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  • 2015 Maryland Film Festival Completes Film Lineup, Fest to Close with THE WOLFPACK

    Crystal Moselle’s The Wolfpack Maryland Film Festival completed its 2015 lineup today, unveiling its Closing Night film, the titles for its annual Opening Night Shorts Program, and a few late-breaking features. The 2015 Festival runs May 6 to 10 in downtown Baltimore. Maryland Film Festival’s Closing Night film will be Crystal Moselle’s The Wolfpack (pictured above), the mind-blowing buzz documentary that took home the U.S. Documentary Grand Jury Prize at the 2015 Sundance Film Festival. MFF also announced 5 additional emerging features for its lineup, including new work from Joe Swanberg, Rick Alverson, and Andrew Bujalski; and two repertory screenings guest-curated by key figures in Baltimore’s cultural scene: musician Abdu Ali introducing Spike Lee’s Do The Right Thing, and Wham City’s Alan Resnick and Dina Kelberman introducing Paul Verhoeven’s Showgirls. Maryland Film Festival first devoted its Opening Night to celebrating shorts filmmakers in 2002, and has done so each year since 2004. Opening Night will take place in the Maryland Institute College of Art’s Falvey Hall the evening of Wednesday, May 6th. Each Opening Night short will be hosted by its filmmaker. MFF 2015’s Opening Night shorts are: BAD BOY OF BOWLING (Bryan Storkel) From the co-director of Fight Church, a high-octane portrait of a bowling star with a plus-sized personality. CHARLOTTE (Angel Kristi Williams) A coming-of-age story from the director of MFF 2012’s The Christmas Tree, a Baltimore native. MELVILLE (James M. Johnston) A rapper struggling with personal pain finds release in music. Directed by the producer of Ain’t Them Bodies Saints. PINK GRAPEFRUIT (Michael Mohan) A couple sets up two friends for a romantic weekend. Winner of the narrative shorts jury award at SXSW. SHARE (Pippa Bianco) A young woman returns to high school after being shamed by an explicit video. Winner of a special jury prize at SXSW. Feature films announced for MFF 2015 today: BEST_OF_ENEMIES_Robert-Gordon_Morgan-Neville Best of Enemies (Robert Gordon, Morgan Neville) In 1968, a ratings-starved ABC coordinated a series of debates between conservative journalist William F. Buckley, Jr. and liberal novelist and thinker Gore Vidal. The network garnered huge audiences—and perhaps a bit more than they bargained for, as high-level political discourse collided with name-calling and meltdowns. This Sundance-premiered documentary comes courtesy of Twenty Feet From Stardom director Morgan Neville, and author/filmmaker Robert Gordon (of MFF 2012’s Very Extremely Dangerous). Digging For Fire (Joe Swanberg) When young parents Tim (Jake Johnson) and Lee (Rosemarie DeWitt) agree to house-sit for a wealthy acquaintance, Tim finds something suspicious on the grounds—and an initial spark of intrigue becomes a consuming obsession. Joe Swanberg continues to take his unique working methods to the next level, with an amazing cast that includes Orlando Bloom, Brie Larson, Sam Rockwell, Anna Kendrick, Jane Adams, Sam Elliott, and Mike Birbiglia, all working together to deliver an infectious mix of comedy, drama, romance, and thrills. Do the Right Thing (Spike Lee, 1989) Spike Lee’s modern classic, detailing racial tensions and police brutality on the hottest day of summer in Bedford-Stuyvesant, has never been more crucial and relevant.  With the sounds of Public Enemy’s “Fight the Power” blasting from boomboxes, this seminal film boasts cinematography from Ernest Dickerson, and an Academy Award-nominated screenplay (not to mention an iconic performance) from Lee; his phenomenal ensemble cast includes Ossie Davis, Danny Aiello, Ruby Dee, Rosie Perez, Joie Lee, Bill Nunn, John Turturro, and Samuel L. Jackson. Selected and guest-hosted by musician, DJ, and curator Abdu Ali. Entertainment (Rick Alverson) Gregg Turkington, perhaps best known for his persona Neil Hamburger, stars as The Comedian, a beleaguered, Hamburger-ian performer who endlessly tours Grade-Z clubs and non-venues across America, shocking and dismaying audiences with his lewd and convoluted punchlines. At turns bleak, poignant, disturbing, and darkly hilarious, this fascinating and beautifully composed provocation from the director of The Comedy also features Amy Seimetz, John C. Reilly, Tye Sheridan, Lotte Verbeek, and Michael Cera. People, Places, Things (Jim Strouse) In this thoughtful and hilarious rom-com, Jemaine Clement of Flight of the Conchords and What We Do in the Shadows stars as a graphic novelist whose comfortable life is shaken after walking in on his wife with another man. Downgraded to a tiny apartment and weekends-only status with his twin daughters, a bright spot appears when a student in a college art course he teaches challenges him to be more social and adventurous. RESULTS_Andrew-Bujalski Results (Andrew Bujalski) High-octane personal trainer Kat (Cobie Smulders) works for her friend, fitness guru and entrepreneur Trevor (Guy Pearce)—both of whom have their lives turned upside-down when nouveau-riche couch potato Danny (Kevin Corrigan) arrives at their gym. The director of MFF 2013’s Computer Chess follows up that highly experimental work with something different: a romantic comedy with a stellar cast and a massive heart. Showgirls (Paul Verhoeven, 1995) Intentional camp? Brilliant social commentary? A noble failure? Irredeemable trash? Books have been written exploring what Paul Verhoeven (RoboCop, Starship Troopers, The Fourth Man) was going for with this follow-up to mega-hit Basic Instinct. Starring Elizabeth Berkley, Kyle MacLachlan, and Gina Gershon, this seedy, Vegas-set film was derided upon its release but has lived on as a midnight movie and cult favorite. Selected and guest-hosted by Alan Resnick and Dina Kelberman of Wham City.   The Wolfpack (Crystal Moselle) CLOSING NIGHT This extraordinary documentary brings us into the lives of the Angulo brothers, who grew up homeschooled and in extreme isolation from the outside world in a Lower East Side apartment. Home video became their only window into the outside world, and they took to recreating their favorite scenes and styling themselves after films such as Reservoir Dogs. But when one of the brothers escapes the confines of their apartment, all of their lives are forever changed. A sensation at Sundance, where it won the U.S. Documentary Grand Jury Prize, this is a documentary that delivers on the buzz, built on amazing access to a truly incredible story and unforgettable characters.

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  • Monument to Michael Jackson, Frame by Frame, Wins Grand Jury Prizes at 2015 Nashville Film Festival

    Monument to Michael Jackson The Nashville Film Festival (NaFF) 2015 announced the 46th Annual Competition Award winners, including Grand Jury Prizes to Monument to Michael Jackson (pictured above), Orion: The Man Who Would Be King and other notable films. Best Original Song went to Brian Wilson for “One Kind of Love” fromLove & Mercy. According to the jury, its palpable portrayal of a child torn between two worlds earned Daytimer the Live Action Short Grand Jury Prize. Bear Storyset itself a very high bar both stylistically and narratively and delivered across the board, which garnered it the Grand Jury Prize for Animated Short. La Vie en rose comme dans les films provided a humble glimpse into the complicated world of memory; the short received the Grand Jury Prize for Documentary Short. Each of these three shorts will be automatically qualified for Academy Award® consideration. Bridgestone Narrative Competition Grand Jury Prize – Monument to Michael Jackson, directed by Darko Lungolov Honorable Mention – WildLike, directed by Frank Hall Green
    The Bridgestone Narrative Competition Grand Jury Prize went to Monument to Michael Jackson. The film was, “at times a political farce, a relationship drama and an inspiring tale of tenacity in the face of adversity.”The jury also awarded Geraldine Chaplin from Sand Dollars the Best Actress award, while Boris Milivojevic from Monument to Michael Jackson received the Best Actor award. Best Screenplay went to Shonali Bose for Margarita, with a Straw, and the Film Musicians Secondary Market Fund Award for Best Music in a Feature Film went to Ramon Cordero, Benjamin De Menil and Edilio Paredes for Sand Dollars. The Special Jury Prize for Cinematography was awarded to Tony Mirza for Eadweard.
    Gibson Music Films/Music City Competition Grand Jury Prize – Orion: The Man Who Would Be King, directed by Jeanie Finlay Honorable Mention – Sweet Micky for President, directed by Ben Patterson
    The jury said Orion, “hits every note… and then some. It was a completely unpredictable yet always entertaining and moving documentary.”The jury awarded the Special Jury Prize for Best Import to Tomi Fujiyama in Made in Japan.
    Documentary Competition Grand Jury Prize – Frame by Frame, directed by Mo Scarpelli and Alexandra Bombach Honorable Mention – Welcome to Leith, directed by Michael Beach and Christopher K. Walker
    “Frame by Frame is a fascinating look into life in Afghanistan that celebrates its growing photography culture, with unprecedented access and interviews,” the jury said. “The film is beautifully crafted and we’re so honored to present these first time filmmakers with the Documentary Grand Jury Prize, and hope that they will continue to make inspiring films.”The Special Jury Prize for Direction went to Jimmy Chin and E. Chai Vasahelyi forMeru.
    New Directors Competition Grand Jury Prize – Songs She Wrote About People She Knows, directed by Kris Elgstrand Honorable Mention – Naz & Maalik, directed by Jay Dockendorf
    Songs She Wrote About People She Knows received the Grand Jury Prize, “for its quirky plot, high production values, and unique yet relatable characters, the New Directors Jury awarded its Grand Jury Prize to Songs She Wrote About People She Knows. Lead actress Arabella Bushnell delivers a particularly strong performance as an aspiring pop singer, complete with highly original and hilarious songs. Writer/director Kris Elgstrand is a strong new voice in independent cinema and we are excited to see what he comes up with next. “ The jury awarded Krisha Fairchild with Best Actress for Krisha and Daniel Cerqueira with Best Actor for Radiator. The Special Jury Prize for Direction went to Sarah Adina Smith for The Midnight Swim.
    Best Original Song Winner – “One Kind of Love,” from Love & Mercy, written and performed by Brian Wilson Honorable Mention – “Found You,” from In My Father’s House, written and performed by Rhymefest
    Graveyard Shift Competition
    Grand Jury Prize (tie) – Alléluia, directed by Fabrice du Welz Grand Jury Prize (tie) — They Look Like People, directed by Perry Blackshear
    “The jury found itself unable to determine a hierarchy between exquisite works of passion, madness, human bonds and inhuman horror.”The jury awarded for Best Actress to Amy Everson in Felt and Best Actor to MacLeod Andrews in They Look Like People. The Special Jury Prize for Outstanding Use of Music went to Rain the Color of Blue with a Little Red in It.
    Ground Zero Tennessee First Competition
    Grand Jury Prize – The Keepers, directed by Joann Self Selvidge and Sara Kaye Larson
    Southwest Airlines Audience Award Overall Winner In My Father’s House, Ricki Stern & Annie Sundberg, scored 4.99 out of 5 Southwest Airlines Audience Award Winners Narrative Competition – Eadweard, Kyle Rideout, director Documentary Competition – In My Father’s House, Ricki Stern and Annie Sundberg, directors Special Presentations  – Me and Earl and the Dying Girl, Alfonso Gomez-Rejon, director Spectrum – The Waiting Country Woman, Li Yangiu, director Music Films/Music City – Revival: The Sam Bush Story, Kris Wheeler and Wayne Franklin Tennessee First – Mind/Game: The Unquiet Journey of Chamique Holdsclaw, Rick Goldsmith, director New Directors Competition – The Challenger, Kent Moran, director Graveyard Shift – They Look Like People, Perry Blackshear, director Southwest Airlines Audience Awards  – Documentaries – Top Five
    1. In My Father’s House, Ricki Stern and Annie Sundberg, directors
    2. Mind/Game: The Unquiet Journey of Chamique Holdsclaw, Rick Goldsmith, director
    3. The Barkley Marathons: The Race That Eats Its Young, Annika Iltis and Timothy Kane, directors
    4. Revival: The Sam Bush Story, Kris Wheeler and Wayne Franklin, directors
    5. Imba Means Sing, Danielle Bernstein, director
    Southwest Airlines Audience Awards –  Narratives – Top Five
    1. Me and Earl and the Dying Girl, Alfonso Gomez-Rejon, director
    2. The Challenger, Kent Moran, director
    3. Love & Mercy, Bill Pohlad, director
    4. Ain’t It Nowhere, Scott Murphy, director
    5. I’ll See You in My Dreams, Brett Haley, director
    Tennessee Horizon Audience Award for Best Shorts
    Presented by TN Film, Music & Entertainment Commission and Native Magazine Winner (tie) – Daddy’s Little Girl, directed by Chad McClarnon Winner (tie) – Usetocould, directed by Drew Maynard
    Sponsored Awards
    NPT Human Spirit Award – My Voice, My Life, directed by Ruby Yang Women in Film & Television Award – Yosemite, directed by Gabrielle Demeestere Outstanding LGBT Film – Naz & Maalik, directed by Jay Dockendorf Nashville Area Hispanic Chamber of Commerce Award – Alfonso Gomez-Rejon for Me and Earl and the Dying Girl Lipscomb University Prize of the Ecumenical Jury – Rosenwald, directed by Aviva Kempner.
      Complete List of Short Film Award Winners Live Action Short – Grand Jury Prize: Daytimer, directed by Riz Ahmed (United Kingdom) Live Action Short – Honorable Mention: Tzniut, directed by David Formentin (USA) Live Action Short – Honorable Mention: Saturday, directed by Mike Forshaw (United Kingdom) Special Jury Prize for Visual Storytelling: The Aftermath of the Inauguration of the Public Toilet at Kilometer 375, directed by Omar El Zohairy (Egypt) Animated Short – Grand Jury Prize: Bear Story, directed by Gabriel Osorio (Chile) Animated Short – Honorable Mention: Man on the Chair, directed by Dahee Jeong (France) Special Jury Prize for Achievement in Animation: Pineapple Calamari, directed by Kasia Nalewajka (United Kingdom) Documentary Short – Grand Jury Prize: La Vie en rose comme dans les films, directed by Christophe M. Saber (Switzerland) Documentary Short – Honorable Mention: Autofocus, directed by Boris Poljak (Croatia) Special Jury Prize for Bridging the Gap Between Experimental and Documentary Filmmaking: Object, directed by Paulina Skibinska (Poland) Experimental Short – Grand Jury Prize: (null), directed by Michael Lange, David Gesslbauer (Germany) Experimental Short – Honorable Mention: Play Within a Play, directed by Yasmijn Karhof (Netherlands) Student Short – Grand Jury Prize: Wire Cutters, directed by Jack Anderson (USA) Student Short – Honorable Mention: The Aftermath of the Inauguration of the Public Toilet at Kilometer 375, directed by Omar El Zohairy (Egypt) Watkins Young Filmmaker Award: Poet Against Prejudice, directed by Faiza Almontaser (USA) Web Series Grand Jury Prize: 24 Hour Records, directed by Brad Cash (USA) Web Series Honorable Mention: HelLA, directed by Rory Uphold (USA) Graveyard Shift Grand Jury Prize for Short Film: Alone, directed by Didier Philippe (France) Graveyard Shift Honorable Mention for Short Film: Primrose Lane, directed by Nick Phillips (USA) Ground Zero Tennessee First Shorts Documentary Award: Muddy Pond, directed by Tyler Jones Ground Zero Tennessee First Short Narrative Award: Trying Not to Explode, directed by Dave Dorsey Tennessee Horizon Audience Award for Best Shorts presented by TN Film, Music & Entertainment Commission and Native Magazine (Nominees – winner announced Thursday, April 23) Contrary to Likeness, directed by Motke Dapp Daddy’s Little Girl, directed by Chad McClarnon Futureman, directed by Patrick Sheehan How I Got Made, directed by Tracy S. Facelli Nashville in Harmony: Ten Years of Using Music to Build Community, directed by Steven C. Knapp Usetocould, directed by Drew Maynard Steven Goldmann Visionary Award: World of Tomorrow, directed by Don Hertzfeldt (USA)

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  • BLACK PANTHERS Film Wins Best of Fest at 2015 RiverRun International Film Festival

    The Black Panthers: Vanguard of the Revolution THE BLACK PANTHERS: VANGUARD OF THE REVOLUTION directed by Stanley Nelson took home the Audience Award “Best of Fest” at the 17th annual RiverRun International Film Festival which ran April 16 to 26, 2015.  In the film, Stanley Nelson weaves together voices from varied perspectives who lived the story of the Black Panther Party, including police, FBI informants, journalists, white supporters, and detractors, those who remained loyal to the party and those who left it. AUDIENCE AWARDS The Audience Award “Best of Fest” was presented to: THE BLACK PANTHERS: VANGUARD OF THE REVOLUTION / USA (Director: Stanley Nelson) — Whether they were right or wrong, the Black Panther Party and its leadership remain powerful and enduring figures in our popular imagination even today. Stanley Nelson’s film weaves together voices from varied perspectives who lived this story– police, FBI informants, journalists, white supporters, and detractors, those who remained loyal to the party and those who left it. The Kilpatrick Townsend & Stockton LLP Audience Award for Best Narrative Feature was presented to: ANYWHERE ELSE / Israel / Germany (Director: Ester Amrami) — Noa, an Israeli grad student working on her thesis in Berlin about untranslatable words, returns home to find her family less than enamored with her life choices and struggles to define her connections to both place and family. The Audience Award for Best Documentary Feature was presented to: 3 ½ MINUTES / USA (Director: Marc Silver) — This gripping documentary dissects the shooting death of 17-year-old Jordan Davis, the aftermath of this systemic tragedy and contradictions within the American criminal justice system. The Altered States Audience Award for Best Indie was presented to: PROUD CITIZEN / USA (Director: Thomas Southerland) — After winning second place in a play writing contest, a Bulgarian woman travels to small town Kentucky for the premiere of her play. Expecting southern hospitality, she instead finds an America full of dichotomy in this funny, heartwarming and sometimes heartbreaking meditation on the comfort (and discomfort) of strangers. NARRATIVE COMPETITION The Best Narrative Feature Award was presented to: MEMORIES ON STONE / Iraq / Germany (Director: Shawkat Amin Korki) — Kurdish childhood friends Hussein and Alan naively resolve to produce a film about the genocide of Kurdish people in Iraq, specifically the Anfal campaign of 1988. They learn that in order to will the film into existence they must put everything on the line–even their own lives. The Peter Brunette Award for Best Director was presented to: Naomi Kawase, STILL THE WATER / Japan / Spain / France Best Actor was presented to: Hussein Hassan MEMORIES ON STONE / Iraq / Germany (Director: Shawkat Amin Korki) Best Actress was presented to: Julieta Diaz, REFUGIADO / Argentina / France / Columbia / Poland (Director: Diego Lerman) Best Cinematography – Narrative Feature was presented to: Yutaka Yamazuki, STILL THE WATER / Japan / Spain / France (Director: Naomi Kawase Best Screenplay was presented to: THE SECOND MOTHER / Brazil (Director: Anna Muylaert) Special Jury Prize for Editing: Ebrahim Saeedi, MEMORIES ON STONE / Iraq / Germany (Director: Shawkat Amin Korki) Honorable Mention for Cinematography: Sara Mishara, FELIX AND MEIRA / Canada (Director: Maxime Giroux) Honorable Mention for Actress: Hadas Yaron, FELIX AND MEIRA / Canada (Director: Maxime Giroux) Honorable Mention for Actor: James ‘Primo’ Grant, FIVE STAR / USA (Director: Keith Miller) DOCUMENTARY COMPETITION Best Documentary Feature : THE CHINESE MAYOR / China (Director: Hao Zhou) — Controversial Chinese politician Geng Yanbo demolished 140,000 households and relocated half a million people in order to restore ancient relic walls for the sake of the region’s tourism industry. The film investigates one mayor’s mission to save his city and uncovers the secret workings of China’s Communist Party. Jury statement: “We chose “The Chinese Mayor” as Best Documentary Feature for its incredible level of access, the ambiguity of its story arc, the complexity of Mayor Geng, and its ability to give the audience an inside look at a culture we might not be familiar with.” Best Director — Documentary Feature was presented to: Joshua Oppenheimer for THE LOOK OF SILENCE / Denmark / Finland / Indonesia / Norway / UK — Through Joshua Oppenheimer’s work filming perpetrators of the Indonesian genocide, a family of survivors discovers the identities of the men who killed their son. The youngest brother is determined to break the spell of silence, and so confronts the men responsible for his brother’s murder–something unimaginable in a country where killers remain in power. Jury statement: “We recognize this film for his bold clarity of vision and unflinching commitment to the material. “The Look of Silence” is a remarkable film that bears Oppenheimer’s unmistakable stamp with every choice he makes as a filmmaker.” Special Jury Prize: WELCOME TO LEITH / USA (Co-directors: Michael Beach Nichols and Christopher Walker) — In the tiny town of Leith, North Dakota, notorious white supremacist Craig Cobb is attempting a hostile takeover. Filmed in the days leading up to Cobb’s arrest for terrorizing the townspeople, the film is an eerie document of American DIY ideals. SHORTS COMPETITION Best Documentary Short was presented to: CAILLEACH / UK (Director: Rosie Reed Hillman) — Morag is 86. She lives alone at the end of a track looking out to sea on her croft on the Isle of Harris, Outer Hebrides, with her three cats and twelve sheep. Morag was born in this house and has lived here her whole life, following five generations of the family who came before her. Cailleach is a portrait of Morag and her simple and peaceful life as she contemplates her next chapter, shares her unique sense of independence and the connection she has to her wild island home. As the winner of the jury award for Best Documentary Short, ‘Cailleach’ is now eligible to be considered for a 2016 Academy Award®. Jury statement: “Cailleach” was selected“for its reflective and cinematic portrait of an 86-year-old woman getting on with life no matter the circumstances.” Honorable Mention to the documentary short: NOTES FROM LIBERIA / USA / Liberia (Co-Directors: Ryo Murakami and Judd Ehrlich) — Crafted from footage shot by the late Japanese cinematographer Ryo Murakami on the Firestone Tire and Rubber Plantation in Liberia, the film traces Ryo’s journey from Monrovia, where the traumas of a brutal fifteen-year civil war still simmer beneath the surface, to the remote plantation village of Harbel. Jury statement: “For its poignant investigation of the Firestone rubber plantation in Liberia, the Short Documentary honorable mention goes to “Notes from Liberia” by Judd Ehrlich and the late Ryo Murakami.” Accepting the award is the film’s producer, Takeshi Fukunaga. Best Narrative Short was presented to: THE KÁRMÁN LINE / UK / (Director: Oscar Sharp) — When a mother acquires a rare condition that sees her lift off the ground at a slow but ever increasing rate, her husband and daughter are forced to come to terms with losing her. Jury statement: “Seamlessly transitioning between levity and pathos, we award “The Kármán Line” for its moving and original take on impending loss as seen through the eyes of an ordinary family in an extraordinary situation.” Special Jury Prize was presented to: ÁRTÚN / Iceland / Denmark / (Director: Gudmundur Arnar Gudmundsson) — A small town boy in Iceland decides to travel to the big city with his friends in search of his first romantic encounter. The city holds more in store for them than they anticipated. Best Student Short: ROTA / USA (Director: Jean-Jacques Martinod) — An abandoned warehouse becomes a surreal theater where men are challenged to risk their lives on stage to a game of chance. Jury statement: “For making us complicit in a bizarre underground world we never asked to be a part of, we award best student short to ‘Rota.’” Best Animated Short was presented to: BEAR STORY / Chile (Director: Gabriel Osorio Vargas) — An old bear goes out every day to a busy street corner. Through a tin marionette theater of his own making, he reveals his extraordinary life story. As the winner of the jury award for Best Animated Short, ‘Bear Story’ is now eligible to be considered for a 2016 Academy Award®. Jury Statement: “With its mechanical tin toy aesthetic and clever take on narrative vs. reality, we and the audience enjoyed the film’s tale of a bears tragic and ultimately heroic life story.” Best Student Animated Short: THE PRESENT / Germany (Director: Jacob Frey) — Jake spends most of his time playing video games indoors, until his mom decides to give him an unexpected present.

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  • Winners of 2015 London Independent Film Festival; THE MILKY WAY Wins No-Budget Feature Prize

    THE MILKY WAY at the 12th London Independent Film Festival LIFF Director Tor Mian took the No-Budget Feature Prize for his film THE MILKY WAY (pictured above) at the 12th London Independent Film Festival LIFF. The British dark comedy tells the story of a man whose life unravels just when everything seemed to finally be going his way. The comedy is Mian’s second feature and was shot for only £6000. Actress Pearl Chanda won the festival’s Best Actor award for her feature film debut in THE FINAL HAUNTING, Flaminia Graziadei’s haunted house story. The Best International Film prize went to Steven Savage for VERTICAL, the story of an all-female rock climbing team. Also, American filmmaker Sasha Krane won Best UK Feature for SOLITARY which follows a young woman facing her personal demons. Director Russell England won Best Horror Film for his teen chiller UNHALLOWED GROUND, a paranormal mystery set in a British private school. thelastsparksofsundownmmovie Jonathan Howells’ documentary ALFRED AND JAKOBINE — a love story set around the world-wide adventures of a London taxi — won the festival’s Best Feature Documentary. While James Kibbey won Best Micro-Budget Film for his THE LAST SPARKS OF SUNDOWN (pictured above), a comedy about two American brothers who inherit an English manor house. Festival Director Erich Schultz said: “Another year of absolutely fantastic low-budget films from around the world. I’m certain we’ll be seeing many great things from these filmmakers in the very near future” Hosted at annually at the Shortwave and Genesis cinemas, the 2015 London Independent Film Festival screened over 60 films. The festival highlights the best in low & micro-budget filmmaking every April. A full list of LIFF winners: No-Budget Feature — THE MILKY WAY by Tor Mian UK Feature — SOLITARY by Sasha Krane Best Actor – Pearl Chanda in THE FINAL HAUNTING Best Director – Simon Blake for STILL International Feature – VERTICAL by Steven Savage Sci-Fi/ Horror — UNHALLOWED GROUND by Russell England Micro-Budget Feature — THE LAST SPARKS OF SUNDOWN by James Kibbey Documentary — ALFRED AND JAKOBINE by Jonathan Howells Short Documentary — Jordanne by Zak Razvi UK Short — BEVERLEY by Alexander Thomas International Short — THE WHEEL OF TIME by Kagan Kerimoglu Horror Short — THE HERD by Melanie Light Sci-Fi Short — AIR by Emma E. Maclennan LGBT Film — PLAYING THE GAME by Jeremy Timings Experimental Short — PEEP DISH by Darragh Mortell Short Short — KILLER ROAD by Marco Clay Animated Short — MY STUFFED GRANNY by Effie Pappa UK Music Video — ALL IN THE VALUE by Geej Ower International Music Video — STEAMPUNK Girl by Joshua Westbury Best UK Screenplay — THE COMPETITORS by Ruth Greenberg Best International Screenplay — Shimmy by P.A Flanders Best Short Screenplay — DREAMS OF TOMORROW by Cindy Walters Best Screenplay Pitch — ZOG THE MAGNIFICENT by Prahib Sukoro

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  • KING JACK, TRANSFATTY LIVES Win Audience Awards of 2015 Tribeca Film Festival

    King Jack, directed by Felix Thompson. 2015 Tribeca Film Festival Awards King Jack, directed by Felix Thompson, won the Audience Award for Best Narrative, and TransFatty Lives, directed by Patrick O’Brien, won the Audience Award for Best Documentary award at the 2015 Tribeca Film Festival (TFF). “The awards go to two powerful and charming stories of young men facing their deepest fears and overcoming their own challenges,” said Genna Terranova, Festival Director, Tribeca Film Festival. “These fiction and non-fiction stories of triumph and resilience clearly resonated with audiences this year.” King Jack, directed and written by Felix Thompson. (USA) (pictured above) – World Premiere, Narrative. Growing up in a rural town filled with violent delinquents, Jack has learned to do what it takes to survive, despite having an oblivious mother and no father. After his aunt falls ill and a younger cousin comes to stay with him, the hardened 15-year-old discovers the importance of friendship, family, and looking for happiness even in the most desolate of circumstances. TransFatty Lives, directed by Patrick O’Brien 2015 Tribeca Film Festival awards TransFatty Lives, directed by Patrick O’Brien, co-written by Patrick O’Brien, Scott Crowningshield, Lasse Jarvi, Doug Pray. (USA) – World Premiere, Documentary. Director Patrick O’Brien is TransFatty, the onetime NYC deejay and Internet meme-making superstar. In 2005, O’Brien began to document his life after being diagnosed with ALS and given only two to five years to live. TransFatty Lives is a brazen and illustrative account of what it’s like to live when you find out you are going to die. The runners-up were Song of Lahore, directed by Andy Schocken and Sharmeen Obaid-Chinoy, for the documentary audience award and Sleeping With Other People, directed by Leslye Headland, for the narrative audience award. Throughout the Festival, which kicked off on April 15, audiences were able to vote by completing nomination ballots upon exiting screenings of TFF films. Films in the World Narrative Competition, World Documentary Competition, Viewpoints, Spotlight, and Midnight sections were eligible. Song of Lahore, directed by Andy Schocken and Sharmeen Obaid-Chinoy. Song of Lahore, directed by Andy Schocken and Sharmeen Obaid-Chinoy. (USA, Pakistan) – World Premiere, Documentary. Until the late 1970s, the Pakistani city of Lahore was world-renowned for its music. Following the Islamization of Pakistan, many artists struggled to continue their life’s work. Song of Lahore turns the spotlight on a group of stalwart musicians that kept playing and ultimately attracted listeners from around the world. In English, Punjabi, and Urdu with subtitles. Sleeping With Other People, directed and written by Leslye Headland. Sleeping With Other People, directed and written by Leslye Headland. (USA) – New York Premiere, Narrative. Jason Sudeikis and Alison Brie star as two romantic failures whose years of serial infidelity and self-sabotage have led them to swear that their relationship will remain strictly platonic.  But can love still bloom while you’re sleeping with other people? Writer/director Leslye Headland’s (Bachelorette) sexy romantic comedy co-stars Amanda Peet, Adam Scott, and Natasha Lyonne. An IFC Films Release

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  • Sundance Film Festival to Return to London + Expands to Hong Kong

    Sundance Film Festival: London Sundance Institute revealed this week that it will continue its film festivals in Hong Kong this year and London next year, with selections for each largely drawn from the Institute’s renowned Sundance Film Festival in Park City, Utah, U.S.A. Robert Redford, President and Founder of Sundance Institute, said, “We’ve nurtured filmmakers around the globe for many years now and these experiences have brought a rich perspective to all we do. Exploring international opportunities for the diverse landscape of American independent storytelling is an exciting proposition, and something to which we are equally committed.” The Sundance Film Festival: Hong Kong will take place September 17-27, 2015, covering Thursday, Friday, Saturday and Sunday for two consecutive weekends at The Metroplex, a newly opened state-of-the-art cineplex in Kowloon Bay in Hong Kong. Ten independent films will premiere as part of the screening series, marking its second year. The first year’s program featured the Hong Kong premieres of films including Whiplash, The Skeleton Twins, Life After Beth and The Case Against 8. The Sundance Film Festival: London will take place in 2016 at the new Picturehouse Central. The festival will build on the success of Sundance London, hosted in 2012, 2013 and 2014 and which featured the international and UK premieres of films including Fruitvale Station, Obvious Child, Frank, The Trip to Italy, The Queen of Versailles, Blackfish, Upstream Color and The Look of Love and was attended by filmmakers, artists and supporters including HRH The Prince of Wales, Michael Fassbender, Gemma Arterton, Ryan Reynolds, Gina Rodriguez, Lake Bell, Jimmy Carr, the Eagles, Peaches, David Cross, Rose McGowan, Minnie Driver and Rufus Wainwright. In advance of this 2016 festival, the Institute will host a few private screenings and events for London’s independent film community at the new Picturehouse Central in June of this year.

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  • Miami Gay and Lesbian Film Festival Opens with Robin Williams’ BOULEVARD + Gets New Name

    Miami Gay and Lesbian Film Festival (MGLFF) Fort Lauderdale Gay and Lesbian Film Festival (FLGLFF) After 17 years as the Miami Gay and Lesbian Film Festival (MGLFF) and six years as the Fort Lauderdale Gay and Lesbian Film Festival (FLGLFF), the organization behind both events will unveil a new name tonight during the Opening Night festivities of MGLFF: “MiFo.” The new name takes its “Mi” from “Miami” and “Fo” from Fort Lauderdale and is intended to convey the strength of the two festivals on the international LGBTQ film circuit, announced Mark Gilbert, President and Interim Director of the festivals. “Just as SoBe has become synonymous with South Beach and WeHo indicates West Hollywood, we believe that MiFo will become the moniker for one of the hippest, strongest and most important film festival duos in the world,” Gilbert said. “This new evolution of the name brings our two festivals into the 21st Century and implies the vibrancy and relevancy of the films we present to our audiences.” The new name will be announced tonight at “Boulevard,” starring Robin Williams, the Opening Night film of the 17th Annual Miami Gay and Lesbian Film Festival, now MiFo, with a special video trailer, Gilbert added. boulevard robin williams 2015 Miami Gay & Lesbian Film Festival In Boulevard, the opening night film, Nolan Mack (Robin Williams) has worked quietly at the same bank branch for decades, sharing a home (but not a bedroom) with his wife, Joy (Kathy Baker.) But when he begins an unsettling relationship with young hustler, Leo (Roberto Aguire), Nolan’s safe existence is rocked to its foundation. Director, Dito Montiel, explores a middle-aged man’s sexual awakening with grace and dignity, anchored by a poignantly understated performance by Williams, as the enlightened but unraveling Nolan. Montiel’s seasoned direction builds just the right amount of tension between the players and their now questionable relationship. The 17th Annual Miami Gay and Lesbian Film Festival – MiFo — will feature 75 films from 26 different countries including feature-length movies, documentaries and short films that chronicle the lesbian, gay, bisexual and transgender experience. Included in the line-up will be five world premieres, one international premiere, 11 North American premieres, one U.S. premiere, seven East Coast premieres, and 12 Southeast premieres.  

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  • Colin Hanks’ Directorial Debut ALL THINGS MUST PASS to Open First Greenwich International Film Festival

    Colin Hanks’ directorial debut ALL THINGS MUST PASS.  The Greenwich International Film Festival (GIFF), taking place June 4 to 7, 2015, in Greenwich, Connecticut, will kick off their inaugural year with the Opening Night premiere screening of Colin Hanks’ directorial debut ALL THINGS MUST PASS. ALL THING MUST PASS is an inside look at the rise and fall of the once ubiquitous Tower Records.  How could a business go from a net worth of 1 billion dollars to complete bankruptcy in just 5 years? Colin Hanks’ directorial debut examines this question and more, tracking the meteoric rise and tragic fall of the Tower Records empire and its tight-knit staff whose bond proved stronger than its fate. This sentimental and richly woven documentary is equal parts nostalgia and powerful, weaving stories of the employees who started the first store in Sacramento with the failures that led to its crash.  The film features interviews with Russ Solomon, Stan Goman, Heidi Cotler, Mark Viducich, Dave Grohl, Elton John, Bruce Springsteen and David Geffen. “The Greenwich International Film Festival is thrilled to be presenting Colin Hanks’ film, ALL THINGS MUST PASS, as our Opening Night Film.  It is an incredibly moving documentary that has impact for people of all ages.  Colin’s skillful direction makes the incredible story of Tower Records come to life,” said GIFF founders Carina Crain, Colleen deVeer and Wendy Reyes. “I am so honored to have ALL THINGS MUST PASS screen Opening Night at the Greenwich International Film Festival.  This night marks a significant beginning for GIFF and I am excited to be a part of it,” said Colin Hanks.

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  • VIRGIN MOUNTAIN, DEMOCRATS, Among Winners of 2015 Tribeca Film Festival Awards

    Virgin Mountain and directed by Dagur Kári The 14th annual Tribeca Film Festival, which runs through to April 26, 2015, announced the winners of its competition categories last night at a party hosted by Michael Rapaport at TFF’s creative hub, Tribeca Film Festival at Spring Studios. The winners of the top prizes in the narrative and documentary competition were awarded from the World Narrative and World Documentary sections of the official Festival lineup. The Founders Award for Best Narrative Feature went to Virgin Mountain (pictured above), written and directed by Dagur Kári, and Best Documentary Feature went to Democrats, directed by Camilla Nielsson. The festival announced that beginning this year, the new name of the Best New Documentary Director Award going forward will be called The Albert Maysles New Documentary Director Award, which was awarded last night by Philip Maysles and Sara Maysles, the beloved filmmaker’s children to Ewan McNicol and Anna Sandilands for Uncertain. The complete list of winners, awards, and comments from the jury who selected the recipients are as follows: WORLD NARRATIVE COMPETITION CATEGORIES: The Founders Award for Best Narrative Feature – Virgin Mountain, written and directed by Dagur Kári [Iceland, Denmark]. In Virgin Mountain, “Fúsi is a mammoth of a man who at 43-years-old is still living at home with his mother. Shy and awkward, he hasn’t quite learned how to socialize with others, leaving him as an untouchable inexperienced virgin. That is until his family pushes him to join a dance class, where he meets the equally innocent but playful Sjöfn. In Icelandic with subtitles.” Jury Comment: “With its mixture of humor and pathos, this film captured our hearts. Beyond the deceptively small frame of a mismatched love story, the film deals with the issues of bigotry, loneliness, bullying, mental illness, and ultimately the triumph of the human spirit and the meaning of love.” Best Actor in a Narrative Feature Film –Gunnar Jónsson as Fúsi in Virgin Mountain (Iceland, Denmark). Jury Comment: “The film was aided in no small measure by a performer whose mixture of comedy and sadness evokes Chaplin and Keaton, with a complete lack of tricks, pretense, or condescension. This performer relies instead on subtlety, timing, and naked honesty, creating an indelible portrait of a man fighting to be seen in a world that judges him by his appearance. Best Actress in a Narrative Feature Film – Hannah Murray as Sara in Bridgend (Denmark). In Bridgend, Sara (Hannah Murray) and her dad arrive in a town haunted by a spate of teenage suicides. When she falls in love with Jamie (Josh O’Connor), she becomes prey to the depression that threatens to engulf them all. Jeppe Rønde’s debut is based on the real-life Welsh county borough of Bridgend, which has recorded at least 79 suicides since 2007. Jury Comment: “An actress who captured the hopelessness of a lost generation. With bravery and guilelessness, this young actress led us in a descent into a world gone mad, as well as a journey into the protagonist’s own inner darkness.” Best Cinematography – Cinematography by Magnus Jønck for Bridgend (Denmark). Jury Comment: “Soulful and searing images, a daring use of composition and light, and an evocative sense of place.” Best Screenplay – Virgin Mountain written by Dagur Kári (Iceland, Denmark). Jury Comment: “The writer of this film is also the director, and is credited as one of the editors, and also performed the music, and runs the director’s program at the National Film School of Denmark, leading us to wonder when he has time to go to the bathroom. His intricately designed, beautifully observed, and bravely conceived screenplay consistently defies expectations, avoids sentimentality, and never strikes a false note. Best Narrative Editing – Bridgend edited by Oliver Bugge Coutté (Denmark). Jury Comment: “Impeccable rhythms and expert balancing of many divergent narratives.” WORLD DOCUMENTARY COMPETITION CATEGORIES: Democrats, directed by Camilla Nielsson Best Documentary Feature – Democrats, directed by Camilla Nielsson (Denmark). In the wake of Robert Mugabe’s highly criticized 2008 presidential win, a constitutional committee was created in an effort to transition Zimbabwe away from authoritarian leadership. With unprecedented access to the two political rivals overseeing the committee, this riveting, firsthand account of a country’s fraught first steps towards democracy plays at once like an intimate political thriller and unlikely buddy film.In English, Shona with subtitles. Jury Comments: “For its choice of an important, universal subject; for filming in conditions where simply to be present is a triumph; and for prioritizing dignity, courage, and our common struggle for humanity, we give this year’s Best Documentary Feature award to Camilla Nielsson for Democrats.” Special Jury Mention: In Transit , directed by Albert Maysles, Nelson Walker, Lynn True, David Usui, and Ben Wu. (U.S.A) [caption id="attachment_8039" align="alignnone" width="1200"]Palio, edited by Valerio Bonelli Palio 2013[/caption] Best Documentary Editing – Palio, edited by Valerio Bonelli (U.K., Italy). Jury Comments: “This film viscerally transported us into an event and turned life into art. For subtly placing us behind the scenes; and for general technical excellence, this year’s award for Best Editing in a Documentary goes to editor Valerio Bonelli for Palio.” BEST NEW NARRATIVE DIRECTOR COMPETITION: Men Go To Battle movie Best New Narrative Director – Zachary Treitz director of Men Go To Battle (U.S.A). Kentucky, 1861. Francis and Henry Mellon depend on each other to keep their unkempt estate afloat as winter encroaches. After Francis takes a casual fight too far, Henry ventures off in the night, leaving each of them to struggle through the wartime on their own. Jury Comments: “Zachary Treitz presented us with a combination of approaches not all that easy to put together: a unique and sincere vision, alongside off-beat humor, alongside historical and emotional authenticity.” Special Jury Mention: Stephen Fingleton for The Survivalist (Northern Ireland, U.K.). BEST NEW DOCUMENTARY DIRECTOR COMPETITION: Uncertain by Ewan McNicol and Anna Sandilands Albert Maysles New Documentary Director Award – Ewan McNicol and Anna Sandilands for Uncertain (U.S.A). An aquatic weed threatens the lake of the small American border town of Uncertain, Texas, and consequently the livelihoods of those who live there. As some of the men in town attempt to figure out their future, they confront a past that haunts them. Jury Comment: “This year we recognize a beautiful character study that explores violent natures, redemption, and what it takes to tame the self. A perfect balance of simplicity and mystery, this American story examines humanity, and how it can unwittingly destroy not just landscapes but livelihoods.” Special Jury Mention: Erik Shirai for The Birth of Saké(U.S.A). SHORT FILM COMPETITION CATEGORIES: Best Narrative Short – Listen, directed by Hamy Ramezan and Rungano Nyoni (Finland, Denmark). In Listen a foreign woman in a burqa brings her young son to a police station to file a complaint against her abusive husband, but the translator assigned to her seems unwilling to convey the true meaning of her words. Jury Comments: “This year’s winner for Best Narrative Short was emotionally compelling and by far the most affecting of the pieces we screened, with the filmmakers displaying a clear emotional connection with the narrative. To say that we had a healthy debate is an understatement.” Special Jury Mention:  Statistical Analysis of Your Failing Relationship directed by Miles Jay (U.S.A, Canada). Best Documentary Short – Body Team 12 directed by David Darg (Liberia). Body Team 12 a team is tasked with arguably the most dangerous and gruesome job in the world: collecting the dead at the height of the Ebola outbreak. Jury Comments: “The winning film is a spiritual and inspiring story of personal courage and commitment. The filmmaking team takes us on a fearless journey that restores our faith in humanity and inspires viewers to be optimistic despite facing the most extreme challenges.” Special Jury Mention: We Live This directed by James Burns (U.S.A). Student Visionary Award – Catwalk directed by Ninja Thyberg (Sweden). Nine-year-old Ella’s classmates are playing in the schoolyard in full adult dress-up, and she wants to be part of that world in Catwalk. Jury Comments: “An effective look at peer influence not peer pressure.  A creative explanation of what young people are experiencing as a result of social media threads and trends. Beautifully shot, and cast with a profound message that promotes individuality and vulnerability amongst the girls and parents, this year’s Student Visionary Award goes to Ninja Thyberg for her film Catwalk.” Special Jury Mention: Kingdom of Garbage, directed by Yasir Kareem (Iraq, U.K.). BOMBAY SAPPHIRE® STORYSCAPES AWARD BOMBAY SAPPHIRE ® Storyscapes Award: Door Into the Dark created by Amy Rose and May Abdalla at Anagram (U.K.). “This is a labyrinth.” Find out what it means to be lost in an age of infinite information. Using groundbreaking locative technology, this immersive documentary combines captivating storytelling with a visceral physical experience: feel your way into the dark—blindfolded, shoeless, and alone— along a taut length of rope that leads to a vivid aural world of real people who have been profoundly lost. Your encounter with these characters takes you deep into their sensations, risks, and illusions. To find your way into the light you must surrender to the unknown. Jury Comments: “In an overwhelming media environment in which we struggle for control, we recognize a work that viscerally reconnects us with the value of letting go. It offers a meticulously crafted storyworld that allows us to cerebrally, emotionally, and quite literally leave our baggage behind and step into the void. In that void we become disoriented, take risks, make choices and find ourselves again, changed. Ambitious, simple, and profound, this work marks a fresh and promising direction for the field of immersive theater. It evoked a euphoria that stayed with us long after we left it.” THE NORA EPHRON PRIZE The Nora Ephron Prize: Sworn Virgin, directed by Laura Bispuri and written by Francesca Manieri and Bispuri (Albania, Germany, Italy, Kosovo, Switzerland). As a young woman living within the confines of a Northern Albanian village, Hana longs to escape the shackles of womanhood, and live her life as a man. To do so she must take an oath to eternally remain a virgin. Years later, as Mark, she leaves home for the first time to confront a new set of circumstances, leading her to contemplate the possibility of undoing her vow. In Albanian, Italian with subtitles. Jury Comments: “We are awarding a film that is exquisite in its broadness and its intimacy, with a truly original story that touches on oppression in a way that members of this jury have rarely seen before. The film constantly surprised us and made us question our own positions through a confident, passionate, and beautifully nuanced vision that showed a real respect for the audience.” Special Jury Mention: Being 14 directed and written by Hélène Zimmer (France).

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  • Sarah Polley’s STORIES WE TELL Among 4th All-Time Top Ten List of Canadian Films

    Stories We Tell, Sarah Polley Toronto International Film Festival (TIFF) today announced the results of its fourth Canada’s All-Time Top Ten List, an international poll of industry and academics‎ on the most memorable Canadian films. This is the fourth edition of TIFF’s All-Time Top Ten List; previous lists were released in 1984, 1993 and 2004. “In our 40th year we are celebrating our national cinema by revisiting the list of top Canadian films, with help from our esteemed colleagues in the industry and academia,” said Piers Handling, Director and CEO, TIFF. “It is encouraging to see new filmmakers and films establishing themselves on the list alongside the classics.” “With more than a decade since our last survey, much has changed in Canadian cinema, and in the results of the survey,” said Steve Gravestock, Senior Programmer, TIFF. “Atanarjuat has dethroned the long-standing No. 1 film, Mon once Antoine, and we welcome filmmakers including Guy Maddin, Jean-Claude Lauzon, Sarah Polley and Jean-Marc Vallée to the list for the first time. It’s an exciting group of films indicative of our rich cinematic tradition.” Canada’s All-Time Top Ten List of Canadian films: 1. Atanarjuat: The Fast Runner, Zacharias Kunuk (2001) 2. Mon oncle Antoine, Claude Jutra (1971) 3. The Sweet Hereafter, Atom Egoyan (1997) 4. Jésus de Montréal, Denys Arcand (1989) 5. Léolo, Jean-Claude Lauzon (1992) 6. Goin’ Down the Road, Don Shebib (1970) 7. Dead Ringers, David Cronenberg (1988) 8. C.R.A.Z.Y., Jean-Marc Vallée (2005) 9. My Winnipeg, Guy Maddin (2007) 10. Stories We Tell, Sarah Polley (2012) (pictured above)/Les Ordres, Michel Brault (1974) “The Directors Guild of Canada takes pride in shining the spotlight on our national cinema at every opportunity,” said Tim Southam, National President, DGC. “The filmmakers featured here have contributed much to our country’s cultural voice and history. It is inspiring to be able to experience them again with a new generation of viewers.”

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  • 14 More Feature Films + John Waters Pick: KILLER JOE Added to 2015 Maryland Film Festival

    IN THE BASEMENT 2015 Maryland Film Festival Maryland Film Festival continues to add to its lineup for the 17th annual festival which will take place May 6 to 10, 2015 in downtown Baltimore. Today’s announcement includes two special events that have become annual MFF traditions: a film selected and hosted by legendary filmmaker and MFF board member John Waters, and a silent film presented with a live original score by Alloy Orchestra. Waters has selected William Friedkin’s 2011 neo-noir Killer Joe, starring Matthew McConaughey; Alloy will accompany 1926’s Son of the Sheik, starring Rudolph Valentino. In addition to these repertory-film events, Maryland Film Festival unveiled another fourteen feature films for MFF 2015, including the area premieres of an exciting array of emerging narrative, documentary, and international titles. The titles announced today for MFF 2015 are: 6 YEARS (Hannah Fidell) The director of MFF 2013’s A Teacher returns with the story of Mel (Taissa Farmiga), whose future becomes unsettled when her long-term boyfriend Dan (Ben Rosenfield)’s career aspirations pose a threat to the stability of their relationship. Co-starring Lindsay Burdge and Joshua Leonard, and executive-produced by Jay and Mark Duplass, this poignant drama boasts real relationship insights and resonant, true-to-life performances. CROCODILE GENNADIY (Steve Hoover) This intense, visually stunning, and morally complex documentary uses a remarkable central character as a window into change and tumult in contemporary Ukraine. Pastor Gennadiy Mokhnenko wages a one-man war against drug abuse and serves as a tough-love father figure to homeless and at-risk youth, squaring off with dealers and intervening in the lives of addicts. But is vigilante action the answer to these problems? Executive produced by Terrence Malick. DRUNK STONED BRILLIANT DEAD: THE STORY OF THE NATIONAL LAMPOON (Douglas Tirola) This uproarious documentary, which premiered at Sundance, brings the history of The National Lampoon to raucous life. In 1970, a new counterculture rag spun off from the Harvard Lampoon, launching a comedy revolution impacting not just the printed word but also film, television, radio, and beyond—and giving an early platform to some of the major talents of late-20th Century comedy. FIELD NIGGAS (Khalik Allah) Street photographer Khalik Allah takes us into the nightlife of 125th Street and Lexington in Harlem, shattering the usual wall between documentarian and subject as he paints portraits of modern street life filled with love and humor, but also hard times and regret. An immersive documentary with a unique visual sensibility, Allah’s film comes to MFF fresh from wowing audiences at True/False and Sarasota. FOR THE PLASMA (Bingham Bryant and Kyle Molzan) A young woman joins a friend in a sleepy town in Maine, where they use computers and digital cameras to observe a nearby forest, collecting abstruse data used to make stock-market predictions.  This challenging, idiosyncratic piece of cinema-as-puzzle finds a film language all its own; shot on Super 16mm, it also boasts an evocative score by experimental composer Keiichi Suzuki. FRAME BY FRAME (Alexandria Bombach and Mo Scarpelli) This SXSW-premiered documentary follows four photographers in contemporary Afghanistan. These members of an emerging free press risk life and limb to fill the photojournalist void left by the withdraw of international media—not to mention make up for lost time, as photography was banned under Taliban rule. Their images and stories are unforgettable. GIRLHOOD (Céline Sciamma) In a tough suburb of Paris, teenager Marieme navigates an often harsh, male-dominated world—her life taking a new turn when she finds a place within an initially hostile all-girl gang. From the director of Water Lilies and Tomboy comes an emotionally rich drama that wowed audiences at Cannes, Toronto, and Sundance, driven by an unforgettable lead performance from Karidja Touré. IN THE BASEMENT (Ulrich Seidl) The director of the staggering Paradise trilogy, all three films of which were presented within MFF 2013, returns to the realm of intimate documentary with this stylized, disturbing, and darkly hilarious work. The basements of Austria open up to Seidl’s camera, revealing private lives built around such underground worlds as shooting ranges, taxidermy, BDSM, and Nazi memorabilia. JAUJA (Lisandro Alonso) Viggo Mortensen stars as a Danish engineer who’s travelled to Patagonia with his teenage daughter to work for the Argentine army. When she disappears, he ventures out in pursuit, embarking on a journey full of crises physical, emotional, and existential. Lisandro Alonso (MFF 2010’s Liverpool) works here not only with one of contemporary cinema’s greatest performers, but also a bold new visual approach. FIELD NIGGAS KILLER JOE (William Friedkin, 2011) Legendary filmmaker John Waters has selected a favorite film to host within each Maryland Film Festival since its inaugural 1999 edition. This year’s choice is William Friedkin’s Texas-set neo-noir, with Matthew McConaughey as a cop who doubles as a hitman, and Emile Hirsch as a drug dealer who summons “Killer” Joe’s services—but quickly finds himself in over his head. LIMBO (Anna Sofie Hartmann) In a small port town in Denmark, high-school student Sara (Annika Nuka Mathiassen) grows increasingly fascinated by her young professor Karen (Sofía Nolsøe Mikkelsen), and her challenging ideas about gender, art, and life. This work of patient beauty screened at Rotterdam, San Sebastian, and SXSW, and will be hosted at MFF by guest curator Matt Porterfield (the director of Hamilton, Putty Hill, and I Used to Be Darker). THE REAPER (Zvonimir Jurić) From Croatia comes this tense and moody drama about a quiet loner haunted by his criminal past—and by other residents of his small town, who won’t let him forget. When he stops one night to come to the assistance of a woman stranded by the roadside, his evening takes a strange turn, launching three intertwined plot threads that recall Haneke in their grim outlook and narrative potency. REBELS OF THE NEON GOD (Tsai Ming-liang, 1992) Over the last three decades, Tsai Ming-liang has produced one of the most impressive and distinct filmographies of our time, each starring unique presence Lee Kang-sheng. This is where it all began: Tsai’s first feature film, set amidst the streets, malls, and arcades of Taipei youth culture in the early 1990s. Newly restored, and enjoying its first release on the U.S. big screen. SON OF THE SHEIK (George Fitzmaurice, 1926) MFF favorites Alloy Orchestra have introduced new generations to the wonders of silent cinema with their innovative scores for films including The Lost World, Metropolis, and Man With a Movie Camera.  Now they return to MFF to accompany screen legend Rudolph Valentino’s final film, an adventure classic from the director of Mata Hari. TIRED MOONLIGHT (Britni West) Gorgeously shot vignettes built around a mix of local non-professionals and seasoned performers (including Girls’ Alex Karpovsky) coalesce into a rich and poetic portrait of a pit-stop town in Montana situated amidst stunning natural beauty. Tired Moonlight premiered at Slamdance 2015, where it took home the Jury Award for Narrative Feature, and went on to screen within such prestigious festivals as New Directors/New Films and the International Film Festival Rotterdam. VENICE (Kiki Álvarez) It’s payday, and three female coworkers at a hair salon in Havana head out for a night on the town, their moonlit partying encountering unexpected twists and yielding surprising personal revelations. This exciting independent Cuban/Colombian co-production not only gives us rare access to an insider’s view of Havana, it also displays a refreshingly frank and empowered take on female sexuality. Today’s new announcements join the 20 features already announced for MFF 2015, including the world premiere of Stephen Cone’s ensemble drama HENRY GAMBLE’S BIRTHDAY PARTY: BEATS OF THE ANTONOV (Hajooj Kuka) THE BLACK PANTHERS: VANGUARD OF THE REVOLUTION (Stanley Nelson) BREAKING A MONSTER (Luke Meyer) CALL ME LUCKY (Bobcat Goldthwait) CHRISTMAS, AGAIN (Charles Poekel) DEEP WEB (Alex Winter) FUNNY BUNNY (Alison Bagnall) A GAY GIRL IN DAMASCUS: THE AMINA PROFILE (Sophie Deraspe) GOD BLESS THE CHILD (Robert Machoian and Rodrigo Ojeda-Beck) HENRY GAMBLE’S BIRTHDAY PARTY (Stephen Cone) World premiere. PROPHET’S PREY (Amy Berg) SAILING A SINKING SEA (Olivia Wyatt) STINKING HEAVEN (Nathan Silver) TAB HUNTER CONFIDENTIAL (Jeffrey Schwarz) TWO SHOTS FIRED (Martín Rejtman) UNCLE KENT 2 (Todd Rohal) UNEXPECTED (Kris Swanberg) WELCOME TO LEITH (Michael Beach Nichols, Christopher K. Walker) WESTERN (Bill and Turner Ross) A WONDERFUL CLOUD (Eugene Kotlyarenko)

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  • New Online Screening Room for 2015 San Francisco International Film Festival

    All of Me - directed by Arturo González Villaseñor The San Francisco International Film Festival will screen online 14 feature films and 11 shorts from the official 2015 lineup, as part of a new online streaming initiative called SFIFF Online Screening Room. The SFIFF Online Screening Room will provide an opportunity for SFFS members to stream select feature and short films free of charge for a limited time. Each film will become available to stream online starting the day of its final Festival screening, through May 31. For more information and to browse the lineup, visit the SFIFF Online Screening Room at watch.sffs.org. “We are grateful to our partner FORA.tv for providing a great reward for the loyal members of the Film Society, with this second chance to see some of the world’s finest films,” said Noah Cowan, Executive Director of the San Francisco Film Society. “This pilot program will let us measure interest in the Bay Area for a highly curated, short-window online look at a range of global cinema. Many of these films will not be returning to play in theaters, nor will they be readily available on traditional streaming services, so the opportunity really is something special.” FEATURE FILMS All of Me – directed by Arturo González Villaseñor (pictured above) Since 1995, the Patronas, a group of women in southern Mexico, prepare food and drinking water in large quantities to hand out as the train known as “The Beast” speeds by carrying men and boys from Central America to the US border. This deeply moving documentary allows the women to tell their stories, reluctantly at first, then eloquently and with enormous heart. (Mexico 2014, 90 min) Beats of the Antonov – directed by Hajooj Kuka Filmed in the civil war-ravaged region between South and North Sudan, Beats of the Antonov paints an inspiring portrait of the Blue Nile and Nuba Mountain refugee communities and their reliance on music-making not only as a healing force in the face of devastating loss and displacement, but also as a vital instrument to keep their cultural heritage alive. Black Coal, Thin Ice – directed by Diao Yinan Both tense whodunnit and layered character study, Diao Yinan’s Berlin Golden Bear winner spans five years in the life of a troubled cop who can’t shake his experiences working a particularly gruesome serial-killer case. A carefully plotted film noir packed with twists and offbeat moments, it also boasts a scorching breakout lead performance by Liao Fan. (China/Hong Kong 2014, 106 min) Bota – directed by Iris Elezi and Thomas Logoreci Populated by charming oddballs, quirky café/bar Bota (literally “the world” in Albanian) is a silent witness to the lives and secrets of people living in the shadow of the past. Long after the end of Albania’s harsh dictatorship, the locals’ lives have stagnated, most too poor to seize the opportunities liberty has offered them. But progress, in the form of a highway construction project, prompts change and new decisions for this very special café society. (Albania/Italy/Kosovo 2014, 104 min) El Cordero – directed by Juan Francisco Olea Domingo is a devoted family man and Christian missionary gliding through a dutifully modest if unexceptional life. He’d happily keep it that way, too, but for the fact that a fatal accident leaves him, disturbingly, without a sense of guilt. Shot through with a subtle, sardonic humor and beautifully acted, this exceptional feature debut is an engrossing dramatic thriller reverberating with deeper questions about our innermost natures and our ties to one another. (Chile 2014, 90 min) Fidelio: Alice’s Odyssey – directed by Lucie Borleteau Working in the macho world of sailors, ship engineer Alice is an expert in her field and fully in command of her sexuality as well. When she comes up against the classic double standard after an affair with the ship’s captain, she risks the taunts of her peers and reprimands of her superiors. First-time director Borleteau offers a compellingly acted portrait of a woman who dares to subvert conservative notions of female behavior in a male-oriented workplace. (France 2014, 95 min) Murder in Pacot – directed by Raoul Peck Grappling with the aftermath of Haiti’s devastating 2010 earthquake, a formerly well-to-do husband and wife rent their crumbling house in a tony Port-au-Prince neighborhood to a European aid worker. When his brash young Haitian girlfriend shows up, an emotionally fraught game of sexual intrigue and class warfare ensues in this tense and provocative film from acclaimed director Raoul Peck. (Haiti/France/Norway 2014, 130) NN – directed by Héctor Gálvez A team of forensic investigators in the Peruvian countryside digs up the remains of persons who were murdered during the brutal Fujimori Era of the 1980s and ’90s. The process of identifying one particular set of bones becomes an agonizing experience for the woman who claims they belong to her husband and for the investigator who has to go by the facts. Suffering, injustice and peace of mind are pitted against scientific truths with no easy answers in this engrossing, expertly paced drama. (Peru/Colombia/Germany/France 2014, 95 min) Of Men and War – directed by Laurent Bécue-Renard Winner of the 2014 IDFA award for Best Feature Documentary, Of Men and War is director Laurent Bécue-Renard’s multiyear account of the residents of The Pathway Home, an innovative treatment center for PTSD and related war traumas in Yountville, California. This quietly intense film bears witness to Iraq and Afghanistan veterans as they revisit the brutalities of combat, process the traumatic memories that haunt them and search for meaning in the psychological wreckage of war. (France/Switzerland 2014, 142 min) Red Amnesia – directed by Wang Xiaoshuai Deng, a retired widow, tries to care for her family, though her sons protest her “intrusions” into their personal lives. When mysterious phone calls and other strange occurrences disrupt her daily routine, she wonders, who-if anyone-might be coming after her. In this unsettling thriller set in contemporary China, Wang Xiaoshuai explores the political and personal consequences of memory, and traces the blurred lines between those who remember their past, and those who choose to forget. (China 2014, 110 min) T-Rex – directed by Drea Cooper and Zackary Canepari In the new Olympic sport of women’s boxing, 17-year-old Claressa Shields bursts out from the total obscurity of a small Flint, Michigan, gym to compete for a coveted gold medal. T-Rex beautifully captures her rapid ascent, her battle to overcome a damaged home life, the culturally ingrained bias against women’s boxing, the spellbinding thrill of her bouts and the indomitable willpower that shows, in its purest and most powerful sense, the meaning of warrior spirit. (USA 2015, 87 min) The Postman’s White Nights – directed by Andrei Konchalovsky Postman Lyokha serves an aging community of island dwellers in a remote corner of northwestern Russia. Globetrotting veteran director Konchalovsky returns to his home turf for this humorous, rueful, occasionally surreal slice of rural life that takes place over a few summer days. It’s a leisurely yet eventful tale filled with ravishing imagery and the natural appeal of mostly nonprofessional actors. (Russia 2014, 101 min) Two Shots Fired – directed by Martín Rejtman Argentine filmmaker and short story writer Martín Rejtman’s first feature in 10 years is a slyly funny low-key existential comedy for fans of films like Stranger than Paradise and Slacker. As the film’s ever-evolving story follows an intersecting group of teenage and adult characters, it upends narrative expectations about the significance of individual events and offers instead careful, amused observation of how we all get through life, one thing after the other. (Argentina/Chile/Germany/Netherlands 2014, 104 min) Western – directed by Bill Ross IV and Turner Ross This intimate, observational documentary portrait of the US-Mexico border focuses on two Eagle Pass, TX, residents-cattleman Martin Wall and Mayor Chad Foster-and follows the strains in the border town’s relationship to its sister city, Piedras Negras, Mexico. As drug cartel violence moves into the region and threatens to spin out of control, US Federal policies made a thousand miles away shut down commerce and further test an already delicate balance. (USA 2015, 93 min) SHORT FILMS ( * denotes availability to all SFIFF ticket-holders) Art – directed by Adrian Sitaru A 19-year-old girl auditions for a sexy film role while the director tries to convince her mother of the artistic rationale behind the provocative part. A wry look at the machinations of filmmakers from the director of Hooked (SFIFF 2009). (Romania 2014, 19 min) Bang Bang! – directed by Julien Bisaro An auto accident leads to a chance encounter in the woods in this moody suspense tale. (France 2014, 12 min) * Big Head – directed by Jairo Boisier The bond between humans and their pets is often difficult to express with words. In this charming documentary, a Chilean artist finds his own way to immortalize his beloved mastiff Domingo. (Chile 2014, 25 min) * The Box – directed by Michael I Schiller Created as part of a journalistic story by the Center for Investigative Reporting, this story centers on juvenile imprisonment in New York’s Rikers Island jail. (USA 2014, 6 min) Cailleach – directed by Rosie Reed Hillman In Gaelic mythology, Cailleach means “old woman.” In this intimate film, 86-year-old Morag reflects on her life, family, unique sense of independence and connection to her wild island home. (Scotland 2014, 14 min) The Chicken – directed by Una Gunjak In 1993 Croatia, young Selma’s birthday gift carries unexpected and harrowing consequences. (Germany/Croatia 2014, 15 min) * Hotel 22 – directed by Elizabeth Lo Hop onboard a unique Bay Area bus route that becomes an unofficial shelter for the homeless. (USA 2014, 8 min) No ID – directed by Emnet Mulugeta A lonely stretch of desert road becomes the scene of a dance battle where an unexpected occurrence yields surprising results. (Sweden 2014, 3 min) * Plamen – directed by Dress Code Attempting to call attention to governmental depredations in Bulgaria, 37-year-old construction worker and artist Plamen Goranov takes desperate action. (Bulgaria/USA 2014, 21 min) * Rain – directed by Johannes Stjärne Nilsson Stormy weather literally follows a young woman through her day in this whimsical new work from the Sound of Noise (SFIFF 2011) co-director. (Sweden 2014, 9 min) Sormeh – directed by Azadeh Ghochagh During the 1979 Iranian revolution, a woman getting ready for a marriage ceremony has to make a quick decision when confronted by a rebel hiding in her building. (Iran 2014, 10 min) image: Photo credit: Courtesy of San Francisco Film Society. Description: A scene from Arturo Gonzalez Villasenor’s All of Me, playing at the 58th San Francisco International Film Festival, April 23 – May 7 2015

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