be utilized in marketing materials throughout the city, including on the cover of the Festival guide, posters and merchandise.
Zhang is a graphic designer and illustrator living in Chicago. He volunteered at the 53rd Chicago International Film Festival in 2017 and studied graphic design at the University of Illinois at Urbana-Champaign. He is currently freelancing and available for design or illustration work. You can find more of his work by following him on Instagram
The Fragile House (Hai shang cheng shi)[/caption]
The Ambassador’s Wife[/caption]
36 short films will make up the International portion of the Short Cuts program at this year’s 2018 Toronto International Film Festival.
The lineup of provocative, exciting shorts includes 14 World Premieres and works from 32 countries, in 19 different languages, with a strong array of new voices. Of the 36 films in the selection, 18 were directed or co-directed by women.
Highlights among the selection of live-action narrative films include Reed Van Dyk’s Interior, a bold follow-up to his recent Academy Award–nominated DeKalb Elementary ; A.V. Rockwell’s vivid and vital drama Feathers; Héctor Silva Núñez’s exceptional exploration of identity in The Foreign Body; and Charles Williams’ All These Creatures, an emotionally wrenching drama that won the Short Film Palme d’Or at Cannes.
The 2018 program also includes such fascinating short documentaries as Theresa Traore Dahlberg’s The Ambassador’s Wife, an elegant study of a woman who represents the complexities of class, women’s roles, and post-colonialism, and Jayisha Patel’s Circle, a haunting documentary that tells the horrifying story of a young woman caught in a cycle of abuse.
Amazing animations are also prominent at this year’s Festival. Standouts include: Emma de Swaef and Marc James Roels’ This Magnificent Cake! , a wildly ambitious and original stop-motion marvel that uses stories set in the Belgian Congo in the 19th century to reveal the absurdity and horror of European colonialism in Africa; Anca Damian’s free-flowing yet astoundingly intricate The Call; and Donato Sansone’s Bavure, a bravura display of eye-popping, mind-bending, and body-morphing ingenuity.
The 43rd Toronto International Film Festival runs from September 6 to 16, 2018.
Michael Moore’s Fahrenheit 11/9[/caption]
The World Premiere of Michael Moore’s Fahrenheit 11/9 , a radical and humorous look at the United States under Donald Trump, will open the Toronto International Film Festival 2018 documentary program. The Festival will screen 27 feature-length non-fiction films, representing 19 countries in the 2018 documentary program.
Other World Premieres include Rashida Jones and Alan Hicks’ Quincy, profiling musical icon Quincy Jones; Victoria Stone and Mark Deeble’s The Elephant Queen, narrated by Chiwetel Ejiofor, tracing the epic journey of an elephant herd; Billy Corben’s Screwball, a true-crime comedy on doping in Major League Baseball; and Maxim Pozdorovkin’s The Truth About Killer Robots, investigating the lethal consequences of automation.
One-third of this year’s doc features are directed or co-directed by female filmmakers including TIFF Docs closing film, Margarethe von Trotta’s Searching for Ingmar Bergman, which offers a multi-faceted look at the Swedish auteur’s life 100 years after his birth. Women creators, trailblazers, and the #MeToo movement are also examined within the lineup: Naziha Arebi’s Freedom Fields, about a Libyan women’s football team; Alex Holmes’ Maiden recounts the story of the first all-women sailing crew in the Whitbread Round the World Race (now the Volvo Ocean Race), skippered by Tracy Edwards; and Tom Volf’s Maria by Callas, narrated by Joyce DiDonato, profiles one of the major icons of the 20th century. More highlights include Alexis Bloom’s Divide and Conquer: The Story of Roger Ailes, covering the Fox News creator who was ousted for allegations of sexual harassment; and Tom Donahue’s This Changes Everything, an examination of gender dynamics in Hollywood, executive produced by Geena Davis. Mark Cousins’ Women Make Film: A New Road Movie Through Cinema , narrated by Tilda Swinton, explores international cinema through the lens of women directors.
Global politics and leaders of modern society are put under the microscope with films such as Werner Herzog and André Singer’s Meeting Gorbachev, on the former Soviet leader; Vitaly Mansky’s Putin’s Witnesses, focusing on Russia’s president; and Errol Morris’ American Dharma , looking at controversial Trump strategist Steve Bannon.
Grand adventures are at the heart of several docs in the selection. E. Chai Vasarhelyi and Jimmy Chin’s Free Solo captures Alex Honnold’s unprecedented climb of El Capitan without safety ropes; Andrey Paounov’s Walking on Water documents the artist Christo’s project The Floating Piers; John Chester’s The Biggest Little Farm chronicles an eight-year struggle to run a family farm; and Shannon Service and Jeffrey Waldron’s Ghost Fleet captures a nail-biting rescue of fishermen enslaved at sea.
After directing last year’s Festival opener Borg vs McEnroe, Janus Metz teams with Sine Plambech for the World Premiere of Heartbound, a longitudinal study 10 years in the making about the trend of Thai women marrying Danish men. And several documentaries represent eclectic perspectives told from around the world, including: Rithy Panh’s Graves Without a Name, on the legacy of Cambodia’s genocide; Jawad Rhalib’s When Arabs Danced, on Muslim performers pushing boundaries; James Longley’s Angels Are Made Of Light, about a group of Afghan children and their teachers; and Frederick Wiseman’s Monrovia, Indiana , about a small town in America’s Midwest.
The 43rd Toronto International Film Festival runs from September 6 to 16, 2018.
The Predator[/caption]
The Toronto International Film Festival this morning announced its explosive lineup of films in the 2018 Midnight Madness program that will screen every evening at 11:59pm.
“This year’s Midnight Madness slate promises another idiosyncratic confluence of established and emerging genre filmmakers,” said Peter Kuplowsky, Midnight Madness Programmer. “To complement some of the buzziest provocations on the festival circuit, I have sought to curate an eccentric array of World Premieres that demonstrate the dexterity of genre cinema as a canvas for both sublime satisfaction and stunning subversion. That includes the section’s two much-anticipated sequels, The Predator and Halloween, each of which boldly and brilliantly builds upon its mythic iconography to thrilling and surprising effect.”
Kuplowsky continues to put his fearless stamp on the program, starting with the opening film: the World Premiere of Shane Black’s The Predator, the director’s reinvention of the iconic film series. The lineup will also feature the highly anticipated World Premiere of Halloween, directed by David Gordon Green and starring Jamie Lee Curtis. The program closes with the North American Premiere of 
Grant Fuhr in Making Coco: The Grant Fuhr Story[/caption]
The world premiere of Making Coco: The Grant Fuhr Story, directed by Don Metz, will screen on September 29, as the Closing Gala film 0f the Calgary International Film Festival. Called the greatest goaltender in hockey history by Wayne Gretzky, Fuhr also struggled with cocaine and had well-known conflicts with the League. Making Coco is the story of his life, both on and off the ice.
The Calgary International Film Festival also announced 11 more films today, all gripping stories of hurdles overcome. This selection includes features, shorts and documentaries from countries including Lebanon, Germany, England and Canada.
“Films give us the opportunity to see into people’s lives that are totally different from our own, to understand and to empathize,” said Stephen Schroeder, Executive Director of the Calgary International Film Festival. “These films all depict a life lived on the edge: stories of obstacles, loss, and pain, but also triumph, hope, and strength when we need it the most.”
ALIVE directed by Rob Grant
A severely injured man (Thomas Cocquerel) and woman (Camille Stopps) awake in an abandoned hospital to discover they are being held hostage by a sadistic caretaker (Angus Macfadyen, BRAVEHART, SAW 3 & 4). As the two decide to find a way out, they realize their caretaker is the only one with answers to their real identity. Vancouver Director Rob Grant (FAKE BLOOD, Calgary Film 2017), produced and shot this film in the Calgary area, using a mostly local crew.
ALL ABOUT NINA directed Eva Vives
Nina Geld (Mary Elizabeth Winstead) is a blisteringly provocative stand-up comedian whose career is taking off, but whose personal life is a near-complete disaster. In this narrative feature, Nina flees to Los Angeles where she meets Rafe (Common), who challenges almost every preconception she has – including those around her own troubled past.
ANTHROPOCENE directed by Jennifer Baichwal
Four years in the making, this documentary feature is a stunning and sobering reflection on the human capacity for transforming the planet for our purposes, chronicling the work of an international team of scientists who have spent a decade researching the profound geological change caused by human endeavour.
CAPERNAUM directed by Nadine Labaki
Winner of the Jury Prize at this year’s Cannes, this narrative feature from Lebanon tells the story of an extraordinary trial: 12-year old Zain is suing his parents for giving him life, and launches his lawsuit against his parents while serving a prison sentence. The film takes us on an emotionally charged journey through the streets of Beirut and shows us the gritty life that Zain and his siblings had to face while uncovering the decisions made by his parents.
LETTER FROM MASANJIA directed by Leon Lee
When a woman from Oregon finds an SOS note written by a Chinese prisoner stashed in a box of Halloween decorations from Kmart, she never imagined it would eventually lead to the closure of all of China’s labour camps. This nail-biting documentary shows the actions of a few good citizens can truly thwart those of a totalitarian regime.
MAKING COCO: THE GRANT FUHR STORY directed by Don Metz
At 19, Grant ‘Coco’ Fuhr became starting goalie for the Oilers. In his mid-30’s, he played 79 games in an 82-game season to set a league record, then played 73 the following season on a completely rebuilt knee. He backstopped five Stanley Cup champions and two Canada Cup winners. He also got himself demoted to the minors for calling the hometown fans jerks, announced his retirement at the age of 26 in an attempt to renegotiate a long-term contract and was suspended for an entire NHL season for cocaine use, only to return and redeem himself as one of the game’s true greats. Fuhr was the first black superstar in hockey, winning 403 regular season NHL games. He’s a member of the 2003 class of the Hockey Hall of Fame.
MAN RUNNING directed by Gary Burns
In this Alberta feature, a young doctor runs in a grueling 24-hour, 200-kilometer ultra-marathon over rugged mountain terrain as he avoids a police investigation into a recent incident involving his medical practice. Veteran Calgary-based director, Gary Burns (WAYDOWNTOWN, PROBLEM WITH FEAR, RADIANT CITY), once again crafts an innovative story that pushes boundaries and challenges audiences.
PRINCE’S TALE directed by Jamie Miller
This Canadian short portrays the life of Prince Amponsah, a young actor who survived a near-fatal fire in 2012, and the journey of mental recovery that brought him back on stage.
THE GREAT DARKENED DAYS directed by Maxime Giroux
In this Canadian narrative feature, Philippe, a draft-dodger from Quebec, takes refuge from a world war in the American West, surviving by competing in Charlie Chaplin impersonation contests. As Philippe makes his long journey home, he encounters various characters under the sway of a destructive madness. His voyage, both violent and fascinating, is a hallucinatory initiation to the darker side of the American dream.
THE HEAT: A KITCHEN (R)EVOLUTION directed by Maya Gallus
In restaurant kitchens, tight quarters, high pressure and hot tempers combine to create toxic conditions that make it difficult for anyone to survive, let alone climb the ladder to head chef. For women, the situation is even worse. From New York City’s star chefs Anita Lo and Amanda Cohen to the queen of French cuisine Anne-Sophie Pic, seven chefs share their struggles and inspirations in this Canadian documentary feature.
THUNDER ROAD directed by Jim Cummings
A jaw-dropping performance filled with bursts of offbeat humor and unexpected pathos as a small-town police officer struggling to process the death of his mother, an impending divorce, and his own unrecognized cluelessness. This is a Canadian premiere for this independent American feature.
TWO PUDDLES directed by Timothy Keeling
Embarking on a woodland retreat to ease straining family relations, a mother, father and their teenage daughter encounter two connected puddles forcing them to decide whether to sacrifice themselves for another, or risk waiting for help to arrive in time. A short from the UK.
Her Smell by Alex Ross Perry[/caption]
Ranging from period pieces to police dramas, and even incorporating elements of sci-fi, the Toronto International Film Festival unveiled today the 12 feature films that comprise the 2018 Platform lineup. The program’s lineup includes four features (30%) directed or co-directed by women, and seven titles that feature strong women in leading roles. Hailing from the Americas, Europe, and Asia, all but two of the titles will be making their World Premiere at the Festival. Caroline Poggi & Jonathan Vinel’s Jessica Forever is the standout feature directorial debut in the program.
Now in its fourth year, Platform is the Toronto International Film Festival’s juried program that champions risk-taking, with a lineup of up to 12 works with high artistic merit and a bold directorial vision. A three-person jury selects the winner of the Toronto Platform Prize, an award of $25,000 CAD made possible by Air France, which will be presented to the best film in the lineup at the Awards Ceremony on the last day of the Festival.
Previous titles that have screened as part of the program include Armando Iannucci’s 
The World Premiere of Caroline Poggi and Jonathan Vinel’s highly anticipated feature-film debut, Jessica Forever, will be the closing film of the Toronto International Film Festival’s 2018 Platform program. The duo have previously collaborated on three critically acclaimed short films that have travelled the international festival circuit.
“Jessica Forever is among the most formally inventive titles in the lineup, and we are very pleased that it will be closing the program,” said TIFF Director & CEO Piers Handling. “This is exactly the kind of film that belongs in Platform: audacious, surprising, and effective in its futurism. We are excited to see how TIFF audiences will react to the film.”
Jessica Forever presents a dystopian world where violent youths wreak havoc. Jessica, the first person to show love and understanding to some of these troubled souls, is the leader of a group of rehabilitated marauders who are on a quest to create a more peaceful world.
“We are very happy to have Jessica Forever premiere in such a prestigious selection, and we feel really honored,” said the film’s co-directors. “It will be the first public screening of our movie, so it’s a strange mix between fear and joy. The Festival is also going to be our first trip to North America!”
The 43rd Toronto International Film Festival runs from September 6 to 16, 2018.
The World Premiere of Donnybrook, the powerful new film from Tim Sutton (Memphis,