The new trailer and poster is here for The Last Suit, the award-winning charming, funny film from Argentine director Pablo Solarz about an elderly Holocaust survivor who decides to undertake a trip from Argentina to Poland to tie up some unfinished business. The Last Suit will open in theaters on Friday, September 21 in New York, followed by Los Angeles on Friday, September 28, and wider national release to follow.
At 88, Abraham Bursztein (Miguel Ángel Solá) is seeing his place in the world rapidly disappear. His kids have sold his Buenos Aires residence, set him up to move to a retirement home, and disagree on how to handle his fading health. But Abraham survived the Holocaust, made a successful life in a foreign land, and isn’t about to quietly fade away. Instead, he plots a secret one-way trip to Poland, where he plans to find the Christian friend who saved him from certain death at the end of World War II, and to keep his promise to return one day.
With its klezmer-driven score, evocative cinematography and fleet pacing, THE LAST SUIT approaches its weighty themes with a light touch that illuminates a serious story. And in its mix of Spanish, Yiddish, German and Polish it is a globe-trotting surprise, a late-in-life road movie with planes, trains and heart.
Foreign Language Films
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Watch New Trailer + Poster for Pablo Solarz’s THE LAST SUIT
The new trailer and poster is here for The Last Suit, the award-winning charming, funny film from Argentine director Pablo Solarz about an elderly Holocaust survivor who decides to undertake a trip from Argentina to Poland to tie up some unfinished business. The Last Suit will open in theaters on Friday, September 21 in New York, followed by Los Angeles on Friday, September 28, and wider national release to follow.
At 88, Abraham Bursztein (Miguel Ángel Solá) is seeing his place in the world rapidly disappear. His kids have sold his Buenos Aires residence, set him up to move to a retirement home, and disagree on how to handle his fading health. But Abraham survived the Holocaust, made a successful life in a foreign land, and isn’t about to quietly fade away. Instead, he plots a secret one-way trip to Poland, where he plans to find the Christian friend who saved him from certain death at the end of World War II, and to keep his promise to return one day.
With its klezmer-driven score, evocative cinematography and fleet pacing, THE LAST SUIT approaches its weighty themes with a light touch that illuminates a serious story. And in its mix of Spanish, Yiddish, German and Polish it is a globe-trotting surprise, a late-in-life road movie with planes, trains and heart.
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Martin Sulik’s THE INTERPRETER is Slovakia’s Entry in Oscar Race for Best Foreign Film [Trailer]
Martin Sulik’s The Interpreter has been selected by the Slovak Film and Television Academy (SFTA) to represent Slovakia in the category of Foreign Language Film at the 91st Academy Awards.
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Charming, Funny Argentinian Film THE LAST SUIT to Opens in Theaters in September [Trailer]
[caption id="attachment_28147" align="aligncenter" width="1200"]
EL ÚLTIMO TRAJE (THE LAST SUIT)[/caption]
In The Last Suit (El último traje), the charming, funny and notably poignant new film from Argentine director Pablo Solarz, an elderly Holocaust survivor decides to undertake a trip from Argentina to Poland to tie up some unfinished business. The film which won the Audience Award at the 2018 Miami Film Festival will open in theaters on Friday, September 21 in New York with Los Angeles following on Friday, September 28 and wider national release to follow.
At 88, Abraham Bursztein (Miguel Ángel Solá) is seeing his place in the world rapidly disappear. His kids have sold his Buenos Aires residence, set him up to move to a retirement home, and disagree on how to handle his fading health. But Abraham survived the Holocaust, made a successful life in a foreign land, and isn’t about to quietly fade away. Instead, he plots a secret one-way trip to Poland, where he plans to find the Christian friend who saved him from certain death at the end of World War II, and to keep his promise to return one day.
With its klezmer-driven score, evocative cinematography and fleet pacing, The Last Suit (El último traje) approaches its weighty themes with a light touch that illuminates a serious story. And in its mix of Spanish, Yiddish, German and Polish it is a globe-trotting surprise, a late-in-life road movie with planes, trains and heart.
Pablo Solarz is an Argentine screenwriter and director. He wrote the screenplay for Carlos Sorin’s Intimate Stories (2002) and local Argentine comedy hits A Boyfriend for my Wife (2008) and I Married a Dumbass (2016), who made his feature directorial debut with Together Forever (2010). The Last Suit (El último traje) (2017) is his latest film.
https://www.youtube.com/watch?v=BLZVMgJoo-k
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Argentinian Crime Thriller EL ANGEL Steals November Release Date
The Argentinian film El Angel directed by Luis Ortega that screened earlier this year at the 2018 Cannes Film Festival, and next at the upcoming 2018 Toronto International Film Festival, will open in theaters in November. The film, starring Lorenzo Ferro, Chino Darin, Mercedes Morán, Daniel Fanego, Luis Gnecco, Peter Lanzani, and Cecilia Roth, is inspired by the true story of Carlos Robledo Puch, known as “the black angel”, a thief who killed eleven people in the early 1970s in Argentina.
The Orchard will release El Angel in Los Angeles at the NuArt on November 9th, as well as in New York in early November and rolling out to other US cities in November and December 2018.
Buenos Aires, 1971. Carlitos (Lorenzo Ferro) is a seventeen-year-old youth with movie star swagger, blond curls and a baby face. As a young boy, he coveted other people’s things, but it wasn’t until his early adolescence that his true calling—to be a thief—manifested itself. When he meets Ramon (Chino Darin) at his new school, Carlitos is immediately drawn to him and starts showing off to get his attention. Together they will embark on a journey of discoveries, love and crime. Killing is just a random offshoot of the violence, which continues to escalate until Carlitos is finally apprehended. Because of his angelic appearance, the press dubs Carlitos “The Angel of Death.” Showered with attention because of his beauty, he becomes an overnight celebrity. Altogether, he is believed to have committed over forty thefts and eleven homicides. Today, after more than forty-five years in jail, Carlos Robledo Puch is the longest-serving prisoner in the history of Argentina.
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Refugee Crisis Documentary ELDORADO is Switzerland’s Entry in Oscar Race for Best Foreign Film [Trailer]
The refugee crisis documentary Eldorado by Oscar nominee Markus Imhoof has been selected to represent Switzerland in the category of Foreign Language Film at the 91st Academy Awards. Eldorado had its world premiere earlier this year at the 2018 Berlin Film Festival.
Drawing inspiration from his personal encounter with Giovanna, the refugee child who was taken in by his family during World War II, Markus Imhoof tracks today’s refugees on their dangerous journey to Europe. Eldorado was screened out of competition at the Berlinale 2018 and received a Special Mention from the jury of the Amnesty International Film Prize.
https://www.youtube.com/watch?v=wwfMCvY33pY
Additionally, four short film productions from Switzerland are eligible for a nomination at the 91st Academy Awards in the categories of Animated Short Film, Live Action Short Film or Documentary Short Subject as a result of winning awards at Oscar-qualifying festivals: COYOTE by Lorenz Wunderle; INTIMITY by Elodie Dermange; BLACKJACK by Lora Mure-Ravaud; and ANTHONY, THE INVISIBLE ONE by Maya Kosa and Sergio Da Costa.
On behalf of the Federal Office of Culture, the promotion agency SWISS FILMS has been assigned the task of coordinating and carrying out the selection process of the official Swiss entry for the Academy Awards in the category of Foreign Language Film. The Academy of Motion Picture Arts and Sciences will announce the short list in December, and the Oscar nominations on January 22, 2019. The 91st Academy Awards will be held in Los Angeles on February 24, 2019.
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Watch New Trailer for German Hypnotic Thriller LUZ to US Premiere at Fantastic Fest
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Luz[/caption]
The German hypnotic thriller LUZ has released the new teaser trailer ahead of its US Premiere at the acclaimed Fantastic Fest in September. The breakout German debut feature from Tilman Singer premiered at the 2018 Berlin International Film Festival.
A rainy night. A dazed and numb young cabdriver, Luz, drags herself into the brightly lit entrance of a rundown police station. Across town in a nightspot, Nora seductively engages police psychiatrist Dr. Rossini in a conversation. Nora is possessed by a demonic entity, longing for the woman it loves – Luz. She tells the Doctor about her old schoolmate Luz’s rebellious past at a Chilean school for girls. Increasingly drunk on her story, Rossini turns into an easy prey in Nora’s hands, but he’s soon called away to the police station to examine Luz. Supervised by his colleagues, the doctor puts Luz in a state of hypnosis that initiates a series of flashbacks, unfolding the events leading to her arrival. But the entity that has taken control of the doctor wants something more. Bit by bit it slips into Luz’ reenactment and makes old memories come to light.
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LUZ[/caption]
The first feature from German writer/director Tilman Singer LUZ is captivatingly shot on 16mm with immersive sound and visuals that call to mind the experimental images of Giallo and 70s Spanish horror atmosphere. Produced by Dario Méndez Acosta and Tilman Singer, with a brooding synth score composed by Simon Waskow, the film stars breakout actress Luana Velis as Luz, as well as Jan Bluthardt and Julia Riedler offering a strong supporting base
LUZ premiered at the Berlin International Film Festival 2018, and has recently screened at the Fantasia International Film Festival and New Horizons International Film Festival, and is in official selection for Fantastic Fest and Sitges International Fantastic Film Festival.
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South African Western FIVE FINGERS FOR MARSEILLES Guns for Theaters September 7th [Trailer]
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Five Fingers for Marseilles[/caption]
Imagine Clint Eastwood in The Good, the Bad and the Ugly; Yul Brynner in The Magnificent Seven; or John Wayne in The Searchers. Now journey from the sweeping plains of America’s Old West to the unforgiving hinterlands of South Africa. Then update the archetypal gunfighter to steely black cowboys who are deft horsemen and lethal marksmen. The result is the boldly original and modern take on the Western genre, Five Fingers for Marseilles, filmed on location in the North-Eastern Cape village of Lady Grey, South Africa. The movie marks the feature directorial debut of Michael Matthews and the feature screenwriting debut of Sean Drummond.
The pistol-packing South African western Five Fingers for Marseilles stares down the barrel of a national theatrical release Friday, September 7, 2018 via Uncork’d Entertainment.
Matthews and Drummond honor the traditional Western genre — and its Spaghetti and revisionist variations — while exporting the trappings into a fresh contemporary story set against the backdrop of post-Apartheid South Africa. Five Fingers for Marseilles takes place in a small town “governed” by dubious local officials, living in fear of a lawless mob; when an exiled outlaw returns home in search of solace and redemption, brotherhood and loyalty are fused with vengeance.
Combining the socio-political threads found in many a great Western; stunning visuals captured in panoramic widescreen lensing; and a cast of talented South African actors giving powerful, nuanced performances, Matthews and Drummond deliver
Synopsis: The residents of the colonial town of Marseilles are under the thumb of police oppression and only the young rebels known as the Five Fingers are willing to stand up to them. Their battle is just, until Tau kills two policemen and flees the scene. The remaining rebels disband while the banished Tau resorts to a life of crime. Twenty years later, now known as feared outlaw The Lion of Marseilles, he is released from prison. He returns home, desiring only peace and to reconnect with those he left behind. The battle for South Africa’s freedom has been won, and former comrades-in-arms are in prominent positions as mayor, police chief, and pastor. But it quickly becomes clear to Tau that Marseilles is caught in the grip of a vicious new threat — and he must reconstitute the Five Fingers to fight frontier justice. Standing against former allies and new enemies, the re-formed Five Fingers saddle up and ride out, and put their lives at risk to save their beloved Marseilles.
Starring Vuyo Dabula, Hamilton Dhlamini, Zethu Dlomo, Kenneth Nkosi, Mduduzi Mabaso, Aubrey Poolo, Lizwi Vilakazi, Warren Masemola, Dean Fourie, Anthony Oseyemi, Brendon Daniels, and Jerry Mofokeng, Five Fingers for Marseilles is written by Sean Drummond and directed by Michael Matthews. The film is produced by Asger Hussain (The Paperboy, Precious) and Yaron Schwartzman (Double Play, 37) from Game 7 Films, as well as Drummond and Matthews (collectively known as Be Phat Motel); and co-produced by Dylan Voogt. Be Phat Motel is next slated to produce the feature adaptation of Apocalypse Now Now penned by Academy Award-nominated screenwriter Terri Tatchell (District 9). The film is executive-produced by Jeff Hoffman of Above the Clouds Media Group, Paulo Areal, Dumi Gumbi and Josh Green.
A South African box office hit, Five Fingers for Marseilles made its world premiere at the Toronto International Film Festival and went on to successfully screen at Fantastic Fest, BFI London Film Festival, Busan International Film Festival, Fantasia International Film Festival and the Palm Springs International Film Festival.
https://www.youtube.com/watch?v=hWT0hJhMZwk
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I AM NOT A WITCH, Rungano Nyoni’s Provocative Film on Witchcraft in Zambia to Open on September 7 [Trailer]
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I AM NOT A WITCH[/caption]
I Am Not a Witch, the debut award-winning feature film from Zambian-born Welsh director Rungano Nyoni is described as a striking satire about witchcraft in contemporary Zambia. The film will open on September 7th at Quad Cinema and BAMCinematek in New York City with additional markets to follow.
Nominated for a 2018 Independent Spirit Award for Best International Film and a Golden Camera Award at Cannes, I Am Not a Witch, from the Zambian-born Welsh director Rungano Nyoni is a striking satire about witchcraft in contemporary Zambia. When eight-year-old Shula turns up alone and unannounced in a rural village, the locals are suspicious. A minor incident escalates to a full-blown witch trial, where she is found guilty and sentenced to life on a state-run witch camp. There, she is tethered to a long white ribbon and told that if she ever tries to run away, she will be transformed into a goat. As the days pass, Shula begins to settle into her new community, but a threat looms on the horizon. Soon she is forced to make a difficult decision – whether to resign herself to life on the camp, or take a risk for freedom.
[caption id="attachment_30908" align="aligncenter" width="1200"]
Rungano Nyoni[/caption]
At times moving, often funny and occasionally surreal, I Am Not a Witch offers spellbinding storytelling with flashes of anarchic humor, showcasing Nyoni as the birth of a significant new screen voice. Festival audiences and juries also agreed, bestowing more than 20 nominations on I Am Not a Witch, including the AFI Fest Audience Award and a nod for “Best British Independent Film”. It has also captured nine awards from “Best Film” at the 2017 Adelaide Film Festival and “Best Directorial Debut” at the Stockholm Film Festival to “Best Director”, “Breakthrough Producer” (Emily Morgan) at the 2017 British Independent Film Awards and Nyoni’s BAFTA for Outstanding Debut by a British Writer, Director or Producer.
https://www.youtube.com/watch?v=D_0NUA0aEpg
SELECT THEATRICAL DATES
9/7: Quad Cinema & BAMcinematek – NYC 9/7-9: Portland Museum of Art – ME 9/14: Laemmle Glendale – Los Angeles 9/14: Northwest Film Forum – Seattle WA 9/14: The Texas Theater – Dallas TX 9/16: Alamo Drafthouse – Yonkers NY 9/21:The Parkway – Baltimore MD 9/21: The Roxie – San Francisco CA 9/21: The Lyric Cinema – Fort Collins CO 9/28: SIE Film Center – Denver CO 9/28: The Hippodrome – Gainesville FL 10/12: Living Room Theater – Portland OR 10/12: State Theater – Modesto CA 10/19: Living Room Theater – Boca Raton FL
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World Wide Motion Pictures to Release THE ROAD TO MOTHER, Kazakhstan’s Submission for Best Foreign Language Film Oscar
The Road to Mother (Anaga aparar jol), Kazakhstan’s official submission for the 2017 Academy Awards in the category of Best Foreign Language Film has been acquired by World Wide Motion Pictures Corporation for release in the US. The Road to Mother will be released in select theaters throughout the US in fall 2018, including major metropolitan areas, with many Kazakhstani and Asian American organizations offering their support.
Executive Produced by Aliya Nazarbayeva, directed by Akan Sateyev (also known for Strayed, Zhauzhurek Myng Bala), and starring internationally acclaimed Central Asia actors Bolat Abdilmanov, Aruzhan Jazilbekova, and Berik Aitzhanov, The Road to Mother was produced by KazakhFilm JSC. Inspired by true events and spanning nearly a century, the epic drama follows the journey of a young Kazakh family from the 1930s to present day and explores the history of Kazakhstan through war, famine, collectivization, and the determination of the clan to remain united.
“The film’s producers and I are honored to finally have The Road to Mother opening theatrically in the United States. I’m very happy that the World Wide Motion Pictures Corporation’s marketing and distribution team could see that the film’s heartwarming story was truly universal and could be enjoyed by audiences anywhere in the world,” states the film’s director, Akan Satayev.
The Road to Mother premiered at the 38th Moscow International Film Festival to critical acclaim and has been showcased at numerous other festivals, including: the New York Eurasian Film Festival (USA) – Winner: Best Foreign Film; the Marco Polo Film Festival (Croatia) – Winner: Best Film; WeLink International Film Festival (USA) – Winner: Best Feature Film; the Eurasian Bridge International Film Festival (Yalta) – Winner: Grand Prix and Best Actress for Altynai Nogherbek; and the Almaty Independent Film Festival (Kazakhstan) – Winner: Tulpar Prize. Additionally, The Road to Mother was recognized by the Ak Ilbirs National Film Awards (Kyrgyzstan) in the category of Best Central Asia Film.
“World Wide is very proud to be releasing a meaningful multigenerational drama that also carries with it the high prestige of being Kazakhstan’s official foreign language entry for the Oscars,” states CEO Paul D. Hancock. “Families throughout the United States, especially mothers, will surely embrace this heartwarming story.”
The Road to Mother will be released in select theaters throughout the US in fall 2018, including major metropolitan areas, with many Kazakhstani and Asian American organizations offering their support.
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13 Filmmakers to Compete for Kutxabank-New Directors Award at 2018 San Sebastián Film Festival
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Apuntes para una película de atracos (Notes for a Heist Film).[/caption]
Thirteen first or second films by European, Asian and Latin American directors that will be competing for the Kutxabank-New Directors Award at the 2018 San Sebastián Film Festival.
Koldo Almandoz (San Sebastián, 1973) has had an intense career in the world of short films, linked to the Kimuak programme and to the San Sebastián Festival, which programmed his first short, Razielen itzulera (The Return of Raziel), in 1997 in Zabaltegi, the section in which two decades later he presented his first full-length film, Sipo Phantasma (Ghost Ship), after premiering it in Rotterdam. Oreina (The Deer) is his second feature film.
Elías León Siminiani (Santander, Spain, 1971), nominated for a Goya for Mapa (Map), is now presenting Apuntes para una película de atracos (Notes for a Heist Film). For her part, Nataliia Meshchaninova (Krasnodar, Russia, 1982), who competed in Rotterdam with her first full-length film, Kombinat ‘Nadezhda’ / The Hope Factory, focuses on the vet on a farm in Serdtse Mira / Core of the World. And after Ama Doren / Hold my hand, Ismet Sijarina in Nëntor i ftohtë / Cold November returns to the War in the Balkans, in this case to its background, when Kosovo’s autonomy was suppressed.
Hadrian Marcu (Brăila, Rumanía, 1976) will be presenting Un om la locul lui / A Decent Man, about a man who is torn by an emotional conflict, that was selected last year in the first Glocal in Progress, the industry activity at the Festival aimed at European films in non-hegemonic languages. It stars Bodgan Dumitrache, who won the Silver Shell for best actor last year for his performance in Pororoca.
The selection also includes the first film by Francisco Marise (La Plata, Argentina, 1985), Para la Guerra (To War), coproduced by the filmmaker, Javier Rebollo, who also takes part in the editing process, and the first film by Hiroshi Okuyama (Japan, 1996), the award-winning music video director, who makes his debut with Boku wa Iesu-sama ga kirai / Jesus.
The short by Inés María Barrionuevo (Córdoba, Argentina, 1980), La quietud (2012), competed in the official section at Locarno, and her first feature film, Atlántida (2014), was selected at the Berlinale in the Generation 14plus section. In Julia y el zorro (Julia and the Fox) she deals with a woman and her twelve-year-old daughter who are going through a mourning process. The director, producer and actress Lila Avilés (Mexico, 1982), after working in theatre and presenting shorts at international festivals, in her first full-length film, entitled La camarista (The Chambermaid), describes the everyday life of one of the so-called ‘chambermaids’.
After winning awards in his short-film career (with films like Teneriffa), Hannes Baumgartner (Männedorf, Switzerland, 1983) has been inspired in his first feature film Der läufer / Midnight Runner, by the true story of an athlete who starts to commit robberies and lead a double life.
Snow, the graduation film by Laurits Flensted-Jensen (Aarhus, Denmark, 1985), was selected at Rotterdam and was chosen as best documentary short by the Danish Academy. His fictional short Melon Rainbow was once again programmed at the Dutch festival and won the most important award at Odense. Neon Heart is his first full-length film.
After taking part in the Short Film Corner at Cannes with Grasshopper, the Vietnamese director Ash Mayfair (Ho Chi Minh City, 1985) is presenting her feature-film debut at San Sebastián with The Third Wife, whose screenplay was chosen by Spike Lee as the winner of his Spike Lee Film Production Fund Award in 2014.
The short film Luisa no está en casa (Luisa is not Home) by Celia Rico Clavellino (Seville, 1982) was chosen in the Short Film Corner at Cannes and at Venice and won the Gaudí award for best short. Her first full-length film, Viaje al cuarto de una madre (Journey to a Mother’s Room), whose screenplay took part in the Berlinale Talents Script Station Lab, stars Lola Dueñas and Anna Castillo.
The remaining titles making up the New Directors section will be announced in the coming weeks.
APUNTES PARA UNA PELÍCULA DE ATRACOS (NOTES FOR A HEIST FILM)
LEÓN SIMINIANI (SPAIN)
Elías is a film director who dreamed of making a heist movie. During the summer of 2013 he reads a news story about the arrest of ‘The Vallecas Robin Hood’, the leader of ‘the sewers gang’. He then feels that he has found the opportunity to make his dream come true. He sends him a letter to the prison where he is serving his sentence. Against all odds, Elías receives a reply three weeks later. Robin Hood agrees for him to come and visit him in prison.
BOKU WA IESU-SAMA GA KIRAI / JESUS
HIROSHI OKUYAMA (JAPAN)
Cast: Yura Sato, Riki Okuma
Yura is a young boy whose family leaves Tokyo to live with his grandmother in the snowy countryside. Not only must he fit in at a new school, but it’s a Christian one. At first he is puzzled when he and his classmates are called to ‘worship’, but he gradually adjusts to his new environment. One day, in the middle of a prayer, he sees a very small Jesus appear before him. Each wish Yura makes to Jesus comes true, and he starts to have faith in the power of the Lord.
DER LÄUFER / MIDNIGHT RUNNER
HANNES BAUMGARTNER (SWITZERLAND )
Cast: Max Hubacher, Annina Euling, Luna Wedler, Sylvie Rohrer, Christophe Sermet, Saladin Dellers
Jonas Widmer is one of the best runners in Switzerland and his focus is to attend the Olympic games. Besides the sport Jonas is a successful cook and plans to move in with his girlfriend Simone. But Jonas perfect life gets disturbed by the increasing memories of his late brother. He starts a tragic double life by robbing young women at night. After a true story.
JULIA Y EL ZORRO (JULIA AND THE FOX)
INES MARÍA BARRIONUEVO (ARGENTINA)
Cast: Umbra Colombo, Pablo Limarzi, Victoria Castelo Arzubialde
Julia, an ex-actress, and her daughter Emma move into a mansion in a village in Córdoba, Argentina. It is winter and Julia needs to fix up the house so she can sell it. Quite a while has gone by since the death of her husband and Emma’s father, but they are still in mourning. The days go gloomily by. Grief has made Julia quiet and cool with her daughter. One night Julia meets Gaspar, a life-long friend of hers. Gaspar tries to convince Julia to take part in a theatre competition. Julia, Emma and Gaspar find a way to rebuild their lives by starting a rather uncertain project to form a new type of family.
LA CAMARISTA (THE CHAMBERMAID)
LILA AVILÉS (MEXICO – USA)
Cast: Gabriela Cartol, Teresa Sánchez
Eve is a young chambermaid working in one of the most luxurious hotels in Mexico City, an exclusive glass tower inhabited by guests so wealthy she can only imagine their lives through intimate fantasies of the belongings they’ve left behind. Long, laborious shifts prevent Eve from caring for her child while she helps guests with their own children, but she believes her situation will improve if she gets promoted to work at executive-level suites, for which she accepts a grueling schedule. In keeping with this goal, she also enrolls in the hotel’s adult education program…
NËNTOR I FTOHTË / COLD NOVEMBER
ISMET SIJARINA (KOSOVO – ALBANIA – FORMER YUGOSLAV REPUBLIC OF MACEDONIA)
Cast: Kushtrim Hoxha, Adriana Matoshi, Emir Hadzihafizbegovic, Fatmir Spahiu, Majlinda Kosumovic, Bislim Mucaj, Lum Veseli, Aurita Agushi
In the beginning of the ’90s, Yugoslavian Government cancelled the autonomy of Kosovo, dissolved its Parliament and closed down the National Television. Whole institutional life was reorganized by new authorities, while the majority of citizens responded with peaceful demonstrations. During this evil time, Fadili who is working as an archivist has to choose between two options, being aware that both of them are wrong. In this way, he involuntarily and unwillingly, ‘swallows’ the shame, endures the pressure coming from all sides and deals with the bad reputation for just one reason: to provide welfare for his family.
NEON HEART
LAURITS FLENSTED-JENSEN (DENMARK)
Cast: Victoria Carmen Sonne, Niklas Herskind, Noah Skovgaard Skands
Neon Heart is a story about three people chasing life and each other. Laura is on her way to a porn film casting. Niklas is trying to take care of two men with Down’s Syndrome, and Frederik is out to gain respect as a hooligan. In glimpses and fragments of past and present, we follow the three characters on a journey full of taboos and desires. With a cast of mainly non-actors in authentic environments, Neon Heart confronts its audience with a world we would rather not look at.
OREINA (THE DEER)
KOLDO ALMANDOZ (SPAIN)
Cast: Laulad Ahmed, Patxi Bisquert, Ramón Agirre, Iraia Elías, Erika Olaizola
Khalil is a rootless young man who lives on the edge of town, where the industrial estates merge into the river and the marshes. Khalil gets by as best he can and spends his time with an old poacher, who shares a house on the riverbank with a brother who he hasn’t spoken to in years. On the banks of the marshes, the tides mark the time for love and heartbreak, friendship and revenge.
PARA LA GUERRA (TO WAR)
FRANCISCO MARISE (CUBA – ARGENTINA – SPAIN)
Para la guerra explores the memory and loneliness of a Cuban former internationalist soldier by observing his body and (extra)ordinary gestures. This is a bloodless war film without any shooting; a film about a wound, that ‘Sledgehammer’, ‘ El Rayado’, Andrés, has, this special forces veteran who tries to find his colleagues from the commando that survived their last mission 30 years ago.
[caption id="attachment_30730" align="aligncenter" width="1000"]
Core of the World (Serdtse Mira[/caption]
SERDTSE MIRA / CORE OF THE WORLD
NATALIIA MESHCHANINOVA (RUSSIA)
Cast: Stepan Devonin, Dmitriy Podnozov, Jana Sekste
Egor is a veterinarian on a rural farm which doubles as a hunting dog training center. He is a grown man, but deep inside he is a child who has been hurt and abandoned by everyone, including his own mother. All he wants is to care for the animals and to feel part of the close-knit family he works for. When animal rights activists invade this fragile microcosm, throwing off its delicate balance, Egor’s world begins to crumble… Or so it seems.
THE THIRD WIFE
ASH MAYFAIR (VIETNAM)
Cast: Trần Nữ Yên Khê, Mai Thu Hường, Nguyễn Phương Trà My, Nguyễn Như Quỳnh
In 19th century rural Vietnam, 14-year-old May becomes the third wife of wealthy landowner Hung. Soon she learns that she can only gain status by asserting herself as a woman who can give birth to a male child. May’s hope to change her status turns into a real and tantalizing possibility when she gets pregnant. Faced with forbidden love and its devastating consequences, May finally comes to an understanding of the brutal truth: the options available to her are few and far between.
UN OM LA LOCUL LUI / A DECENT MAN
HADRIAN MARCU (ROMANIA)
Cast: Bogdan Dumitrache, Ada Gales, Madalina Constantin, Iulian Postelnicu, Adrian Titieni
Petru is a drilling engineer living in a community of oil industry workers. Petru is quite conflicted. On one hand he is about to get married to his pregnant girlfriend Laura, on the other he is involved with the wife of one of his colleagues, Sonia, who had a serious work-related accident. His new life seems to begin while she feels hers is ending. Everything is thrown into chaos when Laura finds out about his relationship with Sonia. He feels guilt-ridden but also responsible for the upcoming baby. Participant in the first edition of Glocal in Progress.
VIAJE AL CUARTO DE UNA MADRE (JOURNEY TO A MOTHER’S ROOM)
CELIA RICO CLAVELLINO (SPAIN- FRANCE)
Cast: Lola Dueñas, Anna Castillo, Pedro Casablanc
Leonor wants to leave home, but she doesn’t dare to tell her mother. Estrella doesn’t want her to leave but is unable to keep her by her side either. Mother and daughter will have to face this new stage in life in which the world that they share starts to fall apart.
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Icelandic Coming-of-age Drama THE SWAN Sets Release Date [Trailer]
Ása Helga Hjörleifsdóttir’s first feature film The Swan, based on the acclaimed novel by Guðbergur Bergsson, is an elegant coming-of-age story that beautifully captures the stunning Icelandic countryside.
The film which world premiered at the 2017 Toronto International Film Festival and winner of the Special Jury Prize at the 2018 Santa Barbara International Film Festival will open in theaters on August 10th in New York at Village East, and on August 17th in Los Angeles at Laemmle Royal.
In contemporary rural Iceland, a wayward 9-year old girl, Sól, is sent to distant countryside relatives for a summer to work and to mature. Nature seems endless there, the animals soulful but the people harsh. All except the mysterious farmhand Jón, who – as herself – likes words better than people.
But the farmers’ daughter Ásta has a claim on Jón as well, and soon Sól becomes entangled in a drama she hardly can grasp. This summer marks Sól’s rite of passage into the murky waters of adulthood, and the wild nature in us all.
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Watch Trailer + Poster for Portuguese Horror Film THE FOREST OF THE LOST SOULS
The Portuguese horror film The Forest of the Lost Souls which had its world premiere at the Fantasporto Film Festival on February 26, 2017, will be released in August by Wild Eye Releasing as their first theatrical release.
The psychological “coming of age” horror film is written and directed by directed by José Pedro Lopes.
Ricardo and Carolina are complete strangers that meet seemingly by chance in the “Forest of the Lost Souls”, a place where many people go to commit suicide. These two, a young woman and an old man, are no different than the others as they also came to the forest for this very reason.
They decide to briefly postpone killing themselves in order to explore the forest and also to continue talking to one another, as Ricardo and Carolina find themselves intrigued by one another.
However, as the pair go further into the forest it becomes clear that one of them has other reasons for being in the forest and is not who they would have the other believe them to be and is actually a psychopath…
The Forest of the Lost Souls will open theatrically August 5 in L.A and other cities.
Wild Eye Releasing, whose recent releases include well-received sci-fi thriller Soft Matter and James Klass’s House on Elm Lake, represents horror, exploitation, dark arthouse, cult and documentary films from around the world.
https://www.youtube.com/watch?v=nQXzASuWHzs
