Last Men in Aleppo[/caption]
The award-winning documentary film Last Men in Aleppo, directed by Feras Fayyad and Steen Johannesen will be released in the U.S. by Grasshopper Film.
The film had its world premiere at the Sundance Film Festival, where it won the World Documentary Grand Jury Prize, then went on to screen as the Opening Night selection of CPH:DOX where it won the DOX:AWARD.
After five years of war in Syria, the remaining citizens of Aleppo are getting ready for a siege. From September 2015 to the fall of 2016, the filmmakers follow the volunteers from The White Helmets as they experience the daily life of death and struggle in the streets of the city. They fight for sanity in a place where war has become the norm.
Khalid, Subhi and Mahmoud are among the first to enter the destroyed buildings, scouring through the rubble in search of bodies and signs of life. They now live more or less under siege and constant bombings, together with the remaining 350,000 civilians in Aleppo. They all struggle with the same dilemma: Should they flee and bring their families to safety, or should they stay and fight for their city?
“For six years, I witnessed the ugliest of human brutality; secret prisons, destroyed cities and streets littered with human remains,” said director Feras Fiyyad, “I wanted to find a glimmer of hope and humanity under all this hell. War brings out the worst in human beings, but it also brings out the best in us. The White Helmets are indeed a living example of that, and their voices deserve to be heard.”
“’Last Men in Aleppo’ is bold, courageous, immersive filmmaking,” commented Ryan Krivoshey. “By embedding us among these extraordinary individuals, allowing us to experience their reality, it illuminates in a way that I haven’t seen before a conflict that is reshaping our world. We’re honored to be working with director Feras Fayyad and co-director Steen Johannesen on the release of this film.”
Grasshopper plans to release the film theatrically in May, followed by a non-theatrical and VOD release. The film will have an exclusive New York run starting May 3rd at the Metrograph and May 18 th at Laemmle’s Music Hall in Los Angeles with a nationwide rollout thereafter. The film has also been acquired for US broadcast by POV which will air the film later in the year.
Grasshopper Film is a new distribution company dedicated to the release of acclaimed and award-winning independent cinema. Upcoming releases include Bertrand Bonello’s “Nocturama,” Michael Almereyda’s “Escapes,” Andrew Rossi’s “Bronx Gothic” and Oliver Laxe’s Cannes Critics Week winner “Mimosas.”
https://www.youtube.com/watch?v=qT6IagQ7xosFilms
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Sundance Award Winning Documentary LAST MEN IN ALEPPO to Be Released in U.S. | Trailer
[caption id="attachment_19914" align="aligncenter" width="1200"]
Last Men in Aleppo[/caption]
The award-winning documentary film Last Men in Aleppo, directed by Feras Fayyad and Steen Johannesen will be released in the U.S. by Grasshopper Film.
The film had its world premiere at the Sundance Film Festival, where it won the World Documentary Grand Jury Prize, then went on to screen as the Opening Night selection of CPH:DOX where it won the DOX:AWARD.
After five years of war in Syria, the remaining citizens of Aleppo are getting ready for a siege. From September 2015 to the fall of 2016, the filmmakers follow the volunteers from The White Helmets as they experience the daily life of death and struggle in the streets of the city. They fight for sanity in a place where war has become the norm.
Khalid, Subhi and Mahmoud are among the first to enter the destroyed buildings, scouring through the rubble in search of bodies and signs of life. They now live more or less under siege and constant bombings, together with the remaining 350,000 civilians in Aleppo. They all struggle with the same dilemma: Should they flee and bring their families to safety, or should they stay and fight for their city?
“For six years, I witnessed the ugliest of human brutality; secret prisons, destroyed cities and streets littered with human remains,” said director Feras Fiyyad, “I wanted to find a glimmer of hope and humanity under all this hell. War brings out the worst in human beings, but it also brings out the best in us. The White Helmets are indeed a living example of that, and their voices deserve to be heard.”
“’Last Men in Aleppo’ is bold, courageous, immersive filmmaking,” commented Ryan Krivoshey. “By embedding us among these extraordinary individuals, allowing us to experience their reality, it illuminates in a way that I haven’t seen before a conflict that is reshaping our world. We’re honored to be working with director Feras Fayyad and co-director Steen Johannesen on the release of this film.”
Grasshopper plans to release the film theatrically in May, followed by a non-theatrical and VOD release. The film will have an exclusive New York run starting May 3rd at the Metrograph and May 18 th at Laemmle’s Music Hall in Los Angeles with a nationwide rollout thereafter. The film has also been acquired for US broadcast by POV which will air the film later in the year.
Grasshopper Film is a new distribution company dedicated to the release of acclaimed and award-winning independent cinema. Upcoming releases include Bertrand Bonello’s “Nocturama,” Michael Almereyda’s “Escapes,” Andrew Rossi’s “Bronx Gothic” and Oliver Laxe’s Cannes Critics Week winner “Mimosas.”
https://www.youtube.com/watch?v=qT6IagQ7xos
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Bette Gordon’s Psychological Thriller THE DROWNING Starring Julia Stiles, to Open in Theaters on May 10th | Trailer
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The Drowning[/caption]
Bette Gordon’s psychological thriller, The Drowning, based on Border Crossing, the controversial novel about violence in children by noted Booker Prize-winning author Pat Barker will open in theaters on May 10th, 2017.
The Drowning, starring Julia Stiles, Josh Charles, Avan Jogia, Tracie Thoms and Leo Fitzpatrick, is the story of a forensic psychologist who is haunted by his expert witness testimony that sent a young boy to prison for a chilling murder. When the boy later reappears in his life, he is drawn into a destructive, soul-searching reinvestigation of the case. An erotic thriller with no let up in tension, The Drowning celebrates the genre with electrifying performances. Complex, riveting and unafraid to tread deep, murky psychological waters, this is a story of shifting identities that will keep you guessing until the very end.
The Drowning premiered at the most recent Woodstock Film Festival and went on to screen at film festivals around the world including Warsaw, Sao Paulo, Napa Valley and Savannah. The Drowning marks Gordon’s second collaboration with producer Jamin O’Brien and Paladin which also released her film Handsome Harry featuring Jamey Sheridan, Steve Buscemi, Aidan Quinn and Campbell Scott in 2010.
A pioneer in American Independent Cinema, Bette Gordon is known for her bold explorations of themes related to sexuality, violence and power including her feature length debut from her own original screenplay, Variety (1984), a beautifully seductive film about voyeurism and pornography, that Film Comment calls “a unique feminist thought experiment that doubles as a love letter to Fear City-era New York.” Luminous Motion (2000) was produced by Ted Hope and Anthony Bregman and stars Deborah Kara Unger in a breathtaking performance. Gordon’s film Handsome Harry premiered in competition at the Tribeca Film Festival (2009) and was released theatrically by Paladin to rave reviews. The film features a stellar ensemble cast including Steve Buscemi, Aidan Quinn, Campbell Scott, Jamey Sheridan. The film critic John Powers has said, “Gordon’s willingness to explore dangerous territory puts her miles ahead of most filmmakers.” Gordon is a film professor at Columbia University.
The Drowning was adapted for the screen by Stephen Molton and House of Cards showrunner Frank Pugliese, and is being released by Paladin and Electric Entertainment.
https://www.youtube.com/watch?v=Waqa7wbTpMM
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Brazilian Drama NISE: THE HEART OF MADNESS Opens in US on April 28 | Trailer
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Nise: The Heart of Madness[/caption]
Nise: The Heart of Madness is a Brazilian film based on the true life story of psychiatrist, Nise Da Silveira, who refused to treat schizophrenia patients with electroshock therapy and instead used art and painting. The film directed by Roberto Berliner won the Best Film-Audience Award at the Rio de Janeiro International Film Festival, and the Grand Prix along with the Best Actress Award at the Tokyo International Film Festival.
Nise: The Heart of Madness will open theatrically on Friday, April 28, 2017 in New York (Village East) and Chicago (Gene Siskel Film Center) with a wider national release to follow.
1940’s, Brazil- Dr. Nise da Silveira (played by award-winning actress Gloria Pires) is at work in a psychiatric hospital on the outskirts of Rio de Janeiro and refuses to employ the new and violent electroshock for the treatment of schizophrenics. Ridiculed by doctors, she is forced to take the abandoned Sector for Occupational Therapy, where she starts a revolution through paints, dogs and love.
Through her efforts, renowned modern art museums opened their doors to artists nobody ever heard of. Many critics pointed out that these exhibitions revealed painters that went on to be ranked amongst the best Brazillian artists of the century. Behind this miracle there was no art academy, patron or dealer. The artists were schizophrenic, poor, hospitalized for several decades, abandoned by their families and hopeless to all but da Silveira. NISE:THE HEART OF MADNESS tells the real life story of this “miracle” and the life of this rebellious, frail and engaging psychiatrist.
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Watch Trailer for Polish Filmmaker Michal Marczak’s ALL THESE SLEEPLESS NIGHTS
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All These Sleepless Nights (Wszystkie nieprzespane noce)[/caption]
ALL THESE SLEEPLESS NIGHTS, Polish filmmaker Michal Marczak’s boundary-pushing portrait of youthful adventure will open theatrically on Friday, April 7 at New York’s IFC Center as well as in theaters in Los Angeles and San Francisco.
The film won the award for Best Director in the World Cinema Documentary competition at 2016 Sundance Film Festival.
Rising young director Michal Marczak defies the fly-on-the-wall traditions of observational cinema by carefully “casting” his subjects and embedding himself in their lives. Here, he invites us into the world of Kris, an awkward 24-year-old who, after breaking up with his longtime girlfriend, is suddenly filled with a boundless sense of possibility. With his suave friend Michal leading the way, Kris embarks upon a nightly walkabout, experiencing Warsaw’s subway tunnels and manors, raves and house parties, beaches and industrial wastelands. As the two smoke, drink and dance with abandon, big ideas are as palpable as the romance and sex in the air. The arrival of the beautiful Eva opens Kris up to an even more intense and high-stakes emotional and physical adventure. Marczak captures each crystalline moment as Kris and Michal push each experience to the limit, adrift in the uncertainty and euphoria of youth.
https://www.youtube.com/watch?v=I_oSKWFGYlk
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Watch Alex Karpovsky as a Struggling Stand-up Comic in Trailer for FOLK HERO & FUNNY GUY
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Folk Hero & Funny Guy[/caption]
Here is the new trailer and poster for Jeff Grace‘s upcoming comedy Folk Hero & Funny Guy starring Alex Karpovsky as a struggling stand-up comic.
The film which also stars Wyatt Russell, Meredith Hagner, Michael Ian Black, Hannah Simone, Heather Morris, Melanie Lynskey, and David Cross, will be released in select cities and on digital/VOD on May 12th, 2017.
Recently dumped by his fiancée and with a stagnating standup routine, aspiring comedian-slash-copywriter Paul (Alex Karpovsky) is stuck. The manager of the club where he performs suggests he take some time off to update his comedy material, and in waltzes his childhood friend Jason Black (Wyatt Russell), an acclaimed folk-rock musician about to embark on a solo acoustic tour of the east coast. Jason suggests Paul needs to get his mojo back—and he should start by opening for Jason on tour. They set off on the road together, picking up a new act (folk singer Bryn, played by Meredith Hagner) on the way. But when Jason reveals an ulterior motive behind the tour, rifts are exposed in their otherwise affable camaraderie. Folk Hero & Funny Guy is a music-infused spin on the road-trip buddy comedy.
https://www.youtube.com/watch?v=hdBCp60TpN0
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“King of Bollywood” Shah Rukh Khan to Receive Special Tribute at San Francisco International Film Festival
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“King of Bollywood” Shah Rukh Khan[/caption]
“King of Bollywood” Shah Rukh Khan will be honored at the 60th San Francisco International Film Festival with a special onstage tribute and screening of “My Name Is Khan”.
An intimate conversation with the actor, producer, and humanitarian exploring his unique balance between commercially-minded cinema and artistic values will be moderated by famed director and producer Brett Ratner. The onstage tribute will take place Friday, April 14, 8:30 pm at the Castro Theatre, and will be followed by a screening of Karan Johar’s 2013 film My Name is Khan in which Khan offers an unforgettable performance.
Often referred to as the “King of Bollywood,” Shah Rukh Khan is an internationally renowned actor and producer. In a career spanning over 30 years, Khan has acted in over 70 Hindi films and won 14 Filmfare Awards—for excellence in cinematic achievements in the Hindi language film industry—from 30 nominations. In 2005 he was the recipient of India’s second highest civilian award, the Padma Shri, in recognition of his distinguished contributions to Indian cinema, and in 2014 he was the recipient of France’s highest civilian award, the Knight of the Legion of Honour, in recognition of his outstanding contribution to cultural diversity across the world.
One of India’s most successful movie stars, Khan’s cultural influence extends far beyond his home country. Eleven of the films he has starred in have accumulated worldwide gross earnings of over one billion dollars. His 2013 Bollywood-English-language crossover film, My Name Is Khan, earned enough in its opening weekend to become the highest-grossing Bollywood film in North America, a record previously set in 2007 by the film Om Shanti Om—which also featured Khan in the leading role.
In 2011, Khan was the first Indian citizen to be honored by the United Nations Educational, Scientific, and Cultural Organization with a special award—the Pyramide con Marni—for his charitable and social commitment towards providing education for children. Later that same year, Khan was appointed by the United Nations Office for Project Services as the first global ambassador to the Water Supply and Sanitation Collaborative Council, which advocates for improved sanitation and hygiene for the most vulnerable and marginalized people around the world.
In 2008, Newsweek named Khan one of the 50 most powerful people in the world.
Brett Ratner, moderating the onstage conversation, is one of Hollywood’s most successful filmmakers and producers, whose films have grossed over $2 billion at the global box office. Ratner made his feature directorial debut with the action comedy hit Money Talks (1997) followed by the blockbuster hit Rush Hour (1998) and its successful sequels. Additional film directing credits include The Family Man (2000), Red Dragon (2002), After the Sunset (2004), X-Men: The Last Stand (2006), Tower Heist (2011), and Hercules (2014). In 2013, Ratner co-founded RatPac Entertainment—a film finance, production, and media company—which has co-financed over 75 films, including Gravity (2013), The Lego Movie (2014), American Sniper (2014), Batman v Superman: Dawn of Justice (2016), The Revenant (2015), and Birdman or (The Unexpected Virtue of Ignorance) (2014). RatPac’s co-financed films have been nominated for 51 Academy Awards®, 20 Golden Globes® and 39 BAFTAs® and have won 21 Academy Awards®, 7 Golden Globes®, and 17 BAFTAs®.
This epic 2010 melodrama “My Name Is Khan” tackles the subject of post-9/11 prejudice in America, as seen through the eyes of Rizwan Khan (Shah Rukh Khan), a devout Muslim who ends up on a cross-country quest to meet the President after a devastating family tragedy. Adding a wrinkle to this story, which is told mostly in flashbacks, is the fact that Khan has Asperger’s syndrome, which means he has a unique way of looking at the world that colors his interactions with others. One person who’s able to see past his mannerisms is lovely single mother Mandira (Kajol), who happens to be Hindu, which causes some strife in Khan’s family. Nevertheless, they fall in love against the backdrop of a lovingly photographed San Francisco, complete with a sparkling wedding at the Palace of Fine Arts, although their road to happily-ever-after is a supremely bumpy one. My Name Is Khan’s bouncy musical numbers and underlying messages of tolerance, unconditional love, and truth-seeking are worth celebrating in these challenging times.
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Film Independent Selects 10 Indie Filmmakers for 2017 Documentary Lab + Launches Fiscal Sponsorship Program
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Brooklyn/Alaska, Erica Sterne[/caption]
10 filmmakers and six projects have been selected for Film Independent’s 2017 Documentary Lab. The 2017 Doc Lab is a five-week intensive program designed to support filmmakers who are currently in post-production on their feature-length documentaries.
“We’re thrilled to bring together this group of talented filmmakers for the seventh year of our Documentary Lab and provide them with career support and mentorship that will help elevate their unique visions and fully realize the potential of their stories,” said Kushner.
This year’s Documentary Lab Advisors and Guest Speakers include Jennifer Arnold (Tig, A Small Act); Nels Bangerter (Editor, Cameraperson); Peter Broderick (President, Paradigm Consulting); Greg Finton (Editor, He Named Me Malala); Keith Fulton (The Bad Kids); Simon Kilmurry (Executive Director, International Documentary Association); Peter Nicks (The Force); Lou Pepe (The Bad Kids); and Chris Perez (Partner, Donaldson + Callif LLP).
The organization also launched its new Fiscal Sponsorship Program, open to all types of eligible projects at every stage including documentary and fiction films and interactive media. Fiscal sponsorship is a legal arrangement between a 501(c)3 and an independent artist that gives them the eligibility to apply for grants and solicit tax-deductible donations for their project.
“In response to what our members have told us they need, we’re happy to deepen our support by offering Fiscal Sponsorship, helping filmmakers gain access to new sources of project funding,” said Jennifer Kushner, Director of Artist Development.
The 2017 Documentary Lab projects and Fellows are:
Brooklyn/Alaska, Erica Sterne – director/producer
Teenage boys from tough Brooklyn neighborhoods discover the natural world on an unlikely adventure through the remote Alaskan wilderness and are transformed by the physical and emotional challenges encountered along the way.
Minding the Gap, Bing Liu – director/producer, Diane Quon – producer
Bing, a 25-year-old Chinese-American skateboarder and filmmaker, returns to his hometown and reconnects with two skateboarders: Keire, an African-American 17-year-old and Zack, a white 23-year-old, who all share a history of childhood trauma. Over the next three years, their freewheeling lives unravel as they figure out who they hope to be.
Shadow of His Wings, Lucas Habte – director/producer, Isidore Bethel – producer/editor
Hoping to understand his Ethiopian father’s history of forced migration, an American filmmaker moves to Addis Ababa and falls in love with a young man who soon must flee homophobic death threats at home to become France’s first LGBT refugee from Ethiopia.
A Taste of Sky, Michael Lei – director/producer
In the dizzying heights of Bolivia’s capital of La Paz a gastronomical revolution is offering the possibility of hope to the country’s impoverished youth. We follow the trials and tribulations of GUSTU, the innovative cooking school and world-class restaurant of South America’s poorest country.
A Woman’s Work, Yu Gu – director, Elizabeth Ai – producer
Football and feminism collide in this feature documentary that follows three former NFL cheerleaders as they battle against their former teams and the NFL to reverse 50 years of illegal employment practices.
Waiting for Kate…(female is not a genre) Amy Goldstein – director/producer, Anouchka van Riel –producer
Waiting for Kate…(female is not a genre) takes us on the roller coaster of contemporary pop stardom, with an unprecedented inside look at the euphoric highs and destructive lows on the cutting edge of today’s music industry.
image via Brooklyn/Alaska, Erica Sterne
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Angkor Awakens: A Portrait of Cambodia is “A Fascinating Portrait of a Nation Struggling to Come to Terms with its Past”
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Angkor Awakens: A Portrait of Cambodia[/caption]
Angkor Awakens: A Portrait of Cambodia is a fascinating portrait of a growing nation struggling to come to terms with its past. The follows the people of Cambodia as they fight to recover their culture and history in the wake of the Khmer Rouge genocide (1975-1979).
The documentary film includes an unprecedented appearance by Cambodia’s Strongman/Prime Minister Hun Sen, who seems to align himself here with President Trump.
Directed by Robert H Lieberman, Angkor Awakens: A Portrait of Cambodia will open on May 5th, 2017 in New York at Landmarks Sunshine Cinema and in DC at the E Street Theater, in LA on May 12th at Laemmle’s Monica Theater and at Playhouse 7 in Pasadena and Claremont 5. Additional cities to follow
“Angkor Awakens” is a sweeping and eye-opening portrait of a nation now poised at the tipping point. The film documents the process and collective efforts of the Khmer people as they work to recover their culture and history in the aftermath of the Khmer Rouge regime. It views the present through the lens of the country’s tangled history. Though the legacy of past violence and present-day repression lives on, it is counterbalanced by the hope and aspirations of the new generation of Cambodians.
Built around intimate interviews and stunning footage of the country, this is the film for anyone desiring to learn more about one of Asia’s youngest populations as it seeks to leave behind its brutal past.
“”Angkor Awakens: A Portrait of Cambodia” is directed by Robert H. Lieberman, a best-selling novelist, award winning filmmaker and long-time member of Cornell University Physics faculty. It is Lieberman’s background as a child of the holocaust that has led him to explore the effects of the genocide on the mentality of today’s young Cambodian.
The film opens with a rush of motion, the camera speeding up a flight of stairs with increasing momentum, panning out to reveal lush hills, stone steps and a vibrant earth that stretches on and on. Ambient music fills the theatre; the screen slips to a red backdrop, with the shadows of traditional dancers gliding about; a voiceover extracted from one of the many interviews speaks, introducing us to an eighty-minute documentary probe into Cambodia.
Following independence from France, the Cambodia of the ’60s and ’70s was sucked into the Cold War when its neighbor Vietnam fell into civil chaos, despite efforts to stay neutral. What eventually emerged from the din and struggle for national survival was the brutal rule of the Khmer Rouge, an extremist Communist group led by Pol Pot, which proceeded to commit one of the worst mass killings of the 20th century, claiming up to an estimated two million lives. Angkor Awakens is a poignant, revealing documentary in how it chooses to look at this highly volatile and violent time.” – Cornell Daily Sun
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Restored Version of Marcel Ophuls’ THE MEMORY OF JUSTICE to Air April 24, Holocaust Remembrance Day, on HBO
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Marcel Ophuls’ THE MEMORY OF JUSTICE[/caption]
Following the film’s restoration by the Academy Film Archive and The Film Foundation, the newly restored version of Oscar(R)-winner Marcel Ophüls’ 1976 documentary THE MEMORY OF JUSTICE will be debut on HBO2 on Holocaust Remembrance Day, Monday, April 24. The rarely seen epic was presented at the Berlin, Toronto and New York film festivals in 2015.
THE MEMORY OF JUSTICE explores the relationship between individual and collective responsibility, as Ophüls investigates then-recent alleged war crimes committed by France in Algeria and by the U.S. in Vietnam in light of atrocities committed by the Nazis. The director was inspired by the 1970 book “Nuremberg and Vietnam: An American Tragedy,” by Telford Taylor, a counsel for the prosecution at the Nuremberg trials, who became a harsh critic of America’s escalating involvement in Vietnam.
Filmed 30 years after the end of World War II and the Nuremberg trials, the film draws on the unique perspectives of those who lived through the conflict and those who came of age afterward. THE MEMORY OF JUSTICE features rare archival footage and interviews with both victims and architects of atrocities, raising essential questions about the moral choices made by individuals and governments in the latter half of the 20th century that are equally relevant today.
“It seems to me that THE MEMORY OF JUSTICE, which flopped pretty badly when it first came out, is the best work I ever did in my life, or at any rate the most personal and the most sincere of my films,” says Marcel Ophüls. “Now, thanks to Martin Scorsese and The Film Foundation, and with the help of my favorite studio, my favorite child has been put back into circulation as an adult. Needless to say, I’m immensely grateful!”
“THE MEMORY OF JUSTICE is a monumental documentary achievement; an essential work of historic and intellectual importance,” notes Martin Scorsese, founder and chair of The Film Foundation. “The film was unavailable for decades and, strongly encouraged by my friend Jay Cocks, the Academy and The Film Foundation undertook the nearly ten-year process of restoration. We were incredibly fortunate to have support for this project from Olivia Harrison’s Material World Charitable Foundation and Steven Spielberg’s Righteous Persons Foundation.”
After years of research, The Film Foundation and the Academy Film Archive discovered an original, unlabeled, 16mm camera negative of THE MEMORY OF JUSTICE in a studio vault, and worked closely with Ophüls and producer Hamilton Fish on its restoration. Newly discovered original recordings of Ophüls’ interviews with French and German speaking interview subjects were restored and substituted for the existing English-language voiceover tracks. New subtitles in English, French and German were created for the restoration so that the participants’ own voices can now be heard, along with Ophüls’ questions.
The original film screened at the 1976 Cannes and New York Film Festivals, and was hailed by Vincent Canby as “a standard against which all other non-fiction cinema must be measured.”
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HBO Likes Judd Apatow and Michael Bonfiglio’s Documentary on Avett Brothers’ Band
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MAY IT LAST: A PORTRAIT OF THE AVETT BROTHERS[/caption]
HBO quickly snapped up the documentary MAY IT LAST: A PORTRAIT OF THE AVETT BROTHERS, co-directed and produced by Judd Apatow and Michael Bonfiglio, ahead of its March 15 world premiere in the 24 Beats Per Second section of the 2017 South by Southwest Film Festival. The documentary is expected to air on HBO later this year.
Filmed with extraordinary access over the course of more than two years, MAY IT LAST: A PORTRAIT OF THE AVETT BROTHERS chronicles the band, fronted by brothers Scott and Seth Avett, on the long journey from their rural North Carolina childhoods to topping the charts and selling out arenas, experiencing heartbreak, tragedy and joy along the way. The film also provides an inside look at their collaboration with legendary producer Rick Rubin while recording the 2017 Grammy-nominated album “True Sadness,” which was released on American Recordings/Republic Records.
With the recording process as the backdrop, MAY IT LAST intimately depicts the deeply personal, lifelong bond between brothers, and shows how that dynamic helps shape their creative process as musicians and songwriters.
“This film has been a true labor of love for us for more than three years now, and we could not be happier that HBO – with their incredible lineage of documentary programming – believes in it as much as we do,” say Apatow and Bonfiglio.
“The accuracy with which Apatow and Bonfiglio present this moment in our lives and process is stunning,” says Seth Avett. “From the vantage point of my brother and I, the film is almost surreal in its level of personal truth-telling.”
Featuring a wealth of exclusive footage of the Avetts in the studio and at home, never-before-seen family photographs, concert footage and revealing interviews with band members Scott (banjo, lead vocals) and Seth (guitar, lead vocals) Avett, Bob Crawford (bass), Joe Kwon (cello), Tania Elizabeth (fiddle), Paul DeFiglia (keyboards) and Mike Marsh (drums), as well as producer Rick Rubin and intimate family and friends, the film takes an in-depth look at the personal and creative relationship between the brothers that helps define America’s biggest roots band.
Apatow and Bonfiglio previously co-directed the ESPN documentary “Doc & Darryl” as part of the network’s “30 for 30” series, which was Apatow’s first foray into the documentary world.
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Watch Mr. Robot’s Rami Malek in First Trailer for Indie Thriller BUSTER’S MAL HEART
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BUSTER’S MAL HEART[/caption]
BUSTER’S MAL HEART starring Rami Malek of the USA Network hit Mr. Robot, has released the official trailer.
In this bold thriller peppered with dark humor and interlocking mystery, an eccentric mountain man is on the run from the authorities, surviving the winter by breaking into empty vacation homes in a remote community. Regularly calling into radio talk shows — where he has acquired the nickname “Buster” — to rant about the impending Inversion at the turn of the millennium, he is haunted by visions of being lost at sea, and memories of his former life as a family man.
Buster (Rami Malek) was once Jonah, a hard-working husband and father whose job as the night-shift concierge at a hotel took its toll on his psyche and, consequently, his marriage to the sensitive Marty (Kate Lyn Sheil) — until a chance encounter with a conspiracy-obsessed drifter (DJ Qualls) changed the course of their lives forever. As the solitary present-day Buster drifts from house to house, eluding the local sheriff at every turn, we gradually piece together the events that fractured his life and left him alone on top of a snowy mountain, or perhaps in a small rowboat in the middle of a vast ocean — or both, in this visceral mind bender that will provoke discussion long after it turns your world upside-down.
BUSTER’S MAL HEART, written and directed by Sarah Adina Smith, opens theatrically in New York and Los Angeles on April 28th.
https://www.youtube.com/watch?v=H-NGiCB-6js

ABORTION: STORIES WOMEN TELL[/caption]
ABORTION: STORIES WOMEN TELL, a documentary film that presents a candid dialogue about one of the most divisive and timely issues facing America today, will debut Monday, April 3 on HBO.
Although 44 years have passed since the U.S. Supreme Court decision in Roe v. Wade recognized a woman’s right to choose, abortion remains one of the most polarizing issues in America. Since 2011, more than half of the states have imposed significant restrictions on abortion, including in Missouri, where only one abortion clinic remains open in the entire state, and patients and their doctors must navigate a 72-hour waiting period.