Canadian filmmaker Guy Édoin’s second feature film Ville-Marie will World Premiere at the Toronto International Film Festival as a “Special Presentation”. “It is a great honour that Ville-Marie will have its world premiere at TIFF, a festival that has seen me grow and evolve as a filmmaker over the course of my five films” declared the director.
https://www.youtube.com/watch?v=FB2WPgCyKlQ
The film stars Monica Bellucci (Spectre), Pascale Bussières (When Night Is Falling), Patrick Hivon (À l’origine d’un cri) and Aliocha Schneider (Le journal d’Aurélie Laflamme), who has also been selected as one of four TIFF RISING STARS 2015. Designed to find the next generation of Canadian actors poised for international careers, TIFF Rising Stars draws homegrown talent into the bright spotlight provided by the annual September Festival.
An actress (Monica Bellucci) in town shooting a film, hopes to reconcile with her son (Aliocha Schneider). A paramedic (Patrick Hivon), haunted by his past struggles, is under the watchful eye of a nurse (Pascale Bussière) who is trying to keep the emergency room running at Ville Marie Hospital, where these four lives will come together and take an unexpected turn.
Written by Guy Édoin, in collaboration with Jean-Simon DesRochers, Ville-Marie was the very first Canadian script to be officially selected for L’Atelier de la Cinéfondation at the Cannes Film Festival in 2014. Guy Édoin’s creative team includes Director of photography Serge Desrosiers; Artistic Director David Pelletier; Costume Designer Julia Patkos; Editor Yvann Thibaudeau; and Music Composer Olivier Alary who worked in collaboration with Johannes Malfatti.
The film received financial support from SODEC, Téléfilm, provincial and federal tax credits as well as the Harold Greenberg Fund. Ville-Marie is produced by Félize Frappier of Max Films Media, distributed in Canada by Filmoption International, and sold worldwide by Films Boutique. Ville-Marie will be released in theaters on October 9th, in Quebec, Canada.Films
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Guy Édoin’s “Ville-Marie” to World Premiere at Toronto International Film Festival
Canadian filmmaker Guy Édoin’s second feature film Ville-Marie will World Premiere at the Toronto International Film Festival as a “Special Presentation”. “It is a great honour that Ville-Marie will have its world premiere at TIFF, a festival that has seen me grow and evolve as a filmmaker over the course of my five films” declared the director.
https://www.youtube.com/watch?v=FB2WPgCyKlQ
The film stars Monica Bellucci (Spectre), Pascale Bussières (When Night Is Falling), Patrick Hivon (À l’origine d’un cri) and Aliocha Schneider (Le journal d’Aurélie Laflamme), who has also been selected as one of four TIFF RISING STARS 2015. Designed to find the next generation of Canadian actors poised for international careers, TIFF Rising Stars draws homegrown talent into the bright spotlight provided by the annual September Festival.
An actress (Monica Bellucci) in town shooting a film, hopes to reconcile with her son (Aliocha Schneider). A paramedic (Patrick Hivon), haunted by his past struggles, is under the watchful eye of a nurse (Pascale Bussière) who is trying to keep the emergency room running at Ville Marie Hospital, where these four lives will come together and take an unexpected turn.
Written by Guy Édoin, in collaboration with Jean-Simon DesRochers, Ville-Marie was the very first Canadian script to be officially selected for L’Atelier de la Cinéfondation at the Cannes Film Festival in 2014. Guy Édoin’s creative team includes Director of photography Serge Desrosiers; Artistic Director David Pelletier; Costume Designer Julia Patkos; Editor Yvann Thibaudeau; and Music Composer Olivier Alary who worked in collaboration with Johannes Malfatti.
The film received financial support from SODEC, Téléfilm, provincial and federal tax credits as well as the Harold Greenberg Fund. Ville-Marie is produced by Félize Frappier of Max Films Media, distributed in Canada by Filmoption International, and sold worldwide by Films Boutique. Ville-Marie will be released in theaters on October 9th, in Quebec, Canada.
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French Coming of Age Film BREATHE Gets US Release Date
BREATHE, described as a taut coming-of-age tale of the depths and escalating passions in female friendships, and starring talented newcomers Joséphine Japy and Lou De Laâge as two young girls whose all-consuming friendship takes a dark and dangerous turn, will open at the IFC Center in New York on September 11th, and at the Laemmle Royal in LA on September 18th. A national release will follow.
BREATHE is the second feature by actress-turned-director Mélanie Laurent ( Inglorious Basterds, Beginnings ), and her assured adaptation of the French young-adult novel of the same name.
Charlie (Joséphine Japy) is seventeen and bored. Her estranged parents are too caught up in their own drama to pay much attention to her. School holds no surprises either and Charlie grows tired of her staid friends. Enter Sarah (Lou De Laâge), a hip new transfer student who brings with her an alluring air of boldness and danger. The two girls form an instant connection. Sarah brings the excitement Charlie so desperately seeks, and Charlie is a stable influence on the wild child. Through shared secrets, love interests and holiday getaways, their relationship deepens to levels of unspoken intimacy, which eventually leads to jealousy and unrealistic expectations, and the teens soon find themselves on a trajectory toward a jarring outcome.
Already well-known as an actress in her native France, Mélanie Laurent ’s international breakthrough was her portrayal of Shosanna Dreyfus in Quentin Tarantino’s Inglourious Basterds, for which she shared the Screen Actors Guild Award for Outstanding Performance by a Cast with her co-stars. Her numerous credits include Beginners in which she played Ewan McGregor’s girlfriend, the Golden Globe-nominated film The Concert, and Denis Villeneuve’s Enemy co-starring Jake Gyllenhaal. Ms. Laurent will next be seen in the Angelina Jolie-directed film By the Sea, co-starring Ms. Jolie and Brad Pitt, as well as in French-Vietnamese director Tran Anh Hung’s Eternité. Her next directorial effort is Demain, a documentary about the environment. https://www.youtube.com/watch?v=VXncAEif-zY
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THE DEMONS Directed by Philippe Lesage to World Premiere at San Sebastian International Film Festival
The Demons, directed by Quebec director Philippe Lesage, will get its world premiere in official competition at the 63rd San Sebastian International Film Festival (Donostia Zinemaldia) in Spain, which runs Sept. 18 to 26. The Demons will be competing for the Concha de Oro, the festival’s top prize, awarded in the past to such luminaries as Francis Ford Coppola, Claude Chabrol, Bahman Ghobadi, François Ozon, Peter Mullan and Arturo Ripstein. “I’m very honoured and happy to see my first feature selected in official competition at the prestigious San Sebastian festival,” said Lesage. “Bravo to our entire team!”
The film’s exceptional cast is mostly made up of children and teenagers, some making their first appearance on screen. The young actors include Édouard Tremblay-Grenier, Yannick Gobeil-Dugas, Vassili Schneider, Sarah Mottet, Mathis Thomas, Théodore Pellerin and Rose-Marie Perreault. They play alongside such seasoned professionals as Laurent Lucas, Pascale Bussières, Bénédicte Décary and younger talents including Victoria Diamond and Pier-Luc Funk.
With the city of Montreal shaken by a series of kidnappings of young boys, a sensitive 10-year-old named Félix lets his imagination run wild as he comes to the end of his school year. Nothing much ever seems to happen in the quiet suburbs where he lives, but Félix is afraid of everything: his parents’ impending divorce, the maniacs who target little boys, his weird neighbours, even the AIDS epidemic. Slowly but surely, the child’s imaginary demons begin to resemble those of the real, disturbing world around him.
Before venturing into fiction, Philippe Lesage made four feature-length documentaries: Pourrons-nous vivre ensemble ? (2007), Comment savoir si les petits poissons sont heureux ? (2009), Ce cœur qui bat (2010) andLaylou (2011). Centred on life in a Montreal hospital, Ce cœur qui bat won the prize for best Canadian film and most promising Canadian film at the 2010 Rencontres internationales du documentaire de Montréal (RIDM), as well as the prize for best feature documentary at the 2012 Jutras. In 2011, Lepage was honoured with a retrospective of his works at the Cinémathèque Québécoise called Découvrir Lesage, giving the public a chance to see his early films. Between his many projects, Lesage also taught filmmaking at the European Film College in Denmark. His first two feature dramas – Copenhague A Love Story and The Demons – have been selected at a number of festivals and will open in cinemas in 2015 and 2016. His next feature, Genèse, is now in pre-production, with shooting slated to begin in the summer of 2016.
Produced by Galilé Marion-Gauvin and Philippe Lesage for Les Films de l’Autre in collaboration with Unité Centrale, The Demons is written and directed by Philippe Lesage (2012 Jutra for best documentary, Ce cœur qui bat). The crew includes Dominique Noujeim, associate producer; Nicolas Canniccioni, director of photography; Marjorie Rhéaume, artistic director; Marcel Chouinard and Pascal Van Strydonck, sound (with overall design by Olivier Calvert); and Mathieu Bouchard Malo, editing. The Demons received funding from the SODEC, Téléfilm Canada, the CALQ, Super Écran and La Société Radio-Canada , as well as federal and Quebec tax credits.
The film is distributed in Canada by Funfilm Distribution and will open in Quebec cinemas on Oct. 30.
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Toronto International Film Festival Reveals Short Films Lineup
The Toronto International Film Festival unveiled a slate of 44 short films packed with strong emerging voices and uniquely Canadian perspectives. This year’s roster is highlighted by a record number of Canadian works in the Wavelengths program – from smart satire to savvy social commentary, twists on genre to gut-punching powerful dramas, quirky documentaries to delightfully deranged animation and daring, formal experiments, these works showcase fascinating, provocative stories in short form.
Films in the Short Cuts program are eligible for the Award for Best Canadian Short Film. This year’s jury includes the head of the shorts program and creations unit at Canal+ France, Pascale Faure, film writer John Anderson (The Wall Street Journal, The New York Times), and actor Rizwan Manji (Outsourced, The Wolf of Wall Street).
The 40th Toronto International Film Festival runs from September 10 to 20, 2015
SHORT CUTS
4 Quarters.
Ashley McKenzie, Canada Toronto Premiere
Willy and Jane just want to feel happy in one another’s company. He’s a sleep-deprived student living close to the bone. She’s a troubled drug addict in constant need of $20. Nursing their fledgling friendship on the margins of society proves to be a wicked problem.
A New Year (Nouvel an).
Marie-Ève Juste, Canada World Premiere
Florence is having a New Year’s Eve party, but at 37 weeks pregnant she feels somewhat ambivalent about the festivities and frolics of her friends.
Bacon & God’s Wrath.
Sol Friedman, Canada World Premiere
In this short documentary, a 90-year-old Jewish woman reflects on her life’s experiences as she prepares to try bacon for the first time.
The Ballad of Immortal.
Joe Hector Herrera, Canada World Premiere
Written with a nod to traditional cowboy songs and to the northern ballads of Robert W. Service, this film puts a supernatural twist on a tragically romantic Western. Voiced by Canadian actor Kenneth Welsh (Twin Peaks, The Aviator, The Day After Tomorrow) and scored by Toronto greats The Sadies, this is the third chapter in the silly rhyme collection Beastly Bards.
BAM.
Howie Shia, Canada World Premiere
In a dense inner city haunted by primordial gods, a young boxer struggles to understand the disturbing consequences of his explosive rage — both inside and outside the ring. Presenting the young boxer’s battles in terms both heroic and tortured, BAM combines a biting urban soundtrack with a hand-drawn, comic-book style, mashing up cacophonous drums and grinding electronics with soft brushwork and swift action.
Benjamin.
Sherren Lee, Canada World Premiere
When a dually-pregnant lesbian couple loses one of the babies in utero, the grieving mothers break their surrogacy arrangement with their closest friends in order to keep the remaining baby.
Beyond The Horizon.
Ryan J. Noth, Canada World Premiere
In 1845 Sir John Franklin led 128 men on the ships HMS Erebus and HMS Terror on a search for the Northwest Passage. The fate of the crew and ships has been slowly uncovered since September 2014, when Parks Canada archaeologists discovered the resting place of the HMS Erebus in the remote Arctic Ocean. Reflecting on the ship and story from the perspective of the sailors and the archaeologists, the film paints a crushing visual portrait of a place where time can lose all meaning.
Boxing.
Grayson Moore and Aidan Shipley, Canada World Premiere
Sheila returns to her weekly boxing class after a traumatic event, and tensions mount when one of the other women refuses to stop showering her with sympathy.
Boy.
Connor Jessup, Canada World Premiere
After a fatal bicycle accident, 12-year-old Jacob moves through the world as a ghost. Unseen and unheard, he trails his classmate home from school. As the ghost boy watches, an image of a grief-stricken family slowly begins to take shape.
Casualties of Modernity.
Kent Monkman, Canada World Premiere
Celebrity artist and humanitarian Miss Chief Eagle Testickle tours a hospital specializing in the treatment of conditions afflicting modern and contemporary art. Led by the doctor of fine arts and closely supervised by the no-nonsense head nurse, Miss Chief encounters romance, tragedy and triumph.
Clouds of Autumn.
Trevor Mack and Matthew Taylor Blais, Canada North American Premiere
Set on the Tsilhqot’in plateau in the 1970s, this film focuses on two siblings, and explores the impact that Canadian residential schools had on the relationships of First Nations children with each other, their heritage, and nature itself.
Dogs Don’t Breed Cats (Les chiens ne font pas des chats).
Cristina Martins, Canada Canadian Premiere
Pregnant and homeless, Joëlle shows up at the home of her father Jeff. Even though this solitary non-conformist and former punk rocker is reluctant to the idea, she decides to stay and Jeff is overwhelmed by his new interactions with the daughter he barely knows.
Dredger.
Phillip Barker, Canada World Premiere
The crew of a salvage ship is tossed into turmoil when the young captain’s wife becomes infatuated with an older shipmate. She casts herself ashore but can’t break free from the seabed of secrets the old man brought to the surface.
The Guy From Work (Les gars d’la shop).
Jean-François Leblanc, Canada World Premiere
Raynald is a family man who has been working in the same tire plant for over 30 years. This week, there is nothing unusual in his daily life: work, hockey games with the guys, and family night. However, Raynald will make the biggest move of his life.
It’s Not You.
Don McKellar, Canada World Premiere
It’s not you…or is it? Whether dumper or dump-ee, being in that situation brings out feelings you didn’t know you had. Under thedirection of the talented Don McKellar, the graduating class of the National Theatre School of Canada takes audiences through the perpetuity of break ups.
KOKOM.
Kevin Papatie, Canada Toronto Premiere
Kevin Papatie, participant of the Wapikoni Mobile for 10 years, presents a beautiful experimental film that pays tribute to his grandmother — his kokom — and to the Anishnabe people who have survived the trials of history and remained strong.
The Magnificent Life Underwater (La vie magnifique sous l’eau).
Joël Vaudreuil, Canada World Premiere
In this absurd animated parody of a classic undersea adventure show, an authoritative narrator reveals the wonders and mysteries of the sea — although the banal habits of these homely aquatic creatures have an odd familiarity.
The Man Who Shot Hollywood.
Barry Avrich, Canada World Premiere
In a town lit up by a thousand stars, Jack Pashkovsky practiced his art anonymously. By the time he was finished, he had brilliantly photographed hundreds of the biggest Hollywood icons from Garbo to Swanson. His collection of photographs have never been seen. Until now.
Mia’.
Amanda Strong and Bracken Hanuse Corlett, Canada World Premiere
A young Indigenous female street artist walks through the city streets painting scenes rooted in the supernatural history of her people. As the alleyways become her sanctuary and secret gallery, her art comes to life, pulling Mia’ into her own transformation via the vessel of a salmon. This hybrid documentary uses animation and sound as a vehicle to tell the story of transformation and reconnection.
Mobilize.
Caroline Monnet, Canada World Premiere
Guided expertly by those who live on the land and driven by the pulse of the natural world, this film takes audiences on an exhilarating journey from the far north to the urban south. The fearless polar punk rhythms of Tanya Tagaq’s “Uja” underscore the perpetual negotiation between the modern and traditional by a people always moving forward. The National Film Board of Canada (NFB) invited four talented and renowned Aboriginal artists to create a program of works addressing Aboriginal identity and representation by reworking material in the NFB’s archives.
Never Happened.
Mark Slutsky, Canada World Premiere
When colleagues Grady and Laura have an affair on a business trip, they decide it might be easier if it just never happened.
Never Steady, Never Still.
Kathleen Hepburn, Canada World Premiere
Distressed and overwhelmed by the mistakes of his past, a young lease-hand returns from Alberta’s oil fields to his childhood home on Lillooet Lake, where he finds solace in the strength of his recently widowed mother.
NINA. Halima Elkhatabi, Canada World Premiere
At 16 years old, Nina is helpless to her 4-month-old baby’s incessant crying. Without any escape from the cries and from this new presence in her life, she ventures out from her tiny apartment into a working-class neighborhood of Montréal for a brief escapade.
o negative.
Steven McCarthy, Canada World Premiere
A young woman and the man who takes care of her find shelter in a roadside motel and take the necessary steps to feed her addiction.
Our Remaining Lives (Les vies qui nous restent).
Luiza Cocora, Canada World Premiere
Having recently moved to Quebec, Sofia, a 10-year-old Romanian girl, lives with her mother in a small flat in Montreal. In a world where technology imposes human isolation, Sofia is trying to understand her new life.
Overpass (Viaduc).
Patrice Laliberté, Canada World Premiere
A 17-year-old named Mathieu goes out one night to write graffiti on an overpass. But whereas his actions require a swift escape from the scene of the crime, their true meaning is far more unexpected.
Portal to Hell!!!
Vivieno Caldinelli, Canada World Premiere
The late and great “Rowdy” Roddy Piper plays a crusty superintendent who is thrust into the ultimate fight against evil when a pair of cultists opens a multidimensional portal in his basement.
Quiet Zone (Ondes et silence).
David Bryant and Karl Lemieux, Canada Canadian Premiere
This film takes audiences deep into the world of those who suffer from electromagnetic hypersensitivity. Combining elements of documentary, film essay and experimental film, David Bryant and Karl Lemieux — known for their work in the musical group Godspeed You! Black Emperor — weave together an unusual story in which sound and image distort reality to convey the suffering of these “wave refugees.”
Rock the Box.
Katherine Monk, Canada World Premiere
Electronic dance music (EDM) is now the most lucrative sector of the music industry but it’s dominated by men. To break that glass ceiling, a Vancouver-raised deejay named Rhiannon Rozier did something she never thought she’d do: pose for Playboy. Thanks to its impressionistic images, exhilarating montage and Rozier’s remarkable candour, this film tells the story of one woman who rocked conventions by owning her own image, her own voice, and her own box.
She Stoops To Conquer.
Zachary Russell, Canada World Premiere
An aspiring performer struggles to breathe life into a new character she’s created. Suddenly, she sees him: the real-life version of the man she’s been playing. Where’s the line between inspiration and theft? A gender-bending romantic comedy about a man and her double.
The Sleepwalker (Sonámbulo) (pictured above)
Theodore Ushev, Canada North American Premiere
A surrealist journey through colours and shapes inspired by the poem Romance Sonámbulo by Federico García Lorca. It’s visual poetry in the rhythm of fantastic dreams and passionate nights.
The Swimming Lesson (Le cours de natation)
Olivia Boudreau, Canada North American Premiere
Brought by her mother to her first swimming lesson, a 7-year-old girl must find, on her own, her place in the unfamiliar world of the pool.
Wolkaan
Bahar Noorizadeh, Canada/Iran/USA World Premiere
Insightful and enigmatic, this multi-layered mediation on the experience of exile begins with the streets of Tehran gradually filling with enigmatic streams of lava. In Michigan, a boy and his father’s fateful journey ends up amid dinosaurs and a plastic volcano.
World Famous Gopher Hole Museum
Chelsea McMullan and Douglas Nayler, Canada World Premiere
A portrait of Torrington, a fading Albertan farm town with a secret wish to be frozen in time like the taxidermied gophers that populate its world-famous tourist attraction.
MIDNIGHT MADNESS
The Chickening
Nick DenBoer and Davy Force, Canada World Premiere
How can a boy not get excited when his dad gets a new job as senior chief night manager at Charbay’s Chicken World and Restaurant Resort, the world’s largest fast food entertainment complex in North America? However, in this short film things quickly get very, very clucked.
The Chickening will screen preceding the Opening Night Film in the Midnight Madness programme.
WAVELENGTHS
Bunte Kuh
Ryan Ferko, Parastoo Anoushahpour and Faraz Anoushahpour, Canada/Germany Toronto Premiere
Through a flood of images, a narrator attempts to recall a family holiday. Bunte Kuh combines a found postcard, family photo album, and original footage to weave together the temporal realities of two separate vacations.
Engram of Returning
Daïchi Saïto, Canada World Premiere
The figure of the jig-saw / that is of picture, / the representation of a world as ours / in a complex patterning of color in light and shadows, / masses with hints of densities and distances, / cut across by a second, discrete pattern / in which we perceive on qualities of fitting and not fitting / and suggestions of rhyme / in ways of fitting and not fitting – / this jig-saw conformation of patterns / of different orders, / of a pattern of apparent reality / in which the picture we are working to bring out appears / and of a pattern of loss and of finding / that so compels us that we are entirely engrossed in working it out, / this picture that must be put together / takes over mere seeing. — Robert Duncan, poet
Fugue
Kerstin Schrödinger, Canada/Germany North American Premiere
Fugue is a formal and physical experiment in order to understand the relationship between image, sound and movement. Movements are also printed on the part of the film strip that is read as optical sound by the light sensitive sensor of the projector. What you hear is what you see.
May We Sleep Soundly
Denis Côté, Canada World Premiere
Winter persists. Something happened. At the heart of the woods, on the slopes of mountains, in the streets and even inside homes, a strange silence took up residence. Will there remain a soul to witness the recent event?
May We Sleep Soundly will screen preceding the feature 88.88.
Office Space Modulation
Terrarea (Janis Demkiw, Emily Hogg and Olia Mishchenko), Canada World Premiere
The Office Space Modulator is an improvised animation device employing an outsized Lazy Susan as the central mechanism to produce looped analogue projections of light and shadow. The resulting single-take field recordings document a subtle gymnastic interplay of scale, transparency, reflection, rotation, puppetry, and general field-ground tomfoolery.
Palms
Mary-Helena Clark Canada/USA World Premiere
Musical and mysterious, this is a sphinx-like, modular film in four parts, with two hands animating stillness, the repeated approach of headlights, a < — > tennis match, and thoughts that emerge like objects.
Something Horizontal
Blake Williams, Canada/USA World Premiere
Three-dimensional flashes of Victorian domestic surfaces and geometric shadows transform the physical world into a somber, impressionistic abstraction, while elsewhere a spectre emerging from the depths of German Expressionism reminds us that what goes up always comes down.
Théodolitique
David K. Ross, Canada World Premiere
Théodolitique merges the geodetic and the filmic, linking the very long history of land surveying with the comparatively new technologies of filmmaking. Connecting these two methods of visual observation and recording, the film documents student surveyors from the École des Métiers du Sud-Ouest-de-Montréal as they take an outdoor exam over the course of a single day.
UNcirCling
John Creson and Adam Rosen, Canada World Premiere
Elegant and enigmatic, UNcirCling is a visual music miniature composed of a bokeh of lights and digital chirping.
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Sundance Fest Documentary FINDERS KEEPERS Directed by Bryan Carberry and Clay Tweel Sets September Release Date
The documentary FINDERS KEEPERS directed by Bryan Carberry and Clay Tweel, and an Official Selection of the 2015 Sundance Film Festival will open in select theaters on September 25th. The documentary film follows the story that took place in 2007, when a severed human foot was discovered in a grill bought at a North Carolina auction. It only gets stranger from there.
A few years back, tabloids across the world were thrilled to report how the mummified leg of amputee John Wood was found in a barbecue grill purchased at an auction by flea marketer Shannon Whisnant. Naturally they were ecstatic to then report how Shannon subsequently sued John in a bizarre custody battle over the leg.
But a few things never made the papers: like how John had been keeping the leg as a painful memorial to his late father — or how Shannon had simply viewed the now-famous leg as a way out of a life of hardship.
Nor did the news mention how the ever-intensifying media frenzy, and an inexplicable chain of events sparked by the leg’s discovery, pushed John past the brink of addiction and very nearly to the grave, before ultimately offering him a second chance at life… and it was never known how the story really ended.
Set in rural North Carolina, Finders Keepers is an oftentimes hilarious, at turns tragic narrative that delves into the very real lives that created – and were forever changed by – the fantastical headlines.
https://www.youtube.com/watch?v=bexyqstg4-E
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Roland Emmerich’s STONEWALL to World Premiere at Toronto Fest and Sets Fall US Release Date
STONEWALL, a drama about a fictional young man caught up during the 1969 Stonewall Riots, considered the birthplace of the LGBT rights movement, will World Premiere at the upcoming Toronto Film Festival, followed by a release in the theaters in the US on September 25th.
The independent film is written by John Robin Baitz, directed by Roland Emmerich, and stars Jeremy Irvine (War Horse), Jonny Beauchamp (“Penny Dreadful”), Caleb Landry Jones (X-Men: First Class), Joey King (White House Down) up-and-comers Karl Glusman, Vlademir Alexis, and Alexandre Nachi as well as veteran actorMatt Craven, with Jonathan Rhys Meyers (Match Point, “The Tudors”) and Ron Perlman (Hellboy)..
Less than 50 years ago, in 1969, being gay was considered a mental illness. Gay people could not be employed by the government. It was illegal for gay people to congregate, and police brutality against gays went unchecked.
STONEWALL is a drama about a fictional young man caught up during the 1969 Stonewall Riots. Danny Winters (Jeremy Irvine) is forced to leave behind friends and loved ones when he is kicked out of his parent’s home and flees to New York. Alone in Greenwich Village, homeless and destitute, he befriends a group of street kids who soon introduce him to the local watering hole The Stonewall Inn; however, this shady, mafia-run club is far from a safe-haven. As Danny and his friends experience discrimination, endure atrocities and are repeatedly harassed by the police, we see a rage begin to build. This emotion runs through Danny and the entire community of young gays, lesbians and drag queens who populate the Stonewall Inn and erupts in a storm of anger. With the toss of a single brick, a riot ensues and a crusade for equality is born.
Director Roland Emmerich, who also produced the film, says, “I was always interested and passionate about telling this important story, but I feel it has never been more timely than right now.” Less than 50 years ago, in 1969, being gay was considered a mental illness; gay people could not be employed by the government; it was illegal for gay people to congregate, and police brutality against gays went unchecked. Today, thanks to the events set in motion by the Stonewall riots, the gay rights movement continues to make incredible strides towards equality. In the past several weeks alone, the Boy Scouts of America has moved to lift its ban on gay leaders, the Pentagon will allow transgender people to serve openly in the military, and SCOTUS has declared that same-sex marriage is legal nationwide in all 50 states.
“It was the first time gay people said ‘Enough!'” explains Emmerich. “They didn’t do it with leaflets or meetings, they took beer bottles and threw them at cops. Many pivotal political moments have been born by violence. If you look at the civil rights movement, at Selma and other events of that kind, it’s always the same thing. Stonewall was the first time gay people stood up and they did it in their own way. Something that really affected me when I read about Stonewall was that when the riot police showed up in their long line, these kids formed their own long line and sang a raunchy song. That, for me, was a gay riot, a gay rebellion.”
“What struck me was that there was a story in there, which I felt had an important message – it’s the people who had the least to lose who did the fighting, not the politically active people. It was the kids that went to this club that consisted of hustlers and Scare Queens, and all kinds of people that you think would never resist the police, and they did it.” And the events they set in motion would have a profound impact on the future.
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Throwback Texas Thriller TWO STEP Movie Review
The crime thriller TWO STEP debuted at the 2014 South by Southwest Festival and made the festival rounds throughout 2014.
James (Skyy Moore) is a college dropout who lives with his grandmother. When his grandmother passes away, James is on his own in a town where he doesn’t know anyone else. He meets his grandmother’s neighbor Dot (Beth Broderick), an attractive middle-aged dance instructor, and soon develops an attachment to her. Meanwhile, jailhouse lowlife Webb (James Landry Hébert) spends his time in prison calling random numbers from to scam old people out of money. Webb is released from prison into a desperate situation, and he proves how cerebral and destructive he can be when he and James inadvertently cross paths.
TWO STEP is a thriller that has some very unique elements – for one, much of the violence – and there is plenty – happens off-screen. This isn’t a movie about physical violence, it is about the mental toll that desperation causes. First time feature writer/director Alex R. Johnson structures the film to hide the violence, particularly in the dangerous, slow-spoken way that Webb carries himself. While Webb is obviously distressed, both James and Dot have their own issues within their lives. Both are somewhat lost causes, and it’s fascinating how the film hints at the nature of their friendship.
The final third of TWO STEP almost entirely focuses on Webb, shifting him from the film’s antagonist role to the protagonist’s role. Much of it involves him driving around talking to people and tying up the loose ends in his life, which meanders too much. This pushes both James and Dot’s characters to the fringe of the narrative, and if you are more interested in their predicaments than Webb’s (as I was), you will be disappointed. Because of that, as engaged I was in the setup of the conflict of TWO STEP, I was disappointed in not seeing more of these characters because their personal conflicts remain largely unresolved.
TWO STEP is worth a watch, but the ending holds it back from being a unique crime thriller that would set it apart from the dozens of above average crime films that appear at festivals every year. Johnson definitely shows a talented eye for directing – and Hébert plays a great villain – so I’m looking forward to see if Johnson can grow as a filmmaker with his next feature.
Film Review Rating 3 out of 5 : See it … It’s Good
https://vimeo.com/93220155
TWO STEP
Opens July 31st in NY at the Village East Cinema, and August 7th in LA, will be available across major iVOD/cVOD platforms starting on September 1st.
Written and Directed by Alex R Johnson
Starring Beth Broderick, James Landry Hébert, Skyy Moore, Jason Douglas, Ashley Rae Spillers
Written by Christopher McKittrick
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Documentary KEITH RICHARDS: UNDER THE INFLUENCE to Premiere on Netflix
Academy Award® winning director Morgan Neville’s (20 Feet from Stardom, Best of Enemies) original documentary, Keith Richards: Under the Influence, an unprecedented look into the sounds and influences of rock and roll icon Keith Richards, will premiere on Friday, September 18, 2015, exclusively on Netflix worldwide.
“If theres a Mount Rushmore of Rock n Roll, Keith’s face is surely on it. He has always represented the soul of rock music—for all of the light and dark shades that implies,” said filmmaker Morgan Neville. “To my relief, Keith Richards turned out to be a real man—full of humor, knowledge and wisdom. That’s the real Keith we’ve worked to capture in our film and Im honored to bring it to a global audience via Netflix.”
“There’s no one who could bring this unprecedented look into the musical influences of Keith Richards to life as distinctively as Morgan Neville,” said Lisa Nishimura, Netflix VP of Original Documentary Programming. “Our viewers around the world are going to love the rare moments he has captured.”
Produced by Academy Award and Emmy winning producers, RadicalMedia (What Happened, Miss Simone?, The Fog of War), the film is a beautifully documented portrait of Keith Richards that takes us on a journey to discover the genesis of his sound as a songwriter, guitarist and performer. Keith Richards: Under the Influence is unparalleled in its access as it looks at one of the architects of rock ‘n’ roll music, while charting the journey of Keith’s sound and influences, back to the music that inspired him then and now – electric blues, country honky-tonk, southern soul, and more – as he creates his first solo album in 23 years. A culmination of both new and beloved music, rare archival materials and hours of intimate and reflective conversations with Keith, the film documents his long and unusual journey to become the legend we all love.
In Keith Richards: Under the Influence, we visit key people and places that have always enchanted Keith and inspired his music with The Rolling Stones to his latest solo record: Chicago, home of the blues, where Keith first encountered Buddy Guy, Muddy Waters, Howlin’ Wolf and the hallowed halls of Chess Records; Nashville, where Keith explores his long love of country music; and New York where Keith recorded the album and collaborated with the likes of Steve Jordan and Waddy Wachtel. And along the way, we get an additional dose of inspiration from a long-time friend, Tom Waits. Lastly, this film is a chance to sit at the feet of one of music’s most iconic and least understood figures. The Keith Richards we get to know is smart, funny, poignant and profound. At this moment later in his life, Keith Richards is serious and reflective on his singular and spectacular journey.
Helmed by Academy Award-Winning filmmaker, Morgan Neville (20 Feet from Stardom, Best of Enemies) and produced by Neville, Justin Wilkes (What Happened, Miss Simone?, Under African Skies) and Jane Rose (Crossfire Hurricane, Shine A Light), the feature film is a beautifully documented portraiture film of Keith Richards that takes us on a journey to discover the genesis of his sound as a songwriter, guitarist and performer. Emmy®-award nominated cinematographer Igor Martinovic (What Happened, Miss Simone?, House of Cards, Man on Wire) shot the film and Joshua L. Pearson (What Happened, Miss Simone?, Made in America, Under African Skies) edited. Keith Richards: Under the Influence is a RadicalMedia & Tremolo Production.
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Watch Red Band TRAILER for PRINCE directed by Sam De Jong, in Theaters on August 14th
VICE released the Red Band Trailer for PRINCE directed by Sam De Jong and winner of 2015 Berlinale – Honorary Mention: Crystal Bear for Best First Feature. PRINCE will be released in theaters and on VOD platforms August 14th.
Seventeen-year-old Ayoub (Ayoub Elasri) has a lot on his plate: his father (Chaib Massaoudi) is a junkie, his mother (Elsie de Brauw) is a lonely divorcé, and his sister (Olivia Lonsdale) is falling in with the wrong crowd. Haunted by his father’s terrible reputation, Ayoub can’t get the attention of Laura (Sigrid ten Napel), the most beautiful girl in the neighborhood. He does, however, gain the attention of Kalpa (Freddy Tratlehner), an eccentric, purple Lamborghini-driving, psychotically violent local criminal. Falling in with Kalpa, Ayoub tries to enlarge his status (and wallet) enough to win Laura over, but soon finds that his new life is far more than he bargained for.
https://www.youtube.com/watch?v=JgXbuIcGInA
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ONE & TWO Starring Kiernan Shipka Sets Release Date of August 14th | TRAILER
IFC Midnight has released the trailer for ONE & TWO, directed by Andrew Droz Palermo and Neima Shahdadi, and opening theatrically August 14th.
ONE & TWO starring Kiernan Shipka and Timothée Chalamet, had its world premiere at the 2015 Berlin International Film Festival, followed by its U.S. premiere at the SXSW Film Festival.
In the confines of their isolated world, Zac and Eva (Timothée Chalamet of “Homeland” and Kiernan Shipka of “Mad Men”) live under the constant watch of a father (Grant Bowler, “True Blood”) that rules with strict routine and discipline. They live for nightfall — for moments of escape — and rely on each other for moments of levity.
After a long dormant illness returns, their mother (Elizabeth Reaser, THE TWILIGHT SAGA), once a beacon of light and joy, struggles to unite the family in an increasingly somber home. As their father searches for a divine answer to the heartbreaking circumstances of his crumbling world, Zac and Eva steal moments to explore burgeoning otherworldly abilities and to dream of a life free of limitations.
https://www.youtube.com/watch?v=p5eKwzKkkIc
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African Music Documentary TANGO NEGRO gets NYC and Chicago Theatrical Release | TRAILER
The music documentary Tango Negro: The African Roots of Tango will be released in Chicago and in New York City for a one week run starting on August 14, 2015. In Chicago, Tango Negro: The African Roots of Tango will play at Facets Cinematheque (1517 West Fullerton Ave.) and in New York City at MIST Harlem (46 West 116th). The film will also screen in Washington DC at the Goethe Institute (812 Seventh St, NW) in the context of the 9th Annual African Diaspora International Film Festival.
Tango Negro explores the expression of Africanness inherent in the dance of the “tango” and the contribution of African cultures to the dance’s creation. Angolan director, Dom Pedro, details the dance’s early cultural significance as a depiction of the social life of captured African slaves and provides an expansive compilation of musical performances and interviews from tango enthusiasts and historians alike. Tango Negro provides a novel insight into the depth of tango’s sub-Saharan African musical influence, a presence that has crossed oceans and endured the tides of forced bondage.
https://www.youtube.com/watch?v=b1OCMY06u7M
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CIRCUS WITHOUT BORDERS to Open 2015 Montreal First Peoples Festival | TRAILER
The film Circus Without Borders will open 2015 Montreal First Peoples Festival on Wednesday, July 29th. This 69 minutes documentary produced and directed by Susan Gray and Linda Matchan, tells the story of two circus companies, one in Nunavut, the other in Guinea-Conakry, have brought young people together from the ends of the earth to overcome the limits geography and history have set along their road to fulfilment. An invitation to go beyond.
https://vimeo.com/124206024
CIRCUS WITHOUT BORDERS is a documentary about Guillaume Saladin and Yamoussa Bangoura, best friends and world-class acrobats from remote corners of the globe who share the same dream: To bring hope and change to their struggling communities through circus. Their dream unfolds in the Canadian Arctic and Guinea, West Africa, where they help Inuit and Guinean youth achieve unimaginable success while confronting suicide, poverty and despair.
Seven years in the making, this tale of two circuses — Artcirq and Kalabante — is a culture-crossing performance piece that offers a portal into two remote communities, and an inspiring story of resilience and joy.
The First Nations festival goes on until August 5th and will spread its wings at Place des Festivals: thrilling concerts, an exacting selection of films and videos, the great multicultural parade along Saint-Catherine Street and many indoor venue and gallery events.
