Monster, based on the award-winning novel of the same name by Walter Dean Myers, will world premiere at the 2018 Sundance Film Festival. The film from Tonya Lewis Lee and Nikki Silver’s ToniK Productions, and written by Radha Blank (She’s Gotta Have It, Empire), Colen C. Wiley and Janece Shaffer, will debut on Monday, January 22nd at 3PM in the Dramatic Competition.
Shot entirely in New York City, Monster surrounds the story of 17-year-old honors student Steve Harmon. Steve is an aspiring filmmaker attending an elite high school in New York, and is being charged with felony murder for a crime he says he did not commit. “Monster” is what the prosecutor calls Harmon, but is Steve truly a Monster? As Steve’s world comes crashing down around him, the film follows his journey from a smart, likeable young man from Harlem through a complex legal battle that could leave him spending the rest of his life in prison. Monster is sure to stimulate conversation in today’s relevant narrative on youth in prisons, excessive sentencing, peer pressure, and likeminded issues.
Monster features an outstanding ensemble cast including: Kelvin Harrison Jr. (The Birth of A Nation), Academy Award winner Jennifer Hudson (Dreamgirls), Jennifer Ehle (Little Men, Zero Dark Thirty), A$AP Rocky, (Dope, Zoolander 2), Nas, (The Get Down), Tim Blake Nelson (Fantastic Four, Billy Lynn’s Long Halftime Walk), John David Washington (Ballers) and Jeffrey Wright (The Hunger Games: Mockingjay 1 & 2, Westworld).
“We’re thrilled and humbled to be participating in this year’s Sundance Film Festival. We believe the current social and cultural landscape makes the message of Monster even more relevant and important,” says Tonya Lewis Lee of ToniK Productions.
“As producers committed to tackling the toughest issues of our time, we believe Monster is no exception. This has been an ongoing passion project for us and we are thrilled to bring it to the public forum.” adds ToniK co-founder Nikki Silver.
In addition to Tonya Lewis Lee, Nikki Silver, and ToniK Productions, Monster producers include Aaron L. Gilbert and Bron Studios, Edward Nahem and Mike Jackson of Get Lifted Film Co. Nas, Red Crown’s Daniel Crown and Yoni Liebling, Creative Wealth’s Jason Cloth and Richard McConnell, Linnea Roberts and Get Lifted’s John Legend and Ty Stiklorius are all executive producers. Legend and Nas will both play a role in the film’s music.
Image: Kelvin Harrison Jr. appears in Monster by Anthony Mandler, an official selection of the U.S. Dramatic Competition at the 2018 Sundance Film Festival. Courtesy of Sundance Institute | photo by David Devlin.
Film Festivals
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Tonya Lewis Lee And Nikki Silver’s ToniK Productions’ Film “MONSTER” To Premiere At 2018 Sundance Film Festival
Monster, based on the award-winning novel of the same name by Walter Dean Myers, will world premiere at the 2018 Sundance Film Festival. The film from Tonya Lewis Lee and Nikki Silver’s ToniK Productions, and written by Radha Blank (She’s Gotta Have It, Empire), Colen C. Wiley and Janece Shaffer, will debut on Monday, January 22nd at 3PM in the Dramatic Competition.
Shot entirely in New York City, Monster surrounds the story of 17-year-old honors student Steve Harmon. Steve is an aspiring filmmaker attending an elite high school in New York, and is being charged with felony murder for a crime he says he did not commit. “Monster” is what the prosecutor calls Harmon, but is Steve truly a Monster? As Steve’s world comes crashing down around him, the film follows his journey from a smart, likeable young man from Harlem through a complex legal battle that could leave him spending the rest of his life in prison. Monster is sure to stimulate conversation in today’s relevant narrative on youth in prisons, excessive sentencing, peer pressure, and likeminded issues.
Monster features an outstanding ensemble cast including: Kelvin Harrison Jr. (The Birth of A Nation), Academy Award winner Jennifer Hudson (Dreamgirls), Jennifer Ehle (Little Men, Zero Dark Thirty), A$AP Rocky, (Dope, Zoolander 2), Nas, (The Get Down), Tim Blake Nelson (Fantastic Four, Billy Lynn’s Long Halftime Walk), John David Washington (Ballers) and Jeffrey Wright (The Hunger Games: Mockingjay 1 & 2, Westworld).
“We’re thrilled and humbled to be participating in this year’s Sundance Film Festival. We believe the current social and cultural landscape makes the message of Monster even more relevant and important,” says Tonya Lewis Lee of ToniK Productions.
“As producers committed to tackling the toughest issues of our time, we believe Monster is no exception. This has been an ongoing passion project for us and we are thrilled to bring it to the public forum.” adds ToniK co-founder Nikki Silver.
In addition to Tonya Lewis Lee, Nikki Silver, and ToniK Productions, Monster producers include Aaron L. Gilbert and Bron Studios, Edward Nahem and Mike Jackson of Get Lifted Film Co. Nas, Red Crown’s Daniel Crown and Yoni Liebling, Creative Wealth’s Jason Cloth and Richard McConnell, Linnea Roberts and Get Lifted’s John Legend and Ty Stiklorius are all executive producers. Legend and Nas will both play a role in the film’s music.
Image: Kelvin Harrison Jr. appears in Monster by Anthony Mandler, an official selection of the U.S. Dramatic Competition at the 2018 Sundance Film Festival. Courtesy of Sundance Institute | photo by David Devlin.
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2018 London Short Film Festival Unveils Lineup, Spotlights Early Films from Francis Lee, Alice Lowe and More
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BRADFORD HALIFAX LONDON, Francis Lee[/caption]
London Short Film Festival (LSFF) unveiled its full 2018 program of over 500 UK and international short films, screening over 10 days, from January 12 to 21, 2018.
The 15th anniversary content includes We Dare To Fail, a strand that screens the early LSFF entries from uncompromising auteur filmmakers. There will be shorts shown from Francis Lee (God’s Own Country), Hope Dickson-Leach (The Levelling), and Alice Lowe (Prevenge). The celebratory retrospective will also feature shorts from the directors behind The Greasy Strangler, Berberian Sound Studio, Couple in a Hole, Spaceship, Gone Too Far, True West, and Nina Forever. There are also early-career cameos from the likes of Michael Fassbender and Danny Dyer when their stars were rising.
Brexit Shorts: Dramas From A Divided Nation marks the one year anniversary of the divisive decision to leave the EU, with new short films from notable scriptwriters and actors in response to the referendum.
Other highlights from the program include trailblazing films from Iranian poet Forough Farrokhzad (in partnership with MUBI), video artist William E Jones’ reclaiming of police surveillance footage of the gay community in 60s Ohio, and LSFF’s own With Teeth artists premiering newly commissioned experimental AV work. Ngozi Onwurah is the first Black British woman to have a feature film released in UK cinemas (Welcome II The Terrordome,1995), and there will be a legacy screening of her rare works, for which Ngozi will be in attendance. Pioneering lesbian filmmaker Barbara Hammer will be answering questions following a screening of her films.
There will also be a retrospective of Dawn Shadforth’s music video back catalogue, looking at the work of pop doyennes Kylie Minogue, Bjork, Sugababes, and Peaches. Other music video events include a new visual project from Domino, in celebration of their long association with LSFF.
A brand new competition strand to celebrate the 15th anniversary is made up of six programs, all of which exemplify the Festival’s commitment to diversity and continual audience development. The 36 selected films take in migration, prejudice, survival and the darker side of family life, and dissect everything from the entertainment industry to reality itself. The esteemed international short film jury includes French filmmaker Lucile Hadžihalilović, international short film festival curator Lili Hartwig, and Fish Tank actress Katie Jarvis. Each LSFF 2018 Competition program will screen twice, at Curzon Soho and Rich Mix.
As always, the core of LSFF is the New Shorts section; programs of short films selected from 2500 open submissions into the Festival, with popular, returning slots from Funny Shit to Leftfield & Luscious, from Lo-Budget Mayhem to A Winter’s Matinee of Romantic Films, alongside new themes around identity, visibility and relationships.
LSFF will screen films at important cultural landmarks in London’s film community, including the ICA, which has hosted LSFF every year since it began. New venues for 2018 includethe Rich Mix in Shoreditch; Regent Street Cinema Curzon Soho, the Rio Cinema in Dalston and the BFI Southbank. The industry program will take place entirely at its new home at MOTH Club in Hackney.
2018 will also showcase new With Teeth projects. LSFF’s long-term short film commissioning fund, aims to become a solid support base for the most exciting emerging cinematic voices and auteurs, supported by Arts Council England National Lottery Funding. Tash Tung, Kim Noce and Zoe Aiano, will premiere newly commissioned experimental work that uses a range of unconventional AV techniques to enhance and communicate beautiful and nuanced stories.
As a champion of diverse and inclusive film, LSFF continues to see a huge contribution from women, LGBT and BAME filmmakers, and in a Festival first will introduce a program led by and for the D/deaf community.
With an established network of sponsors and supporters who help champion the Festival, LSFF strives to become more accessible and inclusive with the support of the BFI and Arts Council England, both awarding funds from the National Lottery. LSFF is also proud to have been awarded the Screen Diversity mark of good practice for meeting the BFI Diversity Standard, which recognises the Festival’s commitment in this endeavour.
LONDON SHORT FILM FESTIVAL 15TH ANNIVERSARY
The festival celebrates its 15th year in 2018 with a retrospective of the early works of auteur directors who all showcased short films at the festival at the beginning of their careers. With films like God’s Own Country, The Greasy Strangler, Berberian Sound Studio, The Levelling, Prevenge, Couple in a Hole, Spaceship, Gone Too Far, True West, Nina Forever representing great British films from the last few years, by uncompromising auteurs, who have all screened early works at London Short Film Festival. We Dare To Fail: 15 Years of LSFF looks at pieces by the directors of films including Francis Lee (God’s Own Country) and Alice Lowe (Prevenge), amongst many others. Filmmakers will be in attendance, and the event will be hosted on stage by LSFF co-founders Philip Ilson and Kate Taylor. Alongside BAFTA winners Simon Ellis and Joe Lawlor & Christine Molloy (The Desperate Optimists), we bring an incredible selection of shorts back to this very special 15th anniversary screening. This impressive collection of shorts come from: FREE SPEECH The Blaine Brothers 2004, 6 mins LITTLE CLUMPS OF HAIR Jim Hosking 2003, 12 mins WHAT THE Simon Ellis 2004, 7 mins WHO KILLED BROWN OWL? The Desperate Optimists 2004, 10 mins A METAPHYSICAL EDUCATION Peter Strickland 2004, 3 mins SHAME Tom Geens 2006, 4 mins LADIES IN WAITING Hope Dickson Leach 2005, 7 mins STICKS AND BALLS Alice Lowe / Jacqueline Wright 2007, 4 mins TIGHT JEANS Destiny Ekaragha 2008, 9 mins KIDS MIGHT FLY Alex Taylor 2009, 7 mins MAN ON A MOTORCYCLE John McClean 2009, 12 mins BRADFORD HALIFAX LONDON Francis Lee 2013, 9 minsPOLITICAL
The Guardian and Headlong Theatre have teamed up to mark the one-year anniversary of the controversial decision to leave the EU, with Brexit Shorts: Dramas From A Divided Nation. A raft of prominent scriptwriters and well-known actors from each region were commissioned to highlight the nation’s growing divisions in their area at a moment of seismic political change. A mix of noteworthy names across screenwriting and acting are involved in the shorts, with scripts and stories from Maxine Peake and Abi Morgan, playwrights David Hare and Gary Owen, and actors including Kristen Scott Thomas, Meera Syal, and Penelope Wilton amongst many others. The screenings will be followed by a panel discussion with Jess Gormley and Noah Payne-Frank from The Guardian, Amy Hodge from Headlong Theatre and a live performance from one of the actors in the films.MUSIC
Dawn Shadforth: Spinning Around takes a look at one of the most quietly prolific music video auteurs of the 90s, Dawn Shadforth, who has created visuals for the likes of Kylie Minogue, Björk, Sugababes, and Peaches. A Q&A with Dawn and special guests follows. This year there’s a celebration of 15 years of LSFF and Domino, working together, It’s All Good!, is an evening of music videos, DJs, giveaways and surprises. Domino have created and curated music videos from a wealth of directors since LSFF’s inception, and this event will see the introduction of new visual projects. To celebrate the legacy of of women in British rap and MC-ing, Home Girls: Live sees LSFF team up with contemporary performers who are currently raising the bar in a scene dominated by men. The closing night party will feature a special guest appearance from Hackney-based Paigey Cakey, and special guests TBA, in a homegrown London-centric talent event. Home Girls: From Cookie Crew to Now, takes stock of the representation of female hip-hop artists over the decades, from the swim-suited video vixen to the in control and hyper sexualized. Cookie Crew, Wee Papa Girl Rappers and She Rockers burst onto the scene in the 80s and 90s with a self-defined, powerful onscreen image. A panel discussion with members of the bands, and key industry figures will follow.LGBTQ
LGBTQ content this year is led by long time LSFF collaborators New Queer Visions. The first film program, Don’t Look Back In Anger, looks at the nature of hate and positivity, with touching stories about queer characters dealing with ups, downs, and everything in between. This is accompanied by Medium Rare, a program of medium length shorts exploring the mixed-up mind of an impressionable young man. In partnership with MUBI, Radical Softness Through A Haptic Lens is a retrospective of the works of Barbara Hammer, feminist filmmaker and one of the pioneers of lesbian film, and Chick Strand, avant-garde documentary filmmaker. The films examine the idea of ‘radical softness’, the power that can be found in in being both abrasively feminine and openly vulnerable, through a soft and kinesthetic style of filmmaking. Following incredibly rare screenings of Superdyke and Soft Fictions, there will be a Skype Q&A with the legendary Barbara Hammer. Also in association with MUBI is Cruelty and Crime, a showcase of the key works of American writer Chris Kraus. From feminist readings of Antonin Artaud to Cold War sleeper agents, via dominatrices and New York City crime scenes, these films are filled with humour, sexuality, abjection, metaphor, allusion, an insatiable curiosity and a Dadaist sense of provocation and absurdity. A collection of 1962 police footage documenting men cruising in a public toilet, was reworked and re-presented by William E Jones as a separate work, Tearoom* in 2007. The experimental video art project shows how surveillance is used as a blunt tool of oppression. The footage shown was eventually used as evidence to prosecute the men of sodomy and public deviancy. Prior to the screening LSFF will also be showcasing Robert Yang’s game The Tearoom, a cruising simulation made in direct response to the film. On release the game ran afoul of the censors and so in a bold piece of satirical provocation Yang replaced all the penises with guns. The game was then successfully passed uncut. Additionally we also welcome filmmaker Sam Ashby, who will present a newly commissioned work in response to Tearoom, and artist Prem Sahib for a post screening discussion of the themes highlighted in the work. *18 – contains scenes of real sexual activity.BAME
When director Julie Dash created the groundbreaking Daughters of the Dust in 1991, a multigenerational tale of black women from the Gullah sea islands struggling to hold on to their culture, little did she know that 25 years later her work would be held up on the world stage thanks to one of the music industry’s most influential artists: Beyoncé. Given the subject matter and the detail paid to the cinematography, Dash’s film provided an obvious touchstone to inspire Beyoncé’s vision in Lemonade. 2009’s Taqwacore: The Birth of Punk Islam refers respectively to ‘taqwa’ and ‘core’, a synthesis of an awe-inspiring consciousness of Allah, and a hard-core punk music style, and a fusion of Muslim and American culture. A panel discussion, Muslim Punk and the New Subculture, hosted by filmmaker Hammad Khan asks what happened to Taqwacore, and questions how class, race, and gender are tied to Muslim resistance to Trump and Brexit. Hammad Khan’s Anima State is arguably the most important film to come out of Pakistan in decades. As we approach the 70th anniversary of the country’s independence from British India, it is an uncomfortable, in-your-face examination of the country’s violence, to its apathy, to its refusal to recognize its moral corruption, in every single facet of Pakistani society. Pioneer of Black British cinema Ngozi Onwurah’s body of work weaves autobiographical narrative with astute socio-political observation. As the first Black British woman filmmaker to have a feature film released in UK cinemas we celebrate Ngozi’s legacy with a screening of early works and panel discussion in Ngozi Onwurah: Shorts. A rare 35mm screening of Welcome II The Terrordome will also show at the festival. The House is Black, a screening of the only known film by one of Iran’s greatest 20th century poets Farough Farrokazad, depicts an isolated community of lepers living in Northwestern Iran, and is soundtracked by a reading from the poet herself. There will be a reading of her work, translated into English, and The Oberhausen Archive have kindly donated a 35mm print of the film.CULTURE
The festival will open with Adrena Adrena’s Movements of A Nebulous Dawn, supported by Arts Council England. This is a one-off audiovisual collaboration, with a 360-degree nebulous orb defying the conventions of theatrical presentation, as musicians perform in-the-round beneath multiple circular projections created by Daisy Dickinson. An improvised live set will see a constantly changing and evolving set of guest musicians from Faust, Wire, Boredoms and other experimental, electronic and progressive bands. Julian Hand, who directed the 2018 LSFF trailer, will be projecting psychedelic visuals using coloured liquids and slides. This year’s festival sees a first for LSFF, with a premiere screening exclusively for D/deaf audiences, curated by LSFF’s Deaf Young programr Zoe McWhinney. Save The Date, a selection of archive and contemporary short films, brings stories about D/deaf culture and experience to the screen. The screening, at BFI Southbank, will be fully supported by BSL interpreters, and films will include BSL dialogue, and/or subtitles. The Final Girls Present: The Witching Hour is a screening of two of the original 1970s documentaries that showcase the continuing, cultural obsession with witchcraft and the occult. Secret Rites is a pseudo documentary illustrating a series of initiation rites for a novice witch, while The Power of the Witch is a rarely-seen documentary featuring interviews with the King and Queen of the witch craze, Alex and Maxine Sanders. The Final Girls will host a panel discussion following the screenings. An in-conversation event around the works of the cult sci-fi author, JG Ballard: This Is The Way, Step Inside, explores the writer’s 20th century preoccupation with the machine vs. the 21st century obsession with the digital towards an anthropological take on disembodiment, honing in on how Ballard perceives both the body, and the human condition. The panel is made up of filmmakers Jason Wood, Simon Barker and Harley Cokeliss, with Ballard scholar Dr. Jeanette Baxter. Radio Atlas: Risk is an award-winning platform for subtitled audio from around the world. A place to hear inventive documentaries and aural art works that have been made in languages you don’t necessarily speak. This intimate event premieres documentaries which explore the thin line between freedom and risk, taking the listener to unexpected places, with a Q&A discussion with Radio Atlas founder Eleanor McDowall.INTERNATIONAL
As the international film strand enters its fourth year, a program of four screenings brings together some of the most unique voices in fiction, documentary and experimental filmmaking. LSFF have shorts from all over the world, with entries from China, Cuba, Slovenia, and Mozambique, to name a fraction. The festival is becoming a key player on the festival circuit when it comes to showing high quality and well-curated international short film.WITH TEETH
With Teeth is a bi-annual commissioning award from LSFF, supported by Arts Council England, aimed at embodying LSFF’s core principle of championing contemporary artists moving image works, diverging from more traditional avenues of funding to nurture diverse and unconventional independent short filmmaking. Following the second round of awards from the commissioning fund, the With Teeth Premiere will showcase the works of the three recipients of this year’s grant, Kim Noce, Zoe Aiano, and Tash Tung. Their films use experimental methods, including Your Mothers Are Mine! a projected live animation by Kim Noce observing the complexities of the mother daughter relationship. A multi-screen fiction explores the multiplicities of the image and female domesticity by Tash Tung in Unknown Pleasure. Zoe Aiano presents a wild and delicate documentary of a life spent communicating with the dead, in Imam Pesnu.INDUSTRY EVENTS
This year’s industry program sees experts from across the industry offering their words of wisdom on everything from getting your film funded, to engaging audiences. There’ll be contributions from Channel 4 Random Acts, BBC3, Noisey, and Bechdel Test Fest; Director of VR and New Media at Raindance Mária Rakušanová, will be sharing her expertise in ‘AR You Feeling It?’ and Alexander Karotsch of Fringe! Film Festival will be there to discuss ethical responsibility in ‘Let’s Talk About Sex’. All LSFF 2018 Industry events take place at MOTH Club, which has been turned into the festival’s day time Industry hub. As well as tips on funding, and what commissioners are looking for, the talks and discussions cover everything from driving feminist change in cinema, depicting sex on screen, how to manage the relationship between filmmakers and progamers, and an insight into how new AR technologies are being used to drive stories and emotional responses.
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Sun Valley Film Festival to Honor Gwyneth Paltrow with Vision Award
The 2018 Sun Valley Film Festival (SVFF) will honor Gwyneth Paltrow with its Vision Award. The festival runs March 14-18, 2018.
The SVFF Vision Award pays tribute to an individual who has provided the keen insight, influence and initiative to fulfill a creative vision. Past recipients of the award include Geena Davis, Clint Eastwood and Oliver Stone. Paltrow will be presented with the award on Saturday, March 17 at Sun Valley Resort’s historic Roundhouse on Bald Mountain. She will also be a part of the Coffee Talks series, which is a free and informal gathering, where Paltrow will discuss her career and answer questions from the audience.
“We couldn’t be happier to honor Gwyneth, who is not only a cinema icon, but a health and wellness guru who has revolutionized the online presence of lifestyle brands,” said Executive Director Teddy Grennan. “We’re thrilled to celebrate her achievements both on and off the screen with SVFF’s Vision Award.”
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Brigitte LIN Ching-Hsia Named “Filmmaker in Focus” of 2018 Hong Kong International Film Festival
Brigitte LIN Ching-Hsia has been named the “Filmmaker in Focus” of the 42nd Hong Kong International Film Festival, taking place March 19 to April 5, 2018. With a career spanning over two decades and performing in more than a hundred films, LIN is widely recognized as one of the most acclaimed and distinguished actresses in Chinese language cinema. In celebrating her achievements, the Festival will screen 14 of her films and publish a retrospective book. LIN will also attend the “Face to Face” seminar to be held on 31 March, 2018 at the Hong Kong Cultural Centre, sharing her insights on film, art and life.
Born in Sanchung near Taipei, LIN was spotted by a talent scout at the age of seventeen, and was cast by renowned Taiwanese director SUNG Tsun-Shou as the female lead in his film Outside the Window (1973). Captivating the audience with her astonishing beauty and charisma, she became an overnight sensation. With the trend of romance films emerging in the seventies, the young actress, with an innocent girl image, flourished into a new idol in Taiwanese cinema through her collaborations with novelist and producer CHIUNG Yao, featuring in many of her productions including Cloud of Romance (1977) and A Love Seed (1979). In the eighties she moved her career platform to Hong Kong, where she displayed her versatile acting skills in different film genres, such as Love Massacre (1981), All the Wrong Spies (1983) and Starry is the Night (1988).
Instead of confining her persona to just a beauty icon, she has consciously extended her screen presence, covering historical and contemporary roles, and male and female characters. She is one of the few actresses who has succeeded in both romantic and martial film genres. LIN’s pioneering androgyny has inspired many directors such as LI Han-hsiang, who cast her to play the male role of JIA Baoyu in The Dream of the Red Chamber (1977), and TSUI Hark, who turned her into a handsome, alluring man in Peking Opera Blues (1986). Fusing masculine charm and feminine elegance in Swordsman II (1992) took her career to new heights.
LIN’s remarkable performances have won accolades from the audience and the industry alike. She has received four nominations for Best Actress in the Hong Kong Film Awards, namelyZU: Warriors from the Magic Mountain (1983), Police Story (1985), Swordsman II and Handsome Siblings (1992), and also two nominations at the Golden Horse Awards for Magnificent 72 (1980) and The Switch/Hero vs Hero (1982). She finally took home the Award for Best Actress at the 27th Golden Horse Awards for her role in Red Dust (1990).
Before leaving the industry, LIN capped her career with three iconic roles in the 1990s: a heartbroken femme fatale in Ronny YU’s The Bride with White Hair (1993); a brother-sister duo-in-one in Ashes of Time (1994); and a blonde killer in Chungking Express (1994), both films by WONG Kar Wai.
In addition to being a great actress, LIN has also pursued other artistic endeavors, such as acting in the theatrical production of The Peach Blossom Land (1992), and narrating the films Bishonen (1998) and Peony Pavilion (2001), both directed by Yonfan. She became a writer in 2011 and published two books, Inside and Outside the Window and Cloud Goes, Cloud Comes.
On the occasion of the 45th anniversary of her career debut in 2018, and the completion of the restored version of her first film Outside the Window, the Hong Kong International Film Festival will revisit and celebrate her dazzling and pioneering body of work.
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“OH, RICK!”, “THE STRANGER”, “ANTONIO LOPEZ 1970” Win 2017 DOC NYC Awards
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Antonio Lopez 1970: Sex Fashion & Disco[/caption]
Earlier this month three juries selected films from each of the 2017 DOC NYC festival’s Viewfinders, Metropolis and Shorts sections to recognize for their outstanding achievements. Festival audiences voted for the DOC NYC Audience Award, and a panel of industry professionals voted to select the winner of this year’s DOC NYC PRO Pitch Perfect Award, given to a work-in-progress. The winner of last year’s DOC NYC PRO Pitch Perfect Award, Naila and the Uprising from director Julia Bacha, had its World Premiere at the 2017 festival with a sold out screening in the festival’s largest venue, the SVA Theatre.
Viewfinders Competition
Films chosen for their distinct directorial visions. Grand Jury Prize Winner: The Stranger, directed by Nicole N. Horanyi, follows a 25-year-old single mother who meets the man of her dreams on Facebook, but she soon discovers that the charming, worldly man has secrets. Jurors’ statement: “For its multilayered approach to storytelling and challenge to the definition of nonfiction the Viewfinders jury awards The Stranger by filmmaker Nicole N. Horanyi.”Metropolis Competition
Films that exemplify the diverse range of stories in New York City. Grand Jury Prize Winner: Antonio Lopez 1970: Sex Fashion & Disco, directed by James Crump, is a portrait of the most influential fashion illustrator of 1970s New York and Paris, known for discovering talents such as Pat Cleveland and Grace Jones. Jurors’ statement: “For rescuing a vital figure in the fashion industry from the background of New York in the 1970s, when the joy and diversity of a new creative vision helped the city emerge from darkness, the Metropolis jury awards Antonio Lopez 1970: Sex Fashion & Disco by filmmaker James Crump.”Shorts Competition
Grand Jury Prize Winner: Traffic Stop, directed by Kate Davis, exposes a problematic police force using dashcam footage as a forensic recounting of a routine traffic stop turned brutal assault of Breaion King. Jurors’ statement: “For its powerful portrait of a woman at the center of one of America’s most important current issues, the Shorts jury awards Traffic Stop by filmmaker Kate Davis.” Special Mention: Winter’s Watch, directed by Brian Bolster, about a hotel caretaker embracing the solitude of the off-season. The 2017 winning Short film qualifies for consideration in the Documentary Short Subject category of the annual Academy Awards® without the standard theatrical run, provided the film otherwise complies with the Academy rules.Audience Award
Winner: Oh, Rick!, directed by Dustin Sussman and Aaron Rosenbloom, profiles comedian Rick Crom, the long-running emcee at Greenwich Village’s Comedy Cellar, and features Ray Romano, Colin Quinn, Sarah Silverman and Wanda Sykes.DOC NYC PRO Pitch Perfect Award
Recognizes the best pitch given during DOC NYC PRO’s Pitch Perfect Day, based on the pitch itself, as well as the viability of the project, and is determined by industry professionals taking part in the daylong pitch event. Winner: Blue Code of Silence, directed by Magnus Skatvold and Gregory Mallozzi, tells the forty-year-old story of when policeman Bob Leuci brought down New York City’s most corrupt police unit, but at a grave personal cost.
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I, TONYA Allison Janney to Receive Spotlight Award at Palm Springs International Film Festival
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Allison Janney in I, Tonya[/caption]
Allison Janney will receive the Spotlight Award – Actress at the 29th Palm Springs International Film Festival Film Awards Gala for her performance in I, Tonya. The Film Awards Gala, hosted by Mary Hart, will be held Tuesday, January 2 at the Palm Springs Convention Center. The Festival runs January 2 to 15, 2018.
“Allison Janney delivers a knock-out performance as Tonya Harding’s mother LaVona Golden in I, Tonya. The usually charming Janney takes a compellingly dark turn as Tonya’s abusive, alcoholic mother,” said Festival Chairman Harold Matzner. “For this outstanding performance, which is sure to garner awards attention, it is an honor to present Allison Janney with the Spotlight Award.”
Past recipients of the Spotlight Award include Amy Adams, Jessica Chastain, Bryan Cranston, Andrew Garfield, Helen Hunt, Rooney Mara, Julia Roberts and J.K. Simmons. All recipients received Academy Award® nominations in the year they were honored, with Simmons winning an Oscar for Best Supporting Actor. Janney joins previously announced 2018 honorees Timothée Chalamet, Gal Gadot, Gary Oldman and Sam Rockwell.
Based on unbelievable yet true events, I, Tonya is a darkly comedic tale of American figure skater Tonya Harding and one of the most sensational scandals in sports history. The first American woman to complete a triple-axel in competition, Harding’s legacy was instead defined by her association with an ill-conceived, crudely executed attack on fellow Olympic competitor Nancy Kerrigan. Featuring an iconic turn by Margot Robbie as the fiery Harding, a mustachioed Sebastian Stan as her impetuous ex-husband Jeff Gillooly, and a tour-de-force performance from Allison Janney as her acid-tongued mother, LaVona, Craig Gillespie’s I, Tonya is an absurd, irreverent and piercing portrayal of Harding’s life and career. NEON/30WEST is releasing the film.
Her recently released movies include Tallulah, Miss Peregrine’s Home for Peculiar Children, The Girl on the Train, Minions and Spy. Other film credits include The Way, Way Back, The Help, Juno, Hairspray, Finding Nemo, The Hours, American Beauty, Nurse Betty, Drop Dead Gorgeous, 10 Things I Hate About You, Primary Colors, The Ice Storm, The Object of My Affection and Big Night.
https://www.youtube.com/watch?v=OXZQ5DfSAAc
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Slamdance Film Festival Announces 2018 Feature Film Competition Lineup + Russo Fellowship Award
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Rock Steady Row[/caption]
The Slamdance Film Festival today unveiled its narrative and documentary feature film competition lineup for its 24th edition, taking place January 19 to 25, 2018 in Park City, Utah.
The feature competition lineup will showcase 10 narrative and eight documentary features. All competition films are feature-length directorial debuts with budgets of less than $1 million and without U.S. distribution.
Captain America: Civil War directors and alumni Anthony and Joe Russo are partnering with Slamdance for the inaugural Russo Fellowship award. The award winner will receive a $25,000 cash prize and mentorship from the Russo brothers in the development of the winner’s next project at their new Los Angeles-based studio. Every participating filmmaker at the 2018 festival is eligible for this prize. The award will be presented annually.
“The Russo brothers exemplify our ‘by filmmakers for filmmakers’ paradigm,” says Slamdance co-founder and president Peter Baxter. “They are joined by a great number of dedicated alumni who’ve shown when it comes to recognizing talent and launching careers, Slamdance’s independent and grassroots film community really can do it themselves.”
“Born out of rejection, Slamdance’s artist-led group continues to discover cutting edge talent creating work outside of convention. Our 2018 competition lineup is daring, varied, and vivid. It represents the spirit of our time and leads us into the future.”
2018 Slamdance Film Festival Feature Film Competition Lineup
NARRATIVE FEATURES
Birds Without Feathers (USA) World Premiere Director: Wendy McColm Screenwriter: Wendy McColm Desperate for human interaction, six emotionally damaged individuals risk self respect, shedding their disillusionment in a last grasp for happiness. A cruel-world comedy populated by struggling Instagram stars, Russian cowboys, Self-help gurus and more, their lives collide and crash in astounding ways. Cast: Wendy McColm, Lenae Day Cooper Oznowicz, William Gabriel Greer, Sara Estefanos, and Alexander Stasko Charlie And Hannah’s Grand Night Out (Belgium) World Premiere Director: Bert Scholiers Screenwriter: Bert Scholiers Two Girls. One Night. Magical Candy Consumed. Twenty-somethings, Charlie and Hannah, find themselves strolling through the city as events take a wildly surreal turn. Transported to a trippy galaxy, filled with cosmic wisdom and contradictions, the pair learn to realize the search for love can take many forms. Cast: Evelien Bosmans, Daphne Wellens, Patrick Vervueren Fake Tattoos (Canada) US Premiere Director: Pascal Plante Screenwriter: Pascal Plante Shy Theo finds himself unexpectedly kicked in the heart by a punk-rock romance on his 18th birthday as Mag bursts into his life for a rollicking encounter. Set against a backdrop of music and mayhem, this coming-of-age tale, explores the thrashing fragility of summer love as life choices and separation loom with no true answers in sight. Cast: Anthony Therrien, Rose-Marie Perreault Fish Bones (USA) World Premiere Director: Joanne Mony Park Screenwriter: Joanne Mony Park Hana, a Korean immigrant on winter break, is caught between worlds. While struggling to find peace with her conservative mother and the expectations surrounding her future, Hana finds herself falling for Nico, a tender and affectionate Latina music producer. Cast: Joony Kim, Cris Gris Human Affairs (USA) World Premiere Director: Charlie Birns Screenwriter: Charlie Birns This richly earnest drama follows Geneviève, a surrogate who must reckon with her ambivalence about the pregnancy and her precarious feelings for the parents-to-be. Cast: Dominic Fumusa, Kerry Condon, David Harbour, Julie Sokolowski Lovers (Denmark) US Premiere Director: Niels Holstein Kaa Screenwriter: Magnus B. B. Lysbakken In the streets, parks and cafes of Copenhagen, a triptych of love stories come to vivid life. Framed with a superb naturalism, these tales through the seasons tackle the ever rising tide of loneliness and self-doubt that can come in the face of new love. Cast: Marie Mailand, Niklas Herskind, Nina Terese Rask M/M (Canada, Germany) World Premiere Director: Drew Lint Screenwriter: Drew Lint Wayward Canadian, Matthew, crushed by the isolation of being new to Berlin, turns his sexual desires toward Matthias that spiral into a dark fixation of assumed identity. Soon, this obsessive power struggle between the two, careens toward brutal passion and violence in a bid for dominance. Cast: Antoine Lahaie, Nicolas Maxim Endlicher Rock Steady Row (USA) World Premiere Director: Trevor Stevens Screenwriter: Bomani Story Demented chaos rules this bizarro-world college campus where the reigning gang-frats target a freshman, who dare crosses their path. Trapped between a blaze of twisted ‘Mad Max’ style power games, he shrewdly plays both sides, fueling apocalyptic-sized battles that escalate to ensnare the school Dean who’s coming unglued. Cast: Heston Horwin, Diamond White, Logan Huffman, Isaac Alisma, Allie Marie Evans, Larry Miller, Peter Gilroy Songs in the Sun (Denmark) US Premiere Director: Kristian Sejrbo Lidegaard Screenwriter: Allan Hyde, Kristian Sejrbo Lidegaard Off the coast of Denmark, young Anna discovers she is the only lifeline to ailing childhood friend Julie and Sonja, Julie’s apathetic mother. Over the course of one momentous afternoon, Anna will learn the healing power of belief and myth-making in everyday living Cast: Emma Sehested Høeg, Charlotte Munck, Victoria Carmen Sonne The Starry Sky Above Me (France) US Premiere Director: Ilan Klipper Screenwriter: Ilan Klipper, Raphaël Neal Bruno is happy to live out his days luxuriating in the existential highs and lows only a brilliant literary mind can appreciate. But when his loved ones seek to intervene with the help of a psychiatrist, Bruno’s bohemian lifestyle may in fact be the perfect anecdote to the colorless, PC lives they didn’t know they hated. Cast: Laurent Poitrenaux, Camille Chamoux, Marilyne Canto, Alma Jodorowsky, François Chattot, Michèle Moretti, Frank WilliamsDOCUMENTARY FEATURES
Circus Ecuador (Ecuador, USA) World Premiere Directors: Ashley Bishop and Jim Brassard James and Ashley travel to the jungles of Ecuador to make a documentary about a school being built for an indigenous community only to discover that the community may or may not be involved in aliens, gold smuggling, human trafficking, and murder. Freedom for the Wolf (Germany, USA) Director: Rupert Russell From Hong Kong to Tunisia to Bollywood, people are fighting against elected leaders dismantling freedom and democracy. These seemingly disparate international stories are cohesively tied into what is happening in the US to reach some very compelling conclusions. Ingrid (USA) World Premiere Director: Morrisa Maltz An intimate look at a woman who left her life as a successful fashion designer and mother in Texas to become a reclusive hermit, immersed in nature, focused solely on creating art. Instant Dreams (Netherlands) North American Premiere Director: Willem Baptist An essayistic quest for the secret of instant film, the magic appeal of Polaroid and what that tells us about the fascinating relationship we have with the photographic image. Man on Fire (USA) World Premiere Director: Joel Fendelman Grand Saline, Texas was a sleepy, unremarkable town–until a white preacher lit himself on fire to protest the town’s racism in 2014. MexMan (USA) World Premiere Director: Josh Polon Germán is a young artist and filmmaker struggling to complete his first feature film and express his undying love to a girl, while secretly living at an airport and trying to stay sane. Mr. Fish: Cartooning From The Deep End (USA) Director: Pablo Bryant This personal documentary follows a controversial political cartoonist as he struggles to provide for his family and stay true to his creativity in a world where biting satiric humor has an ever-diminishing commercial value. Sunnyside (Belgium, Netherlands) North American Premiere Director: Frederik Carbon On a seaside mountain in Northern California two old friends (one a visionary architect and the other an influential sound artist) dream, talk, live, and create.
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Women Filmmakers to Shine at 2017 Whistler Film Festival

BECOMING BURLESQUE The Whistler Film Festival will present an unprecedented number of female focused films, talent, events, and awards throughout its 2017 programs.
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Alex de Ronde’s DEAF CHILD Wins IDFA Audience Award
Deaf Child by Alex de Ronde has been voted the winner of the VPRO IDFA Audience Award – the International Documentary Film Festival Amsterdam’s big audience prize.
Director Alex de Ronde was presented with the VPRO IDFA Audience Award (€ 5,000) by Chairman of the IDFA Board Derk Sauer during the VPRO broadcast Best of IDFA: Audience Award 2017, presented by Marijn Frank.
In Deaf Child, a father looks back over his life, prompted by old photographs, home movies and frank discussions with his two sons, now young adults, and evaluates the choices he has made. Was his fear that his deaf son would live an isolated life justified?
The winner of the VPRO IDFA Audience Award is decided by the audiences voting at the end of each screening, using ballot cards to express their opinion of the film.
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Gary Oldman, Sam Rockwell, Timothée Chalamet and Gal Gadot to Receive Awards at Palm Springs International Film Festival
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Gary Oldman, Sam Rockwell, Timothée Chalamet and Gal Gadot[/caption]
Gary Oldman, Sam Rockwell, Timothée Chalamet and Gal Gadot will be honored at the upcoming 29th annual Palm Springs International Film Festival Film Awards Gala, hosted by Mary Hart, on Tuesday, January 2 at the Palm Springs Convention Center. The Festival runs January 4-15, 2018.
The Palm Springs International Film Festival will present Gary Oldman with the Desert Palm Achievement Award, Actor for his performance in Darkest Hour.
“Gary Oldman brings to screen one of the most powerful performances of this year as Winston Churchill in Darkest Hour. Portraying Britain’s steadfast leader during the tumultuous era of World War II, he has already earned rave reviews from critics and is sure to garner awards attention this season” saidFestival Chairman Harold Matzner. “The Palm Springs International Film Festival is honored to present Gary Oldman with this year’s Desert Palm Achievement Award, Actor.”
Oldman received the International Star Award at the 2012 Palm Springs International Film festival. Past actor recipients of the Desert Palm Achievement Award include Casey Affleck, Jeff Bridges, Bradley Cooper, Daniel Day-Lewis, Colin Firth, Matthew McConaughey, Sean Penn, Brad Pitt and Eddie Redmayne. In the years they were honored, Affleck, Bridges, Day-Lewis, McConaughey, Penn and Redmayne went on to win the Academy Award for Best Actor, while Cooper, Firth and Pitt received Oscar nominations.
From Focus Features, Darkest Hour is a thrilling account inspired by the true story of Winston Churchill’s first weeks in office during the early days of the Second World War. Anthony McCarten’s original screenplay takes a revelatory look at the man behind the icon. The film is directed by Joe Wright and stars Oldman, Kristin Scott Thomas, Lily James, Stephen Dillane, Ronald Pickup, and Ben Mendelsohn.
The Palm Springs International Film Festival will present Sam Rockwell with the Spotlight Award – Actor for his performance in Three Billboards Outside Ebbing, Missouri.
“Sam Rockwell is one of the most dynamic actors of his generation known for creating memorable and diverse characters. Once again he takes on another challenging role as the immature and explosive Officer Dixon in his critically acclaimed performance in Three Billboards Outside Ebbing, Missouri,” saidFestival Chairman Harold Matzner. ” For this outstanding awards-worthy performance, it is an honor to present Sam Rockwell with the Spotlight Award.”
Past recipients of the Spotlight Award include Amy Adams, Jessica Chastain, Bryan Cranston, Andrew Garfield, Helen Hunt, Rooney Mara, Julia Roberts and J.K. Simmons. All recipients received Academy Award nominations in the year they were honored, with Simmons receiving the Oscar for Best Supporting Actor.
Fox Searchlight’s Three Billboards Outside Ebbing, Missouri is a darkly comedic drama from Academy Award winner Martin McDonagh. After months without a culprit in her daughter’s murder case, Mildred Hayes makes a bold move, painting three signs leading into her town with a controversial message for Ebbing’s revered Chief of Police, William Willoughby. With the involvement of Officer Dixon (Rockwell), his short-tempered second-in- command, the battle between Mildred and the town’s law enforcement is only exacerbated. The film is written and directed by McDonagh, starring Frances McDormand, Woody Harrelson, Sam Rockwell, Abbie Cornish, Lucas Hedges, Željko Ivanek, Caleb Landry Jones, Clarke Peters and Samara Weaving, with John Hawkes and Peter Dinklage. Rockwell won the Hollywood Film Awards Best Supporting Actor Award for his role in the film.
Timothée Chalamet will be presented with the Rising Star Award – Actor for his performance in Call Me By Your Name.
“Timothée Chalamet gives a stirring performance as Elio, a 17-year- old on the brink of passion and self-discovery. It’s an intimate and erotic performance that transports the audience to another time and place and stays with us long after we’ve left the theater,” said Festival Chairman Harold Matzner. “The Palm Springs International Film Festival is honored to present Timothée Chalamet with this year’s RisingStar Award – Actor.”
Past recipients of the Rising Star Award include Ruth Negga, Alicia Vikander, Jennifer Lawrence, Scarlett Johansson, Anna Kendrick, Dakota Fanning, Terrence Howard and Adam Beach.
Distributed by Sony Pictures Classics, Call Me By Your Name, the new film by Luca Guadagnino, is asensual and transcendent tale of first love, based on the acclaimed novel by André Aciman. The film stars Armie Hammer, Timothée Chalamet and Michael Stuhlbarg.
Timothée Chalamet first attracted attention during the second season of Showtime’s “Homeland” as the Vice President’s son, Finn Walden. He received a Drama League nomination, Clive Barnes Award nomination and received the Lucille Lortel Award for Best Actor for his performance in the lead role of Jim Quinn in the play “Prodigal Son”.
Chalamet can currently be see in Greta Gerwig’s directorial debut Lady Bird opposite Saoirse Ronan. Upcoming films for Chalamet include Scott Cooper’s Hostiles and Elijah Bynum’s coming of age drama Hot Summer Nights. Next fall, he will be seen as the co-lead opposite Steve Carell in Felix VanGroeningen’s Beautiful Boy and the male lead in Woody Allen’s film A Rainy Day in New York opposite Selena Gomez and Elle Fanning. Other film credits include Julia Hart’s Miss Stevens, Christopher Nolan’s Interstellar, and Jason Reitman’s Men Women & Children.
The festival will present Gal Gadot with the Rising Star Award – Actress for her performance in Wonder Woman.
“Gal Gadot’s Wonder Woman showed us a strong, capable, poised, curious and compassionate character, and her performance has been universally praised, resonating with audiences everywhere. Gal plays the immortal warrior so well, and the film’s themes are especially apt for today, empowering all types of people-women and men, young and old-the world over,” said Festival Chairman Harold Matzner. “The Palm Springs International Film Festival is honored to present Gal Gadot with this year’s Rising Star Award – Actress.”
Past recipients of the Rising Star Award include Ruth Negga, Alicia Vikander, Jennifer Lawrence, Scarlett Johansson, Anna Kendrick and Dakota Fanning.
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Cannes Film Festival Shakes Up Calendar – Announces 2018 Dates
The 71st Cannes Film Festival will take place from Tuesday, May 8th to Saturday, May 19th, 2018. It will start one day earlier than in previous years, but will run for exactly the same length of time.
The opening will therefore take place on the evening of Tuesday, May 8th and the awards ceremony will be on Saturday, May 19th.
“Following 2017’s anniversary edition, the Festival is beginning a new period in its history,” says Festival President Pierre Lescure. “We intend to renew the principles of our organization as much as possible, while continuing to question the cinema of our age and to be present through its upheavals.”
In its announcement the festival notes that the new schedule will allow it to rebalance the two weeks of the event and to bring new energy to the proceedings. Starting on a Tuesday is expected to allow the festival to hold an additional gala evening before the Festival weekend and to organize previews of the opening film throughout France. Finally, bringing forward the announcement of awards by one day, to Saturday evening, will increase its prestige, while at the same time giving the closing film better exposure.

The Kindergarten Teacher[/caption]
The 2018 Sundance Film Festival returns to Park City, Salt Lake City and at Sundance Mountain Resort, from January 18 to 28, and today announced the feature films lineup showcasing bold, independent storytelling.
For the 2018 Festival, 110 feature-length films were selected, representing 29 countries and 47 first-time filmmakers, including 30 in competition.These films were selected from 13,468 submissions including 3,901 feature-length films and 8,740 short films. Of the feature film submissions, 1,799 were from the U.S. and 2,102 were international. One-hundred feature films at the Festival will be world premieres
Robert Redford, President and Founder of Sundance Institute, said, “The work of independent storytellers can challenge and possibly change culture, illuminating our world’s imperfections and possibilities. This year’s Festival is full of artfully-told stories that provoke thought, drive empathy and allow the audience to connect, in deeply personal ways, to the universal human experience.”