Downsizing, directed by Alexander Payne and starring Matt Damon, Christoph Waltz, Hong Chau and Kristen Wiig will be the opening film, in Competition, of the 74th Venice International Film Festival taking place August 30 to September 9, 2017.
Downsizing will be shown in its world premiere screening on Wednesday August 30th in the Sala Grande at the Palazzo del Cinema on the Lido di Venezia.
Downsizing follows the adventures of Paul Safranek (Matt Damon), an everyman from Omaha who, along with his wife Audrey (Kristen Wiig), dreams of a better life. As the world faces an overpopulation crisis, scientists develop a radical solution that can shrink humans to five inches tall. People soon discover how much further money goes in a smaller world, and with the promise of a lavish lifestyle beyond their wildest imaginations, Paul and Audrey decide to risk the controversial procedure and embark upon an adventure that will change their lives forever.Film Festivals
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DOWNSIZING Starring Matt Damon and Kristen Wiig to Open Venice International Film Festival
Downsizing, directed by Alexander Payne and starring Matt Damon, Christoph Waltz, Hong Chau and Kristen Wiig will be the opening film, in Competition, of the 74th Venice International Film Festival taking place August 30 to September 9, 2017.
Downsizing will be shown in its world premiere screening on Wednesday August 30th in the Sala Grande at the Palazzo del Cinema on the Lido di Venezia.
Downsizing follows the adventures of Paul Safranek (Matt Damon), an everyman from Omaha who, along with his wife Audrey (Kristen Wiig), dreams of a better life. As the world faces an overpopulation crisis, scientists develop a radical solution that can shrink humans to five inches tall. People soon discover how much further money goes in a smaller world, and with the promise of a lavish lifestyle beyond their wildest imaginations, Paul and Audrey decide to risk the controversial procedure and embark upon an adventure that will change their lives forever.
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Monty Pyton’s John Cleese to be Honored at Sarajevo Film Festival
John Cleese will receive the Honorary Heart of Sarajevo Award for his “extraordinary contribution to the art of film” at the 23rd edition of Sarajevo Film Festival.
After the award ceremony, Sarajevo Film Festival’s audience will have the opportunity to see legendary comedy A FISH CALLED WANDA within the Open Air Program.
John Cleese is best known for his involvement in MONTY PYTHON’S FLYING CIRCUS, FAWLTY TOWERS, MONTY PYTHON AND THE HOLY GRAIL, MONTY PYTHON’S LIFE OF BRIAN, and A FISH CALLED WANDA.
In addition to his comedic activities, he was a co-founder with Sir Antony Jay of Video Arts, a management and sales training video company. Over a period of 20 years, Video Arts made over 120 training videos, and it was the largest firm of its kind outside the United States.
John Cleese was also a co-author, with the eminent psychiatrist Dr. Robin Skynner of two books ‘Families And How To Survive Them’, and ’Life And How To Survive It’. These books, which explored psychology, psychiatry, and their application to the wider world, both became best sellers.
Currently he is Provost’s Professor at Cornell University.
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Telluride Film Festival Unveils 2017 Poster Designed by Lance Rutter
The Telluride Film Festival today unveiled the 2017 poster designed by artist and graphic designer Lance Rutter. Telluride Film Festival’s prestigious annual gathering for film industry insiders, cinema enthusiasts, filmmakers and critics takes place every Labor Day weekend in the picturesque town of Telluride, Colorado. The 44th edition of TFF will run September 1-4, 2017.
Lance Rutter has spent the last 30+ years of his career devoted to graphic design, working on projects in his Chicago design studio, teaching design at the School of the Art Institute of Chicago, serving on the national board of the AIGA, and presiding over the 2008 and 2010 Chicago International Poster Biennials, among other public design advocacy initiatives. Rutter’s own posters have been a part of international exhibitions in the U.S., France, Poland, Mexico, Japan, Hungary, China, the Slovak Republic, Bolivia, Russia, and Iran. He is currently the VP of Design for Quantifind, a tech start-up in Silicon Valley, where he is responsible for everything from the company’s branding and office space design to the design of their data analytics software.
“I don’t think it’s possible to overstate how thrilled I was to be asked to create a poster for the 44th edition of the Telluride Film Festival,” said Rutter. “So many really wonderful artists have become part of this legacy, and it’s an honor to now be associated with them. After speaking with several people who have a deep love of—and long association with—Telluride, I believe there is something uniquely magical that happens there every year. While the foundation of Telluride has rightfully been a celebration of film, the Festival itself is more about the coming together of the lovers of film. From creators to admirers, it is about the people who fill, and then transform the place. The collegial atmosphere, the “realness” and accessibility of the people, their joy and warmth… those are the things that enchant Telluride—and what I hoped to express in the poster.”
“Lance’s design for this year’s poster is simply stunning,” said Telluride Film Festival executive director Julie Huntsinger. “Working with him has been a delight from start to finish. Lance is a true artist, and a true professional.”
Rutter joins a prestigious list of artists who have shared their talents with Telluride Film Festival. Past poster artists include Yann Legendre, Laurent Durieux, Christian Marclay, Dean Tavoularis, Ed Ruscha, John Mansfield, Julian Schnabel, Dottie Attie, Doug and Mike Starn, David Lance Goines, Chuck Jones, David Salle, Alexis Smith, Jim Dine, Seymour Chwast, Frederic Amat, Francesco Clemente, Dave McKean, Gary Larson, Chip Kidd, John Canemaker, Mark Stock, Laurie Anderson, William Wegman, Ralph Eggleston, Maira Kalman and Dave Eggers.
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French Actor Mathieu Kassovitz to Receive Locarno Festival’s 2017 Excellence Award
Mathieu Kassovitz will be honored with the Excellence Award Moët & Chandon at the Locarno 70 film festival. The French actor, filmmaker and screenwriter will be its guest on the Piazza Grande at the world premiere of Sparring by Samuel Jouy, on Saturday August 5.
The Excellence Award Moët & Chandon of the 70th Locarno Festival will be given to Mathieu Kassovitz, a unique figure within French and international cinema, a beloved and controversial director on the one hand and the interpreter of cult films on the other. He is known to the wider public thanks to his performance in the role of Nino Quincampoix together with Audrey Tautou in Le fabuleux destin d’Amélie Poulain (2001) by Jean-Pierre Jeunet.
Mathieu Kassovitz made his debut as an actor at the age of eleven in Au bout du bout du banc (1978), the starting point for a lifetime as an actor and for a career spent before and behind the camera. In 1993 the film Métisse, which he wrote, directed and acted in, garnered him two nominations at the Césars. In 1994 his performance in Jacques Audiard’s film Regarde les hommes tomber (1994) consecrated him due to a César for best male emerging talent. The talent and uniqueness of this actor and director are confirmed by his 1997 performance in Le cinquième élément by Luc Besson and in La haine in 1995 – the latter written and directed by him. It won the Palme in Cannes for best director – in it, he tailors a role for himself as a skinhead – it is of a chilling topicality, and a viral force, recounting a forgotten generation and an entire country through one single suburb. In the following years, Kassovitz continued his career between auteur cinema and mainstream cinema, collaborating with filmmakers of great depth such as Costa-Gavras (Amen, 2002), Steven Spielberg (Munich, 2005) and Michael Haneke (Happy End, 2017).
Carlo Chatrian, Artistic Director of the Locarno Festival: “Mathieu Kassovitz is one of the most talented actors of his generation. He is the heir of that great tradition of performers who manage to achieve credibility in the most diverse roles: in the shoes of a priest as much as in a Mossad agent’s. His all-rounded performance in the shoes of the boxer and father Steve Landry in Sparring, which shortly followed his acting in Happy End, is the umpteenth confirmation that Kassovitz is an actor who knows how to embody the differing souls of a people like few others can.”
Mathieu Kassovitz will receive the Excellence Award Moët & Chandon on the Piazza Grande on Saturday August 5, 2017. His tribute will be accompanied by the screening of a selection of films from his career.
Previous Excellence Award winners include Susan Sarandon, John Malkovich, Michel Piccoli, Isabelle Huppert, Gael García Bernal, Juliette Binoche, Giancarlo Giannini, Edward Norton, and Bill Pullman in 2016.
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Melbourne International Film Festival Unveils 2017 Lineup, Closes with Paul Williams’ GURRUMUL ELCHO DREAMING
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GURRUMUL ELCHO DREAMING[/caption]
The 2017 Melbourne International Film Festival (MIFF) unveiled its full program line-up of more than 358 films representing 68 countries, including 251 features, 88 shorts, 17 Virtual Reality experiences, 12 MIFF Talks events, 31 world premieres and 135 Australian premieres. It all happens over 18 days, spanning 13 venues across Melbourne, from August 3 to 20, 2017.
“What a pleasure it is to launch this year’s Melbourne International Film Festival,” said Artistic Director Michelle Carey. “This year’s program offers audiences an amazing opportunity to explore new worlds through film – from our Pioneering Women and Sally Potter retrospectives to the return of our Virtual Reality program as well as a particularly strong line-up of special events, we can’t wait to open the doors to MIFF 2017.”
The festival will kick off with the Opening Night Gala screening of Greg McLean’s MIFF Premiere Fund-supported JUNGLE, and will wind up with the world premiere Closing Night screening of Paul Williams’ GURRUMUL ELCHO DREAMING. A profound exploration of the life and music of revered Australian artist Geoffrey Gurrumul Yunupingu, the film uses the tools of the artist’s music – chord, melody, song – and the sounds of the land to craft an audio-first cinematic experience, offering a rare insight into a reclusive master.
Joining the MIFF guest line-up are Australia’s Melissa George, starring in the MIFF Premiere Fund-supported THE BUTTERFLY TREE; Italian director Luca Guadagnino with his acclaimed new film CALL ME BY YOUR NAME, a sensuous story of first love and the end of adolescence; and newcomer Jennifer Brea making her way to MIFF with UNREST, a feature documentary capturing her darkest moments as she is derailed by Chronic Fatigue Syndrome.
Further international guests include Peter Mackie Burns, the debut feature director of DAPHNE, a refreshing portrait of contemporary womanhood; Francis Lee, with his depiction of British rural life in GOD’S OWN COUNTRY; Slavko Martinov, the force behind the entertaining flockumentary PECKING ORDER; Gabe Klinger on behalf of PORTO, a film presented in Super 8, 16mm and breathtaking 35mm; director Sami Saif and cinematographer Anders Löfstedt with their music documentary THE ALLINS; Thai filmmaker Anocha Suwichakornpong, winner of the Top Prize at the 2016 Thai National Film Association Awards for her feature BY THE TIME IT GETS DARK; and Annie Goldson, director of KIM DOTCOM: CAUGHT IN THE WEB, a documentary about the court case surrounding the internet’s most wanted criminal. MIFF guests also include Daniel Borgman, director of LOVING PIA, a winsome tale blurring documentary and fiction; and Florian Habicht, director of SPOOKERS, a film focusing on a former psychiatric hospital that is now a haunted attraction.
Following last year’s success, VIRTUAL REALITY (VR) returns to MIFF in 2017. Leading the charge is the world premiere of Lucas Taylor’s INSIDE MANUS, taking the audience behind the razor wire to meet the asylum seekers on the Manus Island detention centre. Other VR world premieres include Lester Francois’ RONE, a distinctive portrait of the Melbourne street artist; Khoa Do and Piers Mussared’s THE EXTRACTION, a work imagining a perilous journey through the post apocalypse; and Christopher Bailey’s ACROSS, set in a world where two beings live in opposite cliffs – where one side is a paradise and the other a wasteland.
The VR program continues with Jeff Goldblum making a cameo appearance in MIYUBI, a feature length film about a family’s relationship with its Japanese toy robot, from co-directors Félix Lajeunesse and Paul Raphaël; George Gittoes expands upon his MIFF 2015 feature Snow Monkey, taking audiences on a VR tour to Afghanistan in the world premiere of FUN FAIR JALALABAD; and Ben Smith’s THE HUNT FOR THE YIDAKI, the companion piece to the MIFF 2017 Premiere Fund-supported feature WESTWIND: DJALU’S LEGACY, will also receive its world premiere. Meanwhile UNREST VR, a film about Chronic Fatigue Syndrome – made by Amaury La Burthe and other key collaborators on Notes on Blindness: Into Darkness (MIFF 2016) – screens as an expansion piece to Jennifer Brea’s feature documentary, also showing at MIFF 2017.
In addition to UNREST, MIFF’s much-loved DOCUMENTARIES program delivers an array of gripping real-life character studies. Catch WINNIE, Pascale Lamche’s Sundance Directing Award-winning portrait of Winnie Madikizela-Mandela, variously viewed as the wife of South Africa’s most revered leader, the mother and/or enemy of her nation and a revolutionary force in her own right; Andres Veiel’s BEUYS: ART AS A WEAPON, an extensive look at the felt-clad, hat-wearing German performance artist Joseph Beuys; and DINA, the Sundance Grand Jury Prize-winner from Dan Sickles and Antonio Santini that offers a heartfelt and heart-melting portrait of love in all its strangeness and wonder.
The Documentaries program also takes audiences behind the closed doors of wildly diverse environments. In the remarkable debut film THE WORK, America’s most hardened criminals share their demons with the everyday public during the world’s most intense group therapy session in Jairus McLeary and Gethin Aldous’ SXSW Grand Jury Prize-winner; Jean-Stéphane Bron’s THE PARIS OPERA is a film candidly charting the day-to-day drama during a season of upheaval for the revered company; and ROLLER DREAMS finds Australian director Kate Hickey tracking down the original stars of the Venice Beach 80s roller dancing movement to build a funky portrait of the rise and fall of the craze.
MIFF’s toe-tapping MUSIC ON FILM program dances to its own beat with THE ALLINS where award-winning Danish documentarian Sami Saif turn his lens on the most outrageous musician to ever live – GG Allin – revealing the man behind the maniac behind the music; and in Kyoko Miyake’s TOKYO IDOLS, teenage girl pop stars grapple with finding fame and the creeping fixation of their male fan bases in an eye-opening look at Japanese idol culture.
Musical influencers take centre stage in the Sundance Special Jury Prize-winning RUMBLE: THE INDIANS WHO ROCKED THE WORLD, where Catherine Bainbridge sets out to reinstate Native American trailblazers to their rightful place in the pop music pantheon; and Lucy Walker, director of the MIFF 2013 Best Documentary Audience Award-winner The Crash Reel, returns with BUENA VISTA SOCIAL CLUB: ADIOS, a touching farewell to the beloved son cubano musicians as they complete their final tour.
A stellar line-up of homegrown talent will be showcased in AUSTRALIAN FILMS. Marking the halfway point of the festival will be the CENTREPIECE GALA world premiere screening of THREE SUMMERS, the first Australian film from comedian Ben Elton. Romantic leads Robert Sheehan and Rebecca Breeds are joined by a glittering ensemble featuring Michael Caton, Magda Szubanski, Deborah Mailman, Jacqueline McKenzie and John Waters for an of-the-moment, multi-story comedy set over three years at a fictional folk-music festival.
Continuing the Australian Films showcase, David Wenham makes his feature directorial debut with a Before Sunrise-style romance set to the distinctive sounds of Megan Washington with ELLIPSIS, starring Emily Barclay and Benedict Samuel; MIFF offers an exclusive preview of the second series of GLITCH, a Matchbox Pictures production commissioned by ABC TV and co-produced by Netflix, set in a fictional Victorian town where deceased former residents have crawled out of their graves in the local cemetery; and in a special screening presented by the National Film and Sound Archive’s digital restoration program – NFSA RESTORES, MIFF will also present the classic rip-roaring homegrown action flick, SHAME, where an award-winning Deborra-Lee Furness – also a guest of MIFF 2017 – turns the tables on a country town’s entrenched male violence.
Celebrating its 10th birthday in 2017, the MIFF PREMIERE FUND stages six world premieres (each with its director in attendance) comprising: Greg McLean’s MIFF Opening Night Film JUNGLE, starring Daniel Radcliffe; Luke Shanahan’s uniquely stylish psychological thriller RABBIT, featuring The Great Gatsby’s Adelaide Clemens playing identical twins linked by more than just DNA; MIFF guests Melissa George and Ed Oxenbould starring alongside Ewen Leslie and Sophie Lowe in Priscilla Cameron’s THE BUTTERFLY TREE, a coming-of-age tale of love and loss tinged with magical realism; Eddie Martin’s HAVE YOU SEEN THE LISTERS?, an intimate account of the cost of success of Australia’s most renowned street artist, Anthony Lister (also a guest of the festival); Naina Sen’s THE SONG KEEPERS, telling the incredible story of a hidden musical legacy of ancient Aboriginal languages and German baroque songs that are being preserved by the Central Australian Aboriginal Women’s Choir (who will also attend the festival); and Ben Strunin’s WESTWIND: DJALU’s LEGACY, portraying the quest of Yolngu elder Djalu Gurruwiwi (who will attend the festival) to preserve his songlines with a little help from global pop star Gotye.
Marking the MIFF Premiere Fund’s 10-year milestone, the festival will also screen three retrospective highlights from the Fund’s early years: the 2009 MIFF Opening Night film BALIBO, written and directed by Robert Connolly and starring Oscar Isaac, Anthony LaPaglia and MIFF Ambassador Gyton Grantley; Amiel Courtin-Wilson’s BASTARDY, a poetic and impressionistic portrait of the life of indigenous arts personality Jack Charles; and Ana Kokkinos’ all-star ensemble BLESSED, which features Frances O’Connor in an AFI Award-winning performance.
PIONEERING WOMEN, a program of 80s and early 90s Australian films directed by women, will pay tribute to some of the country’s finest cinematic trailblazers, including director Ann Turner with the world premiere of her digitally restored horror meets coming-of-age drama CELIA; Gillian Armstrong with a digital restoration screening of STARSTRUCK, the iconic and colourful musical comedy about two Sydney teenagers who try to break into the music biz to save the family pub (which also features an appearance by MIFF Ambassador Geoffrey Rush). Both films are proudly presented by the National Film and Sound Archive’s restoration program – NFSA RESTORES. Don’t miss this opportunity to revisit other classics such as BEDEVIL (directed by Tracey Moffatt), THE BIG STEAL (directed by Nadia Tass) and FLOATING LIFE (directed by Clara Law), with guest Q&As and a Conversation panel in store among other events.
MIFF’s ever popular NIGHT SHIFT program returns with innovative horror and genre films including A PRAYER BEFORE DAWN, in which French provocateur Jean-Stéphane Sauvaire (Johnny Mad Dog, MIFF 2008) returns to the brutal underworlds of masculine violence, in an adaptation of Billy Moore’s memoir of his time in Bangkok’s notorious Klong Prem prison; MY FRIEND DAHMER, Marc Meyers’ disturbing vision of America’s most notorious serial killer during his adolescence, featuring a breathtaking performance by Disney star Ross Lynch; and BLOODLANDS, a brutal mix of family blood feud and supernatural horror marking the first ever co-production between Australia and Albania, directed by Steven Kastrissios (The Horseman, MIFF 2008).
For the first time in its history MIFF will also present a SCI-FI program, showcasing a selection of the genre’s best films including IKARIE XB-1, Jindřich Polák’s little-known pioneering masterpiece that influenced everything from Star Trek to 2001: A Space Odyssey… and beyond; INVENTION FOR DESTRUCTION, from inventive animator Karel Zeman, the first steampunk film, bringing the stories and visuals of Jules Verne to life; LE DERNIER COMBAT, a work taking audiences back to where it all began for renowned sci-fi director Luc Besson, with his striking 1983 film starring Jean Reno in his feature debut; and STRANGE DAYS, featuring Ralph Fiennes, Angela Bassett and Juliette Lewis, Kathryn Bigelow’s 20-year-old, James Cameron-scripted, VR tech-noir. And for the night owls, running all night at the Astor Theatre is MIFF’s inaugural SCI-FI MARATHON, presenting a collection of the genre’s most venerated, controversial and enduring or under-appreciated fan favourites. For full details visit miff.com.au/marathon.
The TRUE CRIME program returns in 2017 with some of the most intriguing and sinister stories of our time. Oscar-nominated documentarian David France (How to Survive a Plague, MIFF 2012) delivers a piercing survey of the origins of transgender activism and a search for justice in THE DEATH AND LIFE OF MARTHA P JOHNSON; Erik Nelson’s A GRAY STATE is a riveting murder mystery, political thriller and unparalleled psychological profile about rising alt-right filmmaker and Iraq veteran David Crowley and his family; and Pete Nicks’ THE FORCE is an award-winning look at the day-to-day operations of the Oakland Police Department as it grapples with endemic corruption, sexism and racial violence.
ANIMAL DOCUMENTARIES, a new program strand for 2017, puts the spotlight on some of the world’s most intriguing creatures. TROPHY sees Shaul Schwarz (Narco Cultura, MIFF 2013) and Christina Clusiau take on a charged debate in a controversial film that will upend everything audiences thought they knew about animal conservation; PECKING ORDER, the year’s best feel-good flockumentary from Slavko Martinov, introduces us to people taking the world of chicken fancying as seriously as life and death; and A RIVER BELOW, Mark Grieco’s provocative and murky morality tale about a TV conservationist’s battle to save the Amazon’s disappearing pink river dolphin, will leave audiences shocked and awed.
MIFF’s HEADLINERS program will bring audiences the most-buzzed about films from the festival circuit. Highlights include Ruben Östlund’s Palme d’Or-winning THE SQUARE, a film marking the director as modern cinema’s most savage and inventive satirist; Claire Denis’ Cannes Director’s Fortnight award-winning romantic comedy LET THE SUNSHINE IN, starring Juliette Binoche; Geremy Jasper’s fabulous Sundance triumph PATTI CAKE$, featuring Australian acting discovery Danielle Macdonald in the role of a New Jersey battler and aspiring rapper; SONG TO SONG, a love story from Terrence Malick set against the backdrop of the Austin music scene, featuring Ryan Gosling, Rooney Mara, Michael Fassbender and Natalie Portman; and THE PARTY, Sally Potter’s caustic comic satire of a broken England, with a stellar ensemble headed by Kristin Scott Thomas, Patricia Clarkson and Timothy Spall.
Showcasing MIFF’s admiration for the inimitable British director, this year the festival also proudly presents a SALLY POTTER RETROSPECTIVE. Screening the complete oeuvre of Potter’s feature films, along with a selection of her early shorts from 1969 to 1986, the retrospective includes: THE TANGO LESSON, where Potter plays opposite Argentine tango performer Pablo Verón for a seductive dance of reality and fiction; ORLANDO, the director’s stunning second film featuring a triumphant lead performance by Tilda Swinton as the androgynous titular character living across four centuries; THE GOLD DIGGERS, Potter’s seminal work that came to influence and define feminist cinema of the 1980s; and GINGER AND ROSA, starring Alice Englert and Elle Fanning as two friends threatened by a belief-shattering betrayal.
The festival’s INTERNATIONAL program is packed with innovative cinema from countries near and afar. MIFF Patron Geoffrey Rush shines as Alberto Giacometti in Stanley Tucci’s FINAL PORTRAIT, a snapshot of several weeks the artist spent trying to paint author James Lord; Fatih Akin (Head-On, MIFF 2004) delivers the morally charged thriller IN THE FADE, featuring Diane Kruger in the performance that won her Best Actress at Cannes; and from Aisling Walsh comes MAUDIE, starring Oscar nominees Sally Hawkins and Ethan Hawke exploring the sensitive but rousing true tale of Maud Lewis, one of Canada’s most inspiring folk artists.
Some 14 of Australia and New Zealand’s hottest emerging directors will have their short films premiere in the festival’s ACCELERATOR program and also participate in Accelerator Lab, MIFF’s prestigious development workshop assisting directors to transition to feature filmmaking. They are W.A.M (Bill) Bleakley; Nina Buxton; Kate Lefoe; Frank Magree; Zoe McIntosh; Victoria McIntyre; Greta Nash; Tin Pang; Simon Portus; Nikki Richardson; Rachel Ross; John Sheedy; Nick Waterman; and Dave Whitehead.
The MIFF SHORTS program will screen local and international films spanning animation, documentary, experimental works and more, with highlights including the riveting INDONESIAN SHORTS, a program screening works from some of Australia’s closest neighbours, and Cannes Short Film Palme d’Or winner A GENTLE NIGHT, from MIFF Accelerator alumnus Qiu Yang, while other Accelerator alumni directors returning with new short films are Alice Englert, Audrey Lam, Nora Niasari, Julietta Boscolo, Billie Pleffer, Dylan River and Alena Lodkina.
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PURGE THIS LAND, An Essay Film on Abolitionist John Brown to Close Open City Documentary Festival | Video Clip
Lee Ann Schmitt’s Purge This Land, an essay film exploring the legacy of the radical abolitionist John Brown will be the Closing Night gala film of the Open City Documentary Festival. The history of racism and slavery in modern America is retold in this highly topical film, which spans the 1850s to present-day USA. The film will receive its UK Premiere on Sunday September 10 at London’s Regent Street Cinema.
It was also announced last week that the festival will open with the UK Premiere Taste Of Cement, Ziad Kalthoum’s intimate portrait of exiled Syrian construction workers building a skyscraper in Beirut. The 7th Open City Documentary Festival takes place over six days in venues across London from 5 to 10 September 2017.
Michael Stewart, Founder of Open City Docs, said: “We’re thrilled to be closing this year’s festival with Purge This Land. Lee Ann Schmitt’s intimate, captivating film packs a real political punch and we’re very proud to be showcasing some of the most exciting and innovative documentary filmmakers from around the world here in London.”
https://vimeo.com/100519353
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Stony Brook Film Fest Announces Guests, incl. TEXT FOR YOU’s Karoline Herfurth
The international list of guests coming to the 22nd Annual Stony Brook Film Festival includes filmmakers delivering unique background stories on moviemaking. U.S. filmmakers from across the country will also join with the many international filmmakers representing features and shorts.
Short films will also be represented by movie people from afar including guests from Israel (Across the Line, Thurs, July 27 at 7:00 pm), Armenia (The Simon’s Way, Mon, July 24 at 7:00 pm), Latvia (Just, go! Wed, July 26 at 9:15 pm), and Estonia (Snowgirl, Sat, July 22 at 4:00 pm).
On Opening Night at the U.S. Premiere of Welcome to Germany, (Thurs, July 20 at 8:00 pm) Picture Tree International’s Managing Partner, Andreas Rothbauer, will represent the film. Picture Tree is one of Germany’s leading sales agencies and brings two outstanding movies to Stony Book, Welcome to Germany and Hannah’s Sleeping Dogs (Thurs, July 27 at 9:15 pm).
From the United Kingdom, Waking David, (Fri July 21 at 7:00 pm) will be represented by director Kevin Nash and two actresses in the movie, Kristy Bruce and Harriet Madeley. The director and the three main actresses in Waking David collaborated to write the screenplay.
The family-friendly animated film, Ethel & Ernest, (Sat, July 22 at 4:00 pm) will have U.K. producer Camilla Deakin on hand to answer questions about the animated gem, featuring the voices of Jim Broadbent, Brenda Blethyn and Luke Treadaway.
The Sounding (Sat, July 22 at 7:00 pm) is one of the U.S. productions at the Festival, with many cast and crew on hand, including Catherine Eaton, director, co-writer and main actress in the film.
Representing an amusing account of romance, Love is Thicker Than Water (Sat, July 22 at 9:30 pm) is co-director and writer Ate Dejong, returning to the Stony Brook Film Festival for the second time. For those who have seen the National Geographic’s Genius series “Einstein” – you may be interested to know that the young actor playing Einstein, Johnny Flynn, stars in the film.
A World Premiere documentary, To the Edge of the Sky (Sun, July 23 at 4:00 pm) will bring Academy Award winners, Todd and Jedd Wider to the Festival. The Wider brothers, who grew up in Stony Brook, were the directors of To the Edge of the Sky, which reports on the disease Duchenne Muscular Dystrophy and the mothers who are fighting to get drugs approved to help their son.
A delightful American indie, Laura Gets a Cat (Wed, July 26 at 7:00 pm) will have director, writer and actor Michael Ferrell on hand, along with Dana Brooke, who plays Laura, the 30-something unemployed writer in the film, as well as many cast members.
The Second Act of Elliott Murphy (Wed, July 26 at 9:15 pm) makes its U.S. Premiere, with rocker Elliott Murphy coming in from his home in Paris to represent the film and play a song or two live. Director Jorge Arenillas will be along to represent the compelling documentary about the singer songwriter’s life on the road.
Purple Dreams (Thurs, July 27 at 7:00 pm) is a documentary about the first high school given permission to perform the musical “The Color Purple.” Joanne Hock, director and producer, Robin Grey (a Stony Brook Alum) will be representing the documentary.
Closing Night’s feature, the U.S. premiere of Text for You (Saturday, July 29 at 8;00 pm) will have the lead actress Karoline Herfurth on hand for a Q&A after the screening. Ms. Herfurth is well-known in Germany and an audience favorite in that country. Following the screening is Stony Brook’s very own “Oscar” style awards ceremony.
Image: 2017 Stony Brook Closing Night, Text for You, Friedrich Mücke and Karoline Hurfurth.
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Luciana Farah’s SOMEBODY CLAP FOR ME to World Premiere at Zanzibar International Film Festival | Trailer
Somebody Clap For Me from Brazilian director Luciana Farah, will have its world premiere at the 20th edition of the Zanzibar International Film Festival taking place July 8 to 16, 2017.
A rollercoaster ride from grassroots poetry to the political heart of Uganda, this captivating labour of love provides a fascinating window into life in a country in which three-quarters of the population is under 25. Linking Uganda’s oral tradition to its 21st Century culture of hip-hop and slam poetry, the film brings its protagonists to the fore, providing a constantly shifting portrait of a Kampala-based youth movement that uses spoken word to challenge the oppressive restraints of Ugandan society and the increasing constraints on freedom of speech under current president Yoweri Museveni.
As Farah chronicles the resurfacing of village bonfire storytelling traditions in the form of open-mic poetry events, we meet some of the scene’s key actors, including Roshan, a mixed race Ugandan who has grown up in the UK, Ugly Emcee, a freedom-of-speech activist who reveals himself to be the grandson of Idi Amin, and Medals the Born Again Politician, who challenges the status quo with both his conviction and command of political pastiche.
The film, which was shot over the course of three years with a crew of East African film students, follows these and other poets as they go about their daily lives in Kampala, the eclectic individual portraits building to form a cross-sectional vision of a country trying to shed its past and create a more inclusive and democratic reality, despite the conservative forces that are attempting to hold on to power.
What begins as a documentary about a grassroots poetry collective, twists and turns unpredictably as it takes viewers into the political and cultural heart of contemporary Uganda. Fuelled by the universal themes of love and identity and made using unconventional filmmaking techniques, Somebody Clap for Me was produced with the support of Maisha Film Lab and the Doha Film Institute.
“I am extremely happy for Somebody Clap for Me to be premiering at ZIFF,” said Farah. “The festival has a long history of supporting independent African cinema and it is fitting that the film will receive its first public screening at one of Africa’s leading film festivals.”
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Poster + Watch Trailer for South African Film THE WOUND (Inxeba)
The South African film The Wound (Inxeba) has won the Best Film Award in the International New Talent Competition, at the 2017 Taipei Film Festival ahead of its African premiere at the Durban International Film Festival on July 14.
The film, the first feature from writer-director John Trengove, stars musician and novelist Nakhane Touré as Xolani, a lonely factory worker who joins the men of his community in the mountains of the Eastern Cape to initiate a group of teenage boys into manhood. When Kwanda (Niza Jay Ncoyini), a defiant initiate from the city, discovers his mentor’s secret, Xolani’s entire existence begins to unravel.
The Wound which premiered at this year’s Sundance Film Festival and later opened Berlinale Panorama went on to win a string of awards.
At Cinema Jove, the Valencia International Film Festival, The Wound was awarded the Luna de Valencia for Best Feature Film, as well as the Best Actor Award for Nakhane Touré.
At one of the world’s longest-running film festivals, the Sydney Film Festival, The Wound won the Audience Award for Best Feature.
At the 41st Frameline, San Francisco’s international film festival, held from 15 to 25 June and where 147 films were screened, The Wound won the First Feature Award.
Shortly before that, it was awarded the prize for Best Feature Film at the 32nd Lovers Film Festival, an LGBTQI festival held in Turin, Italy.
In April, the film received the Jury Prize for Best Narrative at the 19th annual Sarasota Film Festival in Florida, in the US.
https://www.youtube.com/watch?v=ubSlj-G4P6I
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LITTLE CRUSADER Wins Best Film at 52nd Karlovy Vary International Film Festival
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Director Václav Kadrnka, 52nd Karlovy Vary IFF[/caption]
The awards were presented at the closing ceremony of the 52nd Karlovy Vary IFF, and the fatherhood drama Little Crusader by Václav Kadrnka was awarded the Grand Prize – Crystal Globe and $25,000.
The directing prize was won by Slovak filmmaker Peter Bebjak, who was presenting his film The Line at the festival. In the competition East of the West, the road movie How Viktor “the Garlic” took Alexey “the Stud” to the Nursing Home by Russian director Alexander Hant won that award.
The award for best feature-length documentary went to the Spanish film Lots of Kids, a Monkey and a Castle. And the Právo Audience Award was awarded to the American crime drama taking place on a Native American reservation Wind River starring Jeremy Renner.
The 53rd Karlovy Vary IFF will be held from June 29th to July 7th, 2018.
OFFICIAL SELECTION – COMPETITION
GRAND PRIX – CRYSTAL GLOBE (25 000 USD) The financial award is shared equally by the director and producer of the award-winning film. Little Crusader Directed by: Václav Kadrnka Czech Republic, Slovak Republic, Italy, 2017 SPECIAL JURY PRIZE (15 000 USD) The financial award is shared equally by the director and producer of the award-winning film. Men Don’t Cry Directed by: Alen Drljević Bosnia and Herzegovina, Slovenia, Croatia, Germany, 2017 BEST DIRECTOR AWARD Peter Bebjak for the film The Line Slovak Republic, Ukraine, 2017 BEST ACTRESS AWARD Jowita Budnik and Eliane Umuhire ex-aequo for their roles in the film Birds Are Singing in Kigali Directed by: Joanna Kos-Krauze, Krzysztof Krauze Poland, 2017 BEST ACTOR AWARD Alexander Yatsenko for his role in the film Arrhythmia Directed by: Boris Khlebnikov Russia, Finland, Germany, 2017 SPECIAL JURY MENTION For the best First Feature Film Keep the Change Directed by: Rachel Israel USA, 2017 SPECIAL JURY MENTION For the Best Newcomer Voica Oltean, actress Breaking News Directed by: Iulia Rugin Romania, 2017 EAST OF THE WEST – COMPETITION EAST OF THE WEST GRAND PRIX (15 000 USD) The financial award is shared equally by the director and producer of the award-winning film. How Viktor “the Garlic” Took Alexey “the Stud” to the Nursing Home Directed by: Alexander Hant Russia, 2017 EAST OF THE WEST SPECIAL JURY PRIZE (10 000 USD) The financial award is shared equally by the director and producer of the award-winning film. Dede Directed by: Mariam Khatchvani Georgia, Qatar, Ireland, Netherlands, Croatia, 2017 DOCUMENTARY FILMS – COMPETITION GRAND PRIX FOR BEST DOCUMENTARY FILM (5 000 USD) The financial award goes to the director of the award-winning film. Lots of Kids, a Monkey and a Castle Directed by: Gustavo Salmerón Spain, 2017 DOCUMENTARY SPECIAL JURY PRIZE Atelier de conversation Directed by: Bernhard Braunstein Austria, France, Liechtenstein, 2017 PRзVO AUDIENCE AWARD Wind River Directed by: Taylor Sheridan USA, 2016 CRYSTAL GLOBE FOR OUTSTANDING ARTISTIC CONTRIBUTION TO WORLD CINEMA Ken Loach, United Kingdom CRYSTAL GLOBE FOR OUTSTANDING ARTISTIC CONTRIBUTION TO WORLD CINEMA Paul Laverty, United Kingdom CRYSTAL GLOBE FOR OUTSTANDING ARTISTIC CONTRIBUTION TO WORLD CINEMA James Newton Howard, USA FESTIVAL PRESIDENT’S AWARD Uma Thurman, USA FESTIVAL PRESIDENT’S AWARD Casey Affleck, USA FESTIVAL PRESIDENT’S AWARD Jeremy Renner, USA FESTIVAL PRESIDENT’S AWARD FOR CONTRIBUTION TO CZECH CINEMATOGRAPHY Václav Vorlíček, Czech Republic NON-STATUTORY AWARDS AWARD OF INTERNATIONAL FILM CRITICS (FIPRESCI) Awarded by The International Federation of Film Critics (FIPRESCI). Keep the Change Directed by: Rachel Israel USA, 2017 THE ECUMENICAL JURY AWARD The Cakemaker Directed by: Ofir Raul Graizer Israel, Germany, 2017 FEDEORA AWARD Awarded by the Federation of Film Critics of Europe and the Mediterranean (FEDEORA) to the best film from the East of the West – Competition Mariţa Directed by: Cristi Iftime Romania, 2017 Special Mention Blue Silence Directed by: Bülent Öztürk Turkey, Belgium, 2017 EUROPA CINEMAS LABEL AWARD For the best European film in the Official Selection – Competition and in the East of the West – Competition. Men Don’t Cry Directed by: Alen Drljević Bosnia and Herzegovina, Slovenia, Croatia, Germany, 2017 THE WINNERS OF WORKS IN PROGRESS AWARD AND EURIMAGES LAB PROJECT AWARD @ KVIFF WORKS IN PROGRESS AWARD @ KVIFF At the 14th edition of Works in Progress @KVIFF, eight selected projects (plus one out of competition) were presented from a total of 77 submissions from Central and Eastern Europe, the Balkans, Turkey, Greece and post-Soviet territories. The 2017 award, with a total value of EUR 100,000, includes post-production services at UPP and Soundsquare and a EUR 10,000 cash award from Barrandov Studio. Censor 80 min, Slovak Republic Directed by: Peter Kerekes Cast: Irina Alexandrovna, Jura Car, Ljubov Vassilina EURIMAGES LAB PROJECT AWARD @ KVIFF The Karlovy Vary IFF is one of four international festivals to present this award. The final eight projects were selected from 45 submitted projects from Eurimages countries that are currently in production or post-production, are being made outside the traditional filmmaking framework, and involve international co-operation. The best project receives an award of EUR 50,000. The Stand-In 70 min, Italy, France, Morocco Directed by: RК di Martino Scriptwriter: RК di Martino Producer: Marco Alessi Camera: Gianclaudio Giacomini, Giulio Squillacciotti, Hasnae el Ouarga Cast: Valeria Gollino, Filippo Timi, Corrado Sassi, Younes Bouad, Nadia Kounda, Nisrine Adam Image: Director Václav Kadrnka, photo credit: Jan Handrejch
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KEEP THE CHANGE, THE CAKEMAKER Among Winners of Karlovy Vary IFF Non-Statutory Awards
The non-statutory awards of the 52nd Karlovy Vary International Film Festival were announced today, with the international film critics prize FIPRESCI award going to Keep the Change by Rachel Israel.
Other awards included the Ecumenical Jury award going to The Cakemaker, by Ofir Raul Graizer; FEDEORA award by Federation of Film Critics of Europe and the Mediterranean going to Romanian film Mariţa by Cristi Iftime; and Men Don’t Cry by Alen Drljević won the Europa Cinemas Label award for the best European film in the Main Competition or the East of the West Competition.
AWARD OF INTERNATIONAL FILM CRITICS
Awarded by The International Federation of Film Critics (FIPRESCI).
Keep the Change
Directed by: Rachel Israel
USA, 2017
For a glorious first feature which tells the story of a colorful group of New Yorkers, who in any other film would be labelled as ‘outsiders’. Instead Israel lets us experience their world from the inside, and it’s a wondrous place to be.
It is a tender film with a simple narrative, driven by complex emotions. By letting herself be inspired by her magnificent actors’ personal experiences of life on the autism spectrum, writer/director Rachel Israel has created a work that is inclusive, fresh and thoroughly engaging.
It also has one of the funniest scripts we have ever come across, with a sense of humor that ranges from the crude jokes of conflicted protagonist David, to the no-nonsense cut-offs by its leading lady Sarah – a female character with a personal brand of vivaciousness never before seen on the cinema screen.
We were deeply affected by this heartfelt story of coming of age and finding love, proving there is nothing wrong with being weird.
THE ECUMENICAL JURY AWARD
The Cakemaker
Directed by: Ofir Raul Graizer
Israel, Germany, 2017
With a gentle approach, the film portrays a journey towards acceptance and the pursuit of love. The unique bond formed between the characters strengthens a healing process that brings them a new life. It allows the viewer to connect to the most important of human values, something that overcomes all prejudices: love.
FEDEORA AWARD
Federation of Film Critics of Europe and the Mediterranean for the best film from
East of the West – Competition section
Mariţa
Directed by: Cristi Iftime
Romania, 2017
For the simplicity in directing his debut feature film, focused on the everyday life of a family, whose members, no matter that the family is separated after the divorce of the parents, at their reunion, celebrate the meeting and enjoy it in a spontaneous and friendly way that brings positive energy into their lives.
Special Mention
Blue Silence
Directed by: Bülent Öztürk
Turkey, Belgium, 2017
To Bulent Özturk for “Blue Silence” for its strong, courageous take both in visuals, sounds and silences on how violence and war eats the soul.
EUROPA CINEMAS LABEL AWARD
For the best European film in the Official Selection – Competition and in the East of the West – Competition.
Men Don’t Cry / Muškarci ne plaču
Directed by: Alen Drljević
Bosnia and Herzegovina, Slovenia, Croatia, Germany, 2017
Europe has learned throughout its difficult history that wars, particularly those that have seen neighbor fight against neighbor, do not end when the violence stops. There are difficulties to be faced in healing a divided society, when bitterness and anger must be set aside in favor of compromise and forgiveness in the name of reconciliation. In Alen Drljević’s powerful Men Don’t Cry a disparate group of former combatants representing all factions of the Balkan War of the 1990s gather in a deserted hotel to begin this process. Common ground is found, but hard-gained trust is easily and quickly lost when old resentments come to the surface. The jury was struck by the film’s nonjudgemental stance on the characters’ different perspectives, brought to vivid life by its fine cast, the universality of its theme of the value of forgiveness not just of others, but of ourselves, for past actions, its relevance to Europe’s future as a community, and its subtle commentary on the negative aspects of masculinity.
Image: Brandon Polansky as David Cohen and Samantha Elisofon as Sarah Silverstein in KEEP THE CHANGE. Photographer: Giacomo Belletti.
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Actress Julianne Moore to Be Honored with François Truffaut Award at Giffoni Film Festival
Actress Julianne Moore will receive the François Truffaut Award at the 7th Giffoni Film Festival taking place July 14 to 22, 2017 in Southern Italy.
Moore got her start off-Broadway and has worked extensively in television as well, but the remarkably prolific actress is best known for her work in feature films. During the course of her career, Moore has worked with some of the most well-respected and iconic directors in the industry including Robert Altman, Steven Spielberg, Joel and Ethan Coen, Paul Thomas Anderson, Gus Van Sant and Todd Haynes.
In 2015, Moore won an Academy Award and a Golden Globe for her performance in Still Alice, in which she played Alice Howland, a linguistics professor diagnosed with Alzheimer’s Disease. Moore has been nominated an additional four times for an Academy Award for her work in Far from Heaven (2002), The Hours (2002), The End of the Affair (1999) and Boogie Nights (1997). She has won two additional Golden Globes (one for the HBO television movie Game Change (2012) and a special ensemble award for Short Cuts (1994)) and has another seven Golden Globe nominations to her credit. Moore’s work in Game Change also earned her a Primetime Emmy Award.
In addition to the above, Moore is well known to audiences around the world for her memorable performances in films including The Hunger Games: Mockingjay – Parts 1 & 2 (2014 and 2015, respectively); Maggie’s Plan (2015); Maps to the Stars (2014); Don Jon (2013); Carrie (2013); Crazy, Stupid, Love. (2011); The Kids Are All Right (2010); A Single Man (2009); Blindness (2008); Children of Men (2006); Hannibal (2001); Magnolia (1999); Psycho (1998); The Big Lebowski (1998) and The Lost World: Jurassic Park (1997), among many others.
This year, Moore re-teamed with her Far from Heaven director Todd Haynes for the American drama Wonderstruck, based on the 2011 novel of the same title by Brian Selznick. The film was presented in competition at the 70th Cannes Film Festival earlier this year and opens in the U.S. in October. Julianne Moore also stars in Kingsman: The Golden Circle opposite Colin Firth and Halle Berry, which will debut in the states this September, and Suburbicon alongside Matt Damon directed by George Clooney which is expected to hit cinemas in November.