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  • Film Review: CUT TO BLACK

    CUT TO BLACK

    CUT TO BLACK, the latest film from Brooklyn-based writer/director/star Dan Eberle, is an Audience Award-winning film from this year’s Brooklyn Film Festival that is one of those films that shouldn’t be unnoticed by larger audiences because of its nearly hypnotic, somewhat dream-like imagery and narrative.

    So much of the plot of Cut to Black is familiar, though not in a way that makes the film itself pedestrian or a series of well-worn plot points.  Curiously, it both adheres to and contradicts expectations.  Bill (Eberle) is an ex-New York cop who has been left penniless and emotionally broken from his actions on a case that is only referred to as “the interborough case,” which got him thrown off the force.  One of the few details we’re told about the case is that Bill took the fall for John Lord (James Alba), a powerful political figure. In addition, Bill’s recurring nosebleeds also point to a potentially serious health problem.  However, a former colleague from the force, Gunther (Beau Allulli), approaches Bill with a request: Lord will pay Bill a large sum of money to investigate a problem his estranged daughter Jessica (Jilliane Gill) has with a stalker.  Despite his hesitations, Bill takes the offer, and upon meeting Jessica he begins to realize that the stalker is the least of her worries. Jessica’s boyfriend Duane (Joe Stipek) is involved in some bad business himself, and her estranged father discovering more about her than she wants him to know adds to her dilemmas.

    CUT TO BLACK

    Cut to Black is shot in black and white, which is likely a nod to its noir elements, but unlike traditional noir films (or even more recent noir-inspired films like Road to Perdition, Sin City, and Drive), the cinematography is shot in high contrast and avoids an overabundance of shadow.  Much of the film takes place during the day, and scenes that take place at night are mostly interior, lending the film a relatively flat lightning style.  Perhaps that serves as a reflection of the New York City of the present day, when much of the grime that made the streets dangerous (even in a creatively delightful way) has been scrubbed by reform politicians and multibillion dollar corporations.  Though Cut to Black’s story is reminiscent of Taxi Driver’s, Travis Bickle’s grit-ridden New York seems to belong to another world.  Yet Cut to Black’s New York has just as many seedy problems – one just has to look a little harder to find them (despite this, in the New York of Cut to Black it seems that locking the door to one’s apartment is uncommon!) The soundtrack is uncharacteristically jazz, adding to the juxtaposed atmosphere of Cut to Black’s New York.  As Eberle said in his interview with VIMOOZ, “Because of these elemental contradictions, the overall experience of the film is transporting. ‘CUT TO BLACK’ becomes a world of its own.”

    Reflecting real-life crimes, not all of the pieces of the crimes in Cut to Black fit together logically.  In fact, viewers might find it jarring for a film to follow a private investigator without the convoluted plot twists audiences have come to expect from crime procedural films and television shows.  Not everything can be chalked up to delicately planned elements of an overarching antagonist’s master plan.  Jessica’s life isn’t simply plagued by a stalker, her life is a sum of a series of self-destructive decisions stemming from her estranged relationship with her powerful father.  In that sense, the fact that the mysteries don’t fit together adds to the intrigue.

    CUT TO BLACK

    Like many noir protagonists, Bill is far from a “hero” though it’s clear that he seeks redemption for his past.  He speaks in a “hush-harsh” voice, and though only in his thirties his visual appearance and body language are weathered. Jessica is his “damsel in distress,” yet they have such a tenuous personal connection that it seems he only becomes her “white hat” because he had no other cause to champion as his health declines and his life falls apart.

    The film’s final third is untraditional in the sense that it raises far more questions than it answers. Bill needs a large sum of money and is able to procure it from the very people whom he brought down in the infamous “interborough case,” including an otherwise beautiful woman covered in sores. Though this borders on a “deux ex machine” resolution, it doesn’t bother me because it’s more intriguing than it is convenient. Like the mystery, Bill’s past is deeper and far darker than we could have possibly expected.

    Cut to Black immediately demand a second viewing, not to review the clues (as with other mystery films), but to gain a better understanding of Bill’s action now that one understands more about his past. It won’t answer every question, nor should it, which is the mark of a storyteller whom is confident in his material.

    http://youtu.be/GLHZY0_LN6k

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  • “Cutie and the Boxer” “The Act of Killing” Lead Nominees for 2013 Cinema Eye Honors Awards

     Cutie and the BoxerCutie and the Boxer

    Forty feature films and six shorts are among the nominees for the 7th Cinema Eye Honors for Nonfiction Filmmaking.  Zachary Heinzerling’s Cutie and the Boxer led all films with six nominations, while The Act of Killing received five. Heinzerling and the directing duos from two films nominated for Outstanding Feature –Leviathan‘s Castaing-Taylor & Paravel and After Tiller‘s Shane and Wilson – all led individual nominees with four nominations apiece. Making Cinema Eye history with his nomination in the feature film category, Lucien Castaing-Taylor becomes the first person to be nominated for Outstanding Feature after having been previously nominated for Outstanding Debut (he was nominated in 2011 for Sweetgrass).

    Five films are in the running for Cinema Eye’s top award, Outstanding Achievement in Nonfiction Feature Filmmaking: Joshua Oppenheimer’s The Act of Killing, Martha Shane and Lana Wilson’s After Tiller, Zachary Heinzerling’s Cutie and the Boxer, Lucien Castaing-Taylor and Véréna Paravel’s Leviathan and Sarah Polley’s Stories We Tell

    Nominees for Outstanding Achievement in Direction included Alan Berliner for First Cousin Once Removed, Tinatin Gurchiani for The Machine Which Makes Everything Disappear, Oppenheimer for The Act of Killing, Shane and Wilson for After Tiller, Castaing-Taylor and Paravel for Leviathan and Polley for Stories We Tell. This marks the first time in Cinema Eye history that more women were nominated for the Directing Award than their male counterparts. In addition, of the 11 individuals nominated for Cinema Eye’s top Feature Film award, 7 are women.

    Cinema Eye also announced nominees for their inaugural award for Nonfiction Films Made for Television. Four of the six nominees came from HBO Documentary Films, including Lucy Walker’s The Crash Reel, Dawn Porter’s Gideon’s Army, Alex Gibney’s Mea Maxima Culpa: Silence in the House of God and Sebastian Junger’s Which Way to the Front Line From Here: The Life and Times of Tim Hetherington. PBS nabbed the other two nominations, one for Susan Lacy’s Inventing David Geffen (American Masters) and Christine Turner’s Homegoings (POV). As the new television award recognizes the key producers from the network, the nominations for HBO Documentary Films’ Sheila Nevins (with four nods) and Sara Bernstein (with three) mark a first in Cinema Eye history – multiple nominations within the same category (but for different films).

    The nomination for Sebastian Junger’s film about Tim Hetherington is notable. Junger and Hetherington were both nominated for two Cinema Eye awards in 2011 for their film Restrepo, and Hetherington posthumously won the Cinema Eye Honor for Nonfiction Short in 2012 for his film, Diary.

    In the short film category, six films have been nominated, including the notable inclusion of Laura Poitras’Death of a Prisoner, which first appeared as a New York Times Op-Doc. Poitras won the Cinema Eye Honor for Direction in 2011 for her film, The Oath. She’s been at the center of one of the biggest global news stories of 2013 – the revelation of Edward Snowden’s identity and the secret spying by the United States government on American citizens and international allies.

    Ten contenders were named for Cinema Eye’s Audience Choice Prize, which includes many of the most talked about and beloved documentaries of the year, including Morgan Neville’s 20 Feet From Stardom, Gabriela Cowperthwaite’s Blackfish, Greg “Freddy” Camalier’s Muscle Shoals, Mona Eldaeif and Jehane Noujaim’s Rafea: Solar Mama, Dave Grohl’s Sound City and Jehane Noujaim’s The Square. The double nomination for Noujaim in the category was another first – a director with two films nominated in the same category in the same year.

    Winners of the 7th Annual Cinema Eye Honors will be announced on January 8, 2014 as Cinema Eye returns, for the fourth straight year, to the Museum of the Moving Image in Astoria, New York.  

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  • 10 Live Action Shorts Advance in 2013 Oscar Race

     “AQUEL NO ERA YO (THAT WASN’T ME),” Esteban Crespo, director“AQUEL NO ERA YO (THAT WASN’T ME),” Esteban Crespo, director

    The Academy of Motion Picture Arts and Sciences announced the 10 live action short films that will advance in the voting process for the 86th Academy Awards®.  One hundred twenty pictures had originally qualified in the category. 

    The 10 films are listed below in alphabetical order by title, with their production companies:

    “AQUEL NO ERA YO (THAT WASN’T ME),” Esteban Crespo, director (Producciones Africanauan)

    “AVANT QUE DE TOUT PERDRE (JUST BEFORE LOSING EVERYTHING),” Xavier Legrand, director, and Alexandre Gavras, producer (KG Productions)

    “DVA (TWO),” Mickey Nedimovic, director, and Henner Besuch, director of photography (Filoufilm Dani Barsch)

    “HELIUM,” Anders Walter, director, and Kim Magnusson, producer (M & M Productions)

    “KUSH,” Shubhashish Bhutiani, director (Red Carpet Moving Pictures)

    “PITÄÄKÖ MUN KAIKKI HOITAA? (DO I HAVE TO TAKE CARE OF EVERYTHING?),” Selma Vilhunen, director, and Kirsikka Saari, screenwriter (Tuffi Films)

    “RECORD/PLAY,” Jesse Atlas, director, and Thom Fennessey, executive producer (Collaboration Factory)

    “THROAT SONG,” Miranda de Pencier, director (Northwood Productions)

    “TIGER BOY,” Gabriele Mainetti, director (Goon Films)

    “THE VOORMAN PROBLEM,” Mark Gill, director, and Baldwin Li, producer (Honlodge Productions)

    The Short Films and Feature Animation Branch Reviewing Committee viewed all the eligible entries for the preliminary round of voting at screenings held in Los Angeles.  

    Short Films and Feature Animation Branch members will now select three to five nominees from among the 10 titles on the shortlist.  Branch screenings will be held in Los Angeles, New York and San Francisco in December.

    The 86th Academy Awards nominations will be announced live on Thursday, January 16, 2014, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

    Academy Awards for outstanding film achievements of 2013 will be presented on Oscar Sunday, March 2, 2014, at the Dolby Theatre® at Hollywood & Highland Center® and televised live on the ABC Television Network.  The presentation also will be televised live in more than 225 countries and territories worldwide. 

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  • British Romance SUMMER IN FEBRUARY Sets US Release Date | SEE UK Trailer

     Dan Stevens and Emily Browning in SUMMER IN FEBRUARY a Tribeca Film release.

    Director Christopher Menaul’s SUMMER IN FEBRUARY, starring Dominic Cooper (The Devil’s Double), Dan Stevens (“Downton Abbey”), and Emily Browning (Sleeping Beauty) will be released in the US beginning January 7, 2014 on cable/telco and satellite video-on-demand and digital platforms followed by a theatrical release beginning on January 17, 2014 by Tribeca Film.

    A sweeping romance set at a bohemian artist colony on the picturesque coasts of pre-war England, Summer in February is based on the true story of painter Sir Alfred Munnings (Dominic Cooper) and his blue-blood best friend Gilbert (Dan Stevens). Born into a working-class family, Munnings rises to become one of the premiere British artists of his time, winning the affection of aristocratic beauty Florence Carter-Wood (Emily Browning). But when Gilbert falls for Florence as well, a love triangle emerges with tragic consequences. 

    http://youtu.be/dtkNxnS6rGs

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  • Official Poster for FREE RIDE Starring Anna Paquin

    Free Ride starring Anna Paquin

    The official poster is released for FREE RIDE, written and directed by Shana Betz, and based on her true life story. FREE RIDE stars Anna Paquin, Drea de Matteo, Cam Gigandet and Liana Liberato.  FREE RIDE will be released in NY, LA and on Video On Demand on January 10, 2014 by Phase 4 Films. 

     Official Poster for Free Ride starring Anna Paquin

    In search of a better life for her family and desperate to escape her tumultuous relationship, Christina (Anna Paquin) hastily moves to Florida and enters the dangerous world of the high-stakes underground drug scene. She quickly learns that dealing drugs at the height of South Florida’s smuggling heyday has its price. As law enforcement closes in on Christina and her drug operation, she must find a way to salvage the life she has desperately worked to repair before it all comes crashing down.

     

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  • Patton Oswalt to Host 2014 Film Independent Spirit Awards

    Patton Oswalt

    Actor and comedian Patton Oswalt will serve as host for the 2014 Film Independent Spirit Awards. The 29th annual awards ceremony will take place on Saturday, March 1st with the premiere broadcast airing later that evening at 10:00 pm ET/PT exclusively on IFC. 

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  • Film Review: BETTIE PAGE REVEALS ALL

    BETTIE PAGE REVEALS ALL  A film by Mark Mori

    Even if you don’t think you know who Bettie Page is, you know her.  What do I mean by that?  At some point of your life you have seen references to Bettie Page, the most popular pin-up model of the 1950s.  That is because her style and persona has been a constant source of inspiration for decades by nearly every facet of pop culture.  For example, just in the last few months pop star Katy Perry heavily referenced Page’s famed “Jungle Bettie” photo shoot in her artwork and video for her hit single “Roar.”  It’s only one of hundreds of reference to Page’s famed pin-up photography that you probably encounter every year, a phenomenon that continues today (Bettie Page is one of the highest-earning deceased celebrities).  In the new documentary Bettie Page Reveals All, the pin-up legend herself narrates her life story, revealing once and for all what the woman behind those photos was like and what happened to her after disappearing from modeling seemingly overnight in 1957.  It’s an absorbing look at the life of an iconic woman, one many of us know little about beyond her photos.  While this is the first film documentary that Mark Mori has directed since 1991’s Building Bombs (which was nominated for the Best Documentary Feature Oscar in 1991) and writer Doug Miller is film newcomer, the pair have created a loving in-depth portrait of Page with this documentary.

    Of course, Bettie passed away in 2008 (the documentary opens with scenes from her funeral), but the narration was recorded several years before her death and covers her entire life from her troubled childhood, her early days as a model, becoming an icon, and ultimately what happened to her after she retired from modeling after only seven years as a model.  Though elderly Bettie’s voice is sometimes difficult to understand, her voice is filled with nothing but joy about her pin-up days.

    BETTIE PAGE REVEALS ALL  A film by Mark Mori

    Naturally, the most interesting parts of the documentary are the ones that focus on her pin-up modeling, but the additional focus on the controversy surrounding her later bondage photos and films and the mysteries surrounding her disappearance from the public eye – Page made few public appearance after retiring in 1957 – makes this documentary so unique.  It’s also wonderful to hear Page speak with bewildered amazement about her return to popularity in the 1980s and the rediscovery of her existence in the early 1990s.

    The narrative is also expanded with interviews with admirers like Dita Von Teese, friends like Hugh Hefner, and many of Page’s former photographers.  The interviews with the photographers are particularly interesting because they go into detail about the composition of their shots.  To them, they weren’t simply taking pin-up photos of a bikini-clad (or even nude) Page, they were creating art.  It’s hard to argue against them — decades later, Page’s beauty is still remarkable because she was the definition of photogenic. The fact that Page talks so happily about those years makes it clear that she was born to be a pin-up icon.

    Fans of Page will undoubtedly enjoy Bettie Page Reveals All and because it’s told in her own voice even diehards will likely learn something about her that they didn’t know.  There are probably many photos and rare clips from Page’s burlesque movies in the documentary that even devoted fans of Page haven’t seen. However, people who know little about Page and her remarkable career will get the most out of this documentary.  If nothing else, it’s impossible not to enjoy one of the most beautiful women of the twentieth century posing in various states of undress relishing in her contribution to the sexual revolution, even if she didn’t realize it yet.

    Rating: 4 out of 5 : See it …… It’s Very Good

     http://youtu.be/shvYNVlHMm8

     

    OPENING in NYC 11/22 at the Village East Theater

    11/29
    Nuart Theater – LA
    Regal Westpark – Irvine

    12/6
    Chicago, San Francisco
    Berkeley, San Jose
    San Diego, Columbus
    Palm Desert, Portland
    Nashville, Las Vegas
    Santa Barbara, Tucson
    Phoenix, San Rafael
    Hartford, Fort Lauderdale
    Broookline, Minneapolis
    Asbury Park, Richmond

    12/13
    Albuquerque, Salt Lake City
    Washington DC

    12/25 – Atlanta
    1/3 – Seattle
    1/17 – Ft. Worth
    1/31 – Rochester
    2/7 – Lafayette

     

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  • Indie Film ALL THE LIGHT IN THE SKY from Drinking Buddies’ Director Joe Swanberg Gets a December 2013 Release Date | SEE Trailer

    Director Joe Swanberg’s ALL THE LIGHT IN THE SKY

    Director Joe Swanberg’s ALL THE LIGHT IN THE SKY, his next film after the indie-breakthrough hit from earlier this year, “Drinking Buddies” will be released theatrically in NYC on December 20, 2013 and and digitally on December 3, 2013, by Factory 25. “All the Light in the Sky” features what’s described as a leading performance from acclaimed veteran character actor Jane Adams.  

    Adams (Happiness, HBO’s “Hung,” Little Children,Eternal Sunshine of the Spotless Mind, among countless others) stars as an actress living in Malibu who faces harsh realities of the industry as her age exempts her from more and more acting opportunities. Amidst this career and life crisis enters the actress’s niece, played by Sophia Takal (Green, Gabi on the Roof in July, V/H/S), who arrives for a weekend stay and ushers in a complex prism of emotional insecurities. Can the actress confront her fears, complicated relationships, and figure out how to navigate mid-life in Hollywood? 

    The film also features some of today’s up-and-coming indie film personalities: Kent Osborne (Uncle Kent), Allison Baar (Bad Fever), Simon Barrett (V/H/S), Lindsay Burdge (A Teacher), Larry Fessenden (The Last Winter), Lawrence Michael Levine (Green), Susan Traylor  (Greenberg) and Ti West (The Sacrament). 

    All the Light in the Sky features original music by Orange Mighty Trio.

    http://youtu.be/JBrYWL16_dE

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  • STARRED UP and THE SELFISH GIANT Lead Nominations for 2013 British Independent Film Awards

     STARRED UPSTARRED UP

    STARRED UP led the nominations for the 16th annual Moët British Independent Film Awards with 8 nods including Best British Independent Film, Best Director for David Mackenzie, Best Screenplay for Jonathan Asser, Best Actor for Jack O’Connell, and two Best Supporting Actor nominations for Rupert Friend and Ben Mendelsohn. THE SELFISH GIANT picked up 7 nominations and Filth, Metro Manila and Le Week-end all picked up 5 nominations each.  The winners will be announced at the 16th awards ceremony which will be hosted by actor and BIFA Patron, James Nesbitt, who returns for his eighth year on Sunday December 8, 2013, at the Old Billingsgate in London.

    The Moët British Independent Film Awards announced the following nominees for this year’s awards:

    BEST BRITISH INDEPENDENT FILM

    Metro Manila
    Philomena
    The Selfish Giant
    Starred Up
    Le Week-end

    BEST DIRECTOR

    Jon S Baird – Filth
    Clio Barnard – The Selfish Giant
    Sean Ellis – Metro Manila
    Jonathan Glazer – Under the Skin
    David Mackenzie – Starred Up

    THE DOUGLAS HICKOX AWARD [BEST DEBUT DIRECTOR]

    Charlie Cattrall – Titus
    Tina Gharavi – I Am Nasrine
    Jeremy Lovering – In Fear
    Omid Nooshin – Last Passenger
    Paul Wright – For Those in Peril

    BEST SCREENPLAY

    Jonathan Asser – Starred Up
    Clio Barnard – The Selfish Giant
    Steven Knight – Locke
    Hanif Kureishi – Le Week-end
    Jeff Pope, Steve Coogan – Philomena 

    BEST ACTRESS

    Judi Dench – Philomena
    Lindsay Duncan – Le Week-end
    Scarlett Johansson – Under the Skin
    Felicity Jones – The Invisible Woman
    Saoirse Ronan – How I Live Now

    BEST ACTOR

    Jim Broadbent – Le Week-end
    Steve Coogan – Philomena
    Tom Hardy – Locke
    Jack O’Connell – Starred Up
    James McAvoy – Filth

    BEST SUPPORTING ACTRESS

    Siobhan Finneran – The Selfish Giant
    Shirley Henderson – Filth
    Imogen Poots – The Look Of Love
    Kristin Scott Thomas – The Invisible Woman
    Mia Wasikowska – The Double

    BEST SUPPORTING ACTOR

    John Arcilla – Metro Manila
    Rupert Friend – Starred Up
    Jeff Goldblum – Le Week-end
    Eddie Marsan – Filth
    Ben Mendelsohn – Starred Up

    MOST PROMISING NEWCOMER

    Harley Bird – How I Live Now
    Conner Chapman / Shaun Thomas – The Selfish Giant
    Caity Lotz – The Machine
    Jake Macapagal – Metro Manila
    Chloe Pirrie – Shell

     BEST ACHIEVEMENT IN PRODUCTION

    A Field in England
    Filth
    Metro Manila
    The Selfish Giant
    Starred Up 

    BEST TECHNICAL ACHIEVEMENT

    Shaheen Baig – Casting – Starred Up
    Johnnie Burn – Sound Design – Under the Skin
    Amy Hubbard – Casting – The Selfish Giant
    Mica Levi – Music – Under the Skin
    Justine Wright – Editing – Locke

    BEST DOCUMENTARY

    Pussy Riot – A Punk Prayer
    The Great Hip Hop Hoax
    The Moo Man
    The Spirit of ’45
    The Stone Roses: Made of Stone

    BEST BRITISH SHORT

    L’Assenza
    Dr Easy
    Dylan’s Room
    Jonah
    Z1

    BEST INTERNATIONAL INDEPENDENT FILM

    Blue is the Warmest Colour
    Blue Jasmine
    Frances Ha
    The Great Beauty
    Wadjda

    THE RAINDANCE AWARD

    Everyone’s Going to Die
    The Machine
    The Patrol
    Sleeping Dogs
    Titus

    THE RICHARD HARRIS AWARD (for outstanding contribution by an actor to British Film)

    To Be Announced

    THE VARIETY AWARD

    To Be Announced

    THE SPECIAL JURY PRIZE

    Announced at the Moët British Independent Film Awards on Sunday December 8th, 2013

     

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  • New Indie Films, Documentaries in Theaters This Weekend Friday November 8, 2013

    New indie films and documentaries in theaters weekend of Friday November 8, 2013.

    If you’re a documentary fan, this would be a good weekend to free yourself up for going to the movies, new releases include THE ARMSTRONG LIE and AT BERKELEY.  Of course, like most weekends there’s a good mix of indie films of all different types , including literary adaptations, dramas, and comedies such as ASS BACKWARDS .  

    GREAT EXPECTATIONS

    GREAT EXPECTATIONS

    Though based on one of Charles Dickens’ most beloved works, I haven’t heard much about the latest adaptation of Great Expectations from director Mike Newell.  It’s been nearly a year since it was first released in the UK, and its cast — including Jeremy Irvine and Helena Bonham Carter — has received strong reviews.

    BEST MAN DOWN

    BEST MAN DOWN

    Though it originally had an internet release last month, the dramedy Best Man Down will be in limited release this weekend in theaters. It is the first film written and directed by Ted Koland, who was a writer on TV’s Fashion House and Saints & Sinners.  Best Man Down stars Justin Long and Jess Weixler as newlyweds who have to cancel their honeymoon after the death of their best man, who shockingly died right after the couple’s wedding ceremony.  Well, that would definitely kill the party’s mood, right?

    HOW I LIVE NOW

    HOW I LIVE NOW

    Saoirse Ronan has made a number of indie films since first becoming known to mainstream audiences with The Lovely Bones, and in How I Live Now she stars as an American teenager living with her relatives in the UK when a violent uprising turns the country into hell.  Director Kevin Macdonald can handle real-life drama well based on his documentaries and The Last King of Scotland, so this is definitely worth a look.

    THE ARMSTRONG LIE (Documentary)

    THE ARMSTRONG LIE (Documentary)

    Director Alex Gibney was hired in 2009 to create a documentary about Lance Armstrong’s incredible comeback to cycling.  I am sure you know what happened next.  Gibney has a history of great documentaries about cover-ups (including Enron: The Smartest Guys In the Room), so he wound in the right place at the right time to make a documentary not about Armstrong’s return to cycling but Armstrong’s history of doping and his decades-long history of denials and coverups.  Though the Armstrong fallout still hasn’t ended, this doucmentary serves as a way for the public to begin analyzing Armstrong’s fall from grace.

    ASS BACKWARDS

    ASS BACKWARDS

    I don’t know about you, but child beauty pageants have always seemed to be a potentially bad thing to involve your children in to me.  The comedy Ass Backwards explores this idea, with two women who finished last in a childhood beauty pageant years ago (June Diane Raphael and Casey Wilson, who also wrote the film) who return to the pageant years later in an attempt to right past “wrongs” committed against them.  Critics have generally given it a pass, but if you’re a fan of the comediennes who star in this it’s likely right up your alley.

    AT BERKELEY (Documentary)

    AT BERKELEY (Documentary)

    Every critic who has sat through this four hour, four minute documentary about the current operations and troubling budget issues of The University of California at Berkeley has raved about it.  I don’t think I’m the only who would suggest that if you are interested, you might want to wait for it to hit VOD or cable in order to watch it at your own pace!  Nonetheless, it’s great to say that veteran documentarian Frederick Wiseman doesn’t feel that he needs to cut his films down to 90 or 100 minutes for commercial appeal.

    THE MOTEL LIFE

    THE MOTEL LIFE

    Emile Hirsch, soon-to-be-star of the John Belushi biopic, stars in this adaptation of the Willy Vlautin novel about two aimless brothers who live from motel to motel and the chilling changes that undergo in their relationship after one brother (Stephen Dorff) is involved in a terrible crime.  The film is directed by first-time directors Gabe Polsky and Alan Polsky and won three major awards at last year’s Rome Film Fest.

    Other notable weekend indie, foreign & documentary releases:

    THE WIND RISES

    REACHING FOR THE MOON

    GO FOR SISTERS

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  • 10 Animated Shorts Advance in 2013 Oscar Race

    “FERAL” directed by Daniel Sousa“FERAL” directed by Daniel Sousa

    The Academy of Motion Picture Arts and Sciences announced that 10 animated short films will advance in the voting process for the 86th Academy Awards®. Fifty-six pictures had originally qualified in the category.

    The 10 films are listed below in alphabetical order by title, with their production companies:

    “FERAL,” Daniel Sousa, director, and Dan Golden, music and sound design (Daniel Sousa) (pictured above)

    “GET A HORSE!” Lauren MacMullan, director, and Dorothy McKim, producer (Walt Disney Feature Animation)

    “GLORIA VICTORIA,” Theodore Ushev, director (National Film Board of Canada)

    “HOLLOW LAND,” Uri Kranot and Michelle Kranot, directors (Dansk Tegnefilm, Les Films de l’Arlequin and the National Film Board of Canada)

    “THE MISSING SCARF,” Eoin Duffy, director, and Jamie Hogan, producer (Belly Creative Inc.)

    “MR. HUBLOT,” Laurent Witz, director, and Alexandre Espigares, co-director (Zeilt Productions)

    “POSSESSIONS,” Shuhei Morita, director (Sunrise Inc.)

    “REQUIEM FOR ROMANCE,” Jonathan Ng, director (Kungfu Romance Productions Inc.)

    “ROOM ON THE BROOM,” Max Lang and Jan Lachauer, directors (Magic Light Pictures)

    “SUBCONSCIOUS PASSWORD,” Chris Landreth, director (National Film Board of Canada with the participation of Seneca College Animation Arts Centre and Copperheart Entertainment)

    The Academy’s Short Films and Feature Animation Branch Reviewing Committee viewed all the eligible entries for the preliminary round of voting at screenings held in New York and Los Angeles. Short Films and Feature Animation Branch members will now select three to five nominees from among the 10 titles on the shortlist. Branch screenings will be held in Los Angeles, New York and San Francisco in December.

    The 86th Academy Awards nominations will be announced live on Thursday, January 16, 2014, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

    Academy Awards for outstanding film achievements of 2013 will be presented on Oscar Sunday, March 2, 2014, at the Dolby Theatre® at Hollywood & Highland Center® and televised live on the ABC Television Network. The presentation also will be televised live in more than 225 countries and territories worldwide.

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  • Mountainfilm is Headed to NYC; MAIDENTRIP is Opening Night Film

    Maidentrip

    Mountainfilm in Telluride is headed on the road to New York City; the Film Society of Lincoln Center released the lineup for the 2013 Mountainfilm series, taking place from November 15 to 17, 2013 at Elinor Bunin Munroe Film Center at Lincoln Center in New York City.   Films on the lineup include an exclusive sneak preview of MAIDENTRIP as its opening night selection about 14-year-old Laura Dekker who sailed around the world solo, complete with personal video she shot herself during her journey. In DUK COUNTY, world-class climber Dr. Geoff Tabin heads to Sudan to restore the sight of more than 200 blind people. Norwegian documentary NORDFOR SOLA (North of the Sun) follows two young men who spent most of the year on an isolated, cold beach north of the Arctic Circle with nothing but surfboards and sustaining comfortably off the garbage/waste of others – all the while discovering the world’s best surfing waves. 

    FILMS, SCHEDULE & DESCRIPTIONS

    OPENING NIGHT 
    MAIDENTRIP (2013) 81m
    Director: Jillian Schlesinger
    Country: USA
    Laura Dekker knew more about herself at the age of 13 than most of us will learn over a lifetime. At that age, she was already fighting the government of her native Holland for the right to sail around the world—solo. With support from her non-traditional family (she was born on a boat in New Zealand and traveled by sea with her now-divorced parents for the first five years of her life), she won the battle and set sail on a grand adventure a year later at age 14. Her dream was “to be the youngest ever to sail around the world alone,” but she didn’t want to set a speed record. Instead, she sought to experience the remote and wonderful corners of the planet on her own. Much of this brilliant and endearing documentary captures Dekker’s own words with video she shot during the journey. But director Jillian Schlesinger weaves it together with her own footage, media reports and charming animation to tell the story of this precocious and lovely young woman, whose fascinating life has only just begun.
    * Director Jillian Schlesinger in attendance
    Screening with:
    CASCADA (2013) 8m
    Directors: Skip Armstrong & Anson Fogel
    Country: USA
    When a crew of filmmakers and kayakers head to the Mexican jungle to hunt big waterfalls, they find a place of unrelenting rain, heinous insects, thick mud, scary viruses and utter perfection. Cascada, another gorgeous short film by Forge Motion Pictures, follows the crew as they explore a world beyond expectations, where biting flies, tangled vines and shoddy hotel rooms can’t detract from the unrivaled waterfalls and powerful rapids they discover.
    Friday, November 15, 9:00pm 

    DUK COUNTY (2013) 37m
    Director: Jordan Campbell
    Country: USA
    Mountainfilm audiences have come to know the hyper-achieving Dr. Geoff Tabin, a world-class climber who has ascended the Seven Summits and who is best known for dramatically changing the rates of curable blindness in Nepal and Rwanda. Tabin and his team from the Moran Eye Center in Park City, Utah, took their operation to South Sudan to work with John Dau (one of the original Lost Boys of Sudan whose remarkable story of survival was featured in the film God Grew Tired of Us.Duk County, which was directed by Jordan Campbell, tells the story of this collaboration in which the sight of more than 200 people was restored. Unfortunately—and perhaps inevitably—this triumph is tainted by the ongoing conflict in South Sudan.
    * Director Jordan Campbell and subjects John Dau and Geoff Tabin in attendance
    Screening with:
    THE WATER TOWER (2013) 27m
    Director: Peter McBride
    Country: USA
    Following his elegiac look at the plight of the Colorado River in Chasing Water (Mountainfilm 2011), filmmaker, photographer and adventurer Pete McBride turns his talents to an analogous story about the vast watershed beneath Mt. Kenya and the challenges it faces. Beautifully shot and thoughtfully written, this film paints a human portrait of climate change and frames it in forces far greater than human.
    Saturday, November 16, 4:00pm 

    HIGH & HALLOWED: EVEREST 1963 (2013) 50m
    Directors: Jim Aikman, David Morton & Jake Norton
    Country: USA
    In May of 1963, a team of brave Americans assembled on Mt. Everest in an effort to be the first from the U.S. to stand atop the world’s tallestmountain. Jim Whittaker summited on May 1, planting the American flag for his teammates to see when they reached the top. Whittaker had climbed the traditional South Col route, but two of his comrades—Tom Hornbein and Willi Unsoeld—attempted the daunting, and previously unclimbed, West Ridge. (The duos success is considered one of the most daring climbs in history.) High & Hallowed is primarily the story of the Americans on Everest 50 years ago, but it also incorporates a modern-day attempt on the West Ridge in 2012. The team of Charley Mace, Jake Norton, David Morton and Brent Bishop (son of Barry Bishop, one of the photographers on the 1963 expedition) try their luck, but given the hideous conditions in the Hornbein Couloir, their attempt is unsuccessful. This film, directed by Morton and Norton, mixes the present and past skillfully to tell a tale that spans five decades.
    * Director David Morton and subject Jim Whittaker in attendance
    Screening with:
    35 (2013) 5m
    Directors: Nasa Koski, Austin Siadak & Matt Van Biene
    Country: USA
    The number 35 holds a special significance for us this year because 2013 marks our 35th festival, so a film with this title is particularly apt. Of course it takes more than a good title to get into this festival, and this poetic reflection by a man turning 35 qualifies. It also captures the rootsy spirit of those who choose to be part of a community that prefers to be outdoors.
    and
    KEEPER OF THE MOUNTAINS (2013) 25m
    Director: Allison Otto
    Country: USA
    It’s odd to consider that the one person who has exhaustively tracked, detailed and archived Himalayan expeditions of the past half century is someone who has never climbed a mountain herself. Elizabeth Hawley has interviewed thousands of expedition leaders and is a force of nature every bit as impressive and indefatigable as any alpinist, but she has never been interested in joining them on any of the routes that she’s come to know intimately in her mind’s eye. This portrait of Miss Hawley reflects the character it chronicles by being direct, sharp and not without a sense of humor.
    A 2012 Mountainfilm Commitment Grant recipient.
    Friday, November 15, 6:30pm 

    HONNOLD 3.0 (2012) 32m
    Directors: Peter Mortimer & Josh Lowell
    Country: USA
    Just a few years ago, Alex Honnold was just another girlfriendless climber living in his van and roaming the Yosemite Valley. But he began putting up routes with increasing audacity and remarkable composure and then pulled off a couple of insanely bold free solo feats on Moonlight Buttress and Half Dome, shocking the climbing world and drawing media attention and public intrigue in equal measure. He was vaulted into the spotlight—appearing on the cover of National Geographic and featured in “60 Minutes,” The New York Times and even commercials. His gift: tremendous strength, steely focus and incredible mental control. Honnold 3.0 is a portrait of an intensely private person who must balance his ambitions with self-preservation under a new set of expectations. From highball boulder first ascents to 5.13 free solos to speed records on The Nose, Honnold wrestles with this as he prepares for his biggest adventure yet: The Yosemite Triple, an attempt to climb Mt. Watkins, El Cap and Half Dome in just one day, 95 percent of it without a rope.
    Screening with: 
    A NEW PERSPECTIVE (2012) 10m
    Director: Corey Rich
    Country: USA
    David Lama is best known as the young competition climber who conquered an 8b+ at the age of 12 and went on to become a junior world championship and twice winner of the European Youth Cup. But these days, Lama is focused on the toothy peaks in the world’s tallest mountainranges. A New Perspective follows the soft-spoken climber and his partner, Peter Ortner, as they tackle these heights. After free climbing the Cerro Torre in Patagonia, the pair travels to Pakistan to attempt to free climb Eternal Flame, a pitch up the Nameless Tower in the lofty Karakorum Range.
    and
    THE KRYGYZSTAN PROJECT (2012) 20m
    Directors: Jim Aikman & Matt Segal
    Country: USA
    Impeccable rock, one-of-a kind setting, good and trusted friends: the stuff of climbers’ dreams. Real life is rarely so straightforward, though, and this story of a climbing trip in Kyrgyzstan is haunted by the specter of an earlier one that had frightening and dire results. In 2000, John Dickey went on an expedition to Kyrgyzstan and was kidnapped by violent militants who held him and his partners at gunpoint for six days. They made a harrowing escape, but Dickey is still troubled by the memories of what they had to do to save their own lives. His return to Kyrgyzstan extols the meaning of friendship and the healing power of climbing adventures.
    Sunday, November 17, 6:30pm 

    K2: SIREN OF THE HIMALAYAS (2012) 75m
    Director: Dave Ohlson
    Country: USA
    Everest gets the lion’s share of media coverage, but alpinists know that K2—at 8,611 meters, the second-highest peak in the world—is more challenging. Perhaps those difficult conditions explain why there are so few documentaries about K2, but K2: Siren of the Himalayas tells the story of a 2009 ascent of the mountain by Fabrizio Zangrilli and Gerlinde Kaltenbrunner, a century after the Duke of Abruzzi’s famous expedition. Filmed in Pakistan, this often-gripping documentary shows how hard it is for even the world’s finest alpinists to climb this mountain, where for every four people who have reached summit, one has died trying.
    * Subject Fabrizio Zangrilli in attendance
    Screening with:
    SEA OF ROCK (2012) 12m
    Director: Sebastian Doerk
    Country: Austria
    Four decades ago, a couple of young guys hauled a bicycle up Mont Simmerstein in a rugged pocket of the Austrian Alps and attempted to ride down. The mountain—known as the Sea of Rock for its jagged armor of boulders, stones and cliffs—destroyed the bike. Local mountain biker Harald Philipp has attempted the descent many times and failed—pits, technical sections and razor-sharp stones make it a nightmare. In Sea of Rock, Philipp recruits pro trails rider Thomas Ohler in the hope that, by combining their knowledge, they can successfully thread through the wicked terrain. The film follows the riders as they find lines through this imposing and beautiful landscape, chasing the long sought-after goal with two completely different styles.
    Saturday, November 16, 6:30pm (In Person)

    NORDFOR SOLA (North of the Sun) (2012) 46m
    Directors: Inge Wegge & Jorn Ranum
    Country: Norway
    Last winter, if you had happened upon a particular isolated and frigid beach north of the Arctic Circle in Norway, you might have been surprised to find two young men, two surfboards and a pile of garbage. Inge Wegge (age 25) and Jørn Ranum (age 22) spent nine months of the year—of which all could arguably be considered winter in the frozen north—testing a hypothesis that they could live happily, and even comfortably, off the waste of others. They chose this beach because it held a well-kept secret: some of the world’s finest undiscovered surfing waves. Bringing only their surfboards and their enthusiasm for adventure, the duo picked up driftwood to build a shelter, found a barrel to use as a stove, hiked to a nearby town to collect free expired food from a grocery store, caught fish and also caught waves. Almost as an aside, Wegge and Ranum piled washed-up garbage (despite its remoteness, the beach seems to collect a lot human detritus) to remove at the end of their stay. The location of their makeshift home will remain a secret, but they are generous enough to share the story of their winter North of the Sun with us.
    Screening with:
    SLOMO (2013) 17m
    Director: Joshua Izenberg
    Country: USA
    How has John Kitchin found a way to connect physically to the center of the world and spiritually to the divine? By rollerblading. Sounds crazy, but before you write Kitchin off as certifiable, you should consider that his actual certifications are in neurology and psychiatry. If you’re someone who questions the sanity of daily life on the success treadmill, this film may push you to do what you want—and reap the rich psychic rewards that come with rolling through life.
    and 
    RUNNING BLIND (2013) 32m
    Director: Ryan Suffern
    Country: USA
    We hold ordinary heroes in the highest regard at Mountainfilm, so E.J. Scott should feel at home in Telluride as he fits the description perfectly. Suffering from a degenerative, genetic disease of the retina called choroideremia, Scott is slowly losing his vision. His response is to commit enormous amounts of time, money and, most likely, knee cartilage to raise funds and awareness for a cure by running a dozen marathons in a dozen states in 2012. As he says in the film, confidently directed by Ryan Suffern (who edited 2012 Mountainfilm favorites Bidder 70  and Right to Play), “If you’re trying, you’re making a difference.”
    * Subject EJ Scott in attendance
    Sunday, November 17, 4:00pm 

    WIDEBOYZ (2012) 50m
    Directors: Paul Diffley & Chris Alstrin
    Country: UK
    This film features bloody knuckles, all-out grunt sessions and willful participation in pain. Welcome to the world of off-width crack climbing, a sub-genre that attracts a rare breed willing to jam elbows, knees, torsos — whatever it takes, really — into large cracks for climbing ascents. It’s painful, tough and occasionally downright awful. But two British climbers, Pete Whittaker and Tom Randall, love it. WideBoyz follows the off-width-obsessed pair as they undertake an insane two-year training regime — most of it spent hanging upside down in the “dungeon of doom” they set up in Whittaker’s basement — in preparation for a trip to the holy land of off-widths: the American West. After touring some of the country’s best known big cracks — and ticking them off with impressive swiftness — they head to the ultimate test. The Century Crack, 120 feet of overhanging off-width in the Canyonlands of Utah, is considered the world’s hardest off-width. After dreaming about the first ascent of it for years, the British duo finally gets a shot at this beautiful, hellish crack.
    * Director Chris Alstrin in attendance
    Screening with:
    JE VEUX (2012) 13m
    Director: Joachim Hellinger
    Country: Germany
    You’ve never seen a climbing film like Je Veux. Joachim Hellinger, who has been bringing his inventive and well-produced mountaineering and adventure films to Mountainfilm in Telluride for 20 years, is a bit of a Francophile. He fell in love with the music of French singer Zaz (one of the most popular and identifiable musicians in France today) and was in the unique position to help her carry out her dream: performing on the top of the tallest mountain in Europe. At an altitude of 15,781 feet, climbing Mont Blanc is no small feat, especially considering that Zaz’s small band includes an acoustic contrabass. Those not familiar with Zaz will fall in love with her unassuming songs that are rooted in jazz and traditional French music; the mountaineers in the audience will be impressed, as well.
    and
    THE GIMP MONKEYS (2012) 8m
    Directors: Fitz Cahall & Mikey Schaefer
    Country: USA
    After four nights and five days, Craig DeMartino, Jarem Frye and Pete Davis scrambled to the top of the 1,800-foot Zodiac Wall on Yosemite’s El Capitan on June 9, 2012. It’s a route that’s been climbed countless times, but not like this: the first all-disabled ascent. DeMartino (who lost a leg in a climbing accident), Frye (who lost a leg to bone cancer) and Davis (who was born without an arm) didn’t accomplish the feat to raise awareness or champion their cause. They did it because they are climbers first and disabled second. Martino says, “If a climber is what you are…you want to climb El Cap.” So with four legs, five arms and three heads, they tackled the towering expanse of granite. Gimp Monkeysfollows the trio’s monumental trip up the wall and examines where passion, tenacity, perspective and toughness can lead. Because, as Davis says, “The right attitude and one arm will beat the wrong attitude and two arms every time.”
    Saturday, November 16, 9:00pm 

    http://youtu.be/04z3dS6P60g

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