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  • COLLIDING DREAMS, Documentary about the Zionist Idea, Sets Release Date | TRAILER

    COLLIDING-DREAMS COLLIDING DREAMS, a film by award-winning filmmakers Joseph Dorman (Sholem Aleichem: Laughing in the Darkness and Arguing the World) and Oren Rudavsky (A Life Apart: Hasidism in America and Hiding and Seeking) will open at Lincoln Plaza Cinema in New York on February 19 and at Laemmle Royal and Town Center 5 in Los Angeles and at Regal Westpark in Irvine, CA on March 4th. A national release will follow. COLLIDING DREAMS recounts the dramatic history of one of the most controversial, and urgently relevant political ideologies of the modern era. The century-old conflict in the Middle East continues to play a central role in world politics. And yet, amidst this fierce, often-lethal controversy, the Zionist dream of Jews for a homeland of their own remains little understood and its meanings often distorted. The documentary addresses that void with a gripping exploration of Zionism’s meaning, history and future. Told through the remarkable lives and voices of Jews and Palestinians living in the Middle East today, COLLIDING DREAMS weaves together past and present, ideas and passions, wars and peace talks, brilliant minds with the voices of ordinary citizens to develop a film portrait of unprecedented depth and sensitivity. Few ideas in the modern era have had as momentous an impact on the world as Zionism. Born in the late 19th century, this seemingly utopian dream was meant to solve the age-old problem of anti-Semitism and to allow a place for Jewish life and culture to thrive in the modern world. Few could have envisioned its remarkable and rapid success: the creation in less than a century of a thriving democratic Jewish state. And yet despite its success, the very legitimacy of the Zionist Idea – and the State of Israel – are questioned more today than ever before. The debate over Israel — triggered by the latest war, or terrorist attack, or national election – is often guided by emotion rather than substance, by fear or anger rather than a thorough understanding of Zionism and its history. Incorporating interviews with writers, politicians, activists, the young and the old, Israeli and Palestinian, together with rarely seen footage culled from archives all over the world, the film focuses on several critical moments in the history of Zionism: its origins in Europe; the early relations between Jews and Palestinians in turn of the century Palestine; the 1948 war known alternately as the War of Independence and the Nakba; the euphoria of the Jewish People and the devastation felt by Palestinians after Six Day War of 1967; the messianic West Bank Settlement Movement and the idealism of the Peace Movement; and the colliding forces among Jews, and between Jews and Palestinians today. https://www.youtube.com/watch?v=7UChvMGkjEg

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  • Documentary MAPPLETHORPE: LOOK AT THE PICTURES on Controversial Artist Robert Mapplethorpe to Debut on HBO

    MAPPLETHORPE: LOOK AT THE PICTURES “Look at the pictures,” said Senator Jesse Helms, denouncing the controversial art of Robert Mapplethorpe, whose photographs pushed boundaries with frank depictions of nudity, sexuality and fetishism, igniting a culture war that rages to this day. More than 25 years later, the HBO Documentary Films presentation MAPPLETHORPE: LOOK AT THE PICTURES does just that, taking an unflinching, unprecedented look at his most provocative work. From acclaimed filmmakers Fenton Bailey and Randy Barbato (“Inside Deep Throat”; HBO’s “Wishful Drinking” and “The Eyes of Tammy Faye”), and produced by Katharina Otto-Bernstein (“Absolute Wilson”), the first feature-length documentary about the artist since his death, and the most comprehensive film on Mapplethorpe ever, debuts in April 2016 on HBO. As The J. Paul Getty Museum and The Los Angeles County Museum of Art prepare landmark Mapplethorpe retrospectives (both opening in March), the film goes inside the preparation for the exhibitions as a jumping-off point to tell the complete story of his life and work for the first time, and explore the interplay between his personal and professional lives. MAPPLETHORPE: LOOK AT THE PICTURES reveals a controversial artist who turned contemporary photography into a fine art. With complete and unprecedented access to The Robert Mapplethorpe Foundation, the documentary draws upon archival materials and features never-before-seen photographs and footage. “Even his most shocking and forbidden images are included without blurs, without snickers – in other words, exactly as the artist intended,” say Fenton Bailey and Randy Barbato. Mapplethorpe himself is a strong presence, telling his story in his own words with complete honesty and often shocking candor through rediscovered audio interviews. MAPPLETHORPE: LOOK AT THE PICTURES follows his early beginnings as a young artist in New York City through his meteoric rise in the art world to his untimely death. In 1963, he enrolled at the Pratt Institute in Brooklyn, where he studied drawing, painting and sculpture, and soon met his first girlfriend, Patti Smith, one in a string of profoundly influential lovers. By the late 1960s and early 1970s he was taking Polaroid photographs of friends and acquaintances, and was determined to make it, which meant being recognized as an artist and becoming famous. Almost all of the people from key relationships in his life are present in the film, including Sam Wagstaff, David Croland, Lisa Lyon, Marcus Leatherdale and Jack Walls. The documentary also features almost 50 original interviews with family, friends, co-workers and colleagues, including Mary Boone, Carolina Herrera, Brooke Shields, Helen and Brice Marden, Fran Lebowitz, Bob Colacello and Debbie Harry. Rounding out this portrait are the recollections of Mapplethorpe’s older sister, Nancy, and youngest brother, Edward. An artist himself, Edward assisted his brother for many years and was responsible for much of the technical excellence of his photography. The duality of black-and-white work reverberated in his life. He often mounted two shows simultaneously: An uptown exhibition might include society portraits and delicate flower still-lifes, while his sexually explicit photographs were on view downtown. Mapplethorpe’s most controversial work – which he considered his most important – chronicled the underground BDSM (bondage, dominance and submission, sadomasochism) scene of late 1970s New York City, sparking a national debate over public funding of art some deemed offensive or obscene. Mapplethorpe was diagnosed with AIDS in 1986, when the illness was still a death sentence. He spent the remainder of his life working more feverishly than ever before, not only pursuing perfection, but also striving to secure his legacy after his death. In 1988, a few months before Mapplethorpe’s passing, The Whitney Museum of American Art mounted his first major American museum retrospective. The man who lived to be famous became even more famous after he died. Before his death, he designed one final show, The Perfect Moment, which bought images of flowers, S&M pictures and male African-American nudes together in a museum setting for the first time. As he himself predicted, the combination proved to be too much. In 1989, the Corcoran Gallery of Art in Washington, D.C. canceled The Perfect Moment after Senator Helms took aim at Mapplethorpe. Later that year, protests were held when the traveling exhibition arrived at the Contemporary Arts Center (CAC) in Cincinnati, resulting in obscenity charges against the CAC and its director, Dennis Barrie. After a dramatic court battle, both were ultimately found not guilty. MAPPLETHORPE: LOOK AT THE PICTURES is a revealing look at one of the most important artists of the 20th century, whose name remains a byword for something illicit, dangerous and dark.

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  • Joshua Oppenheimer’s “The Look of Silence” Wins IDA Best Documentary of 2015 Award

    The Look of Silence, Joshua Oppenheimer The Look of Silence, Joshua Oppenheimer’s companion piece to the Oscar-nominated film The Act Of Killing, is the winner of the (International Documentary Association) 2015 IDA Best Feature Award. The other finalist for the award included “Amy” directed by Asif Kapadia, “The Black Panthers: Vanguard of the Revolution” directed by Stanley Nelson, “Listen to Me Marlon” directed by Stevan Riley, “The Russian Woodpecker” directed by Chad Gracia, and “What Happened, Miss Simone?” directed by Liz Garbus. Through Oppenheimer’s footage of perpetrators of the 1965 Indonesian genocide, a family of survivors discovers how their son was murdered, as well as the identities of the killers. The documentary focuses on the youngest son, an optometrist named Adi, who decides to break the suffocating spell of submission and terror by doing something unimaginable in a society where the murderers remain in power: he confronts the men who killed his brother and, while testing their eyesight, asks them to accept responsibility for their actions. This unprecedented film initiates and bears witness to the collapse of fifty years of silence. https://www.youtube.com/watch?v=bp1xT302VcY 31st Annual IDA Awards Best Feature Award The Look of Silence (Winner) Director: Joshua Oppenheimer Producer: Signe Byrge Sørensen DRAFTHOUSE FILMS AND PARTICIPANT MEDIA Best Short Award Last Day of Freedom (Winner) Directors: Dee Hibbert-Jones and Nomi Talisman Best Curated Series Award Independent Lens (Winner – TIE) Executive Producers: Sally Jo Fifer and Lois Vossen ITVS/PBS POV (Winner – TIE) Executive Producers: Simon Kilmurry and Chris White POV, PBS Best Limited Series Award The Jinx: The Life and Deaths of Robert Durst (Winner) Executive Producer: Jason Blum Co-Executive Producer: Zac Stuart-Pontier Produced by: Andrew Jarecki and Marc Smerling HBO Best Episodic Series Award Chef’s Table (Winner) Executive Producers: David Gelb, Andrew Fried, and Brian McGinn NETFLIX Best Short Form Series Award Do Not Track (Winner) Executive Producer: Hugues Sweeney NATIONAL FILM BOARD OF CANADA, UPIAN, ARTE, AND BR David L. Wolper Student Documentary Award This award recognizes exceptional achievement in non-fiction film and video production at the university level and brings greater public and industry awareness to the work of students in the documentary field. The Archipelago (Winner) Director: Benjamin Huguet THE NATIONAL FILM AND TELEVISION SCHOOL Pare Lorentz Award The Pare Lorentz Award recognizes films that demonstrate exemplary filmmaking while focusing on the appropriate use of the natural environment, justice for all and the illumination of pressing social problems. How to Change the World Director: Jerry Rothwell ABC News VideoSource Award This award is given each year for the best use of news footage as an integral component in a documentary. Best of Enemies (Winner) Directors: Robert Gordon and Morgan Neville MAGNOLIA PICTURES AND INDEPENDENT LENS Creative Recognition Award Winners The Creative Recognition category recognizes special achievement in cinematography, editing, music and writing in films entered in the Feature Category. Best Cinematography The Russian Woodpecker Cinematography by: Artem Ryzhykov Best Editing Kurt Cobain: Montage of Heck Edited by: Joe Beshenkovsky and Brett Morgen Best Writing Listen to Me Marlon Written by: Stevan Riley Co-Writer: Peter Ettedgui Best Music Best of Enemies Original Score by: Jonathan Kirkscey 31st Annual IDA Awards Honorees Career Achievement Award Gordon Quinn The IDA will present its prestigious 2015 Career Achievement Award to Gordon Quinn, Founder and Artistic Director of Kartemquin Films. Quinn was integral to the creation of ITVS, public access television in Chicago, and the Documentary Filmmakers Statement of Best Practice in Fair Use; and in forming the Indie Caucus to support diverse independent voices on Public Television. Over his 50 years at Kartemquin, Quinn has produced, directed, and/or been a cinematographer for over 55 films, and inspired and guided an immeasurable number of media makers whose films have left a lasting impact on millions of viewers. Pioneer Award Ted Sarandos The Pioneer Award is presented to acknowledge extraordinary contributions to advancing the nonfiction form and providing exceptional vision and leadership to the documentary community. This year, the Pioneer Award will be presented to Ted Sarandos, the Chief Content Officer at Netflix, in recognition of his leadership of Netflix’s game-changing and unwavering support of creating and showcasing nonfiction programming, which has greatly broadened its availability and popularity around the world. Amicus Award Tony Tabatznik and the Bertha Foundation Tony Tabatznik and the Bertha Foundation will receive the IDA’s Amicus Award in recognition of their work supporting the essential needs of the non-fiction media landscape. Founded in 2009, the Bertha Foundation’s vision was to connect activists, lawyers and storytellers to fight for fundamental social and economic change. The Bertha Foundation’s Media Program specifically aims to nurture global talent, expose relevant stories and connect them to audiences for powerful, positive social impact. Emerging Documentary Filmmaker Award Lyric R. Cabral and David Felix Sutcliffe Lyric R. Cabral and David Felix Sutcliffe, directors of (T)ERROR, will receive IDA’s Emerging Documentary Filmmaker Award, which recognizes the achievements of a filmmaker who has made a significant impact at the beginning of his or her career in documentary film. (T)ERROR received a grant from IDA’s Pare Lorentz Documentary Fund in 2013. Courage Under Fire Award Matthew Heineman Matthew Heineman will receive the IDA’s Courage Under Fire Award, in recognition of conspicuous bravery in the pursuit of truth. This award is presented to documentary filmmakers by their peers for putting freedom of speech – represented in the crafts of documentary filmmaking and journalism – above all else, even their own personal safety. Heineman’s gripping film, Cartel Land, documents two modern-day vigilante movements – Dr. José Mireles’s citizen-led uprising against a violent drug cartel wreaking havoc in Mexico and the Arizona Border Recon led by Tim “Nailer” Foley, which is working to prevent Mexico’s drug wars from crossing into the United States.

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  • Complete List + Trailers of 15 Documentary Feature Films Advancing in 2015 Oscar Race

    We Come as Friends The Academy of Motion Picture Arts and Sciences announced that 15 films in the Documentary Feature category will advance in the voting process for the 88th Academy Awards®. One hundred twenty-four films were originally submitted in the category. The 15 films are listed below in alphabetical order by title, with their production companies: “Amy,” On the Corner Films and Universal Music https://www.youtube.com/watch?v=_2yCIwmNuLE “Best of Enemies,” Sandbar https://www.youtube.com/watch?v=CzgfQvB2dvA “Cartel Land,” Our Time Projects and The Documentary Group https://www.youtube.com/watch?v=6vi9vWdUKEg “Going Clear: Scientology and the Prison of Belief,” Jigsaw Productions https://www.youtube.com/watch?v=zllYkNu1sl4 “He Named Me Malala,” Parkes-MacDonald and Little Room https://www.youtube.com/watch?v=3ghiYve6k68 “Heart of a Dog,” Canal Street Communications https://www.youtube.com/watch?v=v37BnyHefnY “The Hunting Ground,” Chain Camera Pictures https://www.youtube.com/watch?v=GBNHGi36nlM “Listen to Me Marlon,” Passion Pictures https://www.youtube.com/watch?v=DZlWjE_NJfI “The Look of Silence,” Final Cut for Real https://www.youtube.com/watch?v=dbPN8-juZUI “Meru,” Little Monster Films https://www.youtube.com/watch?v=1pZ1GzXPEO8 “3 1/2 Minutes, 10 Bullets,” The Filmmaker Fund, Motto Pictures, Lakehouse Films, Actual Films, JustFilms, MacArthur Foundation and Bertha BRITDOC https://www.youtube.com/watch?v=_USf1UQIAYg “We Come as Friends,” Adelante Films (pictured in main image) https://www.youtube.com/watch?v=-0uso3emlUg “What Happened, Miss Simone?,” RadicalMedia and Moxie Firecracker https://www.youtube.com/watch?v=moOQXZxriKY “Where to Invade Next,” Dog Eat Dog Productions https://www.youtube.com/watch?v=Ei747zi9iYY “Winter on Fire: Ukraine’s Fight for Freedom,” Pray for Ukraine Productions https://www.youtube.com/watch?v=RibAQHeDia8 The Academy’s Documentary Branch determined the shortlist in a preliminary round of voting. Documentary Branch members will now select the five nominees from among the 15 titles. The 88th Academy Awards nominations will be announced live on Thursday, January 14, 2016, at 5:30 a.m. PT at the Academy’s Samuel Goldwyn Theater in Beverly Hills. The 88th Oscars® will be held on Sunday, February 28, 2016, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

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  • ‘Sonita” “Boudewijn de Groot – Come Closer ” Win Audience Awards at IDFA

    Sonita by Rokhsareh Ghaem Maghami Sonita by Rokhsareh Ghaem Maghami is the winner of the IDFA Audience Award at the 2015 International Documentary Film Festival Amsterdam. Sonita – which was made with support from the IDFA Bertha Fund – also won the IDFA DOC U Award. Boudewijn de Groot – Come Closer by Suzanne Raes took the IDFA Music Audience Award. Sonita, tells the story of 18-year-old Afghan Sonita Alizadeh, who lives illegally in Iran and dreams of a career as a rapper. https://www.youtube.com/watch?v=B47MbpPuz7A Boudewijn de Groot – Come Closer by Suzanne Raes follows singer Boudewijn de Groot as he prepares for a concert in which bids farewell to his biggest hits. https://www.youtube.com/watch?v=lRuVvNZtIyU

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  • Documentary VERY SEMI-SERIOUS: A PARTIALLY THOROUGH PORTRAIT OF NEW YORKER CARTOONISTS to Debut on HBO

    VERY SEMI-SERIOUS: A PARTIALLY THOROUGH PORTRAIT OF NEW YORKER CARTOONISTS, directed by Leah Wolchok The feature-length documentary VERY SEMI-SERIOUS: A PARTIALLY THOROUGH PORTRAIT OF NEW YORKER CARTOONISTS, directed by Leah Wolchok and produced by Davina Pardo will debut in December on HBO following a limited theatrical run. An offbeat meditation on humor, art and the genius of the single panel, debuts MONDAY, DEC. 7 14th 9:00-11:00 p.m. ET/PT) exclusively on HBO, following a limited theatrical run Nov. 20-Dec. 3) in New York at Lincoln Plaza, in San Francisco at the Roxie Theater, and in Los Angeles. Leah Wolchok’s light-hearted yet poignant debut film, which had its world premiere at the 2015 Tribeca Film Festival, offers a window into The New Yorker, the undisputed standard bearer of the single-panel cartoon. Whether they leave readers amused, inspired or even a little baffled, the iconic cartoons have been an instantly recognizable cultural touchstone over the past 90 years. VERY SEMI-SERIOUS is an unprecedented glimpse into the process behind the cartoons. The film follows cartoon editor Bob Mankoff as he sifts through hundreds of submissions and pitches every week to bring readers a carefully curated selection of insightful and humorous work. In addition to interviews with New Yorker staffers, including editor David Remnick, VERY SEMI-SERIOUS includes interviews with legends Roz Chast and Mort Gerberg and young hopefuls like graphic novelist Liana Finck as they discuss their cartoons and go through the process of submitting them each week to the magazine. The documentary observes Mankoff as he strives to nurture new talent and represent the magazine’s old guard, while also considering how his industry must evolve to stay relevant. “We are thrilled VERY-SEMI SERIOUS has found a home at HBO,” says Wolchok. “The New Yorker cartoons bring insightful humor to the magazine weekly, and we hope the HBO audience enjoys meeting and spending some time with their creators.” Updated Premiere Date: VERY SEMI-SERIOUS Premieres on HBO on December 14th

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  • 2015 Hamptons Take 2 Documentary Film Festival Unveils Lineup; Opens with “A Ballerina’s Tale”

    A Ballerina’s Tale, Nelson George

    The 2015 Hamptons Take 2 Documentary Film Festival (HT2FF) kicks off Thursday, December 3, and runs for four days, through Sunday, December 6, 2015, all at the Bay Street Theater and Arts Center in Sag Harbor, featuring award-winning films and directors.

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  • Restaurant Documentary KING GEORGES Serves February 2016 Release Date | TRAILER

    KING GEORGES KING GEORGES, a documentary that follows fiery French chef Georges Perrier’s crusade to save his world-renowned 40-year-old restaurant, Philadelphia’s Le Bec Fin, from closing, will be released in theaters on February 26, 2016 via Sundance Selects. The film directed by Erika Frankel just screened at 2015 DOC NYC. Fiery French chef Georges Perrier is on a crusade to keep his 40-year-old landmark restaurant, Le Bec-Fin in Philadelphia, relevant. Times have changed and the culinary world is full of new stars and shifting tastes. Perrier’s contemporaries – at Lutece, La Cote Basque, L’Orangerie – are gone and he is the last man standing of his generation. But how long can he reign? Featuring colorful interviews with chefs Daniel Boulud, Thomas Keller, Eric Ripert and former Mayor of Philadelphia Ed Rendell, first-time director Erika Frankel follows Perrier over four years from Le Bec-Fin’s raging inferno of a kitchen to quiet moments at home, capturing an intimate glimpse of a world-renowned artist in the twilight of his career. Perrier introduced America to grand European-style dining in the 1960’s and he went on to become one of the most accomplished chefs of his generation, honored and praised by the French government, James Beard Foundation and The New York Times. His Napoleonic demeanor, thick French accent and penchant for screaming, throwing plates and de-corking champagne bottles with a sword helped to build his legend. But underneath his commanding presence, he struggles with the demands of a grueling profession. His life revolves around work and at age 67, the pressure to keep things functioning at the high level he set forty years ago, is “killing me,” he says. He partners with young chef Nicholas Elmi (winner of Top Chef 2014), hoping to reinvigorate Le Bec-Fin, but Perrier struggles to let go, still insisting on washing the dishes every night after dinner service as the dishwashers stand around idle. More than a documentary about food, KING GEORGES is a touching story about passion, aging and art. https://www.youtube.com/watch?v=l4OIbnG2R0Y

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  • 33 Independent Documentary Films Selected for 2015 Sundance Institute Documentary Film Program Support

    The Acali Experiment (Sweden), Marcus Lindeen Thirty-three independent documentary films have been selected for 2015 Sundance Institute Documentary Film Program support. The Sundance Documentary Fund moved to a limited rolling open call in 2015, encouraging filmmakers to submit applications only when they feel their film is ready to share. Rahdi Taylor, Film Fund Director, said, “This past year was one of experimentation and change. We eliminated deadlines, embraced risk taking in form, filmmaker and subject matter, but we stayed true to our core purpose of discovering contemporary stories of meaning and moral purpose. Overall the selections are characterized by risk, inclusion and innovation as well as addressing the most vital conversations of our time.” DEVELOPMENT The Acali Experiment (Sweden) (pictured above) Director: Marcus Lindeen Producer: Erik Gandini In 1973 five men and six women went on a dramatic raft expedition across the Atlantic Ocean for 101 days to study human aggression and sexuality. This documentary reunites them forty years later to reveal what actually happened during one of history’s strangest group experiments. Afterglow (Hungary) Director: Noémi Veronika Szakonyi Producer: Julianna Ugrin The filmmaker found her missing brother, who was kidnapped at age six by his father, a man with extraordinary connections in communist Hungary. Casting JonBenet (Australia/U.S.) Director: Kitty Green Producer: Scott Macaulay and Kitty Green An artful exploration of the legacy of the world’s most sensational child-murder case, the unsolved death of six-year-old American beauty queen JonBenet Ramsey. Shirkers (U.S.-Singapore) Writer-Director-Producer: Sandi Tan In 1992, an enigmatic American named Georges shot Singapore’s first indie film with a group of female teenage film-buffs, then absconded with all the footage. Nearly twenty years later, his widow uncovers the 16mm cans in New Orleans—and ships them to the film’s screenwriter-actress, who embarks on a new voyage to Singapore, Cambridge, New Orleans, and into the past. Three Identical Strangers (U.K.) Director: Tim Wardle Producer: Grace Hughes-Hallett There’s no-one else on Earth quite like you. Or is there…? Untitled Kronos Project (U.S.) Director: Sam Green Untitled Kronos Project is an experimental, live documentary that will tell the story of legendary classical group the Kronos Quartet and its 40 year career. Untitled Prison Project (U.S.) Director: Roger Ross Williams Producer: Femke Wolting, Bruno Felix, Roger Ross Williams Filmmaker Roger Ross Williams sets out on a deeply personal journey to understand why so many friends from his childhood town of Easton, Pennsylvania are in prison. Yoghurt Utopia (U.K./Spain) Directors: Anna Thomson, David Baksh Producer: Adrian Pennink Christopher Columbus gives 200 mental patients an opportunity to live, work and lead productive lives producing La Fageda, a top yogurt brand from Catalonia, Spain. Can this Yoghurt Utopia survive the mounting internal and external pressures? Young Men and Fire (US) Director: Kahlil Hudson and Alex Jablonski Producer: Kyle Dickman Young Men and Fire tells the story of working class men in a single wildland firefighting crew as they struggle with fear, loyalty, love, and defeat all over the course of a single fire season. When God Sleeps Director: Till Schauder (U.S/ Germany) Producer: Sara Nodjoumi & Till Schauder (U.S./Germany) When God Sleeps depicts the journey of an Iranian musician who is forced into hiding after hardline clerics offer a $100,000 reward for his murder Whose Streets? (U.S.) Director: Sabaah Jordan and Damon Davis Producer: Flannery Miller The murder of a teenage boy became the last straw for a community under siege. Whose Streets? follows the journey of everyday people turned freedom fighters, whose lives intertwine with a burgeoning national movement for black liberation. PRODUCTION All These Sleepless Nights (Poland/UK) Director: Michal Marczak Producer: Marta Golba, Michal Marczak, Julia Nottingham, Thomas Benski and Lucas Ochoa A new era is coming, and Warsaw stands uncomfortably at its edge. Christopher and Michal, on the precipice of their own coming of age, restlessly roam their city’s streets in search of living forever inside the beautiful moment. Never content with answers, they push each experience to its breaking point, testing what it might mean to be truly awake in a world that seems satisfied to be asleep. Audrie & Daisy (U.S.) Director: Bonni Cohen, Jon Shenk Producers: Richard Berge and Sara Dosa Two teenage girls are sexually assaulted while unconscious by boys who they thought were their friends. Each girl is harassed relentlessly online, both attempt suicide, and tragically, one girl dies. High school assault in the age of social media is explored from the perspective of the girls –and the boys –involved in the assaults. Cecilia (India) Director/Producer: Pankaj Johar When Cecilia Hasda’s 14 year old daughter is trafficked and found dead in Delhi, the filmmaker and his wife decide to help her seek justice. As they battle a web of corruption at all levels, they find themselves navigating a complex network of cops, traffickers, judges, lawyers, villagers and family members. Eagle Huntress (UK/Mongolia) Director: Otto Bell Producer: Stacey Reiss and Sharon Chang This spellbinding documentary follows Aisholpan, a 13-year-old nomadic Mongolian girl as she battles a culture of misogyny to become the first female Eagle Hunter in 2,000 years of male-dominated history. Forgiveness (U.K.) Director: Elizabeth Stopford Producer: Nicole Stott A modern American ghost story and a house that vanished. In the wake of two seemingly inexplicable shooting sprees, can a community forgive the teenage boy at the heart of its tragic past? . Greywater (U.S.) Director: Jeff Unay Greywater is the story of Joe, a blue-collar family man who breaks the promise he made years ago to never fight again. Now forty years old, with a wife and four children who depend on him, he risks everything—his marriage, his family, his financial security— to go back into the fighting cage for one last time and come to terms with his past. The Keepers (U.S.) Director: Ryan White Producer: Jessica Lawson A documentary thriller unraveling a longstanding mystery in Baltimore. Untitled Newtown Documentary (U.S.) Director: Kim A. Snyder Producer: Maria Cuomo Cole, Kim A. Snyder We witness residents of Newtown, CT navigate the aftermath of the deadliest mass shooting of schoolchildren in American history. Untitled Reef Project (U.S.) Director: Jeff Orlowski Producer: Larissa Rhodes Richard Vevers quit his job at a top London ad agency and sets out to become an underwater photographer. Face-to-face with stunning evidence of the human caused destruction of vibrant underwater ecosystems, Richard races the clock to save the oceans. POST-PRODUCTION Almost Sunrise (U.S.) Director: Michael Collins Producer: Marty Syjuco Two friends, ex-soldiers, embark on an epic journey to heal from their time in combat. Filled with hope for veterans who’ve left the battlefield behind and are now seeking peace on the home front, Almost Sunrise follows Tom and Anthony as they walk 2,700 miles across America. The Event (Ukraine/Russia) Director: Sergei Loznitsa Producers: Sergei Loznitsa & Maria Choustova Three days that shook the world or much ado about nothing? Holy Cow (Azerbaijan/Germany/Romania) Director: Imam Hasanov Producer: Andra Popescu, Veronika Janatkova, Stefan Kloos One man’s dream of bringing a European cow in his remote village in Azerbaijan unsettles the conservative community that wants to keep their secular traditions intact. Maman Colonelle (France/DR Congo) Director: Dieudo Hamadi Producer: Christian Lelong Colonel Honorine works for the Congolese police force and heads the unit for the protection of minors and the fight against sexual violence. Having worked for 15 years in Bukavu, in the east of the Democratic Republic of the Congo, she learned she was being transferred to Kisangani. There, she found herself faced with new challenges. Markie in Milwaukee (U.S.) Director: Matt Kliegman Producer: Matt Kliegman and Zac Stuart-Pontier Markie dreams of completing her gender transition, but can she overcome the ghosts of her past as a Fundamentalist Baptist preacher? The Pearl Button (El Boton de Nacar) Director: Patricio Guzmán Producer: Renate Sachse The Pearl Button is a story about water, Cosmos and us. It all starts with the discovery of two mysterious buttons deep in the Pacific Ocean, off the Chilean coast. Proposition for a Revolution (India) Directors: Khushboo Ranka, Vinay Shukla Producer: Anand Gandhi Co-Producer: Ruchi Bhimani Exec. Producer: Joris van Wijk What happens when an insider challenges corruption in the world’s largest democracy? Proposition for a Revolution tells the extraordinary story of the 2013 New Delhi elections, which catapulted bureaucrat-turned-activist-turned-politician Arvind Kejriwal into power within a year of forming a new anti-corruption political party. A ground-level verite portrait depicting the transformation of a people’s movement into a political party, the film follows Arvind Kejriwal with unprecedented access as he takes on the oldest political party in India–The Congress Party. The Reagan Years (U.S.) Director: Pacho Velez Producer: Sierra Pettengill The Reagan Years is about a prolific actor’s defining role: Leader of the Free World. It uses the Reagan administration’s internal documentation to capture the spectacle of American might at its acme. Teatro (U.S./Italy) Director: Jeff Malmberg Producer: Chris Shellen For the past 50 years, the villagers of Monticchiello have confronted their communal issues through art in the form of a play that the entire town writes and performs. Teatro is a portrait of this tradition seen through the lens of the last man trying to keep it alive. They Call Us Monsters (U.S.) Director: Ben Lear Producer: Sasha Alpert and Gabriel Cowan They Call Us Monsters takes us behind the walls of The Compound, where Los Angeles houses its most violent juvenile offenders. To their advocates, they’re kids. To the system, they’re adults and to their victims they’re monsters. This film asks us to decide for ourselves. AUDIENCE ENGAGEMENT 1971 (U.S.) Director: Johanna Hamilton Producer: Marilyn Ness On March 8, 1971 a group of citizens broke into an FBI office in Media, PA near Philadelphia and raided thousands of secret files that revealed an illegal government program known as COINTELPRO. Never caught, they have remained anonymous. Until now. Enter the Faun (U.S.) Director & Producer: Tamar Rogoff and Daisy Wright Executive Producer: Véronique Bernard Art and science collide as a young actor with cerebral palsy and a dancer embark on a journey that leads to unprecedented physical transformation and challenges the limitations associated with disability. SUNDANCE | ESPN FILMS FELLOW Shot in the Dark (U.S.) Director: Dustin Nakao Haider Producers: Daniel Poneman, Daniel Dewes, Derek Doneen, and Ben Vogel For the players on Orr Academy’s basketball team, the court is a haven. Outside, it’s the Westside of Chicago – a n​​eighborhood racked with gangs, gun trafficking, and violence. Within those walls, each player has his own struggle. But they’ll need to fight together if they ever want to break out.

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  • SOUND OF REDEMPTION: THE FRANK MORGAN STORY About Sax Player Frank Morgan Sets December Release Date | TRAILER

    SOUND OF REDEMPTION: THE FRANK MORGAN STORY, SOUND OF REDEMPTION: THE FRANK MORGAN STORY, a feature documentary about gifted alto sax player and Charlie Parker’s protégé, Frank Morgan, will open in New York at The IFC Center on December 2nd, and in Los Angeles at Laemmle on December 18th. Directed by N.C. Heikin, SOUND OF REDEMPTION: THE FRANK MORGAN STORY is packed with music. Morgan fell hard into heroin and got to be almost as good a conman and thief as he was a musician in order to feed his habit. The habit cost him 30 years of his life in and out of prison, most of it at San Quentin, where he performed in a big band with fellow junkie jazz musicians that grew famous in the Bay Area. To bring the past into present, director NC Heikin and writer Michael Connelly (THE LINCOLN LAWYER) brought an all-star band together into the “Q” for a concert. This hyper-emotional event forms the backbone of this riveting film. Filmmaker NC Heikin began her career at La Mama Experimental Theatre Club in New York and went on to work on and off Broadway as an actress, singer and director. She has written screenplays for Disney and Paramount as well as French TV networks. In 2004, she made her directing debut with her prize-winning short, mañana. Her first documentary, Kimjongilia, about North Korean refugees, premiered at Sundance, won the One World Brussels Best Film 2010, and has been seen all over the world. Heikin’s stage play, LATE, is in casting for a premiere in Paris next season. https://www.youtube.com/watch?v=pRRITxoJtQk

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  • BOUNCE: HOW THE BALL TAUGHT THE WORLD TO PLAY, Documentary Exploring Origins of Sport, to NY Premiere at DOC NYC | TRAILER

    BOUNCE: HOW THE BALL TAUGHT THE WORLD TO PLAY BOUNCE: HOW THE BALL TAUGHT THE WORLD TO PLAY, a new feature documentary by filmmaker Jerome Thélia exploring the nature and origins of sport, will have its New York Premiere at DOC NYC on Monday at 7:30 pm. Inspired by the book, The Ball: Discovering the Object of the Game by John Fox From Brazilian favelas to dusty Congolese villages, from neolithic Scottish isles to modern soccer pitches, BOUNCE: HOW THE BALL TAUGHT THE WORLD TO PLAY explores the little­-known origins of our favorite sports. The film crosses time, languages and continents to discover how the ball has staked its claim on our lives and fueled our passion to compete. Equal parts science, history and cultural essay, BOUNCE: HOW THE BALL TAUGHT THE WORLD TO PLAY removes us from the scandals and commercialism of today’s sports world to uncover the true reasons we play ball, helping us reclaim our universal connection to the games we love. https://www.youtube.com/watch?v=q8UyRUrb6KM

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  • Almost There, Documentary on Artist Peter Anton, To Open In Theaters in December | TRAILER

    Dan Rybicky, Aaron Wickenden - Almost There If you love art, you’ll love “Almost There.”  Almost There documents the story of 83-year-old Peter Anton, an artist living in isolated and crippling conditions whose world changes when two filmmakers discover his work and storied past. The film which world premiered at DOC NYC 2014, will open theatrically on December 4 in NYC and December 11 in LA, via Factory 25. For many, Peter Anton’s house embodies an end-of-life nightmare: the utility companies long ago shut off the heat and electricity, the floorboards are rotting, and the detritus of a chaotic life is precariously stacked to the ceiling. But for the filmmakers Dan Rybicky and Aaron Wickenden, Anton’s home is a treasure trove, a startling collection of unseen and fascinating paintings, drawings, and notebooks, not to mention Anton himself, a character worthy of his own reality TV show. Though aging, infirm, cranky, and solitary, Anton also is funny and utterly resilient. Rybicky and Wickenden’s remarkable journey follows a gifted artist through startling twists and turns. By its quietly satisfying ending, Almost There has provided enough human drama for a season of soap operas, plus insights into mental illness, aging in America, and the redemptive power of art. https://www.youtube.com/watch?v=bxbsBo9X_YI

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