WICKED GIRL (Kötü Kiz)[/caption]
68 shorts films will be screened across eight different shorts programs, and play before features at this year’s 2017 Calgary International Film Festival. The 11 Alberta short films selected this year will vie for a $2,500 cash prize for the Best Alberta Short. The festival has also added a new Audience Award for the Favorite Alberta Short.
The Calgary International Film Festival is an Oscar-qualifying event for short films. The recipient of Calgary Film’s annual Best of Shorts Award is eligible for consideration in the Animated Short Film/Live Action Short Film category of the Academy Awards, without the standard theatrical run that a film typically needs to qualify for an Oscar nomination.
Film Festivals
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Calgary International Film Festival Reveals 68 Short Films on 2017 Lineup
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WICKED GIRL (Kötü Kiz)[/caption]
68 shorts films will be screened across eight different shorts programs, and play before features at this year’s 2017 Calgary International Film Festival. The 11 Alberta short films selected this year will vie for a $2,500 cash prize for the Best Alberta Short. The festival has also added a new Audience Award for the Favorite Alberta Short.
The Calgary International Film Festival is an Oscar-qualifying event for short films. The recipient of Calgary Film’s annual Best of Shorts Award is eligible for consideration in the Animated Short Film/Live Action Short Film category of the Academy Awards, without the standard theatrical run that a film typically needs to qualify for an Oscar nomination.
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World Premiere of THE CHARMER to Open New Directors of San Sebastian International Film Festival
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THE CHARMER (CHARMØREN ) MILAD ALAMI[/caption]
The world premiere of The Charmer (Charmøren) by Iranian director Milad Alami, will open the New Directors section of the San Sebastian International Film Festival. The Charmer, his first feature, stars a young Iranian desperately trying to meet women who can secure his stay in Denmark.
Other films added to the lineup include Daniel Kokotajlo (Manchester, UK), first feature film, Apostasy that follows a family of Jehovah’s Witnesses; and Village Rockstars, the second feature from Rima Das (Assam, India) starring a 10 year-old girl desperate to own a guitar.
These three films join the list of thirteen films already announced from Argentina, Belgium, Colombia, Chile, China, France, the Philippines, South Korea, Spain, Sweden, Switzerland and Taiwan, and will compete for the New Directors-Kutxabank Award. The films in this section are also candidates for the EROSKI Youth Award, voted by a jury of a maximum of 300 students between the ages of 18 and 25 years.
CHARMØREN / THE CHARMER
MILAD ALAMI (DENMARK)
Cast: Ardalan Esmaili, Soho Rezanejad, Susan Taslimi, Lars Brygmann
OPENING NIGHT FILM
Charmøren / The Charmer is an intense psychological drama about Esmail, a young Iranian man who is desperately trying to meet women who can secure his stay in Denmark. As time runs out, he falls in love and his past catches up with him. The film deals with themes of race, class, and the struggle for a better life.
APOSTASY
DANIEL KOKOTAJLO (UK)
Cast: Siobhan Finneran, Molly Wright, Sacha Parkinson, Robert Emms
As devout Jehovah’s Witnesses, sisters Alex and Luisa and their mother, Ivanna, are united in The Truth. Alex looks up to her confident older sister, while striving to follow in Ivanna’s footsteps as a ‘good Witness’. But when Luisa starts to question the advice of the Elders, she makes a life-altering transgression that threatens to expel her from the congregation. Unless Ivanna and Alex can persuade her to return, they must shun her completely. This challenge becomes more painful when their family is faced with another heartbreaking test of faith. Written and directed by Daniel Kokotajlo, a former Jehovah’s Witness, Apostasy provides rare insight into the complex nature of faith, family, duty and love.
VILLAGE ROCKSTARS
RIMA DAS (INDIA)
Cast: Bhanita Das, Basanti Das
Ten year-old Dhunu lives in a remote village in Assam, India, amidst raging deprivation. She is a free spirit, while her widowed mother struggles daily to put food on the table and raise her children. But this doesn’t prevent her from having dreams, like owning a guitar for the tiny band she wants to put together with some local boys, the ‘Village Rockstars’. Dhunu considers herself to be as capable as boys her age. When the boys eventually relinquish their dream, Dhunu refuses to give up on her ambition to own a guitar.
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New York Film Festival FREE Convergence Section will Feature VR, Augmented Reality Projects
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Reality Jockeys[/caption]
The sixth edition of the highly anticipated FREE Convergence section of the 2017 New York Film Festival delves into the world of immersive storytelling via interactive experiences, featuring virtual reality, augmented reality, live labs and demos, and more.
The Convergence section will include three Virtual Reality horror experiences from Dark Corner Studios, highlighted by the World Premiere of their terrifying project Night Night; Sanctuaries of Silence, which takes viewers virtually through Olympic National Park in search of the quietest place in North America; Reality Jockeys, where audience members collaborate with the creators to form their own immersive, surreal virtual worlds; Virtual Virtual Reality, which imagines the purpose of humans in a future run by machines; and Look But With Love, Academy Award-winning filmmaker Sharmeen Obaid-Chinoy’s VR documentary series exploring the lives of Pakistani citizens.
Complementing these experiential works is an exciting partnership with Lucasfilm to publicly present never-before-seen technology showcasing the future of Virtual Production, which harnesses the power of VR as a tool for filmmakers to compose shots, create virtual storyboards, and more. Its uses within the film community could be boundless, and creators of the technology will be on hand to participate in a conversation about its potential applications, followed by a demonstration allowing audiences to experience the system firsthand. As part of this, Convergence will also host a special workshop with handpicked industry creators, filmmakers, and cinematographers, allowing them to test out how it could be applied to their daily work.
Other highlights of Convergence include the return of Gamescape, an exploration of narrative games and the artists who make them—which this year focuses on the comeback of Full Motion Video with a selection of new, playable work from a number of creators; and De-Escalation Room, a live lab with Columbia University’s Digital Storytelling Lab, where audiences will be allowed to take a peek into their process and actively participate in creating the group’s latest project, which tackles the negative behavior of social media.
Convergence will take place Friday, September 29, 3-6pm, and Saturday and Sunday, September 30 and October 1, from 12-6pm in the Elinor Bunin Munroe Film Center.
All Convergence events are free and open to the public!
2017 New York Film Festival Convergence
VIRTUAL REALITY PROJECTS
Dark Corner VR: Night Night, Mule, & Catatonic The team at Dark Corner Studios have made a name for themselves on 360-degree virtual reality projects that explore the boundaries of horror cinema by placing audiences in the center of thrilling—and often terrifying—scenarios. Convergence will feature the world premiere of their latest piece Night Night as well Dark Corner’s Mule and Catatonic. Night Night Guy Shelmerdine, USA, 7m World Premiere Night Night takes you from the safety of your childhood bed to a clown filled nightmare dreamscape. A Dark Corner Studios, MPC, and Unit Sofa production. Mule Guy Shelmerdine, USA, 6m A thrilling, emotional journey through the last moments of a man’s life. Choose your ending—do you want to be buried or cremated? A Dark Corner Studios production. Catatonic Guy Shelmerdine, USA, 5m This pioneering horror experience places you in the POV of a new patient as you are welcomed into a sinister psychiatric hospital. A Dark Corner Studios & Here Be Dragons production.
Look But With Love – Episodes 1 & 2 Sharmeen Obaid-Chinoy, USA, 2017 Directed by Academy Award-winning filmmaker Sharmeen Obaid-Chinoy and presented by WITHIN, this documentary series follows extraordinary people in Pakistan actively working to change their communities through causes they care deeply about. From a doctor in the slums of Karachi who has dedicated his life to providing free emergency care to children, to a courageous community of women in Nowshera, the epicenter of the terrorist insurgency, Look But With Love explores the lives of Pakistan’s most fearless and passionate citizens one story at a time. Audiences are invited to experience the first two episodes of this exciting project, “A Story of Women” and “A Story of Dance.” The documentary is produced by SOC Films and Here Be Dragons, and will be available on the WITHIN app. Reality Jockeys Virtual Reality Experience Vizor, Finland, 2017 At parties, DJs control the mood by selecting the music, and VJs set the ambience by displaying visuals on screens. With VR headsets such as the Oculus Rift, the experience is more than that, as everything around you can be changed on the fly. Finnish visual artists Fthr and Lintu specialize in creating surreal worlds in real time while interacting with the audience. Using custom software (Vizor Patches) and a variety of materials, they guide you through a trip that starts from nothing and ends in a living, breathing virtual world. Each participant walks away with a personalized piece that is saved on the web and can be relived at home. Sanctuaries of Silence Adam Loften and Emmanuel Vaughan-Lee, USA, 2017 Virtual Reality Project One of the defining characteristics of virtual reality is its fully immersive nature: we gear up, covering our eyes and ears in order to briefly live another person’s story. In Loften and Vaughan-Lee’s piece, the story that we’re asked to experience is that of silence itself, as told through the unique perspective of acoustic ecologist Gordon Hempton. “Sanctuaries of Silence” invites its audience to join Hempton as he travels through Olympic National Park, one of the quietest places in North America, searching for a place not impacted by noise pollution—which is fast becoming as threatened as any endangered species. A New York Times Op-Docs production. Virtual Virtual Reality Tender Claws, USA, 2017 The brainchild of Tender Claws, the collective behind PRY (2015), Virtual Virtual Reality ponders humanity’s purpose in a future where our jobs have been co-opted by machines. Will we be little more than relics, reminders…even pets? Activitude, a Virtual Labor System, is here to help, creating an A.I. manager that’s a perfect match for your meaningfulness quotient. It’s Inception meets Hitchhiker’s Guide to the Galaxy meets The Wizard of Oz, only there is not just one wizard but a network of wizards living inside wizards, splitting themselves open like nesting dolls, pulling back infinite tiny curtains to reveal a churning multitude of unstable realities. VR and the Future of Virtual Production by Lucasfilm Demo and Talk Rachel Rose, Jose Perez and Nick Rasmussen From the depths of earth’s oceans to galaxies far, far away, VR allows us to be anyone, go anywhere, and see anything. Lucasfilm and its visual effects division, Industrial Light & Magic, have harnessed the power of this medium to create a new Virtual Production toolset, allowing filmmakers to build and scout a virtual set, manipulate props, puppeteer characters and vehicles, even compose shots to create virtual storyboards. It’s a game changing application that is easy to learn, allowing storytellers to focus on the elements that blend together to form great stories. The creators of the toolset will participate in a conversation about the development of the platform and its potential to impact the filmmaking process, followed on Saturday by a public demonstration that will allow audiences to experience the system first hand.EXPERIENCES AND TALKS
Arilyn Augmented Reality Installation With Augmented Reality, which superimposes images, video, and other content onto our flesh and bone world, the line between the virtual and the real can blur to the point of being indistinguishable—with little more than a cell phone. Helsinki-based Arylin has created a number of installations and activations that leverage the power of AR to great effect: paintings that come to life and everyday objects that spawn interactive videos. A number of these pieces will be on display throughout the festival venues—simply download the Arilyn app to experience AR for yourself. Gamescape: The Revenge of Full Motion Video It’s 1983. You find yourself in an arcade in the ’burbs. Among the future classics—Galaga, Space Invaders, Donkey Kong—you find something different: Sega’s Astron Belt or Cinematronics’ Dragon’s Lair, games that eschewed pixelated sprites for video and vivid animation. Full Motion Video games were movies you could play—to a point: the technical execution left something to be desired. Games were unreliable, systems crashed, and FMV all but disappeared. But FMV is making a comeback as creators breathe new life into this 35-year-old form. The 2017 edition of Gamescape celebrates some of the best new FMV work and looks back on titles both famous and infamous from the golden age of the arcade. GameScape is co-curated by Clara Fernandez-Vara, of the NYU Game Lab. Featuring: Her Story (Sam Barlow, UK, 2015) Mind Trapped (Claire Carre, USA, 2017) Loop Record (Nicolai Troshinsky, Spain, 2017) PRY (Tender Claws, 2015) Cibele (Nina Freeman, 2016) Last Night (Dejobaan Games, 2018) De-Escalation Room: Live Lab with Columbia Digital Storytelling Lab Talk and Rapid Prototyping Session Presented by Lance Weiler Founded in 2014, Columbia University’s Digital Storytelling Lab was created to explore ways of telling stories that incorporate technology and disciplines from across the humanities. A champion of iterative, collaborative design, the DSL will pull back the curtain on its creative process during this special session, and invite the festival audience to become participants in developing the group’s next project, the De-Escalation Room. A collaboration with SAFELab, the De-Escalation Room aims to create an immersive storytelling space that reckons with the negative behaviors of social media, forcing its players to work together to defuse an otherwise dangerous situation.
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6 Films on Calgary International Film Festival Late Shows Series Lineup, ‘BITCH’ and More
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BITCH – Directed by Marianna Palka[/caption]
The Late Shows Series, known for presenting the darker, creepier side of Calgary International Film Festival will feature six films at this year’s festival.
“This year’s lineup is a mix of genres,” said Brenda Lieberman, the Calgary International Film Festival’s Programming Manager and Late Shows Programmer. “We’ll be screening everything from comedy to horror, crime, thriller, docu-drama, and just different levels of fun. These films all push boundaries in different ways, and we’re looking forward to unleashing them on our audience. Keep an eye on calgaryfilm.com for late additions too!”
2017 Calgary International Film Festival Late Shows Series
BITCH – Directed by Marianna Palka Lonely housewife Jill is transformed by her monotonous lifestyle in this strange tragic comedy from the United States. Actor Jason Ritter stars alongside Marianna Palka, who multitasks as screenwriter and director. BUCKOUT ROAD – Directed by Matthew Currie Holmes (previously featured in our Alberta announcement) The first feature for this Calgarian director pays homage to the midnight movies of the ’80s while still freshening up its genre. FAKE BLOOD – Directed by Rob Grant Co-produced by local Calgary Film alumnus Mike Peterson (director of the 2017 short film selection CONSUME) and directed by Vancouver’s Rob Grant FAKE BLOOD is a compelling film that blurs the line between fiction and reality. LOWLIFE – Directed by Ryan Prows Three unlikely criminal allies must unite to save a pregnant woman in this wacky violent dark comedy. This first time feature took home the Silver Prize Audience Award and a special jury mention from the 2017 Fantasia Film Festival. THE MISANDRISTS – Directed by Bruce LaBruce Directed by Canadian filmmaker Bruce LaBruce (GERONTOPHILIA) this dark comedy was nominated for a Teddy for Best Feature Film at Berlinale and stars a cast of dynamic women, led by Susanne Sachße, Kita Updike, and Olivia Kundisch. TRAGEDY GIRLS – Directed by Tyler MacIntyre (previously featured in our Alberta announcement) In this dark satire from Alberta’s Tyler MacIntyre, two teen girls with a popular blog manipulate a local serial killer into doing their bidding.
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Actor Bill Pullman (THE BALLAD OF LEFTY BROWN) to Receive Acting Award at Woodstock Film Festival
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Bill Pullman (THE BALLAD OF LEFTY BROWN)[/caption]
Actor Bill Pullman will receive the 2017 Excellence in Acting Award at the Woodstock Film Festival on Saturday October 14. Director Jared Moshe (The Ballad of Lefty Brown) will present Bill Pullman with the award
In addition to receiving the award, the Woodstock Film Festival will screen The Ballad of Lefty Brown in which Bill Pullman gives a tour de force performance as the title character. Festival attendees will also have the opportunity to interact with Pullman, at the annual Actor’s Dialogue on Sunday, October 15.
Bill Pullman commented that he was “Honored to be receiving the Excellence in Acting Award at this year’s Woodstock film festival. I am particularly looking forward to screening The Ballad of Lefty Brown at the Woodstock Film Festival in October – audiences there are ready for an unusually intimate Western that is the coming of age story of a sixty-something sidekick. It was shot in the fall in Montana, so we can see how it stacks up against the foliage colors in Woodstock – both so spectacular.”
Bill Pullman’s versatile acting spans from dramatic roles to comedic roles. Pullman’s acting career also led him into the role of Clyde in Andrew and Alex Smith’s Walking Out, which recently screened as part of the Woodstock Film Festival’s summer screening series.
“Bill Pullman is one of the finest and most versatile actors today,” said Woodstock Film Festival executive director Meira Blaustein. “His performance in The Ballad of Lefty Brown is absolutely outstanding. It is a privilege to recognize his diverse body of work at this year’s festival and we look forward to having him here with us this fall”.
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2017 Whistler Film Festival Reveals First 15 Films, PRODIGALS, NOBODY FAMOUS and More
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Tulipani, Love, Honour and a Bicycle[/caption]
The 2017 Whistler Film Festival (WFF) taking place from November 29th to December 3rd, today offered a sneak peek including the first 15 confirmed films, plus industry and event programming highlights.
WFF’s Director of Programming Paul Gratton had this to say about the 2017 lineup confirmed to date: “The Whistler Film Festival is a must-attend event for film fans, emerging filmmakers and anyone who cares about quality cinema. We continue to pursue our own unique festival niche by offering an impressive selection of films, featuring Oscar hopefuls and emerging talent, with a particular focus on female directors. Our Summit will complement our film programming by addressing key trends and opportunities facing the industry, and our Signature Series events will shine the spotlight on some of the top filmmakers of the day. While our final programming is far from complete, we will continue to build on the momentum established over our last few years, and are confident that this will be our best year ever. This year, we are particularly gratified to note the large number of alumni returning to Whistler with their new films.
Toplining this year’s Canadian titles are the following World Premiere selections, some of which are eligible for WFF’s coveted Borsos Competition for Best Canadian Feature, featuring a $15,000 cash prize sponsored by the Directors Guild of Canada, British Columbia
PRODIGALS: After the success of After-Party at WFF 2013, BC director Michelle Ouellet returns with a searing drama about a man who revisits his home town for a trial, where an ex-girlfriend and a checkered past await him, with David Alpay and Sara Canning (I PUT A HIT ON YOU, 2014).
THE MOMENT: Whistler is the perfect location to World Premiere BC filmmaker Darcy Turenne’s exhaustive and definitive history of dirt bike mountain racing that features breathtaking archival footage and stunt biking.
SOMEONE ELSE’S WEDDING: Following 2013’s THREE NIGHT STAND, director Pat Kiely offers up another hilarious comedy about a family gathering for an unusual wedding in Montreal, featuring Kathleen Turner, Jessica Paré, Jacob Tierney, Wallace Shawn, Frances Fisher, Kevin Zegers and Luke Kirby.
THE OTHER SIDE OF PORCUPINE LAKE: Director Julian Papas captures the unique camaraderie and DIY craziness on the set of Ingrid Veninger’s PORCUPINE LAKE.
8 MINUTES AHEAD: Director Ben Hoskyn’s first feature film shot in Vancouver and Hong Kong is about two brothers who have never met, but who fight over their late father’s business inheritance, even though they live in entirely different socioeconomic worlds and two very different cities.
NOBODY FAMOUS: A scathing black comedy from director Sarah Rotella about the jealousies and competitiveness of aspiring actors, as one gets a great role while spending a friendly weekend at the cottage with other wannabes.
Canadian Premieres include:
THE LEARS: Award winning filmmaker Carl Bessai met producer Irwin Olian from NeoClassics Films during the Whistler Film Festival in 2016 and the result is this well acted drama about a dysfunctional family gathering around their aging, cantankerous architect dad (Bruce Dern) hoping to score some inheritance points as he is about to retire. Also featuring Sean Astin and Anthony Michael Hall.
SANTA STOLE OUR DOG: A MERRY DOGGONE CHRISTMAS: Peterborough-born Bryan Michael Stoller is another master of the DIY school of filmmaking. Bryan moved to Hollywood many years ago, wrote the best-selling book “Filmmaking for Dummies”, and makes his own charming indie films, the last three of which have also starred his own pet dog. This one features Ed Asner as Santa, Eric Roberts and internet sensation Yvette Rachelle, who also serves as co-producer on the project.
PAINLESS: Canadian actor Joey Klein gives a remarkable performance as a man who is incapable of feeling any pain, but spends his life seeking a scientific cure for his ailment. Directed by Jordan Horowitz.
Other programming highlights confirmed for this year include:
PORCUPINE LAKE: After the success of THE ANIMAL PROJECT in 2013 and the Borsos cinematography win for HE HATED PIGEONS in 2015, Ingrid Veninger returns to present her latest feature, a charming study of that special inexplicable best girlfriends forever bond that consumes many young women at the onset of puberty.
THE PRODIGAL DAD: Vancouver based filmmaker Robert Wenzek’s first feature is a delightful character comedy about a young woman’s dad who shows up on her doorstep uninvited and becomes a hit with her friends, much to her embarrassment. A sort of Canadian Toni Erdmann. With Michelle Harrison and Mackenzie Gray.
CARDINALS: Sheila McCarthy gives one of her finest screen performances as a self-described recovering alcoholic stalked by the son of a man she killed in a car accident. Directed by Grayson Moore and Aidan Shipley, with Katie Boland and Noah Reid.
MOBILE HOMES: Imogen Poots, Callum Turner and Callum Keith Rennie star in this dark drama about a directionless young mother, saddled with an eight year old son and a shiftless druggie boyfriend. A French co production directed by Vladimir de Fontenay. Poots is outstanding in the lead role.
OCTAVIO IS DEAD: Sarah Gadon in a role that will surprise her fans, as she slowly discovers the secrets of her late father’s life, including his sexual predilections, which began to fascinate her. The latest gender bending provocation from director Sook-Yin Lee, with Rosanna Arquette.
BECOMING BURLESQUE: A shy Muslim woman takes a great risk when she joins a local burlesque repertory company of extraordinary women on the burlesque stage. Featuring many real-life burlesque dancers and many exotic routines. Directed by Jackie English, with Shiva Negar and Pastel Supernova.
TULIPANI: LOVE, HONOUR AND A BICYCLE: A beautiful story about a romantic Dutch man who cycles to Italy and plants a field of tulips in the sweltering heat of Puglia. Co-produced by Don Carmody, directed by award winning Mike Van Diem and starring Giancarlo Giannini and Ksenia Solo.
The full film lineup will be released on November 1.
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Gürcan Keltek’s METEORS Wins Locarno Film Festival’s Cinelab Award
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Gürcan Keltek[/caption]
Meteors (Meteorlar) by Gürcan Keltek which World Premiered at the 2017 Locarno Film Festival has been voted winner of the festival’s Cinelab Award.
The second edition of the initiative by the Locarno Festival in partnership with Festival Scope presented a selection of 10 films from the Concorso Cineasti del presente. After its premiere at the Festival, each film was screened until August 20.
[caption id="attachment_24088" align="aligncenter" width="1200"]
Meteors (Meteorlar) by Gürcan Keltek.[/caption]
For this year’s Cinelab Award, the audience chose Meteorlar by Gürcan Keltek. The Award was exclusively given by the Locarno Festival initiative on Festival Scope. The winner is given technical services worth 22,000€, which is offered by Cinelab Bucharest.
Meteorlar had its world premiere in Locarno. It is Turkish filmmaker Gürcan Keltek’s debut feature. Meteorlar also won Locarno Festival’s Swatch Art Peace Hotel Award.
They come at night and everybody steps out. They light torches and remember those who have walked these streets before them. In the coming hours, the city wil be on lockdown: an eclipse appears and meteors start to fall.
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Lady Gaga Documentary GAGA: FIVE FOOT TWO to World Premiere at Toronto International Film Festival
The all-access documentary Gaga: Five Foot Two, a rare, revealing snapshot of a music icon that delves into duality of the raucously public Lady Gaga and the offstage woman that is, Stefani Joanne Germanotta, will World Premiere at the 2017 Toronto International Film Festival.
In the documentary, Lady Gaga offers a vulnerable look at her life during one of the most pivotal periods in her career yet. Directed by Emmy-nominated filmmaker Chris Moukarbel (Banksy Does New York, Me at the Zoo), the film is shot in the style of cinema verité, giving viewers unfiltered, behind-the-scenes access as Gaga spends time with close friends and family members, records and releases her 2016 album Joanne and, deals with personal struggles.
Moukarbel’s compelling portrait captures Lady Gaga’s life over an eight-month period. On top of professional triumphs, viewers will see her cope with intense emotional and physical pain. Other moments reflect more ordinary aspects of her life, whether it’s attending a family christening, visiting her grandmother or cooking and playing with her dogs at home. The film may help viewers understand how all of these experiences contribute to Gaga’s art – and how, in just a few years, the 5-foot-2 performer has become such a relatable and beloved figure worldwide.
“Moukarbel’s documentary offers an unprecedented look at Lady Gaga in full creative mode: the ideas, the emotion, the sheer work it takes to do what she does,” said TIFF Artistic Director Cameron Bailey. “We’re thrilled to be bringing this film to audiences in Toronto, and even more excited that Lady Gaga will follow the screening with a performance. This one is for all her fans, Little Monsters, and movie lovers alike, who want to share in this once-in-a-lifetime experience.”
“I had a rare opportunity to create a portrait of an artist with such an open heart and mind. I feel really lucky that Gaga trusted me and my vision,” said director Chris Moukarbel.
The Netflix original documentary is directed by Chris Moukarbel and produced by Heather Parry for Live Nation Productions, Bobby Campbell for Mermaid Films, and Moukarbel. Gaga: Five Foot Two is Executive Produced by Michael Rapino, Kim Ray, Lisa Nishimura, and Benjamin Cotner.
The 42nd Toronto International Film Festival runs from September 7 to 17, 2017. Gaga: Five Foot Two will screen at the Princess of Wales Theatre on Friday, September 8.
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10 New Films from Darren Aronofsky, Sean Baker and More Complete San Sebastian Festival Pearls Lineup
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Mother!, starring Jennifer Lawrence, Javier Bardem[/caption]
Ten new films including the latest from Darren Aronofsky, Sean Baker, Michael Haneke, Martin McDonagh, will complete the Pearls section of the 2017 San Sebastian Festival. All will compete for the City of Donostia / San Sebastian Audience Awards.
Mother!, starring Jennifer Lawrence, Javier Bardem and Michelle Pfeiffer, is the latest film from Darren Aronofsky (New York, 1969), the maker of Pi (1998), Best Director Award at Sundance; the cult movie Requiem for a Dream (2000); The Wrestler (2008), Golden Lion in Venice; and Black Swan, Academy Award for Best Actress (Natalie Portman). His latest production is a psychological thriller that will compete at the coming Venice Festival.
The Florida Project was one of the most applauded films at the last Cannes Festival, where it participated in the Directors’ Fortnight. Here, Sean Baker (Summit, United States, 1971) tells us about the summer holidays spent by a six year-old girl and her friends, while the adults around them struggle through hard times, after presenting at Sundance 2015 Tangerine, his fourth feature and the first to be completely shot with an iPhone, which harvested around twenty awards.
The author of Marius et Jeannette / Marius and Jeanette (1997), Best Actress César for Ariane Ascaride; Marie-Jo et ses 2 amours / Marie-Jo and Her Two Lovers (2002), which competed at Cannes; and Les neiges du Kilimandjaro / The Snows of Kilimanjaro (2012), selected for Un Certain Regard, congregates his regular accomplices on the cast of La villa / The House by the Sea. Robert Guédiguian (Marseille, France, 1953) brings a tale of three siblings who reunite at their father’s house in a small cove near Marseille at the height of winter, and which will compete in Venice. In 1998 Guédiguian won the Special Jury Prize for À la place du Coeur / Where the Heart Is in San Sebastian, to which he returned in 2004 with Mon père est ingenieur / My Father is an Engineer.
Michael Haneke (Munich, Germany, 1942), one of the essential directors of today’s cinema, will present Happy End. The author of Funny Games (1997), La pianiste / The Piano Teacher (2001), Das Weisse Band /The White Ribbon (2009) and Amour / Love (2012) has been acclaimed throughout his career with around a hundred awards coming from festivals and international accolades. Happy End, his snapshot from the life of a bourgeois European family, was selected for the Cannes Official Selection.
Hirokazu Koreeda (Tokyo, 1962), who has competed four times for the Golden Shell -Wandafuru raifu / After Life (1998), Hana yori mo naho / Hana (2006), Aruitemo, aruitemo / Still Walking (2008) and Kiseki / I Wish (2011), winner of the Best Screenplay Award – has won San Sebastian’s Audience Award twice: in 2013 with Soshite chichi ni naru / Like Father Like Son and in 2015 with Umimachi Diary / Our Little Sister. In Sando-me no satsujin / The Third Murder, to compete at Venice, he follows a lawyer who doubts his client’s guilt.
Xavier Legrand, whose short Avant que de tout perdre won the César, four awards at Clermont-Ferrand and landed an Academy Award nomination, debuts in feature films with the story of a son of divorced parents with his shared custody. Jusqu’à la garde / Custody has been selected for the official selection in Venice.
Martin McDonagh (Camberwell, United Kingdom, 1970) won, with Six Shooter (2004), the Academy Award for Best Live Action Short Film. His first feature film, In Bruges (2008), won the BAFTA for Best Original Screenplay and an Oscar nomination in the same category, and his second, Seven Psychopaths (2012) received the Audience Award in Toronto’s Midnight Madness section. In Three Billboards Outside Ebbing, Missouri, to compete at Venice, he narrates the confrontation between a woman (Frances McDormand), whose daughter was murdered months ago without the culprit being arrested, and the local police, headed by two officers played by Woody Harrelson and Sam Rockwell.
After placing his camera in a Danish regiment in Afghanistan (Armadillo) and shooting an episode of the series True Detective, Janus Metz (Denmark, 1974) presents Borg/McEnroe. The film, to open Toronto Festival, recreates the 1980 Wimbledon final between the Swedish and North American tennis players.
Lynne Ramsay (Glasgow, United Kingdom,1969) competed at Cannes with her previous film We Need to Talk About Kevin (2011), winner of Best Director at the British Independent Film Awards and Best European Actress Award (Tilda Swinton). You Were Never Really Here, written and directed by the Scottish filmmaker, was acknowledged with the Best Screenplay and Best Actor (Joaquin Phoenix) Awards at the last Cannes Festival.
Paolo Virzì (Livorno, Italy, 1964) is one of today’s most important Italian directors. Some of his most remarkable films are Il capitale umano / Human Capital (2013), winner of the David di Donatello Awards for Best Screenplay, Director and Actress, and his penultimate work, La pazza gioia / Like Crazy (2016), winner of the David for Best Film and, once again, Best Director and Best Actress. The Leisure Seeker, starring Helen Mirren and Donald Sutherland, is his first film shot in the USA and will compete at Cannes.
These titles join the others already announced: Teströl és lékekröl / On Body and Soul by Ilkidó Eneydi; Nelyubov / Loveless by Andrey Zvyagintsev; 120 battements par minute (120 BPM) / 120 Beats Per Minute, by Robin Campillo; Wonderstruck, by Todd Haynes; The Big Sick, by Michael Showalter; Call Me By Your Name, by Luca Guadagnino; and Loving Pablo, by Fernando León de Aranoa, which will close the section out of competition.
The City of Donostia / San Sebastian Audience Award is split into two accolades: the Best Film Award, with 50,000 euros, and the Best European Film, with 20,000 euros.
BORG/MCENROE
JANUS METZ (SWEDEN – DENMARK – FINLAND)
Cast: Shia LaBeouf, Sverrir Gudnason, Stellan Skarsgård, Tuva Novotny
Biopic about the rivalry between two of world tennis’s biggest icons: the imperturbable Björn Borg and the temperamental North American John McEnroe, through their legendary confrontation at Wimbledon 1980. Two sportsmen completely different from one another who became legends and the price they had to pay for it. Fire and ice on the court.
HAPPY END
MICHAEL HANEKE (FRANCE – AUSTRIA – GERMANY)
Cast: Isabelle Huppert, Jean-Louis Trintignant, Mathieu Kassovitz
All around us, the world, and we, in its midst, blind. A snapshot from the life of a bourgeois European family.
JUSQU’À LA GARDE / CUSTODY
XAVIER LEGRAND (FRANCE)
Cast: Denis Ménochet, Léa Drucker, Thomas Gioria, Mathilde Auneveux, Saadia Bentaïeb, Sophie Pincemaille, Emilie Incerti-Formentini
Myriam and Antoine are divorced. She asks for exclusive guardianship to protect her young son from her violent husband, but the judge decides to award both spouses shared custody. The victim of a jealous father, in the endeavour to protect his abused mother, Julien will do everything he can to stop the worst from happening.
LA VILLA / THE HOUSE BY THE SEA
ROBERT GUÉDIGUIAN (FRANCE)
Cast: Ariane Ascaride, Jean-Pierre Darroussin, Gérard Meylan, Anaïs Demoustier, Robinson Stevenin
In a little cove near Marseille, at the height of winter, Angèle, Joseph and Armand return to their elderly father’s home. Angèle is an actress living in Paris and Joseph has just fallen in love with a girl half his age. Armand is the only one who had stayed behind in Marseille to run his father’s small restaurant. It’s time for them to weigh up what they have inherited of their patriarch’s ideals and the community spirit he created in this magical place around a restaurant for workers. But the arrival of a group of boat people will change their reflections…
MOTHER!
DARREN ARONOFSKY (USA)
Cast: Jennifer Lawrence, Javier Bardem, Michelle Pfeiffer, Ed Harris
A couple’s relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence. A riveting psychological thriller about love, devotion and sacrifice.
SANDO-ME NO SATSUJIN / THE THIRD MURDER
HIROKAZU KOREEDA (JAPAN)
Cast: Kasaharu Fukuyama, Kôji Yakuso, Suzu Hirose
Attorney Shigemori takes on the defence of murder-robbery suspect Misumi who served jail time for another murder 30 years ago. Shigemori’s chances of winning the case seem low – his client freely admits his guilt, despite facing the death penalty if he is convicted. But as he digs deeper into the case and hears the testimonies of Mishumi and his family, Shigemori begins to doubt whether his client is the murderer after all.
THE FLORIDA PROJECT
SEAN BAKER (USA)
Cast: Willem Dafoe, Brooklynn Prince, Valeria Cotto, Bria Vinaite, Caleb Landry Jones
The Florida Project tells the story of Moonee, a precocious six-year-old and her ragtag group of friends whose summer break is filled with childhood wonder, possibility and a sense of adventure, while the adults around them struggle with hard times. All over the United States, cheap motels have become the last refuge for those unable to secure a permanent home. These invisible destitute people are increasingly greater in number, and 41% are families who struggle every day to keep a roof over their heads. This story is set in the suburbs of Orlando, holiday capital par excellence, home to “the most magical place on earth”. All along the road wending through the land of theme parks and resorts, the cheap hotels that in their day attracted tourists, exploiting the mysticism of Disney, now house homeless families. Moonee and her mother Halley, 22, live in one of these places: the Magic Castle Motel.
THE LEISURE SEEKER
PAOLO VIRZÌ (ITALY )
Cast: Helen Mirren, Donald Sutherland
Ella and John are fleeing the suffocating care of their doctors and grown children. He is distracted but strong. She is frail but sharp. The journey aboard their faithful old camper takes them from Boston to Key West in the USA. Sharing moments of exhilaration and anguish, they recapture their passion for life and their love for others, seeing differently and with perspective the things they’ve left behind. And this means that the way they see each other too will change during their adventure.
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
MARTIN MCDONAGH (UK)
Cast: Frances McDormand, Woody Harrelson, Sam Rockwell, Peter Dinklage, Abbie Cornish, Lucas Hedges, Caleb Landry Jones
After months have passed without a culprit in her daughter’s murder case, Mildred Hayes makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby, the town’s revered chief of police. When his second-in-command officer, Dixon, an immature mother’s boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing’s law enforcement is only exacerbated.
YOU WERE NEVER REALLY HERE
LYNNE RAMSAY (USA – FRANCE)
Cast: Joaquin Phoenix. Ekaterina Samsonov, Alessandro Nivola, Alex Manette, John Doman, Judith Roberts
A missing teenage girl. A brutal and tormented enforcer on a rescue mission. Corrupt power and vengeance unleash a storm of violence that may lead to his awakening.
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Urbanworld Film Festival Reveals 2017 Festival Slate, Closes with U.S. Premiere of MARSHALL
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Marshall[/caption]
The Urbanworld Film Festival today revealed its 2017 film slate of 80 official selections. The festival will take place in Manhattan September 20 to 24, 2017 at AMC Empire 25 on 234 West 42nd Street.
Film highlights include the thought-provoking HBO documentary “Baltimore Rising”, directed by “The Wire” actor Sonja Sohn, which will be showcased on Friday, September 22. The filmmaker follows activists, police officers, community leaders and gang affiliates who struggle to hold Baltimore together, in the wake of Freddie Gray’s death, even as the homicide rate hits record levels, and explores how to make change when change is hard.
The U.S. premiere of Marshall will close the festival on Saturday, September 23. Long before he sat on the United States Supreme Court or claimed victory in Brown v. Board of Education, Thurgood Marshall (Chadwick Boseman) was a young rabble-rousing attorney for the NAACP. The film marks the true story of his greatest challenge in those early days – a fight he fought alongside attorney Sam Friedman (Josh Gad), a young lawyer with no experience in criminal law: the case of black chauffeur Joseph Spell (Sterling K. Brown), accused by his white employer, Eleanor Strubing of sexual assault and attempted murder. Award-winning journalist Tamron Hall will moderate a Q&A with Boseman, Brown, Gad and Academy Award® nominated director Reginald Hudlin immediately following the screening of the film.
Reginald Hudlin will also serve as the ambassador for the 2017 Urbanworld Film Festival. The acclaimed director and producer is a pioneer of the modern black film movement, helming some of the most influential films and TV series of his generation including House Party, Boomerang and “Black Panther.” Most notably, he was nominated for a Best Picture Oscar® as one of the producers of Quentin Tarantino’s Academy Award® and Golden Globe® -winning film Django Unchained, one of the top-grossing Westerns of all time.
2017 URBANWORLD FILM SLATE
SPOTLIGHT PRESENTATIONS
Marshall – Directed by Reginald Hudlin – Presented by Open Road Films (U.S. Premiere) Baltimore Rising – Directed by Sonja Sohn – Presented by HBO (U.S. Premiere) Tales: Trap Queen – Directed by Benny Boom – Presented by BET Networks (World Premiere) Queen Sugar – Directed by Julie Dash – Presented by OWN: Oprah Winfrey Network (New York Premiere) Released – Presented by OWN: Oprah Winfrey Network (New York Premiere) Double Play – Directed by Ernest Dickerson (U.S. Premiere) Blackout (Alumni Spotlight – 10th Anniversary) – Directed by Jerry LaMotheTHE REVOLT YOUNG FILMMAKERS SHOWCASE
Curiosities of the Quiet Boy – Directed by Quran Squire (New York Premiere) Laced – Directed by David Fortune (World Premiere) Night – Directed by Joosje Duk (New York Premiere) Role Model – Directed by TJ Noel-Sullivan (New York Premiere) Sad Mobius – Directed by Kiho Song (World Premiere) Khiluana (Toy) – Directed by Rajat Agrawal (World Premiere)U.S. NARRATIVE FEATURES
Alaska Is A Drag – Directed by Shaz Bennett (East Coast Premiere) Bruce!!! – Directed by Eden Marryshow (New York Premiere) Covers – Directed by Malcolm M. Mays (World Premiere) Quest – Directed by Santiago Rizzo (U.S. Premiere) Shine – Directed by Anthony Nardolillo (World Premiere) The Price – Directed by Anthony Onah – Presented by Samuel Goldwyn (East Coast Premiere) Varsity Punks – Directed by Anthony Solorzano (East Coast Premiere)WORLD NARRATIVE FEATURES
Brown Girl Begins (Canada) – Directed by Sharon Lewis (World Premiere) Cargo (Bahamas) – Directed by Kareem J. Mortimer (New York Premiere) Catching Feelings (South Africa) – Directed by Kagiso Lediga (East Coast Premiere) Moko Jumbie (Trinidad & Tobago) – Directed by Vashti Anderson (East Coast Premiere) Stay (Japan) – Directed by Darryl Wharton-Rigby (World Premiere) Tourments D’Amour (France) – Directed by Caroline Jules (New York Premiere)DOCUMENTARY FEATURES
Behind the Curtain: Eclipsed – Directed by Collins J. Harris IV – Presented by BET International (New York Premiere) Coach Jake – Directed by Ian Phillips (World Premiere) Geek Girls – Directed by Gina Hara – Presented by Women Make Movies (U.S. Premiere) Milwaukee 53206 – Directed by Keith McQuirter Speaking Tongues / Somos Lengua – Directed by Kyzza Terrazas (East Coast Premiere) Teach Us All – Directed by Sonia Lowman – Presented by ARRAY (East Coast Premiere) Word Is Bond – Directed by Sacha Jenkins – Presented by Saboteur (World Premiere)NARRATIVE SHORTS
Ablution – Directed by Omar Al Dakheel (World Premiere) AKASHI (あかし) – Directed by Mayumi Yoshida Atone – Directed by Damon L. Smith (East Coast Premiere) Big City – Directed by Jordan Bond and Lachlan Ryan Hijo por Hijo (Child For Child) – Directed by Juan Avella (New York Premiere) Cocoon – Directed by Mei Liying Covered – Directed by Desha Dauchan (New York Premiere) Dayton Jones – Directed by Nelson George (World Premiere) Emergency – Directed by Carey Williams Flip the Record – Directed by Marie Jamora Fractured – Directed by Arnold Chun (East Coast Premiere) French – Directed by Josza Anjembe Just Go – Directed by Pavels Gumennikovs (New York Premiere) Last Looks – Directed by Cierra Glaude (World Premiere) Lunch Time – Directed by Alireza Ghasemi (New York Premiere) Oscar Micheaux – Directed by JD Walker (U.S. Premiere) Out Again – Directed by Robin Cloud Search Party – Directed by Tesia Walker Shadow of Man – Directed by Kristof Sagna (U.S. Premiere) Silence Radio – Directed by Kartik Singh (U.S. Premiere) So Far From God – Directed by Bret Polish (World Premiere) Something More Banal – Directed by Shalini Adnani Suitable – Directed by Thembi Banks (U.S. Premiere) The Tale of Four – Directed by Gabourey Sidibe (New York Premiere) Teachers – Directed by Mark Columbus (World Premiere) The Bill – Directed by Caralene Robinson (New York Premiere) The Jump Off – Directed by Jovan James (World Premiere) The Middlegame – Directed by Kristen Hester (World Premiere) The Paris Project – Directed by Tamara P. Carter (World Premiere) Vernon Walks – Directed by Santiago A. Zannou (U.S. Premiere)DOCUMENTARY SHORTS
Waiting for Hassana – Directed by Ifunanya Maduka Alone – Directed by Garrett BradleyANIMATION SHORTS
Victor & Isolina – Directed by William D. Caballero Sophia – Directed by Zsofia Opra-Szabo Mosquito: Bite of Passage – Directed by Brian Vincent Rhodes and Eric ChengWEB ORIGINALS
Docket 32357 – Directed by Randy Wilkins (East Coast Premiere) High And Mighty – Directed by Carlos Lopez Estrada (East Coast Premiere) I Love Bekka and Lucy – Directed by Rachael Holder (East Coast Premiere) Independent – Created by We Are Famous (East Coast Premiere)MUSIC VIDEOS
Beautiful Soul (Featuring Elán Varner) – Directed by Jac Benson II (World Premiere) Know Your Worth (Featuring Halima Akinlade) – Directed by Emily Gurland Can I Exist (Featuring Missio) – Directed by Jeff Ray Sunday Saxon (Featuring Old Man Saxon) – Directed by Anthony Yano HaysSCREENPLAYS
Amber’s Alert – Written by Thada Catalon Eliza – Written by Kym Mosley Pale Horse – Written by Chris Courtney Martin Muted – Written by Brandi Nicole Payne
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Films by Abel Ferrara, Alex Gibney, Vanessa Redgrave and More on 2017 New York Film Festival Spotlight on Documentary Lineup
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Jane[/caption]
The Spotlight on Documentary lineup for this year’s 2017 New York Film Festival features new films by Abel Ferrara, Alex Gibney, Vanessa Redgrave’s directorial debut, and more
Selections include three documentaries spotlighting acclaimed writers, including the World Premiere of Griffin Dunne’s Joan Didion: The Center Will Not Hold; returning NYFF filmmaker Rebecca Miller’s tender portrait of her father, Arthur Miller: Writer; and the World Premiere of Myles Kane and Josh Koury’s Voyeur, capturing the investigations explored in Gay Talese’s book The Voyeur’s Motel. Other notable documentary subjects include Jean-Michel Basquiat, who commands the downtown NYC scene of the late ’70s and early ’80s in Sara Driver’s BOOM FOR REAL The Late Teenage Years of Jean-Michel Basquiat; and Jane Goodall, whose original expedition to contact a chimpanzee population is brought back to life via 50-year-old National Geographic footage in Brett Morgen’s Jane.
Additional selections by NYFF alums are Travis Wilkerson’s Did You Wonder Who Fired the Gun?, in which Wilkerson confronts his family’s white supremacist roots; the North American Premiere of The Rape of Recy Taylor, Nancy Buirski’s passionate film about the 1944 case of a black woman who was raped by several white men; Joshua Bonnetta & J.P. Sniadecki’s El mar la mar, a 16mm meditation on the dangerous trek from Mexico to the U.S. through the Sonoran Desert; the North American premiere of Abel Ferrara’s Piazza Vittorio, a charming snapshot of Rome’s largest public square; and three music films by Mathieu Amalric: C’est presque au bout du monde, Zorn, and Music Is Music.
Other highlights of this year’s Spotlight on Documentary section include Vanessa Redgrave’s directorial debut, Sea Sorrow, an expertly crafted call for Western aid to the global refugee crisis; Barbet Schroeder’s The Venerable W., which confronts an Islamophobic Burmese Buddhist monk; and Alex Gibney’s No Stone Unturned, a critical investigation into the 1994 Loughinisland massacre in Ireland.
2017 New York Film Festival Spotlight on Documentary
Arthur Miller: Writer Dir. Rebecca Miller, USA, 2017, 98m Rebecca Miller’s film is a portrait of her father, his times and insights, built around impromptu interviews shot over many years in the family home. This celebration of the great American playwright is quite different from what the public has ever seen. It is a close consideration of a singular life shadowed by the tragedies of the Red Scare and the death of Marilyn Monroe; a bracing look at success and failure in the public eye; an honest accounting of human frailty; a tribute to one artist by another. Arthur Miller: Writer invites you to see how one of America’s sharpest social commentators formed his ideologies, how his life reflected his work, and, even in some small part, shaped the culture of our country in the twentieth century. An HBO Documentary Films release. BOOM FOR REAL The Late Teenage Years of Jean-Michel Basquiat Dir. Sara Driver, USA, 2017, 79m U.S. Premiere Sara Driver’s documentary is both a celebration of and elegy for the downtown New York art/music/film/performance world of the late 1970s and early ’80s, through which Jean-Michel Basquiat shot like a rocket. Weaving Basquiat’s life and artistic progress in and out of her rich, living tapestry of this endlessly cross-fertilizing scene, Driver has created an urgent recollection of freedom and the aesthetic of poverty. Graffiti meets gestural painting, hip hop infects rock and roll and visa versa, heroin comes and never quite goes, night swallows day, and everybody looms as large as they feel like looming on the crumbling streets of the Lower East Side. Cielo Dir. Alison McAlpine, Canada/Chile, 2017, 74m World Premiere The first feature from Alison McAlpine, director of the beautiful 2008 “nonfiction ghost story” short Second Sight, is a dialogue with the heavens—in this case, the heavens above the Andes and the Atacama Desert in northern Chile, where the sky “is more urgent than the land.” McAlpine keeps the vast galaxies above and beyond in a delicate balance with the earthbound world of people, gently alighting on the desert- and mountain-dwelling astronomers, fishermen, miners, and cowboys who live their lives with reverence and awe for the skies. Cielo itself is an act of reverence and awe, and its sense of wonder ranges from the intimate and human to the vast and inhuman. Did You Wonder Who Fired the Gun? Dir. Travis Wilkerson, USA, 2017, 90m How is it that some people escape the racism and misogyny in which they are raised, and some cling to it as their reason to exist? For 20 years, Travis Wilkerson has been making films that interrogate the malevolent effects of capitalism on the American Dream. Here he turns his sights on his own family and the small town of Dothan, Alabama, where his white supremacist great-great grandfather S.E. Branch once shot and killed Bill Spann, an African-American man. Branch was arrested but never charged with the crime. The life of his victim has been all but obliterated from memory and public record. “This isn’t a white savior story. This is a white nightmare story,” says the filmmaker, who refuses to let himself or anyone else off the hook. El mar la mar Dir. Joshua Bonnetta & J.P. Sniadecki, USA, 2017, 94m The first collaboration between film and sound artist Bonnetta and filmmaker/anthropologist Sniadecki (The Iron Ministry, NYFF52) is a lyrical and highly topical film in which the Sonoran Desert, among the deadliest routes taken by those crossing from Mexico to the United States, is depicted a place of dramatic beauty and merciless danger. Haunting 16mm images of the unforgiving landscape and the human traces within it are supplemented with an intricate soundtrack of interwoven sounds and oral testimonies. Urgent yet never didactic, El mar la mar allows this symbolically fraught terrain to take shape in vivid sensory detail, and in so doing, suggests new possibilities for the political documentary. A Cinema Guild release. Filmworker Dir. Tony Zierra, USA, 2017, 94m Leon Vitali was a name in English television and movies when Stanley Kubrick cast him as Lord Bullingdon in Barry Lyndon, but after his acclaimed performance the young actor surrendered his career in the spotlight to become Kubrick’s loyal right-hand man. For the next two decades, Vitali was Kubrick’s factotum, never not on call, for whom no task was too small. Along the way, Vitali’s personal life suffered, he drifted from his children, and his health deteriorated as he gave everything to his work. Filmworker is of obvious interest to anyone who cares about Kubrick, but it is also a fascinating portrait of awe-inspired devotion burning all the way down to the wick. Hall of Mirrors Dir. Ena Talakic and Ines Talakic, USA, 2017, 87m World Premiere In this lively documentary portrait, the great nonpartisan investigative reporter Edward Jay Epstein, still going strong at 81, takes us through his most notable articles and books, including close looks at the findings of the Warren Commission, the structure of the diamond industry, the strange career of Armand Hammer, and the inner workings of big-time journalism itself. These are interwoven with an in-progress investigation into the circumstances around Edward Snowden’s 2013 leak of classified documents, resulting in Epstein’s recently published, controversial book How America Lost Its Secrets: Edward Snowden, the Man and the Theft. One of the last of his generation of journalists, the energetic, articulate, and boyish Epstein is a truly fascinating character. Jane Dir. Brett Morgen, USA, 2017, 90m U.S. Premiere In 1960, Dr. Louis Leakey arranged for a young English woman with a deep love of animals to go to Gombe Stream National Park near Lake Tangyanika. The Dutch photographer and filmmaker Hugo van Lawick was sent to document Jane Goodall’s first establishment of contact with the chimpanzee population, resulting in the enormously popular Miss Goodall and the Wild Chimpanzees, the second film ever produced by National Geographic. One hundred hours of Lawick’s original footage was rediscovered in 2014. From that material, Brett Morgen (Kurt Cobain: Montage of Heck) has created a vibrant film experience, giving new life to the experiences of this remarkable woman and the wild in which she found a home. A National Geographic Documentary Films release. Joan Didion: The Center Will Not Hold Dir. Griffin Dunne, USA, 2017, 92m World Premiere Griffin Dunne’s years-in-the-making documentary portrait of his aunt Joan Didion moves with the spirit of her uncannily lucid writing: the film simultaneously expands and zeroes in, covering a vast stretch of turbulent cultural history with elegance and candor, and grounded in the illuminating presence and words of Didion herself. This is most certainly a film about loss—the loss of a solid American center, the personal losses of a husband and a child—but Didion describes everything she sees and experiences so attentively, so fully, and so bravely that she transforms the very worst of life into occasions for understanding. A Netflix release. No Stone Unturned Dir. Alex Gibney, Northern Ireland/USA, 2017, 111m World Premiere Investigative documentary filmmaker Alex Gibney—best known for 2008’s Oscar-winning Taxi to the Dark Side, Enron: The Smartest Guys in the Room, and at least a dozen others—turns his sights on the 1994 Loughinisland massacre, a cold case that remains an open wound in the Irish peace process. The families of the victims—who were murdered while watching the World Cup in their local pub—were promised justice, but 20 years later they still didn’t know who killed their loved ones. Gibney uncovers a web of secrecy, lies, and corruption that so often results when the powerful insist they are acting for the greater good. Piazza Vittorio Dir. Abel Ferrara, Italy/USA 2017, 69m North American Premiere Abel Ferrara’s new documentary is a vivid mosaic/portrait of Rome’s biggest public square, Piazza Vittorio, built in the 19th century around the ruins of the 3rd century Trofei di Mario. The Piazza is now truly a crossroad of the modern world: it offers a perfect microcosm of the changes in the west brought by immigration and forced displacement. Ferrara, now a resident of Rome himself, talks with African musicians and restaurant workers, Chinese barkeeps and relocated eastern Europeans, homeless men and women, artists, members of the right wing movement CasaPound Italia, filmmaker Matteo Garrone, actor Willem Dafoe, and others, all with varying opinions about the vast changes they’re seeing in their neighborhood and world. The Rape of Recy Taylor Dir. Nancy Buirski, USA, 2017, 90m North American Premiere On the night of September 3, 1944, a young African-American mother from Abbeville, Alabama, named Recy Taylor was walking home from church with two friends when she was abducted by seven white men, driven away and dragged into the woods, raped by six of the men, and left to make her way home. Against formidable odds and endless threats to her life andthe lives of her family members, Taylor bravely spoke up and pressed charges. Nancy Buirski’s passionate documentary shines a light on a case that became a turning point in the early Civil Rights Movement, and on the many formidable women—including Rosa Parks—who brought the movement to life. Sea Sorrow Dir. Vanessa Redgrave, UK, 2017, 72m Vanessa Redgrave’s debut as a documentary filmmaker is a plea for a compassionate western response to the refugee crisis and a condemnation of the vitriolic inhumanity of current right wing and conservative politicians. Redgrave juxtaposes our horrifying present of inadequate refugee quotas and humanitarian disasters (like last year’s clearing of the Calais migrant camp) with the refugee crises of WWII and its aftermath, recalled with archival footage, contemporary news reports and personal testimony—including an interview with the eloquent Labor politician Lord Dubs, who was one of the children rescued by the Kindertransport. Sea Sorrow reaches further back in time to Shakespeare, not only for its title but also to further remind us that we are once more repeating the history that we have yet to learn. A Skin So Soft Denis Côté, Canada/Switzerland/France, 2017, 94m U.S. Premiere Studiously observing the world of male bodybuilding, Denis Côté’s A Skin So Soft (Ta peau si lisse) crafts a multifaceted portrait of six latter-day Adonises through the lens of their everyday lives: extreme diets, training regimens, family relationships, and friendships within the community. Capturing the physical brawn and emotional complexity of its subjects with wit and tenderness, this companion piece to Cote’s singular animal study Bestiaire (2012) is a self-reflexive rumination on the long tradition of filming the human body that also advances a fascinating perspective on contemporary masculinity. Speak Up Dir. Stéphane de Freitas, co-directed by Ladj Ly, France, 2017, 99m North American Premiere Each year at the University of Saint-Denis in the suburbs of Paris, the Eloquentia competition takes place to determine the best orator in the class. Speak Up (À voix haute – La Force de la Parole) follows the students, who come from a variety of family backgrounds and academic disciplines, as they prepare for the competition while coached by public-speaking professionals like lawyers and slam poets. Through the subtle and intriguing mechanics of rhetoric, these young people both reveal and discover themselves, and it is impossible not to be moved by the personal stories that surface in their verbal jousts, from the death of a Syrian nightingale to a father’s Chuck Norris–inspired approach to his battle with cancer. Without sentimentality, Speak Up proves how the art of speech is key to universal understanding, social ascension, and personal revelation. The Venerable W. Dir. Barbet Schroeder, France/Switzerland, 2017, 100m The Islamophobic Burmese monk known as The Venerable Wirathu has led hundreds of thousands of his Buddhist followers in a hate-fueled, violent campaign of ethnic cleansing, in which the country’s tiny minority of Muslims were driven from their homes and businesses and penned in refugee camps on the Myanmar border. Barbet Schroder’s portrait of this man again proves, along with his General Idi Amin Dada (1974) and Terror’s Advocate (2007), that the director is a brilliant interviewer, allowing power-hungry fascists to damn themselves with their own testimony. His confrontation with Wirathu—a figure whose existence contradicts the popular belief that Buddhism is the most peaceful and tolerant major religion—is revelatory and horrifying. A release from Les Films du Losange. Preceded by: What Are You Up to, Barbet Schroeder? (2017, 13m), in which the director traces the path that led him to Myanmar, a center of Theravada Buddhism, where racial hatred was mutating into genocide. Voyeur Myles Kane and Josh Koury, USA, 2017, 96m World Premiere Gerald Foos bought a motel in Colorado in the 1960s, furnished the room with louvered vents that allowed him to spy on his guests, and kept a journal of their sexual encounters…among other things. As writer Gay Talese, who had known Foos for more than three decades, came close to the publication of his book The Voyeur’s Motel (preceded by an excerpt in The New Yorker), factual discrepancies in Foos’s account emerged, and documentarians Kane and Koury were on hand to record some wild encounters between the veteran New York journalist and his enigmatic subject. A Netflix release. Three Music Films by Mathieu Amalric C’est presque au bout du monde (France, 2015, 16m) Zorn (2010-2017) (France, 2017, 54m) Music Is Music (France, 2017, 21m) These three movies from Mathieu Amalric are musicals, from the inside out: they move with the mental and physical energies of John Zorn, the wildly prolific and protean composer/performer/bandleader/record label founder/club owner and all-around grand spirit of New York downtown music; and via the great Canadian-born soprano/conductor/champion of modern classical music Barbara Hannigan. Amalric’s Zorn film began as a European TV commission that was quickly abandoned in favor of something more intimate: an ongoing dialogue between two friends that will always be a work-in-progress. The two shorter pieces that bracket the Zorn feature Hannigan nurturing music into being with breath, sound, and spirit. Taken together, the three films make for one thrilling, intimate musical-gestural-cinematic ride.

Stumped[/caption]
The 2017 Milwaukee Film Festival announced the full lineup for Spotlight Presentations, including the multiple award-winning Opening Night film