The Pathological Optimist by director Miranda Bailey, will open the 11th Manhattan Film Festival on April 20, 2017. The documentary is a character study that features never-before-seen, full access footage, of the man at the center of one of the biggest medical and media controversies of our time – Andrew Wakefield – whose film Vaxxed: From Cover-Up to Catastrophe, screened at last year’s Manhattan Film Festival and sparked fierce debate.
“As a filmmaker, I was drawn to exploring a controversial subject so I’m grateful that the Manhattan Film Festival embraces provocative films, and I look forward to premiering The Pathological Optimist,” says Director Miranda Bailey.
The screening will also include a filmmaker Q & A with participants in the film to create an open discussion about the subject matter.
“MFF strongly feels part of the role for an independent film festival is to spark debate and give filmmakers a platform,” said Festival Director Philip Nelson. “We are thrilled and honored to open the festival with The Pathological Optimist, and look forward to the dialog to follow.”
Bailey made her directorial debut with the documentary Greenlit – a humorous documentary examining the hypocrisy inherent in Hollywood’s “green” movement – premiered at the 2010 SXSW Film Festival to critical acclaim and was acquired by IFC International. Additionally, she established herself as a prolific producer championing independent films as CEO of Cold Iron Pictures. In the last year, her film Swiss Army Man and Don’t Think Twice were released to box office success and critical acclaim. Her most recent film, Norman, will be released by Sony Classics April 14.
The 11th annual Manhattan Film Festival will take place April 19 to 30, 2017.Films
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Film on Controversial Anti-Vaccine Filmmaker, Andrew Wakefield, to Open Manhattan Film Festival
The Pathological Optimist by director Miranda Bailey, will open the 11th Manhattan Film Festival on April 20, 2017. The documentary is a character study that features never-before-seen, full access footage, of the man at the center of one of the biggest medical and media controversies of our time – Andrew Wakefield – whose film Vaxxed: From Cover-Up to Catastrophe, screened at last year’s Manhattan Film Festival and sparked fierce debate.
“As a filmmaker, I was drawn to exploring a controversial subject so I’m grateful that the Manhattan Film Festival embraces provocative films, and I look forward to premiering The Pathological Optimist,” says Director Miranda Bailey.
The screening will also include a filmmaker Q & A with participants in the film to create an open discussion about the subject matter.
“MFF strongly feels part of the role for an independent film festival is to spark debate and give filmmakers a platform,” said Festival Director Philip Nelson. “We are thrilled and honored to open the festival with The Pathological Optimist, and look forward to the dialog to follow.”
Bailey made her directorial debut with the documentary Greenlit – a humorous documentary examining the hypocrisy inherent in Hollywood’s “green” movement – premiered at the 2010 SXSW Film Festival to critical acclaim and was acquired by IFC International. Additionally, she established herself as a prolific producer championing independent films as CEO of Cold Iron Pictures. In the last year, her film Swiss Army Man and Don’t Think Twice were released to box office success and critical acclaim. Her most recent film, Norman, will be released by Sony Classics April 14.
The 11th annual Manhattan Film Festival will take place April 19 to 30, 2017.
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WHITNEY. “CAN I BE ME,” Documentary to World Premiere at Tribeca Film Festival
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Whitney Houston in WHITNEY ‘CAN I BE ME.’ Photo by David Corio.[/caption]
WHITNEY. “CAN I BE ME,” a film exploring the incredible career and complicated life of the memorable singer, will World Premiere at the Tribeca Film Festival in New York City on April 26, and then air on SHOWTIME later this year. The powerful documentary is directed by acclaimed BAFTA Award winner Nick Broomfield (Kurt & Courtney, Tales of the Grim Sleeper).
Hers was the golden voice with the unmatchable range. Six-time Grammy(R) winner Whitney Houston was one of the most successful female recording artists of all time. After a troubled marriage to singer Bobby Brown and many years of struggles with addiction, Houston died suddenly and tragically at age 48. With behind the scenes materials, candid interviews and performance footage – including many of Houston’s greatest hits – WHITNEY. “CAN I BE ME” will offer a raw and uncensored look at Houston, exploring the impact her life and death had on the people around her and the world of music.
According to her band members, “Can I be me?” was Houston’s favorite expression, one she used so much that they sampled it to play at the start of rehearsals. The film explores Whitney’s central dilemma: even though she had made millions of dollars, had more consecutive number ones than The Beatles and was recognized as having one of the greatest voices of all time, she still couldn’t do what she wanted to do, either professionally or in her personal life.
WHITNEY. “CAN I BE ME” joins an esteemed list of projects under the Showtime Documentary Films banner that focus on the lives and legacies of culture-defining figures, including ERIC CLAPTON: A LIFE IN 12 BARS, which will screen at festivals and theaters this year before airing nationally on SHOWTIME this fall, and an upcoming documentary film on John Belushi‘s life and career.
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NEWTOWN, Documentary on Deadliest Mass Shooting of Schoolchildren in American History, to Air on PBS | Trailer
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Newtown[/caption]
Kim A. Snyder’s documentary Newtown that tells the story of the aftermath of the deadliest mass shooting of schoolchildren in American history will air on Independent Lens on PBS April 3.
On December 14, 2012, a disturbed young man committed a horrific mass shooting in Newtown, Connecticut, that took the lives of 20 elementary school children and six educators. Kim A. Snyder’s searing new documentary Newtown, filmed over the course of nearly three years, uses deeply personal, never-before-heard testimonies to relate the aftermath of the deadliest mass shooting of schoolchildren in American history. Through raw and heartbreaking interviews with parents, siblings, teachers, doctors and first responders, Newtown documents a traumatized community still reeling from the senseless tragedy, fractured by grief but driven toward a sense of purpose.
Newtown premieres on Independent Lens Monday, April 3, 2017, 10:00-11:30PM ET (check local listings) on PBS.
There are no words of compassion or reassurance that can bring back those who lost their lives during the shooting at Sandy Hook Elementary School. Instead, Snyder delves into the lives and homes of those who remain, all of whom have been indelibly changed by the events. They speak candidly about their grief, anger and disbelief over what occurred and their disappointment that nothing has truly changed with regard to the country’s legal response to gun violence. Newtown bears witness to their profound grief and allows it to reverberate within our collective conscience, exploring what happens to a community after it becomes the epicenter of a national discussion and what it must cope with after the cameras leave.
“Working with Kim on this film has been a deeply rewarding experience,” said Lois Vossen, Independent Lens executive producer. “The team was committed to making a film that was incisive without being exploitative. Newtown shows the impact of trauma on a community, the grief gun violence causes and how we begin to heal and move forward.”
About the Participants
in Alphabetical Order: Mark Barden, the father of Daniel, who at age seven was killed at Sandy Hook. Mark’s journey from isolation to reconnection with family, community and ultimately with his murdered son is intimate, raw and informed by strength. Dr. William Begg, ER doctor, Danbury Hospital. Sgt. Bill Cario, Connecticut State Trooper. Abbey Clements, Sandy Hook Elementary School teacher. Sarah Clements, daughter of surviving Sandy Hook Elementary School teacher. Nicole Hockley, mother of Dylan, one of the children murdered at Sandy Hook. Her son, Jake, a third grade survivor, is manifesting symptoms of PTSD. In the midst of all this, her unrelenting conviction to effect change connects her with fellow bereaved parent Mark Barden. Mary Ann Jacob, Sandy Hook Elementary School library clerk. Melissa Malin, Newtown resident and neighbor of the Barden family. Gene Rosen, Sandy Hook Elementary School neighbor. Rick Thorne, Sandy Hook Elementary School custodian. Laurie Veillette, volunteer EMT. David Wheeler, whose youngest son Ben was killed at Sandy Hook.Active in the Newtown community, he shares his story out of the desire to protect the rest of the world from going through what his family endured.About the Filmmakers
Kim A. Snyder (Director/Producer) Newtown, Kim Snyder’s most recent film, premiered in competition at the 2016 Sundance Film Festival and was hailed in Entertainment Weekly as among the “Best of Sundance.” The film will continue to screen at premiere festivals worldwide and is poised to have a theatrical release in September 2016, followed by a national broadcast on PBS’s Independent Lens. Snyder’s last feature documentary, Welcome to Shelbyville, was also nationally broadcast on Independent Lens. In 2007, Snyder co-founded the BeCause Foundation to direct and produce a series of socially conscious documentaries, which have won numerous awards with campaigns furthering the work of the social innovators they highlight. Her award-winning directorial debut feature documentary, I Remember Me, was theatrically distributed by Zeitgeist Films. In 1994, she associate produced the Academy Award-winning short film Trevor, directed by Peggy Rajski. Snyder graduated with a Masters in international affairs from the Johns Hopkins School of Advanced International Studies and resides in New York City. Maria Cuomo Cole (Producer) Maria Cuomo Cole is the award-winning producer of Newtown, which premiered at the 2016 Sundance Film Festival. In her career, she has tackled such subjects as gun violence, homelessness, veterans’ PTSD, domestic violence and sexual assault. Most recently, she executive produced The Hunting Ground, directed by Kirby Dick. This Emmy and Peabody Award-winning film has been lauded as a powerful investigation into the epidemic of sexual assaults on college campuses. In 2012, Cuomo Cole worked with the same film team, executive producing the 2014 Oscar®-nominated documentary The Invisible War. This groundbreaking documentary about the epidemic of rape and sexual violence in the U.S. military served as a catalyst for federal legislation and influenced federal policy reforms. Cuomo Cole’s 2011 documentary Living for 32, about gun laws in America, was short-listed for an Academy Award® and premiered at the 2011 Sundance Film Festival. In collaboration with national communities of gun violence survivors, faith leaders, political leaders and nonprofits, the film has served as a catalyst for awareness and advocacy on the subject of federal and state legislative reform across the country. Since 1992, she has led HELP USA, the national nonprofit leader in both homeless and permanent supportive service housing and employment programs for veterans, families and survivors of domestic violence. https://www.youtube.com/watch?v=6V0QuGuFf2k
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Slamdance Grand Jury Winner DIM THE FLUORESCENTS to Be Released in Canada | Trailer
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Dim The Fluorescents – director Daniel Warth and producer Josh Clavir,[/caption]
Dim The Fluorescents, the feature film debut of director Daniel Warth and producer Josh Clavir, and winner of the 2017 Slamdance Film Festival Grand Jury Prize will be released in Canada by Films We Like. The film will have a cross-Canada fall theatrical release, followed by a wide digital release targeting SVOD, streaming and airline services.
FWL has been following the film since before its debut at Slamdance Film Festival, and shortly after the fest, finalized the deal.
Dim the Fluorescents tells the story of struggling actor Audrey (Claire Armstrong) and aspiring playwright Lillian (Naomi Skwarna), who pour all of their creative energy into the only paying work they can find: corporate role-playing demonstrations. When they book the biggest gig of their careers at a hotel conference, work commences on their most ambitious production to date, and the ensuing tensions threaten to derail both the production and their friendship.
As wryly funny as it is unexpectedly poignant, Dim the Fluorescents is a one-of-a-kind portrait of the artistic life and process in the unlikeliest of settings. A labour of love painstakingly constructed over the course of four years, the film was written by Daniel Warth and Miles Barstead – who also composed the score – and produced by Josh Clavir.
“I honestly can’t think of a better Canadian home for Dim the Fluorescents than Films We Like,” said Warth. “They have put out so many of my favorite films of the new century: Tabu, Berberian Sound Studio, Like Someone in Love, and far too many others to mention. I am beyond excited for this partnership, and I know they’re going to do an incredible job bringing the film to Canadian audiences.”
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Rob Meyer’s LITTLE BOXES from Tribeca 2016 Gets April 14th Delivery Date
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Little Boxes[/caption]
Rob Meyer’s LITTLE BOXES starring Melanie Lynskey (“Togetherness”), Nelsan Ellis (GET ON UP), Armani Jackson (THE LAST WITCH HUNTER), Oona Laurence (Broadway’s MATILDA), and Janeane Garofalo, will be released in theaters on April 14th by Gunpowder & Sky Distribution.
It’s the summer before 6th grade, and Clark (Jackson) is the new biracial kid in a very white town. Discovering that to be cool he needs to act ‘more black’, he fumbles to meet expectations. Meanwhile, his urban intellectual parents Mack (Ellis) and Gina (Lynskey) try to adjust to small-town living. Accustomed to life in New York, the tight-knit family is ill-prepared for the drastically different set of obstacles that their new community presents. They soon find themselves struggling to understand themselves and each other in this new context.
Written by Annie J. Howell, LITTLE BOXES premiered at the 2016 Tribeca Film Festival, where it received a warm reception from critics. IndieWire praised Lynskey’s performance as “radiantly real” and called Howell’s script “knowing and perceptive”, noting approvingly that the film “addresses delicate questions about how our national conversations shape and seep into younger generations.” Variety concurred, hailing Ellis and Lynskey as “warm, funny and credible” and the film’s gentle touch on “issues of race, class and privilege”.
“LITTLE BOXES is as heartwarming as it is timely,” said Gunpowder & Sky Distribution’s Jake Hanly. “Rob unpacked a very complex issue in a way any audience can understand and relate to.”
Director Rob Meyer said, “It’s a thrill and an honor to team up with Gunpowder & Sky Distribution for the theatrical and VOD release. They distribute the kind of movies that I want to watch.” Producer Jared Ian Goldman added, “The Gunpowder & Sky team love the heart, humor and commentary of LITTLE BOXES as much as those of us who made it. They understand the timeliness and nuance to the mix-ups, misunderstandings, and stereotyping that the story utilizes so successfully.”
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Faith-Based Human Trafficking Thriller RUN Starring Stephen Baldwin Sets Premiere Date | Trailer
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RUN starring Stephen Baldwin[/caption]
The new faith-based feature film, RUN, starring Stephen Baldwin, will premiere on March 9, 2017 at the Palladium IMAX in San Antonio, TX before expanding to select cities nationwide.
The faith-based dramatic thriller stars Stephen Baldwin (The Usual Suspects; Bio-Dome; Born on the Fourth of July), Taylor Murphy (Scream: The TV Series; The Middle; MTV’s Awkward) and Josiah Warren (The Prophet’s Son; Scarlett; In Over My Head) who also directs the film. RUN follows Levi (Warren), a young businessman who marries a passionate journalist who reports on human trafficking and fights to expose it. On their wedding night, Natalie (Murphy) is kidnapped and sold into sex slavery. Levi goes on the hunt for his wife chasing clues wherever he can find them, leading him to Jeff Conners (Baldwin) – a crime lord with no mercy. Will Levi be able to find his wife before she is moved out of the country? Only with the help of God can Levi find the strength to fight.
Numerous anti-human trafficking organizations will be participating in the RUN premiere including Alamo Area Coalition Against Trafficking (AACAT), Embassy of Hope, Freedom Youth Project, Rape Crisis Center, Alamo Youth Center, Ransomed Life, A21 Freedom Chasers, Path Now Global, Heidi Search Center, No Strings Attached and New Life Refuge Ministries.
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A QUIET PASSION, starring Cynthia Nixon as Emily Dickinson Sets Release Dates | Trailer
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A Quiet Passion[/caption]
A QUIET PASSION starring Cynthia Nixon, and an official selection at the 2016 New York, Toronto and Berlin film festivals, will open in New York on April 14, and at the Laemmle Royal in Los Angeles on April 21. A national release will follow.
Following Sunset Song, acclaimed British director Terence Davies turns to 19th-century American poet Emily Dickinson, and exquisitely evokes Dickinson’s deep attachment to her close-knit family along with the manners, mores and spiritual convictions of her time that she struggled with and transcended in her poetry. Cynthia Nixon delivers a triumphant performance as Emily Dickinson as she personifies the wit, intellectual independence and pathos of the poet whose genius only came to be recognized after her death.
In addition to his two acclaimed semi-autobiographical features Distant Voices, Still Lives and The Long Day Closes, Mr. Davies’ films include the gorgeous literary adaptations The House of Mirth, The Neon Bible, The Deep Blue Sea, Sunset Song, as well as Of Time and the City, his masterful exploration of his native city, Liverpool.
A QUIET PASSION written and directed by Terence Davies, reunites Davies with his Deep Blue Sea cinematographer Florian Hoffmeister to create a luminous rendering of the poet’s universe.
Emily Dickinson was born in Amherst, Massachusetts. Not publicly recognized during her lifetime, her first volume of works was published posthumously in 1890 after her family discovered forty hardbound volumes containing nearly 1,800 poems.
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SXSW Documentary MISSION CONTROL: THE UNSUNG HEROES OF APOLLO Sets Release Launch Date | Trailer
The documentary Mission Control: The Unsung Heroes of Apollo, directed by David Fairhead, about the NASA team that guided the United States’ early astronauts, has been acquired by Gravitas Ventures for release in the U.S.
Mission Control: The Unsung Heroes of Apollo, which is set for its world premiere on March 14 at the South by Southwest (SXSW) festival in Austin, will be released in select U.S. theaters and through video on demand (VOD) on April 14.
Featuring archival and on-site footage and stories from the men who lived it, “Mission Control” includes interviews with the founder of NASA’s Mission Control Center (and now its namesake) Chris Kraft and Apollo-era flight directors Gene Kranz (portrayed by Ed Harris in the 1995 film “Apollo 13”), Glynn Lunney and Gerry Griffin. Also appearing in the film are Apollo flight controllers Jerry Bostick, John Aaron and Sy Liebergot, and astronauts James Lovell (played by Tom Hanks in “Apollo 13”), Charles Duke, and the late Eugene Cernan, the last man to walk on the moon. Through their testimony, the movie explores the journey in Mission Control, from the Mercury and Gemini trailblazing flights to the tragic Apollo 1 fire and, ultimately, the glories of the moon landings.
“To make this film of the unsung heroes [of NASA Mission Control] has been a fantastic experience,” Fairhead said.
https://www.youtube.com/watch?v=n7maQ_-k6DI
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Ghanian Film and Film Independent Spirit Award Nominee NAKOM Sets March 3rd Release Date | Trailer
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Nakom[/caption]
Nakom, directed by the female team of TW Pittman and Daniela Norris, and nominated for the John Cassavetes Film Independent Spirit Award for the best new film made for under $500,000, will be released by Corinth Films. The film, starring Jacob Ayanaba, Justina Kulidu, Shetu Mussah, Grace Ayariga, Aziz Abdul, Esther Issaka, Mamudu Asigiri, and Thomas Kulidu, will open Friday March 3rd at New York’s Cinema Village in Manhattan.
Set in present day Ghana, Nakom follows Iddrisu, a talented medical student who is summoned home by his sister after their father’s sudden death. Iddrisu reluctantly returns home to the village of Nakom, buries his father and temporarily assumes the head of the impoverished household and farm, inheriting not only the delicate task of planting a successful crop but also a debt left by the deceased patriarch that could destroy the family. Attempting to maintain part of his studies from the confines of a small hut, Iddrisu becomes increasingly frustrated with the incessant physical and emotional needs of those around him, the demanding toil of the land and lack of rain. A contentious relationship with his uncle Napolean, to whom the sizeable debt is owed, is further complicated by the unplanned pregnancy of Napolean’s granddaughter who was sent to live with Iddrisu’s family. As the new patriarch grapples with tradition and familial duty, he is met with varying shades of contempt by both family and villagers who compare him with his father expecting a resemblance. Iddrisu’s patience and wisdom are tempered by the strange paradox created by his faith in God and desire for control, the latter of which he cannot have so long as he stays in Nakom. As circumstances swell, Iddrisu suddenly begins to realize that no future for him exists in the place where he is needed the most, even despite an offer by the village Chieftain to remain in Nakom to become an elder and marry his daughter. [gallery size="medium" type="rectangular" ids="20737,20738,20746,20745,20744,20743,20742,20741,20740,20739"]
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Watch First Official Trailer for Irish Coming of Age Comedy HANDSOME DEVIL
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HANDSOME DEVIL[/caption]
Here is the first official trailer for Handsome Devil, an Irish funny, music-drenched coming-of-age story set in an elite Dublin rugby school from writer-director John Butler. Handsome Devil which premiered at Toronto International Film Festival stars Andrew Scott (Sherlock, Spectre) alongside rising stars Fionn O’Shea and Nicholas Galitzine.
Heading up a cast of bright new talent is Fionn O’Shea as gawky, sixteen year-old Ned, a bright, artistic lad who faces his own hell on earth when he is sent to an all-boys Irish boarding school where the manly pursuit of rugby is virtually a religion. He steels himself for the loneliness, ridicule and constant insinuations about his sexuality. Everything changes with the arrival of his new roommate Conor (Nicholas Galitzine), a star player in the rugby team, and inspirational English teacher Dan Sherry (Sherlock and Spectre star Andrew Scott). Ned and Conor bond over a mutual appreciation of cool music and an unlikely friendship blossoms and faces unbearable pressures from a school grimly attached to its narrow macho values.
A music-mad 16-year-old outcast at rugby-mad boarding school forms an unlikely friendship with his dashing new roommate, in this funny and observant coming-of-age tale from Irish novelist and filmmaker John Butler.
This tender look at the travails of teenage life is the story of the worst thing Ned (Fionn O’Shea) ever did. It’s also the story of the best thing that ever happened to Ned. With his dyed hair, willowy build, and penchant for sexually ambivalent pop and rock from generations past, 16-year-old Ned has never fit in at the rugby-mad boarding school his father insists he attend. Determined to simply keep his nose down and weather another year of loneliness and bullying, Ned is pleasantly surprised when he develops a friendship with his dashing new roommate, Conor (Nicholas Galitzine), a rugby virtuoso with issues of his own. The boys bond over music and start to practice guitar together. At the encouragement of their English teacher (Andrew Scott), Ned and Conor enter a talent show at a local girls’ school. As both talent show and rugby season loom, however, the pressure on Conor to choose between manly athletic discipline and more artistic pursuits threatens to tear him apart — while Ned is increasingly tempted to betray Conor’s trust in order to save his own skin. Toronto International Film Festival https://www.youtube.com/watch?v=-j1i94L8PMk
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I CALLED HIM MORGAN Documentary on Jazz Legend Lee Morgan Sets March Release Date
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I CALLED HIM MORGAN[/caption]
I CALLED HIM MORGAN, Kasper Collin’s (My Name Is Albert Ayler) documentary portrait of legendary jazz musician Lee Morgan and the woman who tragically took his life will open in New York on March 24 and Los Angeles on March 31. Featuring cinematography by Oscar-nominated DP Bradford Young (Arrival, Selma), I CALLED HIM MORGAN swept a prestigious group of fall film festivals—Venice, Telluride, Toronto, New York, and London.
The film will open theatrically on Friday, March 24 at New York’s Film Society of Lincoln Center, and followed on Friday, March 31 by openings at Manhattan’s Metrograph Theater and Los Angeles’ Laemmle Monica with a national expansion to follow.
On a snowy night in February 1972, 33-year-old jazz trumpet star Lee Morgan was shot dead by his common-law wife, Helen, during a gig at a club in New York City. The murder sent shockwaves through the jazz community, where Morgan played with such greats as Dizzy Gillespie, Art Blakey and John Coltrane. Helen served time for the crime and, following her release, retreated into obscurity. Over 20 years later, a chance encounter led her to give a remarkable interview. Helen’s revealing audio “testimony” acts as a refrain throughout the film, which draws together a wealth of archival photographs and footage, interviews with friends and bandmates and incredible jazz music to tell the ill-fated pair’s story. Part true-crime tale, part love story, and an all-out musical treat, I CALLED HIM MORGAN is a captivating chronicle of the dramatic destinies of two unique personalities and the music that brought them together.
Featuring Wayne Shorter, Paul West, Charli Persip, Albert “Tootie” Heath, Larry Ridley, Jymie Merritt, Bennie Maupin, Billy Harper, Larry Reni Thomas, and more.
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Berlinale 2017: Karam Ghossein’s STREET OF DEATH Wins Audi Short Film Award
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The Audi Short Film Award goes to Lebanese director Karam Ghossein – here with Jason Lusty, Head of Marketing Germany at AUDI AG[/caption]
Lebanese director Karam Ghossein has won the Audi Short Film Award, along with its €20,000 cash prize at the 2017 Berlin International Film Festival for his short film Street of Death.
Director and cameraman Karam Ghossein creates a stream of images from the present combined with stories from the past, occurring like a kaleidoscope along the highway to the Beirut International Airport. In the 22-minute-long firm, struggles for power and respect remain as persistent points throughout the ages. The international short film jury for 2017 includes Christian Jankowski, an artist and Professor at the State Academy of Art and Design in Stuttgart; Kimberly Drew, Curator and Social Media Manager at the Metropolitan Museum of Art New York; and Carlos Núñez, Artistic Director of the SANFIC Santiago International Film Festival.
A total of 23 films from 19 countries competed in the Berlinale Shorts section. Under the title “Reframing the Image,” curator Maike Mia Höhne assembled a series of films focused on recalibrating one’s own perception, offering the filmgoer a unique new perspective. “The short film is the hotbed of creativity for the film industry. This is where directors execute their visions and provide food for thought, sometimes experimentally, sometimes essayistically. This gives rise to new trends – and that’s what we want to support with the Audi Short Film Award,” says Jason Lusty, Head of Marketing Germany at AUDI AG, explaining Audi’s involvement. The Audi Short Film Award is presented in the Berlinale Shorts section alongside the Golden and Silver Bears, and is among the world’s most lucrative short film awards.