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  • 9 Indie Filmmakers with 6 Documentary Films Selected for Film Independent’s 2018 Documentary Lab

    [caption id="attachment_27705" align="aligncenter" width="1000"]Unapologetic Unapologetic[/caption] Nine filmmakers and six projects have been selected for Film Independent’s 2018 Documentary Lab, an intensive five-week program designed to help filmmakers who are currently in post-production on their feature-length documentary films. This year’s projects span the globe – from a film about undocumented youth in the US, to an indigenous family in the Andes standing up to one of the largest gold producers in the world, to an unexpected environmental film about invisible elves, the free market and the surprising power of belief told through an Icelandic grandmother’s quest to save a threatened landscape. “We’re delighted to welcome this talented group of filmmakers who will be joining us for the eighth year of the Documentary Lab from diverse regions across the US and as far away as Egypt,” said Jennifer Kushner, Director of Artist Development. “Through mentorship, career development and a lively collaborative work environment, the Lab provides support to filmmakers as they work to bring these meaningful nonfiction stories to audiences.” Through a series of meetings and workshops, the Documentary Lab provides creative feedback and story notes to participating filmmakers, while helping them strategize for the completion, distribution and marketing of their films. Additionally, the program serves to advance the careers of its Fellows by making introductions to film professionals who can advise on both the craft and business of documentary filmmaking. Lab Fellows attend multiple guest speaker and workshopping sessions with established documentary directors, institutional funders, legal professionals, festival programmers and distributors, and each is paired with an experienced Creative Advisor who provides one-on-one support and insight as the Fellows ready their projects for release. This year’s Documentary Lab Advisors and Guest Speakers include Ramona S. Diaz (Motherland), Greg Finton (Editor, A River Runs Through It, Dazed and Confused), Amy Halpin of the International Documentary Association, Alexandra Johnes (The Square), Senain Kheshgi of Majority Film, Jeff Malmberg (Spettacolo, Marwencol), Marjan Safinia (But You Speak Such Good English), Chris Shellen (Spettacolo, Marwencol) and Rahdi Taylor of Concordia Films (Blue Note). Notable past Documentary Lab projects include Tracy Droz Tragos and Andrew Droz Palmero’s Rich Hill; Marah Strauch’s Sunshine Superman; Sarita Khurana and Smriti Mundhra’s A Suitable Girl; Dustin Nakao Haider, Daniel Dewes and Derek Doneen’s Shot in the Dark; and Bing Liu and Diane Quon’s Minding the Gap, winner of the 2018 US Documentary Competition Award for Breakthrough Filmmaking at Sundance. Film Independent Artist Development promotes unique independent voices by helping filmmakers create and advance new work through its Filmmaker Labs (Directing, Documentary, Episodic, Producing and Screenwriting), Grants Program which awards over $800K annually to filmmakers, the Fast Track finance market, Fiscal Sponsorship and Project Involve, celebrating 25 years of mentoring the next generation of visual storytellers and working toward an inclusive industry. The 2018 Documentary Lab projects and Fellows are: Title: I am a Script Girl Director/Producer: Mina Nabil Logline: I Am a Script Girl is an up close and personal examination of the life, challenges and career of the unstoppable Sylvette Baudrot who at 89-years old recounts her journey from Egypt to Paris where she became a trusted confidant to the great auteurs of 20th century cinema. Title: Pathways Director: Florencia Krochik Logline: Pathways tells the stories of six “DACA-mented” & undocumented youth and the struggles they face pursuing higher education. The film weaves together their captivating stories and explores the crippled US immigration policies that have led to the hardships they and their families face. Title: Sage Country Director: Yuri Chicovsky Producer: Lauren Blair Logline: A Colorado sheep rancher who inherits a beloved piece of land and way of life must come to terms with his legacy and his life’s dream. Title: The Seer and the Unseen Director/Producer: Sara Dosa Producer: Shane Boris Logline: The Seer and the Unseen is an unexpected environmental film about invisible elves, the free market and the surprising power of belief told through an Icelandic grandmother’s quest to save a threatened landscape – and the beloved home her family has lived in for generations. Title: Unapologetic Director: Ashley O’Shay Logline: After two Black Chicagoans are murdered by the police, young Black citizens begin challenging the city’s corrupt policies while redefining the meaning of community organizing. Unapologetic goes behind the veil with two Black, queer women, providing an intimate peek into the personal lives that sustain a movement. Title: Untitled Claudia Sparrow Documentary Director: Claudia Sparrow Producer: Ryan Schwartz Logline: An indigenous family from the Andes stands up to one of the largest gold producers in the world defending their right to live off their land and protect natural resources from devastating corporate greed.

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  • Coming Soon: Susan Sarandon, Edie Falco and Matt Bomer Star in Maryam Keshavarz’s VULTURE CLUB

    [caption id="attachment_27698" align="aligncenter" width="1200"]Susan Sarandon, Edie Falco and Matt Bomer Star in Maryam Keshavarz's VULTURE CLUB Susan Sarandon, Edie Falco and Matt Bomer Star in Maryam Keshavarz’s VULTURE CLUB[/caption] YouTube has completed principal photography on the upcoming film VULTURE CLUB starring Academy Award-winner Susan Sarandon and award-winning actors Edie Falco and Matt Bomer. In VULTURE CLUB, a veteran emergency room nurse secretly struggles to free her grown son, a journalist, from capture by a terrorist group. After running into roadblocks with government agencies, she discovers a clandestine community of journalists and advocates who might be able to help her. VULTURE CLUB will debut in theaters and then on YouTube Red later this year. VULTURE CLUB was directed by Maryam Keshavarz (writer-director of Circumstance) and was co-written with Jonathan Mastro. This powerful film is a thought-provoking story about a mother forced to take drastic measures to try and save her only son. “VULTURE CLUB follows the singular journey of a woman abandoned by her government who finds community in the most unexpected places,” says Maryam Keshavarz. “It’s an honor to work with Susan Sarandon, Edie Falco and Matt Bomer who are the incredible talents and an innovator like YouTube to tell this timely story.” “This emotional drama grapples with relevant issues journalists around the world face today. Maryam Keshavarz lends her powerful perspective as an Iranian-American filmmaker, and Susan Sarandon’s moving performance immediately drew us into this compelling film,” said Susanne Daniels, Global Head of Original Content, YouTube. “We are excited to be in business with Anna Gerb, Neal Dodson, and J.C. Chandor and work with the extremely talented cast of Vulture Club.” VULTURE CLUB features Academy Award and BAFTA Award-winning actress Susan Sarandon (Dead Man Walking, Thelma & Louise) who plays “Helen” a mother desperate to rescue her son. Sarandon was recently nominated for a 2017 Primetime Emmy Award, Golden Globe and a SAG Award for Feud. Primetime Emmy, Golden Globe, and Screen Actors Guild Award-winning actress Edie Falco (The Sopranos, Nurse Jackie) plays “Charlotte” who is also the mother of a journalist. Golden Globe Award-winning and Primetime Emmy-nominated actor Matt Bomer (Normal Heart, White Collar, Magic Mike) plays “Sam,” a journalist who is trying to help Helen save her son. Julian Morris (Pretty Little Liars, Mark Felt) plays Helen’s son “Andy,” a war journalist covering dangerous international events. Rounding out the cast are Lola Kirke (Mozart In The Jungle, Gone Girl) who plays “Amy” the mother of a patient at the hospital, Adepero Oduye (12 Years A Slave, The Big Short) plays “Keesha,” the head emergency room nurse at the hospital, and Sheila Vand (Whiskey Tango Foxtrot, Girl Walks Home Alone At Night) as “Sheila,” a journalist and Andy’s former girlfriend.

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  • Faith-Based Documentary “Fragments of Truth” in Theaters One Night Only – April 24 | Trailer

    Fragments of Truth The debate over the reliability of the New Testament changes in “Fragments of Truth,” coming to U.S. movie theaters this April for a special one-night event. Famed evangelical New Testament scholar and author Dr. Craig Evans discusses new evidence concerning Gospel manuscripts that allegedly reinforce the New Testament’s authenticity. The feature content will be followed by an exclusive Q&A with director Reuben Evans and Dr. Craig Evans. Fathom Events and Faithlife Films partner to present “Fragments of Truth” in nearly 750 U.S. movie theaters on Tuesday, April 24 at 7:00 p.m. local time, through Fathom’s Digital Broadcast Network (DBN). For a complete list of theater locations, visit the Fathom Events website (theaters and participants are subject to change). Is the Bible trustworthy? In this new documentary from Faithlife Films, narrated by actor John Rhys-Davies (“Indiana Jones,” “Lord of the Rings”), Dr. Craig Evans takes this question head on, traveling the globe to track down the most ancient New Testament manuscripts. Along the way, he highlights groundbreaking new evidence that is changing the debate. Audiences will hear from scholars who have devoted their lives to learning and discovering how the evidence for the reliability of the New Testament manuscripts is stronger than ever. “Questions regarding the reliability of the Bible have been debated by scholars worldwide for centuries,” Fathom Events CEO Ray Nutt said. “‘Fragments of Truth’ will give audiences of all ages new understanding on the power of the New Testament and ultimately help strengthen their faith.” “The challenges to the reliability of the Gospels have never been greater,” said director Reuben Evans. “But when we heard about the latest research Dr. Craig Evans published, we knew this was a story that we had to tell.” https://www.youtube.com/watch?v=5GZrU7NT210

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  • I CAN ONLY IMAGINE Hits High Note As #1 New Indie Film At The Box Office | Trailer

    Bart Millard (John Michael Finley) and Amy Grant (Nicole DuPort) rehearse in the new film I CAN ONLY IMAGINE releasing March 16, 2018. Courtesy of Lionsgate and Roadside Attractions. Roadside Attractions is celebrating today – the Erwin Brothers faith-based family drama I Can Only Imagine shattered pre-weekend tracking expectations to become #3 at the box-office this weekend and the #1 faith-based movie of 2018.  The film took in an estimated $17,064,640 for a per-screen average of $10,475 from 1,629 locations in North America. The film received a rare A+ CinemaScore with an audience that was 67% female and 80% over 35. The weekend estimates include an exceptional $6,234,535 for Friday; $5,983,485 on Saturday; and a projected $4,846,620 for today. Roadside Attractions co-president Howard Cohen commented, “When we first saw this incredibly well-crafted, emotional and moving film, we jumped on the opportunity to work with the Erwins and their team and our partners at Lionsgate on I Can Only Imagine. And we were not disappointed. This is Roadside’s highest grossing opening ever! With the trifecta of the song’s double platinum crossover appeal, the Erwin brothers success with such films as Moms’ Night Out and Woodlawn plus world-class talent like Dennis Quaid on board, we felt that the film’s inspiring story of hope and forgiveness made for a very compelling collaboration. With an A+ Cinemascore, we expect I Can Only Imagine will continue to play solidly through the Easter holiday and well into Spring.” “Howard, Eric, and the team at Roadside are incredibly talented and resourceful partners,” said Lionsgate Motion Picture Group Co-Chair Joe Drake. “Their belief in this film, coupled with the vision of the filmmakers and our acquisition group’s ability to spot an amazing property, shows once again the vitality of the market for faith-based films.” Producer Kevin Downes said, “We are so thankful to our amazing team and all the partners who worked so hard alongside us to get this story out.” Andrew Erwin, co-director & co-editor added, “God’s hand has been on this song and on this story from the beginning. We are delighted to see a story about forgiveness and redemption connect with so many people. We are humbled for the privilege of telling Bart’s story.” Jon Erwin, co-director & co-screenwriter said, “We are amazed and humbled to see the response to this story. We set out to honor Bart Millard’s journey and the band’s amazing, life-changing song. It’s our privilege to watch this film engage in such a powerful way with the audience.” Word of mouth, media attention, grassroots marketing and social media sharing drove audiences to the theater this weekend. Campaign highlights included coordinated field marketing and talent PR with a number of initiatives, including a partnership targeting MercyMe’s latest tour. The company also promoted the forthcoming film strongly on Christian radio and at faith-based events. Heading into the weekend, there were more than 130 million combined views on the film’s trailers and marketing materials online. Additionally, the I Can Only Imagine trailer was featured ahead of screenings of Lionsgate’s box office hit Wonder, which grossed nearly $300 million worldwide. I Can Only Imagine is the latest faith-based film from Lionsgate following breakout successes including double Oscar® winner Hacksaw Ridge and The Shack. The film will be distributed through Lionsgate’s IDC joint venture in Latin America, where The Shack was a massive hit in Brazil. I Can Only Imagine is the fourth feature for the Erwin Brothers, whose previous films included October Baby, Moms’ Night Out and Woodlawn. The screenplay was written by Jon Erwin & Brent McCorkle from a story by Jon Erwin & Brent McCorkle and Alex Cramer. I Can Only Imagine was produced by Kevin Downes, Cindy Bond, Daryl Lefever, Mickey Liddell, and Pete Shilaimon. Travis Mann, Tony Young, Scott Brickell and Simon Swart served as executive producers. The film features an all-star cast including Golden-Globe® nominee Dennis Quaid (The Day After Tomorrow, The Rookie, Soul Surfer), Oscar®-winner Cloris Leachman (The Iron Giant, The Last Picture Show, Young Frankenstein), platinum-selling country music legend Trace Adkins, author and actress Priscilla Shirer (War Room), Madeline Carroll (Mr. Poppers Penguins) and Broadway’s J. Michael Finley (“Les Miserables”). I Can Only Imagine brings to life the true story behind the song of ultimate hope, “I Can Only Imagine.” A transformed relationship with his troubled father inspired Bart Millard, the lead singer of the Christian band MercyMe, to write what is now the most-played radio single in Christian music history. A gripping reminder of the power of forgiveness, I Can Only Imagine beautifully illustrates that no one is ever too far from God’s love — or from an eternal home in Heaven. https://www.youtube.com/watch?v=fm_zzAMuvyQ Image credit: Bart Millard (John Michael Finley) and Amy Grant (Nicole DuPort) rehearse in the new film I CAN ONLY IMAGINE releasing March 16, 2018. Courtesy of Lionsgate and Roadside Attractions.

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  • “Yellow Fever” Starring Jenna Ushkowitz and Scott Patterson Held Its Star-Studded LA Premiere | Trailer

    [caption id="attachment_27648" align="aligncenter" width="1200"]Jenna Ushkowtiz (L) and Kat Moon (R) at the LA Premiere of "Yellow Fever." Photo credit: Gillian Perry Jenna Ushkowtiz (L) and Kat Moon (R) at the LA Premiere of “Yellow Fever.” Photo credit: Gillian Perry[/caption] The Stars came out on Wednesday, March 14th for the Los Angeles premiere and Q&A of the feature film “Yellow Fever.” On hand were writer-director Kat Moon, the film’s star Jenna Ushkowitz (SAG Award winner for Glee), Producer Jan Daube, Josh Sussman (Glee), Emily Sandifer (The Tale), Nicole Bilderback (Good Girls), Elizabeth Carlisle (The Rich and the Ruthless), Michael Lowry (Emmy nominee and Yellow Fever Co-Star), Johnathan Tchaikovsky (Wolf of Wall Street and Yellow Fever Co-Star) and many more. The film was followed by a Q&A which was moderated by TV Host Katie Hope. [caption id="attachment_27649" align="aligncenter" width="1200"]Glee reunion!! Josh Sussman (L) and Jenna Ushkowitz (R) share a laugh at the LA Premiere of "Yellow Fever." Photo credit: Gillian Perry. Glee reunion!! Josh Sussman (L) and Jenna Ushkowitz (R) share a laugh at the LA Premiere of “Yellow Fever.” Photo credit: Gillian Perry.[/caption]

    About the film

    Asia Bradford (Ushkowitz) was adopted from Korea by white people, so she doesn’t speak Korean. She apparently doesn’t speak New York either, because everyone seems to think she’s from somewhere else. “Stop asking me where I’m from! I get it .. I’m Yellow!” she angrily writes on her blog. It’s bad enough that everyone in New York seems to think she’s not American, but to top it all off, her “culturally sensitive,” whitebread parents decided to dress up in Korean hanboks for the annual Christmas card this year! Seriously. So, where does she actually fit in if she feels like she doesn’t belong in her family, New York or even her so-called “motherland?” Her salvation comes in an odd package – an “old ugly white dude,” (Patterson) who’s just moved back to New York after living in Korea for over a decade. “Yellow Fever” was written and directed by NYC native Kat Moon who pulled from her own experiences growing up in the US as an Asian woman struggling with her identity and hopes this film will be the first of many more to come to show strong Asian female characters on the screen as well as working behind the camera.

    Trailer

    https://vimeo.com/238186503 via

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  • “St Pete Unfiltered” Documentary Examines St. Petersburg, Florida Sewage Cover-up | Trailer

    St Pete Unfiltered The documentary St Pete Unfiltered examines the city of St. Petersburg’s chronic and continued dumping and spilling of raw and partially treated wastewater into Tampa Bay, its surrounding surface waters, and the Florida Aquifer.  The film makes its world premiere at the Gasparilla International Film Festival at the AMC Centro Ybor March 24, 2018 at 1p.m. “Most shocking to me is the city’s negligence and the fact that citizens either aren’t aware of the dumps or they believe that they have been resolved,” says executive producer Caroline Smith. “Not only does the city continue spilling wastewater, our beaches regularly fail routine water tests and this administration focuses its energy and its resources perpetuating a cover up.” St Pete Unfiltered In April 2015 St. Petersburg shuttered one of its four water reclamation facilities, decreasing sewage treatment capacity by 25%. Over the next two years, a series of rain events caused the city to illegally and willfully dump 200-million gallons of raw sewage into Tampa Bay. In addition, the city continued pumping over 800-million gallons of partially treated sewage into the bay, the aquifer, and the area’s surrounding surface waters. “For a city that claims to be the greenest in the state, St. Petersburg has a problem actually living up to that moniker,” says producer and writer Brandon D. Shuler. “St. Pete has a greenwashing habit where they like to brush over the real issues that they are polluting our environment and threatening our drinking waters with its weak solutions. The current administration is covering up the threats they are exposing their citizens to.” Under a self-defined consent order with the Florida Department of Environmental Protection, St. Petersburg has adopted the use of underground injection wells to pump its partially treated waste water into the Florida Aquifer. Following the idea that all waters are connected through the significant nexus, the use of injection wells merely gets waste pollution out of sight and mind while threating the integrity of the region’s drinking waters. St Pete Unfiltered exposes the city’s perpetration of the worst sewage spill in Florida’s history. The documentary premieres March 24, 2018 at 1p.m. at the AMC Centro Ybor. https://vimeo.com/254616947   https://vimeo.com/259796484

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  • Music Documentary “Elvis Presley: The Searcher” Debuts April 14 on HBO | Trailer

    “Elvis Presley: The Searcher,” the two-part music documentary chronicling his creative journey from childhood through the final 1976 Jungle Room recording sessions, will debut Saturday, April 14 (8:00-11:30 p.m. ET/PT) on HBO. The documentary includes stunning atmospheric shots taken inside Graceland, Elvis’ iconic home, and features more than 20 new, primary source interviews with session players, producers, engineers, directors and other artists who knew him or who were profoundly influenced by him. It also features never-before-seen photos and footage from private collections worldwide, and an original score by Pearl Jam lead guitarist Mike McCready. Among those offering insights into Elvis are: Priscilla Presley, Elvis’ ex-wife; his guitarist, Scotty Moore; childhood friend Red West; historians Bill Ferris, Bill Malone and Portia Maultsby; writers Alan Light, Preston Lauterbach, Nik Cohn and Warren Zanes; music executives John Jackson, David Porter, Ernst Jorgensen and Bones Howe; and musicians Tom Petty, Bruce Springsteen, Emmylou Harris and Robbie Robertson. The first part details: Elvis’ early life in Tupelo, Miss., where he soaked up both black and white gospel music, and Memphis, where he sought out rhythm and blues and country music; his initial encounter with Sun Records producer Sam Phillips, who teamed him with Scotty Moore and bassist Bill Black to record the seminal hit “That’s All Right”; his early years of touring, mostly in the South, which burnished his reputation as a rising star; and his decision to sign with a national label, RCA Records, after his manager, Col. Tom Parker, bought out his Sun contract. Also featured in part one: his unprecedented rise to fame over a single year, 1956, with a string of hit records and memorable TV performances, beginning with his electrifying performances on the Dorsey Brothers and Milton Berle shows, and capped by “The Ed Sullivan Show”; his long-held desire to break into movies, and success in early films like “Love Me Tender” and “Jailhouse Rock”; the death of his beloved mother, Gladys, just after he had purchased Graceland, a Memphis estate; and his two-year Army stint in Germany (1958-1960), during which he met his future wife, Priscilla Beaulieu. The second part includes: Elvis’ return home after his Army discharge, when he was still a huge star and making hit records like “It’s Now or Never,” but facing a rapidly changing pop-music scene; Col. Parker’s efforts to pair Elvis with the likes of Frank Sinatra on TV to ensure a long and lucrative mainstream career; a seven-year period making an endless string of lightweight, music-infused movies, which stunted his musical growth and alienated many fans; and his triumphant TV comeback in 1968, a tumultuous year marked by social unrest and the deaths of Martin Luther King, Jr. and Robert F. Kennedy, which troubled Elvis deeply. Also featured in part two: his commitment, orchestrated by Col. Parker, to an extended Las Vegas residency punctuated by over-the-top concerts featuring dozens of musicians and singers (The Sweet Inspirations, The Jordanaires); the Aloha from Hawaii concert, which reached billions via satellite, and was Parker’s response to Elvis’ repeated pleas to tour internationally, which he never did; his declining health in the 1970s, brought on by a grueling schedule of more than 100 concerts annually and an increased reliance on prescription drugs; his emotional recording of “Separate Ways,” which preceded his 1973 divorce from Priscilla; and his decision in 1976 to stage a marathon recording session in Graceland’s Jungle Room, where he cut dozens of songs, including the memorable “Hurt.” After the Jungle Room sessions, Elvis went back on tour, a shell of his former self. He died at Graceland on Aug. 16, 1977. RCA/Legacy Recordings, a division of Sony Music Entertainment, will release “Elvis Presley: The Searcher”, the musical companion to the documentary, on Friday, April 6. It will be available in digital and physical configurations. Director Thom Zimny’s previous HBO credits include the Bruce Springsteen documentaries “The Ties That Bind,” “Bruce Springsteen’s High Hopes” and “The Promise: The Making of ‘Darkness on the Edge of Town’.” https://www.youtube.com/watch?v=qULBo4iPV8M

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  • MOUNTAIN Narrated by Willem Dafoe Opens May 18th | Trailer

    Mountain directed by Jennifer Peedom, and narrated by Willem Dafoe Mountain directed by Jennifer Peedom, and narrated by Willem Dafoe is a unique documentary that explores our fascination with mountains, and accompanied by a classical score from the Australian Chamber Orchestra.  The film will open theatrically on May 18th, 2018. Only three centuries ago, setting out to climb a mountain would have been considered close to lunacy. Mountains were places of peril, not beauty, an upper world to be shunned, not sought out. Why do mountains now hold us spellbound, drawing us into their dominion, often at the cost of our lives? From Tibet to Australia, Alaska to Norway armed with drones, Go-Pros and helicopters, director Jennifer Peedom has fashioned an astonishing symphony of mountaineers, ice climbers, free soloists, heliskiers, snowboarders, wingsuiters and parachuting mountain bikers. Willem Dafoe provides a narration sampled from British mountaineer Robert Macfarlane’s acclaimed memoir Mountains of the Mind , and a classical score from the Australian Chamber Orchestra accompanies this majestic cinematic experience. https://www.youtube.com/watch?v=lxtWMOAHoiI

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  • Watch Trailer for Wim Wenders’ Documentary “Pope Francis – A Man of His Word”

    Pope Francis - A Man of His Word
    Pope Francis – A Man of His Word (Focus Features / screenshot)

    Focus Features has released the official trailer for Wim Wenders’  Pope Francis – A Man of His Word, the new documentary feature with Pope Francis.

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  • Emmanuel Vaughan-Lee’s Short Doc EARTHRISE Featuring Apollo 8 Astronauts to World Premiere at Tribeca Film Festival | Trailer

    [caption id="attachment_27608" align="aligncenter" width="1200"]Earthrise The original “Earthrise” image, 1968. Photo credit: Bill Anders/NASA.[/caption] In Earthrise, the short documentary film from Emmanuel Vaughan-Lee, the Apollo 8 astronauts recount their memories of capturing the first image of Earth from space in 1968. The film will world premiere at the upcoming 2018 Tribeca Film Festival on Saturday, April 21, 2018. Earthrise tells the story of the first image captured of the Earth from space in 1968. Told solely by the Apollo 8 astronauts, – Bill Anders, Frank Borman, and Jim Lovell – the film recounts their experiences and memories and explores the beauty, awe, and grandeur of the Earth against the blackness of space. This iconic image had a powerful impact on the astronauts and the world, offering a perspective that transcended national, political, and religious boundaries. Told 50 years later, Earthrise compels us to remember this shift and to reflect on the Earth as a shared home. (Runtime: 29 Minutes)

    The Filmmaker

    Emmanuel Vaughan-Lee is an award-winning filmmaker, musician and composer. His work has been featured on National Geographic, PBS, The New York Times, The New Yorker, The Atlantic, Outside Magazine, exhibited at The Smithsonian and screened at festivals worldwide including Tribeca Film Festival, New York Film Festival, SXSW and many others. He has directed numerous acclaimed films including Sanctuaries of Silence, Marie’s Dictionary, Isle de Jean Charles, Yukon Kings, Elemental, Barrio de Paz and What Would it Look Like. Prior to his work in film, Emmanuel performed with some of the biggest names in Jazz, as well as releasing two critically acclaimed records Previous Misconceptions and Borrowed Time.

    Trailer

    2018 Tribeca Film Festival Screening Info

    Public Screenings of Earthrise at Tribeca Film Festival 2018 Screening in the Shorts Program: Home Sweet Home Saturday, April 21, 2018 – 6:30 PM Regal Cinemas Battery Park Tuesday, April 24, 2018 – 5:30 PM Regal Cinemas Battery Park Wednesday, April 25, 2018 – 5:00 PM Regal Cinemas Battery Park Saturday, April 28, 2018 – 3:45 PM Cinépolis Chelsea

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  • See 2 New Posters for LOVE AFTER LOVE Featuring  Chris O’Dowd and Andie MacDowell | Trailer

      LOVE AFTER LOVE | New Posters | Chris O'Dowd and Andie MacDowell Love After Love, a film by Russell Harbaugh, and starring Chris O’Dowd, Andie MacDowell, James Adomian, Juliet Rylance, Dree Hemingway, has released two new posters – one featuring Chris O’Dowd, and another one featuring Andie MacDowell.  IFC Films will release Love After Love at the IFC Center in New York on March 30th
    What happens when you lose the foundation of your family? In the wake of a husband and father’s death, the family members he leaves behind find themselves adrift—and in danger of drifting apart—as they each try to find meaning in a world without the man who held them together. Mother Suzanne (Andie MacDowell) tentatively seeks companionship—but her attempts at dating only drive a wedge between her and older son Nicholas (Chris O’Dowd), whose own relationship with his girlfriend is disintegrating. Meanwhile, younger son Chris (James Adomian) deals with grief in his own complicated—and increasingly worrying—way. What plays out between the trio is a beautifully observed, powerfully emotional journey that speaks to the strength of family ties.

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  • 6 Indie Filmmakers to Compete in Seattle International Film Festival’s 2018 Fly Filmmaking Challenge

    [caption id="attachment_27596" align="aligncenter" width="1200"]2018 SIFF Fly Filmmakers are Jeff Barehand (Olympia), Graham Bourque (Ellensburg), Myisa Plancq-Graham (Seattle), Elliat Graney-Saucke (Seattle), Kendra Ann Sherrill (Spokane), Masahiro Sugano (Tacoma) 2018 SIFF Fly Filmmakers are (top row: l – r) Jeff Barehand (Olympia), Graham Bourque (Ellensburg), Myisa Plancq-Graham (Seattle), (bottom row: l – r) Elliat Graney-Saucke (Seattle), Kendra Ann Sherrill (Spokane), Masahiro Sugano (Tacoma)[/caption] The Fly Filmmaking Challenge organized in partnership with Washington Filmworks, returns to the 2018 Seattle International Film Festival (SIFF) after a three year hiatus. For the first time ever, the Fly Filmmaking Challenge hit the road and invited filmmakers from cities across the state to participate. “As a statewide entity that works closely with creative industries, Washington Filmworks knows first hand how creativity and creative professionals transform communities both culturally and economically,” said Amy Lillard, Executive Director of Washington Filmworks. “The six filmmakers selected for this year’s Challenge have chosen to showcase a diverse group of people and places from their community which make a delightful, inspired, and unforgettable program for SIFF audiences.” Each filmmaker chose a creative professional living in their community as the subject of their documentary film. From a fashion professional to a creative technologist, from a woodworker to a literary artist, SIFF audiences will experience an intimate look inside each artisan’s creative process and understand how their work benefits the quality of life in the city which they live and work. Given only 10 weeks to plan, produce, and complete a short 5-7 minute documentary short within the creative challenges, filmmakers must think on their feet to present the most compelling film. “Documentary projects often afford months to years of production but this year’s team said they are up to the challenge.” said Dustin Kaspar, SIFF’s Education Programs Manager. “The abbreviated production timeline engages their creative instincts and provides a showcase of their visionary talent through another artist’s process. The final program features six short films by filmmakers from across the state, intended to shine a light on Washington’s far-reaching and inspired creative industries. The 2018 Fly Filmmakers are Jeff Barehand (Olympia), Graham Bourque (Ellensburg), Myisa Plancq-Graham (Seattle), Elliat Graney-Saucke (Seattle), Kendra Ann Sherrill (Spokane), Masahiro Sugano (Tacoma). The Fly Filmmaking Challenge is scheduled to premiere on Monday, May 28 and will screen again on Wednesday, June 6.

    The Filmmakers

    Jeff Barehand

    Jeff is an enrolled citizen of the Gila River Indian Community of Arizona. He studied at the Studio Theatre Acting Conservatory in Washington, D.C. and filmmaking at the American Indian Arts Institute’s intensive filmmaking workshop sponsored by ABC/Disney. He is a founding member of the non-profit, the Olympia Film Collective, a South Sound premiere filmmaking hub. He is co-owner of Sky Bear Media, a video production company specializing in producing media for Tribes, Native organizations, and Tribal youth programs. He is a Sundance Native Lab fellow and also the current Board Chair of Red Eagle Soaring, Seattle’s only Native youth theatre program.

    Graham Bourque

    Graham is a filmmaker living in Ellensburg, Washington. He graduated from Central Washington University in 2017 with a degree in Film Production, and has produced a number of short films, documentaries, and commercials. During his senior year, he produced Todd’s Vlog which won 1st place in the narrative short film category at the BEA Festival of Media Arts 2017.

    Elliat Graney-Saucke

    Elliat is a documentary filmmaker focused on equity and cultural knowledge exchange. Currently acting President of the Seattle Documentary Association, Elliat is completing her second feature documentary Boys on the Inside, about ‘boy’ culture in women’s prisons. She is also completing the documentary Art Heart: Children of Riot Grrrl with Celeste Chan, about coming of age in riot grrrl, queercore culture. After seven years in Berlin producing content in eight countries, she is back in Seattle as an organizer and teacher at Northwest Film Forum and Director of Elliat Creative, LLC.

    Myisa Plancq-Graham

    San Francisco native, Myisa, began her photography career exploring the streets of Atlanta in 2011. Her growing appreciation for photography and videography culminated in the creation of Annie Graham Imagery. Creating content by, about and for Black people is her primary filmmaking incentive. Myisa serves as lead director, videographer, and editor for documentary short series UNCODE, highlighting people and stories of the African Diaspora.

    Kendra Ann Sherrill

    Kendra Ann is an award-winning filmmaker from Spokane, WA. Many of her short films have screened at local film festivals such as the National Film Festival for Talented Youth, Seattle Shorts Film Festival, Local Sightings Film Festival, and Reel NW. She is a graduate of the Eastern Washington University’s Film Program, where she received the Best Director and Best Screenplay awards, and was a finalist for the the DGA Student Film Awards. Kendra also serves as the Assistant Director for the Spokane International Film Festival and works full time as an editor and producer for the Emmy award-winning television series Washington Grown.

    Masahiro Sugano

    Masahiro, a Sundance Film Festival alumnus, is an award winning filmmaker whose accolades stretch from a Student Academy Award nomination in 1997 to his most recent 2016 Documentary Award given by the National Asian American Journalists Association. In 2013 he received the Center for Asian American Media’s Innovation Fund for his series “Verses in Exile,” currently hosted on PBS.org. Masahiro’s second feature, Cambodian Son is winner of several awards including the Best Documentary Award at CAAMFEST 2014 and the Audience Choice Award at Bali International Film Festival 2015. As co-founder of artist-ran media lab Studio Revolt, Masahiro creates short films on a variety of societal issues such as deportation. He’s also a pioneering force in the art of spoken word videos. Earning a B.A. in Philosophy from California State University, Northridge, Masahiro went on to earn an M.F.A. in Film from University of Illinois, Chicago. Masahiro currently resides in Tacoma, WA and serves as an Artist-in-Residence at the University of Washington, Bothell.

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