Studio 54[/caption]
Matt Tyrnauer’s vibrantly nostalgic documentary, Studio 54, featuring interviews with many of the legendary nightclub’s famous patrons, as well as those who worked behind the scenes during its heyday will open the 2018 Outfest Los Angeles LGBTQ Film Festival. The festival will honor Angela Robinson as the recipient of the 2018 Achievement Award recipient. The Achievement Award Ceremony will take place at the Opening Night Gala at the Orpheum Theatre in Los Angeles on July 12, followed by the screening of Studio 54.
Angela Robinson, a celebrated filmmaker and champion of LGBTQ rights, will receive the Achievement Award, Outfest’s highest honor, presented in recognition of a body of work that has made a significant contribution to LGBT film and media. In a time where women still only make up a fraction of directors, Robinson has carved a space for herself in both film and television, and frequently deals with LGBTQ topics in her work, such as D.E.B.S., “The L Word”, Herbie Fully Loaded, “True Blood”, How to Get Away with Murder”, and most recently Professor Marston and the Wonder Women.
Outfest’s Executive Director Christopher Racster commented: “Outfest has a long and important legacy of launching filmmakers careers. I am incredibly proud that we have the opportunity honor an amazingly talented woman director whose career started at Outfest. Angela has forged a unique path of success within the industry. When jobs are hard to come by for women directors, Angela has blazed a path in high-profile television series, lauded independent films and major studio movies. Her unique vision, her sharp humor, and her humanity are constantly on display in each move she makes. Angela’s work is always fresh, intelligent and groundbreaking.”
“It is such an honor to receive the Outfest Achievement Award this year – I premiered the first short film I ever made at Outfest and every film I’ve made since. It’s a joy to be recognized by Outfest in this way so many years later,” Angela Robinson remarked.
Additional gala screenings include: Sundance NEXT Innovator Award winner We the Animals (U.S. Centerpiece), written and directed by Jeremiah Zagar; the sweeping French drama Reinventing Marvin (International Centerpiece), from filmmaker Anne Fontaine; famed choreographer and filmmaker Jamal Sims’ feature debut When the Beat Drops (Documentary Centerpiece) on the Deep South UNDERGROUND dance phenomenon known as “bucking”; and Our Future Ends (Platinum Centerpiece), a multimedia and multidisciplinary satire about near-extinct lemurs living on long-lost Lemuria.
The 2018 Outfest Los Angeles LGBTQ Film Festival will close on July 22 at The Theatre at the Ace Hotel with Desiree Akhavan’s Sundance Grand Jury Prize winner, The Miseducation of Cameron Post, an unapologetically bold take on the topic of conversion therapy, starring Chloë Grace Moretz, Jennifer Ehle, Sasha Lane, John Gallagher Jr., and Forrest Goodluck.
Outfest’s Direct of Programming Lucy Mukerjee commented: “After scouring the world for the past year to find the best LGBTQ films, our galas capture that queer pioneering spirit that lives across the ages. From our Opening Night Studio 54, where we learn the back story of the vibrancy that Steve Rubell and Ian Schrager brought to creating a safe HAVEN for LGBTQ folk to the urgency of expression in When the Beat Drops from long-time choreographer Jamal Sims, we see that freedom of identity cannot be held down. Even something as simple as coming of age in We Are Animals looks at new territory in Jeremiah Zagar’s deft hands. The breadth of our galas this year also continues Outfest’s commitment to celebrate female voices including the work of acclaimed director Anne Fontaine and Desiree Akhavan’s sophomore effort, proving once again we will be seeing exciting things from her for a long time to come. I am thrilled we are bringing back the Platinum Centerpiece – Our Future Ends – which combines many genres to tell a story about how to keep a culture from extinction. Happily our queer culture is far from that place!”
LGBTQ
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2018 Outfest Los Angeles LGBT Film Festival to Open with STUDIO 54 Documentary
[caption id="attachment_28858" align="aligncenter" width="1200"]
Studio 54[/caption]
Matt Tyrnauer’s vibrantly nostalgic documentary, Studio 54, featuring interviews with many of the legendary nightclub’s famous patrons, as well as those who worked behind the scenes during its heyday will open the 2018 Outfest Los Angeles LGBTQ Film Festival. The festival will honor Angela Robinson as the recipient of the 2018 Achievement Award recipient. The Achievement Award Ceremony will take place at the Opening Night Gala at the Orpheum Theatre in Los Angeles on July 12, followed by the screening of Studio 54.
Angela Robinson, a celebrated filmmaker and champion of LGBTQ rights, will receive the Achievement Award, Outfest’s highest honor, presented in recognition of a body of work that has made a significant contribution to LGBT film and media. In a time where women still only make up a fraction of directors, Robinson has carved a space for herself in both film and television, and frequently deals with LGBTQ topics in her work, such as D.E.B.S., “The L Word”, Herbie Fully Loaded, “True Blood”, How to Get Away with Murder”, and most recently Professor Marston and the Wonder Women.
Outfest’s Executive Director Christopher Racster commented: “Outfest has a long and important legacy of launching filmmakers careers. I am incredibly proud that we have the opportunity honor an amazingly talented woman director whose career started at Outfest. Angela has forged a unique path of success within the industry. When jobs are hard to come by for women directors, Angela has blazed a path in high-profile television series, lauded independent films and major studio movies. Her unique vision, her sharp humor, and her humanity are constantly on display in each move she makes. Angela’s work is always fresh, intelligent and groundbreaking.”
“It is such an honor to receive the Outfest Achievement Award this year – I premiered the first short film I ever made at Outfest and every film I’ve made since. It’s a joy to be recognized by Outfest in this way so many years later,” Angela Robinson remarked.
Additional gala screenings include: Sundance NEXT Innovator Award winner We the Animals (U.S. Centerpiece), written and directed by Jeremiah Zagar; the sweeping French drama Reinventing Marvin (International Centerpiece), from filmmaker Anne Fontaine; famed choreographer and filmmaker Jamal Sims’ feature debut When the Beat Drops (Documentary Centerpiece) on the Deep South UNDERGROUND dance phenomenon known as “bucking”; and Our Future Ends (Platinum Centerpiece), a multimedia and multidisciplinary satire about near-extinct lemurs living on long-lost Lemuria.
The 2018 Outfest Los Angeles LGBTQ Film Festival will close on July 22 at The Theatre at the Ace Hotel with Desiree Akhavan’s Sundance Grand Jury Prize winner, The Miseducation of Cameron Post, an unapologetically bold take on the topic of conversion therapy, starring Chloë Grace Moretz, Jennifer Ehle, Sasha Lane, John Gallagher Jr., and Forrest Goodluck.
Outfest’s Direct of Programming Lucy Mukerjee commented: “After scouring the world for the past year to find the best LGBTQ films, our galas capture that queer pioneering spirit that lives across the ages. From our Opening Night Studio 54, where we learn the back story of the vibrancy that Steve Rubell and Ian Schrager brought to creating a safe HAVEN for LGBTQ folk to the urgency of expression in When the Beat Drops from long-time choreographer Jamal Sims, we see that freedom of identity cannot be held down. Even something as simple as coming of age in We Are Animals looks at new territory in Jeremiah Zagar’s deft hands. The breadth of our galas this year also continues Outfest’s commitment to celebrate female voices including the work of acclaimed director Anne Fontaine and Desiree Akhavan’s sophomore effort, proving once again we will be seeing exciting things from her for a long time to come. I am thrilled we are bringing back the Platinum Centerpiece – Our Future Ends – which combines many genres to tell a story about how to keep a culture from extinction. Happily our queer culture is far from that place!”
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6 Indie Filmmakers to Compete in Seattle International Film Festival’s 2018 Fly Filmmaking Challenge
[caption id="attachment_27596" align="aligncenter" width="1200"]
2018 SIFF Fly Filmmakers are (top row: l – r) Jeff Barehand (Olympia), Graham Bourque (Ellensburg), Myisa Plancq-Graham (Seattle), (bottom row: l – r) Elliat Graney-Saucke (Seattle), Kendra Ann Sherrill (Spokane), Masahiro Sugano (Tacoma)[/caption]
The Fly Filmmaking Challenge organized in partnership with Washington Filmworks, returns to the 2018 Seattle International Film Festival (SIFF) after a three year hiatus. For the first time ever, the Fly Filmmaking Challenge hit the road and invited filmmakers from cities across the state to participate.
“As a statewide entity that works closely with creative industries, Washington Filmworks knows first hand how creativity and creative professionals transform communities both culturally and economically,” said Amy Lillard, Executive Director of Washington Filmworks. “The six filmmakers selected for this year’s Challenge have chosen to showcase a diverse group of people and places from their community which make a delightful, inspired, and unforgettable program for SIFF audiences.”
Each filmmaker chose a creative professional living in their community as the subject of their documentary film. From a fashion professional to a creative technologist, from a woodworker to a literary artist, SIFF audiences will experience an intimate look inside each artisan’s creative process and understand how their work benefits the quality of life in the city which they live and work.
Given only 10 weeks to plan, produce, and complete a short 5-7 minute documentary short within the creative challenges, filmmakers must think on their feet to present the most compelling film. “Documentary projects often afford months to years of production but this year’s team said they are up to the challenge.” said Dustin Kaspar, SIFF’s Education Programs Manager. “The abbreviated production timeline engages their creative instincts and provides a showcase of their visionary talent through another artist’s process.
The final program features six short films by filmmakers from across the state, intended to shine a light on Washington’s far-reaching and inspired creative industries. The 2018 Fly Filmmakers are Jeff Barehand (Olympia), Graham Bourque (Ellensburg), Myisa Plancq-Graham (Seattle), Elliat Graney-Saucke (Seattle), Kendra Ann Sherrill (Spokane), Masahiro Sugano (Tacoma).
The Fly Filmmaking Challenge is scheduled to premiere on Monday, May 28 and will screen again on Wednesday, June 6.
The Filmmakers
Jeff Barehand
Jeff is an enrolled citizen of the Gila River Indian Community of Arizona. He studied at the Studio Theatre Acting Conservatory in Washington, D.C. and filmmaking at the American Indian Arts Institute’s intensive filmmaking workshop sponsored by ABC/Disney. He is a founding member of the non-profit, the Olympia Film Collective, a South Sound premiere filmmaking hub. He is co-owner of Sky Bear Media, a video production company specializing in producing media for Tribes, Native organizations, and Tribal youth programs. He is a Sundance Native Lab fellow and also the current Board Chair of Red Eagle Soaring, Seattle’s only Native youth theatre program.Graham Bourque
Graham is a filmmaker living in Ellensburg, Washington. He graduated from Central Washington University in 2017 with a degree in Film Production, and has produced a number of short films, documentaries, and commercials. During his senior year, he produced Todd’s Vlog which won 1st place in the narrative short film category at the BEA Festival of Media Arts 2017.Elliat Graney-Saucke
Elliat is a documentary filmmaker focused on equity and cultural knowledge exchange. Currently acting President of the Seattle Documentary Association, Elliat is completing her second feature documentary Boys on the Inside, about ‘boy’ culture in women’s prisons. She is also completing the documentary Art Heart: Children of Riot Grrrl with Celeste Chan, about coming of age in riot grrrl, queercore culture. After seven years in Berlin producing content in eight countries, she is back in Seattle as an organizer and teacher at Northwest Film Forum and Director of Elliat Creative, LLC.Myisa Plancq-Graham
San Francisco native, Myisa, began her photography career exploring the streets of Atlanta in 2011. Her growing appreciation for photography and videography culminated in the creation of Annie Graham Imagery. Creating content by, about and for Black people is her primary filmmaking incentive. Myisa serves as lead director, videographer, and editor for documentary short series UNCODE, highlighting people and stories of the African Diaspora.Kendra Ann Sherrill
Kendra Ann is an award-winning filmmaker from Spokane, WA. Many of her short films have screened at local film festivals such as the National Film Festival for Talented Youth, Seattle Shorts Film Festival, Local Sightings Film Festival, and Reel NW. She is a graduate of the Eastern Washington University’s Film Program, where she received the Best Director and Best Screenplay awards, and was a finalist for the the DGA Student Film Awards. Kendra also serves as the Assistant Director for the Spokane International Film Festival and works full time as an editor and producer for the Emmy award-winning television series Washington Grown.Masahiro Sugano
Masahiro, a Sundance Film Festival alumnus, is an award winning filmmaker whose accolades stretch from a Student Academy Award nomination in 1997 to his most recent 2016 Documentary Award given by the National Asian American Journalists Association. In 2013 he received the Center for Asian American Media’s Innovation Fund for his series “Verses in Exile,” currently hosted on PBS.org. Masahiro’s second feature, Cambodian Son is winner of several awards including the Best Documentary Award at CAAMFEST 2014 and the Audience Choice Award at Bali International Film Festival 2015. As co-founder of artist-ran media lab Studio Revolt, Masahiro creates short films on a variety of societal issues such as deportation. He’s also a pioneering force in the art of spoken word videos. Earning a B.A. in Philosophy from California State University, Northridge, Masahiro went on to earn an M.F.A. in Film from University of Illinois, Chicago. Masahiro currently resides in Tacoma, WA and serves as an Artist-in-Residence at the University of Washington, Bothell.
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VIDEO: Watch Trailer for LGBT Romantic Drama SEBASTIAN
LGBT romantic drama Sebastian releases on February 6, 2018 worldwide on DVD & VOD via Wolfe. In this urban gay love story, sexy Argentinian hunk Sebastian (Alex House) arrives in Toronto on a one week visit and meets his cousin’s boyfriend, Alex (writer-director, James Fanizza). Instant attraction leads Alex to question his rocky relationship with his boyfriend. As he and Sebastian decide to explore their forbidden passion, they connect deep in emotion. Alex must confront his conflicted feelings for his boyfriend and Sebastian, as well as some surprising, long buried secrets from his past.
Sebastian is a uniquely modern story – exploring the search for love in an age of instant gratification, online hookups, and the yearning for connection in an age of convenience and superficiality. It paints a nuanced portrait of 20-something queerness; that perpetual feeling of having what you want at the tip of your fingers, but not being sure if you really want to grab it.
This intimate feature debut from filmmaker / actor James Fanizza features Brian “Katya” McCook from The Trixie and Katya Show & RuPaul’s Drag Race, Alex House, and acclaimed Mexican/South African actress-singer Amanda Martinez.
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Trans Teen Drama JUST CHARLIE Sets Release Date | Trailer
Powerful working-class trans teen drama Just Charlie traces with nuance and sensitivity one young person’s struggle with gender identity through the lens of a gritty, sports loving blue-collar community and a tough family struggling to accept it.
The film will be released on January 30th in the U.S. and Canada on DVD & VOD via Wolfe.
Set in Tamworth, a gritty, small working class Midland town in the UK, teenage soccer star Charlie and his family see soccer as a way out of a dead end factory life for him. But Charlie is struggling with gender dysphoria, and is torn between his father’s expectations and shedding his male identity. With dramatic yet surprising results for himself, his family, and his community, Charlie begins a gender transition while continuing to pursue the dream of becoming a soccer star.
Just Charlie is the feature film directorial debut of theatre & TV actress / director Rebekah Fortune. Inspired by emotional real life accounts from transgender communities, Fortune was inspired by these resonant stories to create a poignant account of one young teen’s identity transition in a small, gritty British town.
Said Fortune, “Just Charlie is a film about chasing your dreams, and accepting those who are different because – sometimes – the rules on how to love, what you can do, and who you should be, are meant to be broken. This is a story about identity, who we think we are and who we really are. About being true to ones self in the face of terrible adversity.”
Featuring a breakout lead performance from theatre / TV actor Harry Gilby (star of the play version of
The Full Monty). This film marks his cinema debut, and he was nominated for Most Promising Newcomer at the British Film Awards.
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BELIEVER, Documentary on Mormon Church Treatment of LGBTQ Members, Heads to HBO
The powerful documentary Believer, directed by Don Argott, follows Mormon Dan Reynolds, frontman for the Grammy Award-winning band Imagine Dragons, as he takes on a new mission to explore how the Mormon Church treats its LGBTQ members. With the rising suicide rate amongst teens in the state of Utah, his concern with the church’s policies sends him on an unexpected path of acceptance and change.
Believer, from Live Nation Productions, will have its world premiere in the Documentary Premieres section of the 2018 Sundance Film Festival, and will debut this summer on HBO.
The film documents this past year of Reynolds’ life during the process of organizing the first-ever LoveLoud Festival concert in Orem, Utah, to benefit such gay rights organizations as GLAAD and the Trevor Project, among others. While Believer takes a broader look at The Church of Jesus Christ of Latter-day Saints’ treatment of LGBTQ members, it also focuses on the suicide rate in the community, which has skyrocketed in the last decade.
Reynolds hopes Believer will continue to force discussion of gay rights within Mormonism on a larger scale. “LoveLoud reached 20,000 people in Utah, which is really small compared to the number of people who need to be reached,” he notes. “I think the reason the film needs to happen is because I feel like this is a way that nobody can turn their heads away.”
Believer centers on Reynolds, Aja Volkman, his wife and fellow musician, and Tyler Glenn, frontman for Neon Trees, among others.
Hans Zimmer composed the score for Believer and contributed to one of the two original songs Reynolds wrote for the film, giving music an integral role in the documentary.
Image: Dan Reynolds appears in Believer by Don Argott, an official selection of the Documentary Premieres program at the 2018 Sundance Film Festival. Courtesy of Sundance Institute | photo by Don Argott.
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VIDEO: Watch Trudie Styler’s FREAK SHOW Trailer Starring Bette Midler, Laverne Cox
Here is the trailer for Trudie Styler’s debut film Freak Show featuring an electric ensemble cast. The film opens January 12th, 2018 in New York City, and January 19th, 2018 in Los Angeles from IFC FILMS.
Freak Show stars Alex Lawther (Billy Bloom), Abigail Breslin (Lynette), AnnaSophia Robb (Blah Blah Blah), Ian Nelson (Flip), Celia Weston (Florence), Willa Fitzgerald (Tiffany), Laverne Cox (Felicia Watts), John McEnroe (Coach Carter), Charlotte Ubben (Sesame), Mickey Sumner (Dr. Veronica Vickers), Michael Park (Principal Onnigan), Daniel Bellomy (Bo-Bo), Christopher Dylan White (Bernard), Walden Bryan Hudson (Bib), Larry Pine (William), and Bette Midler (Muv).
Billy Bloom (Alex Lawther, The Imitation Game) is one-of-a-kind: a fabulous, glitter-bedecked, gender-bending teenager whose razor-sharp wit is matched only his by his outrageous, anything-goes fashion sense. When his glamorous mother (Bette Midler) is forced to send him to live with his straight-laced father (Larry Pine), Billy finds himself a diva-out-of-water at his new ultra-conservative high school. Undaunted by the bullies who don’t understand him, the fearless Billy sets out to make a big statement in his own inimitable way: challenging the school’s reigning mean girl (Abigail Breslin) for the title of homecoming queen. This proudly offbeat comedy is an irresistible ode to outsiders and nonconformists of all stripes. With Laverne Cox.
https://www.youtube.com/watch?v=drg74wOy8z8
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VIDEO: Watch LGBTQ Musical Drama SATURDAY CHURCH Trailer, Opens in Theaters on Jan. 12
Here is the new trailer for LGBTQ musical drama Saturday Church, about a 14-year-old shy and effeminate boy, who finds himself becoming the“man of the house” after the death of his father. The film starring Luka Kain, winner-Best Actor at OUTFEST 2017 will open in theaters, on demand and on all digital platforms on January 12th, 2018.
Saturday Church, written and directed by Damon Cardasis, tells the story of 14-year-old Ulysses, a shy and effeminate boy, who finds himself coping with new responsibilities as “man of the house” after the death of his father. Living alongside his mother, younger brother, and conservative aunt, Ulysses is also struggling with questions about his gender identity. He finds an escape by creating a world of fantasy filled with dance and music. Ulysses’ journey takes a turn for the better when he encounters a vibrant transgender community, who take him to “Saturday Church,” a program for LGBTQ youth. Ulysses manages to keep his two worlds apart; appeasing his aunt and discovering his passion for the NYC ball scene, and voguing, until his double life is revealed. Ulysses must find the courage to be who he truly is, all while risking losing those he cares about most.
The film stars Luka Kain, Margot Bingham, Regina Taylor, Marquis Rodriguez, MJ Rodriguez, Indya Moore, Alexia Garcia, Kate Bornstein, and Jaylin Fletcher.
https://www.youtube.com/watch?v=IAra4mxDRYs
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2017 NewFest Awards – THE FEELS and THE CITY OF THE FUTURE Win First Ever Jury Awards
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The Feels[/caption]
The 2017 NewFest, New York LGBT Film Festival wrapped earlier this week, and for the first time ever, the festival awarded prizes adjudicated by a jury. The Feels, directed by Jenée LaMarque won the Jury Award for Best US Narrative, and The City of the Future by directors Cláudio Marques and Marília Hughes Guerreiro, won the Jury Award for Best International Narrative. The Jury Award for Best Documentary was given to Alabama Bound, directed by Lara Embry and Carolyn Sherer.
“This is first time in over 5 years that NewFest has had a jury,” says Programming and Operations Manager Nick McCarthy. “We were delighted to host a collection of esteemed and exciting colleagues that encompass the fields of filmmaking, criticism, marketing/distribution, activism, and programming to experience the varied voices of our 2017 filmmakers.”
The audience voted Hot To Trot, winner of Audience Award for Best Documentary Feature, and the Audience Award for Best Narrative Feature went to A Date For Mad Mary.
2017 NewFest Award Winners
Jury Awards
Jury Award for Best US Narrative The Feels, directed by Jenée LaMarque. Two brides-to-be throw a joint bachelorette party that ends up calling their whole relationship into question. Special Mention Zachary Booth and David Rysdahl for their outstanding performances in The Revival. Jury Award for Best New York Short Ace, directed by Morgan Kahn Nichols An unlikely pair of teenagers perform an awkward social dance in a house with no parents. Special Mention The Mess He Made, directed by Matthew Puccini, which takes place in the 15 anxiety-inducing minutes a gay man has to wait for the results of his Rapid HIV Test. Jury Award for Best International Narrative The City of the Future directed by Cláudio Marques and Marília Hughes Guerreiro A naturalistic film about the nontraditional relationship of lovers Mila, Igor, and Gilmar that shuns convention, instead embracing love in all its dazzling iterations. Special Mention Manuela Guevara for her performance in The Devil’s Magnificent. Guevara co-wrote the film, in which she plays Manu, a trans immigrant who must return to her native Chile after 10 years in France. In the days leading up to her departure, Manu’s platonic friend Daniel proposes marriage with the intention of solving her visa issues. Manu strongly considers the offer, but she’s wholly disheartened at the prospect of a life without love, romance, and sex—that is, until she meets a fellow foreigner who instills in her the hope for a romantic future. Jury Award for Best Documentary Alabama Bound, directed by Lara Embry and Carolyn Sherer. Exploring the legal roller-coaster ride of LGBTQ family rights in the American South, the film offers an intimate view into the lives of three lesbian families in Alabama, including the only openly-gay Alabama State Legislator Patricia Todd, as they make waves in the legal system fighting for the rights of their children. Filmed during the turning-point years when federal marriage equality was coming to a head in the courts, this riveting and powerful documentary tactfully imbues the viewer with hope and frustration as Patricia Todd leads the charge in next wave of the LGBTQ fight for equality: legal non-discrimination. Special Mention Abu directed byArshad Khan – a dazzling visual memoir about the complex dynamic the filmmaker has with his father, who was at once extremely modern and also rigidly traditional and unaccepting of his son’s true self.Audience Awards
Audience Award for Best Documentary Feature Hot To Trot directed by Gail Freedman Set in the swinging setting of same-sex competitive ballroom dancing, this tremendously entertaining documentary highlights the culture and art of dance as it humanistically profiles the compelling stories of four international dancers. Filmed over four years, director Gail Freedman closely follows the tight ensemble as they face global and health issues, yet they find comfort and hope as they twirl past life’s obstacles with the utmost poise and confidence. Who will take home the top prize and move closest to the rhythm? The heat is on in more ways than one. Audience Award for Best Narrative Feature A Date For Mad Mary directed by Darren Thornton In the first feature film by director Darren Thornton, Mary has just been released from a six-month prison stint for a drunken bar fight. Her best friend Charlene is now getting married and wants to keep Mary at a distance, alienating her from their circle of friends. An encounter with a queer musician changes Mary’s perspective and awakens her romantic spirit. The film also won the Breakthrough Award at the Dublin Film Critics Circle Awards. Audience Award for Best Documentary Short Love Letter Rescue Squad directed by Megan Rossman The film reflects on the Lesbian Herstory Archives, home to the world’s largest collection of materials by and about lesbians and their communities. Audience Award for Best Narrative Short Pria, directed by Yudho Aditya A young boy in Indonesia experiences the tensions between his Gay and Muslim identities all while dreaming about romance and romanticizing the freedoms of the western world.
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VIDEO: Netflix Debuts THE DEATH AND LIFE OF MARSHA P. JOHNSON Trailer
Netflix debuted the trailer for The Death and Life of Marsha P. Johnson, documentary on the self-described “street queen” of NY’s gay ghetto found floating in New York’s Hudson River in 1992.
The documentary that premiered at the 2017 Tribeca Film Festival, launches on Netflix on Friday, October 6, 2017.
Who killed Marsha P Johnson? When the beloved, self-described “street queen” of NY’s gay ghetto was found floating in the Hudson River in 1992, the NYPD chalked it up as a suicide and refused to investigate. However, as shown in Academy Award(R) nominated director and journalist David France’s (How to Survive A Plague) new film, it’s a decision many questioned.
Having played a pivotal role in the previous year’s Stonewall Riots, in 1970, Johnson and fellow trans icon Sylvia Rivera formed the world’s first trans-rights organization, STAR (Street Transvestites Action Revolutionaries). And despite their many challenges over the years-homelessness, illness, alcoholism-Marsha and Sylvia ignited a powerful and lasting civil rights movement for gender nonconforming people.
Now, a quarter century later, at a time of unprecedented visibility and escalating violence in the transgender community, Marsha’s old friend and fellow activist Victoria Cruz has taken it upon herself to reexamine what happened to Marsha. Dipping deep into jaw-dropping archival footage of another era of New York City life, The Death and Life of Marsha P. Johnson follows as this champion pursues leads, mobilizes officials, and works to tell the story of Marsha’s life and get to the bottom of Marsha’s death.
https://www.youtube.com/watch?v=pADsuuPd79E
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TOM OF FINLAND is Finland’s Entry for 2018 Oscar Race for Best Foreign Film | TRAILER

The biopic Tom of Finland directed by Dome Karukoski has been selected as Finland’s submission for best foreign film at the 2018 Oscars.
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2017 Reeling LGBTQ Film Festival Unveils Lineup, Opens with HELLO AGAIN, Closes with SATURDAY CHURCH
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Nolan Gerard Funk in Hello Again[/caption]
Reeling, the second-oldest LGBTQ film festival in the world, celebrates its 35th anniversary edition from September 21 to 28 at Landmark Theatres’ Century Centre Cinema in Chicago. The 2017 Reeling will present 30 feature films and 10 programs of shorts, coming from 22 countries.
The festival kicks off Thursday, September 21 at Music Box Theatre with the Chicago premiere of Northwestern alum Tom Gustafson’s HELLO AGAIN. The sex-fueled all-star screen adaptation of the 1994 Off-Broadway musical stars Cheyenne Jackson, Audra McDonald, Martha Plimpton, Tyler Blackburn and Rumer Willis. Reeling 2017 closes Thursday, September 28 with SATURDAY CHURCH, the coming-of-age story of a young Black teen exploring gender expression and finding acceptance in the Harlem Ball scene, which stars Golden Globe- and Emmy-nominated actor and Goodman Theatre playwright Regina Taylor.
From Trudie Styler’s hotly anticipated directorial debut, the outrageous dramedy FREAK SHOW, about the fictional high school “transvisionary” Billy Bloom, starring Alex Lawther ( The Imitation Game ), Bette Midler and Laverne Cox; and writer-director Vincent Gagliostro’s intergenerational gay romantic drama AFTER LOUIE, starring Alan Cumming in a career-defining performance; to the crackling energy and entertaining story of the rise of YouTube musical superstar Todrick Hall in the documentary BEHIND THE CURTAIN; to the inspiring story of the long road to acceptance for Brooke Guinan, New York’s first out transgender firefighter in WOMAN ON FIRE; to Looking actor Russell Tovey’s stunning performance in THE PASS, the story of two football players whose reactions to the homoerotic tension between them as young men shape their divergent futures; the 35th edition of Reeling Film Festival has something to satisfy every film taste!
Reeling launches its eight-day festival with the Opening Night Gala presentation of the sensual musical HELLO AGAIN, Northwestern alumni Tom Gustafson’s ( Were the World Mine, Mariachi Gringo ) red hot film adaptation of Michael John LaChiusa’s acclaimed 1994 Off-Broadway musical. The film follows ten lovestruck souls who pair off in an erotic daisy chain of sex and song, looking for meaning beyond their steamy hookups. Jack ( Tyler Blackburn, Pretty Little Liars ) sexes up Robert ( Cheyenne Jackson, American Horror Story ) who pleasures Sally ( six-time Tony winner Audra McDonald ) who revels in her tryst with Ruth ( Martha Plimpton, The Real O’Neals ). Along for the sexy hijinks are T.R. Knight ( Grey’s Anatomy ), Rumer Willis ( Empire, Dancing with the Stars ), Jenna Ushkowitz ( Glee ), Sam Underwood ( Fear the Walking Dead ), vocalist Al Calderon and Nolan Gerard Funk ( Glee and former Calvin Klein model ). The musical numbers — everything from pop to operetta to Broadway to swing to searing torch ballads — are as fluid as the sexual proclivities of the characters. Prepare to indulge your senses with this visually stylish, ultra-sensual musical extravaganza.
[caption id="attachment_23942" align="aligncenter" width="1200"]
Saturday Church[/caption]
Reeling closes on Thursday, September 28 with an advance screening of SATURDAY CHURCH. This audacious hybrid — part drama, part comedy, part musical — is pulled off with aplomb by debuting writer-director Damon Cardasis and his young cast of newcomers. After the recent death of his father, Ulysses ( Luka Kain ) has begun experimenting with his sexuality and gender expression; his nights are full of stolen nylons and high heels. But Aunt Rose — played by acclaimed actor, playwright and Chicago resident Regina Taylor — is having none of this, so Ulysses flees the Bronx, finding himself enthralled by a new group of colorful, streetwise friends who introduce him to the Ball community. This thrilling, genre-busting film, soulful and heartfelt, has received raves on the film festival circuit and is a superlative and tender, coming-of-age story.
Reeling will present the premieres of two locally made features: Chicago based writer-director Wendell Etherly’s MARKET VALUE is a compelling child custody courtroom drama focused on a lesbian couple fighting to keep their adopted son; and On the Down Low writer-director Tadeo Garcia returns to Reeling with EN ALGUN LUGAR, a gay romantic drama set against the backdrop of the controversial U.S. immigration system.
Other festival highlights include the World Premiere of writer-director Rob Williams’ ( Role/Play, Shared Rooms, Make the Yuletide Gay ) ninth feature film, HAPPINESS ADJACENT, a bisexual love triangle set aboard a cruise ship; the critically acclaimed Sundance hit, I DREAM IN ANOTHER LANGUAGE, Mexican director Ernest Contreras’ drama about two elderly men who are the last living people able to speak a dying language but who refuse to talk to each other; SEBASTIAN, writer-director-actor James Fanizza’s romantic drama about a fling between two men living in different countries who unexpectedly fall in love; the eccentric Scottish film SEAT IN SHADOW, director Henry Coombes’ film about an aging free-spirited artist who plays therapist for the young gay grandson of a friend; APRICOT GROVES, Pouria Heidary Oureh’s beautifully realized story about an Iranian Armenian transman living in the U.S. who visits Armenia to ask his girlfriend’s father for her hand in marriage; THE RING THING, about a lesbian couple facing the pressures of getting married now that it’s legal, directed by William Sullivan, whose That’s Not Us screened at Reeling 2015; and EASTSIDERS SEASON 3: GO WEST, all new episodes from the Emmy-nominated gay web series that went viral on YouTube and was later picked up by Netflix.
Young love is explored in UK director Daniel Grasskamp’s CAT SKIN, in which a shy photography student captures the attention of a popular girl whose boyfriend refuses to leave the picture; David Berry’s SOMETHING LIKE SUMMER, a film adaptation of a popular novel series focusing on a young gay couple that includes Glee-like musical numbers; and Jakob M. Erwa’s CENTER OF MY WORLD, a gay coming of age romance from Germany.
Thrills, excitement, mayhem and various kinds of trouble can be found in two British and two Australian films. In the British crime thriller B&B, two men who successfully sued a small inn for gay discrimination return to gloat and find their triumph is short-lived, and in PALACE OF FUN, a rich young British woman’s calculating gay brother plays sinister games with her love interest. The Australian BOYS IN THE TREES is an eerie surrealist coming of age drama that takes place on Halloween night; and in BAD GIRL, a rebellious teenager is single-white-femaled by a doe-eyed beauty whom her parents are convinced is a good role model for her.
Comic relief is offered by SENSITIVITY TRAINING, in which an abrasive microbiologist finds herself attracted to the woman hired by her company to be her sensitivity coach; DATING MY MOTHER, about an aimless recent college graduate who moves back in with his widowed mom and finds that they are both trying to find Mr. Right; and PROM KING, 2010, which chronicles the failed attempts of an awkward 20-year-old college freshman in New York to find the man of his dreams.
The lives of women of color are explored in two web series: 195 LEWIS, set in Bed-Stuy, Brooklyn; and the locally produced, Emmy nominated BROWN GIRLS, set in Chicago. The latter series was funded in part by Chicago Filmmakers’ Chicago Digital Media Production Fund, and creators Samantha Bailey and Fatimah Asghar were recently signed to a development deal to adapt the series for HBO.
Documentaries, as always, are an important part of the Reeling lineup. Documentaries include CHAVELA, an affectionate portrait of the legendary lesbian Costa Rican Ranchera singer who counted Pedro Almodóvar among her friends and Frida Kahlo among her lovers; THE DEATH AND LIFE OF MARSHA P. JOHNSON, Oscar nominated David France’s follow-up to How to Survive a Plague which focuses on the mysterious circumstances surrounding the death of the trans activist as well as her close friendship with Sylvia Rivera; BONES OF CONTENTION, an historical documentary focusing on the repression of gays and lesbians under the Franco regime during the Spanish Civil War which weaves in the life of murdered queer poet Federico Garcia Lorca; and AGAINST THE LAW, a docudrama about the punitive life for gay men in conservative England in the 1950s.

Professor Marston and the Wonder Women[/caption]