The 2015 NewFest, New York’s LGBT Film Festival, concluded its 27th anniversary year with a sold-out screening of GIRLS LOST. Following the Closing Night Gala screening, NewFest announced the 2015 Audience Award winning films. THOSE PEOPLE, directed by Joey Kuhn, won the Audience Award for Outstanding Feature Film, and THE SAME DIFFERENCE, directed by Nneka Onuorah, won the Audience Award for Outstanding Documentary Feature.
THOSE PEOPLE, directed by Joey Kuhn, won the Audience Award for Outstanding Feature Film for its crowd-pleasing depiction of a complicated romance between two young men in the gilded halls of Manhattan’s high society. Those People will be distributed by Wolfe Releasing in 2016.
https://www.youtube.com/watch?v=_-yM9ahuAeo
THE SAME DIFFERENCE, directed by Nneka Onuorah, won the Audience Award for Outstanding Documentary Feature. The film, which shines a light on the all-too-often ignored problem of homophobia and gender discrimination within the African-American lesbian community, broke NewFest records, selling out four screenings to audiences eager to finally see the issue addressed onscreen and within the lively panels that followed each screening. The Same Difference will be distributed by Women Make Movies in 2016.
https://www.youtube.com/watch?v=4I97yTXz980
TREMULO, directed by Roberto Fiesco, won the Audience Award for Outstanding Narrative Short, thanks to its tender and beautifully realized depiction of a brief encounter between two young men in Mexico. A feature version is currently in the works.
https://www.youtube.com/watch?v=6YTT2saA334
IN THE HOLLOW, directed by Austin Bunn, won the Audience Award for Outstanding Documentary Short. Bunn, the screenwriter of last year’s Kill Your Darlings, masterfully combined documentary and narrative techniques to place audiences at the center of a horrific crime against two gay women.
https://www.youtube.com/watch?v=3q2cSy6Oudo
Speaking on behalf of the programming team, NewFest’s senior programmer Adam Baran also singled out Martin Edralin’s narrative short HOLE and Blair Fukumura’s documentary short BEDDING ANDREW for special recognition, for using brave, emotionally stirring methods to tell the often-overlooked stories of gay men with disability and their need for physical and emotional support.
The highly successful six-day festival screened nearly 100 films to a number of sold-out audiences and included a centerpiece gala screening of Todd Haynes’ CAROL, a star-studded World Premiere of new trans series “” followed by a discussion moderated by Laverne Cox, a MasterClass discussion with award-winning filmmaker Ira Sachs, NewFest’s first ever Queer Horror Night, and an enlightening panel discussion on the evolution of transgender representation in modern media.LGBTQ
-
THOSE PEOPLE, THE SAME DIFFERENCE Win 2015 NewFest “NY’s LGBT Fest” Audience Awards
The 2015 NewFest, New York’s LGBT Film Festival, concluded its 27th anniversary year with a sold-out screening of GIRLS LOST. Following the Closing Night Gala screening, NewFest announced the 2015 Audience Award winning films. THOSE PEOPLE, directed by Joey Kuhn, won the Audience Award for Outstanding Feature Film, and THE SAME DIFFERENCE, directed by Nneka Onuorah, won the Audience Award for Outstanding Documentary Feature.
THOSE PEOPLE, directed by Joey Kuhn, won the Audience Award for Outstanding Feature Film for its crowd-pleasing depiction of a complicated romance between two young men in the gilded halls of Manhattan’s high society. Those People will be distributed by Wolfe Releasing in 2016.
https://www.youtube.com/watch?v=_-yM9ahuAeo
THE SAME DIFFERENCE, directed by Nneka Onuorah, won the Audience Award for Outstanding Documentary Feature. The film, which shines a light on the all-too-often ignored problem of homophobia and gender discrimination within the African-American lesbian community, broke NewFest records, selling out four screenings to audiences eager to finally see the issue addressed onscreen and within the lively panels that followed each screening. The Same Difference will be distributed by Women Make Movies in 2016.
https://www.youtube.com/watch?v=4I97yTXz980
TREMULO, directed by Roberto Fiesco, won the Audience Award for Outstanding Narrative Short, thanks to its tender and beautifully realized depiction of a brief encounter between two young men in Mexico. A feature version is currently in the works.
https://www.youtube.com/watch?v=6YTT2saA334
IN THE HOLLOW, directed by Austin Bunn, won the Audience Award for Outstanding Documentary Short. Bunn, the screenwriter of last year’s Kill Your Darlings, masterfully combined documentary and narrative techniques to place audiences at the center of a horrific crime against two gay women.
https://www.youtube.com/watch?v=3q2cSy6Oudo
Speaking on behalf of the programming team, NewFest’s senior programmer Adam Baran also singled out Martin Edralin’s narrative short HOLE and Blair Fukumura’s documentary short BEDDING ANDREW for special recognition, for using brave, emotionally stirring methods to tell the often-overlooked stories of gay men with disability and their need for physical and emotional support.
The highly successful six-day festival screened nearly 100 films to a number of sold-out audiences and included a centerpiece gala screening of Todd Haynes’ CAROL, a star-studded World Premiere of new trans series “” followed by a discussion moderated by Laverne Cox, a MasterClass discussion with award-winning filmmaker Ira Sachs, NewFest’s first ever Queer Horror Night, and an enlightening panel discussion on the evolution of transgender representation in modern media.
-
VIVA, Ireland’s Oscar Entry for Best Foreign Film, to Get 2016 Release
Viva, directed by Irish filmmaker Paddy Breathnach, and Ireland’s Oscar entry for Best Foreign Film, will be released in theaters in 2016 via Magnolia Pictures.
The film, which received a positive response when it premiered at the 2015 Telluride Film Festival in September, stars Hector Medina, Luis Alberto Garcia and Jorge Perugorria.
“Viva stars Héctor Medina as Jesus, a young hairdresser working at a Havana nightclub that showcases drag performers, who dreams of being a performer himself. Encouraged by his mentor, Mama (Luis Alberto García), Jesus finally gets his chance to take the stage. But when his estranged father Angel (Jorge Perugorría) abruptly reenters his life, his world is quickly turned upside down. As father and son clash over their opposing expectations of each other, ‘Viva’ becomes a love story as the men struggle to understand one another and reconcile as a family.”
-
‘Straight’ John Refuses to Marry Transexual Martine Until She Gets a Real Vagina in Trans Documentary TRANSFIXED | TRAILER
Alon Kol’s feature documentary TRANSFIXED will be presented within the FOCUS section at the Festival du nouveau cinema in Montreal, Canada, on October 14th and Octber 17th. In the film Martine Stonehouse and John Gelmon are middle-aged underdogs, living with Asperger Syndrome. Despite their social limitations, both dream of getting married, but straight-identifying John refuses to tie the knot until transsexual Martine gets a real vagina. Will Martine and John find together the happiness that they deserve? Transfixed will be released in Canada in early 2016.
Throughout his life, Martine Stonehouse fought for his rights as transgender. His spouse John Gelmone, Asperger’s syndrome and Tourette’s unconditional support. But the two can not consummate their love Martine must undergo the final sex change operation. Although the director Alon Kol had enough material to trace the route of the activist awarded the Pride Award of Toronto in 2012, he chose instead to present the difficult Martine path toward its complete transformation into a woman. A difficult road since even if it is surrounded by friends that show him gratitude and affection, his weight problem, highlighted by several experts, represents a dangerous obstacle to his surgery and his health. Without compromise or complacency documentary Kol enters the intimacy of this woman and reveals a fragile but an unrivaled determination. Forget the prestige Caitlin Jenner; the portrait offers the filmmaker is that of a woman whose daily lives are much more modest and the economic situation certainly more precarious, but the narrative is no less upsetting. While the transgender community is recognized as never before, Martine Stonehouse itself as a heroine to be welcomed.
https://www.youtube.com/watch?v=AJrLhGOwqsI
-
Magnolia Pictures, Duplass Brothers Launch TANGERINE Oscar Campaign for Transgender Stars
Magnolia Pictures and the Duplass Brothers are launching an Oscar campaign for TANGERINE stars Kitana Kiki Rodriguez and Mya Taylor, reports Variety. This will reportedly be the first awards season push for transgender actress by a movie distributor in Hollywood history. Rodriguez will be pushed as Lead Actress and Taylor as Supporting. They plan on bids for screenwriting and cinematography for the film as well.
TANGERINE directed by Sean Baker, was released earlier this Summer via Magnolia Pictures, and earned a lot of well deserved attention for not only featuring transgender actresses in prominent roles, but also for its technical feat – it was shot on an iPhone 5s. The film follows a prostitute, who’s just released from prison, and headed to Tinseltown on Christmas Eve searching for the pimp who broke her heart.
Mark Duplass points out that AMPAS is behind the various TV academies in terms of recognizing trans actors; he tells Variety, “Jay and I are new to the Academy, so we’re just figuring this whole thing out. One thing that has become apparent to us as we look at this stuff, it seems that the TV Academy has embraced what’s happening in the trans movement with ‘Transparent’ and ‘Orange is the New Black.’ We feel that the film Academy is a little behind on that front.”
This TANGERINE campaign offers a vital counterpoint to “Oscar bait” campaigns in which straight, cisgender, white actors portray trans characters. Mark Duplass tells Variety of this counterpoint, “This is the time for it. We’re in the middle of a civil rights movement.”
https://www.youtube.com/watch?v=ALSwWTb88ZU
It’s Christmas Eve in Tinseltown and Sin-Dee (newcomer Kitana Kiki Rodriguez) is back on the block. Upon hearing that her pimp boyfriend (James Ransone, STARLET, “Generation Kill”) hasn’t been faithful during the 28 days she was locked up, the working girl and her best friend, Alexandra (newcomer Mya Taylor), embark on a mission to get to the bottom of the scandalous rumor. Their rip-roaring odyssey leads them through various subcultures of Los Angeles, including an Armenian family dealing with their own repercussions of infidelity. Director Sean Baker’s prior films (STARLET, PRINCE OF BROADWAY) brought rich texture and intimate detail to worlds seldom seen on film. Shot on an iPhone 5s, TANGERINE follows suit, bursting off the screen with energy and style. A decidedly modern Christmas tale told on the streets of L.A., TANGERINE defies expectation at every turn.
-
Rodrigo Bellott, Erin Greenwell and Mylo Mendez Win Queer/Art/Mentorship Fellowships in Film
Queer/Art/Mentorship, the multi-disciplinary, inter-generational arts program that pairs and supports mentorship between emerging and established LGBTQI artists in NYC, has announced the eleven Fellows accepted for its 2015-2016 annual mentorship cycle.
The Fellows chosen in five artistic disciplines are Monstah Black, Eva Peskin and Justine Williams in Performance; Jacob Matkov and Brendan Williams-Childs in Literary; Rodrigo Bellott, Erin Greenwell and Mylo Mendez in Film; Caroline Wells Chandler and Doron Langberg in Visual Arts; and Hugh Ryan in Curatorial.
The 2015-2016 Queer/Art/Mentorship Fellows in Film are
Rodrigo Bellott was born in Santa Cruz, Bolivia. His breakout film, Sexual Dependency won over 15 awards in over 65 film festivals around the world and was also Bolivia’s first film competing for “Best Foreign Language Film” at the 2004 Academy Awards. VARIETY magazine named Bellott as one of the “TOP TEN Latin American Talents to Watch”.
Bellott will be working with Mentor, filmmaker Silas Howard on the film adaptation of his play Tu Me Manques, that explores contemporary queer identity in the moment of historical change in contrast with the current situations in other parts of the world.
Erin Greenwell wrote and directed the feature film My Best Day, which premiered at the Sundance Film Festival in 2012. Her other directing endeavors include Oh Come On, a punk DIY performance video for Kathleen Hanna’s band The Julie Ruin and The Golden Age of Hustlers, featuring Justin Vivian Bond’s remake of the iconic song written by legendary punk chanteuse Bambi Lake. In 2006, Greenwell formed Smithy Productions, a production company, with the aim of cultivating talents from the queer/independent art community under the umbrella of narrative and documentary storytelling.
Greenwell will be working with Mentor, director and screenwriter Stacie Passon to develop her narrative feature length script, The Flight Deck, based on the butch/femme lesbian bar scene in Buffalo, NY during the 1950s.
Mylo Mendez is a Texas-born video artist currently based in Brooklyn. Hir work uses humor, narrative, and characters with aberrant bodies to navigate identity, social and geographical borders, and history. Mendez has been featured in group shows in New York City and Austin. Ze received hir MFA from Parsons The New School for Design.
Mendez will be working with Mentor, filmmaker Thomas Allen Harris on a film about the intersection of trans and punk identities and communities in New York City.
-
2015 AFI Latin American Film Festival to Open with Lesbian Romantic Drama SAND DOLLARS | TRAILER
The 2015 AFI Latin American Film Festival taking place at the historic AFI Silver Theatre and Cultural Center in Silver Spring, Maryland from September 17 to October 7, opens with the romantic drama SAND DOLLARS, based on the novel “Les Dollars des Sables” by Jean-Noël Pancrazi. SAND DOLLARS is the fourth film by directors Laura Amelia Guzmán and Israel Cárdenas (COCOCHI, JEAN GENTIL), and stars Geraldine Chaplin (DOCTOR ZHIVAGO, THE ORPHANAGE) as a wealthy foreign tourist who is head over heels for a much-younger local woman. The film was recently announced as the Dominican Republic’s Official Academy Award® Submission.
In the picturesque seaside town of Las Terrenas, French expat Anne (Geraldine Chaplin, DOCTOR ZHIVAGO) has fallen in love with the much younger local, Noeli (Yanet Mojica). But the feeling isn’t exactly mutual — Noeli makes a living scamming off the kindness of tourists. She shares her earnings with her boyfriend, whom she passes off to Anne as her brother. Things become complicated when Anne promises to take Noeli back to France with her.
https://www.youtube.com/watch?v=9HeEPnn7ioE
The Closing Night film, TRASH, directed by Stephen Daldry (BILLY ELLIOT, THE HOURS) and written by Richard Curtis (LOVE ACTUALLY, WAR HORSE), follows three trash-picking boys from Rio de Janeiro who team up with two American missionaries, Martin Sheen (THE WEST WING) and Rooney Mara (THE GIRL WITH THE DRAGON TATTOO, THE SOCIAL NETWORK), to uncover political corruption.
https://www.youtube.com/watch?v=VN08JrXZ9eM
Other highlights include MESSI, a docudrama about the world’s greatest soccer player; the U.S. premiere of Colombia’s ALIAS MARÍA, straight from its debut at the Cannes Film Festival; Kristen Wiig (BRIDESMAIDS) in NASTY BABY, a Brooklyn-set dark comedy from Chilean filmmaker Sebastián Silva; and WITHOUT WINGS, the first U.S. feature to be made in Cuba since 1959.
The complete schedule of the 2015 AFI Latin American Film Festival is available online.
-
Elle Fanning is Transgender Teen in ABOUT RAY to World Premiere at Toronto Film Fest | TRAILER
The Weinsten Company has released the official trailer for ABOUT RAY directed by Gaby Dellal and World Premiere as a Special Presentation at the 2015 Toronto International Film Festival. The film which features an all star cast including Naomi Watts, Elle Fanning, Susan Sarandon, Sam Trammel, Linda Emond and Tate Donovan will open in theaters on Friday, September 18th.
ABOUT RAY tells the stirring and touching story of a family of three generations living under one roof in New York as they must deal with a life-changing transformation by one that ultimately effects them all. Ray (Elle Fanning) is a teenager who has come to the realization that she isn’t meant to be a girl and has decided to transition from female to male. His single mother, Maggie (Naomi Watts), must track down Ray’s biological father (Tate Donovan) to get his legal consent to allow Ray’s transition. Dolly (Susan Sarandon), Ray’s lesbian grandmother is having a hard time accepting that she now has a grandson. They must each confront their own identities and learn to embrace change and their strength as a family in order to ultimately find acceptance and understanding.
https://www.youtube.com/watch?v=_86baBTbNtU
-
Award-Winning Documentary A SINNER IN MECCA Opens September 4 | TRAILER
The award-winning documentary A SINNER IN MECCA, will open in New York on September 4 and Los Angeles on September 11, before expanding to additional markets and VOD. Recently recognized with the 2015 Outfest Grand Jury Award for Best Documentary Feature, A SINNER IN MECCA follows director Parvez Sharma (A Jihad for Love) as the openly gay Muslim filmmaker documents his pilgrimage to Mecca in Saudi Arabia, where filming is strictly prohibited and homosexuality is a crime punishable by death.
A SINNER IN MECCA audaciously enters a world that has been forbidden to non-Muslims for 14 centuries. The filmmaker documents his journey on nothing more than an iPhone and two smuggled, tiny cameras. On these never-before-filmed streets of ancient Mecca, he joins 4 million Muslims, from the majority, peace-loving pilgrims fulfilling a lifelong calling, to brutal jihadists for whom violence is a creed. They have all entered Mecca for the world’s largest pilgrimage: the Hajj.
This film unflinchingly showcases parts of the dangerous ideology that governs today’s ISIS and how much it has in common with Saudi Arabia’s sacred doctrine, Wahabi Islam. Cabals within the secretive Saudi monarchy have allegedly funded both Al-Qaeda and ISIS over the years. On the streets of Mecca, Saudi Arabia’s most famous son, Osama bin Laden, is sometimes referred to as Sheikh Osama, using the prefix for a learned Muslim man. It is into this Saudi Arabia the filmmaker, an openly gay Muslim man, enters. He is looking to find his own place within an Islam he has always known, an Islam that bears no resemblance to the bastardized versions creating havoc around the Muslim world, in almost daily battles in Europe—where the film will be broadcast by two of its biggest television networks, Arte and ZDF—and in North America.
With A SINNER IN MECCA, the Muslims of Islam are given agency to tell the complex, and now violence-marred story of their faith. And in their midst: a longing Muslim, already labeled an infidel, wondering if he can finally secure his place within this religion that condemns him.
https://www.youtube.com/watch?v=bzshP2k5FMk
-
STONEWALL Official Trailer Faces Backlash From Some in LGBT Community
STONEWALL, a drama about a fictional young man caught up during the 1969 Stonewall Riots, considered the birthplace of the LGBT rights movement, which will World Premiere at the upcoming Toronto Film Festival, followed by a release in the theaters in the US on September 25th, just released its official trailer which is not going over well with some in the LGBT community.
https://www.youtube.com/watch?v=kNXkJMXPBGc
Why? According to Matt Baume in The Advocate, “The trailer focuses on a cis white boy who moved to New York just in time to spark the riots. And that’s hardly the full story of Stonewall, since participants included people of color, trans people, drag queens, and lesbians. In fact, I think it’s the diversity of the riots that makes them as powerful as they were and still are.”
https://www.youtube.com/watch?v=tQxfdLnpTD4
“Accounts differ, so there’s no way to know for sure who started things or who the ringleaders were, and there’s no complete list of who was there. But participants included Marsha P. Johnson, a trans woman who’s said to have smashed a police car. There was Stormé DeLarverie, a butch lesbian who’s said to have thrown the first punch. And many participants describe seeing Sylvia Rivera, a 17-year old nonbinary-gender drag queen who went on to be a leader for disenfranchised groups for decades.”
Roland Emmerich, who directed “Stonewall,” defended his film in a Facebook post, ” When I first learned about the Stonewall Riots through my work with the Los Angeles Gay and Lesbian Center, I was struck that the circumstances that lead to LGBT youth homelessness today are pretty much the same as they were 45 years ago. The courageous actions of everyone who fought against injustice in 1969 inspired me to tell a compelling, fictionalized drama of those days centering on homeless LGBT youth, specifically a young midwestern gay man who is kicked out of his home for his sexuality and comes to New York, befriending the people who are actively involved in the events leading up to the riots and the riots themselves. I understand that following the release of our trailer there have been initial concerns about how this character’s involvement is portrayed, but when this film – which is truly a labor of love for me – finally comes to theaters, audiences will see that it deeply honors the real-life activists who were there — including Marsha P. Johnson, Sylvia Rivera, and Ray Castro — and all the brave people who sparked the civil rights movement which continues to this day. We are all the same in our struggle for acceptance.”
Actor Jeremy Irvine, who stars in the film (pictured above),also released a statement via Instagram where he states, “To anyone with concerns about the diversity of the #StonewallMovie. I saw the movie for the first time last week and can assure you all that it represents almost every race and section of society that was so fundamental to one of the most important civil rights movements in living history. Marsha P Johnson is a major part of the movie, and although first hand accounts of who threw the first brick in the riots vary wildly, it is a fictional black transvestite character played by the very talented @vlad_alexis who pulls out the first brick in the riot scenes. My character is adopted by a group of street kids whilst sleeping rough in New York. In my opinion, the story is driven by the leader of this gang played by @jonnybeauchamp who gives an extraordinary performance as a Puerto Rican transvestite struggling to survive on the streets. Jonathan Rhys Meyers’ character represents the Mattachine Society, who were at the time a mostly white and middle class gay rights group who stood against violence and radicalism. I felt incredibly nervous taking on this role knowing how important the subject matter is to so many people but Roland Emmerich is one of the most sensitive and heartfelt directors I’ve worked with and I hope that, as an ensemble, we have not only done such an important story justice but also made a good movie as well. Jeremy”
-
Roland Emmerich’s STONEWALL to World Premiere at Toronto Fest and Sets Fall US Release Date
STONEWALL, a drama about a fictional young man caught up during the 1969 Stonewall Riots, considered the birthplace of the LGBT rights movement, will World Premiere at the upcoming Toronto Film Festival, followed by a release in the theaters in the US on September 25th.
The independent film is written by John Robin Baitz, directed by Roland Emmerich, and stars Jeremy Irvine (War Horse), Jonny Beauchamp (“Penny Dreadful”), Caleb Landry Jones (X-Men: First Class), Joey King (White House Down) up-and-comers Karl Glusman, Vlademir Alexis, and Alexandre Nachi as well as veteran actorMatt Craven, with Jonathan Rhys Meyers (Match Point, “The Tudors”) and Ron Perlman (Hellboy)..
Less than 50 years ago, in 1969, being gay was considered a mental illness. Gay people could not be employed by the government. It was illegal for gay people to congregate, and police brutality against gays went unchecked.
STONEWALL is a drama about a fictional young man caught up during the 1969 Stonewall Riots. Danny Winters (Jeremy Irvine) is forced to leave behind friends and loved ones when he is kicked out of his parent’s home and flees to New York. Alone in Greenwich Village, homeless and destitute, he befriends a group of street kids who soon introduce him to the local watering hole The Stonewall Inn; however, this shady, mafia-run club is far from a safe-haven. As Danny and his friends experience discrimination, endure atrocities and are repeatedly harassed by the police, we see a rage begin to build. This emotion runs through Danny and the entire community of young gays, lesbians and drag queens who populate the Stonewall Inn and erupts in a storm of anger. With the toss of a single brick, a riot ensues and a crusade for equality is born.
Director Roland Emmerich, who also produced the film, says, “I was always interested and passionate about telling this important story, but I feel it has never been more timely than right now.” Less than 50 years ago, in 1969, being gay was considered a mental illness; gay people could not be employed by the government; it was illegal for gay people to congregate, and police brutality against gays went unchecked. Today, thanks to the events set in motion by the Stonewall riots, the gay rights movement continues to make incredible strides towards equality. In the past several weeks alone, the Boy Scouts of America has moved to lift its ban on gay leaders, the Pentagon will allow transgender people to serve openly in the military, and SCOTUS has declared that same-sex marriage is legal nationwide in all 50 states.
“It was the first time gay people said ‘Enough!'” explains Emmerich. “They didn’t do it with leaflets or meetings, they took beer bottles and threw them at cops. Many pivotal political moments have been born by violence. If you look at the civil rights movement, at Selma and other events of that kind, it’s always the same thing. Stonewall was the first time gay people stood up and they did it in their own way. Something that really affected me when I read about Stonewall was that when the riot police showed up in their long line, these kids formed their own long line and sang a raunchy song. That, for me, was a gay riot, a gay rebellion.”
“What struck me was that there was a story in there, which I felt had an important message – it’s the people who had the least to lose who did the fighting, not the politically active people. It was the kids that went to this club that consisted of hustlers and Scare Queens, and all kinds of people that you think would never resist the police, and they did it.” And the events they set in motion would have a profound impact on the future.


Award-winning film STORIES OF OUR LIVES that documents the hidden personal stories of lovers, fighters, rebels and the community histories that characterize the criminalized queer experience in Kenya, will open the