First Reformed[/caption]
The nominations for the 2018 IFP Gotham Awards were announced this morning, with The Favourite, and First Reformed leading with three nominations each, including for Best Feature and Best Screenplay. Other nominees for Best Feature include If Beale Street Could Talk directed by Barry Jenkins, Madeline’s Madeline directed by Josephine Decker, and The Rider directed by Chloe Zhao. The nominees for Best Documentary include Bisbee ’17 directed by Robert Greene, Hale County, This Morning, This Evening directed by RaMell Ross, Minding the Gap directed by Bing Liu, Shirkers directed by Sandi Tan, and Won’t You Be My Neighbor? directed by Morgan Neville. Gotham Tributes will be given to actors Rachel Weisz and Willem Dafoe, director Paul Greengrass, and the Gotham Industry Tribute to Jon Kamen.
The Gotham Awards ceremony will be held on Monday, November 26th at Cipriani Wall Street in New York City.
News
All the News.
All the News.
-
THE FAVOURITE and FIRST REFORMED Lead 2018 IFP Gotham Awards Nominations
[caption id="attachment_28919" align="aligncenter" width="1200"] First Reformed[/caption]
The nominations for the 2018 IFP Gotham Awards were announced this morning, with The Favourite, and First Reformed leading with three nominations each, including for Best Feature and Best Screenplay. Other nominees for Best Feature include If Beale Street Could Talk directed by Barry Jenkins, Madeline’s Madeline directed by Josephine Decker, and The Rider directed by Chloe Zhao. The nominees for Best Documentary include Bisbee ’17 directed by Robert Greene, Hale County, This Morning, This Evening directed by RaMell Ross, Minding the Gap directed by Bing Liu, Shirkers directed by Sandi Tan, and Won’t You Be My Neighbor? directed by Morgan Neville. Gotham Tributes will be given to actors Rachel Weisz and Willem Dafoe, director Paul Greengrass, and the Gotham Industry Tribute to Jon Kamen.
The Gotham Awards ceremony will be held on Monday, November 26th at Cipriani Wall Street in New York City.
-
Ralph Fiennes to Receive European Achievement in World Cinema Award
Ralph Fiennes will receive the honorary award European Achievement in World Cinema Award at the 31st European Film Awards Ceremony on December 15, in Seville, in recognition of a rich and extensive career in front of and behind the camera.
Ralph Fiennes has been creating film experiences that continue to move and inspire us. Most recently he directed THE WHITE CROW about Rudolf Nureyev’s defection to the West, in which he also plays Pushkin. He was Charles Dickens in THE INVISIBLE WOMAN (2013) which he also directed. His directorial debut was the 2011 film adaptation of Shakespeare’s CORIOLANUS in which he also acted as the protagonist, earning him a BAFTA nomination. So did his role as the legendary concierge in Wes Anderson’s THE GRAND BUDAPEST HOTEL (2014). Ralph Fiennes was Harry Hawkes in Luca Guadagnino’s A BIGGER SPLASH (2015) and Nazi officer Amon Goeth in Steven Spielberg’s SCHINDLER’S LIST (1993) for which he won a BAFTA and an Oscar nomination.
He was the protagonist in Anthony Minghella’s THE ENGLISH PATIENT (1996) for which he was again nominated for an Oscar and a BAFTA. Further BAFTA nominations came for his role as Justin Quayle in Fernando Meirelles’ THE CONSTANT GARDENER (2005) and as novelist Maurice Bendrix in THE END OF THE AFFAIR by Neil Jordan (1999).
Ralph Fiennes worked with Stephen Daldry in THE READER (2008), with Robert Redford in QUIZ SHOW (1994) and with Gillian Armstrong in OSCAR AND LUCINDA (1997). He played the leading roles in his sister’s ONEGIN (1999), in SPIDER by David Cronenberg (2002) for which he was nominated for an EFA Audience Award, and in SUNSHINE by István Szabó for which he received an EFA as European Actor 1999. He also worked with Kathryn Bigelow in STRANGE DAYS (1995) and again in THE HURT LOCKER (2008).
And, of course, he is forever Lord Voldemort in the Harry Potter series and ‘M’ in the James Bond films SKYFALL and SPECTRE.
-
FREE SOLO Leads Nominations for 3rd Critics’ Choice Documentary Awards
[caption id="attachment_32176" align="aligncenter" width="1200"]
FREE SOLO[/caption]
Free Solo leads the nominees for this year’s third annual Critics’ Choice Documentary Awards with six nominations and one honor, including Best Documentary, Jimmy Chin and Elizabeth Chai Vasarhelyi for Best Directors, Best Sports Documentary, Most Innovative Documentary, Best Cinematography, Best Editing and a Most Compelling Living Subject of a Documentary honor for Alex Honnold.
Recognized with five nominations are Minding the Gap and Wild Wild Country.
The nominations for Minding the Gap are Best Documentary, Best Sports Documentary, Bing Liu for Best Director and for Best First Time Director, and Best Cinematography.
The nominations for Wild Wild Country are Best Documentary, Chapman Way and Maclain Way for Best First Time Directors, Most Innovative Documentary, Best Cinematography, and Best Limited Documentary Series.
Recognized with four nominations are Dark Money, Hitler’s Hollywood and Won’t You Be My Neighbor?
The nominations for Dark Money are Best Documentary, Kimberly Reed for Best Director, Best Political Documentary and Best Editing.
The nominations for Hitler’s Hollywood are Best Documentary, Best Political Documentary, Rüdiger Suchsland for Best Director, and Most Innovative Documentary.
The nominations for Won’t You Be My Neighbor? are Best Documentary, Morgan Neville for Best Director, Most Innovative Documentary and Best Editing.
Three Identical Strangers received three nominations and an honor, including Best Documentary, Tim Wardle for Best Director, Best Editing and an honor for David Kellman and Bobby Shafran for Most Compelling Living Subjects of a Documentary.
At the gala ceremony, filmmaker Stanley Nelson will be presented with the Critics’ Choice Impact Award, and multi award-winning filmmaker Michael Moore will be honored with the Critics’ Choice Lifetime Achievement Award.
For the first year, the Critics’ Choice Documentary Awards has introduced the Catalyst Sponsorship, a program for industry leaders to support the event. The inaugural sponsors include Focus Features, National Geographic Documentary Films, Netflix, Curiosity Stream, and others.
“We are thrilled to celebrate this year’s outstanding documentary work at the upcoming event,” said Broadcast Film Critics Association President Joey Berlin. “The year 2018 has been called ‘The Year of the Documentary’ and we are so happy to give these films and shows the recognition and high praise that they deserve.”
The winners will be presented their awards at a gala event, hosted by science educator and television personality Bill Nye, on Saturday, November 10 at BRIC in Brooklyn, New York.
The nominees for the third annual Critics’ Choice Documentary Awards are:
BEST DOCUMENTARY
Crime + Punishment – Director: Stephen Maing (Hulu) Dark Money – Director: Kimberly Reed (PBS) Free Solo – Directors: Jimmy Chin, Elizabeth Chai Vasarhelyi (National Geographic Documentary Films) Hal – Director: Amy Scott (Oscilloscope) Hitler’s Hollywood – Director: Rüdiger Suchsland (Kino Lorber) Minding the Gap – Director: Bing Liu (Hulu) RBG – Directors: Julie Cohen, Betsy West (Magnolia Pictures, Participant Media) Three Identical Strangers – Director: Tim Wardle (Neon, CNN Films) Wild Wild Country – Directors: Chapman Way, Maclain Way (Netflix) Won’t You Be My Neighbor? – Director: Morgan Neville (Focus Features)BEST LIMITED DOCUMENTARY SERIES
America to Me (Starz) Dirty Money (Netflix) Elvis Presley: The Searcher (HBO Documentary Films, Sony Pictures Television) Flint Town (Netflix) One Strange Rock (National Geographic) The Fourth Estate (Showtime Networks) The Zen Diaries of Garry Shandling (HBO) Wild Wild Country (Netflix)BEST ONGOING DOCUMENTARY SERIES
30 for 30 (ESPN) American Masters (PBS) Anthony Bourdain: Parts Unknown (CNN) Frontline (PBS) Independent Lens (PBS) Making a Murderer (Netflix) POV (PBS) The History of Comedy (CNN)BEST DIRECTOR
Jimmy Chin and Elizabeth Chai Vasarhelyi – Free Solo (National Geographic Documentary Film) Bing Liu – Minding the Gap (Hulu) Morgan Neville – Won’t You Be My Neighbor? (Focus Features) Kimberly Reed – Dark Money (PBS) Rüdiger Suchsland – Hitler’s Hollywood (Kino Lorber) Tim Wardle – Three Identical Strangers (Neon, CNN Films)BEST FIRST TIME DIRECTOR
Cristina Costantini and Darren Foster – Science Fair (National Geographic Documentary Films) Heather Lenz – Kusama – Infinity (Magnolia Pictures) Bing Liu – Minding the Gap (Hulu) Stephen Nomura Schible – Ryuichi Sakamoto: Coda (MUBI) Rudy Valdez – The Sentence (HBO Documentary Films) Chapman Way and Maclain Way – Wild Wild Country (Netflix)BEST POLITICAL DOCUMENTARY
RBG – Directors: Julie Cohen, Betsy West (Magnolia Pictures, Participant Media) Dark Money – Director: Kimberly Reed (PBS) Fahrenheit 11/9 – Director: Michael Moore (Briarcliff Entertainment) Flint Town – Directors: Zackary Canepari, Drea Cooper, Jessica Dimmock (Netflix) Hitler’s Hollywood – Director: Rüdiger Suchsland (Kino Lorber) John McCain: For Whom the Bell Tolls – Directors: George Kunhardt, Peter W. Kunhardt, Teddy Kunhardt (HBO) The Fourth Estate – Directors: Liz Garbus, Jenny Carchman (Showtime Networks)BEST SPORTS DOCUMENTARY
Andre the Giant – Director: Jason Hehir (HBO) Being Serena (HBO) Free Solo – Directors: Jimmy Chin, Elizabeth Chai Vasarhelyi (National Geographic Documentary Film) John McEnroe: In the Realm of Perfection – Director: Julien Faraut (Oscilloscope Laboratories) Minding the Gap – Director: Bing Liu (Hulu) The Workers Cup – Director: Adam Sobel (Passion River)BEST MUSIC DOCUMENTARY
Bad Reputation – Director: Kevin Kerslake (Magnolia Pictures) David Bowie: The Last Five Years – Director: Francis Whately (HBO Documentary Films) Elvis Presley: The Searcher – Director: Thom Zimny (HBO Documentary Films, Sony Pictures Television) Lynyrd Skynyrd: If I Leave Here Tomorrow – Director: Stephen Kijak (Showtime Networks) Quincy – Directors: Alan Hicks, Rashida Jones (Netflix) Ryuichi Sakamoto: Coda – Director: Stephen Nomura Schible (MUBI) Whitney – Director: Kevin Macdonald (Roadside Attractions, Miramax)MOST COMPELLING LIVING SUBJECT OF A DOCUMENTARY
(ALL LISTED IN THE CATEGORY WILL BE HONORED AT THE EVENT) Scotty Bowers – Scotty and the Secret History of Hollywood (Greenwich Entertainment, Kino Lorber, Starz!) Ruth Bader Ginsburg – RBG (Magnolia Pictures, Participant Media) Alex Honnold – Free Solo (National Geographic Documentary Film) Joan Jett – Bad Reputation (Magnolia Pictures) Quincy Jones – Quincy (Netflix) David Kellman and Bobby Shafran – Three Identical Strangers (Neon, CNN Films) John McEnroe – John McEnroe: In the Realm of Perfection (Oscilloscope Laboratories) Leon Vitali – Filmworker (Kino Lorber)MOST INNOVATIVE DOCUMENTARY
306 Hollywood – Directors: Elan Bogarin, Jonathan Bogarin (PBS, El Tigre) Free Solo – Directors: Jimmy Chin, Elizabeth Chai Vasarhelyi (National Geographic Documentary Film) Hitler’s Hollywood – Director: Rüdiger Suchsland (Kino Lorber) Ryuichi Sakamoto: Coda – Director: Stephen Nomura Schible (MUBI) Wild Wild Country – Directors: Chapman Way, Maclain Way (Netflix) Won’t You Be My Neighbor? – Director: Morgan Neville (Focus Features)BEST CINEMATOGRAPHY
306 Hollywood – Cinematographers: Elan Bogarin, Jonathan Bogarin, Alejandro Mejía (PBS, El Tigre) The Dawn Wall – Cinematographer: Brett Lowell (The Orchard) Free Solo – Cinematographers: Jimmy Chin, Clair Popkin, Mikey Schaefer (National Geographic Documentary Film) Minding the Gap – Cinematographer: Bing Liu (Hulu) Pandas – Cinematographer: David Douglas (Warner Brothers) Wild Wild Country – Cinematographer: Adam Stone (Netflix)BEST EDITING
Dark Money – Editor: Jay Arthur Sterrenberg (PBS) Filmworker – Editor: Tony Zierra (Kino Lorber) Free Solo – Editor: Bob Eisenhardt (National Geographic Documentary Film) John McEnroe: In the Realm of Perfection – Editor: Julien Faraut (Oscilloscope Laboratories) Three Identical Strangers – Editor: Michael Harte (Neon, CNN Films) Won’t You Be My Neighbor? – Editors: Jeff Malmberg, Aaron Wickenden (Focus Features)
-
Academy of Motion Picture Arts and Sciences Honors 45th Student Academy Awards Winners
[caption id="attachment_32125" align="aligncenter" width="1200"]
The Academy of Motion Picture Arts and Sciences presented its 45th Annual Student Academy Awards® on Thursday, October 11, in Beverly Hills. Pictured (left to right): Irina Nguyen-Duc, Hanna Kim, Pierre Perveyrie, Shae Demandt, Mart Bira, Quentin Dubois, Jonatan Etzler, Maximilien Bougeois and Mathieu Faure.[/caption]
The Academy of Motion Picture Arts and Sciences honored this year’s student winners from colleges and universities around the world at the 45th Student Academy Awards ceremony, held at the Samuel Goldwyn Theater in Beverly Hills. The Gold, Silver and Bronze Medal awards were announced and presented by documentarian Arthur Dong, actor and comedian Kumail Nanjiani and directors Catherine Hardwicke and Patricia Riggen.
2018 Student Academy Award winners
Alternative (Domestic Film Schools) Gold: Shae Demandt, “Reanimated,” Florida State University Animation (Domestic Film Schools) Gold: Hanna Kim, “Raccoon and the Light,” California Institute of the Arts Silver: Yu Yu, “Daisy,” University of Southern California Bronze: Eaza Shukla, “Re-Gifted,” Ringling College of Art and Design Animation (International Film Schools) Gold: Pierre Perveyrie, Maximilien Bougeois, Marine Goalard, Irina Nguyen-Duc and Quentin Dubois, “The Green Bird,” MOPA Documentary (Domestic Film Schools) Gold: Mathieu Faure, “An Edited Life,” New York University Silver: Yiying Li, “Love & Loss,” University of Southern California Bronze: Lauren Schwartzman, “Dust Rising,” University of California, Berkeley Documentary (International Film Schools) Gold: Mart Bira, “Nomadic Doctor,” University of Hertfordshire Narrative (Domestic Film Schools) Gold: Hua Tong, “Spring Flower,” University of Southern California Silver: Kelley Kali, “Lalo’s House,” University of Southern California Bronze: Brian Robau, “Esta Es Tu Cuba”/“This Is Your Cuba,” Chapman University Narrative (International Film Schools) Gold: Jonatan Etzler, “Get Ready with Me,” Stockholm Academy of the Arts Silver: Lisa Gertsch, “Almost Everything,” Zurich University of the Arts Bronze: István Kovács, “A Siege,” University of Theatre and Film Arts, Budapest
-
5 Film Projects Selected for 4th THROUGH HER LENS: The Tribeca Chanel Women’s Filmmaker Program
Tribeca and CHANEL continue to provide extraordinary opportunities to propel women filmmakers forward with the fourth annual THROUGH HER LENS: The Tribeca Chanel Women’s Filmmaker Program. The mentorship program was created to provide a balance of industry support, artistic development, and funding for new and emerging U.S.-based female writers and directors of short-form narrative films.
Presented by Tribeca and CHANEL, in collaboration with Pulse Films, and facilitated by Tribeca Film InstituteÒ (TFI), the multi-faceted program has selected five short film projects from women storytellers to receive project support, and take part in one-on-one mentorship and master classes over a three day immersive program. On the final day, each of the five filmmaker pairs will pitch their projects to a jury of industry experts. One filmmaker will be awarded full financing to produce their short film, along with support from Tribeca Studios to make the project. The four other projects will each be awarded grant funds to continue developing their films.
From October 16-18, the filmmakers will gather in New York City with the mentor and program advisors for an in-depth intimate program concentrating on script-to-screen development, casting, finding collaborators, and working with cinematographers, music composers, costume designers, and producers. The selected program participants will attend master classes and have individual mentoring sessions with leading women in filmmaking, meet distributors, and spend concentrated time refining their pitching skills. During the summer, each filmmaker was given the opportunity to work with writing mentors to shape and refine her project.
“In the years since Tribeca launched Through Her Lens with CHANEL, the program has created invaluable opportunities for the next generation of women storytellers,” said Paula Weinstein, EVP of Tribeca Enterprises. “The program brings established women filmmakers together to mentor these emerging voices, provide hands-on guidance and feedback, as well as fund their projects. We’re proud to help expand the pipeline for great inclusive storytelling.”
“TFI’s (Tribeca Film Institute) mission is to join with filmmakers in breaking barriers to access, exposure, and sustainability in the media landscape. The Tribeca Chanel program unequivocally aligns with our nonprofit’s goals to provide this level of meaningful support to women filmmakers of all kinds,” said Amy Hobby, Executive Director, Tribeca Film Institute.
The Leadership Committee participating in the program are:
MASTER CLASS ADVISORS: Costume designer Stacey Battat (The Beguiled, Still Alice), casting director Ellen Chenoweth (The Goldfinch, No Country For Old Men), writer/director Debra Granik (Leave No Trace, Winter’s Bone), composer Laura Karpman (Paris Can Wait, Underground), and cinematographer Rachel Morrison (Black Panther, Mudbound).
JURORS: Producer Effie T. Brown (FOX’s “Star,” Dear White People, “Project Greenlight”), actor/writer/director/producer Lena Dunham (Tiny Furniture, “Camping,” “Girls”), cinematographer Rachel Morrison (Black Panther, Mudbound), and producer Paula Weinstein (“Grace and Frankie,” The Perfect Storm, Recount).
MENTORS: Director/producer Kathryn Bigelow (The Hurt Locker, Zero Dark Thirty), actor/director/producer Courteney Cox (“Cougar Town,” “Friends”), producer and TFI Executive Director Amy Hobby (What Happened, Miss Simone?, Secretary), writer/director Stella Meghie (Everything, Everything, The Weekend), writer/director/executive producer Veena Sud (“The Killing,” “Seven Seconds”), and producer Christine Vachon (Carol, Far from Heaven).
WRITING MENTORS: Producer Stephanie Allain (Beyond the Lights, Dear White People), writer/executive producer Janine Sherman Barrois (“Claws,” “Criminal Minds”), writer/director Susanna Fogel (The Spy Who Dumped Me, Life Partners), writer Jenny Lumet (Rachel Getting Married, Untitled Monsters Franchise for Universal Studios), and writer/executive producer Marti Noxon (“Sharp Objects,” “UnREAL”).
The selected projects and filmmakers are:
H-E-A-T-H-E-R: Heather, a young, racially ambiguous artist, confronts questions of identity when she becomes a part-time babysitter for 11-year-old Jayda. Their dynamic prompts Heather to explore the limitations of her persona as she voyages into other realms of her imagination through fantasy, alternate realities, and moving collages.
Francesca Mirabella (Co-Writer, Co-Director)
Francesca Mirabella is a writer and director who received her MFA from the NYU Tisch Graduate Film program, where she attended as a Dean’s Fellow. Her shorts have screened at a range of festivals and were most recently featured at the Museum of Modern Art. In 2017, Mirabella won an NYU Wasserman Award for Best Screenplay. A 2017/18 Marcie Bloom Fellow, Mirabella is currently developing her feature Modern Love, which was awarded a Tribeca All Access® grant.
Kylah Benes-Trapp (Co-Writer, Co-Director)
Kylah Benes-Trapp is a visual artist from California currently based in New York City. She works primarily in digital illustration, photography and graphic design and has recently started writing for film. Her work explores ideas of self-expression, femininity, identity and nostalgia. Her purpose is to create a world of possibility through her work that will inspire discovery.
LIFE ON MARS: Six aspiring astronauts are sealed inside a solar-powered dome, attempting to simulate life on Mars. When Dana’s helmet malfunctions on the first spacewalk — depriving her of precious oxygen — she and her teammates have a critical decision to make.
Laramie Dennis (Writer, Director)
Laramie Dennis attended Wesleyan University and spent 10 years in New York City developing and directing new plays before earning her MFA in Film and Television Production from USC. Her short films have screened at the Vancouver International Film Festival and Short Film Corner at Cannes and have also been presented and distributed by Boyish, Shorts International and Sprint. Her short-form animated series, The Golden Rule, is currently in production.
Jenna Cedicci (Producer)
Jenna Cedicci is an international feature film and commercial producer. She has developed and produced more than 75 commercials and five features to date, three slated for distribution in 2019: the documentary Fire on the Hill, a remake of the classic German film Nosferatu, and the narrative indie feature Daddy Issues.
ROSA: While working at her aunt’s flower shop, Rosa takes her job underground when she begins a side business of shipping undocumented bodies to their home countries for burial.
Suha Araj (Writer, Director)
Suha Araj creates films that explore the displacement of immigrant communities. The Cup Reader, shot in Palestine, screened at the Tribeca Film Festival and was awarded The Next Great Filmmaker Award at the Berkshire International Film Festival and Baghdad International Film Festival. Araj followed with Pioneer High in 2015. She has received support for her work from the Sundance Film Festival, TorinoFilmLab, Independent Filmmaker Project, Berlinale Talent Project Market, Center for Asian American Media and Cine Qua Non Lab.
Maryam Keshavarz (Producer)
Maryam Keshavarz is a writer, director and producer whose short The Day I Died won the Gold Teddy and Jury Prize at the Berlin International Film Festival. Keshavarz’s first feature, Circumstance, won the Sundance Film Festival’s Audience Award and was distributed theatrically by Participant Media and Roadside Attractions. Her sophomore feature — Viper Club, starring Susan Sarandon — world premiered at Toronto International Film Festival and hits theaters this month.
EL TIMBRE DE SU VOZ: Yaneris, a Dominican teenager, plots a way to escape her hometown of Sosúa, where becoming an escort seems to be her only fate. After unexpectedly falling in love with her client’s son, she decides he may be the ticket to a new life — for both her and her disabled sister.
Gabriella Moses (Writer, Director)
Gabriella Moses is director, writer, and production designer based in Brooklyn. She is a graduate of the NYU Tisch School of the Arts. She has received support for her work through the New York Women in Film & Television’s 2017 From Script to Pre-Production Workshop, Sundance Institute’s 2018 Screenwriters Intensive and 2018 TFI Network. Moses believes in sharing stories with underrepresented protagonists that push viewers’ perceptions of identity and imagination.
Shruti Ganguly (Producer)
Shruti Ganguly is a filmmaker and the founder of honto88. She has directed numerous videos and is a recovering media executive, with roles at MTV, Condé Nast/Vogue and more recently at NYLON as the Vice President of TV & Video. Her films have been screened at the Sundance Film Festival, Venice Film Festival, Berlin International Film Festival, Telluride Film Festival, and AFI Fest. Ganguly hails from India by way of Oman.
WHAT IS YOUR SOUL PURPOSE?: A sheltered Korean American family travels to Atlanta to retrieve the body of their son after he passes away from an accidental overdose. In the depths of their grief, they find an unlikely connection and momentary solace with the African American family who owns the mortuary.
Jennifer Cho Suhr (Writer/Director)
Jennifer Cho Suhr is a Brooklyn-based writer and director. She is developing her debut feature, You and Me Both, starring Constance Wu and selected for the Tribeca All Access® and Film Independent’s Producing Lab and Fast Track programs. Suhr earned her MFA from the NYU Tisch Graduate Film program, where she was awarded the Tisch Fellowship and a grant from the Spike Lee Film Production Fund.
Carolyn Mao (Producer)
Carolyn Mao is a Los Angeles-based producer and former development executive. Nice, a pilot she produced by creator Naomi Ko and director by Andrew Ahn, premiered at the 2018 Tribeca Film Festival. She is currently raising financing for You and Me Both. She is a fellow of Film Independent’s Project Involve, Producing Lab and Fast Track programs.
https://www.youtube.com/watch?v=ud3__BbTr8g
CHANEL and Tribeca work year-round to support women filmmakers, not only with THROUGH HER LENS, but during the annual Tribeca Film Festival with the annual women’s filmmaking lunch and the Nora Ephron Award. The Award was created in 2013 to honor exceptional female filmmakers who embody the spirit and vision of the legendary filmmaker. Women who have received the award include: Meera Menon (Farah Goes Bang, Equity), Talya Lavie (Zero Motivation), Laura Bispuri (Sworn Virgin), Rachel Tunnard (Adult Life Skills), Petra Volpe (The Divine Order), and Nia DaCosta (Little Woods) from this past year.
The 2016 recipient of the THROUGH HER LENS grant, Feathers, directed by A.V. Rockwell, premiered at this year’s Toronto International Film Festival and was acquired by Fox Searchlight. Last year’s main recipient, Suicide by Sunlight, by Nikyatu Jusu is currently in post-production.
Tribeca actively cultivates independent voices in storytelling and has been at the forefront of supporting women filmmakers. This past year, it led the way as the first major film festival to have near equal representation by women directors in its feature film program. THROUGH HER LENS: The Tribeca Chanel Women’s Filmmaker Program—the most recent iteration of Tribeca’s commitment to female artistic voices—continues to provide resources to help empower emerging women storytellers in the industry. The nonprofit affiliate of Tribeca, Tribeca Film Institute, supports female filmmakers through, among other initiatives, its cornerstone grant and mentorship program, Tribeca All AccessÒ. Currently in its 16th year, the program supports scripted, documentary and interactive storytellers from diverse communities, including those that are statistically underrepresented in the industry.
Image:
(top row: l to r) Carolyn Mao, Francesca Mirabella, Gabriella Moses, Jenna Cedicci, Shruti Ganguly
(bottom row: l to r) Maryam Keshavarz, Laramie Dennis, Kylah Benes-Trapp, Jennifer Cho Suhr, Suha Araj
-
87 Countries Submit Films in 2018 Oscar Foreign Language Competition
[caption id="attachment_31248" align="aligncenter" width="1200"]
El Angel directed by Luis Ortega[/caption]
Eighty-seven countries have submitted films for consideration in the Foreign Language Film category for the 91st Academy Awards. Malawi and Niger are first-time entrants.
Nominations for the 91st Academy Awards will be announced on Tuesday, January 22, 2019.
The 91st Oscars will be held on Sunday, February 24, 2019, at the Dolby Theatre® at Hollywood & Highland Center in Hollywood, and will be televised live by the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide.
The 2018 submissions are:
Afghanistan, “Rona Azim’s Mother,” Jamshid Mahmoudi, director;
Algeria, “Until the End of Time,” Yasmine Chouikh, director;
Argentina, “El Ángel,” Luis Ortega, director;
Armenia, “Spitak,” Alexander Kott, director;
Australia, “Jirga,” Benjamin Gilmour, director;
Austria, “The Waldheim Waltz,” Ruth Beckermann, director;
Bangladesh, “No Bed of Roses,” Mostofa Sarwar Farooki, director;
Belarus, “Crystal Swan,” Darya Zhuk, director;
Belgium, “Girl,” Lukas Dhont, director;
Bolivia, “The Goalkeeper,” Rodrigo “Gory” Patiño, director;
Bosnia and Herzegovina, “Never Leave Me,” Aida Begić, director;
Brazil, “The Great Mystical Circus,” Carlos Diegues, director;
Bulgaria, “Omnipresent,” Ilian Djevelekov, director;
Cambodia, “Graves without a Name,” Rithy Panh, director;
Canada, “Family Ties,” Sophie Dupuis, director;
Chile, “…And Suddenly the Dawn,” Silvio Caiozzi, director;
China, “Hidden Man,” Jiang Wen, director;
Colombia, “Birds of Passage,” Cristina Gallego, Ciro Guerra, directors;
Costa Rica, “Medea,” Alexandra Latishev, director;
Croatia, “The Eighth Commissioner,” Ivan Salaj, director;
Czech Republic, “Winter Flies,” Olmo Omerzu, director;
Denmark, “The Guilty,” Gustav Möller, director;
Dominican Republic, “Cocote,” Nelson Carlo De Los Santos Arias, director;
Ecuador, “A Son of Man,” Jamaicanoproblem, director;
Egypt, “Yomeddine,” A.B. Shawky, director;
Estonia, “Take It or Leave It,” Liina Trishkina-Vanhatalo, director;
Finland, “Euthanizer,” Teemu Nikki, director;
France, “Memoir of War,” Emmanuel Finkiel, director;
Georgia, “Namme,” Zaza Khalvashi, director;
Germany, “Never Look Away,” Florian Henckel von Donnersmarck, director;
Greece, “Polyxeni,” Dora Masklavanou, director;
Hong Kong, “Operation Red Sea,” Dante Lam, director;
Hungary, “Sunset,” László Nemes, director;
Iceland, “Woman at War,” Benedikt Erlingsson, director;
India, “Village Rockstars,” Rima Das, director;
Indonesia, “Marlina the Murderer in Four Acts,” Mouly Surya, director;
Iran, “No Date, No Signature,” Vahid Jalilvand, director;
Iraq, “The Journey,” Mohamed Jabarah Al-Daradji, director;
Israel, “The Cakemaker,” Ofir Raul Graizer, director;
Italy, “Dogman,” Matteo Garrone, director;
Japan, “Shoplifters,” Hirokazu Kore-eda, director;
Kazakhstan, “Ayka,” Sergey Dvortsevoy, director;
Kenya, “Supa Modo,” Likarion Wainaina, director;
Kosovo, “The Marriage,” Blerta Zeqiri, director;
Latvia, “To Be Continued,” Ivars Seleckis, director;
Lebanon, “Capernaum,” Nadine Labaki, director;
Lithuania, “Wonderful Losers: A Different World,” Arunas Matelis, director;
Luxembourg, “Gutland,” Govinda Van Maele, director;
Macedonia, “Secret Ingredient,” Gjorce Stavreski, director;
Malawi, “The Road to Sunrise,” Shemu Joyah, director;
Mexico, “Roma,” Alfonso Cuarón, director;
Montenegro, “Iskra,” Gojko Berkuljan, director;
Morocco, “Burnout,” Nour-Eddine Lakhmari, director;
Nepal, “Panchayat,” Shivam Adhikari, director;
Netherlands, “The Resistance Banker,” Joram Lürsen, director;
New Zealand, “Yellow Is Forbidden,” Pietra Brettkelly, director;
Niger, “The Wedding Ring,” Rahmatou Keïta, director;
Norway, “What Will People Say,” Iram Haq, director;
Pakistan, “Cake,” Asim Abbasi, director;
Palestine, “Ghost Hunting,” Raed Andoni, director;
Panama, “Ruben Blades Is Not My Name,” Abner Benaim, director;
Paraguay, “The Heiresses,” Marcelo Martinessi, director;
Peru, “Eternity,” Oscar Catacora, director;
Philippines, “Signal Rock,” Chito S. Roño, director;
Poland, “Cold War,” Pawel Pawlikowski, director;
Portugal, “Pilgrimage,” João Botelho, director;
Romania, “I Do Not Care If We Go Down in History as Barbarians,” Radu Jude, director;
Russia, “Sobibor,” Konstantin Khabensky, director;
Serbia, “Offenders,” Dejan Zecevic, director;
Singapore, “Buffalo Boys,” Mike Wiluan, director;
Slovakia, “The Interpreter,” Martin Šulík, director;
Slovenia, “Ivan,” Janez Burger, director;
South Africa, “Sew the Winter to My Skin,” Jahmil X.T. Qubeka, director;
South Korea, “Burning,” Lee Chang-dong, director;
Spain, “Champions,” Javier Fesser, director;
Sweden, “Border,” Ali Abbasi, director;
Switzerland, “Eldorado,” Markus Imhoof, director;
Taiwan, “The Great Buddha+,” Hsin-Yao Huang, director;
Thailand, “Malila The Farewell Flower,” Anucha Boonyawatana, director;
Tunisia, “Beauty and the Dogs,” Kaouther Ben Hania, director;
Turkey, “The Wild Pear Tree,” Nuri Bilge Ceylan, director;
Ukraine, “Donbass,” Sergei Loznitsa, director;
United Kingdom, “I Am Not a Witch,” Rungano Nyoni, director;
Uruguay, “Twelve-Year Night,” Álvaro Brechner, director;
Venezuela, “The Family,” Gustavo Rondón Córdova, director;
Vietnam, “The Tailor,” Buu Loc Tran, Kay Nguyen, directors;
Yemen, “10 Days before the Wedding,” Amr Gamal, director.
-
Dr. Denis Mukwege Subject of Documentary THE MAN WHO MENDS WOMEN Awarded Nobel Peace Prize [Trailer]
[caption id="attachment_14272" align="aligncenter" width="1200"]
Dr. Denis Mukwege in The Man Who Mends Women – The Wrath of Hippocrates[/caption]
Dr. Denis Mukwege, world renowned Congolese surgeon and the subject of the documentary “The Man Who Mends Women – The Wrath Of Hippocrates” was today awarded the Nobel Peace Prize.
The Man Who Mends Women – The Wrath Of Hippocrates is the portrait of the impressive life and work of internationally renowned gynecologist Dr. Denis Mukwege from the Democratic Republic of Congo. He received the 2014 prestigious Sakharov Prize for Freedom of Thought, for his struggle against sexual violence. Dr. Mukwege medically assisted over 40,000 sexually abused women in sixteen years of professional practice. He is a winner of the 2018 Nobel Peace Prize for his work.
Sexual violence against women has been used as a weapon of war for years in the violence-ridden and poverty-stricken Democratic Republic of Congo. In order to provide medical, psychological and emotional aid to the victims, Dr. Mukwege founded the Panzi hospital in Bukavu in 1999. Besides his work as a physician Dr. Mukwege also defends human rights and seeks to raise global awareness on the issue of sexual violence in his country. He condemns the political reluctance to tackle the problem and is not afraid to hit the nail on the head.
His work is not without danger, as Dr. Mukwege experienced in 2012, when armed men entered his home and started shooting. Mukwege and his family survived the attack, but his guard was killed. The doctor now lives cloistered in his hospital in Bukavu under the protection of the United Nation peacekeepers. The women, whose physical and emotional integrity and dignity have been restored, stand beside him, true activists for peace, and hungry for justice.
https://www.youtube.com/watch?v=KU62X6iV1ZI
-
Nadia Murad, Subject of Documentary ON HER SHOULDERS, Awarded Nobel Peace Prize [Trailer]
Yazidi genocide survivor-turned-global advocate Nadia Murad, the subject of Alexandria Bombach’s documentary ON HER SHOULDERS, was announced today as the recipient of the 2018 Nobel Peace Prize for her efforts to end the use of sexual violence as a weapon of war and armed conflict.
A deeply moving documentary portrait, ON HER SHOULDERS was the winner of the Sundance Film Festival’s U.S. Documentary Directing Award and has won awards at some of the world’s top film festivals. It will open on Friday, October 19 at New York’s Village East Cinemas, followed by Los Angeles on October 24, with a national rollout to follow.
Twenty-three-year-old Nadia Murad’s life is a dizzying array of important undertakings—from giving testimony before the U.N. to visiting refugee camps to soul-bearing media interviews and one-on-one meetings with top government officials. With deep compassion and a formal precision and elegance that matches Nadia’s calm and steely demeanor, director Alexandria Bombach (who also shot and edited the film) follows this strong-willed young woman, who survived the 2014 genocide of the Yazidis in Northern Iraq and escaped sexual slavery at the hands of ISIS to become a relentless beacon of hope for her people, even when at times she longs to lay aside this monumental burden and simply have an ordinary life.
-
Denzel Washington to Receive AFI Life Achievement Award
[caption id="attachment_24314" align="aligncenter" width="1200"]
Denzel Washington in Roman J. Israel, Esq.ael[/caption]
Denzel Washington will receive the 47th AFI Life Achievement Award, America’s highest honor for a career in film, awarded annually the American Film Institute (AFI). The award will be presented to Washington at a Gala Tribute on Thursday, June 6, 2019, in Los Angeles, CA, and the AFI Life Achievement Award Tribute special will return for its seventh year with Turner Broadcasting to air on TNT, followed by encore presentations on sister network Turner Classic Movies (TCM).
“Denzel Washington is an American icon,” said Sir Howard Stringer, Chair, AFI Board of Trustees. “As an actor, he stands tall as a heroic, stoic embodiment of the best in all of us, and he does so with heart, humanity and one of the brightest smiles to ever light up the screen. Equally formidable as director and producer, he is a creative force to be reckoned with — and one of the most vital, relevant artists working today. AFI is proud to present him with its 47th Life Achievement Award.”
Actor, director and producer Denzel Washington is an iconic leading man whose career spans five decades — an esteemed repertoire ranging from screen to stage, in works defined by his towering presence as heroic everymen, troubling antiheroes and real-life figures with complicated, often controversial histories. His cinematic legacy includes powerhouse, Academy Award®-winning performances in GLORY (1989) and TRAINING DAY (2001), as well as celebrated roles in CRY FREEDOM (1987), MALCOLM X (1992), THE HURRICANE (1999), FLIGHT (2012) and ROMAN J. ISRAEL, ESQ. (2017), earning additional nominations for each. Washington has crafted compelling, unforgettable characters in recurring collaborations with master directors past and present, bringing stalwart grit and nuanced complexity to films essential to the American canon, such as Jonathan Demme’s PHILADELPHIA (1993), Spike Lee’s INSIDE MAN (2006) and Ridley Scott’s AMERICAN GANGSTER (2007) — and to blockbuster, crowd-pleasing fare such as Edward Zwick’s (AFI Class of 1975) CRIMSON TIDE (1995), Tony Scott’s MAN ON FIRE (2004) and Antoine Fuqua’s THE MAGNIFICENT SEVEN (2016). A creative force behind the camera as well, Washington has helmed critically acclaimed films, including ANTWONE FISHER (2002) and THE GREAT DEBATERS (2007), in which he also stars. He won a 2010 Tony® for his performance in the play “Fences,” and directed, produced and starred in the 2016 film adaptation that earned him Best Actor and Best Picture Oscar® nominations, as well as AFI AWARDS recognition.
Washington’s filmography also includes MO’ BETTER BLUES (1990), MISSISSIPPI MASALA (1991), THE PELICAN BRIEF (1993), COURAGE UNDER FIRE (1996), THE MANCHURIAN CANDIDATE (2004), THE EQUALIZER (2014) and THE EQUALIZER 2 (2018).
AFI Life Achievement Award Recipients
1973 John Ford 1974 James Cagney 1975 Orson Welles 1976 William Wyler 1977 Bette Davis 1978 Henry Fonda 1979 Alfred Hitchcock 1980 James Stewart 1981 Fred Astaire 1982 Frank Capra 1983 John Huston 1984 Lillian Gish 1985 Gene Kelly 1986 Billy Wilder 1987 Barbara Stanwyck 1988 Jack Lemmon 1989 Gregory Peck 1990 David Lean 1991 Kirk Douglas 1992 Sidney Poitier 1993 Elizabeth Taylor 1994 Jack Nicholson 1995 Steven Spielberg 1996 Clint Eastwood 1997 Martin Scorsese 1998 Robert Wise 1999 Dustin Hoffman 2000 Harrison Ford 2001 Barbra Streisand 2002 Tom Hanks 2003 Robert De Niro 2004 Meryl Streep 2005 George Lucas 2006 Sean Connery 2007 Al Pacino 2008 Warren Beatty 2009 Michael Douglas 2010 Mike Nichols 2011 Morgan Freeman 2012 Shirley MacLaine 2013 Mel Brooks 2014 Jane Fonda 2015 Steve Martin 2016 John Williams 2017 Diane Keaton 2018 George Clooney
-
Alan Alda to Receive SAG Life Achievement Award
[caption id="attachment_32007" align="aligncenter" width="1200"]
Alan Alda in Wanderlust[/caption]
Award-winning actor, writer, director, producer, Alan Alda has been named the 55th recipient of SAG-AFTRA’s highest tribute: the SAG Life Achievement Award for career achievement and humanitarian accomplishment. Alda will be presented the performers union’s top accolade at the 25th Annual Screen Actors Guild Awards®, which will be simulcast live on TNT and TBS on Sunday, Jan. 27, 2019, at 8 p.m. (ET)/ 5 p.m. (PT).
Given annually to an actor who fosters the “finest ideals of the acting profession,” the SAG Life Achievement Award will join Alda’s exceptional catalog of pre-eminent industry and public honors. His career has earned him induction into the Television Hall of Fame, an Oscar® nomination, six Emmys® (plus an International Emmy® Special Founder’s Award and 29 additional Emmy® nominations), four SAG Award® nominations, six Golden Globes®, four DGA Awards (including the D. W. Griffith Award), the WGA’s Valentine Davis Award, three Tony Award® nominations and more. In fact, he is one of only six people to receive Oscar®, Tony® and Emmy® nominations in the same year. This abbreviated list doesn’t even mention his numerous honors from the scientific community, including most recently the National Academy of Sciences Public Welfare Medal.
“It is an honor and privilege to announce that our SAG Life Achievement Award will be presented to the fabulous Alan Alda,” said SAG-AFTRA President Gabrielle Carteris. “He is an artist whose body of work is a testament to the craft and the magic of our business. His ability to make us laugh, to think and to feel is extraordinary. From theater to television, movies, and new media Alan’s dedication and talent are exceeded only by his contributions to a just and caring society.”
Alda landed his first movie role in 1963’s Gone Are the Days!, which starred the legendary Ossie Davis and Ruby Dee (both of whom preceded Alda as SAG Life Achievement Award recipients). He went on to show his range in dozens of additional movies, including his Oscar® nominated role as Senator Ralph Owen Brewster in 2004’sThe Aviator.
Among Alda’s many other films are Bridge of Spies (2015, Best Picture Oscar winner), The Longest Ride (2015),Wanderlust (2012), Tower Heist (2011), Everyone Says I Love You (1996), Manhattan Murder Mystery (1993),Crimes and Misdemeanors (1989), Neil Simon’s California Suite (1978), Same Time, Next Year (1978), The Mephisto Waltz (1971) and Paper Lion (1968). He also starred in and wrote The Seduction of Joe Tynan (1979), and starred in, wrote and directed A New Life (1988), Sweet Liberty (1986) and The Four Seasons (1981).
But he’s not resting on his laurels. Alda will next be seen in the as-yet untitled Noah Baumbach project starring Scarlett Johansen and Adam Driver.
-
Gustav Möller’s Thriller THE GUILTY is Denmark’s Entry in Oscar Race for Best Foreign Film [Trailer]
[caption id="attachment_27745" align="aligncenter" width="1200"]
The Guilty[/caption]
Gustav Möller’s minimalist thriller ‘The Guilty‘ has been selected as Denmark’s official entry for the 2019 Foreign Language Oscar category. ‘The Guilty’ is Gustav Möller’s feature debut. The film was selected from a shortlist that included Bille August’s ‘A Fortunate Man’ and Hlynur Pálmason’s ‘Winter Brothers.’
The Guilty’ by Gustav Möller takes place over one single night at an emergency call center, following a policeman’s race against time to save a kidnapped woman, with the phone as his only tool. The film won the Audience Award at its world premiere at Sundance and has since met with a warm critical reception across the board.
https://www.youtube.com/watch?v=AXeeVRazqFM
In Denmark, 139,000 tickets have been sold since it premiered in June, and in France, so far 260,000 cinema-goers have seen the thriller. The film is to be released in US theaters on 19 October by Magnolia Pictures, which also saw the US launch of the three Danish Oscar nominated films ‘A Royal Affair,’ ‘The Hunt’ and ‘A War.’
The Academy of Motion Picture Arts and Sciences will announce the five nominations for the title as Best Foreign Language Film on 22 January. The 2019 winners will be announced on Oscar Night taking place in Los Angeles on 24 February.
-
Five Documentary Film Projects Win 2018 SFFILM Documentary Film Fund Awards Totaling $125,000
[caption id="attachment_31597" align="aligncenter" width="960"]
In Real Life – Liza Mandelup[/caption]
SFFILM on Friday announced the five winners of the 2018 SFFILM Documentary Film Fund awards totaling $125,000, which support feature-length documentaries in post-production. Jennifer Maytorena Taylor’s The Gut (working title), Ljubo Stefanov and Tamara Kotevska’s Honeyland, Liza Mandelup’s In Real Life, Hassan Fazili’s Midnight Traveler, and Jessica Kingdon’s Untitled PRC Project, were each awarded funding that will help push each project towards completion.
The SFFILM Documentary Film Fund has a track record for championing important films that in recent years, left a mark on the festival circuit and beyond. Previous winners include RaMell Ross’ Hale County, This Morning, This Evening, which won a Special Jury Prize at the 2018 Sundance Film Festival; Peter Nicks’s The Force, which won the 2017 Sundance Film Festival Directing Award for documentary and SFFILM Festival’s McBaine Bay Area Documentary Feature Award, before being released theatrically by Kino Lorber; Peter Bratt’s Dolores, which won the 2017 SFFILM Festival Audience Award for Documentary Feature following its Sundance premiere; and Zachary Heinzerling’s Cutie and the Boxer, which won Sundance’s Directing Award for documentary and was nominated for the 2014 Academy Award® for Best Documentary Feature; among many others.
Since its launch in 2011, the SFFILM Documentary Film Fund has distributed more than $750,000 to advance new work by filmmakers nationwide. The 2018 Documentary Film Fund is made possible thanks to support from Jennifer Battat and the Jenerosity Foundation.
2018 DOCUMENTARY FILM FUND WINNERS
The Gut (working title) – Jennifer Maytorena Taylor, director/producer; Jim Sabataso and Asma Bseiso, producers; Jen Bradwell and Youssif Salah, editors – $25,000 Filmed over two years in a small New England community that is struggling to emerge from the opioid epidemic and finds itself caught up in a battle over Syrian refugee resettlement, The Gut closely follows the lives of several intersecting but very different characters to explore what changes — and what doesn’t — when white, rural Americans see themselves in “the other.” Honeyland – Ljubo Stefanov and Tamara Kotevska, co-directors; Atanas Georgiev, producer/editor – $25,000 The last female bee hunter in Europe struggles to save the bees and restore the natural balance when a family of nomadic beekeepers invade her land and threaten her livelihood. Honeyland is an exploration of an observational Indigenous visual narrative that deeply impacts our behavior towards natural resources and the human condition. In Real Life – Liza Mandelup, director; Lauren Cioffi and Bert Hamelinck, producers; Alex O’Flinn, editor – $25,000 This intimate contemplation on modern youth follows 16-year-old Austyn Tester as he flirts with the world of social media fame. Driven by a wide-eyed desire for stardom, Austyn cultivates a singularly positive online persona that’s at odds with growing up in small-town Tennessee. Midnight Traveler – Hassan Fazili, director; Su Kim, producer; Emelie Mahdavian, producer/editor – $25,000 Midnight Traveler follows a family of Afghan filmmakers on the run from the Taliban. Told from refugee/director Hassan Fazili’s unique first-person perspective, this story provides unprecedented access to the complex refugee experience as it encounters the West. Untitled PRC Project – Jessica Kingdon, director; Kira Simon-Kennedy and Nathan Truesdell, producers – $25,000 Untitled PRC Project examines megatrends of today’s China through an impressionistic collage of the new “Chinese Dream.” This observational film reveals paradoxes born from prosperity of the newest world power through the flow of production, consumption, and waste.