• 39th Montreal World Film Festival Unveils World Competition and First Feature Competition Lineup

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    Our Everyday Life by Ines Tanovic (Bosnia-Hezegovine – Slovenia – Croatia) The 39th Montreal World Film Festival taking place from August 27th to September 7th 2015, announced the line-up of its World Competition as well as First Feature Competition. Members of both Juries are also public as of today. “Over the decades, the MWFF has achieved its cultural and an economic mission by offering audiences and professionals a multitude of films, of all genres and provenances,” stated Serge Losique who added “An institution recognized by cineastes the world over, this great cinematic institution has always worked hard to assure its perenniality. It has always been about bringing to Montreal screens the new and interesting films that constitute the best showcase of essential cinema culture.” This year the number of entries to the MWFF sections has overtaken those of previous years : over 2000 feature and short films (in equal proportion) have been screened by the selection committee not mentioning the other films viewed during festivals abroad. The number of countries within the selection highlights this increase as 86 countries will be represented during the 39th edition of the Festival. There are 36 World Premieres in those competitions World Competition 26 Feature films will compete for the Grand Prize of the Americas. 2 Nights Till Morning by Mikko Kuparinen (Finland-Lithuania) 84 mins A Havana Moment by Guillermo Ivàn Duenas (USA – Cuba – Mexico – Colombia) A Matter of Courage by Roberto Gervitz (Brazil – Uruguay) 90 mins Chucks by Sabine Hiebler, Gerhard Ertl (Austria) 93 mins Demimonde by Attila  Szàsz (Hungary) 88 mins Gassoh by Tatsuo Kobayashi  (Japan) 87 mins Getaway of Love by Tonino Zangardi (Italy) 90 mins Grey and Black by Luís Filipe Rocha (Portugal – Brazil) Happy 140 by Gracia Querejeta (Spain) 98 mins John Hron by Jon Pettersson (Sweden) 127 mins L’Accabadora by Enrico Pau (Italy – Ireland) 97 mins Mad Love by Philippe Ramos (France) 96 mins Memories of the Wind by Özcan Alper (Turkey – Germany – France – Georgia) 140 mins My Enemies by Stéphane Géhami (Canada) 106 mins On the Road to Berlin by Sergei Popov (Russia) 82 mins Outliving Emily by Eric Weber (USA) 88 mins Rider Jack by This Lüscher (Switzerland) 90 mins Secret by Selim Evci (Turkey) 102 mins Seven Days by Xing Jian (China) 73 mins Summer Solstice by Michal Rogalski (Poland – Germany) 95 mins Taboo by Khosro Masoumi (Iran) 108 mins The Invisible Artery by Pere Vilà Barcelo (Spain) 119 mins The Midnight Orchestra by Jérôme Cohen Olivar (Morocco) 114 mins The Petrov File by Georgi Balabanov (Bulgaria – Germany) 90 mins The Soul of a Spy by Vladimir Bortko (Russia) 110 mins The Visitor by Mehmet Erylimaz (Turkey) 127 mins First Feature Competition Beijing Carmen by Wang Fan (China) 95 mins Closer by Mostafa Ahmadi (Iran) 90 mins Crushed by Megan Riakos (Australia) 111 mins Das Deckelbad by Kuno Bont (Switzerland) 97 mins Dear Deer by Takeo Kikuchi (Japan) 107 mins Fire Birds by Amir Wolf (Israel) 105 mins Kagurame by Yassuo Okuaki (Japan) 112 mins Legacy by Nemanja  Cipranic (Serbia – Montenegro) 90 mins Live by Vlad Paunescu (Romania) 107 mins Lost and found by Show Yanagisawa (Japan) 111 mins Maresia by Marcos Guttmann (Brazil) 90 mins Neboke by Norihito Iki (Japan) 115 mins Our Everyday Life by Ines Tanovic (Bosnia-Hezegovine – Slovenia – Croatia) (pictured above) Rainbow Without Colours by Tuyen Quang Nguyen (Vietnam) 93 mins Rosa Chumbe by Jonatan Relayze Chiang (Peru) 75 mins Orage by Fabrice Camoin (France) 80 mins Stubborn Boy by Moritz Kramer (Germany) 82 mins The Funeral by Qi Wang (China) 115 mins The Plastic Cardboard Sonata by Enrico Falcone, Piero Persello (Italy) 80 mins The Sum of Histories by Lukas Bossuyt (Belgium – Netherlands) 85 mins The Thin Yellow Line by Celso Garcia (Mexique) 95 mins Three Days in September by Darijan Pejovski (Macedonia – Kosovo) 90 mins Under Heaven by Dalmira Tilepbergen (Khirgizistan) 88 mins Vals by Anita Lakenberger (Austria) 120 mins

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  • 7 Music Films on Sound Vision Program for 7th Milwaukee Film Festival incl. Ethan Hawke’s “Seymour: An Introduction”

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    Seymour: An Introduction  (USA / 2014 / Director: Ethan Hawke)

    The 7th Milwaukee Film Festival, announced the lineup for its music film program, Sound Vision. Now in its fourth year, Sound Vision features eight wide-ranging, music-driven films.

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  • Harlan County, USA Among Classic Films on 2015 TIFF Cinematheque Program

    Harlan County, USA  Barbara Kopple The Toronto International Film Festival announces the lineup for its 2015 TIFF Cinematheque program, featuring both 35mm prints as well as new digital restorations of classic films from around the world including Marcel Ophüls’ The Memory of Justice, Luchino Visconti’s Rocco and His Brothers and Kelly Reichardt’s River of Grass. “We believe that cinema has a rich heritage that must be protected, celebrated and preserved for current and future generations. This year’s TIFF Cinematheque lineup highlights our commitment to both preservation and restoration,” said TIFF programmer Brad Deane. “We’re thrilled to present some of the best new digital restorations along with some beautiful new 35mm prints, embracing both the future of the medium as well as the past.” A new digital restoration of Julian Roffman’s The Mask (Eyes of Hell), the first feature-length Canadian horror film and first 3-D film made in Canada, makes its world premiere at the Festival. The digital restoration of The Mask (Eyes of Hell) was commissioned by TIFF using elements from the best remaining 35mm prints. One of Canadian cinema’s long buried treasures, The Mask (Eyes of Hell) creates an atmosphere of pervasive dread with its use of inventive visuals and prominent Toronto landmarks. Other works include Harlan County, USA — the debut documentaries from Barbara Kopple which also screened at the very first Toronto International Film Festival in 1976 — and Frederick Wiseman’s searing Titicut Follies, which returns to the big screen with a newly restored 35mm print. Both Wiseman and Kopple have their latest films in the 2015 TIFF Docs program. Also screening is another TIFF-commissioned 35mm print of Jacques Rozier’s Adieu Philippine, an oft-overlooked French New Wave gem; and a digital restoration of The Round-Up (Szegénylegények), a landmark of post-war cinema from Hungarian master Miklós Jancsó. The lineup features selections by the TIFF Cinematheque programming team led by Brad Deane, Senior Manager of Film Programmes, and including James Quandt, Thom Powers and Jesse Wente. TIFF Cinematheque is now in its 25th year. As part of TIFF’s ongoing commitment to accessible film education, tickets to all TIFF Cinematheque screenings during the Festival are free and will be distributed at the Steve & Rashmi Gupta Box Office at TIFF Bell Lightbox on a first-come, first-served basis two hours before each film screening. Films screening as part of the TIFF Cinematheque program include: Adieu Philippine Jacques Rozier, France/Italy Set under the looming shadow of the Algerian war, Adieu Philippine follows a young television cameraman who meets and attempts to seduce two beautiful, inseparable young women. The trio’s frolicking fun takes them from the streets of Paris to a Corsican holiday tinged with melancholy. Harlan County, USA Barbara Kopple, USA (pictured above) Harlan County, USA chronicles a fiercely contested labour battle in Kentucky during the early 1970s. The strike began when the miners working for the Eastover Mining Co. joined the UMW, and its corporate parent, Duke Power, refused to sign the standard union contract. By living with the 180-odd families involved in the strike, Kopple shows the backbreaking burdens of the miners’ life in the best of times and the looming fear of destitution in the worst. While the film is unabashedly partisan, it’s worth remembering that the company’s refusal to sign a contract was condemned by the National Labor Relations Board and that the corporation agreed to sign only under heavy pressure from federal mediators. The Mask (Eyes of Hell) Julian Roffman, Canada Newly restored by TIFF and the 3-D Film Archive, director Julian Roffman’s deliciously creepy tale about a haunted tribal mask was the first feature-length horror movie and first feature-length 3-D film produced in Canada. Using elements from the best remaining 35mm prints, TIFF and the 3-D Film Archive have digitally restored the film’s original cut in both anaglyph and polarized 2K 3D. The Mask was restored with the support of TIFF’s donors and members, who contributed to a crowd-sourced fundraising campaign to launch the project. The Memory of Justice Marcel Ophüls, United Kingdom/USA/Germany This epic documentary by Marcel Ophüls (The Sorrow and the Pity) meditates on Western society’s concepts of justice through comparisons of war crimes in Vietnam, Algeria, and Nazi Germany. Restoration by the Academy Film Archive in association with Paramount Pictures and The Film Foundation. Restoration funding provided by The Material World Charitable Foundation, Righteous Persons Foundation, and The Film Foundation. River of Grass Kelly Reichardt, USA Shot on 16mm, the story follows the misadventures of disaffected housewife Cozy, played by Lisa Bowman, and the aimless layabout Lee, played by indie legend Larry Fessenden, who also acted as a producer and the film’s editor. Described by Reichardt as “a road movie without the road, a love story without the love, and a crime story without the crime,” River of Grass introduces viewers to a director already in command of her craft and defining her signature themes. Preserved by UCLA Film & Television Archive in conjunction with Oscilloscope Laboratories and Sundance Institute. Preservation Funding provided by Oscilloscope Laboratories, Sundance Institute, TIFF, and a number of very generous Kickstarter backers. Rocco and His Brothers (Rocco e i Suoi Fratelli) Luchino Visconti, Italy Luchino Visconti’s magisterial family saga — about an impoverished Sicilian clan who arrive in Milan in search of a better life — returns in this glorious new restoration, featuring two previously censored scenes. Restored by Cineteca di Bologna at L’Immagine Ritrovata laboratory in association with Titanus, TF1 Droits Audiovisuels and The Film Foundation. Restoration funding provided by Gucci and The Film Foundation. The Round-Up (Szegénylegények ) Miklós Jancsó, Hungary The first of Hungarian master Miklós Jancsó’s historical epics is set in an isolated concentration camp in the 1860s, where imperial authorities use brutal methods to discover the nationalist rebels hiding within the ragtag group of prisoners. A presentation of the Hungarian National Film Fund and the Hungarian National Digital Film Archive and Film Institute (MaNDA). Restoration 2K image and sound by the Hungarian Filmlab from 35mm negative. Titicut Follies Frederick Wiseman, USA Titicut Follies is a stark and graphic portrayal of the conditions that existed at the State Prison for the Criminally Insane at Bridgewater, Massachusetts. The film documents the various ways the inmates are treated by the guards, social workers and psychiatrists. Preserved by Library of Congress National Audio Visual Conservation Center. The 40th Toronto International Film Festival runs from September 10 to 20, 2015.

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  • 2015 Toronto International Film Festival Reveals Vanguard Film Program Lineup

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    Men & Chicken (Mænd og Høns)  Anders Thomas Jensen The 2015 Toronto International Film Festival revealed today its Vanguard program featuring new work from 14 daring filmmakers who are transcending the boundaries of creative vision where art house and genre films will spectacularly collide. “Delving into the dark side of humanity and dangerously sexy, this year’s Vanguard lineup has something unique for everyone,” says International Programmer Colin Geddes. “We’re leading audiences into a wild world of emotional sensations, demons and strange sea creatures — delivered with Vanguard’s distinctive twist on storytelling.” The 2015 selection includes a mysterious fantasy from French director Lucile Hadžihalilović; an eccentric comedy from Spanish cult favourite Álex de la Iglesia; an erotic 3D epic from Gaspar Noé; a twisted family tale from Danish filmmaker Anders Thomas Jensen and South Korea’s Ryoo Seung-wan busts out with action and thrills. Films screening as part of the Vanguard programme include: Collective Invention (Dolyeon Byeoni) Kwon Oh-kwang, South Korea World Premiere Young and unemployed Gu is desperate to make some money and participates in a clinical trial for a pharmaceutical company’s new drug. As an unknown side effect, he slowly transforms into a fish. This bizarre situation becomes Korea’s hottest news and fish man Gu is catapulted into the spotlight and becomes a superstar, only to fall from grace just as quickly. Demon Marcin Wrona, Poland/Israel World Premiere Peter is a stranger in the hometown of his future wife Janet. As a wedding gift from the bride’s grandfather, he receives a piece of land where the two can build a house and raise a happy family. While preparing the land for construction, Peter finds hidden bones of human bodies in the ground beneath his new property. Then very strange things begin to happen. Der Nachtmahr AKIZ, Germany North American Premiere When 17-year -old Tina passes out at a party, she assumes it was just the side-effect of her wild lifestyle on the decadent Berlin-party scene. Soon she becomes unsettled and nervously manic as a mysterious ugly creature starts to haunt her, in both her dreams and waking hours, and nobody believes her. Evolution Lucile Hadžihalilović, France World Premiere A 10-year-old boy discovers a dead body in the sea just before he is brought to the hospital for a mysterious injection. Before long, something appears to be growing inside of him. February Osgood Perkins, USA/Canada World Premiere In February, beautiful and haunted Joan makes a bloody and determined pilgrimage across a frozen landscape toward a prestigious all girls prep school, where Rose and Kat find themselves stranded after their parents mysteriously fail to retrieve them for winter break. As Joan gets closer, terrifying visions begin plaguing Kat while Rose watches in horror as she becomes possessed by an unseen evil force. Lace Crater Harrison Atkins, USA World Premiere On a weekend trip to the Hamptons with friends, Ruth (Lindsay Burdge) encounters a mysterious ghost (Peter Vack) haunting the guest house. One thing leads to another and they find themselves in the throes of an unexpected one-night stand. Soon, Ruth begins suffering from a bizarre sexually-transmitted disease that leaves doctors and friends confused and frightened. As her body and social connections begin to disintegrate, she must find a way to reconcile her condition with the world around her, or risk losing herself to a void from which she may never emerge. Love Gaspar Noé, France North American Premiere January 1, early morning. The telephone rings. Murphy wakes up next to his young wife and two-year-old child. He listens to his voicemail: Electra’s mother, sick with worry, wants to know whether he has heard from her daughter. Electra’s been missing for a long time. She’s afraid something really bad has happened to her. Over the course of a long rainy day, Murphy finds himself alone in his apartment, reminiscing about the greatest love affair of his life: his two years with Electra. A burning passion full of promises, games, excess and mistakes. Men & Chicken (Mænd og Høns) Anders Thomas Jensen, Denmark North American Premiere (pictured above) Men & Chicken revolves around two special-natured brothers, Elias and Gabriel (Mads Mikkelsen and David Dencik). Upon their father’s passing, they find out through their father’s will that they are adopted. Elias and Gabriel decide to seek out their natural father and set out for the island Ork, where their biological father lives. Here they discover a most paralyzing, yet liberating truth about themselves and their family. My Big Night (Mi Gran Noche) Álex de la Iglesia, Spain World Premiere The story unfolds amidst a frenzied and lavish New Year’s Eve television special, taped during a sweltering hot August in Madrid. An unemployed Jose is sent to join hundreds of extras cooped up on set, day and night, as they hysterically celebrate the fake coming of the New Year — over and over again. The star of the show, Alphonso, is a charismatic ratings-chasing diva; and Adán, a young Latino singer, is being hounded by fans that are trying to blackmail him. The Missing Girl A.D. Calvo, USA World Premiere The Missing Girl tells the story of Mort, the lonely and disillusioned owner of a comic book shop, and Ellen, the emotionally disruptive, aspiring graphic novelist he’s hired. The story involves the search for a girl who isn’t missing and the discovery that it’s never too late for late bloomers. Veteran Ryoo Seung-wan, South Korea North American Premiere A tough cop targets the tyrannical heir to a mega-corporation in this hard-hitting thriller from South Korean cult auteur Ryoo Seung-wan (Crying Fist, City of Violence). Previously announced Canadian titles in the Vanguard programme include André Turpin’s Endorphine, Bruce McDonald’s Hellions, and Mark Sawers’ No Men Beyond This Point. The 40th Toronto International Film Festival runs September 10 to 20, 2015.

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  • Action, Horror, Shock and Fantasy Films on Midnight Madness Lineup for 2015 Toronto Film Festival

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    Green Room, Jeremy Saulnier, Midnight Madness returns to the 2015 Toronto International Film Festival to satiate late night audiences’ appetites for wild sensory stimulation. The program will present the best in action, horror, shock and fantasy films from the rabble-rousers of cinema, opening with Jeremy Saulnier’s tense siege shocker Green Room. “Midnight Madness winds up Festival audiences as the days are winding down and they are hungry for more,” says Colin Geddes, International Programmer for the Festival. “From adrenaline-filled action and untamed horror to twisted comedy and darkly blurred lines of reality, this year’s lineup welcomes back celebrated masters and fresh visionaries of renegade genre cinema.” Among this year’s returning Midnight Madness directors are Joe Begos and Sean Byrne, who both debuted in the program and are back with their much anticipated follow-up features, and Japanese bad boy auteur Takashi Miike with his high-octane Yakuza Apocalypse. Closing out the selection is the raucously reverent homage to classic slasher movies The Final Girls. Films screening as part of the Midnight Madness program include: Baskin Can Evrenol, Turkey World Premiere A squad of unsuspecting cops goes through a trapdoor to Hell when they stumble upon a Black Mass in an abandoned building. The nightmarish feature debut Baskin is the first-ever Midnight Madness film from Turkey. The Devil’s Candy Sean Byrne, USA World Premiere The director of the 2009 Midnight Madness People’s Choice Award winner The Loved Ones is back with an equally fresh twist on the supernatural genre. A struggling artist (Ethan Embry) and his family buy the house of their dreams only to discover the property’s mysterious dark past and a former tenant who wants more than to simply come back home. From the producers of Midnight Madness hits You’re Next and The Guest. Midnight Madness Closing Night Film. The Final Girls Todd Strauss-Schulson, USA International Premiere Max (American Horror Story’s Taissa Farmiga) is a high school senior whose mom (Malin Akerman) was a celebrated ’80s scream queen. At a screening, Max and her friends are mysteriously transported inside her mom’s most infamous movie, where they must fend off the camp counselors’ raging hormones, battle a deranged machete-wielding killer and find a way to escape the movie and get back home. The Girl in the Photographs Nick Simon, USA World Premiere Big-city glamour clashes with small-town values and a killer’s knife, in this bloody cocktail of terror from director Nick Simon and executive producer Wes Craven. Colleen’s life in the sleepy town of Spearfish is disrupted when she starts receiving photographs of brutally murdered women. Things get even crazier for Colleen when L.A. based celeb-photographer Peter Hemmings (Kal Penn) returns to his hometown of Spearfish to investigate. Midnight Madness Opening Night Film. Green Room (pictured above) Jeremy Saulnier, USA North American Premiere Broke, tired and at each other’s throats after a cancelled gig, a young punk rock band accepts a sketchy matinee show to get themselves home. When they stumble upon something they weren’t supposed to witness, the quartet is trapped in a terrifying siege. Directed by Jeremy Saulnier (of 2013 Cannes Film Festival FIPRESCI Prize winner Blue Ruin), the film stars Anton Yelchin, Imogen Poots, Alia Shawkat, and Patrick Stewart. Green Room is preceded by the previously announced short film The Chickening from directors Nick DenBoer and Davy Force. Hardcore Ilya Naishuller, Russia/USA World Premiere Resurrected with no recollection of his past, a cyborg named Henry (the audience’s POV) and his ally, Jimmy (Sharlto Copley, District 9) must fight through the streets of Moscow in pursuit of Henry’s kidnapped wife in the world’s first action-adventure film to be entirely shot from the first person perspective. The Mind’s Eye Joe Begos, USA World Premiere Joe Begos returns with a psychokinetic thriller about Zack Connors (Graham Skipper), whose abilities have kept him off the grid for years until he’s recruited by the mysterious Dr. Slovak. The snowy New England landscape turns into a whirlwind of psychic rage, flying axes, and brutal revenge as Zack does everything in his power to stop Dr. Slovak’s deadly descent into synthetically engineered telekinetic madness. Southbound Roxanne Benjamin, David Bruckner, Patrick Horvath and Radio Silence, USA World Premiere Five intertwining tales of terror unfold along an endless desert highway. On a desolate stretch of road, weary travelers — two men on the run from their past, a band on their way to the next gig, a man struggling to get home, a brother in search of his long-lost sister and a family on vacation — are forced to confront their worst fears and darkest secrets in these interwoven tales of terror and remorse on the open road. SPL 2 – A Time For Consequences Soi Cheang, Hong Kong International Premiere The anticipated follow-up to the bone-cracking martial arts brawler SPL (also known as Sha Po Lung and Kill Zone) that debuted in the program in 2005 stars Midnight Madness discovery Tony Jaa (Ong Bak). When an undercover cop (Wu Jing) has his cover blown and is thrown into a prison in Thailand run by a crime syndicate, he must team up with a prison guard (Jaa) to bust out and get revenge on those who wronged him. Filled with gun battles, prison riots and frenetic fight choreography, SPL 2 might knock the wind out of you — and possibly a few teeth. Yakuza Apocalypse (Gokudo Daisenso) Takashi Miike, Japan North American Premiere Japanese cinematic extremist Takashi Miike returns to his gonzo roots with this mind-melter that finds room for vampires, gangsters, monsters, martial arts and even a yakuza knitting circle. A true master and MVP of the program, Miike wowed previous Midnight Madness audiences with such hits as Fudoh: The New Generation, Audition, The City of Lost Souls, Ichi the Killer, Zebraman, The Great Yokai War and Sukiyaki Western Django. He returns with a film too wild to be described and too fun to be missed! The 40th Toronto International Film Festival runs September 10 to 20, 2015.

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  • Wim Wenders, Jafar Panahi Among 2015 Toronto International Film Festival Masters of Cinema Lineup

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    Our Little Sister (Umimachi Diary)  Hirokazu Kore-eda The 2015 Toronto International Film Festival today announced the selections for the 2015 Masters program. This year’s lineup features the latest bold, exciting and moving works from masters of contemporary cinema, including Apichatpong Weerasethakul, Wim Wenders, Jafar Panahi, Philippe Garrel, Hirokazu Kore-eda, Hong Sang-soo, Hou Hsiao-hsien and Patricio Guzmán. Films screening as part of the Masters program include: 11 Minutes (11 Minut) Jerzy Skolimowski, Poland/Ireland North American Premiere A jealous husband out of control, his sexy actress wife, a sleazy Hollywood director, a reckless drug messenger, a disoriented young woman, an ex-con hot dog vendor, a troubled student on a mysterious mission, a high-rise window cleaner on an illicit break, an elderly sketch artist, a hectic paramedics team and a group of hungry nuns: a cross-section of contemporary urbanites whose lives and loves intertwine. They live in an unsure world where anything could happen at any time. An unexpected chain of events can seal many fates in a mere 11 minutes. The Assassin (Nie Yinniang) Hou Hsiao-hsien, Taiwan North American Premiere Ninth century China. A general’s ten-year-old daughter Nie Yinniang is abducted by a nun who transforms her into an exceptional assassin. Years later, she is sent back to the land of her birth with orders to kill the man to whom she was promised. Nie Yinniang must now choose between the man she loves and the sacred way of the righteous assassins. Bleak Street (La calle de la amargura) Arturo Ripstein, Mexico/Spain North American Premiere Mexican maestro Arturo Ripstein (Deep Crimson) directs this true-crime story about the bizarre 2009 murders of midget-wrestling brothers Alberto and Alejandro Jiménez. Starring Patricia Reyes Spíndola, Nora Velázquez and Sylvia Pasquel. Blood Of My Blood (Sangue Del Mil Sangue) Marco Bellocchio, Italy International Premiere Italian master Marco Bellocchio (Fists in the Pocket, Vincere) returns with this haunting, enigmatic tale that takes us from the 17th century to the present day as it traces the dark history of a cursed monastery. Cemetery of Splendor (Rak Ti Khon Kaen) Apichatpong Weerasethakul North American Premiere Thailand/United Kingdom/France/Germany/Malaysia A young medium and a middle-aged hospital volunteer investigate a case of mass sleeping sickness that may have supernatural roots in the gorgeous, mysterious, and gently humorous new film from Palme d’Or winner Apichatpong Weerasethakul (Uncle Boonmee Who Can Recall His Past Lives). Every Thing Will Be Fine Wim Wenders, Germany/Canada/France/Sweden/Norway North American Premiere A winter evening. A car on a country road. It’s snowing, visibility is poor. Out of nowhere, a sled comes sliding down a hill. The car comes to a grinding halt. The driver is Tomas, a writer. He cannot be blamed for the tragic accident. It’s also not young Christopher’s fault, who should have taken better care of his brother. Tomas falls into a depression. The film follows Tomas and his efforts to give meaning to his life again. Starring James Franco, Charlotte Gainsbourg and Rachel McAdams. Francofonia Alexander Sokurov, Germany/France/Netherlands North American Premiere Master filmmaker Alexander Sokurov (Russian Ark) transforms a portrait of the Louvre museum into a magisterial, centuries-spanning reflection on the relation between art, culture and power. In the Shadow of Women Philippe Garrel, France North American Premiere A Parisian documentary filmmaker becomes embroiled in a romantic triangle in this luminous love story from the great director Philippe Garrel (Frontier of Dawn, Regular Lovers). Jafar Panahi’s Taxi Jafar Panahi, Iran Canadian Premiere Internationally acclaimed director Jafar Panahi (This is Not a Film) drives a yellow cab through the vibrant streets of Tehran, picking up a diverse (and yet representative) group of passengers in a single day. Each man, woman, and child candidly expresses his or her own view of the world, while being interviewed by the curious and gracious driver/director. His camera, placed on the dashboard of his mobile film studio, captures a spirited slice of Iranian society while also brilliantly redefining the borders of comedy, drama and cinema. Our Little Sister (Umimachi Diary) Hirokazu Kore-eda, Japan North American Premiere Three sisters — Sachi, Yoshino and Chika — live together in a large house in the city of Kamakura. When their father — absent from the family home for the last 15 years — dies, they travel to the countryside for his funeral, and meet their shy teenage half-sister. Bonding quickly with the orphaned Suzu, they invite her to live with them. Suzu eagerly agrees, and a new life of joyful discovery begins for the four siblings. Starring Haruka Ayase, Masami Nagasawa, Kaho and Suzu Hirose. The Pearl Button (El Botón de Nácar) Patricio Guzmán, Chile/France/Spain North American Premiere The great Chilean filmmaker Patricio Guzmán (The Battle of Chile, Nostalgia for the Light) chronicles the history of the indigenous peoples of Chilean Patagonia, whose decimation by colonial conquest prefigured the brutality of the Pinochet regime. Rabin, The Last Day Amos Gitaï, Israel/France North American Premiere Lauded director Amos Gitaï (Kippur) delves into the prelude and aftermath of the 1995 assassination of Israeli Prime Minister Yitzhak Rabin in this gripping docudrama. Right Now, Wrong Then Hong Sang-soo, South Korea North American Premiere The delightful new film from Festival favorite Hong Sang-soo (In Another Country) presents two variations on a potentially fateful romantic encounter between a filmmaker and a painter, tracing each to its own very distinct outcome. The 40th Toronto International Film Festival runs from September 10 to 20, 2015.

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  • Yo-Yo Ma, Janis Joplin and Ukraine Among Toronto International Film Festival 2015 Documentary Program

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    Sharon Jones The Toronto International Film Festival 2015 documentary program presents a diverse mix of international works featuring a wide array of award-winning directors. The TIFF Docs line-up includes revelatory looks at celebrated performers like Yo-Yo Ma, Arcade Fire and Sharon Jones; fresh global perspectives on Ukraine, Haiti, China, and the Middle East; films about film; and loving attention to horses and dogs. “Emotions run high in this year’s documentaries from passionate performers to angry protestors,” said TIFF Docs programmer Thom Powers. “These films truly command the big screen with their artistry across many forms of documentary — observational, essayistic, historical and investigative.” Several films focus on music: Miss Sharon Jones! follows R&B queen Sharon Jones during her battle with cancer; The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble profiles the legendary cellist and his international musical collective; Amazing Grace captures the recording of Aretha Franklin’s best-selling album of the same name; The Reflektor Tapes provides insight into the making of the Arcade Fire international #1 album Reflektor and Janis: Little Girl Blue delves into the life of late rock legend Janis Joplin. The worlds of art, dance, and performance are explored in films such as Bolshoi Babylon which looks at upheavals in Russia’s world-famous company; Our Last Tango chronicles the stormy career of Argentine tango legends Juan Carlos Copes and María Nieves; Horizon is a portrait of influential Icelandic landscape painter Georg Gudni; and Thru You Princess documents the composer Kutiman creating a viral sensation on YouTube. The lineup includes a trio of films in which animals feature, including Heart of a Dog, a personal essay film by Laurie Anderson that explores themes of love, death, and language; Being AP, a portrait of legendary British horse-racing jockey AP McCoy; and Dark Horse, about a small town group of friends who take on the elite ‘sport of kings’ and breed themselves a racehorse. Global current events make hot topics in several films. In P.S. Jerusalem, filmmaker Danae Elon confronts the tensions of living in Jerusalem after the death of her father, the writer Amos Elon. A Journey of a Thousand Miles: Peacekeepers, focuses on three Muslim women who join a UN peacekeeping mission in Haiti. Winter on Fire: Ukraine’s Fight for Freedom takes a closer look at the Ukrainian Revolution and the ousting of President Viktor Yanukovych. Je Suis Charlie offers an account of the brutal attacks on the French satirical magazine Charlie Hebdo, while He Named Me Malala profiles Malala Yousafzai, the Pakistani teenager who survived a Taliban assassination attempt to become an outspoken, globally recognized advocate for girls’ rights. The program’s global outlook can also be seen in Sherpa, exploring the uneasy relationship on Mount Everest between foreign expeditions and their local guides; Nasser, providing an in-depth history of Egypt’s pivotal and controversial leader Gamal Abdel Nasser; A Young Patriot, examining modern China through the eyes of a nationalistic university student; In Jackson Heights, offering a closer look at the diverse immigrant neighborhood of Jackson Heights in Queens, New York; and Return of the Atom, taking a closer look at the remote ‘nuclear town’ in Finland. Four films intersect with the art and legacy of filmmaking. Hitchcock/Truffaut examines the importance of the epochal book that transcribed the 1962 interview between Alfred Hitchcock and François Truffaut. A Flickering Truth follows a group of dedicated Afghan cinephiles who are literally excavating their country’s cinematic past. Women He’s Undressed pays tribute to legendary Hollywood costume designer Orry-Kelly. It All Started At The End recounts the history of El Grupo de Cali, the prolific bohemian artistic collective that revolutionized Colombian film and literature in the 1970s and ’80s. Films screening as part of the TIFF Docs programme include: Amazing Grace Sydney Pollack, USA International Premiere Sydney Pollack’s film of Aretha Franklin’s ‘Amazing Grace.’ Filmed during church services in Los Angeles on January 13 and 14, 1972, the footage was never seen until now. Featuring Reverend James Cleveland, the Southern California Community Choir and the Atlantic Records rhythm section. A Flickering Truth Pietra Brettkelly, New Zealand/Afghanistan North American Premiere As Afghanistan teeters on an unpredictable future, A Flickering Truth uncovers the world of three dreamers and cinephiles, the dust of 100 years of war and the restoration of 8,000 hours of film archive that they risked their lives to conceal. What surprises will emerge from the cloak of time? A Journey of a Thousand Miles: Peacekeepers Geeta Gandbhir and Sharmeen Obaid-Chinoy, USA/Pakistan World Premiere A unit of Bangladeshi female police officers leave their families to join a United Nations peacekeeping mission in Haiti and challenge stereotypes about the capabilities of Muslim women. The film focuses on three of the women as they grapple with the harsh realities of becoming foot soldiers in a UN Peacekeeping Mission, and the pressures on their families left behind. A Young Patriot (Shao Nian * Xiao Zhao) Du Haibin, China/USA/France Canadian Premiere This intimate documentary chronicles five years in the life of a young Chinese student, whose fervent idealism and dedication to Mao’s legacy stands in stark contrast to contemporary China’s turn towards state capitalism. Being AP Anthony Wonke, United Kingdom/Ireland World Premiere Being AP is an intimate documentary portrait of AP McCoy – the greatest jump jockey of all time. As he passes his 40th birthday, an age beyond which most jockeys are unable to continue, AP contemplates his obsession with winning, the years of sacrifice that he has endured to become a champion, the chase for a 20th successive title, and then a future without racing. Bolshoi Babylon Nick Read, United Kingdom World Premiere For the first time, Russia’s Bolshoi Theatre allows filmmakers full and uncensored access backstage. After a brutal acid attack on the ballet company’s director Sergei Filin in January 2013, Bolshoi Babylon follows the dancers and managers through a new season as they try to regain their status as the world’s leading dance company. Dark Horse Louise Osmond, United Kingdom Canadian Premiere Set in a former mining village in Wales, Dark Horse is the inspirational true story of Jan Vokes and her group of local friends who decide to take on the elite ‘sport of kings’ and breed themselves a racehorse. Raised on a slagheap allotment, their foal becomes a source of inspiration and hope. Dark Horse Davis Guggenheim, USA International Premiere Acclaimed documentary filmmaker Davis Guggenheim shows us how Malala Yousafzai, who was targeted by the Taliban and severely wounded by a gunshot when returning home on her school bus, remains committed to fighting for education for all girls worldwide. Providing an inside glimpse into her extraordinary life — from her close relationship with her father who inspired her love for education, to her impassioned speeches at the UN, to her everyday life at home. Heart of a Dog Laurie Anderson, USA Canadian Premiere Heart of a Dog is a personal essay film that explores themes of love, death, and language. The director’s voice is a constant presence as stories of her dog Lolabelle, her mother, childhood fantasies and political, and philosophical theories unfurl in a seamless song-like stream. Hitchcock/Truffaut Kent Jones, USA/France Canadian Premiere In 1962, two of the greatest minds in cinema sat down for an intimate and expansive conversation. Based on the original recordings of this meeting — used to produce the influential book Hitchcock/Truffaut — this film illustrates the greatest cinema lesson of all time and plummets us into the world of the creator of Psycho, The Birds, and Vertigo. David Fincher, Richard Linklater, Martin Scorsese and other legendary filmmakers add to the discussion of Hitchcock’s enduring legacy and influence on cinema. Horizon Bergur Bernburg and Fridrik Thor Fridriksson, Iceland/Denmark World Premiere A documentary about the late Icelandic painter Georg Gudni Hauksson, whose innovative interpretations of forms and ideas paved the way for a renaissance in Icelandic landscape painting. In Jackson Heights Frederick Wiseman, USA North American Premiere Frederick Wiseman’s latest documentary is about the diverse neighborhood of Jackson Heights in Queens, New York where 167 languages are spoken among immigrants from every continent, and half the population is foreign-born. The community is an example of America as a ‘melting pot’ settled and made strong by people committed to making their neighborhood work despite cultural and religious differences. It All Started At The End (Todo comenzó por el fin) Luis Ospina, Colombia World Premiere Filmmaker Luis Ospina recounts the history of El Grupo de Cali, the prolific bohemian artistic collective that revolutionized Colombian film and literature in the 1970s and ’80s. Janis: Little Girl Blue Amy Berg, USA North American Premiere Academy Award-nominated director Amy Berg reveals the raw, sensitive and powerful woman behind the legend in Janis: Little Girl Blue; the quintessential story of the short, turbulent, epic existence that changed music forever. Chan Marshall (aka Cat Power) lends her raspy Southern voice to the film, reading Janis Joplin’s achingly intimate letters. Je Suis Charlie Emmanuel Leconte and Daniel Leconte, France World Premiere On January 7, 2015, French satirical weekly Charlie Hebdo was the victim of a terrorist attack that killed 12 people, including some of the greatest French cartoonists such as Cabu, Wolinski, Charb, Tignous and Honoré. The following day a policewoman was shot dead in the street. On January 9, another attack targeted the Jewish community. Four hostages were murdered. This film pays tribute to all these victims. Miss Sharon Jones! (pictured main image) Barbara Kopple, USA World Premiere Two-time Academy Award-winner Barbara Kopple follows R&B queen Sharon Jones over the course of an eventful year, as she battles a cancer diagnosis and struggles to hold her band the Dap-Kings together. Additionally, TIFF Cinematheque will showcase Kopple’s film Harlan County, USA which played at the first Festival in 1976. The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble Morgan Neville, USA World Premiere This film tells the extraordinary story of the Silk Road Ensemble, an international musical collective created by legendary cellist Yo-Yo Ma. The film follows this group of diverse instrumentalists, vocalists, composers, arrangers, visual artists, and storytellers as they explore the power of music to preserve tradition, shape cultural evolution, and inspire hope. Nasser Jihan El-Tahri, France/South Africa International Premiere Filmmaker Jihan El-Tahri explores the history of Gamal Abdel Nasser, the revolutionary army officer whose decade-long reign as president of Egypt saw him defy the West during the 1956 Suez Crisis, co-found the international Non-Aligned Movement, and suffer a dramatic defeat to Israel in the Six-Day War. Our Last Tango (Un tango más) German Kral, Germany/Argentina World Premiere Argentina’s María Nieves and Juan Carlos Copes are the best-known couple in tango’s history and shaped the dance like no others. They danced passionately, loved and hated each other for almost 50 years, until one day they separated, and left a gap in the tango scene. Now, almost at the end of their lives, they tell their story for the first time. Executive produced by Wim Wenders. P.S. Jerusalem Danae Elon, Canada/Israel World Premiere Danae Elon grew up in Jerusalem. After many years of living abroad, she moves back with her three young sons and French-Algerian husband Philip who are fresh to the city. Over three years, she documents their experiences, bearing witness to what makes Jerusalem so fiercely contested. A looming presence is the memory of her late father, the esteemed author Amos Elon, seen in home movies. Through the prism of one family’s life, the film exposes a complex portrait of Jerusalem today. The Reflektor Tapes Kahlil Joseph, United Kingdom World Premiere The Reflektor Tapes is a fascinating insight into the making of Arcade Fire’s international #1 album Reflektor. The film recontextualizes the album experience, transporting the viewer into a kaleidoscopic sonic and visual landscape. The Reflektor Tapes blends never-before-seen personal interviews and moments captured by the band to dazzling effect, and features 20 minutes of exclusive unseen footage, filmed only for cinema audiences. Return of the Atom (Atomin paluu) Mika Taanila and Jussi Eerola, Finland/Germany World Premiere Finland was the first country in the West to give permission to build a new nuclear power plant after the Chernobyl disaster. The film portrays the strange and stressful life in the small Finnish ‘nuclear town’ Eurajoki during an era of nuclear renaissance. Sherpa Jennifer Peedom, Australia/United Kingdom Canadian Premiere Director Jennifer Peedom set out to uncover tension in the 2014 Everest climbing season from the Sherpas’ point of view, and instead captured a tragedy when an avalanche struck, killing 16 Sherpas. Sherpa tells the story of how the Sherpas united after the tragedy in the face of fierce opposition to reclaim the mountain they call Chomolungma. Thru You Princess Ido Haar, Israel International Premiere In her late 30s, Samantha lives in New Orleans and works as a caregiver. She often uploads her songs and musings online and none of her clips get more than a few dozen hits. She doesn’t imagine that someone, on the other side of the world, is about to expand the number of listeners by millions. Kutiman, an Israeli musician, discovered Samantha’s songs on YouTube and weaves them with audiovisual symphonies composed of musical clips that people posted online. Winter on Fire: Ukraine’s Fight for Freedom Evgeny Afineevsky, Ukraine/USA/UnitedKingdom Canadian Premiere Chronicling events that unfolded over 93 days in 2013 and 2014, Winter on Fire: Ukraine’s Fight for Freedom witnesses the formation of a new civil rights movement in Ukraine. What started as peaceful student demonstrations supporting European integration morphed into a full-fledged violent revolution calling for the resignation of the nation’s president. The film captures the remarkable mobilization of nearly a million citizens from across the country protesting the corrupt political regime that utilized extreme force against its own people to suppress their demands and freedom of expression. Women He’s Undressed Gillian Armstrong, Australia International Premiere During Hollywood’s golden age, the Australian known as Orry-Kelly was a costume designer for an astonishing 282 films including classics like Some Like It Hot, Casablanca, and An American in Paris. As a gay male during a closeted era, he was also a keeper of secrets. Director Gillian Armstrong (Oscar and Lucinda; Little Women) employs inventive recreations, interviews and film clips to uncover his story. Documentaries previously announced for the Festival were Brian D. Johnson’s Al Purdy Was Here, Patrick Reed and Michelle Shephard’s Guantanamo’s Child: Omar Khadr, Mina Shum’s Ninth Floor, Avi Lewis’ This Changes Everything, and Geneviève Dulude-De Celles’ Welcome to F.L. playing in TIFF Docs; and Michael Moore’s Where to Invade Next for Special Presentations. The 40th Toronto International Film Festival runs September 10 to 20, 2015.

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  • Kenyan LGBT Award-winning Film STORIES OF OUR LIVES to Open 2015 Harlem International Film Festival

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    STORIES OF OUR LIVES Award-winning film STORIES OF OUR LIVES that documents the hidden personal stories of lovers, fighters, rebels and the community histories that characterize the criminalized queer experience in Kenya, will open the 2015 Harlem International Film Festival on September 9. The filmmakers and cast risked their very lives to bring to life this insightful series of vignettes based on true stories collected for the STORIES OF OUR LIVES project. STORIES OF OUR LIVES, Nairobi-based visual artist Jim Chuchu‘s first ever feature film, premiered at the 2014 Toronto Film Festival, and also screened at the 2015 Berlin Film Festival, where it won the Teddy Special Jury Award, and 2nd Place Panorama Audience Award, Fiction Film.
    The stories in this extraordinary film anthology are united by a commitment to telling the truth about the lives and love of gay and lesbian people in Kenya. In Ask Me Nicely, a pair of schoolgirls, much to their own surprise, fall passionately in love. In Athman, two men working on a tea plantation address the fact that one man’s feelings for his friend have evolved. A young woman dreams of transforming genders, and living openly with her girlfriend. Filmed in chiaroscuro shades of black and white, each story unfolds with an honesty that is heartbreaking in its simplicity. Based on real life experiences that were collected by an artists’ collective in Kenya, the material proved so revelatory that a decision was made to adapt it to the screen. With little more than a couple of lights and a small camera, the crew of actors and technicians made this anthology over the course of eight months. Underneath every story depicted on camera is the reality that even to speak the truth out loud is a dangerous and subversive act. Members of the Collective are still forced to remain anonymous in order to protect themselves.
    https://www.youtube.com/watch?v=DaDs333V-vo The 2015 Harlem International Film Festival runs September 9-13, 2015.

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  • “Scariest Movie of All Time” GOODNIGHT MOMMY” Releases Official Trailer

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    Goodnight Mommy Radius has released the trailer for the Austrian horror film GOODNIGHT MOMMY that premiered at the Venice Film Festival and the internet is calling the film “the scariest of all time.” Directed by Veronika Franz and Severin Fiala, the film is about nine-year-old twin brothers who are waiting for their mother. When she comes home, bandaged after cosmetic surgery, nothing is like before. The children start to doubt that this woman is actually their mother. It emerges an existential struggle for identity and fundamental trust. GOODNIGHT MOMMY is set for release in the US on September 11th. https://www.youtube.com/watch?v=0kXpUaQpXMA  

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  • Keanu Reeves, Terrence Malick and Orson Welles to Be Honored at 41st Deauville American Film Festival

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    Keanu Reeves Actor, producer & director Keanu Reeves along with director, screenwriter & producer Terrence Malick, and Director, actor, screenwriter & producer, the late Orson Welles (1915 – 1985) will be honored at the upcoming 41st Deauville American Film Festival with a Tribute and a retrospective of their movies. Forever Neo from Matrix, Jonathan Harker in Dracula or Le Chevalier Danceny in Dangerous Liaisons, Keanu Reeves has demonstrated his ability to take on extremely varied roles during his long and impressive movie career. He has worked with directors such as Gus Van Sant, Francis Ford Coppola, Bernardo Bertolucci and more recently Richard Linklater. In 2013, he played Kai, the heroic slave who led a Samurai revolt in 47 Ronin by Carl Rinsch. Underlining his love for martial arts, that same year he completed his first film as director, Man of Tai Chi, an initiation tale co-produced by China and the United States and inspired by the life of the stuntman Tiger Chen. The Deauville American Film Festival pays tribute to him in person, and is holding a retrospective of his stand-out movies. Terrence Malick In addition to the Tribute, the Deauville American Film Festival will premiere director, screenwriter and producer Terrence Malick’s new film Knight of Cups, as well as The Tree of Life and To the Wonder. “In an age when Man is sidelined in the face of the world, we thought it was the right time to honor a cineaste who places humanism at the heart of his artistic concerns. Refusing the nihilism of the nothingness of days, Terrence Malick films the essence of poetry by examining the peaks and troughs of transcendence through our behavior and our senses. We can say that his art is both harmonious and sacred. The experience he offers through his films carry us to that delicious point of going beyond the ‘self’ to the benefit of being, thus making his filmmaking unique, necessary and primordial. He turns our meanderings into the pathways of life,” comments Bruno Barde, Festival Director. Orson Welles To mark the centenary of the birth of Orson Welles, the festival is offering the chance to see or see again three of his feature films, along with a documentary about this enduring legend of world cinema, who at an early age reinvented the grammar of his art with his masterpiece Citizen Kane. François Truffaut spoke of how Welles had inspired so many filmmaking careers. He also put his stamp of innovation on films such as Falstaff, Mr. Arkadin and Touch of Evil. As part of this tribute, the festival will be screening Citizen Kane, The Lady from Shanghai, and Touch of Evil, as well as the documentary This Is Orson Welles by Clara and Julia Kuperberg, produced by TCM Cinema and Wichita Films.

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  • deadCENTER Film Festival Announces 2016 Dates, Opens Call For Entries

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    16th deadCENTER Film Festival The 16th deadCENTER Film Festival will take place Wednesday, June 8 through Sunday, June 12, 2016 in downtown Oklahoma City. Filmmakers may submit their films for review beginning on Monday, Aug. 10.  Films will be selected in the following categories: narrative feature, documentary feature, narrative short, documentary short, student film and Oklahoma film. Submissions can be made online through submissions platform, FilmFreeway.  The early bird deadline is Oct. 31 and entry fees vary based on the type of submission: $40 for narrative and documentary features, $25 for narrative shorts, documentary shorts, and Oklahoma films, and $20 for college films. High school films are free to submit. From hilarious comedies and Oscar nominated documentaries to scary horror films and intense dramas, deadCENTER selects a broad slate of films that cater to all tastes. More than 1000 films were submitted in 2015 from Oklahoma and around the world, and 110 were selected for an official screening. The festival added a distribution forum in 2012 to help filmmakers connect with sales agents and distributors. “For 16 years, deadCENTER has featured over 1,500 quality independent films providing a nationally recognized platform for filmmakers to share their work,” Director of Programming and Education Kim Haywood said. “The level of competition has escalated considerably over the last few years, attracting talent like Tim Blake Nelson, James Marsden, Megan Mullally, Nick Offerman, Famke Janssen, Wes Studi, Bob Berney, Oscar winners Gray Frederickson, Matthew W. Mungle, and Albert S. Ruddy to Oklahoma City. 2016 is gearing up to be equally as amazing.” A record-breaking 30,000 people attended the screenings in 2015, generating an economic impact of more than $1.25 million for Oklahoma City.

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  • New Animals Rights Film Program at 2015 Hamptons International Film Festival, Includes World Premiere of Michael Vick Doc THE CHAMPIONS

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    THE CHAMPIONS A new signature film program devoted to animal rights, called Compassion, Justice and Animal Rights will debut at the 2015 Hamptons International Film Festival.  The new program will provide a platform for filmmakers to share meaningful information, stories of inspiration, and tools for creating a safe and humane world for animals.  Compassion, Justice & Animal Rights will explore this important movement on film, bringing together animal advocacy, environmental and social justice issues. The Animal Rights platform will look to awaken respect for the dignity and rights of living beings, and will allow filmmakers to share information and tools to create a safe and humane world. “Billions of animals continue to be abused every day and denied their basic right to life and protection against violence and cruelty,” said David Nugent, HIFF Artistic Director. “This new signature program will allow the Festival to join the important film movement that brings justice to animals, an effort that has been increasing impact and visibility worldwide.” In 2015, the HIFF Animal Rights program will consist of a small collection of narrative and/or documentary films within the theme screened at the Festival, a private reception, and the Zelda Penzel “Giving Voice to the Voiceless” Prize, which will be awarded to one of these films at the HIFF Awards Ceremony in October. Past winners of this award, which has been part of our awards ceremony for the past three years, include Virunga (Oscar® Nominee), Emptying the Skies, and HBO’s One Nation, Under Dog. This year’s Animal Rights lineup will include the world premiere of the documentary THE CHAMPIONS, directed by Darcy Dennett.  The Champions is an inspirational story about the pit-bulls rescued from the brutal fighting ring of Atlanta Falcon’s star quarterback Michael Vick, and those who risked it all to save them, despite pressure from PETA and The Humane Society to euthanize the dogs. A story of second-chances, redemption and hope, this uplifting documentary takes us on a journey about much more than just dogs—about prejudice, being misunderstood, the power of resilience, and the significance of the relationship we as humans have with animals. Gary Winick The festival also announced today that the popular Festival conversations held at Rowdy Hall (the series formerly known as the Rowdy Talks) has been renamed the Winick Talks at Rowdy Hall, in honor of the late film director and producer Gary Winick (pictured above on the set of “Charlotte’s Web”). Gary Winick, who was a longtime fan and supporter of the Hamptons International Film Festival—he considered the Hamptons his second home—won the HIFF Audience Award in 1999 for his drama The Tic Code, starring Gregory Hines, Polly Draper, and Chris Marquette. As a director, Winick’s other films included Tadpole, 13 Going on 30, andLetters to Juliet; his producing credits include Tape and Chelsea Walls. He passed away in 2011. The Gary Winick Memorial Fund, which was established to help young filmmakers hone their craft and further the art of cinema, will support the Winick Talks at Rowdy Hall. The fund previously created scholarships at the American Film Institute and Tufts University, both schools Winick attended. The Winick Talks at Rowdy Hall will take place three mornings in a row (October 9-11) at the East Hampton restaurant, featuring guest artists in moderated conversation, with audience participation. Topics and speakers will be announced soon. The events are free, and the public is invited to attend; coffee and light breakfast will be served.

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