Three modern classics, Mishima: A Life in Four Chapters (1985), by Paul Schrader; Dao ma zei / The Horse Thief (1986), by Tian Zhuangzhuang, and Sátántangó (1994), by Béla Tarr, are the films featuring in this year’s Klasikoak section of the 2019 San Sebastian International Film Festival. Following last year’s screening of Ladri di biciclette / Bicycle Thieves (1948), the section increases from one to three films programmed for screening in their restored versions in the Tabakalera cinema.
Film at Lincoln Center announced the Retrospective and Revivals sections lineup for the 57th New York Film Festival (September 27–October 13).
The 24th Busan International Film Festival has selected Jung Il-Sung for the Korean Cinema Retrospective. Jung, a renowned cinematographer, has worked on the history of Korean films and left a significant mark on unique filmmaking as a master of cinematography.
Four Seattle film organizations (SIFF, Northwest Film Forum [NWFF], Grand Illusion Cinema, and The Beacon) will host a joint retrospective of the prolific Iranian filmmaker Abbas Kiarostami between September 14 to October 6, 2019.
In a nod to its commitment to film preservation, the Toronto International Film Festival announced today that the 2019 TIFF Cinematheque program at the Festival will feature select screenings in 35mm, with two prints coming from the TIFF Film Reference Library Screening Collection, the organization’s own film library. The narrative titles selected will be preceded by guest introductions from Festival filmmakers past and present.
The retrospective of the San Sebastian Film Festival’s 67th edition will see the screening of twenty feature films directed by the Mexican Roberto Gavaldón between 1945 and 1974. The cycle, organized with Filmoteca Española, will be accompanied by a monographic book dedicated to the filmmaker.
Venice Classics is the section that since 2012 has presented world premiere screenings at the Venice Film Festival of a selection of the best restorations of film classics carried out over the past year by film archives, cultural institutions and production companies around the world.
A Midnight Screening of The Shining presented by Alfonso Cuarón, the 50th Anniversary of Easy Rider with Peter Fonda in attendance, are among highlights of the lineup of Cannes Classics program at the 72nd Cannes Film Festival. Other highlights include the 25th anniversary screening of La Cité de la peur, Luis Buñuel in the spotlight with three films, the attendance of Lina Wertmüller, the Grand Prix of 1951 Vittorio De Sica’s Miracle in Milan, a final salute to Milos Forman, and the first Japanese animated film in color, the World Cinema Project.
Noir City, the world’s most popular Film Noir festival, returns to the legendary Egyptian theater in Seattle, Washington, from February 15 through 21, 2019 for a week-long indulgence of danger, desire, and despair. The 2019 festival presents 20 classic films covering the years 1949 to 1959, as they were experienced on their original releases, pairing a top-tier studio “A” with a shorter, low-budget second feature, or “B” film. Many of the films will be presented in glorious 35mm. Czar of Noir and host of TCM’s “Noir Alley,” Eddie Muller, will host the week-long Festival.
A total of six Berlinale Classics will be screening as part of the Retrospective at the 69th Berlin International Film Festival. The Berlinale will mark a world premiere of the restored versions of five of the films, and the international premiere of one. In addition to classics from Germany, Denmark, and Hungary, the series will include film classics from the USA, Norway, and South Korea.
The American Society of Cinematographers (ASC) celebrates its 100th anniversary today, and to mark the occasion, the society released their members’ list of 100 Milestone Films in the art and craft of cinematography of the 20th century. The list is the first of its kind to showcase the best of cinematography as selected by professional cinematographers.
