VIMOOZ

  • Real Steel and Human Centipede 2 Are This Week’s Box-Office Champs

    [caption id="attachment_1704" align="alignnone" width="550"]Human Centipede 2: Full Sequence[/caption]

    “Real Steel” was literally a tough one to beat at the box office, with the action film starring Hugh Jackman, beating the competition to take the number 1 spot with a decent $27.3 million.  George Clooney’s political drama “The Ides of March,”was a distant second with $10.4 million.

    1. “Real Steel” (Disney/DreamWorks): $27.3 million.

    2. “The Ides of March” (Sony/Cross Creek): $10.4 million.

    3. “Dolphin Tale” (Warner Bros./Alcon): $9.2 million.

    4. “Moneyball” (Sony): $7.5 million.

    5. “50/50” (Summit/Mandate): $5.5 million.

    6. “Courageous” (Sony): $4.6 million.

    7. “The Lion King 3-D” (Disney): $4.6 million.

    8. “Dream House” (Universal/Morgan Creek): $4.5 million.

    9. “What’s Your Number?” (Fox/New Regency): $3.1 million.

    10. “Abduction” (Lionsgate): $2.9 million.

    In the specialty market, the sequel “Human Centipede 2: Full Sequence” grossed $54,000 from 18 screens. Other newcomers included “The Women on the Sixth Floor” which debuted on six screens in New York and Los Angeles and grossed $26,150; and Emilio Estevez’s “The Way” – starring his father Martin Sheen opened on 33 screens grossing $132,411.

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  • The Deep Blue Sea to close the 2011 BFI London Film Festival

    The 55th BFI London Film Festival will close on Thursday 27 October with the UK premiere of Terence Davies’ The Deep Blue Sea.

    Set in post-war Britain, this deeply moving story is an adaptation of Terence Rattigan’s classic play. Hester Collyer (Rachel Weisz) leads a privileged life in 1950s London as the beautiful wife of high court judge Sir William Collyer (Simon Russell Beale). To the shock of those around her, she walks out of her marriage to move in with young ex-RAF pilot, Freddie Page (Tom Hiddleston), with whom she has fallen passionately in love.

    Festival Artistic Director Sandra Hebron comments:

    “It’s a great pleasure to be able to close the festival with this exquisite new feature from one of our most cherished directors. Terence Davies is a filmmaker who the BFI has supported from the very beginnings of his career, and in Terence Rattigan’s centenary year, this beautifully directed and acted film is the perfect closing night film.”

    Director Terence Davies adds:

    “As a British filmmaker, to get into the BFI London Film Festival at all is bliss – to get a Closing Night film is sheer heaven! The festival is now, rightly, seen as one of the major European and World Film Festivals; championing not only British but World cinema.”

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  • Perugia International Film Festival Preview 1st and 2nd of October 2011

    On the 1st and 2nd of October, 2011, the PERUGIA INTERNATIONAL FILM FESTIVAL (PIFF) held a Festival Preview in advance of its spring 2012 launch in Perugia, Italy. The Festival Preview presented three film programs over two days, free to the public, and a gala screening.

    Guests for the Festival Preview included internationally renown documentary filmmakers D.A. Pennebaker and Chris Hegedus and acclaimed photographer and filmmaker, Bruce Weber.


    The new Perugia International Film Festival will launch its first annual Festival from March 22nd to 25th, 2012.

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  • Twin Cities Film Fest announces 2011 Awards “Like Crazy” wins Best Feature

    [caption id="attachment_1641" align="alignnone" width="550"]2011 Twin Cities Film Fest Best Feature Award. [/caption]

    The Twin Cities Film Fest (TCFF) wrapped and announced the audience and other special award-winners of the 2011 festival.

    2011 Twin Cities Film Fest Best Feature Award

    “Like Crazy,” directed by Drake Doremus

    2011 Twin Cities Film Fest North Star Award for Excellence

    Tom Sizemore (For an indelible body of work, including TCFF official selection “White Knight”)

    2011 Twin Cities Film Fest Shorts Film Award

    “14 Minutes,” directed by Elise Plakke

    2011 Twin Cities Film Fest Audience Best Documentary Award

    “Signing On: Stories of Deaf Breast Cancer Survivors, Their Families and the Deaf Community,” directed by Barbara Allen

    2011 Twin Cities Film Fest Audience Best Minnesota Feature Award

    “Lambent Fuse,” directed by Matt Cici

    2011 Twin Cities Film Fest Audience Best Minnesota Shorts Award

    “Sidewalk Sonata,” directed by Nicholas Clausen

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  • Alexander Payne’s THE DESCENDANTS is Closing Night Gala Selection for 2011 NY Film Festival and Main-Slate of 27 Features

    [caption id="attachment_1631" align="alignnone" width="550"]Alexander Payne’s THE DESCENDANTS[/caption]

    Alexander Payne’s THE DESCENDANTS will be the Closing Night Gala selection for the 49th New York Film Festival (September 30-October 16). NYFF also released the main slate of 27 feature films as well as a return to the festival stage of audience favorite, On Cinema (previously titled The Cinema Inside Me), featuring an in-depth, illustrated conversation with Alexander Payne.

    In his first film since the Oscar-winning SIDEWAYS, writer-director Alexander Payne once again proves himself a master of the kind of smart, sharp, deeply felt comedy that was once the hallmark of Billy Wilder and Jean Renoir. Based on the bestselling novel by Kaui Hart Hemmings, THE DESCENDANTS stars George Clooney as ‘Matt King’, the heir of a prominent Hawaiian land-owning family whose life is turned upside-down when his wife is critically injured in a boating accident. Accustomed to being “the back-up parent,” King suddenly finds himself center stage in the lives of his two young daughters (excellent newcomers Shailene Woodley and Amara Miller), while at the same time being forced to decide the fate of a vast plot of unspoiled land his family has owned since the 1860s. Rooted in Clooney’s beautifully understated performance, Payne’s film is an uncommonly perceptive portrait of marriage, family and community, suffused with humor and tragedy and wrapped in a warm human glow.

    Screening at Alice Tully Hall on Sunday, October 16, Alexander Payne’s THE DESCENDANTS marks the filmmakers 3rd visit to the New York Film Festival; previous titles presented were ABOUT SCHMIDT and SIDEWAYS. Fox Searchlight is releasing the film on November 23, 2011.

    The 49th New York Film Festival main-slate:

    Opening Night Gala Selection

    CARNAGE
    Director: Roman Polanski
    Country: France/Germany/Poland

    Centerpiece Gala Selection

    MY WEEK WITH MARILYN
    Director: Simon Curtis
    Country: UK

    Special Gala Presentations

    A DANGEROUS METHOD
    Director: David Cronenberg
    Country: UK/Canada/Germany

    THE SKIN I LIVE IN
    Director: Pedro Almodóvar
    Country: Spain

    Closing Night Gala Selection

    THE DESCENDANTS
    Director: Alexander Payne
    Country: USA

    4:44: LAST DAY ON EARTH
    Director: Abel Ferrara
    Country: USA

    THE ARTIST
    Director: Michel Hazanavicius
    Country: France

    CORPO CELESTE
    Director: Alice Rohrwacher
    Country: Italy/Switzerland/France

    FOOTNOTE
    Director: Joseph Cedar
    Country: Israel

    GEORGE HARRISON: LIVING IN THE MATERIAL WORLD
    Director: Martin Scorsese
    Country: USA

    GOODBYE FIRST LOVE
    Director: Mia Hansen-Løve
    Country: France/Germany

    THE KID WITH A BIKE
    Director: Jean-Pierre and Luc Dardenne
    Country: Belgium/France

    LE HAVRE
    Director: Aki Kaurismäki
    Country: Finland/France/Germany

    THE LONELIEST PLANET
    Director: Julia Loktev
    Country: USA/Germany

    MARTHA MARCY MAY MARLENE
    Director: Sean Durkin
    Country: USA

    MELANCHOLIA
    Director: Lars von Trier
    Country: Denmark/Sweden/France/Germany/Italy

    MISS BALA
    Director: Gerardo Naranjo
    Country: Mexico

    ONCE UPON A TIME IN ANATOLIA
    Director: Nuri Bilge Ceylan
    Country: Turkey

    PINA
    Director: Wim Wenders
    Country: Germany/France/UK

    PLAY
    Director: Ruben Östlund
    Country: Sweden/France/Denmark

    POLICEMAN
    Director: Nadav Lapid
    Country: Israel/France

    A SEPARATION
    Director: Asghar Farhadi
    Country: Iran

    SHAME
    Director: Steve McQueen
    Country: UK

    SLEEPING SICKNESS
    Director: Ulrich Köhler
    Country: Germany/France/Netherlands

    THE STUDENT
    Director: Santiago Mitre
    Country: Argentina

    THIS IS NOT A FILM
    Director: Jafar Panahi and Mojtaba Mirtahmasb
    Country: Iran

    THE TURIN HORSE
    Director: Béla Tarr and Agnes Hranitzky
    Country: Hungary/France/Germany/Switzerland/USA

     

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  • REVIEW: “Another Earth” Is Otherworldly, Low-Key Perfection

    Actress-producer-co-writer of “Another Earth” Brit Marling lights up the screen in this truly wonderful, low-key “sci-fi romance,” which she co-wrote with director Mike Cahill. The film was one of the toasts of Sundance, and is an extremely low-budget mediation on destiny and the concept of “what if there were another YOU out there?”

    Marling plays Rhoda Williams, a bright, pretty seventeen-year old about to graduate high school, happily celebrating her acceptance into MIT’s astrophysics program. Driving home tipsy from the party, she learns via radio broadcast that “another earth” has just been discovered, an exact replica of our planet called “Earth 2.” As Rhoda looks up to dreamily gaze at the wondrous new planet, her world literally collides with a famous composer (William Mapother) and his family.

    Directed by Mike Cahill, this film, shot on such a small budget they actually had to steal one of the locations outside of a jail, is pretty remarkable in its originality and absolute clarity of vision. Marling is also tough and luminous, and William Mapother has that crinkly-eyed charm reminiscent of Dermot Mulroney (whom he resembles.) What Cahill manages to do with very limited (and inexpensive) visual effects, pitch perfect control on the film’s tone, and the actor’s performances is pretty extraordinary. He is certainly a director to watch. Vimooz recommends that you check out this film, which opened June 22nd. We loved it, and so will you…!

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  • 2011 AFI-Discovery Channel Silverdocs Documentary Festival announced its opening, closing and centerpiece films

    [caption id="attachment_1393" align="alignnone" width="560"]THE SWELL SEASON[/caption]

    AFI-Discovery Channel Silverdocs Documentary Festival announced its opening, closing and centerpiece films for the Festival, taking place June 20-26, 2011 in the Washington, D.C. area.

    The Festival will open its ninth annual edition on June 20, 2011 with THE SWELL SEASON.  Directed by Nick August-Perna, Chris Dapkins and Carlo Mirabella-Davis, THE SWELL SEASON follows musical artists Glen Hansard and Markéta Irglová, who captivated audiences and earned an Academy Award for their musical collaboration in the film, ONCE.  As their fictional, on-screen romance blurred with reality, they fell in love, recorded a self-titled album called “The Swell Season” and embarked on a world tour.  Fueled by two years of exhilarating, sold out performances and psychological turmoil, the documentary is a volatile and intimate portrait of a romance that fractures in the face of life on the road and personal tragedy.

    REVENGE OF THE ELECTRIC CAR will close the Festival.  The documentary, directed by Chris Paine, explores the triumphant reemergence of the “clean car,” focusing on four dynamic entrepreneurs dedicated to creating an environmentally friendly automobile.

    The featured Centerpiece film, THE INTERRUPTERS, from acclaimed director Steve James (HOOP DREAMS), chronicles former gang members – now modern-day heroes – who risk their lives to disrupt violence and make extraordinary change in their Chicago communities.

    [source: AFI-Discovery Channel Silverdocs Documentary Festival]

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  • Poliss from 2011 Cannes Film Festival to be relased in the US

    [caption id="attachment_1375" align="alignnone" width="560"]POLISS[/caption]

    Sundance Selects announced from the 2011 Cannes Film Festival that the company will release in the U.S.,  writer-director and actress Maiwenn’s POLISS.  The film, which made its world premiere in Competition at the festival, was produced by Alain Attal and co-written by actress Emmanuelle Bercot, who also co-stars in the film. The film also stars Karin Viard, Joeystarr, Marina Fois, Nicolas Duvauchelle, Karole Rocher, Frederic Pierrot, Arnaud Henriet, Naidra Ayadi and Jeremie Elkhaim.

    The film follows a group of individuals and officers working in and around a child protection unit in Paris.

    Sundance Selects has also picked up several other titles at this week’s festival including Julia Leigh’s SLEEPING BEAUTY; writer/director Bertrand Bonello’s HOUSE OF TOLERANCE; writer/director Mia Hansen Love’s GOODBYE FIRST LOVE; and Jean-Pierre and Luc Dardenne’s THE KID WITH A BIKE. IFC Midnight, Sundance Selects’ sister division, additionally picked up Australian filmmaker Justin Kurzel’s psychological thriller SNOWTOWN ot U.S. release

    Sundance Selects is a sister division to IFC Films and IFC Midnight, and is owned and operated by Rainbow Media.

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  • Hot Docs 2011 Award Winners; Dragonslayer Wins Best International Feature

    [caption id="attachment_1317" align="alignnone" width="560"]Dragonslayer[/caption]

    ‘Dragonslayer’ won Best International Feature and ‘Family Portrait in Black and White’ won Best Canadian Feature at the 2011 Hot Docs Film Festival. Nine awards and over $72,000 in cash prizes were presented to Canadian and international filmmakers, including awards for Festival films in competition and those recognizing emerging and established filmmakers.

    2011 Hot Docs Film Festival Award Winners:

    Best Canadian Feature
    FAMILY PORTRAIT IN BLACK AND WHITE (D: Julia Ivanova; P: Boris Ivanov, Mike Jackson)
    Sponsored by the Brian Linehan Charitable Foundation and Documentary Organization of Canada, the award includes a $15,000 prize courtesy of the Brian Linehan Charitable Foundation.

    It can be dangerous to be black in post-Soviet era Ukraine, a country peopled by 99.9% blue-eyed blonds. Olga Nenya faces down age-old xenophobia as she fosters 23 abandoned children along with her own, including 16 bi-racial orphans, in a ramshackle house in a small Ukrainian town. At first their lives seem like an idyllic United Colors of Benetton ad: love and affection from Olga, swimming trips to the lake, playing with chickens, goats and cats, going to school and doing chores in the garden and house. But as the film progresses over three years, a more layered and psychologically disturbing portrait emerges. Olga plays favourites and picks on kids who contradict her, and strict Soviet-era ideas about child rearing stymie their opportunities and abilities. Fresh from its Sundance premiere, Julia Ivanova brings festival audiences a rich observational portrait of a woman who wants to save the children from an unjust world—her way.

    Special Jury Prize – Canadian Feature (tie)
    AT NIGHT, THEY DANCE (D: Isabelle Lavigne, Stéphane Thibault; P: Lucie Lambert)
    and
    THE GUANTANAMO TRAP (D: Thomas Selim Wallner; P: Thomas Kufus, Amit Breuer, Marcel Hoehn, Christoph Jorg)
    Sponsored by the Brian Linehan Charitable Foundation and Documentary Organization of Canada, the award includes a $10,000 prize courtesy of the Brian Linehan Charitable Foundation.

    The Canadian Features Jury also acknowledged the film WIEBO’S WAR (D: David York, P: David York, Nick Hector, Bryn Hughes, Bonnie Thompson; EP: David York, David Christensen) with an honourable mention.

    Best International Feature
    DRAGONSLAYER (D: Tristan Patterson; P: John Baker, EP: Christine Vachon)
    Sponsored by A&E, the award includes a $10,000 prize courtesy of Hot Docs.

    California’s suburbs, decimated by economic collapse, are a sprawl of abandoned foreclosures and deserted swimming pools. Skreech, a 23-year-old skate punk, takes full advantage of the decline, stretching out his adolescence by riding empty pools, getting wasted, camping in friends’ backyards and chilling with his girl. If Holden Caulfield had grown up broke in 21st-century Fullerton, no doubt his life would have mirrored Skreech’s. A countdown orders the chaos of our hero’s Peter Pan lifestyle, ticking down the time he has left to get high—5—drink—4—puke—3—and road trip before real-world responsibilities encroach on his idyll. Despite getting his kicks at no one else’s expense—2—society demands he be productive—1—and employed. Dragonslayer is an amazing and unconventional nostalgia trip that questions what “going nowhere” looks like, how capitalism determines our way of life and why inertia is such a powerful threat.

    Special Jury Prize – International Feature
    THE CASTLE (D: Massimo D’Anolfi, Martina Parenti; P: Massimo D’Anolfi, Martina Parenti; EP: Massimo D’Anolfi, Martina Parenti)
    Sponsored by the Ontario Media Development Corporation, the award includes a $5,000 prize courtesy of Hot Docs.

    The International Features Jury also acknowledged the films GRANDE HOTEL (D: Lotte Stoops; P: Ellen De Waele, Co-Producer Denis Vaslin, Volya Films; EP: Ellen De Waele) and HELL AND BACK AGAIN (D: Danfung Dennis; P: Mike Lerner, Martin Herring; EP: Dan Cogan, Karol Martesko Fenster, Gernot Schaffler, Thomas Brunner, Maxyne Franklin) with honourable mentions.

    Best Mid-Length Documentary
    OUR NEWSPAPER (D: Eline Flipse; P: Eline Flipse; EP: Eline Flipse)
    Sponsored by Canada Council for the Arts, the award includes a $3,000 prize courtesy of Hot Docs.

    The Short and Mid-Length Films Jury also acknowledged the film PEOPLE I COULD HAVE BEEN AND MAYBE AM (D: Boris Gerrets; P: Pieter van Huystee) with an honourable mention.

    Best Short Documentary
    FLYING ANNE (D: Catherine van Campen; P: Joost Seelen)
    The award includes a $3,000 prize courtesy of Hot Docs.

    The Short and Mid-Length Films Jury also acknowledged the film SOMETHING TO TELL YOU (D: Pete Gleeson; P: Pete Gleeson; EP: Yvette Coyne) with an honourable mention.

    HBO Documentary Films Emerging Artist Award
    Michal Marczak for the film AT THE EDGE OF RUSSIA (P: Marianna Rowinska)
    Sponsored by HBO Documentary Films.

    documentary’s Don Haig Award
    Rama Rau
    Awarded by the Don Haig Foundation, the prize includes a $20,000 cash prize generously sponsored by documentary.

    Lindalee Tracey Award
    Honouring an emerging Canadian filmmaker with a passionate point of view, a strong sense of social justice and a sense of humour, the award was presented to Alexandre Hamel.
    The award winner will receive a $6,000 cash prize and $3,000 in film stock donated by Kodak Canada.

    The Hot Docs Board of Directors acknowledged the Terence Macartney-Filgate as the recipient of the 2011 Hot Docs Outstanding Achievement Award, which was presented to the influential Canadian filmmaker at an event earlier in the day.

    The Sundance Channel People’s Choice Award and audience top ten favourite films of the 2011 Festival, determined by audience ballot, will be announced on Monday, May 9. Also announced on this day is the Filmmaker Award, determined by ballots cast by Hot Docs 2011 filmmakers.

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  • 11th Annual New York Indian Film Festival Kicks Off.. runs through Sunday, May 8

    [caption id="attachment_1296" align="alignnone" width="560"](L-R) Neetu Singh Kapoor and Rishi Kapoor on the red carpet.[/caption]

    The 11th Annual New York Indian Film Festival kicked off on Wednesday night, May 4, with the Opening Night celebration which featured the U.S. Premiere of the Delhi-set comedy “Do Dooni Chaar,” Disney’s first live-action Hindi film. The star-studded red carpet premiere, held at Manhattan’s prestigious Paris Theater, was attended by special guests Rishi Kapoor and Neetu Singh Kapoor along with writer/director Habib Faisal. Also attending the premiere were Aparna Sen, Madhur Jaffrey, Aditya Bhattacharya, Ajay Naidu, Samrat Chakrabarti, Meetu Chilana, Rehana Mirza, Pulitzer Prize winner Siddhartha Mukherjee, Sarita Choudhury, Ami Sheth, Poorna Jagannathan, and many other actors and filmmakers whose films will play at NYIFF through Closing Night on Sunday, May 8.

    Following the screening of “Do Dooni Chaar” was a discussion with Faisal and the Kapoors moderated by festival director Aseem Chhabra which reportedly had the audience laughing throughout.

    The 11th Annual New York Indian Film Festival runs from Wednesday, May 4 to Sunday, May 8 with 25 feature films including 15 World and U.S. Premieres, industry panels, photo exhibits, afterparties, and more.

    FRI May 6 | CENTERPIECE | Iti Mrinalini, directed by Aparna Sen

    SUN May 8 | CLOSING NIGHT | Nauka Dubi, directed by Rituparno Ghosh

    [caption id="attachment_1297" align="alignnone" width="560"](L-R) Rishi Kapoor, Neetu Singh Kapoor, director Habib Faisal, and NYIFF director Aseem Chhabra at the post-screening Q&A.[/caption]

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  • 2011 Tribeca Film Festival: One on One with director Eva Mulvad of The Good Life

    [caption id="attachment_1252" align="alignnone" width="373"] The Good Life (Det lette liv)[/caption]

    The Good Life premiered at the 2011 Tribeca Film Festival. Directed by Eva Mulvad, the film documents “How do you cope with being broke after having lived a life of luxury and privilege? This is the fundamental question facing spoiled Anne Mette and her mother, a once-rich family now living off a small pension and struggling to adapt to their new situation in a coastal Portuguese hamlet. A Grey Gardens for the current financial era, The Good Life is a character study at turns touching and frustrating, but ultimately poignant.

    Interview with director Eva Mulvad of “The Good Life”

     

     

    VIMOOZ: What brought you to make this documentary?
    EM: I did Enemies of Happiness (a documentary following the first Afghan woman to enter parliament), and it was very successful, and I thought I would use that space of success to create another film. I was interested in having a novel and complex charcater rather than a topic-driven or journalistic subject. I heard a radio piece about Mette and Anne Beckmann, and I was drawn into their universe– they had a unique, royal way of speaking. I contacted the woman who did the radio piece and she introduced me to them.

    VIMOOZ: Were they on board right away to make the film or did they take some persuading?
    EM: It only took five minutes to persuade them– they were on board right away. They are more open in a decadent way, rather than being protective like some wealthy people can be. They also understood that there would be not so beautiful parts in the film about them. There are difficult things that they deal with in the film, especially the daughter.

    VIMOOZ: How long did the film take to make?
    EM: Three years altogether. It was three months of shooting– visiting from Copenhagen to shoot in Portugal.

    VIMOOZ: How was this production experience different from other documentaries you’ve made?
    EM: This production was different in terms of getting into their rhythm. When you go abroad to shoot, it’s a lot of work, but with them, they don’t work, so I had to negotiate with them and deal with my own impatience. Most people in modern society are used to efficiency– work before pleasure, but for them it’s the other way around. These women challenge the mentality of work in our society, so it was a challenge.

    VIMOOZ: Did you enjoy shooting in Portugal? Was it interesting to film in the Beckmann villa (where they used to live)?
    EM: Portugal is beautiful, and the people are friendly and very educated. It was a pleasure, especially since I was coming from Afghanistan. But it was tough to be with them. It’s difficult to be with people who are stuck in a situation, and it’s hard to help them, since Portugal also has a lot of unemployment.
    Yes, we went to the villa, which is now offices, and it was very interesting to see it.

    VIMOOZ: Were you trying to make a certain statement with this film about the economic state of Europe and much of the world, or were you simply exploring these individuals?
    EM: Money and economics are interesting aspects of their story– these women reflect on a broader perspective in Europe and here in the US. We were all born into a wealthy life and society, and we took it for granted. And that’s what happened to them. You can look at the film as a simple moral of taking the present for granted, and not feeling entitled to have wealth.
    VIMOOZ: Is this your first time having a film at Tribeca? How do you feel being here?
    EM: Yes, and it’s so nice to be here– both the festival and the city. It’s all so interesting, and there are so many people to meet.

    VIMOOZ: How has the film been received in Europe?
    EM: It’s in the theatres; it’s done incredibly well, which is unusual for a documentary film. It’s a one of a kind story, people get drawn to it because of the unique characters. And people can take different things from it, which was my ambition. It can meet you on different levels: money, family, upbringing, etc.

    VIMOOZ: What other festivals has it been to/ which is it going to?
    EM: It was at the IDFA (International Documentary Film Festival) in Amsterdam, and at Copenhagen Docs. It’s going to San Francisco, Tel Aviv, London, all over.

    VIMOOZ: Any new projects?
    EM: I just finished two projects, but I’m on maternity leave, so I’ll start something new in August.

    [caption id="attachment_1253" align="alignnone" width="560"]Director Eva Mulvad[/caption]

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  • Magnolia Pictures Picks up Tribeca Film Festival Documentary ‘ Jiro Dreams of Sushi’

    Magnolia Pictures announced they have acquired North American rights to JIRO DREAMS OF SUSHI, a documentary about the life and work of master sushi chef Jiro Ono. The directorial debut of David Gelb, JIRO DREAMS OF SUSHI had its world premiere at the Berlinale, and makes its North American premiere this Thursday, April 21st, at the Tribeca Film Festival. Magnolia is planning a theatrical release for the film later this year.

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