ALANIS[/caption]
The Film Society of Lincoln Center and Cinema Tropical will present the third annual Neighboring Scenes, a 17-film showcase of contemporary Latin American cinema from February 28 to March 4, 2018 at the Walter Reade Theater in New York City.
Opening night is the U.S. premiere of Anahí Berneri’s award-winning Alanis, an unflinching portrait of a young mother eking out a living as a prostitute in Buenos Aires. Unfolding over the course of three days, Berneri’s fifth film explores the challenges of urban life as an immigrant woman, and is anchored by Sofía Gala’s fearless performance.
Closing out the weekend is the world premiere of a new restoration of Pizza, Beer, and Cigarettes (1998), celebrating its 20th anniversary. Bruno Stagnaro and Adrián Caetano’s landmark film, which follows a pair of less than talented thieves, launched the New Argentine Cinema movement and has continued inspiring Latin American filmmakers for generations.
Other highlights in this year’s lineup include such festival favorites as Niles Atallah’s formally daring Rey, which won the Special Jury Prize at Rotterdam; Santiago Mitre’s political thriller The Summit, an Un Certain Regard selection from Cannes, featuring an impressive international cast; and Fellipe Barbosa’s around-the-world travelogue Gabriel and the Mountain, a two-time prizewinner at Cannes Critics’ Week. The festival also features documentaries about Mexican fishermen, showgirls of the ’70s and ’80s, and the colonialist history of Easter Island; adaptations of Dostoevsky (António, One, Two, Three) and Hans Christian Andersen (The Little Match Girl); and a number of debut features including visual artist Adrián Villar Rojas’s The Theater of Disappearance, a cinematic reimagining of his acclaimed Met rooftop installation.
Foreign Language Films
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Film Society of Lincoln Center’s 3rd Neighboring Scenes to Showcase Latin American Cinema
[caption id="attachment_24570" align="aligncenter" width="1200"] ALANIS[/caption]
The Film Society of Lincoln Center and Cinema Tropical will present the third annual Neighboring Scenes, a 17-film showcase of contemporary Latin American cinema from February 28 to March 4, 2018 at the Walter Reade Theater in New York City.
Opening night is the U.S. premiere of Anahí Berneri’s award-winning Alanis, an unflinching portrait of a young mother eking out a living as a prostitute in Buenos Aires. Unfolding over the course of three days, Berneri’s fifth film explores the challenges of urban life as an immigrant woman, and is anchored by Sofía Gala’s fearless performance.
Closing out the weekend is the world premiere of a new restoration of Pizza, Beer, and Cigarettes (1998), celebrating its 20th anniversary. Bruno Stagnaro and Adrián Caetano’s landmark film, which follows a pair of less than talented thieves, launched the New Argentine Cinema movement and has continued inspiring Latin American filmmakers for generations.
Other highlights in this year’s lineup include such festival favorites as Niles Atallah’s formally daring Rey, which won the Special Jury Prize at Rotterdam; Santiago Mitre’s political thriller The Summit, an Un Certain Regard selection from Cannes, featuring an impressive international cast; and Fellipe Barbosa’s around-the-world travelogue Gabriel and the Mountain, a two-time prizewinner at Cannes Critics’ Week. The festival also features documentaries about Mexican fishermen, showgirls of the ’70s and ’80s, and the colonialist history of Easter Island; adaptations of Dostoevsky (António, One, Two, Three) and Hans Christian Andersen (The Little Match Girl); and a number of debut features including visual artist Adrián Villar Rojas’s The Theater of Disappearance, a cinematic reimagining of his acclaimed Met rooftop installation.
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Award-Winning French-Canadian Zombie Movie “Les Affamés” to Debut on Netflix | Trailer
The award-winning French-Canadian film Les Affamés, written and directed by Robin Aubert (Saint Martyrs of the Damned, Crying Out) has been acquired by Netflix and will debut on the streaming platform on March 2, 2018.
The critically acclaimed film stars Marc-André Grondin, Monia Chokri, Micheline Lanctôt, Brigitte Poupart, Charlotte St-Martin, Marie-Ginette Guay Luc Proulx and Édouard Tremblay-Grenier.
In Les Affamés, Aubert returns to his horror roots to tell the story of a changed small and remote village in upstate Quebec. Locals are not the same anymore–their bodies are breaking down and they have turned against their loved ones. A handful of survivors goes hiding into the woods, looking for others like them.
“I am so excited that viewers around the world will get the chance to watch Les Affamés. I’m also proud for the Netflix audience to experience its thrills and chills in its original Québécois version, my mother tongue, which is so rich and colorful, full of history and mystery, something that fully characterizes my universe as a filmmaker,” said writer/director Robin Aubert. “Even if I truly believe in mankind, I’m terrified when rage and hate get the best of us. Les Affamés echoes the current state in western societies. Making a zombie movie was my own personal way of expressing both my fears and hopes about what’s lying ahead of us.”
Les Affamés premiered at the Toronto International Film Festival (TIFF) in September 2017 where it won Best Canadian Feature, and later played Fantastic Fest, Montreal Festival du nouveau cinéma where it won the Temps Ø Audience Award, The Sitges – International Fantastic Film Festival of Catalonia, and Torino Film Festival.
The film was released theatrically in Canada in October 2017 and is now nominated for five Canadian Screen Awards, including Best Motion Picture. In December, TIFF named the film to its list of 2017’s ten best Canadian films.
https://www.youtube.com/watch?v=2vCIPWQXjec
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VIDEO: Watch Nollywood Romantic Comedy THE ROYAL HIBISCUS HOTEL Trailer
The Royal Hibiscus Hotel, one of the three African films featured at the 2017 Toronto International Film Festival, released a new official trailer on New Years Day.
In the Nollywood romantic comedy, directed by Ishaya Bako, a chef returns to her home in Lagos, Nigeria to reinvigorate the food and hospitality at her family’s hotel, only to find that her parents are planning on selling out to a rich, attractive buyer.
The Royal Hibiscus Hotel stars Zainab Balogun, Kenneth Okolie, Deyemi Okanlawon, Kemi ‘Lala’ Akindoju, O.C. Ukeje, Rachel Oniga, Jide Kosoko, Olu Jacobs and Joke Silva.
https://www.youtube.com/watch?v=0RfZ4gqdKiE
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9 Foreign Language Films Advance in 90th Academy Awards Race
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Loveless[/caption]
Nine foreign language feature films have been selected to advance to the next round in the Foreign Language Film category for the 90th Academy Awards. Ninety-two films had originally been considered in the category.
Four of the nine films premiered at the 2017 Berlin International Film Festival: the winner of the Golden Bear, On Body and Soul by Ildikó Enyedi (Hungary); the Competition entries Félicité by Alain Gomis (Senegal), which won the Silver Bear Grand Jury Prize, and A Fantastic Woman by Sebastián Lelio (Chile), which took home the Silver Bear for Best Screenplay; as well as the opening film of the Panorama, The Wound by John Trengove (South Africa).
Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018.
The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on the ABC Television Network at 6:30 p.m. ET/3:30 p.m. PT.
The films, listed in alphabetical order by country, are:
Chile, “A Fantastic Woman,” Sebastián Lelio, director;
Germany, “In the Fade,” Fatih Akin, director;
Hungary, “On Body and Soul,” Ildikó Enyedi, director;
Israel, “Foxtrot,” Samuel Maoz, director;
Lebanon, “The Insult,” Ziad Doueiri, director;
Russia, “Loveless,” Andrey Zvyagintsev, director;
Senegal, “Félicité,” Alain Gomis, director;
South Africa, “The Wound,” John Trengove, director;
Sweden, “The Square,” Ruben Östlund, director.
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VIDEO: Watch Insane First Trailer for Russian Dash-Cam Documentary THE ROAD MOVIE
Check out the first trailer for Dmitrii Kalashnikov’s The Road Movie – a documentary of footage from dashboard cameras in Russian automobiles. The Road Movie smashes into cinemas January 19th.
A mosaic of asphalt adventures, landscape photography, and some of the craziest shit you’ve ever seen, Dmitrii Kalashnikov’s THE ROAD MOVIE is a stunning compilation of video footage shot exclusively via the deluge of dashboard cameras that populate Russian roads. The epitome of a you-have-to-see-it-to-believe-it documentary, THE ROAD MOVIE captures a wide range of spectacles through the windshield — including a comet crashing down to Earth, an epic forest fire, and no shortage of angry motorists taking road rage to wholly new and unexpected levels — all accompanied by bemused commentary from unseen and often stoic drivers and passengers.
https://www.youtube.com/watch?v=TAW0LcCs35s
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French Political Drama THIS IS OUR LAND (Chez Nous) Gets U.S. Release Date | TRAILER
This Is Our Land, Lucas Delvaux’s movie about a fictional far-right party in France will be released in the U.S. by Distrib Films. The film sparked a controversy during this year’s presidential election in France.
The movie portrays a charismatic thirty something single mother (Emilie Dequenne) who gets “hired” by the far-right party to become its representative in an underprivileged town in Northern France. The film sparked uproar within the real-life National Front party.
One of France’s rare movies examining homegrown populism and the country’s own brand of far-right politics.
François Scippa-Kohn, president of Distrib Films US, said the film was a fiction very closely inspired by the last electoral French campaign that saw right wing leader Marine Le Pen reach a peak in polls.
“We’re thrilled to be working on this movie which has a particular take on society’s illnesses and dangerous passion for extremism. Lucas Belvaux has always been a very singular and powerful voice for political cinema, mixing genres and expressing his views thanks to very strong cinematic skills,” added Scippa-Kohn.
“This Is Our Land” will be opening in New York on April 18, followed by other major U.S. markets.
https://www.youtube.com/watch?v=EyaDwWXeR8M
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VIDEO: Watch First Trailer for Muay Thai Boxing Thriller A PRAYER BEFORE DAWN
Watch Joe Cole fights his way out in first trailer for Muay Thai boxing thriller A Prayer Before Dawn. The film, directed by Jean-Stéphane Sauvaire premiered earlier this year at the 2017 Cannes Film Festival, and is set to be released in 2018 by A24.
A Prayer Before Dawn is the remarkable true story of Billy Moore, a young English boxer incarcerated in two of Thailand’s most notorious prisons. He is quickly thrown into a terrifying world of drugs and gang violence, but when the prison authorities allow him to take part in the Muay Thai boxing tournaments, he realizes this might be his chance to get out. Billy embarks on a relentless, action-packed journey from one savage fight to the next, stopping at nothing to do whatever he must to preserve his life and regain his freedom. Shot in a an actual Thai prison with a cast of primarily real inmates, A Prayer Before Dawn is a visceral, thrilling journey through an unforgettable hell on earth.
https://www.youtube.com/watch?v=Mp88Nuci68c
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HAITI MY LOVE is Haiti’s First Entry for Oscar Race for Best Foreign Film | Trailer
For it’s first submission ever, Haiti has selected Haiti, My Love (Ayiti Mon Amour) by Guetty Feli Cohen as its candidate for nomination in the foreign-language category of the 2018 Oscars.
Haiti, My Love, an official selection of the 2016 Toronto International Film Festival, is set in post-earthquake Haiti, and invokes the country’s past and present with stories that intertwine and collide.
A grieving young boy discovers he has a superpower. An old fisherman realizes the cure for his ailing wife can be found in the sea. A muse struggles to exit the story her author is penning. In Guetty Felin’s magical neorealist tale, these three stories combine to create a poetic portrait of the island nation Haiti.
Set five years after the devastating 2010 earthquake, Felin’s film eschews the images that saturated screens after the disaster. While the pain of the destruction remains evident — in young Orphée’s grief over the loss of his father, in the rubble of decimated buildings, in ghostly images that float beneath the ocean’s surface — Felin refuses to tell a tale of victimhood. Instead, she places the island’s narrative back in the hands of Haitians whose lives aren’t reducible to headlines. And as her characters begin to heal, Felin suggests that the island will too.
Felin taps into her past work in the documentary field, infusing the realities of modern-day Haiti with a lyrical touch. From its verité-style moments of Jaures the fisherman labouring by the beach to the theatrical scenes between muse Ama and her author, the film makes its fluid tonal shifts at a lulling, rhythmic pace.
Shot on location with local actors and crew, Felin’s film is an important addition to the body of work coming out of Haiti’s burgeoning film scene. Ayiti Mon Amour doesn’t just mark the emergence of a distinct new directorial voice; it’s a key development in the evolution of a national cinema. TIFF
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92 countries in Competition for Foreign Language Film Oscar at the 90th Academy Awards
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Pop Aye – Kirsten Tan[/caption]
A record 92 countries have submitted films for consideration in the Foreign Language Film category for the 90th Academy Awards. Haiti, Honduras, Lao People’s Democratic Republic, Mozambique, Senegal and Syria are first-time entrants.
The 2017 submissions are:
Afghanistan, “A Letter to the President,” Roya Sadat, director;
Albania, “Daybreak,” Gentian Koçi, director;
Algeria, “Road to Istanbul,” Rachid Bouchareb, director;
Argentina, “Zama,” Lucrecia Martel, director;
Armenia, “Yeva,” Anahit Abad, director;
Australia, “The Space Between,” Ruth Borgobello, director;
Austria, “Happy End,” Michael Haneke, director;
Azerbaijan, “Pomegranate Orchard,” Ilgar Najaf, director;
Bangladesh, “The Cage,” Akram Khan, director;
Belgium, “Racer and the Jailbird,” Michaël R. Roskam, director;
Bolivia, “Dark Skull,” Kiro Russo, director;
Bosnia and Herzegovina, “Men Don’t Cry,” Alen Drljević, director;
Brazil, “Bingo – The King of the Mornings,” Daniel Rezende, director;
Bulgaria, “Glory,” Petar Valchanov, Kristina Grozeva, directors;
Cambodia, “First They Killed My Father,” Angelina Jolie, director;
Canada, “Hochelaga, Land of Souls,” François Girard, director;
Chile, “A Fantastic Woman,” Sebastián Lelio, director;
China, “Wolf Warrior 2,” Wu Jing, director;
Colombia, “Guilty Men,” Iván D. Gaona, director;
Costa Rica, “The Sound of Things,” Ariel Escalante, director;
Croatia, “Quit Staring at My Plate,” Hana Jušić, director;
Czech Republic, “Ice Mother,” Bohdan Sláma, director;
Denmark, “You Disappear,” Peter Schønau Fog, director;
Dominican Republic, “Woodpeckers,” Jose Maria Cabral, director;
Ecuador, “Alba,” Ana Cristina Barragán, director;
Egypt, “Sheikh Jackson,” Amr Salama, director;
Estonia, “November,” Rainer Sarnet, director;
Finland, “Tom of Finland,” Dome Karukoski, director;
France, “BPM (Beats Per Minute),” Robin Campillo, director;
Georgia, “Scary Mother,” Ana Urushadze, director;
Germany, “In the Fade,” Fatih Akin, director;
Greece, “Amerika Square,” Yannis Sakaridis, director;
Haiti, “Ayiti Mon Amour,” Guetty Felin, director;
Honduras, “Morazán,” Hispano Durón, director;
Hong Kong, “Mad World,” Wong Chun, director;
Hungary, “On Body and Soul,” Ildikó Enyedi, director;
Iceland, “Under the Tree,” Hafsteinn Gunnar Sigurðsson, director;
India, “Newton,” Amit V Masurkar, director;
Indonesia, “Turah,” Wicaksono Wisnu Legowo, director;
Iran, “Breath,” Narges Abyar, director;
Iraq, “Reseba – The Dark Wind,” Hussein Hassan, director;
Ireland, “Song of Granite,” Pat Collins, director;
Israel, “Foxtrot,” Samuel Maoz, director;
Italy, “A Ciambra,” Jonas Carpignano, director;
Japan, “Her Love Boils Bathwater,” Ryota Nakano, director;
Kazakhstan, “The Road to Mother,” Akhan Satayev, director;
Kenya, “Kati Kati,” Mbithi Masya, director;
Kosovo, “Unwanted,” Edon Rizvanolli, director;
Kyrgyzstan, “Centaur,” Aktan Arym Kubat, director;
Lao People’s Democratic Republic, “Dearest Sister,” Mattie Do, director;
Latvia, “The Chronicles of Melanie,” Viestur Kairish, director;
Lebanon, “The Insult,” Ziad Doueiri, director;
Lithuania, “Frost,” Sharunas Bartas, director;
Luxembourg, “Barrage,” Laura Schroeder, director;
Mexico, “Tempestad,” Tatiana Huezo, director;
Mongolia, “The Children of Genghis,” Zolbayar Dorj, director;
Morocco, “Razzia,” Nabil Ayouch, director;
Mozambique, “The Train of Salt and Sugar,” Licinio Azevedo, director;
Nepal, “White Sun,” Deepak Rauniyar, director;
Netherlands, “Layla M.,” Mijke de Jong, director;
New Zealand, “One Thousand Ropes,” Tusi Tamasese, director;
Norway, “Thelma,” Joachim Trier, director;
Pakistan, “Saawan,” Farhan Alam, director;
Palestine, “Wajib,” Annemarie Jacir, director;
Panama, “Beyond Brotherhood,” Arianne Benedetti, director;
Paraguay, “Los Buscadores,” Juan Carlos Maneglia, Tana Schembori, directors;
Peru, “Rosa Chumbe,” Jonatan Relayze, director;
Philippines, “Birdshot,” Mikhail Red, director;
Poland, “Spoor,” Agnieszka Holland, Kasia Adamik, directors;
Portugal, “Saint George,” Marco Martins, director;
Romania, “Fixeur,” Adrian Sitaru, director;
Russia, “Loveless,” Andrey Zvyagintsev, director;
Senegal, “Félicité,” Alain Gomis, director;
Serbia, “Requiem for Mrs. J.,” Bojan Vuletic, director;
Singapore, “Pop Aye,” Kirsten Tan, director;
Slovakia, “The Line,” Peter Bebjak, director;
Slovenia, “The Miner,” Hanna A. W. Slak, director;
South Africa, “The Wound,” John Trengove, director;
South Korea, “A Taxi Driver,” Jang Hoon, director;
Spain, “Summer 1993,” Carla Simón, director;
Sweden, “The Square,” Ruben Östlund, director;
Switzerland, “The Divine Order,” Petra Volpe, director;
Syria, “Little Gandhi,” Sam Kadi, director;
Taiwan, “Small Talk,” Hui-Chen Huang, director;
Thailand, “By the Time It Gets Dark,” Anocha Suwichakornpong, director;
Tunisia, “The Last of Us,” Ala Eddine Slim, director;
Turkey, “Ayla: The Daughter of War,” Can Ulkay, director;
Ukraine, “Black Level,” Valentyn Vasyanovych, director;
United Kingdom, “My Pure Land,” Sarmad Masud, director;
Uruguay, “Another Story of the World,” Guillermo Casanova, director;
Venezuela, “El Inca,” Ignacio Castillo Cottin, director;
Vietnam, “Father and Son,” Luong Dinh Dung, director.
Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018.
The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscars also will be televised live in more than 225 countries and territories worldwide.
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A LETTER TO THE PRESIDENT is Afghanistan’s Entry for 2018 Oscar Race for Best Foreign Film | Trailer
A Letter to the President directed by Roya Sadat, has been submitted by Afghanistan as its candidate for nomination in the foreign-language category of the 2018 Oscars.
Roya Sadat is the first director and producer to successfully shoot and produce films after the fall of the Talibans. “A Letter to the President” made its world premiere at the 2017 Locarno Film Festival in August and will screen at the upcoming 2017 Busan Film Festival.
In the film, Soraya is a public official struggling to enforce the law in Afghanistan today. When she decides to save a young woman accused of adultery from the justice of a clan, things spiral for the worse to the point that she’s arrested and put on death row. Asking for justice, she writes to the president, the last person who can save her. But will he listen to her plea?
https://www.youtube.com/watch?v=_txke5_nnXY
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A CIAMBRA is Italy’s Entry for 2018 Oscar Race for Best Foreign Film | Trailer
Jonas Carpignano’s A Ciambra has been selected by Italy as the official candidate in the foreign-language film category at the 2018 Oscars.
The film, executive produced by Martin Scorsese, recently won the Europa Cinemas Label Award in Directors’ Fortnight at this year’s 2017 Cannes Film Festival.
In A Ciambra, a small Romani community in Calabria, Pio Amato is desperate to grow up fast. At 14, he drinks, smokes and is one of the few to easily slide between the region’s factions – the local Italians, the African refugees and his fellow Romani. Pio follows his older brother Cosimo everywhere, learning the necessary skills for life on the streets of their hometown. When Cosimo disappears and things start to go wrong, Pio sets out to prove he’s ready to step into his big brother’s shoes but soon finds himself faced with an impossible decision that will show if he is truly ready to become a man.
The film will released in theaters in the US in 2018 via Sundance Selects.
https://www.youtube.com/watch?v=R1l4Hpp27A4
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EVA (YEVA) is Armenia’s Entry for 2018 Oscar Race for Best Foreign Film | Trailer
Eva (Yeva) directed by Anahid Abad, has been selected by Armenia as the country’s submission for the best foreign-language film race at the 2018 Oscars.
The Armenian-language film stars many recognized actors and actresses from Armenia, such as Narine Grigoryan, Shant Hovhannisyan, Marjan Avetisyan, Rozi Avetisyan, Sergey Tovmasyan, Vrezh Qasuni, Tigran Davtyan, Nanor Petrosyan, Evelina Adamyan, and Marat Davtyan.
The film follows Yeva, a young woman, who escapes her influential in-laws with her daughter Nareh, after her husband’s tragic death and takes refuge in one of the villages of Karabakh, Armenia. A complete stranger in the village, the woman is obliged to live her life in disguise. https://www.youtube.com/watch?v=1t8rxzDQ5o0