“Looking for a solution.” Film still from ESCAPE.[/caption]
The animated short film Escape, a sequel to two-time Daytime Emmy Award-winning short Silent, premiered at the 2017 Tribeca Film Festival on Saturday, April 22, in New York. Escape is the story of a lone space explorer who crash-lands on a desolate planet and must find a way to make her new home habitable.
Dolby Laboratories united the creative talents of Emmy® winning director Limbert Fabian and Academy Award® winning co-director Brandon Oldenburg, who represent the creative leadership of the newly formed Flight School Studio, with the musical talents of Imogen Heap, the only solo recording artist and also the first woman to win a Grammy for engineering. In addition, Dolby’s Angus McGilpin and Vince Voron, the team behind Silent, collaborated to bring visual design and audio expertise to Escape.
Combining techniques such as miniatures and animation with the spectacular imaging of Dolby Vision and the moving audio of Dolby Atmos, Escape invites the audience to experience a joyous vision of the future. With her love of technology and her passion for the project, the Grammy-winning solo recording artist Imogen Heap composed, performed and produced the song Magic Me for the film. Heap added her amazing voice and music to an original soundtrack, working alongside BAFTA winning sound designer Nick Ryan to mesh the sound fx into the music, creating a truly unique listening experience to complement the animation. Heap will release Magic Me in conjunction with the film’s premiere.
To create the beautiful and dynamic world, the team developed a model of the planet’s landscape that was designed to combine purposeful structures with organic, vine-like elements in a way that permitted light to flow throughout the space. The film avoids dialogue and instead uses facial expressions, visual effects and music to communicate with a global audience, making sound an integral part of the movie experience.
“The film is a cinematic poem about the world-changing power of invention and is a fitting sequel to Silent in which our character experienced the evolution of film technology from the silent-film era to the present day,” said Vince Voron, the film’s Executive Producer and Vice President and Executive Creative Director of Dolby Laboratories. “We have been investing in original branded content to inspire our consumers, filmmakers and partners and celebrate the powerful storytelling possibilities when art and science come together.”
https://www.youtube.com/watch?v=H46Kil1k-m8Films
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Tribeca 2017: Watch Animated Short Film ESCAPE that World Premiered at Festival | Video
[caption id="attachment_22027" align="aligncenter" width="1200"]
“Looking for a solution.” Film still from ESCAPE.[/caption]
The animated short film Escape, a sequel to two-time Daytime Emmy Award-winning short Silent, premiered at the 2017 Tribeca Film Festival on Saturday, April 22, in New York. Escape is the story of a lone space explorer who crash-lands on a desolate planet and must find a way to make her new home habitable.
Dolby Laboratories united the creative talents of Emmy® winning director Limbert Fabian and Academy Award® winning co-director Brandon Oldenburg, who represent the creative leadership of the newly formed Flight School Studio, with the musical talents of Imogen Heap, the only solo recording artist and also the first woman to win a Grammy for engineering. In addition, Dolby’s Angus McGilpin and Vince Voron, the team behind Silent, collaborated to bring visual design and audio expertise to Escape.
Combining techniques such as miniatures and animation with the spectacular imaging of Dolby Vision and the moving audio of Dolby Atmos, Escape invites the audience to experience a joyous vision of the future. With her love of technology and her passion for the project, the Grammy-winning solo recording artist Imogen Heap composed, performed and produced the song Magic Me for the film. Heap added her amazing voice and music to an original soundtrack, working alongside BAFTA winning sound designer Nick Ryan to mesh the sound fx into the music, creating a truly unique listening experience to complement the animation. Heap will release Magic Me in conjunction with the film’s premiere.
To create the beautiful and dynamic world, the team developed a model of the planet’s landscape that was designed to combine purposeful structures with organic, vine-like elements in a way that permitted light to flow throughout the space. The film avoids dialogue and instead uses facial expressions, visual effects and music to communicate with a global audience, making sound an integral part of the movie experience.
“The film is a cinematic poem about the world-changing power of invention and is a fitting sequel to Silent in which our character experienced the evolution of film technology from the silent-film era to the present day,” said Vince Voron, the film’s Executive Producer and Vice President and Executive Creative Director of Dolby Laboratories. “We have been investing in original branded content to inspire our consumers, filmmakers and partners and celebrate the powerful storytelling possibilities when art and science come together.”
https://www.youtube.com/watch?v=H46Kil1k-m8
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Tribeca 2017: 80’s NY Street Artist Richard Hambleton is Still Here in SHADOWMAN | Trailer
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Richard Hambleton in SHADOWMAN. Photographer: Hank OíNeal.[/caption]
Richard Hambleton is not here for your consumption, you consumer. Richard is here to paint, and get your money so that he can be happy with his best friend “his drugs.” Yes you the consumer thought you were playing Richard by commissioning and controlling him with your promises of fame, apartments, and money, but in the end it’s Richard the addict that’s pulling the strings, he is the puppet master.
Richard Hambleton is the subject of the documentary Shadowman, directed by Oren Jacoby, that world premiered at the 2017 Tribeca Film Festival.
As an artist, I connected with Richard; he ran within the circles of Keith Haring, Jean Michel Basquiat and now he’s the only living legend that comes to my mind from that era. Everybody wanted and wants a piece of that art era, which tormented the soul of Basquiat and Harring, and they both verbally expressed their distaste at being commissioned and controlled by the money. But, unlike Haring and Basquiat, at the height of his career Richard QUIT, yes he quit and traveled the world. Richard is a non conformist, he knows his talent, he knows his value, and just like he knows his drugs, he also knows that to the art dealer his art is their drug. He dangles his best work in front of their greedy faces, but refuses to sell that painting – once again showing he is in control. In the film, an art dealer offers Richard an apartment in the Trump Hotel, and in return Richard had to give him only one painting a month. The gallery that brokered that deal called Richard to check the status of the painting and explained to him that the dealer was being generous by letting him stay at the Trump Hotel for free because the rooms go for $40,000 a month, Richard’s response was yes but I’m giving him one painting a month and my paintings sell for over a million dollars each – leaving the gallery rep speechless. As I stated before Richard knows his drug, but he also knows theirs.
https://www.youtube.com/watch?v=eUPXecA3Isg
I give Shadowman 5 stars and would highly recommend this documentary I felt a range of emotions as I watched it from sadness, empathy to victory because as an artist I definitely related. Great job to the entire team.
Director: Oren Jacoby
Cinematographer: Oren Jacoby, Tom Hurwitz, Bob Richman
Editor: Abhay Sofsky
Composer: Joel Goodman
Executive Producer: Andy Valmorbida, Julie Goldman, Christopher Clements, Carolyn Hepburn,
Producer: Oren Jacoby
Co-Producer: Hank O’Neal, Eric Forman, Clayton Patterson
Field Producer: Maria Gabriella Pezzo
Coordinating Producer: Sam Jinishian
Cast: Richard Hambleton
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Tribeca 2017: A RIVER BELOW Documents the Efforts to Save the Pink River Dolphin in the Amazon | Trailer
[caption id="attachment_22009" align="aligncenter" width="1200"]
The Amazon River. Film still from A RIVER BELOW. Photo credit: Helkin RenÈ Diaz.[/caption]
A River Below directed by Mark Greico is an investigative journey into the Amazon that follows a TV star and a renowned marine biologist as they each attempt to save the endangered pink river dolphin from being hunted to extinction.
The film has its World Premiere at the 2017 Tribeca Film Festival in the Documentary competition.
A River Below captures the Amazon in all its complexity as it examines the actions of environmental activists using the media in an age where truth is a relative term. The film follows a reality TV star and a renowned marine biologist as they each attempt to save the Amazon pink river dolphin from being hunted to extinction. With gorgeous, sweeping aerial views we gain perspective from above, but as the film plunges deep into the murky, tangled rivers, we uncover a scandal that has no simple solution. A RIVER BELOW is a completely unexpected film – a knotty poem of duality and dissonance and a journey into ourselves as we attempt to better this world.
Director Mark Greico’s last film MARMATO was an official selection at the 2014 Sundance Film Festival and went to win numerous awards.
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Tribeca 2017: Hillary Clinton Makes a Surprise Appearance as a Panelist for Kathryn Bigelow’s VR Short Premiere
Hillary Clinton made a surprise appearance at the Tribeca Film Festival on Saturday to participate in the world premiere of Academy Award-winning director Kathryn Bigelow’s virtual reality short, The Protectors: Walk in the Rangers’ Shoes. National Geographic’s The Protectors: Walk in the Ranger’s Shoes, is a documentary short shot in Virtual Reality that chronicles a day in the life of a ranger in Garamba National Park, managed by African Parks, in the Democratic Republic of Congo. These rangers are often the last line of defense in a race against extinction as poachers continue to slaughter elephants for their ivory tusks. The rangers face constant danger and even death at the service of these sentient, noble creatures and can therefore truly be called the unsung heroes in this race against time. Clinton was an unannounced panelist, alongside directors Bigelow and Imraan Ismail, African Parks’ Andrea Heydlauf, and National Geographic’s Rachel Webber.
In her remarks, Clinton spoke about her work to save elephants from poachers slaughtering them for their ivory tusks, saying “I’m proud we passed a near total ban of ivory and proud that the Chinese made a very important announcement last year on the ivory trade. Large mammals like elephants have a large role to play both in reality and in our imaginations. China had been the number one market, but the US is the second biggest market for illegal ivory.” Clinton also referenced march Earth Day and the marches taking place earlier in New York City, Washington DC, other US cities and around the world, saying, ‘It is Earth Day and we are marching on behalf of science, and part of science is understanding the intricate relationships we share with those on this planet.”.@NatGeo @AnnapurnaPics We are honored to announce a special, surprise panelist for this virtual reality #Tribeca2017 Talk: Madame Secretary @HillaryClinton! pic.twitter.com/VaxdJglOzm
— Tribeca (@Tribeca) April 23, 2017
image via Twitter#marchforscience shoutout from @HillaryClinton! What an amazing #earthday surprise at #Tribeca2017 pic.twitter.com/vJPvp5OEGZ
— Tribeca (@Tribeca) April 23, 2017
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Tribeca 2017: Watch a Clip from THE PUBLIC IMAGE IS ROTTEN Documentary on Sex Pistols’ John Lydon | Trailer
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John Lydon in THE PUBLIC IMAGE IS ROTTEN. Photographer: Yamit Shimonovitz.[/caption]
The documentary The Public Image Is Rotten directed by Tabbert Fiiller on John Lydon formerly of Sex Pistols is World Premiering tonight, Friday April 21, at the 2017 Tribeca Film Festival.
After the breakup of the Sex Pistols, John Lydon (a.k.a. Johnny Rotten), formed Public Image Ltd (PiL)- his groundbreaking band which has lived on nearly ten times as long as his first one. He has struggled to keep the band alive ever since, through personnel and stylistic changes, fighting to constantly reinvent new ways of approaching music, while adhering to radical ideals of artistic integrity. John Lydon has not only redefined music, but also the true meaning of originality.
Former and current bandmates, as well as fellow icons like Flea, Ad-Rock and Thurston Moore, add testimony to electrifying archival footage (including stills and audio from the infamous Ritz Show). With his trademark acerbic wit and unpredictable candor, Lydon offers a behind-the-scenes look at one of music’s most influential and controversial careers.
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Tribeca 2017: THE SUITCASE Inspired by FBI Investigation of 9/11 Ringleader Muhammed Atta’s Suitcases | Trailer
[caption id="attachment_21991" align="aligncenter" width="1200"]
Mojean Aria as Joe Franek in THE SUITCASE. Photo credit: Jon Keng.[/caption]
The Suitcase directed by Abi Damaris Corbin is a short film inspired by the FBI investigation of one of the 9/11 hijackers and ringleader Muhammed Atta’s suitcases left at Logan International Airport. The film will premiere at the 2017 Tribeca Film Festival on Saturday, April 22nd.
Stuck in the minutia of life Joe Franek, a Boston-bred baggage handler, fears he’ll never amount to anything. Being a pilot is his goal, but the dream seems far off as financial pressures mount.
When tasked with transferring an incoming bag, Franek cracks and steals from the case owned by Mohammad Atta and destined for American Airlines Flight 11 on September 11th, 2001. The suitcase misses Flight 11, forcing Franek to re-tag it for later departure.
Franek’s world is turned upside down when Flight 11 crashes into the World Trade Center. All air traffic is grounded, and the chaotic airport is locked down. Tortured by his careless actions, Franek becomes obsessed with tracking down the bag he delayed. Risking his job and sacrificing his security, Franek becomes a suspect, but his act of courage turns him into an unlikely hero and gives him the legacy for which he longed.
Some facts about the film
1. The Suitcase is based on a declassified Review of Investigation Conducted by the FBI of [Mohammed] A2a’s Suitcases at Boston, MA. 2. There are numerous conspiracy theories surrounding the 9/II hijackers’ suitcases that did board the connecting flight from Boston Logan International Airport (BOS). 3. The original letter discovered in Muhammed A]a’s suitcase is displayed at the 9/II Memorial & Museum in NYC. The props team created an exact hand-written replica for the film. 4. The prop master spent nearly two months searching the suitcase for the starring role. 5. Airport scenes were shot at San Bernardino International Airport, which is the only airport in Southern California where film crews can access an operational baggage handling system. 6. The Suitcase is a graduate thesis film sponsored by the prestigious Studio Innovation Grant out of George Lucas’ Entertainment Technology Center at USC. 7. The Studio Innovation Grant was created for Abi Damaris Corbin and is the only project out of USC to be sponsored by major studios: Disney, Universal Pictures, Amazon, and technology partners like Equinix, Wipro, and Google. 8. 17 of the top Hollywood film and tech companies collaborated to make this film. 9. This is the first USC film captured and finished in HDR. 10. Abi Damaris Corbin attended college at the age of 14. 11. The crew members for the film represent 10 different countries. https://www.youtube.com/watch?v=cz_3Gwpimhc
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Watch Trailer for Steamy Lesbian Drama BELOW HER MOUTH Opening April 28th
[caption id="attachment_21988" align="aligncenter" width="1200"]
Below Her Mouth[/caption]
April Mullen’s Below Her Mouth tells the story of an unexpected romance between two women. The film, an official selection of the 2016 Toronto International Film Festival, will be released theatrically in NY and LA, along with VOD on April 28th.
Jasmine (Natalie Krill) is a successful fashion editor living with her fiancé, Rile (Sebastian Pigott). On a night out in the city with her best friend, she meets Dallas (Erika Linder), a roofer recently out of a relationship. Jasmine is taken by surprise when Dallas confidently hits on her; she turns Dallas down, but can’t get her out of her head.
Dallas continues her cool, self-assured advances. In a matter of days, Jasmine succumbs and the two women embark on a steamy affair. It feels like a fantasy world compared to Jasmine’s life and plans with Rile, but soon reality rears its head, and she will have to face the profound changes their sudden romance has wrought in her.
Stephanie Fabrizi’s screenplay powerfully and honestly explores what happens when two women fall hard for each other, and Mullen brings the story to the screen with uninhibited flair and assurance, showing us how love can arise from some of the messiest times in our lives.
You may recognize star Erika Linder, the androgynous supermodel famous for starring in Katy Perry’s video “Unconditionally” and being famously booked to model for men’s campaigns, which made headline news. At the time, she was one of the first female models in the mainstream eye to be cast as a male model. Below Her Mouth is her first starring role.
Below Her Mouth is a rarity in more than one way: it’s a narrative shot with an entirely female crew, and it’s an uncommonly frank look at the all-encompassing nature of attraction — the good, the bad, the ugly, and the transcendent.
https://www.youtube.com/watch?v=yWLnMX5ZfOw
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Tribeca 2017: CLIVE DAVIS: THE SOUNDTRACK OF OUR LIVES Kicks Off Fest and will Debut on Apple Music
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CLIVE DAVIS: THE SOUNDTRACK OF OUR LIVES[/caption]
The 2017 Tribeca Film Festival officially kicked off last night with the World Premiere of the documentary Clive Davis: The Soundtrack Of Our Lives.
The screening was followed by a special concert featuring performances by Aretha Franklin, Jennifer Hudson, Earth, Wind & Fire, Dionne Warwick, Carly Simon and Barry Manilow.
Based on Davis’ 2013 bestselling autobiography, CLIVE DAVIS: THE SOUNDTRACK OF OUR LIVES is a riveting profile of the legendary music man, who is a five-time Grammy winner, Rock and Roll Hall of Fame inductee and recipient of The Recording Academy’s Lifetime Achievement Award. The film chronicles the historic influence of “The Man with the Golden Ears,” who rose from humble beginnings, and in a compelling journey, became one of the music industry’s most iconic figures. Davis’ career spans a remarkable five-decade career, providing an incredible tour of the most sensational music of the cultural revolution, from the ’60s to the rise of hip-hop. Davis has signed, influenced and driven the careers of many of the most important music artists of the 20th and 21st Centuries including Bruce Springsteen, Whitney Houston, Santana, Aretha Franklin, Barry Manilow, Patti Smith, Alicia Keys, Sean “Puffy” Combs, and a great many more who attest to Davis as, in Aretha Franklin’s words, “the greatest record man of all time.” This amazing film is definitive, fascinating and ceaselessly entertaining proof.
Just before the premiere Apple announced that film is headed exclusively to Apple Music.
“Apple is a global innovator that has revolutionized the distribution of music,” said Davis. “It is a touching honor to share the music and unique stories that have shaped my career with millions of Apple Music subscribers around the world. I am overjoyed to work with them to continue this incredible journey!”
Davis added: “It is an incredible milestone to have a film about my life premier on opening night of the Tribeca Film Festival in an iconic venue such as Radio City Music Hall. It will be a moving celebration of music and artistry that hopefully will touch everyone.”
@CliveDavis thank you my friend for a wonderful evening The sound track of our lives @RadioCity @Tribeca Clive you inspire our imagination! pic.twitter.com/GKNOXLh1UK
— Isiah Thomas (@iamisiahthomas) April 20, 2017
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THE LAST GOODBYE, First Holocaust Survivor Testimony in Room-Scale VR to World Premiere at Tribeca Film Festival
Billed as the first-ever Holocaust survivor testimony in room-scale VR, THE LAST GOODBYE will world premiere on Friday, April 21 at the 2017 Tribeca Film Festival.
In The Last Goodbye, powerful personal testimony of the Holocaust is preserved for the first time in poignant, room-scale VR, as survivor Pinchas Gutter takes audiences with him on his final visit to Majdanek, the Nazi German concentration and extermination camp where his parents and sister were murdered during World War II.
“Today when I see suffering of genocide victims and refugees, I feel their pain. I want my testimony to speak to the world to help avoid that pain. If my testimony can be a warning to the world, it would make my sharing of my own pain worthwhile,” Gutter said.
The photoreal experience presents an entirely new way of capturing truth for the future, encouraging viewers to explore the spaces depicted. USC Shoah Foundation will archive Gutter’s testimony in support of their mission to use testimony as a compelling voice for education and action.
“Just as USC Shoah Foundation forged new frontiers by collecting the world’s largest searchable archive of video testimony from genocide survivors, so too are we proud to be a part of this pioneering project with HERE BE DRAGONS, MPC VR and OTOY Inc.,” USC Shoah Foundation Executive Director, Stephen Smith said. “Every generation needs to bear witness to these atrocities, but our tools for learning and preservation change. We felt that doing the first Holocaust survivor testimony in roomscale VR, for education and preservation purposes, would engage our audience in understanding that the Nazi concentration camp system was highly developed where the SS authorities could kill targeted groups of real or perceived enemies of Nazi Germany. The consequences of such human behavior continue, and the best way to understand it and prevent it from happening again it is to gaze an unflinching eye upon it.”
In late 2016, the team traveled with Gutter to Poland to capture hours of 3D video and tens of thousands of photos on site, to create an experience that enables viewers to virtually walk with Gutter as he revisits the railway car, gas chamber, shower room and barracks of Majdanek. The groundbreaking collaboration of the industry’s top talent integrated a capture pipeline created by OTOY with HERE BE DRAGONS’ 3D video testimony, and brought to life with dozens of photogrammetry artists and engineers from MPC.
Tim Dillon, Head of VR & Immersive Content at MPC said, “Our ambition has been to create entirely an entirely new grammar for what’s possible within a narrative and room scale mix, in a documentary format. We’ve faithfully recreated the rooms of the Majdanek camp so you can inhabit them with Pinchas, you can feel his story by being there with him, eye to eye.”
“It was important that we go beyond spherical 360 video for this particular piece and allow viewers to explore Majdanek with real agency,” said Patrick Milling Smith, president and co-founder, HERE BE DRAGONS. “This freedom of movement contributes to an even more powerful sense of presence while heightening the emotional impact.”
To transport the viewers to Majdanek, the experience will be screened within a custom installation created by acclaimed scenic and production designer, David Korins.
“The ultimate goal of the experience was to build-in a contemplative pulse that people could naturally attach to their own personal landscape; to connect, not only with the atrocity of concentration camps, but grasp how inhumane man can be against man when hate is paramount and emerge as a more enlightened individual.” said Korins.
THE LAST GOODBYE was co-created by award-winning filmmaker Gabo Arora and Ari Palitz, produced by Stephen Smith, Executive Director of USC Shoah Foundation, and co-produced by USC Shoah Foundation, HERE BE DRAGONS, MPC VR and OTOY. An original soundtrack was helmed by audio director Dražen Bošnjak of Q Department. Spatial sound powered by Mach1. 3D stereo stitching by 3D paint\FX.
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Poster + Watch the Trailer to Yiddish-Language Hit MENASHE
A24 has released the poster and trailer for the critically-acclaimed, Yiddish-language hit Menashe. The film is directed by Joshua Z. Weinstein and stars Menashe Lustig and Ruben Nyborg. Menashe opens in theaters on July 28.
Set within the New York Hasidic community in Borough Park, Brooklyn, Menashe follows a kind but hapless grocery store clerk trying to maintain custody of his son Rieven after his wife, Lea, passes away. Since they live in a tradition-bound culture that requires a mother present in every home, Rieven is supposed to be adopted by the boy’s strict, married uncle, but Menashe’s Rabbi decides to grant him one week to spend with Rieven prior to Lea’s memorial. Their time together creates an emotional moment of father/son bonding as well as offers Menashe a final chance to prove to his skeptical community that he can be a capable parent. Shot in secret entirely within the Hasidic community depicted in the film, and one of the only movies to be performed in Yiddish in nearly 70 years, Menashe is a warm, life affirming look at the universal bonds between father and son that also sheds unusual light on a notoriously private community. Based largely on the real life of its Hasidic star Menashe Lustig, the film is a strikingly authentic and deeply moving portrait of family, love, connection, and community.
https://www.youtube.com/watch?v=83UoZcdX__Y
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Nuns Gone Wild in Red Band Trailer for Sundance Hit THE LITTLE HOURS
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Alison Brie, Kate Micucci and Aubrey Plaza appear in The Little Hours by Jeff Baena, an official selection of the Midnight program at the 2017 Sundance Film Festival. © 2016 Sundance Institute.[/caption]
The Little Hours directed by Jeff Baena has released the red band trailer, and immediately you will see why Bill Donohue, of the Catholic League proclaimed “It is trash. Pure trash.” Good funny trash, that is. The film which premiered earlier this year at the 2017 Sundance Film Festival will be release in select cities on June 30th, followed by a national rollout.
In The Little Hours, medieval nuns Alessandra (Alison Brie), Fernanda (Aubrey Plaza), and Ginevra (Kate Micucci) lead a simple life in their convent. Their days are spent chafing at monastic routine, spying on one another, and berating the estate’s day laborer. After a particularly vicious insult session drives the peasant away, Father Tommasso (John C. Reilly) brings on new hired hand Massetto (Dave Franco), a virile young servant forced into hiding by his angry lord. Introduced to the sisters as a deaf-mute to discourage temptation, Massetto struggles to maintain his cover as the repressed nunnery erupts in a whirlwind of pansexual horniness, substance abuse, and wicked revelry.
The film also stars Molly Shannon, Fred Armisen, Jemima Kirke, Adam Pally and Nick Offerman.
https://www.youtube.com/watch?v=FYycHr4RsJw
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Watch Official Trailer for Sundance Award-Winning Syrian Documentary LAST MEN IN ALEPPO
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Last Men in Aleppo[/caption]
The official trailer is released for the Syrian documentary Last Men In Aleppo, winner of the 2017 Sundance Film Festival – World Documentary Grand Jury Prize. Last Men In Aleppo will open theatrically on May 3rd in New York at the Metrograph, and May 18th in Los Angeles at Laemmle’s Music Hall, followed by a nationwide rollout.
Nowhere is the human toll of Syria’s ongoing civil war more brutally manifest than in the lives of Aleppo’s “White Helmets”—first responders to the devastating bombing and terrorist attacks that have pushed this city to the brink of collapse. Volunteers Khaled, Mahmoud, and Subhi rush toward bomb sites while others run away. They search through collapsed buildings for the living and dead. Contending with fatigue, dwindling ranks, and concerns for their families’ safety, they must decide whether to stay or to flee a city in ruins.
An unforgettable portrait of reluctant heroes, Last Men in Aleppo employs a strict vérité approach but unfolds like a classical tragedy. Directed by Syrian filmmaker Feras Fayyad in collaboration with the Aleppo Media Center, it’s a patchwork of resonant moments—some horrifying (pulling lifeless infants from the rubble), others improbably hopeful (playing a makeshift soccer game, building a fishpond, driving kids to a playground during a ceasefire). Together they are a testament to mankind’s capacity for unspeakable atrocity and an ode to courage and compassion.
