The Fourth Estate[/caption]
The 2018 Tribeca Film Festival revealed its feature film lineup championing the discovery of emerging voices and celebrating new work from established filmmaking talent. To close the Festival, Tribeca will World Premiere The Fourth Estate, from Oscar®-nominated director Liz Garbus, which follows The New York Times’ coverage of the Trump administration’s first year. The Centerpiece Gala will be the World Premiere of Drake Doremus’ sci-fi romance Zoe starring Ewan McGregor, Léa Seydoux, Rashida Jones, and Theo James. The 2018 Tribeca Film Festival takes place April 18-29.
The 2018 feature film program includes 96 films from 103 filmmakers. Of the 96 films, 46% of them are directed by women, the highest percentage in the Festival’s history. The lineup includes 75 World Premieres, 5 International Premieres, 9 North American Premieres, 3 U.S. Premieres, and 4 New York Premieres from 27 countries. This year’s program includes 46 first time filmmakers, with 18 directors returning to the Festival with their latest feature film projects. Tribeca’s 2018 slate was programmed from more than 8,789 total submissions.
Fifty-one narratives and 45 documentaries will debut over the course of the 12-day festival. The Competition section features 12 documentaries, 10 U.S. narratives and 10 international narratives; 14 Spotlight Narratives, 15 Spotlight Documentaries; 5 Midnight, 16 Viewpoints selections; and 11 Special Screenings.
The films in competition will compete for cash prizes totaling $165,000, as well as artwork from the Artists Awards program, offering work from acclaimed contemporary artists in select categories. One of the first awards to honor excellence in storytelling by a female writer or director, the 6th annual Nora Ephron Award, presented by CHANEL, will award a $25,000 prize to a woman who embodies the spirit and boldness of the late filmmaker.
This year’s Tribeca/ESPN Sports Film Festival, sponsored by Mohegan Sun, includes 5 documentaries and 1 narrative feature film, as well as a shorts program and more to be announced.
The 2018 film selections are as follows:
Tribeca Film Festival

The Tribeca Film Festival brings together visionaries across industries and diverse audiences to celebrate the power of storytelling. A platform for independent filmmaking, creative expression and immersive entertainment, Tribeca supports emerging and established voices, discovers award-winning filmmakers, curates innovative and interactive experiences, and introduces new technology and ideas through panels, premieres, exhibitions, and live performances.
Founded by Robert De Niro, Jane Rosenthal and Craig Hatkoff in 2001, following the attacks on the World Trade Center, Tribeca has evolved from an annual event to spur the economic and cultural revitalization of lower Manhattan to a gathering place for filmmakers, artists, innovators, and the global creative community. Through programs that embrace storytelling in all of its expansive forms—film, TV, online work, VR/AR, and music—TFF reimagines the cinematic experience and explores how art can unite communities.
Tribeca Film Festival started in 2002 and takes place in New York, NY, USA
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LOVE, GILDA, Documentary on Comedian Gilda Radner, to Open 2018 Tribeca Film Festival
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Love, Gilda[/caption]
The 2018 Tribeca Film Festival will open with the world premiere of the documentary Love, Gilda on Wednesday, April 18, 2018. Love, Gilda opens a window into the world of celebrated Emmy® and Grammy® award-winning comedian Gilda Radner who became a cultural icon the moment audiences first laughed with her on Saturday Night Live’s debut episode. A trailblazer for female comedians, her impact on the entertainment industry has endured almost four decades. The film will premiere opening night of the Tribeca Film Festival at the Beacon Theatre in New York City, the city she called home when she catapulted to fame. The 2018 Tribeca Film Festival runs April 18-29.
Love, Gilda is directed and produced by Lisa D’Apolito with the support of the Gilda Radner estate. The film is a true autobiography of a pioneering woman, told in her own words and in her own voice. It weaves together audiotapes, rare home movies, diary entries, and interviews with her friends and those inspired by her including: Bill Hader, Amy Poehler, Maya Rudolph, and Cecily Strong; SNL original cast members Chevy Chase, Laraine Newman, and Paul Shaffer; as well as Lorne Michaels (SNL creator and producer), Alan Zweibel (SNL writer), Stephen Schwartz (Broadway composer); Andrew Alexander (CEO of Second City), and long-time friend and actor Martin Short.
Gilda Radner captivated millions of television viewers as an original cast member of Saturday Night Live from 1975-1980. The popularity of her now classic comedic characters Roseanne Roseannadanna, Emily Litella, and Lisa Loopner fueled the young talent to meteoric fame in television, movies, and on Broadway. After finding happiness in love with Gene Wilder she received the cruelest joke of all, cancer. Her fight against the disease served as an inspiration to people impacted by the illness to stay positive and to keep laughing no matter what challenges life brings you.
“As a Festival that has always supported women’s voices and is largely run by women we are incredibly proud to celebrate the inimitable voice of Gilda during the opening night of our Festival,” said Jane Rosenthal, Co-Founder and CEO of the Tribeca Film Festival. “Gilda Radner was a powerful comedic force of nature who opened doors and thrilled audiences while becoming one of the most prolific comedians of a generation. Her cutting edge humor was only second to her dedicated leadership in cancer care with her eponymous Gilda’s Club.”
“Love, Gilda is the right film at the right time and the perfect way to open our Festival,” said Paula Weinstein, EVP of Tribeca Enterprises. “Gilda is a woman for the ages, an extraordinary talent in film, television, and theater who overcame her personal struggles to make us laugh, to make us cry. She understood the healing power of laughter not simply for her audience but in her own life as she struggled with cancer and lead the way for all of us to make the world a better place.”
First time feature filmmaker Lisa D’Apolito commented, “I fell in love with Gilda Radner while doing pro bono work at Gilda’s Club, the cancer support organization Gene Wilder founded in honor of Gilda, in Greenwich Village where I grew up. This started my journey to discover who Gilda was as a person and as a performer. Gilda inspired me and many other women with her remarkable spirit and unique talent that changed the world of comedy. I’m grateful and honored to share the extraordinary legacy of Gilda Radner at the Tribeca Film Festival.”
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Tribeca Film Festival Announces 2018 Dates
The 17th edition of the Tribeca Film Festival returns to New York City running April 18 to 29, 2018.
For filmmakers, submissions will open September 5 for all sections of the Festival – feature and short films, TV, Immersive, N.O.W. (New Online Work) and the Tribeca X Award. Filmmakers can submit a film for consideration via Withoutabox and VR, episodic, online storytelling, and branded storytelling can be submitted directly to Tribeca Film.
Deadlines to submit U.S. and projects for the 2018 Tribeca Film Festival are as follows:
- September 5, 2017 – SUBMISSIONS OPEN
- October 18, 2017 – EARLY ENTRY DEADLINE for feature and short films, Tribeca TV, Tribeca Immersive, N.O.W. (New Online Work)
- November 22, 2017 – OFFICIAL ENTRY DEADLINE A for feature films, Tribeca TV, Tribeca Immersive, N.O.W.
- December 1, 2017 – OFFICIAL ENTRY DEADLINE B for short films
- December 13, 2017
- EARLY ENTRY DEADLINE for Tribeca X Award
- LATE ENTRY DEADLINE for feature films, TV, Immersive, N.O.W.
- January 12, 2018 – OFFICIAL ENTRY DEADLINE for Tribeca X Award
- February 14, 2018 – LATE ENTRY DEADLINE for Tribeca X Award
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Chilling Sci-fi/Horror THE ENDLESS from Tribeca 2017 Eyes a 2018 Release Date
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Justin Benson as Justin and Aaron Moorhead as Aaron in THE ENDLESS. Photographer: William Tanner Sampson.[/caption]
Aaron Moorhead and Justin Benson’s The Endless, a chilling sci-fi/horror hybrid which premiered to rave reviews in the Narrative Feature competition section of the 2017 Tribeca Film Festival will be released in the US by Well Go USA Entertainment. The film will receive a traditional platform theatrical release in early 2018, with a digital and home video release afterwards.
Following their acclaimed debut Resolution and their follow-up, the Lovecraftian modern cult classic Spring, writer/directors Moorhead and Benson star as two brothers who return to the death cult from which they fled a decade ago, only to find that there might be some truth to the group’s otherworldly beliefs.
“The Endless is a film made hand-over-fist with an incredible crew, and ourselves wearing many hats, out of a conviction that audiences truly do want left-of-center, meaningful independent films,” said directors Aaron Moorhead and Justin Benson. “Well Go throwing their theatrical support behind us shows a shared belief that the box office is more than just superheroes. Audiences will be able to see The Endless at its best: sound cranked up in a dark theater, sharing the experience with movie lovers like ourselves.”
“Justin and Aaron are known for making smart, atmospheric films that challenge audiences while scaring the hell out of them,” said Dylan Marchetti, SVP of Acquisitions and Theatrical Distribution for Well Go USA Entertainment. “The Endless is their most accomplished work yet, and here at Well Go we can’t stop talking about it. We can’t wait to unleash it on everyone else.”
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Tribeca 2017: THE DIVINE ORDER and HONDROS Win Audience Awards
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Liberia soldier Joseph Duo exults after firing a rocket at rebel forces in Monrovia, Liberia in 2003. The photo led to an unlikely and enduring friendship between the subject and the photographer, Getty Images photojournalist Chris Hondros. Film still from HONDROS. Photo by Chris Hondros.[/caption]
Festival goers at the 2017 Tribeca Film Festival voted The Divine Order (Die göttliche Ordnung) and Hondros the winners of the Audience Awards. The Divine Order (Die göttliche Ordnung), directed and written by Petra Volpe was chosen to receive the Narrative award and Hondros, directed by Greg Campbell, written by Greg Campbell, Jenny Golden, was chosen for the Documentary award. Each award comes with a cash prize of $10,000. Additionally, as part of the Tribeca Film Festival Artists Awards program, Divine Order receives R.H. Quaytman: Delphi Landscape, 2017, and Hondros receives Urs Fischer boomboomboom, 2016, The Transit of Venus (Melanie).
“It is always exited to see what resonates most with the audience, and this year both the narrative and documentary winners represent smart filmmaking and impactful storytelling,” said Tribeca Film Festival’s Paula Weinstein. “On behalf of the Tribeca team, we congratulate The Divine Order and Hondros as the 2017 Audience Award winners, and hope moviegoers worldwide get to experience these powerful films.”
The runners-up were Saturday Church, directed and written by Damon Cardasis, for the narrative audience award and Shadowman, directed and written by Oren Jacoby, for the documentary audience award. Throughout the Festival, which kicked off on April 19, audience members voted by using the official Tribeca Film Festival app on their mobile devices and rating the film they just experienced on a scale of 1-5 stars. Films in the U.S. Narrative Competition, International Narrative Competition, World Documentary Competition, Viewpoints, Spotlight, Specials, and Midnight sections were eligible.
THE AUDIENCE AWARD WINNING FILMS AND RUNNERS-UP:
WINNERS
The Divine Order (Die göttliche Ordnung), directed and written by Petra Volpe. (Switzerland) – International Premiere. Political leaders in Switzerland cited ‘Divine Order’ as the reason why women still did not have the right to vote as late as 1970. Director Petra Volpe explores this surprising history through the story of Nora, a quiet housewife from a quaint village searching for the fierce suffragette leader inside her. With Marie Leuenberger, Max Simonischek, Rachel Braunschweig, Sibylle Brunner, Marta Zoffoli, Bettina Stucky. In Swiss-German with subtitles.
The film played in the International Narrative Competition section.
Hondros, directed by Greg Campbell, written by Greg Campbell, Jenny Golden. (USA) – World Premiere. Beginning with the war in Kosovo in 1999, award-winning photographer Chris Hondros served as a witness to conflict for over a decade before being killed in Libya in 2011. In Hondros, director and childhood friend Greg Campbell creates a portrait of a man with not only great depth and sensitivity, but a passion for his craft, and an unending talent for creating breathtaking imagery. Executive produced by Jake Gyllenhaal. In Arabic, English with subtitles.
The film played in the Spotlight Documentary section.
RUNNERS UP
Saturday Church, directed and written by Damon Cardasis. (USA) – World Premiere. 14-year-old Ulysses is a shy and effeminate teen being raised in the Bronx by his strict Aunt Rose. He finds escape in a rich fantasy life of music and dance, and soon with a vibrant transgender youth community called Saturday Church. Damon Cardasis’ directorial debut is a rousing celebration of one boy’s search for his identity. With Luka Kain, Margot Bingham, Regina Taylor, Marquis Rodriguez, MJ Rodriguez, Indya Moore, Alexia Garcia.
The film played in the U.S. Narrative Competition section.
Shadowman, directed and written by Oren Jacoby. (USA) – World Premiere. In the early 1980s, Richard Hambleton was New York City’s precursor to Banksy, a rogue street artist whose silhouette paintings haunted the sides of Manhattan buildings. Like so many other geniuses of his time, he fell victim to drug addiction, even as his work continued to rise in both demand and value. Shadowman doubles as both a time capsule of a forgotten New York City era, and a redemption story.
The film played in the Documentary Competition section.
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Tribeca 2017: KEEP THE CHANGE, SON OF SOFIA, and BOBBI JENE Win Top Juried Awards
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Brandon Polansky as David Cohen and Samantha Elisofon as Sarah Silverstein in KEEP THE CHANGE. Photographer: Giacomo Belletti.[/caption]
Keep the Change, Son of Sofia and Bobbi Jene won the top competition awards at the 16th Tribeca Film Festival award ceremony earlier tonight.
Keep the Change won the award for Best U.S. Narrative, Son of Sofia won for Best International Narrative, and Bobbi Jene won for Best Documentary.
For the fifth year, Tribeca awarded innovation in storytelling through its Storyscapes Award for immersive storytelling, which went to TREEHUGGER: WAWONA.
“It is more important than ever to celebrate artists both in front of and behind the camera who have the unique ability to share different viewpoints to inspire, challenge and entertain us,” said Jane Rosenthal, Executive Chair and Co-Founder, Tribeca Film Festival. “The winning creators from across the Festival program shared stories that did exactly that, and we are honored to recognize them tonight. And how wonderful is it that the top awards in all five feature film categories were directed by women.”
This year’s Festival included 97 feature length films, 57 short films, and 30 immersive storytelling projects from 41 countries.
The winners of awards of the 2017 Tribeca Film Festival
U.S. NARRATIVE FEATURE COMPETITION CATEGORIES:
The Founders Award for Best Narrative Feature – Keep the Change, written and directed by Rachel Israel. Jury Comment: “For her heartwarming, hilarious and consistently surprising reinvention of the New York romantic comedy, which opens a door to a world of vibrant characters not commonly seen on film, the U.S. Narrative Jury gives the Founders Award to Rachel Israel for Keep the Change.” Best Actor in a U.S. Narrative Feature Film – Alessandro Nivola in One Percent More Humid. Jury Comment: “For his raw, complex and deeply human portrayal of middle-aged teacher and writer who tries to rekindle his creativity by plunging into an ill-advised affair with a student, the award for Best Actor goes to Alessandro Nivola, in Liz W. Garcia’s One Percent More Humid.” Best Actress in a U.S. Narrative Feature Film – Nadia Alexander in Blame. Jury Comment: “For her powerful, multilayered and risky portrayal of a troubled teenager in Quinn Shepard’s accomplished directorial debut Blame, the award for Best Actress goes to Nadia Alexander.” Best Cinematography in a U.S. Narrative Feature Film – Cinematography by Chris Teague for Love After Love. Jury Comment: “For creating a visual style that beautifully mirrors the fraught and messy landscape of grief, the cinematography award goes to Love After Love, shot by Chris Teague.” Best Screenplay in a U.S. Narrative Feature Film – Abundant Acreage Available written by Angus MacLachlan. Jury Comment: “For its portrayal, both universal and intimate, of two families who meet, clash and ultimately discover what it means to call a place home, the best screenplay award goes to Abundant Acreage, written and directed by Angus MacLachlan.”INTERNATIONAL NARRATIVE FEATURE COMPETITION CATEGORIES:
The Best International Narrative Feature – Son of Sofia (O Gios tis Sofias) written and directed by Elina Psykou (Greece, Bulgaria, France). Jury Comment: “When we were watching these movies we were looking for something we hadn’t seen before. We unanimously agree that one film challenged us to see in a new way, and we were seduced by the surprising humanity of its difficult characters. The direction was assured, and its tone unique, and we look forward to seeing Elina Psykou’s next work. The Best International Narrative Feature Award goes to Son of Sofia.” Best Actor in an International Narrative Feature Film – Guillermo Pfening in Nobody’s Watching (Nadie Nos Mira) (Colombia, Argentina, Brazil, USA, Spain). Jury Comment: “For a performance of extraordinary vulnerability and commitment that anchored the film, the Best Actor Award goes to Guillermo Pfening for Nobody’s Watching.” Best Actress in an International Narrative Feature Film – Marie Leuenberger in The Divine Order (Die göttliche Ordnung) (Switzerland). Jury Comment: “For a performance that is patient, intelligent and graceful, that captured the liberation of a young woman the Best Actress Award goes to Marie Leuenberger for The Divine Order.” Best Cinematography in an International Narrative Feature Film – Cinematography by Mart Taniel for November (Estonia, Netherlands, Poland). Jury Comment: “We were particularly impressed by the high level of the cinematography of the films we’ve just seen which had very different styles and demands. One film was particularly audacious and showed supreme command of its visual language. The Best Cinematography Award goes to Mart Taniel for November.” Best Screenplay in an International Narrative Feature Film – Ice Mother (Bába z ledu) written by Bohdan Sláma (Slovakia, France). Jury Comment: “A screenplay can create a world. With warmth and humor, this movie leads us into a specific and eccentric world driven by an unlikely love story. The Best Screenplay Award goes to Bohdan Sláma for Ice Mother.”DOCUMENTARY COMPETITION CATEGORIES:
Best Documentary Feature – Bobbi Jene, directed by Elvira Lind (USA, Denmark, Israel). Jury Comments: “In a diverse field of worthy films, one work captivated our jury with its exquisite blend of emotional depth and rigorous craft. Fulfilling the promise of classic cinema verite, where camera serves as both observer and provocation, this film connected two artists, filmmaker and subject, pushing nonfiction intimacy to bold new places. Our winner documents the deeply personal process of a brilliant woman finding her voice – paired with a director whose own artistic vision dances elegantly with that of her subject. We the jury give the Best Documentary Feature to Elvira Lind’s Bobbi Jene.” Best Documentary Cinematography – Cinematography by Elvira Lind for Bobbi Jene (USA, Denmark, Israel). Jury Comments: “For the film’s extraordinary relationship to an artist who is willing to go bare not only in performance but in stunningly intimate scenes that are poetic, honest and moving, seemingly without barriers between camera and subject, we give Best Cinematography to Elvira Lind for Bobbi Jene.” Best Documentary Editing – Editing by Adam Nielson for Bobbi Jene (USA, Denmark, Israel). Jury Comments: “For a film whose precise economy of construction creates space for the rich sensual palette of a committed artist going through a life change, and whose internal rhythms mirror the art it portrays, we give Best Editing to Adam Nielson for Bobbi Jene.” Special Jury Mention – True Conviction. “For its compelling storytelling and for introducing us to three heroic characters who transform the injustice they suffered into active change, we give a Special Jury Mention for Best Documentary Feature to Jamie Meltzer’s True Conviction.”BEST NEW NARRATIVE DIRECTOR COMPETITION:
Best New Narrative Director – Rachel Israel, director of Keep the Change (U.S.). Jury Comments: “For this award, we were looking for a filmmaker with a fearless, authentic voice. Our decision was unanimous. This filmmaker created a world full of vibrant characters often under-represented in cinema. It is a unique, yet universal love story told in a way we’ve never seen. We anxiously await to see what this filmmaker does next. We are so thrilled to present the award for Best New Narrative Director to Rachel Israel for Keep the Change.”BEST NEW DOCUMENTARY DIRECTOR COMPETITION
Albert Maysles New Documentary Director Award – Sarita Khurana and Smriti Mundhra for A Suitable Girl (U.S./India). Jury Comments: “For the top prize we chose a film that helped us to rethink the dynamics of love through a moving portrayal of a cultural tradition. With incredible access, heartfelt scenes and it’s strong verite style, The Albert Maysles Prize for first documentary feature goes to A Suitable Girl.” Special Jury Mention – Hondros. “In considering a wide range of subjects in our category we were moved by two different kinds of love stories. The film we decided to honor with a special mention delves into the fractured worlds of chaos and violence and the interconnectedness of humanity. A childhood friend carries on his legacy to show the enduring power of love. The special mention goes to Hondros.”:THE NORA EPHRON PRIZE
The Nora Ephron Prize: Petra Volpe, writer/director of The Divine Order (Switzerland). Jury Comments: “For its intrepid and compassionate storytelling, beautiful cinematography (DP-ed by a woman), complex characterization of the female experience, seamless navigation of both drama and comedy, and true embodiment of the personal being political, we award the Nora Ephron Prize to Petra Volpe for her film The Divine Order.” Special Jury Mention: Keep the ChangeSHORT FILM COMPETITION CATEGORIES:
Best Narrative Short – Retouch, directed by Kaveh Mazaheri (Iran). Jury Comments: “For its message of choice, liberty, and renewal where the lines of morality and honesty are blurred, leaving the audiences own projection of the events open for discussion and introspection. We appreciated the unification of the aesthetic and the ethical. The winner of the Best Narrative Short goes to Retouch.” Best Animated Short – Odd is an Egg (Odd er et egg) directed by Kristin Ulseth (Norway). Jury Comments: “We found the story of this animated short sweet and moving. We were also very impressed with beautiful visuals, which were artistic, cool and haunting. The filmmaker shows great promise. Best Animated Short goes to Kristin Ulseth for her film, Odd is an Egg.” Best Documentary Short – The Good Fight directed by Ben Holman (U.S., UK, Brail). Jury Comments: “An unflinching portrait of finding hope in a world of danger; a journey of perseverance in the face of tragedy; an uplifting and visually compelling story of redemption. The winner of the Best Documentary Short is The Good Fight.” Special Jury Mention – Resurface: “Shedding light on the struggle for normalcy, hope, and recovery that US Veterans face every day, this is the story of reviving the human spirit through connecting with something deeply powerful and larger than the self: the Natural World.” Student Visionary Award – Fry Day directed by Laura Moss (U.S.). Jury Comments: “For its success in balancing an immersive coming of age experience with relevant social commentary in a historically specific context; compelling performances and expert filmmaking, the student visionary award goes to Fry Day.” Special Jury Mention – Dive: “Visceral, deeply moving meditative and exquisitely constructed / A nuanced examination of love and moving on after grief. Dive receives a Special Jury Mention.”STORYSCAPES AWARD
Storyscapes Award: TREEHUGGER: WAWONA created by Barnaby Steel (Co-Founder, Creative Director), Ersin Han Ersin (artist, Creative Director) and Robin McNicholas (Co-founder, Creative Director) of Marshmallow Laser Feast . Jury Comments: “The project we chose exemplifies the highest standards of artistry and inventiveness. It explores the potential for new visual forms and investigates unique modes of storytelling that allow us to tap into aspects the world and our lived experience that are intuitively known but seldom articulated. Through its use of poetic abstraction, embodiment, and the viewer’s own imagination and interpretation, we are able to unlock new ways of understanding and experiencing the world around us. We’ve selected this piece because we hope it will inspire others to start creating in ways that take risks and use the limitations of technology to revamp story and experience. The Storyscapes Award goes to TREEHUGGER: WAWONA.” The Festival’s competition categories continue to incorporate storytelling in all its forms with two awards that were given out earlier in the week. The Tribeca X Award is a juried section recognizing the intersection of advertising and entertainment and Tribeca also presented the first Tribeca Snapchat Short Award, a new official categoryTRIBECA X AWARD
Tribeca X Award: Chris Fonseca: Keep It Moving by 72andSunny for Smirnoff Ice. Directed by Zachary HeinzerlingTRIBECA SNAPCHAT SHORTS
Tribeca Snapchat Short award: Magic Show directed by Annie Hubbard.
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Tribeca 207: JULIAN SCHNABEL: A PRIVATE PORTRAIT Opens in NY on May 5 Following World Premiere at Festival
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A film still from JULIAN SCHNABEL: A PRIVATE PORTRAIT.[/caption]
Pappi Corsicato’s documentary Julian Schnabel: A Private Portrait had its world premiere at the Tribeca Film Festival, and will be followed by a New York theatrical release on Friday, May 5 at the newly launched Quad Cinema and the Lincoln Plaza Cinema. A national theatrical rollout will follow.
Julian Schnabel: A Private Portrait is a vivid chronicle of the colorful personal life and public career of the celebrated painter and filmmaker. The film details the Brooklyn-born Schnabel’s formative years in Texas, the beginning of his professional career in New York City in the late ‘70s, his rise to superstar status in the ‘80s Manhattan art scene, and his move into filmmaking with 1995’s Basquiat followed by Before Night Falls and The Diving Bell and the Butterfly. With a kaleidoscopic blend of material from Schnabel’s personal archives, newly shot footage of the artist at work and play, and commentary from friends, family and artists, including Al Pacino, Mary Boone, Jeff Koons, and Laurie Anderson—not to mention Schnabel himself—Italian filmmaker Pappi Corsicato creates a fascinating portrait of one of the modern art world’s true mavericks.
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Tribeca 2017: Susan Froemke’s THE RESILIENT HEART Premiered at Fest, Debuts on Amazon | Trailer
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NEW YORK, NY – APRIL 24: Host Bob Harper, Director Susan Froemke and Director of Mount Sinai Heart and Physician-in-Chief of The Mount Sinai Hospital Dr. Valentin Fuster, MD, PHD during the Tribeca Film Festival premiere for the feature documentary, The Resilient Heart.[/caption]
Oscar-nominee and Grammy winning director, Susan Froemke, premiered her feature documentary film, The Resilient Heart, during the 2017 Tribeca Film Festival to a packed audience. The screening event was hosted by Bob Harper, the celebrity trainer and host of NBC’s Biggest Loser, who suffered a heart attack earlier this year. Over the weekend, the film made its world premiere in competition at the acclaimed Newport Beach Film Festival.
The feature length documentary film, which centers on the work of Dr. Valentin Fuster, a world-renowned cardiologist and Physician-in-Chief at The Mount Sinai Hospital, has been picked up by Amazon Prime Video and Amazon.com for a global launch, and is available now.
Froemke announced the release of The Resilient Heart in Park City, UT following the 2017 Sundance Film Festival premiere of her documentary Rancher, Farmer, Fisherman.
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“When I first met Dr. Valentin Fuster, I thought cardiovascular disease was a rich nation’s illness, but I soon found out it was the leading cause of death across the globe,” said Froemke. “Dr. Fuster’s mission to stem the tide of this debilitating epidemic inspired me to make The Resilient Heart with the hope to bring his important story to a wide audience.”
“Every year, over 17 million people worldwide die from heart disease,” explained Dr. Fuster. “By 2030 that number is expected to be 23 million, and most of those deaths are preventable. I hope this film will help to change those statistics moving forward.”
The film, made with generous support from The Valentin Fuster Mount Sinai Foundation for Science, Health & Empowerment, Inc., focuses on Dr. Fuster’s research and travels as he discovers that the real answer to fighting chronic disease lies in early education. The Resilient Heart follows Dr. Fuster as he travels from Bogota, Columbia, to Eldoret, Kenya, the island of Grenada, Madrid, the Harlem neighborhood of New York City, and Mexico, where he encounters the profound impacts of coordinated global health initiatives, proactive public policy, and the passion of people to better the health and well-being of populations, no matter the circumstances.
The film was directed by Oscar®-nominee and Grammy® winner Susan Froemke, a non-fiction filmmaker with over 30 documentaries to her credit, including the iconic Grey Gardens (1976), the Academy Award nominated Lalee’s Kin (2001), Conversations With The Rolling Stones (1994), and Escape Fire: The Fight To Rescue American Healthcare which premiered at Sundance in 2013.
For four decades, Dr. Fuster has been a global leader in the field of cardiology, including cardiovascular medicine, translational research, and education. He has a keen interest in promoting cardiovascular health, especially for the world’s tiniest hearts — those in our children. Dr. Fuster has published more than 1,000 research studies on the prevention and treatment of heart disease, coronary artery disease, atherosclerosis, and thrombosis, and is Director of Mount Sinai Heart and Physician-in-Chief of The Mount Sinai Hospital. Dr. Fuster is the former President of the American Heart Association and the World Heart Federation.
https://www.youtube.com/watch?v=dbg0ojiNixc
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Tribeca 2017: Who Killed Marsha P Johnson “street queen” of NY’s Gay Ghetto? | Trailer
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THE DEATH AND LIFE OF MARSHA P. JOHNSON[/caption]
Marsha P Johnson, the beloved, self-described “street queen” of NY’s gay ghetto was found floating in the Hudson River in 1992, the NYPD chalked it up as a suicide and refused to investigate.
Who killed Marsha P. Johnson? When the beloved, self-described “street queen” of NY’s Christopher Street was found floating in the Hudson River in 1992, the NYPD called her death a suicide. Protests erupted but the police remained impassive and refused to investigate. Now, twenty-five years on, Academy Award® nominated director and journalist David France (HOW TO SURVIVE A PLAGUE) examines Marsha’s death—and her extraordinary life—in his new film. Marsha arrived in the Village in the 1960s where she teamed up with Sylvia Rivera when both claimed their identities as “drag queens,” to use the vernacular of the times. Together, the radical duo fought arrests, condemned police brutality, organized street kids, battled the intolerant majority within the gay community, and helped spearhead the Stonewall Riots. In 1970 they formed the world’s first trans-rights organization, STAR (Street Transvestites Action Revolutionaries). Despite their many challenges over the years—bias, homelessness, illness —Marsha and Sylvia ignited a powerful and lasting civil rights movement for gender nonconforming people. Now, a quarter century later, at a time of unprecedented visibility and escalating violence in the transgender community, a dynamic activist named Victoria Cruz has taken it upon herself to reexamine what happened at the end of Marsha’s life. As the film dips in and out of jawdropping archival footage from the 1970s, ’80s and ’90s, THE DEATH AND LIFE OF MARSHA P. JOHNSON follows as this champion pursues leads, mobilizes officials, and works to get to the bottom of Marsha’s death.
In an interview with director David France, he described what inspired to make the film now,”Marsha died twenty-five years ago this July and her fame—and mythology—has only increased over that quarter century. She’s become a very well-known touchstone within the LGBT movement but very little is really known about her. I wanted to fill in the historical record. In addition, I knew that her death was never thoroughly investigated by the police. In fact, as a print journalist I had begun to investigate her case back in 1992, but never did follow through on that work, so I felt a personal obligation to go back to it, and I felt that that offered an opportunity to reallyput flesh on this mythical character of Marsha P. Johnson.”
THE DEATH AND LIFE OF MARSHA P. JOHNSON had its world premiere at the 2017 Tribeca Film Festival, with additional screenings through Friday, Apr. 28th.
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Tribeca 2017: rag & bone Debuts HAIR Directed by and Starring John Turturro | Trailer
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Bobby Cannavale and John Turturro in HAIR. Photo credit: Marissa Kraxberger.[/caption]
Hair, a short film, directed by and starring Golden Globe-nominated actor John Turturro alongside two-time Emmy-winner Bobby Cannavale debuted at the 2017 Tribeca Film Festival in New York City.
Delving deeper into the medium of film, the film is as a rag & bone production, marking yet another engaging initiative under the ‘rag & bone Films’ umbrella. Hair will be available to view in full on rag-bone.com beginning May 2nd.
“For us, projects like these are about creating a paradigm shift in the way people view fashion. Film and photography are engrained in our brand DNA and we love exploring both mediums in different ways every season. This project was a joy to be part of and it was a real honor to work with John and Bobby on it.” – Marcus Wainwright, rag & bone CEO, Founder and Creative Director
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Shot by Fred Elmes (Blue Velvet, The Night Of, Broken Flowers) in Williamsburg, Brooklyn the film features an improvised conversation about a man’s particularity for his hair. Truly masters of their craft, Turturro and Cannavale deliver a lightheartedly engrossing and completely unscripted performance while dressed in the rag & bone Spring/Summer 2017 collection.
“It was fun to find the right location that would complement the rag & bone clothing. I scouted several places with Fred Elmes and we felt that this specific classic barber shop was the perfect location. Clothes and hair go together; they’re part of your social identity.” – John Turturro
Hair follows on from the 2016 Men’s Project, based on a concept that showcases the actors’ authentic personalities with each outfitted in pieces from the latest collection that are reflective of their own personal taste.
Turturro continues, “Working with rag & bone was very creative and collaborative, with this short, I wanted to convey the spirit of their brand which is fun, lively, and urban with a focus on quality and craftsmanship.”
https://www.youtube.com/watch?v=kZlE76iGwC8
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Tribeca 2017: Watch Animated Short Film ESCAPE that World Premiered at Festival | Video
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“Looking for a solution.” Film still from ESCAPE.[/caption]
The animated short film Escape, a sequel to two-time Daytime Emmy Award-winning short Silent, premiered at the 2017 Tribeca Film Festival on Saturday, April 22, in New York. Escape is the story of a lone space explorer who crash-lands on a desolate planet and must find a way to make her new home habitable.
Dolby Laboratories united the creative talents of Emmy® winning director Limbert Fabian and Academy Award® winning co-director Brandon Oldenburg, who represent the creative leadership of the newly formed Flight School Studio, with the musical talents of Imogen Heap, the only solo recording artist and also the first woman to win a Grammy for engineering. In addition, Dolby’s Angus McGilpin and Vince Voron, the team behind Silent, collaborated to bring visual design and audio expertise to Escape.
Combining techniques such as miniatures and animation with the spectacular imaging of Dolby Vision and the moving audio of Dolby Atmos, Escape invites the audience to experience a joyous vision of the future. With her love of technology and her passion for the project, the Grammy-winning solo recording artist Imogen Heap composed, performed and produced the song Magic Me for the film. Heap added her amazing voice and music to an original soundtrack, working alongside BAFTA winning sound designer Nick Ryan to mesh the sound fx into the music, creating a truly unique listening experience to complement the animation. Heap will release Magic Me in conjunction with the film’s premiere.
To create the beautiful and dynamic world, the team developed a model of the planet’s landscape that was designed to combine purposeful structures with organic, vine-like elements in a way that permitted light to flow throughout the space. The film avoids dialogue and instead uses facial expressions, visual effects and music to communicate with a global audience, making sound an integral part of the movie experience.
“The film is a cinematic poem about the world-changing power of invention and is a fitting sequel to Silent in which our character experienced the evolution of film technology from the silent-film era to the present day,” said Vince Voron, the film’s Executive Producer and Vice President and Executive Creative Director of Dolby Laboratories. “We have been investing in original branded content to inspire our consumers, filmmakers and partners and celebrate the powerful storytelling possibilities when art and science come together.”
https://www.youtube.com/watch?v=H46Kil1k-m8
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Tribeca 2017: Rapper Common Joined Director Nelson George for a Tribeca Talk: Storytellers Conversation
Academy Award, Golden Globe, and three time Grammy winner Common joined director/screenwriter Nelson George on stage Sunday night, April 23, for a Tribeca Talk: Storytellers conversation, as part of the Tribeca Film Festival.
A never-before-seen extended version of Letter to the Free from director Bradford Young debuted prior to the conversation. Common closed out the sold-out event with a live performance, during which the renowned hip-hop artist and actor debuted a new song, “Black Kennedy,” in front of a standing room only crowd.
The conversation spanned musical influences of the 80s and 90s, social justice flashpoints, Common’s first acting gig on Tracee Ellis Ross & Mara Brock Akil’s Girlfriends, his respect for director Ava DuVernay, and activism in hip-hop today, name-dropping Chance the Rapper and Kendrick Lamar.
Excerpts from transcript of the conversation:
Question: Do you believe that when artists, rappers, musicians face some sort of social injustice flashpoint like a Donald Trump or the LA riots to react to, that it drives up the creativity and the timelessness of art, as opposed to when things are going well and the art suffers?
Nelson George: Every historical epoch where there’s conflict, it does help certain artists. Some people can be explicitly political but for others, it becomes an internal journey that can also be just as powerful. One of the best eras of hip hop was the crack era, which was terrible time in the country and under Reagan. And some great art came out of that. Often artists respond with some of their best work because it touches their friends and their community in a way that’s inspiring. And anger, as much as love, inspires art.
Common: Artists, when we have something we’re passionate about, we speak up. It’s the truth that comes out at that time. But you have to be passionate about it. I think this era we’re in now is just as tough as the Reagan era in many instances, but the artists are speaking up. They feel it. They feel it in their spirits. I think the one thing we have in hip hop that you had in that 80s era is a lot of people were kind of educated politically to a certain degree; socially and politically so they knew what to talk about. I was learning about things from Chuck D and from KRS-One and I learned from them. They had something to say. They knew what was going on. I don’t know if it was age or whatever the case, but they knew. And even in this crucial era, I think that the music can be more powerful, the art can be more powerful when people are passionate about it and they really do care.
Nelson George: Ava [DuVernay]has had a profound effect on you. This film is dedicated to her. Can you talk a little bit about her impact? Tell me a little bit about how that relationship has shaped your thinking.
Common: Well, one day my daughter hit me and was like “You know if Ava is Malcolm X, you Martin Luther King” She’s at Howard now and she was trying to say I was softer than Ava I when it comes to the revolutionary aspect. And I was like embarrassed that she would say that about me. Don’t get me wrong, I do feel like Ava does have an unapologetic and unashamedly Blackness about her and she embraces that and does it universally but I was like DAMN. I do that too. But I think I’m always talking about love and extending the hand of love and embracing people. I’ve learned to embrace people that may not think the way I think or may be on the opposite side when it comes to politics. They may be on the opposite side of many things but my first step is to do what our former First Lady says “Go high when they go low” so that’s my mentality. So when my daughter said that, I said this is what it really is- I tried to explain to her. My relationship with Ava is really inspiring. She’s like for me…through working with her. And talking with her, I see somebody who is dedicated to putting Black culture and Black faces out in the world in the purest way. In a truthful way. In a way we don’t get to see all the time. And it reminds me – you know when you get around those friends, Nelson? well you Black like that so…but you know when you get around friends who just remind you of like who you are and what your mission is and to not be afraid. I think she has a lot of that in her and she’s very talented. And to me, one of her biggest gifts is knowing how to put people together. Because I’ve met some of the most talented and some of my best friends in the industry are people that I’ve met working on projects with Ava.
Common: I definitely have to first say that it was music in the late 80s and 90s was truly reflective of a movement. It was the movement of Black empowerment, Black love, consciousness, just being aware. It was all of the above and obviously, things go through evolutions, it changes. I don’t think right now as a whole, that we have that in hip hop. At that time, the majority of hip hop was a pro-Black movement. We had PE. We had Poor Righteous Teachers, Brand Nubians, Big Daddy Kane would do his pro-Black song. Moe Dee, N.W.A. had stuff that was saying something too. So, I don’t feel like we have that as a whole. I don’t think hip hop is the place we go to listen to that voice of ‘ok this is the revolution. this is how we’re changing things,’ but there are artists that do it, like Kendrick Lamar.
And I also think that the chance that we may not speak about like ‘ok this is Black consciousness. He has a Black consciousness about him, a self-awareness and spirituality,’ and I don’t want to overlook that because spirituality is something that is powerful in hip hop, whether it’s Islamic, the five percenters.
In hip hop, we don’t have it as much, but it still exists. I still can’t go to some hip hop but now, you know, I go to great speakers like Brian Stevenson or books to learn or listen to the people who talk about politics and I honestly try to give my own discernment to decide where I think the world is.
Image Credit: Carolyn Amuaro for Street Dreams
