The 63rd San Sebastian Festival will award, for the first time, the new Cooperación Española Award to the producer of the Latin American Film that best contributes to human development, the eradication of poverty and the full exercise of human rights.
Any of the Ibero-American films selected for the Official Selection, New Directors and Horizontes Latinos sections can compete for the Award, to be decided by a 3-member jury.
Films eligible for the Award:
OFFICIAL SELECTION
EVA NO DUERME / EVA DOESN’T SLEEP
PABLO AGÜERO (ARGENTINA – FRANCE – SPAIN)
Evita Perón has died. She is the most loved, but also the most hated political figure of Argentina. A leading expert is given the task of embalming her. After months of hard work, the result is perfect. Meanwhile in Argentina, the coups come one after the other and some dictators want to delete Evita’s legacy from the people’s memory. Her body therefore becomes the focal point of clashes lasting for 25 years. 25 years during which Evita was a more powerful figure than any other living politician.
EL REY DE LA HABANA / THE KING OF HAVANA (pictured in main image above)
AGUSTÍ VILLARONGA (SPAIN – DOMINICAN REP.)
Agustí Villaronga adapts the novel of the same name by Pedro Juan Gutiérrez. Recently escaped from reformatory, young Reinaldo tries to get by in the streets of Havana in the late 90s, one of the worst decades for Cuban society. Hopes, disillusionment, rum, good humour and above all hunger, accompany him in his wanderings until he meets Magda and Yunisleidy, survivors like himself. In one or the other’s arms, he will try to escape the material and moral misery surrounding him, living love, passion, tenderness and uninhibited sex to the limit.
HORIZONTES LATINOS
EL ABRAZO DE LA SERPIENTE / EMBRACE OF THE SERPENT
CIRO GUERRA (COLOMBIA – ARGENTINA – VENEZUELA)
Premiered at the Cannes Festival Directors’ Fortnight, the latest film from Ciro Guerra tells the epic story of the first contact, encounter, approach, betrayal and, eventually, life-transcending friendship, between an Amazonian shaman and two Western explorers.
EL BOTÓN DE NÁCAR / THE PEARL BUTTON
PATRICIO GUZMÁN (FRANCE – SPAIN – CHILE)
Chilean filmmaker Patricio Guzmán talks to us in his latest documentary about water, the cosmos and ourselves, human beings. It all begins with the discovery of two mysterious buttons in the depths of the Pacific Ocean, off the coast of Chile. Winner of the Silver Bear for Best Script at the Berlin Festival.
IXCANUL
JAYRO BUSTAMANTE (GUATEMALA – FRANCE)
María, a 17 year-old Mayan girl, lives and works with her family in a plantation on the Guatemalan plateau. Her days go by uneventfully until her parents arrange her marriage to the estate foreman, Ignacio. A film that landed a special mention at the last edition of Films in Progress and competed at the Berlin Festival, where it won the Alfred Bauer Award.
LA OBRA DEL SIGLO / THE PROJECT OF THE CENTURY
CARLOS M. QUINTELA (CUBA – ARGENTINA – GERMANY -SWITZERLAND)
Amidst a mosquito plague, Leonardo, struggling with the breakdown of his relationship, moves back to live with a grandfather who fights with everyone and everything, and a father living with the melancholy of the unfinished. Tiger Award-winner at the last Rotterdam Festival.
PAULINA
SANTIAGO MITRE (ARGENTINA – BRAZIL – FRANCE)
Paulina decides to leave her brilliant law career to teach in a downtrodden Argentinian region. In a hostile atmosphere, she will set about her pedagogical mission, even if it means losing her boyfriend and confrontation with her father. Winner of the Grand Prix and Fipresci Award at the last Cannes Festival Critics’ Week.
LA TIERRA Y LA SOMBRA / LAND AND SHADE
CÉSAR AUGUSTO ACEVEDO (COLOMBIA – CHILE – BRAZIL – NETHERLANDS – FRANCE)
Winner of the Caméra d’Or at the Cannes Festival, after having participated at the San Sebastian Co-Production Forum in 2013, this film portrays a family as they try to repair the fragile ties that bind them in the face of their imminent disappearance, brought about by the overwhelming power of progress.San Sebastian International Film Festival
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8 Films to Compete for New ‘ Cooperación Española Award ‘ at 63rd San Sebastian Festival
The 63rd San Sebastian Festival will award, for the first time, the new Cooperación Española Award to the producer of the Latin American Film that best contributes to human development, the eradication of poverty and the full exercise of human rights.
Any of the Ibero-American films selected for the Official Selection, New Directors and Horizontes Latinos sections can compete for the Award, to be decided by a 3-member jury.
Films eligible for the Award:
OFFICIAL SELECTION
EVA NO DUERME / EVA DOESN’T SLEEP
PABLO AGÜERO (ARGENTINA – FRANCE – SPAIN)
Evita Perón has died. She is the most loved, but also the most hated political figure of Argentina. A leading expert is given the task of embalming her. After months of hard work, the result is perfect. Meanwhile in Argentina, the coups come one after the other and some dictators want to delete Evita’s legacy from the people’s memory. Her body therefore becomes the focal point of clashes lasting for 25 years. 25 years during which Evita was a more powerful figure than any other living politician.
EL REY DE LA HABANA / THE KING OF HAVANA (pictured in main image above)
AGUSTÍ VILLARONGA (SPAIN – DOMINICAN REP.)
Agustí Villaronga adapts the novel of the same name by Pedro Juan Gutiérrez. Recently escaped from reformatory, young Reinaldo tries to get by in the streets of Havana in the late 90s, one of the worst decades for Cuban society. Hopes, disillusionment, rum, good humour and above all hunger, accompany him in his wanderings until he meets Magda and Yunisleidy, survivors like himself. In one or the other’s arms, he will try to escape the material and moral misery surrounding him, living love, passion, tenderness and uninhibited sex to the limit.
HORIZONTES LATINOS
EL ABRAZO DE LA SERPIENTE / EMBRACE OF THE SERPENT
CIRO GUERRA (COLOMBIA – ARGENTINA – VENEZUELA)
Premiered at the Cannes Festival Directors’ Fortnight, the latest film from Ciro Guerra tells the epic story of the first contact, encounter, approach, betrayal and, eventually, life-transcending friendship, between an Amazonian shaman and two Western explorers.
EL BOTÓN DE NÁCAR / THE PEARL BUTTON
PATRICIO GUZMÁN (FRANCE – SPAIN – CHILE)
Chilean filmmaker Patricio Guzmán talks to us in his latest documentary about water, the cosmos and ourselves, human beings. It all begins with the discovery of two mysterious buttons in the depths of the Pacific Ocean, off the coast of Chile. Winner of the Silver Bear for Best Script at the Berlin Festival.
IXCANUL
JAYRO BUSTAMANTE (GUATEMALA – FRANCE)
María, a 17 year-old Mayan girl, lives and works with her family in a plantation on the Guatemalan plateau. Her days go by uneventfully until her parents arrange her marriage to the estate foreman, Ignacio. A film that landed a special mention at the last edition of Films in Progress and competed at the Berlin Festival, where it won the Alfred Bauer Award.
LA OBRA DEL SIGLO / THE PROJECT OF THE CENTURY
CARLOS M. QUINTELA (CUBA – ARGENTINA – GERMANY -SWITZERLAND)
Amidst a mosquito plague, Leonardo, struggling with the breakdown of his relationship, moves back to live with a grandfather who fights with everyone and everything, and a father living with the melancholy of the unfinished. Tiger Award-winner at the last Rotterdam Festival.
PAULINA
SANTIAGO MITRE (ARGENTINA – BRAZIL – FRANCE)
Paulina decides to leave her brilliant law career to teach in a downtrodden Argentinian region. In a hostile atmosphere, she will set about her pedagogical mission, even if it means losing her boyfriend and confrontation with her father. Winner of the Grand Prix and Fipresci Award at the last Cannes Festival Critics’ Week.
LA TIERRA Y LA SOMBRA / LAND AND SHADE
CÉSAR AUGUSTO ACEVEDO (COLOMBIA – CHILE – BRAZIL – NETHERLANDS – FRANCE)
Winner of the Caméra d’Or at the Cannes Festival, after having participated at the San Sebastian Co-Production Forum in 2013, this film portrays a family as they try to repair the fragile ties that bind them in the face of their imminent disappearance, brought about by the overwhelming power of progress.
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MAD MAX: FURY ROAD Voted Best Film by International Federation of Film Critics, FIPRESCI
Mad Max: Fury Road directed by George Miller, has been voted best film by the International Federation of Film Critics, FIPRESCI. The vote for the FIPRESCI Gran Prix 2015 saw the participation of 493 Federation members around the world, who made their choice from among films to have premiered after 1 July 2014. The four finalists included Saul Fia / Son of Saul, Nie yinniang/ The Assassin, Taxi Téhéran and Mad Max: Fury Road.
Mad Max: Fury Road was screened in the Official Selection out of competition at the last Cannes Festival. This is the first time that a film by George Miller has won the FIPRESCI Grand Prix, presented since its creation in 1999 to Richard Linklater, Michael Haneke, Paul Thomas Anderson, Jafar Panahi, Pedro Almodóvar, Jean-Luc Godard and Nuri Bilge Ceylan, among others.
Director George Miller (pictured above) says: “You could have knocked me over with a feather! It’s lovely to have this great cohort of critics acknowledge our collective labours in this way”
Mad Max: Fury Road will have a special screening on September 18 at the San Sebastian Festival, attended by George Miller, who will collect the FIPRESCI Grand Prix at the Festival opening gala.
Haunted by his turbulent past, Mad Max believes the best way to survive is to wander alone. Nevertheless, he becomes swept up with a group fleeing across the wasteland in a war rig driven by an elite Imperator, Furiosa. They are escaping a citadel tyrannized by the Immortan Joe, from whom something irreplaceable has been taken. Enraged, the Warlord marshalls all his gangs and pursues the rebels ruthlessly in the high-octane Road War that follows.
https://www.youtube.com/watch?v=hEJnMQG9ev8
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”Hotel Transylvania 2” to Screen at the 63rd San Sebastian Festival | TRAILER
Hotel Transylvania 2, the new film from Sony Pictures Animation, directed by Genndy Tartakovsky, will be screened at the upcoming 2015 San Sebastian Festival, as part of the Velodrome Section.
Hotel Transylvania 2 will open in cinemas throughout Spain on October 23 and in the US on September 25.
Everything seems to be changing for the better at Hotel Transylvania. Dracula’s rigid “monster-only” hotel policy has finally relaxed, opening up its doors to human guests. But behind closed coffins, Drac is worried that his adorable half-human, half-vampire grandson, Dennis, isn’t showing signs of being a vampire. So while Mavis is busy visiting her human in-laws with Johnny – and in for a major cultural shock of her own – “Vampa” Drac enlists his friends Frank, Murray, Wayne and Griffin to put Dennis through a “monster-in-training” boot camp. But little do they know that Drac’s grumpy and very old, old, old school dad Vlad is about to pay a family visit to the hotel. And when Vlad finds out that his great-grandson is not a pure blood – and humans are now welcome at Hotel Transylvania – things are going to get batty!
https://www.youtube.com/watch?v=T3nqmGgnJe8
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6 Films Selected for Films in Progress 28 at 2015 San Sebastian International Film Festival
The San Sebastian International Film Festival has revealed the lineup of the Films in Progress 28 program. The final selection includes the following titles: Aquí no ha pasado nada (Much Ado About Nothing) by Alejandro Fernández Almendras (Chile), Era o Hotel Cambridge (The Cambridge Squatter) by Eliane Caffé (Brazil – France), La emboscada (The Ambush) by Daniel Hendler (Uruguay – Argentina), La Princesita (The Princess) by Marialy Rivas (Chile – Argentina – Spain), Rara by Pepa San Martín (Chile – Argentina) and Sobrevivientes de Rober Calzadilla (Venezuela – Colombia).
This year’s edition will also showcase the first or second works by directors such as Pepa San Martín, Rober Calzadilla, Marialy Rivas and Daniel Hendler alongside films by more experienced directors like Eliane Caffé and Alejandro Fernández Almendras.
AQUÍ NO HA PASADO NADA (MUCH ADO ABOUT NOTHING)
ALEJANDRO FERNÁNDEZ ALMENDRAS (CHILE)
Young, daring and lonely, Vicente spends his life at his parent’s home by the beach. These are days of relaxation, sea and partying with anyone who’s up for it. But one night of alcohol and flirting will change his life forever; he is accused of a hit-and-run crime in which a fisherman is killed. “I wasn’t driving”, he says, but his memories are hazy and he says the boy at the wheel was the son of an influential politician. Power, manipulation and guilt will send his sweet summer holidays careering towards a bitter end. This is the third time the director has participated in Films in Progress. His previous film, Matar a un hombre (To Kill a Man), landed the Grand Jury Prize at the Sundance Festival.
ERA O HOTEL CAMBRIDGE / THE CAMBRIDGE SQUATTER
ELIANE CAFFÉ (BRASIL – FRANCE)
The Cambridge Squatter shows us the unusual situation of the Brazilian homeless and refugees who squat together in an abandoned building in downtown Sao Paulo. The daily tension caused by the threat of eviction reveals the dramas, the joys and the different points of view of the squatters.
LA EMBOSCADA (THE AMBUSH)
DANIEL HENDLER (URUGUAY – ARGENTINA)
Martin Marchand throws himself into the political contest. As a result of his work in the social media, a traditional political structure invites him to join their list. Martin calls in technicians and advisors to create his campaign image. Over a weekend, immersed in the bucolic setting of a country house, they get down to designing the leader’s image. But an infiltrator seeking to obtain information on the coming electoral alliance creates an atmosphere of mistrust. The film, with the working title of El Palomar, participated in the I Europe-Latin America Co-production Forum.
LA PRINCESITA (THE PRINCESS) (pictured in main image above)
MARIALY RIVAS (CHILE – ARGENTINA – SPAIN)
A film inspired by true events in Southern Chile. A family sect only has one purpose and belief: a new order is necessary. Tamara, 11, is responsible for procreating the leaders of the new world. Disgruntled with her “lot”, Tamara’s sexual exploration with a boy in her year at school will have unexpected consequences, marking her violent transition from childhood to womanhood. Tamara will gain her freedom in a way she had never imagined. Marialy Rivas’s previous film, Joven y alocada, participated in Films in Progress and landed awards at Sundance and Bafici, among other festivals.
RARA
PEPA SAN MARTÍN (CHILE – ARGENTINA)
A story inspired by the case of a Chilean judge who lost the custody of her children for being a lesbian, told from the point of view of her eldest daughter Sara, aged 13. The screenplay is based on true events that could be related as a tale of lawyers and courthouses, lawsuits, claimants, defenders and victims, but instead, it will be the story of a family.
SOBREVIVIENTES
ROBER CALZADILLA (VENEZUELA – COLOMBIA)
1988. The town of El Amparo. Border with Colombia. Chumba and Pinilla survive an armed assault in the channels of the Arauca River in which fourteen of their companions are killed in the act. The Venezuelan Army accuses them of being guerrilla fighters and tries to seize them from the cell where they are being watched over by a policeman and a group of locals to prevent them from being taken away. They say they are simple fishermen, but pressure to yield to the official version is eyewatering.
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8 Films to Screen in Zinemira section of 2015 San Sebastian Film Festival
The 2015 San Sebastian Film Festival will present eight feature films in the Zinemira section, dedicated to films produced in the Basque Country. Four world premieres and another four titles from this year’s production make up the selection.
All of the premieres compete for the Irizar Basque Film Award, alongside the remaining productions with a minimum of 20% Basque production presented as a world premiere in any of the 2015 San Sebastian Film Festival sections.
UN OTOÑO SIN BERLÍN
LARA IZAGIRRE
World premiere – Basque Film Gala
June returns to the town of her birth by surprise after spending time abroad. The return home will be painful: her family and her first love, Diego, have changed. She too has changed, and repairing the broken ties won’t be easy. But just like the autumn wind, June will take the place by storm.
DISTRICT ZERO
JORGE FERNÁNDEZ MAYORAL, PABLO TOSCO, PABLO IRABURU ALLEGUE
What’s in a refugee’s mobile phone? Their recollections, their memory, their identity, contact with the world they’ve left behind. This film narrates everyday life in a mobile phone repair shop in the Zataari refugee camp.
GURE SOR LEKUAREN BILA
JOSU MARTÍNEZ
World premiere
Hasparren, 1956. Amid great expectation, a documentary in the Basque language about the Basque Country was released in the local cinema. In the following months it was screened in other Basque and French towns on both sides of the border, and even in Paris, San Francisco and Dakar. But suddenly it disappeared from sight and everyone forgot about it. Sixty years later, filmmaker Josu Martinez sets out to find it.
JAI ALAI BLUES
GORKA BILBAO RAMOS
World premiere
A documentary narrating the incredible story of the Jai Alai through its most iconic characters. A great many similarities can be drawn between the biography of our characters and the actual history of the Jai Alai. Beginnings in humble surroundings, huge successes all over the world in pelota courts packed to the hilt with distinguish publics, losses of identity due to adapting a traditional game to societies with completely different values…
#JAZZALDIA50
CARLOS RODRÍGUEZ
The San Sebastian Jazz Festival looks back over its 50 years of history in this documentary with comments from some of its leading figures and images of extraordinary concerts forever engraved on the memory.
POS ESO (POSSESSED) (pictured above)
SAM ORTI MARTI
Feature film directorial debut from the animation movie director, Sam. La Trini, a world-famous Flamenco dancer, leaves the tablaos in deep depression after her husband’s death. Damian, her 8 year-old son, is possessed by an evil demon who prompts him to commit horrendously cruel and bloody acts.
SANCTUAIRE / SANCTUARY
OLIVIER MASSET-DEPASSE
A film about two adversaries who will learn to know and respect one another, despite their differences: Domingo Iturbe, “Txomin”, head of the ETA military apparatus, and Grégoire Fortin, adviser to Mitterrand’s Minister of Justice.
WALLS
PABLO IRABURU ALLEGUE, MIGUELTXO MOLINA AYESTARÁN
World premiere
The world is increasingly more divided by walls. There are human beings on either side of them. The question is not whether their existence is absurd or logical, whether they can be avoided or not, but to demonstrate that the people on both sides are basically exactly the same.
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San Sebastian Festival to Honor Original KING KONG Directors Merian C. Cooper and Ernest B. Schoedsack with a Retrospective
The 63rd San Sebastian Festival will dedicate a retrospective to directors Merian C. Cooper and Ernest B. Schoedsack, masterminds of the iconic King Kong (1933). Merian C. Cooper (1893-1973) and Ernest B. Schoedsack (1893-1979) were, in the golden age of Hollywood, one of the strangest and most exciting creative twosomes ever to come out of Hollywood. The coming edition of the San Sebastian Festival will recover their work in a cycle dedicated to their films.
Acclaimed for generations as the masterminds of the iconic King Kong (1933), Cooper and Schoedsack’s contribution to cinema didn’t stop at this masterpiece. Their career began with two masterpieces in the history of documentary filmmaking, Grass; A Nation’s Battle for Life (1925) and Chang (1927). They later made fantasy, drama, adventure and mystery movies, some of which are now cult titles: The Four Feathers (1929), The Most Dangerous Game (1932), The Last Days of Pompeii (1935), Dr. Cyclops (1940), Son of Kong (1933) and Mighty Joe Young (1949).
GRASS; A NATION’S BATTLE FOR LIFE
MERIAN C. COOPER, MARGUERITE HARRISON, ERNEST B. SCHOEDSACK (USA) 1925
Cooper and Schoedsack’s debut behind the cameras took the shape of this anthropological documentary classic shot in the spectacular landscapes of Iran. The everyday life of the Bakhtiari tribe, in the former Persia, and their migration in search of pastures for their livestock: 50,000 people and their flocks must cross natural obstacles and overcome harsh atmospheric conditions to find food for their animals.
CHANG
MERIAN C. COOPER, ERNEST B. SCHOEDSACK (USA) 1927
Cooper and Schoedsack’s second cinematic adventure took them to the forests of Thailand. A documentary with elements of fiction where the directors give free rein to their passion for exotic settings and sense of spectacle thanks to this fascinating tale of a man’s struggle against the beast.
THE FOUR FEATHERS
MERIAN C. COOPER , ERNEST B. SCHOEDSACK , LOTHAR MENDES (USA) 1929
Schoedsack and Cooper made the first sound adaptation of the famous colonial novel by A.E.W. Mason, taken to the screen on several occasions. The Sudanese adventures of Lieutenant Faversham, accused of cowardice by his friends, are the perfect excuse for the directors to impress upon the original narration the verve and dynamism so typical of their films. This was their first collaboration with a recurring actress in their filmography, Fay Wray.
RANGO
ERNEST B. SCHOEDSACK (USA) 1931
Two years before shooting their masterpiece, King Kong, Cooper and Schoedsack fantasized about relations between men and monkeys in this tale of adventures set in the Sumatran forests with its anthropological vocation. However, as was usual in their films, their ability to narrate fables always imposed itself upon the simple observation of reality.
THE MOST DANGEROUS GAME
ERNEST B. SCHOEDSACK, IRVING PICHEL (USA) 1932
Adaptation of a classic tale by Richard Connell, Cooper and Schoedsack used this film as a testing ground for the mind-boggling nightmare atmospheres that would culminate in King Kong the following year, since both titles were shot on the same sets. Adventure cinema merges with a gothic tale in a cruel, savage film of frenzied scenes that still raise eyebrows even today.
BLIND ADVENTURE
ERNEST B. SCHOEDSACK (USA) 1933
Cooper and Schoedsack abandon the exotic settings so often found in their films to take us to the London of detective mysteries. Here, their fetish actor, Robert Armstrong, plays an American lost in the London fog ensnared in a complicated plot that feels like something out of an Alfred Hitchcock movie.
KING KONG
MERIAN C. COOPER, ERNEST B. SCHOEDSACK (USA) 1933
The best known monster film in the history of cinema, a mythical title that gave us one of the most lasting icons of the seventh art. The sad tale of the giant gorilla who loses his kingdom for an impossible love is not only a dreamlike take on the Beauty and the Beast myth, recovered by intellectuals and artists all over the world, but a fabulous display of special effects, spectacle, imagination and poetry in its purest state.
https://www.youtube.com/watch?v=H0WpKl2A_2k
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New Films Incl. FREEHELD starring Julianne Moore, Ellen Page, Added to 2015 San Sebastian Film Festival | TRAILER
Three new competing titles have been added to the lineup of the Official Selection at the upcoming 2015 San Sebastian Film Festival taking place September 18 to 26, 2015. The Chinese director Liu Hao returns to San Sebastian with Xiang bei fang / Back to the North, five years after competing in the Official Selection with Addicted to Love; the Belgian moviemaker Joachim Lafosse will present his new film, Les chevaliers blancs / The White Knights; and Peter Sollett will bring to the Festival the film Freeheld, starring Julianne Moore, Ellen Page, Michael Shannon, Josh Charles and Steve Carrell.
The New Directors section also added the Swedish production,Tjuvheder / Thieves Honor directed by Peter Grönlund, .
LES CHEVALIERS BLANCS / THE WHITE KNIGHTS
JOACHIM LAFOSSE (BELGIUM – FRANCE)
Joachim Lafosse brings to the screen the Zoe’s Ark controversy which made headlines in 2007: a story about the limits of the right of interference. Jacques Arnault, head of Sud Secours NGO, is planning a high impact operation: he and his team are going to exfiltrate 300 orphans victims of Chadian civil war and bring them to French adoption applicants. Françoise Dubois, a journalist, is invited to come along with them and handle the media coverage for this operation. Completely immersed in the brutal reality of a country at war, the NGO members start losing their convictions and are faced with the limits of humanitarian intervention.
FREEHELD
PETER SOLLETT (USA)
Julianne Moore, Ellen Page, Michael Shannon, Steve Carrell and Josh Charles star in this film based on true events. The true love story of Laurel Hester and Stacie Andree and their fight for justice. A decorated New Jersey police detective, Laurel is diagnosed with cancer and wants to leave her hard earned pension to her domestic partner, Stacie. However the county officials, Freeholders, conspire to prevent Laurel from doing this. Hard-nosed detective Dane Wells, and activist Steven Goldstein, unite in Laurel and Stacie’s defence, rallying police officers and ordinary citizens to support their struggle for equality.
https://www.youtube.com/watch?v=blk27Jj9UE8
XIANG BEI FANG / BACK TO THE NORTH
LIU HAO (CHINA)
Xiao Ai is diagnosed with a terminal illness and does not have long to live. She is concerned that her parents will become a “lost family” and have no one to take care of them after her death, so she decides to persuade them to have another child… The latest film by Liu Hao, who competed at San Sebastian in 2010 with Addicted to Love.
New Directors
TJUVHEDER / THIEVES HONOR
PETER GRÖNLUND (SUECIA)
An intense social drama about a woman’s struggle for survival on the margins of society. When street pusher Minna can’t pay her rent she cheats a few young criminals on a drug deal and takes the money. She happens to meet Katja, the mother of a child who has been taken from her by the social authorities.
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14 Latin American Films on Horizontes Latinos Program at 63rd San Sebastian Festival
The Horizontes Latinos program of the 63rd San Sebastian Festival will include fourteen films from Argentina, Brazil, Columbia, Cuba, Chile, Guatemala, Mexico, Peru and Venezuela. Films that have competed or premiered at important international festivals, but which have not yet been screened at a Spanish festival or had their commercial release in Spain.
The Horizontes Latinos program will open with Pablo Larraín’s El club, Silver Bear Grand Jury Prize at the last Berlin Festival. The film tells the tale of four men who share a secluded house in a small beach town, sent there to purge the sins they have committed in the past.
The selected films compete for the Horizontes Award, decided by a specific jury and coming with €35,000, of which €10,000 will go to the director of the winning film, and the remaining €25,000 to its distributor in Spain.
EL CLUB (THE CLUB) (pictured in main image above)
PABLO LARRAÍN (CHILE)
Opening Night Film
Pablo Larraín won the Silver Bear Grand Jury Prize at the last Berlin Festival with this film. Four men share a secluded house in a small beach town, sent there to purge the sins they have committed in the past.
600 MILLAS (600 MILES)
GABRIEL RIPSTEIN (MEXICO)
Arnulfo Rubio, a young gun trafficker between the United States and Mexico, is being followed by ATF agent Hank Harris. After a risky mistake by Harris, Rubio makes a desperate decision: he smuggles the agent to Mexico. Best First Feature Award in the Panorama section of the Berlin Festival.
EL ABRAZO DE LA SERPIENTE (EMBRACE OF THE SERPENT)
CIRO GUERRA (COLOMBIA – ARGENTINA – VENEZUELA)
Premiered at the Cannes Festival Directors’ Fortnight, the latest film from Ciro Guerra tells the epic story of the first contact, encounter, approach, betrayal and, eventually, life-transcending friendship, between an Amazonian shaman and two Western explorers.
EL BOTÓN DE NÁCAR (THE PEARL BUTTON)
PATRICIO GUZMÁN (FRANCE – CHILE – SPAIN )
Chilean filmmaker Patricio Guzmán talks to us in his latest documentary about water, the cosmos and ourselves, human beings. It all begins with the discovery of two mysterious buttons in the depths of the Pacific Ocean, off the coast of Chile.
CHRONIC
MICHEL FRANCO (MEXICO – FRANCE)
David is a nurse who works with terminally ill patients. Efficient and dedicated to his profession, he develops strong and even intimate relationships with each person he cares for. But outside of his work David is ineffectual, awkward, and reserved. Best Screenplay Award-winner at the Cannes Festival.
DESDE ALLÁ (FROM AFAR)
LORENZO VIGAS (VENEZUELA)
Armando, aged 50, looks for young men in the streets of Caracas and pays them to come back to his house with him. He also regularly spies on an older man with whom he seems to have ties from the past. One day he meets Elder, aged 17, leader of a small band of thugs. Competitor in the Official Selection of the Venice Festival.
LAS ELEGIDAS (THE CHOSEN ONES)
DAVID PABLOS (MEXICO – FRANCE)
David Pablos’s second film took part at the San Sebastian Co-production Forum in 2014 and premiered in the Un Certain Regard section of Cannes Festival. Sofia, 14 years old, is in love with Ulises. Because of him, in spite of him, she is forced into a prostitution ring in Mexico. To set her free, Ulises will have to find another girl to replace her.
IXCANUL
JAYRO BUSTAMANTE (GUATEMALA – FRANCE)
María, a 17 year-old Mayan girl, lives and works with her family in a plantation on the Guatemalan plateau. Her days go by uneventfully until her parents arrange her marriage to the estate foreman, Ignacio. A film that landed a special mention at the last edition of Films in Progress and competed at the Berlin Festival, where it won the Alfred Bauer Award.
MAGALLANES
SALVADOR DEL SOLAR (PERU – ARGENTINA – COLOMBIA – SPAIN)
Winner of Films in Progress at last year’s Festival. Magallanes recognises a woman getting into a taxi. It’s Celina, the young peasant girl he randomly arrested more than twenty years ago, when he was a soldier. They both have unfinished business. And for Magallanes, this is an opportunity to redeem himself. Damián Alcázar, Magaly Solier and Federico Luppi play the leading parts.
LA OBRA DEL SIGLO (THE PROJECT OF THE CENTURY)
CARLOS M. QUINTELA (CUBA – ARGENTINA – GERMANY -SWITZERLAND)
Amidst a mosquito plague, Leonardo, struggling with the breakdown of his relationship, moves back to live with a grandfather who fights with everyone and everything, and a father living with the melancholy of the unfinished. Tiger Award-winner at the last Rotterdam Festival.
PAULINA
SANTIAGO MITRE (ARGENTINA – BRAZIL – FRANCE)
Paulina decides to leave her brilliant law career to teach in a downtrodden Argentinian region. In a hostile atmosphere, she will set about her pedagogical mission, even if it means losing her boyfriend and confrontation with her father. Fipresci Prize-winner at the last Cannes Festival Critics’ Week.
PARA MINHA AMADA MORTA (TO MY BELOVED)
ALY MURITIBA (BRAZIL)
Fernando is a good man who takes care of his only child, Daniel, a shy and sensitive boy. Following the death of his wife Ana, every night Fernando recalls their love as he sorts out his beloved dead spouse’s belongings. One day he finds a VHS tape that will change everything. This movie participated in the Films in Progress section at the last Festival. The film took part at the Co-Production Forum in 2014.
TE PROMETO ANARQUÍA (I PROMISE YOU ANARCHY)
JULIO HERNÁNDEZ CORDÓN (MEXICO – GERMANY)
Julio Hernández Cordón’s new film was selected for the Locarno Festival Competition. Miguel and Johnny have known each other since childhood. They spend their time skateboarding and having fun. To make easy money and continue skateboarding, they sell their own blood clandestinely. They turn the ploy into a business, until a major transaction doesn’t turn out as they’d expected.
LA TIERRA Y LA SOMBRA / LAND AND SHADE
CÉSAR AUGUSTO ACEVEDO (COLOMBIA – CHILE – BRAZIL – NETHERLANDS – FRANCE)
Winner of the Caméra d’Or at the Cannes Festival, after having participated at the San Sebastian Co-Production Forum in 2013, this film portrays a family as they try to repair the fragile ties that bind them in the face of their imminent disappearance, brought about by the overwhelming power of progress.
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World Premiere of REGRESSION Starring Ethan Hawke, Emma Watson to Open San Sebastian Film Festival | TRAILER
Alejandro Amenábar’s latest film, Regression, will open the coming edition of the San Sebastian Festival. The world premiere of the film, presented in the Official Selection out of competition, will take place on September 18.
Regression has an international cast headlining Ethan Hawke, Emma Watson, David Thewlis and David Dencik. In his sixth feature film, Alejandro Amenábar, who also wrote the screenplay, returns to a psychological thriller, a genre to which he has contributed already classic titles such as The Others, Abre los Ojos (Open Your Eyes) andTesis (Thesis). The film, shot in Canada in English, is produced by Fernando Bovaira.
Minnesota, 1990. Detective Bruce Kenner (Ethan Hawke) investigates the case of young Angela (Emma Watson), who accuses her father, John Gray (David Dencik), of an unspeakable crime. When John unexpectedly and without recollection admits guilt, renowned psychologist Dr. Raines (David Thewlis) is brought in to help him relive his memories and what they discover unmasks a horrifying nationwide mystery.
Regression will open in Spain on October 2 followed by key territories, including Germany, UK, France, Italy, China and Korea later this Fall. The remaining worldwide releases will take place in the months to follow.
https://www.youtube.com/watch?v=xNxl56_ExWY
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LONDON ROAD by Rufus Norris to Close the San Sebastian Festival | TRAILER
The 63rd San Sebastian Festival will come to a close on September 26 with the out of competition screening of the British film London Road, fresh from the Toronto Festival. Produced by BBC Films, the British Film Institute and the National Theatre and directed by Rufus Norris with a screenplay by Alecky Blythe and music by Adam Cork, the film is a big-screen adaptation of the musical of the same name hailed as a remarkable, ground-breaking work during two sell-out runs at the National Theatre.
London Road documents the events that shook Suffolk in 2006, when the quiet rural town of Ipswich was shattered by the discovery of the bodies of five women. The residents of London Road had struggled for years with frequent soliciting and curb-crawling on their street. The film follows the community who found themselves at the epicenter of the tragic events. Using their own words set to an innovative musical score, London Road tells a moving story of ordinary people coming together during the darkest of experiences.
London Road features an ensemble cast that includes Olivia Colman, Clare Burt, Rosalie Craig, Anita Dobson, James Doherty, Hal Fowler, Kate Fleetwood, Linzi Hateley, Nick Holder, Claire Moore, Michael Shaeffer, Nicola Sloane, Paul Thornley, Howard Ward, Duncan Wisbey and Tom Hardy.
LONDON ROAD
RUFUS NORRIS (UK)
A feature film adaptation of the ground-breaking work during two sell-out runs at the National Theatre that documents the events that shook Suffolk in 2006, when the quiet rural town of Ipswich was shattered by the discovery of the bodies of five women. The film follows the community who found themselves at the epicenter of the tragic events.
https://www.youtube.com/watch?v=I8NxcsH9o4A
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Woody Allen’s new film, IRRATIONAL MAN + Major Titles to Have Spanish Premiere at 63rd San Sebastian Festival
The 63rd San Sebastian Festival will offer, as part of its Pearls section, the Spanish premiere of some of the most important films presented during the year at different international festivals.
Among the films selected are the Golden Bear-winner at the Berlin Festival, Taxi Teheran by Jafar Pahani; Me and Earl and the Dying Girl, by Alfonso Gómez-Rejón, Grand Jury Prize and Audience Award at the Sundance Film Festival; Nie yinniang / The Assassin, by Hou Hsiao-Hsien, the Jury Grand Prix-winner and Best Director Award at the Cannes Festival, Saul Fia / Son of Saul, by László Nemes. The section will similarly include works by directors such as Arnaud Desplechin, Jia Zhang-ke, Charlie Kaufman, Hirokazu Kore-eda, Nanni Moretti, Pablo Trapero and Denis Villeneuve.
Woody Allen’s new film, Irrational Man (pictured above), will also be screened out of competition in the section. The remaining Pearls will compete for the Audience Award, decided according to the votes cast by attendees of the first public screening of each film in the section. The Audience Award comes with two prizes: a First Prize for the Best Film, with €50,000, and a Second Prize for the Best European Film, with €20,000. The Audience Award goes to the distributor of the film in Spain.
ANOMALISA
CHARLIE KAUFMAN, DUKE JOHNSON (USA)
Charlie Kaufman and Duke Johnson tell the tale of a man who struggles with his inability to connect with other people. Spanish premiere following its screening at the Venice Festival.
BLACK MASS
SCOTT COOPER (USA)
Johnny Depp, Joel Edgerton and Benedict Cumberbatch star in this film presented out of competition at the Venice Festival. FBI Agent John Connolly persuades Irish mobster Jimmy Bulger to collaborate with the FBI and eliminate a common enemy: the Italian mob. This unholy alliance spirals out of control.
EL CLAN (THE CLAN)
PABLO TRAPERO (ARGENTINA – SPAIN)
Pablo Trapero’s new movie is a competitor at the Venice Festival. Argentina, in the early 80s. Behind the facade of a typical family from the upmarket San Isidro neighbourhood lurks a sinister clan that kidnaps and murders for a living.
HITCHCOCK / TRUFFAUT
KENT JONES (FRANCE – USA)
Fifty years after the publication of François Truffaut’s book “Cinema According to Hitchcock” filmmaker Kent Jones invites some of the best directors of our time (Martin Scorsese, David Fincher, Richard Linklater, Wes Anderson, James Gray, Olivier Assayas…) to share their thoughts on the master of suspense, Alfred Hitchcock.
ME AND EARL AND THE DYING GIRL
ALFONSO GÓMEZ-REJÓN (USA)
The amusing and moving tale of Greg, a student in his last year of high school who navigates the minefield of adolescent social life by steering away from all close relations. Winner of the Grand Jury Prize and Audience Award at the 2015 Sundance Film Festival.
MIA MADRE
NANNI MORETTI (ITALY – FRANCE – GERMANY)
Nanni Moretti competed at the Cannes Festival with this film about Margherita, a director shooting a film with a famous American actor, who is quite a character on set. Away from the shoot, Margherita tries to hold her life together while feeling powerless when facing her mother’s illness and her daughter’s adolescence.
NIE YINNIANG / THE ASSASSIN
HOU HSIAO-HSIEN (TAIWAN)
Hou Hsiao-Hsien won Best Director at the Cannes Festival with his latest work. China, 9th century. Nie Yinniang comes home after years in exile, now a trained vigilante. When her mistress orders her to kill her cousin, she will have to choose between the man she loves and her loyalty to the “order of the Assassins”.
SAUL FIA / SON OF SAUL
LÁSZLÓ NEMES (HUNGARY)
Winner of the Jury Grand Prix at the Cannes Festival, this debut by Hungarian moviemaker László Nemes is set in Auschwitz, 1944. Saul Auslander is a Hungarian prisoner assigned to one of the Auschwitz crematorium ovens. He tries to save the body of a young boy he believes to be his son from the flames.
SHAN HE GU REN / MOUNTAINS MAY DEPART
JIA ZHANG-KE (CHINA – FRANCE – JAPAN)
Spanish premiere of Jia Zhang-ke’s latest movie following its screening in the official competition at the Cannes Festival. China, 1999, two childhood friends court a young girl from Fenyang. One has his future mapped out for him, but not the other. The young girl’s heart is divided between the two, but she must take a decision that will mark her life, and that of her son.
SICARIO
DENIS VILLENEUVE (USA)
In the border area stretching between the U.S. and Mexico, an FBI agent is enlisted by an elite North American government task force official to aid in the escalating war against drugs. The new film by Denis Villeneuve competed in the Cannes Official Selection 2015.
TAXI TÉHÉRAN
JAFAR PANAHI (IRAN)
Golden Bear-winner at the last Berlin Festival. A yellow taxi drives through the hustling, bustling streets of Teheran. The taxi picks up all sorts of passengers, each one more colourful than the last. All talk frankly to the driver. What they don’t realise is that the person interviewing them is none other than the director Jafar Pahani, one of the biggest names in today’s Iranian cinema.
TROIS SOUVENIRS DE MA JEUNESSE / MY GOLDEN DAYS
ARNAUD DESPLECHIN (FRANCE)
Arnaud Desplechin revisits the rich emotional landscape of Comment je me suis disputé… (My Sex Life…) and Un conte de Noël (A Christmas Tale) with this film presented at the Cannes Directors’ Fortnight. Paul remembers his youth and his first, and only, true love…
UMIMACHI DIARY / OUR LITTLE SISTER
HIROKAZU KORE-EDA (JAPAN)
A film by Japanese moviemaker Hirokazu Kore-eda which competed in the Cannes Official Selection. Three sisters share a house in the city. They haven’t seen their father for 15 years. When he dies, the three travel to the countryside for his funeral. There they meet their shy teenage half-sister. It won’t be long before they grow fond of the girl.
Not in competition
IRRATIONAL MAN
WOODY ALLEN (USA)
Not in competition
Woody Allen’s new film, presented at the last Cannes Festival, is about a tormented philosophy professor who finds a will to live when he commits an existential act.
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24 Films in Zabaltegi Section of the 63rd San Sebastian Festival
The Zabaltegi program at the 63rd San Sebastian Festival showcases the Spanish premieres of the latest works by reputed filmmakers including Laurie Anderson, Jem Cohen, Anca Damian, Andrés Di Tella, Eric Khoo, Corneliu Porumboiu, Walter Salles, and Alexander Sokurov, alongside films selected for international festivals at which they have won numerous awards. Feature films, documentaries, animated movies and a short film make up a selection that reflects the vitality of contemporary cinema.
327 CUADERNOS
ANDRÉS DI TELLA (ARGENTINA – CHILE)
A documentary by Andrés Di Tella starring Ricardo Piglia, one of the great narrators in the Spanish language, who decides to closely read his intimate diary for the first time. A record of 50 years of life. 327 identical notebooks, all with black oilskin covers, stored away in 40 cardboard boxes.
ADAMA
SIMON ROUBY (FRANCE)
Premiered at Annecy Film Festival, an animated coming-of-age story. 12-year-old Adama lives in a remote West African village. One night his older brother, Samba, disappears and he decides to set off in search of him on a quest that takes him over the seas, to the North, to the frontline of the First World War.
ALLENDE MI ABUELO ALLENDE (BEYOND MY GRANDFATHER ALLENDE)
MARCIA TAMBUTTI (CHILE)
35 years after the coup d’état that overthrew her grandfather, Salvador Allende, Marcia draws a family portrait that addresses the complexities of irreparable loss and the role of memory in three generations of an iconic family. Winner of the L’Oeil d’Or award for Best Documentary at the last Cannes Festival.
COMOARA / THE TREASURE
CORNELIU PORUMBOIU (ROMANIA – FRANCE)
Corneliu Porumboiu returns with a tender black comedy, in which a father’s love transforms an unlikely treasure hunt into a fairytale. Winner of the Un Certain Talent Prize at the last Cannes Festival.
COUNTING
JEM COHEN (USA)
Fifteen distinct but interconnected chapters, shot in locations from Russia to New York City to Istanbul. Together, these build to a reckoning at the intersection of city symphony, diary, and essay film. Perhaps the most personal of Cohen’s documentary works, it measures street life, light, and time, noting not only surveillance and over-development but resistance and its phantoms as manifested in music, animals and everyday magic.
EFTERSKALV / THE HERE AFTER
MAGNUS VON HORN (POLAND – SWEDEN – FRANCE)
The feature directorial debut by Magnus von Horn was presented at the Cannes Festival Directors’ Fortnight. After having served time in prison, John’s punishment has come to an end. But he soon discovers that the real pain he needs to experience has not yet begun.
FRANCOFONIA
ALEXANDER SOKUROV (FRANCE – GERMANY – NETHERLANDS)
Paris 1940: Large armies are trampling on the heart of civilisation and cannon fire is once again taking its toll. Jacques Jaujard and Count Franziskus Wolff Metternich worked together to protect and preserve the treasure of the Louvre Museum. Alexander Sokurov tells their story. He explores the relationship between art and power, and asks what art tells us about ourselves, at the very heart of one of the most devastating conflicts the world has ever known. The film will compete in the Official Selection of the Venice Film Festival.
HEART OF A DOG
LAURIE ANDERSON (USA)
Composer and artist Laurie Anderson explores in this personal essay film themes of love death and language. The director’s voice is a constant presence as stories of her dog Lolabelle, her mother, childhood fantasies, political and philosophical theories unfurl in a seamless song like stream. The film will compete in the Official Selection at the Venice Film Festival.
IN THE ROOM
ERIC KHOO (HONG KONG – SINGAPORE) (pictured main image aboce)
Eric Khoo’s latest film is a tapestry of stories, all of which unfold in a hotel room over several decades. The common thread is sex. That hotel room is Room 27 at the Singapura Hotel, which started out as a ritzy establishment in the 1940s but has, over the decades, lost its sheen of respectability. In that time, Room 27 has felt and experienced – through the individuals who have passed through its doors and made love on its bed – all facets of the human condition: joy, love, fear, compassion, cruelty, depravity and redemption.
UNE JEUNESSE ALLEMANDE / A GERMAN YOUTH
JEAN-GABRIEL PÉRIOT (FRANCE – SWITZERLAND – GERMANY)
A chronicle of the political radicalization of a number of German youths in the late 1960s, giving rise to the Red Army Faction (RAF), a German revolutionary terrorist group founded, among others, by Andreas Baader and Ulrike Meinhof. It premiered at the Berlinale’s Dokumente Panorama section.
JIA ZHANG-KE, UM HOMEM DE FENYANG / JIA ZHANGKE, A GUY FROM FENYANG
WALTER SALLES (BRAZIL)
The portrait of a young Chinese director who has become one of the most important filmmakers of our time. The documentary, directed by Walter Salles, dwells on the question of memory (individual as well as collective) and cinema. Jia Zhang-ke returns to his birthplace, the Shanxi province in Northern China, and to the locations of his films. It premiered at the Berlinale’s Dokumente Panorama section.
KARATSI / LOSERS
IVAILO HRISTOV (BULGARIA)
Winner of the top prize at Moscow Film Festival, this film stars Elena, Koko, Patso and Gosho, high school students in a small provincial town. Koko is in love with Elena. She wants to be a singer and is excited about the upcoming concert by a famous rock band. An event that shakes up the town and gives birth to new love.
MARIPOSA
MARCO BERGER (ARGENTINA)
A butterfly’s flapping wings divides Romino and Germán’s universe into two parallel realities: in one of them they grow as siblings who conceal their desire for one another; while in the other they are two youngsters who have an unusual friendship. Winning film of the Sebastiane Latino 2015 Award.
MONTANHA
JOÃO SALAVIZA (PORTUGAL – FRANCE)
A hot summer in Lisbon. David, 14, awaits the imminent death of his grandfather but refuses to visit him, fearing this terrible loss. The void already left by his grandfather forces David to become the man of the house. He doesn’t feel ready to assume this new role, but without realizing it: the more David tries to avoid adulthood, the more he gets closer to it…Selected for Venice’s Critics’ Week.
MUNTELE MAGIC / THE MAGIC MOUNTAIN
ANCA DAMIAN (ROMANIA – FRANCE – POLAND)
The latest film by filmmaker Anca Damian (Crulic) landed a special mention at the Karlovy Vary Festival. In the form of an animated docudrama, the biography of Adam Jacek Winker, a Polish refugee in Paris, portrays a boundless life driven by the desire to change the world.
PSICONAUTAS
ALBERTO VÁZQUEZ, PEDRO RIVERO (SPAIN)
Teenagers Birdboy and Dinki have decided to escape from an island devastated by ecological catastrophe: Birdboy by shutting himself off from the world, Dinki by setting out on a dangerous voyage in the hope that Birdboy will accompany him.
THE SHOW OF SHOWS: 100 YEARS OF VAUDEVILLE, CIRCUSES AND CARNIVALS
BENEDIKT ERLINGSSON (ICELAND – UK)
Benedikt Erlingsson, winner of the Kutxa-New Directors Award in 2013 for Of Horse and Men, takes us back to the days when the most outlandish, skillful and breathtaking acts traveled the world. In this film, rarities and never-before seen footage of fairgrounds, circus entertainment, freak shows, variety performances, music hall and seaside entertainment are chronicled from the 19th and 20th century with an original score by Sigur Rós.
SWAP
REMTON ZUASOLA (PHILIPPINES)
Produced by Brillante Mendoza, Remton Zuasola’s film tells the story of a young father torn between solving a crime and committing another when his only son is kidnapped and the only way to get him back is to kidnap another child in exchange for his life.
The following titles join the Spanish productions already announced:
UN DÍA VI 10.000 ELEFANTES – Alex Guimerà, Juan Pajares
ISLA BONITA – Fernando Colomo
MI QUERIDA ESPAÑA – Mercedes Moncada
LA NOVIA – Paula Ortiz
THE PROPAGANDA GAME – Álvaro Longoria
DUELLUM (Short film) – Tucker Dávila Wood