San Sebastian International Film Festival

The San Sebastián International Film Festival is one of the most prestigious and important film festivals in the world, held annually in the Spanish city of Donostia-San Sebastián.

San Sebastian’s film program consists of some 200 films selected for six competitive sections (Official Selection, New Directors, Horizontes Latinos, Zabaltegi-Tabakalera, Perlak and Nest) and seven non-competitive sections (Culinary Zinema, Made in Spain, Zinemira, Velodrome, Movies for Kids, Retrospective and Klasikoak).

San Sebastian International Film Festival started in 1953 and takes place in Donostia-San Sebastián, Basque Country, Spain

Official Website

Twenty-One Spanish Films Among Official Selections for San Sebastian Festival

[caption id="attachment_23355" align="aligncenter" width="1200"] Life and Nothing More[/caption] Twenty-one films with Spanish production are among the official selection films confirmed for the 65th edition of the San Sebastian Festival. From September 22 to 30 the Festival will premiere Life and Nothing More, the second film by Antonio Méndez Esparza, winner of the Cannes Critics’ Week award with Aquí y allá; Handia, the latest proposal from Jon Garaño and Aitor Arregi, director and screenwriters of Loreak (Flowers); El autor, by Manuel Martín Cuenca, third-time contender for the Golden Shell; Marrowbone, the directorial debut of screenwriter Sergio G. Sánchez; the first two episodes of the series La peste (The Plague), directed by Alberto Rodríguez; and Morir (Dying), the second film by Fernando Franco. Manuel Martín Cuenca returns to the Official Selection with El autor, a film based on the novel El móvil (The Motive), by Javier Cercas, starring Javier Gutiérrez, María Leon and Antonio de la Torre, with a soundtrack by José Luis Perales. Handia, based on the true story of Miguel Joaquín Eleizegi (1818-1861), known as the Altzo giant, explores his human side and how he related to the society of his time. Handia is the new film by Aitor Arregi and Jon Garaño. Jon Garaño directed Loreak (Flowers, Official Selection, 2014) together with Jose Mari Goenaga; Aitor Arregi wrote Loreak and directed Lucio (premiered in Zabaltegi Special Screenings in 2007) also with Goenaga. Having landed the Cannes Critics’ Week award for Aquí y allá, his take on Mexican emigration, the moviemaker from Madrid, Antonio Méndez Esparza turns his eyes in Life and Nothing More towards the situation of a single mother and her 14 year-old son in the state of Florida. Featuring out of competition in the Official Selection is Marrowbone, directorial debut of Sergio G. Sánchez, screenwriter of El Orfanato (The Orphanage), The Impossible (2012 Official Selection) and Palmeras en la nieve (Palm Trees in the Snow), who has recruited young British and North American talents for the film: Anya Taylor-Joy (The Witch, Split), George Mackay (Captain Fantastic), Mia Goth (A Cure for Wellness, Nymphomaniac. Vol. II) and Charlie Heaton (As You Are, Stranger Things). Featuring in the special screenings section is Morir (Dying) by Fernando Franco, winner of the Special Jury Prize at the San Sebastian Festival and of the Goya Award to Best New Director for his first work, La herida. Morir (Dying), a free adaptation of the book of the same name by Arthur Schnitzler, stars Andrés Gertrúdix and Marian Álvarez, also winner with La herida of the Best Actress Silver Shell, endorsed by the Goya for Best Actress. Spanish participation can also be found in La cordillera (The Summit), the film directed by Santiago Mitre which will be shown in a special screening to celebrate presentation of the Donostia Award to its leading man, the Argentine actor Ricardo Darín. In New Directors, Nicolás Combarro (A Coruña, 1979), a well-known artist who uses different forms of expression including photography and sculpture, presents his first film, Alberto García-Alix. La línea de la sombra (Alberto García-Alix. The Shadow Line), portraying the universe of the Spanish photographer. Also in the section dedicated to new talents is the co-production between Chile, Spain and Argentina, Princesita (Princess), directed by Marialy Rivas, whose first feature, Joven & Alocada (Young & Wild, 2012), won the Best Screenplay Award at Sundance. Princesita (Princess) was a participant in the Films in Progress selection in 2015. The co-production between Chile, Germany, Spain and United States Una mujer fantástica (A Fantastic Woman) by Sebastián Lelio, winner of the Silver Bear for Best Screenplay at the Berlinale, will open Horizontes Latinos, the selection of which includes La educación del Rey (Rey’s Education), by Santiago Esteves, winner of the two Films in Progress awards last year (Films in Progress 30 Industry Award and the CAACI / Ibermedia TV Films in Progress Award). Competitors for the Zabaltegi-Tabakalera award include the first work as a director from Gustavo Salmerón, the documentary Muchos hijos, un mono y un castillo (Lots of Kids, a Monkey and a Castle), an allegory of the crisis which garnered the Best Documentary Award at the Karlovy Vary Festival, and the shorts Plágan (Kimuak 2017), by Koldo Almandoz, who competed in the same section last year with Sipo Phantasma (Ghost Ship), and Plus Ultra, by Samuel M. Delgado and Helena Girón, selected for the Locarno Festival. The coming feature film project by Delgado and Girón, Eles transportan a morte, has been selected for the Ikusmira Berriak 2017 program. Furthermore, the co-production Loving Pablo, the film about drug lord Pablo Escobar, directed by Fernando León de Aranoa and starring Javier Bardem and Penélope Cruz, will close the Pearls section and will be screened in the Anoeta Velodrome. The Velodrome also will host the premieres of Operación Concha (Operation Golden Shell), a screwball comedy set at the San Sebastian Festival, directed by Antonio Cuadri (El corazón de la tierra /The Heart of the Earth) and starring Jordi Mollà and Karra Elejalde, and Fe de etarras, fourth feature as a director from Borja Cobeaga, written by Diego San José and starring Javier Cámara, Julián López, Miren Ibarguren and Gorka Otxoa. The Spanish Television gala will host the premiere of La llamada, the adaptation of the homonymous musical. The directors of the play, Javier Calvo and Javier Ambrossi, take their first steps in feature film territory with this movie starring Macarena García (Best Actress Silver Shell for Blancanieves / Snow White), Anna Castillo and Belén Cuesta. Lastly, competing at the International Film Students Meeting is L’home llop (The Wolfman), directed by a student of the ESCAC (Escola Superior de Cinema i Audiovisuals de Catalunya), Lluís Sellarés.
OFFICIAL SELECTION

In competition
EL AUTOR MANUEL MARTÍN CUENCA (SPAIN – MEXICO) Production: LAZONA FILMS, ALEBRIJE CINE Y VÍDEO, ICÓNICA PRODUCCIONES, LA LOMA BLANCA P.C. Cast: Javier Gutiérrez, María León, Adelfa Calvo, Adriana Paz, Tenoch Huerta, Rafael Téllez, Antonio de la Torre Álvaro wants to be an author, but everything he puts down on paper rings false, pretentious and insipid. He works as a clerk at a notary’s office in Seville and his life is dull, only coloured by his dreams. His wife, Amanda, is quite the opposite. She’s always had her feet firmly on the ground and has never dreamt of becoming an author. However, she sets out to write and produces a bestseller. The ironies of life. Separation is inevitable. Just then, Álvaro decides to fulfil his dream: to write a great novel. But he can’t; he has neither the talent nor the imagination. Guided by Juan, his writing teacher, he studies the fundamentals of the novel, until discovering one day that fiction is in fact based on reality. Álvaro starts manipulating his neighbours and friends to create a story, a real story bigger than fiction. HANDIA AITOR ARREGI, JON GARAÑO (SPAIN) Production: IRUSOIN, MORIARTI PRODUKZIOAK, KOWALSKI FILMS S.L., AUNDIYA FILM A.I.E. Cast: Eneko Sagardoy, Joseba Usabiaga, Iñigo Aranburu, Ramon Agirre, Aia Kruse Having fought in the First Carlist War, Martin returns to his family farm in Gipuzkoa only to find that his younger brother, Joaquín, towers over him in height. Convinced that everyone will want to pay to see the tallest man on Earth, the siblings set out on a long trip all over Europe, during which ambition, money and fame will forever change the family’s fate. A story based on true events. LIFE AND NOTHING MORE ANTONIO MÉNDEZ ESPARZA (SPAIN – USA) Production: AQUÍ Y ALLÍ FILMS Cast: Andrew Bleechington, Regina Williams, Robert Williams, Ry’nesia Chambers Life and Nothing More portrays the reality of a single mother who lives in north Florida state with her children. In a context of social inequality, her life is nothing but a constant struggle to make it to the end of the month, while coping with routine and everyday difficulties, among which are the problem of her son’s behaviour and her permanent conflict when trying to become part of society.
Not in competition
LA PESTE (THE PLAGUE) ALBERTO RODRÍGUEZ (SPAIN) Production: MOVISTAR+, ATÍPICA FILMS Cast: Pablo Molinero, Paco León, Sergio Castellanos, Patricia López Arnaiz, Manolo Solo, Lupe del Junco, Tomás del Estal, Paco Tous, Cecilia Gómez During an outbreak of the bubonic plague in the magnificent Seville of 1587, Mateo, a former soldier, returns, honouring his word to find and extract a dead friend’s son from the city. Previously, Mateo had been forced to flee the city to save his life, having been sentenced to death by the Inquisition for printing forbidden books. Before he can complete his task, Mateo is arrested by the Inquisitor’s bailiffs, who promise to pardon his life in exchange for solving a series of crimes of diabolic overtones being committed in Seville. MARROWBONE SERGIO G. SÁNCHEZ (SPAIN) Production: MARROWBONE, S.L, TELECINCO CINEMA Cast: George MacKay, Anya Taylor-Joy, Charlie Heaton, Mia Goth, Matthew Stagg Jack and his siblings struggle to survive at the rundown Marrowbone farm. Despite the blow of their mother’s early death, the four brothers have created in this remote and labyrinthine spot a refuge suited to their needs, safe from the outside world and with no adult help whatsoever. They stay together, observing their mother’s last wish; but the danger closing in around them isn’t to be found outside the farm. Strange noises and occurrences start shaking Marrowbone’s old walls, as if haunted by an ancient curse. With no other option but to stay in the mansion, the four brothers will have to find a way to overcome the threatening ominous presence.
Special screenings
MORIR (DYING) FERNANDO FRANCO (SPAIN) Production: KOWALSKI FILMS, FERDYDURKE FILMS Cast: Andrés Gertrúdix, Marian Álvarez The lives of Luis and Marta are abruptly paralysed. Lies, guilt and fear put the couple’s stability and love to the test.
DONOSTIA AWARD SPECIAL SCREENING
LA CORDILLERA (THE SUMMIT) SANTIAGO MITRE (ARGENTINA – SPAIN – FRANCE) Production: KRAMER & SIGMAN FILMS, MOD PRODUCCIONES, MANEKI FILMS, LA UNIÓN DE LOS RÍOS Cast: Ricardo Darín, Dolores Fonzi, Érica Rivas, Elena Anaya, Daniel Giménez-Cacho, Alfredo Castro, Gerardo Romano, Leonardo Franco, Paulina García, Christian Slater At a Summit for Latin American presidents in Chile, where the region’s geopolitical strategies and alliances are in discussion, Argentine president Hernán Blanco endures a political and family drama that will force him to face his own demons. He will have to come to two decisions that could change the course of his public and private life forever: one regarding a complicated emotional situation with his daughter, and the other, the most important political decisión of his career.
NEW DIRECTORS
ALBERTO GARCÍA-ALIX. LA LÍNEA DE SOMBRA (ALBERTO GARCÍA-ALIX. THE SHADOW LINE) NICOLÁS COMBARRO (SPAIN) Production: MORELLI PRODUCCIONES Alberto García-Alix. La línea de sombra is the portrait of one of the most important photographers on the Spanish artistic scene, reference of an entire generation. A direct testimony of the lights and shadows through which Alberto García-Alix has had to make his way in order to find his path. Narrated from the intimacy of his studio, the film takes the shape of a voyage between the present and the past. A dialogue between his life and work. PRINCESITA (PRINCESS) MARIALY RIVAS (CHILE – SPAIN – ARGENTINA) Production: FABULA, SETEMBRO CINE, SUDESTADA CINE Cast: Sara Caballero, Marcelo Alonso, Maria Gracia Omegna Films in Progress 28 In a far-off country at the end of the world Tamara, aged 12, lives under the wing of charismatic cult leader Miguel, a man she adores. That summer the girl will be given a mission: to have a holy child with him immediately she has her first period. Tamara realises that the life she wants for herself is not the same as the fate imposed on her. Her disobedience will lead to her violent development from child to woman, forcing her to gain her freedom in a way she had never imagined.
HORIZONTES LATINOS
UNA MUJER FANTÁSTICA (A FANTASTIC WOMAN) SEBASTIÁN LELIO (TXILE – GERMANY – SPAIN – USA) Production: FABULA, KOMPLIZEN FILM, SETEMBRO CINE Cast: Daniela Vega, Francisco Reyes, Luis Gnecco, Paulina García, Néstor Cantillana, Alonso Torres, Cristián Chaparro, Senén Arancibia OPENING FILM (IN COMPETITION) Marina is a young waitress and wannabe singer; Orlando owns a printing company. Together they plan their future. When Orlando dies suddenly, Marina has to stand up to her family and society to show them what she truly is: a complex, strong, forthright and… fantastic woman. Teddy Award and Silver Bear for Best Screenplay at the Berlinale 2017. LA EDUCACIÓN DEL REY (REY’S EDUCATION) SANTIAGO ESTEVES (ARGENTINA – SPAIN) Production: 13 CONEJOS, NEPHILIM S.A. Cast: Germán De Silva, Matías Encinas, Jorge Prado, Mario Jara, Martín Arrojo, Elena Schnell, Marcelo Lacerna, Esteban Lamothe Bolting from his first ever heist, Reynaldo Galíndez, alias ‘Rey’, lands in the patio of the house inhabited by Carlos Vargas, a retired security guard. Vargas proposes a deal: the young boy will repair the damage to his home in return for not being handed over to the police. The lessons given to the teenager by the former guard develop into a relationship not unlike the old legends of educating a king (for the “Rey” of his name, meaning “king”). But the agreement will start to fall apart when the loose ends of the robbery Reynaldo had been involved in start closing in around them. Films in Progress Industry Award and CAACI / Ibermedia TV Films in Progress Award in 2016.
ZABALTEGI-TABAKALERA
MUCHOS HIJOS, UN MONO Y UN CASTILLO (LOTS OF KIDS, A MONKEY AND A CASTLE.) GUSTAVO SALMERÓN (SPAIN) Production: GUSTAVO SALMERÓN P.C. Cast: Julia Salmerón, Antonio García Cabanes, Gustavo Salmerón, Nacho Salmerón, Ramón García Salmerón, David García Salmerón, Paloma García Cabanes This is the story about Julita, a matriarch whose three childhood wishes have been granted: lots of kids, a monkey, and a Spanish castle. At her 81 years old, one of her children needs to find the vertebra of his murdered great-grandmother, lost among the exorbitant amount of weird objects she has hoarded throughout her life, revealing a very picturesque family history. This unique old lady is about to find the meaning of life. Winner of the Award to the Best Documentary at Karlovy Vary. PLÁGAN (PLAGUE) Short film KOLDO ALMANDOZ (SPAIN) Production: TXINTXUA FILMS SL, MKM Plague: From the Latin plague ‘blow’, ‘wound’. Meaning: Massive and sudden appearance of living beings of a same species which cause serious damage to animal or vegetable populations. Abundance of something harmful. PLUS ULTRA Short film SAMUEL M. DELGADO, HELENA GIRÓN (SPAIN) Production: EL VIAJE FILMS, FILMIKA GALAIKA Cast: David Pantaleón, Rubén Rodríguez, María Isabel Díaz, Elena Navarro, Mercedes Pintado Plus Ultra is Spain’s motto. It was used to encourage seafarers to conquer new lands, forgetting Greek mythology’s warning: Non Terrae Plus Ultra (No Land Beyond). The Canary Islands – test bench for the tactics used to colonise America – become the scene of a fable about the territory. VERGÜENZA JUAN CAVESTANY, ÁLVARO FERNÁNDEZ ARMERO (SPAIN) Production: MOVISTAR+, APACHE FILMS S.L. Cast: Javier Gutiérrez, Malena Alterio, Vito Sanz Jesús and Nuria have a problem: no matter what they do, they’re always the laughing stock of their family and friends, stupidly making a fool of themselves. He is a wedding and christening photographer, but believes he has a calling to show his true talent in ‘artistic’ photography. She believes that after her temporary crises she’ll start to have a more interesting life. Together they must decide whether being so pathetic is just a passing virus or if they actually have a chronic disease. Vergüenza is a ten chapter television series. SAURA(S) FÉLIX VISCARRET (SPAIN) Production: IMVAL PRODUCCIONES, PANTALLA PARTIDA Félix Viscarret is a young director. Carlos Saura is a living legend. United by the Cineastas Contados initiative tribute to the genius from Aragon, Viscarret devises a plan for his personal portrayal of the veteran filmmaker. It’s brilliant. It will show the most intimate Saura through conversations between the master and his 7 children. All accept. Saura isn’t fond of talking about the past. Viscarret insists. Saura likes painting. And photography.
PEARLS
LOVING PABLO FERNANDO LEÓN DE ARANOA (SPAIN – BULGARIA) Production: ESCOBAR FILMS AIE, B2Y OOD LTD, JAVIER BARDEM Cast: Javier Bardem, Penélope Cruz CLOSING NIGHT FILM Not in competition The true story of the notorious drug kingpin Pablo Escobar, who killed thousands, made billions and struck up an unlikely love affair with his polar opposite, a glamorous television host named Virginia Vallejo.
VELODROME
FE DE ETARRAS BORJA COBEAGA (SPAIN) Production: NETFLIX, MEDIAPRO Cast: Javier Cámara, Gorka Otxoa, Julian López, Miren Ibarguren, Ramón Barea Fe de etarras is an unusual dark comedy set in the warm summer of 2010 in a Spanish provincial capital. A peculiar commando composed of a veteran desperate to prove he’s not a coward, a couple whose commitment depends on continuity of the outfit and a guy from La Mancha who thinks that joining the commando will turn him into Chuck Norris, hole up in a safe house while waiting for the call to tell them they can take action. Meanwhile, the Spanish football team notches up victories in the South Africa World Cup and the whole country is celebrating around them, causing enormous frustration among the farcical commando. OPERACIÓN CONCHA (OPERATION GOLDEN SHELL) ANTONIO CUADRI (SPAIN – MEXICO) Production: ABRA PROD S.L., SPLINE PRODUCCIÓN AUDIOVISUAL S.A. DE CV (CARIBBEAN FIMS) Cast: Jordi Mollà, Karra Elejalde, Unax Ugalde, Ramón Agirre, Bárbara Goenaga, Bárbara Mori, Mara Escalante, Alosian Vivancos Unscrupulous businessman Marcos Ruiz de Aldazábal (Karra Elejalde) is the head of a film production company gone bust. Desperate and penniless, Marcos and his team come up with a plan to hoodwink a millionnaire investment company with a lookalike of prestigious actor Ray Silvela (Jordi Mollà), who has declined the offer to work on their film. Making the most of the San Sebastian Festival context, they set about contriving a massive hoax where nothing is what it seems to be.
TVE SPECIAL SCREENING
LA LLAMADA (HOLY CAMP) JAVIER CALVO, JAVIER AMBROSSI (SPAIN) Production: APACHE FILMS, LO HACEMOS Y YA VEMOS AIE, SÁBADO PELÍCULAS Cast: Macarena García, Anna Castillo, Belén Cuesta, Gracia Olayo Segovia. A Christian Summer camp, called ‘The Compass’. Bernarda, a nun who has just got there, wants to save the camp with her song Viviremos firmes en la fe. Sister Milagros, a young woman who doubts, remembers she liked Presuntos Implicados very much. María and Susana, two adolescents who are there as a punishment, have a band called Suma Latina. But since God appeared to María, everything is changing. And that’s because God loves Whitney Houston.
INTERNATIONAL FILM STUDENTS MEETING
L’HOME LLOP (THE WOLFMAN) Short film LLUÍS SELLARÈS (SPAIN) Cast: Nico Roig, Mar del Hoyo ESCAC (Spain) Nico is half of the couple who stays at home while Mar is working, looking out the window the vastness of the forest and seeking for new ways to procrastinate.
Read more
Argentine Actor Ricardo Darín to Receive Donostia Award at San Sebastian Film Festival

Argentine actor Ricardo Darín will receive a Donostia Award on September 26 at the 65th edition of the San Sebastian Festival, at the screening of his film The Summit (La cordillera). The Festival’s most important honorary award acknowledges the career of the Argentine actor, who has worked with filmmakers including Adolfo Aristarain, Juan José Campanella, Fabián Bielinsky, Fernando Trueba, Pablo Trapero, Cesc Gay and Santiago Mitre. The Summit (La cordillera) is written and directed by Santiago Mitre; and stars Dolores Fonzi, Érica Rivas, Elena Anaya, Daniel Giménez Cacho, Alfredo Castro, Paulina García and Christian Slater. The film premiered in the Un Certain Regard section of the 2017 Cannes Film Festival, and will be screened on Tuesday 26 at the Kursaal Auditorium. Warner Bros Pictures will release the film in Spanish cinemas on September 29. The Summit (La cordillera) is set at a Summit for Latin American presidents in Chile, where the region’s geopolitical strategies and alliances are in discussion, Argentine president Hernán Blanco endures a political and family drama that will force him to face his own demons. He will have to come to two decisions that could change the course of his public and private life forever: one regarding a complicated emotional situation with his daughter, and the other, the most important political decision of his career. Ricardo Darín is known for El hijo de la novia (Son of the Bride, 2001, nominee for the Best Foreign Language Film Academy Award), Luna de Avellaneda (Moon of Avellaneda,2004) and El secreto de sus ojos (The Secret in Their Eyes, 2009, Best Foreign Language Film Academy Award), all three directed by Juan José Campanella. In 2007 he made his directorial debut with the film La señal alongside Martín Hodara, with whom he repeated the experience this year on Nieve negra (Black Snow). His filmography also includes the role of a professor of Criminal Law in Tesis sobre un homicidio (Thesis on a Homicide, Hernán Goldfrid, 2012), a desperate father in Séptimo (7th Floor, Patxi Amezcua, 2013), an explosives expert in Relatos Salvajes (Wild Tales, Damián Szifron, 2014), which competed in Cannes and was nominated for Best Foreign Language Film Academy Award, and his part as the President of Argentina in La cordillera (The Summit). He is also a member of the cast on the latest film by the Iranian director Asghar Farhadi, as yet untitled, on which he will share the credits with Penelope Cruz and Javier Bardem. The Donostia Award culminates a list of more than 20 national and international wards including five Silver Condors, two Konex, two Sur by the Argentine Academy of Cinematography Arts and Sciences Awards, a Goya, a José María Forqué, a Gaudí, a CEC (Cinema Writers Circle) award, a Feroz, a Platino Audience Award, a Sant Jordi, awards at the Valladolid, Havana and Biarritz festivals, the aforementioned Silver Shell in San Sebastian, the Honorary Platino received last year and the Gold Medal for Merits in the Fine Arts he will receive this year. All recognize the extraordinary career of an actor who has worked indistinctly in television, cinema and theatre (with the award-winning Algo en común, Art and Escenas de la vida conyugal).
Read more
6 Latin American Films Selected for San Sebastian Film Festival’s Films in Progress 31

[caption id="attachment_21349" align="aligncenter" width="1200"] Half Brother[/caption] 6 films, 5 of them début films, have been selected for Films in Progress 31, the professional platform that supports the production of Latin American feature-length films, organized by the San Sebastian and Cinelatino, Rencontres de Toulouse festivals. Films in Progress fosters the meeting, dialogue and interaction among Latin American and European film professionals, promoting the diversity and talent of independent film makers. The Toulouse edition will be held on March 23 and 24, 2017. JASMINES IN LÍDICE (JAZMINES EN LÍDICE) RUBÉN SIERRA SALLES (VENEZUELA – MEXICO) Meche has not got over the absence of his son Raúl; His room remains intact, his clothes are still in the closet. Challenged by an imminent danger, her daughters Dayana and Anabel try to convince her to leave Lídice, the neighborhood where she has lived her entire life. With Dayana’s birthday for excuse, the family gathers, even Raúl’s wife comes over. The meeting becomes painful, bursting with complaints and open wounds, before the feeble gaze of whom who feels responsible for the misery of those who stayed behind. Debut feature. MARILYN MARTÍN RODRÍGUEZ REDONDO (ARGENTINA – CHILE) Marcos, a seventeen years farm worker, discovers his sexuality in a hostile environment. Nicknamed Marilyn by other teenagers in town, he becomes the target both of human desire and discrimination. Marcos feels himself pushed into a corner more and more. Debut feature. HALF BROTHER (MEIO IRMÃO) ELIANE COSTER (BRAZIL) Sandra (16) is looking for her mother who’s been missing for days. As time goes by, difficulties pile up and she has to seek her half brother Jorge, with whom she has little contact. Jorge lives and works with his father, they install surveillance systems. At the point Sandra finds him, he’s being threatened not to leak a video he made on his phone of a homophobic attack on a male friend to whom he’s secretly attracted to. Debut feature. THE DESERT BRIDE (LA NOVIA DEL DESIERTO) CECILIA ATÁN, VALERIA PIVATO (ARGENTINA – CHILE) Teresa (54) has worked for decades as a live-in maid in Buenos Aires. When the family sells the house, she is forced to take a job in a distant town. Although feeling uncomfortable, she embarks on a journey through the desert. During her first stop, in the land of the miraculous “Saint Correa”, she loses her bag with all her belongings. This incident leads her to cross paths with a traveling salesman, the only one who can help her. What seemed like the end of her world will prove her salvation. Debut feature. LOS PERROS MARCELA SAID (CHILE – FRANCE – ARGENTINA – PORTUGAL – GERMANY) Mariana (42), is a slightly off-the-wall woman, who stands out from the Chilean upper class to which she belongs. Her father, Francisco, has raised her with love and kindness, but also with a strong grip. Pedro, her husband, is a workaholic architect who doesn’t seem to make her happy. She finds solace in the company of Juan (60), a riding teacher and a former colonel with a shady past. HUNTING SEASON (TEMPORADA DE CAZA) NATALIA GARAGIOLA (ARGENTINA – FRANCE – USA) Nahuel has almost finished high school in Buenos Aires when his mother suddenly dies. He is legally obliged to spend the last three months before turning 18 with his father Ernesto, a respected hunter who lives in a small village near the mountains. They haven’t seen each other for more than a decade. As the journey begins and wilderness becomes his new environment, Nahuel is confronted with his ability to love and kill. Debut feature.
Read more
Film Director Joseph Losey to be Honored with a Retrospective at San Sebastian Film Festival

[caption id="attachment_20469" align="aligncenter" width="1200"] Joseph Losey[/caption] Film director Joseph Losey will be honored with a retrospective at the 65th edition of the San Sebastian Film Festival and the Spanish Film Archive. In the seventies, Joseph Losey represented the greatest expression of auteur or art-house cinema with works like The Servant (1963), King and Country (1964), Accident (1967) and The Go-Between (1971), all of which, with the exception of the second, were written by the playwright Harold Pinter. But before becoming a leading figure of European independent film, Losey endured a complicated situation like so many others affected by the reprisals of the Hollywood witch hunt from 1947 onwards. His work is divided into three periods: his early period in North American film until the early fifties, the prestige he achieved in the UK of the sixties and seventies and a later, more itinerant stage when he worked for Italian, French and Spanish production. Born in La Crosse, Wisconsin, in 1909, Losey turned his steps towards written and broadcast journalism, later moving into theatre. His openly left-wing beliefs led him to work on several mises en scène with Bertold Brecht and to spend a period in the former Soviet Union studying new theatre concepts. In the late thirties he started to direct short films with Metro Goldwyn Mayer, making his feature debut in 1948 with The Boy with Green Hair, a parable against war, totalitarianism and intransigence towards difference, produced by RKO. Although he did succeed in making a number of low-cost films noirs of undisguised social slant – The Lawless (1950), The Prowler (1951) and The Big Night (1951), all three penned by screenwriters blacklisted by the Un-American Activities Commission, Daniel Mainwaring, Daltun Trumbo and Ring Lardner Jr – and even a remake of Fritz Lang’s famous M in 1951, his name appeared on the blacklist for the tone of his early films and he was accused of belonging to the North American Communist Party. When called to testify, he was in Italy shooting Stranger on the Prowl / Imbarco a mezzanotte (1952). He decided not to return to the United States and settled in Britain. He released said film under the pseudonym Andrea Forzano and trade union issues prevented his name from featuring on the first two movies made in his country of adoption: in The Sleeping Tiger (1954), first collaboration with one of his actors fetiche, Dirk Bogarde, he is credited as Victor Hanbury and, in The Intimate Stranger (1956), as Joseph Walton. Losey took up his place in British cinema at a time of change. These were not only the days of rising Free Cinema, a trend he had no part in even if some of his earlier films made in the sixties did have a certain realistic and social angle, but also of the horror movie makers Hammer Film Productions, for which Losey started X The Unknown (1956), before he was ousted from the shooting and replaced by Leslie Norman, later directing The Damned (1962); these were Losey’s only inroads to the sci-fi domain. Following a timid attempt at integration to the great British film industry with The Gypsy and the Gentleman (1958), a Rank production headlining Melina Mercouri, his work attracted outstanding interest from the mystery movie Blind Date (1959) and the prison drama The Criminal (1961), the beginning of his collaboration with the other actor with whom he would enjoy close understanding, Stanley Baker. Until the mid-seventies, Losey alternated highly personal films reflecting on relations of power (between both men and institutional bodies) constructed around mises en scène packed with symbols (his particular use of spectacular images), with what at first glance seemed to be more commercial titles served up by the big stars of the moment and taking their inspiration from works of enormous popularity or unquestionable literary prestige. To this first group belonged the film that best defines his work, The Servant, with Pinter’s acerbic writing and the acting duel between Bogarde and James Fox, Accident (Grand Prix du Jury at the Cannes Festival), The Go-Between (Palme d’Or at Cannes) and the anti-war King and Country, played out in the British trenches of the First World War during a summary trial for desertion. The second group includes works like Eve (1962), adaptation of a novel by James Hadley Chase, starring Jeanne Moreau and which was the first of many films consecrated by Losey to female characters who irradiate a strange fascination; Modesty Blaise (1966), iconoclastic version of Peter O’Donnell and Jim Holdaway’s spy-fi comic strip featuring Monica Vitti; Boom (1968), a piece by Tennessee Williams dished up by the explosive couple Elizabeth Taylor & Richard Burton; Secret Ceremony (1968), a psychological and claustrophobic drama once again starring Elizabeth Taylor, with Robert Mitchum and Mia Farrow; A Doll’s House (1973), based on Henrik Ibsen’s piece and with Jane Fonda, David Warner and Trevor Howard, and A Romantic Englishwoman (1975), another of his defining movies, an intense and evil triangular game written by Tom Stoppard and performed by Glenda Jackson, Michael Caine and Helmut Berger. During this prolific period, Losey made hugely abstract works including Figures in a Landscape (1970), following the flight of two prisoners pursued by a mysterious helicopter (with a screenplay written by actor Robert Shaw, its leading man alongside Malcolm McDowell; the film competed in San Sebastian) and Mr. Klein (1976), with Alain Delon in the part of an unsavoury character accused of being a Jew during the Nazi occupation in France (winner of the César for Best Film). But he also shot films of obvious political accent such as L’assassinio di Trotsky / The Assassination of Trotsky (1972), with Delon as Ramón Mercader and Burton in the role of Leon Trotsky, and Les routes du Sud (1978), continuation of La guerre est finie (1966) by Alain Resnais, once again written by Jorge Semprún and with Yves Montand repeating his role of Spanish exile in constant ideological conflict. Losey returned to Brecht many years later with a cinema adaptation of Galileo (1974), based on the English translation by Charles Laughton and starring Topol, hugely popular at the time for his leading part in Fiddler on the Roof (1971). He also made the filmed opera Don Giovanni (1979) with Ruggero Raimondi and, in France, La Truite (1982) with Isabelle Huppert in the part of yet another of the director’s complex female characters. His last film was Steaming (1985) which, like the one before it, was never screened in Spain. This is a work of theatrical roots starring Vanessa Redgrave and Sarah Miles and set in London Turkish baths as they fight its closure on ladies day. Losey never saw the final cut of the film; he passed away in June 1984, almost a year before its presentation at Cannes. Losey’s relationship with the San Sebastian Festival was always complicated owing to the Franco dictatorship. In addition to Figures in a Landscape, the Festival screened The Sleeping Tiger, Boom and, in the informative section, The Go-Between.The Romantic Englishman was also selected, but the director and Glenda Jackson refused to come to the event in protest against the death sentences recently signed by Franco. After its screening in San Sebastian, the retrospective will run at the Filmoteca Española in Madrid.
Read more
63rd San Sebastian International Film Festival Award Winners; SPARROWS Wins Best Film

Rúnar Rúnarsson’s “Sparrows” is the winner of the Golden Shell for Best Film at the 63rd San Sebastian Film Festival. “Sparrows” is a drama about Ari, 16, who has been living with his mother in Reykjavik and is suddenly sent back to the remote Westfjords to live with his father Gunnar. Here he has to navigate a difficult relationship with his father, and he finds his childhood friends changed. In these hopeless and declining surroundings, Ari has to step up and find his way. 63rd San Sebastian International Film Festival Award-Winners Golden Shell for Best Film SPARROWS RÚNAR RÚNARSSON (ICELAND – DENMARK – CROATIA) Special Jury Prize EVOLUTION LUCILE HADZIHALILOVIC (FRANCE – BELGIUM – SPAIN) Silver Shell for Best Director JOACHIM LAFOSSE LES CHEVALIERS BLANCS / THE WHITE KNIGHTS JOACHIM LAFOSSE (BELGIUM – FRANCE) Silver Shell for Best Actress YORDANKA ARIOSA EL REY DE LA HABANA (THE KING OF HAVANA) AGUSTÍ VILLARONGA (SPAIN – DOMINICAN REP.) Silver Shell for Best Actor (tie) RICARDO DARIN TRUMAN CESC GAY (SPAIN – ARGENTINA) (tie) JAVIER CÁMARA TRUMAN CESC GAY (SPAIN – ARGENTINA) Jury Prize for Best Cinematography MANU DACOSSE EVOLUTION LUCILE HADZIHALILOVIC (FRANCE – BELGIUM – SPAIN) Jury Prize for Best Screenplay ARNAUD LARRIEU, JEAN-MARIE LARRIEU 21 NUITS AVEC PATTIE / 21 NIGHTS WITH PATTIE JEAN-MARIE LARRIEU, ARNAUD LARRIEU (FRANCE) Jury Special Mention EL APÓSTATA ( THE APOSTATE) FEDERICO VEIROJ (SPAIN – URUGUAY – FRANCE) Kutxabank-New Directors Award LE NOUVEAU / THE NEW KID RUDI ROSENBERG (FRANCE) SPECIAL MENTION TJUVHEDER / DRIFTERS PETER GRÖNLUND (SWEDEN) SPECIAL MENTION VIDA SEXUAL DE LAS PLANTAS (SEX LIFE OF PLANTS) SEBASTIÁN BRAHM (CHILE) Horizontes Award PAULINA SANTIAGO MITRE (ARGENTINA – BRAZIL – FRANCE) SPECIAL MENTION – LUIS SILVA DESDE ALLÁ (FROM AFAR) LORENZO VIGAS (VENEZUELA – MEXICO) SPECIAL MENTION TE PROMETO ANARQUÍA ( I PROMISE YOU ANARCHY) JULIO HERNÁNDEZ CORDÓN (MEXICO – GERMANY) Irizar Basque Film Award AMAMA (WHEN A TREE FALLS) ASIER ALTUNA IZA (SPAIN) SPECIAL MENTION – IRENE ESCOLAR UN OTOÑO SIN BERLÍN LARA IZAGIRRE Audience Award UMIMACHI DIARY / OUR LITTLE SISTER HIROKAZU KOREEDA (JAPAN) AWARD TO THE EUROPEAN FILM SHAN HE GU REN / MOUNTAINS MAY DEPART JIA ZHANG-KE (CHINA – FRANCE – JAPAN) EZAE Youth Award PAULINA SANTIAGO MITRE (ARGENTINA – BRAZIL – FRANCE) International Film Students Meeting Awards FIRST PRIZE NUEVA VIDA (NEW LIFE) KIRO RUSSO (ARGENTINA – BOLIVIA) Universidad del Cine (Argentina) SECOND PRIZE EL ENEMIGO (THE ENEMY) ALDEMAR MATIAS (CUBA) Escuela Internacional de Cine y TV (EICTV) (Cuba) THIRD PRIZE WADA’ / PREDICTION KHALED MZHER (GERMANY) Deutsche Film – und Fernsehakademie Berlin (Germany) ORONA AWARD NUEVA VIDA (NEW LIFE) KIRO RUSSO (ARGENTINA – BOLIVIA) Universidad del Cine (Argentina) TORINO AWARD VOLANDO VOY (I’LL FLY HIGHER) ISABEL LAMBERTI (NETHERLANDS) Netherlands Film Academy (Netherlands) Tokyo Gohan Film Festival Award NOMA, MY PERFECT STORM PIERRE DESCHAMPS (UK – DENMARK) Films in Progress Awards ERA O HOTEL CAMBRIDGE / THE CAMBRIDGE SQUATTER ELIANE CAFFÉ (BRASIL – FRANCE) Films in Progress Industry Award Ibermedia TV Films in Progress Award Europe-Latin America Co-production Forum. EGEDA Best Project Award LA OMISIÓN (THE OMISSION) SEBASTIÁN SCHJAER (ARGENTINA – GERMANY – FRANCE) SPECIAL MENTION TO THE PROYECT MEMORIAS DEL CALABOZO ÁLVARO BRECHNER (SPAIN-URUGUAY) Directed by Álvaro Brechner and Tornasol Films TVE-Another Look Award PAULINA SANTIAGO MITRE (ARGENTINA – BRAZIL – FRANCE) Spanish Cooperation Award LA TIERRA Y LA SOMBRA (LAND AND SHADE) CÉSAR AUGUSTO ACEVEDO (COLOMBIA – CHILE – BRAZIL – NETHERLANDS – FRANCE) FIPRESCI Award EL APÓSTATA ( THE APOSTATE) FEDERICO VEIROJ (SPAIN – URUGUAY – FRANCE) Zinemaldia FEROZ Award TRUMAN CESC GAY (SPAIN – ARGENTINA) SIGNIS Award MOIRA LEVAN TUTBERIDZE (GEORGIA) SPECIAL MENTION AMAMA (WHEN A TREE FALLS) ASIER ALTUNA IZA (SPAIN) Guipuzcoan Blood-Donors’ Association Corresponding to the Solidarity Award FREEHELD PETER SOLLETT (USA) Sebastiane Award FREEHELD PETER SOLLETT (USA)
Read more
8 Films to Compete for New ‘ Cooperación Española Award ‘ at 63rd San Sebastian Festival

The 63rd San Sebastian Festival will award, for the first time, the new Cooperación Española Award to the producer of the Latin American Film that best contributes to human development, the eradication of poverty and the full exercise of human rights. Any of the Ibero-American films selected for the Official Selection, New Directors and Horizontes Latinos sections can compete for the Award, to be decided by a 3-member jury. Films eligible for the Award: OFFICIAL SELECTION EVA NO DUERME / EVA DOESN’T SLEEP PABLO AGÜERO (ARGENTINA – FRANCE – SPAIN) Evita Perón has died. She is the most loved, but also the most hated political figure of Argentina. A leading expert is given the task of embalming her. After months of hard work, the result is perfect. Meanwhile in Argentina, the coups come one after the other and some dictators want to delete Evita’s legacy from the people’s memory. Her body therefore becomes the focal point of clashes lasting for 25 years. 25 years during which Evita was a more powerful figure than any other living politician. EL REY DE LA HABANA / THE KING OF HAVANA (pictured in main image above) AGUSTÍ VILLARONGA (SPAIN – DOMINICAN REP.) Agustí Villaronga adapts the novel of the same name by Pedro Juan Gutiérrez. Recently escaped from reformatory, young Reinaldo tries to get by in the streets of Havana in the late 90s, one of the worst decades for Cuban society. Hopes, disillusionment, rum, good humour and above all hunger, accompany him in his wanderings until he meets Magda and Yunisleidy, survivors like himself. In one or the other’s arms, he will try to escape the material and moral misery surrounding him, living love, passion, tenderness and uninhibited sex to the limit. HORIZONTES LATINOS EL ABRAZO DE LA SERPIENTE / EMBRACE OF THE SERPENT CIRO GUERRA (COLOMBIA – ARGENTINA – VENEZUELA) Premiered at the Cannes Festival Directors’ Fortnight, the latest film from Ciro Guerra tells the epic story of the first contact, encounter, approach, betrayal and, eventually, life-transcending friendship, between an Amazonian shaman and two Western explorers. EL BOTÓN DE NÁCAR / THE PEARL BUTTON PATRICIO GUZMÁN (FRANCE – SPAIN – CHILE) Chilean filmmaker Patricio Guzmán talks to us in his latest documentary about water, the cosmos and ourselves, human beings. It all begins with the discovery of two mysterious buttons in the depths of the Pacific Ocean, off the coast of Chile. Winner of the Silver Bear for Best Script at the Berlin Festival. IXCANUL JAYRO BUSTAMANTE (GUATEMALA – FRANCE) María, a 17 year-old Mayan girl, lives and works with her family in a plantation on the Guatemalan plateau. Her days go by uneventfully until her parents arrange her marriage to the estate foreman, Ignacio. A film that landed a special mention at the last edition of Films in Progress and competed at the Berlin Festival, where it won the Alfred Bauer Award. LA OBRA DEL SIGLO / THE PROJECT OF THE CENTURY CARLOS M. QUINTELA (CUBA – ARGENTINA – GERMANY -SWITZERLAND) Amidst a mosquito plague, Leonardo, struggling with the breakdown of his relationship, moves back to live with a grandfather who fights with everyone and everything, and a father living with the melancholy of the unfinished. Tiger Award-winner at the last Rotterdam Festival. PAULINA SANTIAGO MITRE (ARGENTINA – BRAZIL – FRANCE) Paulina decides to leave her brilliant law career to teach in a downtrodden Argentinian region. In a hostile atmosphere, she will set about her pedagogical mission, even if it means losing her boyfriend and confrontation with her father. Winner of the Grand Prix and Fipresci Award at the last Cannes Festival Critics’ Week. LA TIERRA Y LA SOMBRA / LAND AND SHADE CÉSAR AUGUSTO ACEVEDO (COLOMBIA – CHILE – BRAZIL – NETHERLANDS – FRANCE) Winner of the Caméra d’Or at the Cannes Festival, after having participated at the San Sebastian Co-Production Forum in 2013, this film portrays a family as they try to repair the fragile ties that bind them in the face of their imminent disappearance, brought about by the overwhelming power of progress.
Read more
MAD MAX: FURY ROAD Voted Best Film by International Federation of Film Critics, FIPRESCI

Mad Max: Fury Road directed by George Miller, has been voted best film by the International Federation of Film Critics, FIPRESCI. The vote for the FIPRESCI Gran Prix 2015 saw the participation of 493 Federation members around the world, who made their choice from among films to have premiered after 1 July 2014. The four finalists included Saul Fia / Son of Saul, Nie yinniang/ The Assassin, Taxi Téhéran and Mad Max: Fury Road. Mad Max: Fury Road was screened in the Official Selection out of competition at the last Cannes Festival. This is the first time that a film by George Miller has won the FIPRESCI Grand Prix, presented since its creation in 1999 to Richard Linklater, Michael Haneke, Paul Thomas Anderson, Jafar Panahi, Pedro Almodóvar, Jean-Luc Godard and Nuri Bilge Ceylan, among others. Director George Miller (pictured above) says: “You could have knocked me over with a feather! It’s lovely to have this great cohort of critics acknowledge our collective labours in this way” Mad Max: Fury Road will have a special screening on September 18 at the San Sebastian Festival, attended by George Miller, who will collect the FIPRESCI Grand Prix at the Festival opening gala.
Haunted by his turbulent past, Mad Max believes the best way to survive is to wander alone. Nevertheless, he becomes swept up with a group fleeing across the wasteland in a war rig driven by an elite Imperator, Furiosa. They are escaping a citadel tyrannized by the Immortan Joe, from whom something irreplaceable has been taken. Enraged, the Warlord marshalls all his gangs and pursues the rebels ruthlessly in the high-octane Road War that follows.
https://www.youtube.com/watch?v=hEJnMQG9ev8
Read more
”Hotel Transylvania 2” to Screen at the 63rd San Sebastian Festival | TRAILER

Hotel Transylvania 2, the new film from Sony Pictures Animation, directed by Genndy Tartakovsky, will be screened at the upcoming 2015 San Sebastian Festival, as part of the Velodrome Section. Hotel Transylvania 2 will open in cinemas throughout Spain on October 23 and in the US on September 25.
Everything seems to be changing for the better at Hotel Transylvania. Dracula’s rigid “monster-only” hotel policy has finally relaxed, opening up its doors to human guests. But behind closed coffins, Drac is worried that his adorable half-human, half-vampire grandson, Dennis, isn’t showing signs of being a vampire. So while Mavis is busy visiting her human in-laws with Johnny – and in for a major cultural shock of her own – “Vampa” Drac enlists his friends Frank, Murray, Wayne and Griffin to put Dennis through a “monster-in-training” boot camp. But little do they know that Drac’s grumpy and very old, old, old school dad Vlad is about to pay a family visit to the hotel. And when Vlad finds out that his great-grandson is not a pure blood – and humans are now welcome at Hotel Transylvania – things are going to get batty!
https://www.youtube.com/watch?v=T3nqmGgnJe8
Read more
6 Films Selected for Films in Progress 28 at 2015 San Sebastian International Film Festival

The San Sebastian International Film Festival has revealed the lineup of the Films in Progress 28 program. The final selection includes the following titles: Aquí no ha pasado nada (Much Ado About Nothing) by Alejandro Fernández Almendras (Chile), Era o Hotel Cambridge (The Cambridge Squatter) by Eliane Caffé (Brazil – France), La emboscada (The Ambush) by Daniel Hendler (Uruguay – Argentina), La Princesita (The Princess) by Marialy Rivas (Chile – Argentina – Spain), Rara by Pepa San Martín (Chile – Argentina) and Sobrevivientes de Rober Calzadilla (Venezuela – Colombia). This year’s edition will also showcase the first or second works by directors such as Pepa San Martín, Rober Calzadilla, Marialy Rivas and Daniel Hendler alongside films by more experienced directors like Eliane Caffé and Alejandro Fernández Almendras. AQUÍ NO HA PASADO NADA (MUCH ADO ABOUT NOTHING) ALEJANDRO FERNÁNDEZ ALMENDRAS (CHILE) Young, daring and lonely, Vicente spends his life at his parent’s home by the beach. These are days of relaxation, sea and partying with anyone who’s up for it. But one night of alcohol and flirting will change his life forever; he is accused of a hit-and-run crime in which a fisherman is killed. “I wasn’t driving”, he says, but his memories are hazy and he says the boy at the wheel was the son of an influential politician. Power, manipulation and guilt will send his sweet summer holidays careering towards a bitter end. This is the third time the director has participated in Films in Progress. His previous film, Matar a un hombre (To Kill a Man), landed the Grand Jury Prize at the Sundance Festival. ERA O HOTEL CAMBRIDGE / THE CAMBRIDGE SQUATTER ELIANE CAFFÉ (BRASIL – FRANCE) The Cambridge Squatter shows us the unusual situation of the Brazilian homeless and refugees who squat together in an abandoned building in downtown Sao Paulo. The daily tension caused by the threat of eviction reveals the dramas, the joys and the different points of view of the squatters. LA EMBOSCADA (THE AMBUSH) DANIEL HENDLER (URUGUAY – ARGENTINA) Martin Marchand throws himself into the political contest. As a result of his work in the social media, a traditional political structure invites him to join their list. Martin calls in technicians and advisors to create his campaign image. Over a weekend, immersed in the bucolic setting of a country house, they get down to designing the leader’s image. But an infiltrator seeking to obtain information on the coming electoral alliance creates an atmosphere of mistrust. The film, with the working title of El Palomar, participated in the I Europe-Latin America Co-production Forum. LA PRINCESITA (THE PRINCESS) (pictured in main image above) MARIALY RIVAS (CHILE – ARGENTINA – SPAIN) A film inspired by true events in Southern Chile. A family sect only has one purpose and belief: a new order is necessary. Tamara, 11, is responsible for procreating the leaders of the new world. Disgruntled with her “lot”, Tamara’s sexual exploration with a boy in her year at school will have unexpected consequences, marking her violent transition from childhood to womanhood. Tamara will gain her freedom in a way she had never imagined. Marialy Rivas’s previous film, Joven y alocada, participated in Films in Progress and landed awards at Sundance and Bafici, among other festivals. RARA PEPA SAN MARTÍN (CHILE – ARGENTINA) A story inspired by the case of a Chilean judge who lost the custody of her children for being a lesbian, told from the point of view of her eldest daughter Sara, aged 13. The screenplay is based on true events that could be related as a tale of lawyers and courthouses, lawsuits, claimants, defenders and victims, but instead, it will be the story of a family. SOBREVIVIENTES ROBER CALZADILLA (VENEZUELA – COLOMBIA) 1988. The town of El Amparo. Border with Colombia. Chumba and Pinilla survive an armed assault in the channels of the Arauca River in which fourteen of their companions are killed in the act. The Venezuelan Army accuses them of being guerrilla fighters and tries to seize them from the cell where they are being watched over by a policeman and a group of locals to prevent them from being taken away. They say they are simple fishermen, but pressure to yield to the official version is eyewatering.
Read more
8 Films to Screen in Zinemira section of 2015 San Sebastian Film Festival

The 2015 San Sebastian Film Festival will present eight feature films in the Zinemira section, dedicated to films produced in the Basque Country. Four world premieres and another four titles from this year’s production make up the selection. All of the premieres compete for the Irizar Basque Film Award, alongside the remaining productions with a minimum of 20% Basque production presented as a world premiere in any of the 2015 San Sebastian Film Festival sections. UN OTOÑO SIN BERLÍN LARA IZAGIRRE World premiere – Basque Film Gala June returns to the town of her birth by surprise after spending time abroad. The return home will be painful: her family and her first love, Diego, have changed. She too has changed, and repairing the broken ties won’t be easy. But just like the autumn wind, June will take the place by storm. DISTRICT ZERO JORGE FERNÁNDEZ MAYORAL, PABLO TOSCO, PABLO IRABURU ALLEGUE What’s in a refugee’s mobile phone? Their recollections, their memory, their identity, contact with the world they’ve left behind. This film narrates everyday life in a mobile phone repair shop in the Zataari refugee camp. GURE SOR LEKUAREN BILA JOSU MARTÍNEZ World premiere Hasparren, 1956. Amid great expectation, a documentary in the Basque language about the Basque Country was released in the local cinema. In the following months it was screened in other Basque and French towns on both sides of the border, and even in Paris, San Francisco and Dakar. But suddenly it disappeared from sight and everyone forgot about it. Sixty years later, filmmaker Josu Martinez sets out to find it. JAI ALAI BLUES GORKA BILBAO RAMOS World premiere A documentary narrating the incredible story of the Jai Alai through its most iconic characters. A great many similarities can be drawn between the biography of our characters and the actual history of the Jai Alai. Beginnings in humble surroundings, huge successes all over the world in pelota courts packed to the hilt with distinguish publics, losses of identity due to adapting a traditional game to societies with completely different values… #JAZZALDIA50 CARLOS RODRÍGUEZ The San Sebastian Jazz Festival looks back over its 50 years of history in this documentary with comments from some of its leading figures and images of extraordinary concerts forever engraved on the memory. POS ESO (POSSESSED) (pictured above) SAM ORTI MARTI Feature film directorial debut from the animation movie director, Sam. La Trini, a world-famous Flamenco dancer, leaves the tablaos in deep depression after her husband’s death. Damian, her 8 year-old son, is possessed by an evil demon who prompts him to commit horrendously cruel and bloody acts. SANCTUAIRE / SANCTUARY OLIVIER MASSET-DEPASSE A film about two adversaries who will learn to know and respect one another, despite their differences: Domingo Iturbe, “Txomin”, head of the ETA military apparatus, and Grégoire Fortin, adviser to Mitterrand’s Minister of Justice. WALLS PABLO IRABURU ALLEGUE, MIGUELTXO MOLINA AYESTARÁN World premiere The world is increasingly more divided by walls. There are human beings on either side of them. The question is not whether their existence is absurd or logical, whether they can be avoided or not, but to demonstrate that the people on both sides are basically exactly the same.
Read more
San Sebastian Festival to Honor Original KING KONG Directors Merian C. Cooper and Ernest B. Schoedsack with a Retrospective

The 63rd San Sebastian Festival will dedicate a retrospective to directors Merian C. Cooper and Ernest B. Schoedsack, masterminds of the iconic King Kong (1933). Merian C. Cooper (1893-1973) and Ernest B. Schoedsack (1893-1979) were, in the golden age of Hollywood, one of the strangest and most exciting creative twosomes ever to come out of Hollywood. The coming edition of the San Sebastian Festival will recover their work in a cycle dedicated to their films. Acclaimed for generations as the masterminds of the iconic King Kong (1933), Cooper and Schoedsack’s contribution to cinema didn’t stop at this masterpiece. Their career began with two masterpieces in the history of documentary filmmaking, Grass; A Nation’s Battle for Life (1925) and Chang (1927). They later made fantasy, drama, adventure and mystery movies, some of which are now cult titles: The Four Feathers (1929), The Most Dangerous Game (1932), The Last Days of Pompeii (1935), Dr. Cyclops (1940), Son of Kong (1933) and Mighty Joe Young (1949). GRASS; A NATION’S BATTLE FOR LIFE MERIAN C. COOPER, MARGUERITE HARRISON, ERNEST B. SCHOEDSACK (USA) 1925 Cooper and Schoedsack’s debut behind the cameras took the shape of this anthropological documentary classic shot in the spectacular landscapes of Iran. The everyday life of the Bakhtiari tribe, in the former Persia, and their migration in search of pastures for their livestock: 50,000 people and their flocks must cross natural obstacles and overcome harsh atmospheric conditions to find food for their animals. CHANG MERIAN C. COOPER, ERNEST B. SCHOEDSACK (USA) 1927 Cooper and Schoedsack’s second cinematic adventure took them to the forests of Thailand. A documentary with elements of fiction where the directors give free rein to their passion for exotic settings and sense of spectacle thanks to this fascinating tale of a man’s struggle against the beast. THE FOUR FEATHERS MERIAN C. COOPER , ERNEST B. SCHOEDSACK , LOTHAR MENDES (USA) 1929 Schoedsack and Cooper made the first sound adaptation of the famous colonial novel by A.E.W. Mason, taken to the screen on several occasions. The Sudanese adventures of Lieutenant Faversham, accused of cowardice by his friends, are the perfect excuse for the directors to impress upon the original narration the verve and dynamism so typical of their films. This was their first collaboration with a recurring actress in their filmography, Fay Wray. RANGO ERNEST B. SCHOEDSACK (USA) 1931 Two years before shooting their masterpiece, King Kong, Cooper and Schoedsack fantasized about relations between men and monkeys in this tale of adventures set in the Sumatran forests with its anthropological vocation. However, as was usual in their films, their ability to narrate fables always imposed itself upon the simple observation of reality. THE MOST DANGEROUS GAME ERNEST B. SCHOEDSACK, IRVING PICHEL (USA) 1932 Adaptation of a classic tale by Richard Connell, Cooper and Schoedsack used this film as a testing ground for the mind-boggling nightmare atmospheres that would culminate in King Kong the following year, since both titles were shot on the same sets. Adventure cinema merges with a gothic tale in a cruel, savage film of frenzied scenes that still raise eyebrows even today. BLIND ADVENTURE ERNEST B. SCHOEDSACK (USA) 1933 Cooper and Schoedsack abandon the exotic settings so often found in their films to take us to the London of detective mysteries. Here, their fetish actor, Robert Armstrong, plays an American lost in the London fog ensnared in a complicated plot that feels like something out of an Alfred Hitchcock movie. KING KONG MERIAN C. COOPER, ERNEST B. SCHOEDSACK (USA) 1933 The best known monster film in the history of cinema, a mythical title that gave us one of the most lasting icons of the seventh art. The sad tale of the giant gorilla who loses his kingdom for an impossible love is not only a dreamlike take on the Beauty and the Beast myth, recovered by intellectuals and artists all over the world, but a fabulous display of special effects, spectacle, imagination and poetry in its purest state. https://www.youtube.com/watch?v=H0WpKl2A_2k
Read more
New Films Incl. FREEHELD starring Julianne Moore, Ellen Page, Added to 2015 San Sebastian Film Festival | TRAILER

Three new competing titles have been added to the lineup of the Official Selection at the upcoming 2015 San Sebastian Film Festival taking place September 18 to 26, 2015. The Chinese director Liu Hao returns to San Sebastian with Xiang bei fang / Back to the North, five years after competing in the Official Selection with Addicted to Love; the Belgian moviemaker Joachim Lafosse will present his new film, Les chevaliers blancs / The White Knights; and Peter Sollett will bring to the Festival the film Freeheld, starring Julianne Moore, Ellen Page, Michael Shannon, Josh Charles and Steve Carrell. The New Directors section also added the Swedish production,Tjuvheder / Thieves Honor directed by Peter Grönlund, . LES CHEVALIERS BLANCS / THE WHITE KNIGHTS JOACHIM LAFOSSE (BELGIUM – FRANCE) Joachim Lafosse brings to the screen the Zoe’s Ark controversy which made headlines in 2007: a story about the limits of the right of interference. Jacques Arnault, head of Sud Secours NGO, is planning a high impact operation: he and his team are going to exfiltrate 300 orphans victims of Chadian civil war and bring them to French adoption applicants. Françoise Dubois, a journalist, is invited to come along with them and handle the media coverage for this operation. Completely immersed in the brutal reality of a country at war, the NGO members start losing their convictions and are faced with the limits of humanitarian intervention. FREEHELD PETER SOLLETT (USA) Julianne Moore, Ellen Page, Michael Shannon, Steve Carrell and Josh Charles star in this film based on true events. The true love story of Laurel Hester and Stacie Andree and their fight for justice. A decorated New Jersey police detective, Laurel is diagnosed with cancer and wants to leave her hard earned pension to her domestic partner, Stacie. However the county officials, Freeholders, conspire to prevent Laurel from doing this. Hard-nosed detective Dane Wells, and activist Steven Goldstein, unite in Laurel and Stacie’s defence, rallying police officers and ordinary citizens to support their struggle for equality. https://www.youtube.com/watch?v=blk27Jj9UE8 XIANG BEI FANG / BACK TO THE NORTH LIU HAO (CHINA) Xiao Ai is diagnosed with a terminal illness and does not have long to live. She is concerned that her parents will become a “lost family” and have no one to take care of them after her death, so she decides to persuade them to have another child… The latest film by Liu Hao, who competed at San Sebastian in 2010 with Addicted to Love. New Directors TJUVHEDER / THIEVES HONOR PETER GRÖNLUND (SUECIA) An intense social drama about a woman’s struggle for survival on the margins of society. When street pusher Minna can’t pay her rent she cheats a few young criminals on a drug deal and takes the money. She happens to meet Katja, the mother of a child who has been taken from her by the social authorities.
Read more