• PBS Goes Nuclear With Two New Documentaries

    Atomic Test – Dominic Bluestone, Christmas Island.Atomic Test – Dominic Bluestone, Christmas Island.

    PBS will debut two new documentaries: THE BOMB, and URANIUM – TWISTING THE DRAGON’S TAIL, timed to coincide with the 70th anniversary of the first explosion of an atomic bomb, and the bombing of Hiroshima.

    THE BOMB, a history of nuclear weapons and how they shaped our world, and URANIUM – TWISTING THE DRAGON’S TAIL, an in-depth look at the chemical element used in nuclear weaponry, will be hosted by physicist and YouTube star Dr. Derek Muller. The documentaries are timed to coincide with the 70th anniversary of the first explosion of an atomic bomb, and the bombing of Hiroshima, essentially the dawn of the nuclear age. Both programs premiere in July 2015.   

    Using state-of-the-art transfer techniques to turn recently declassified images into vivid, jaw-dropping footage, THE BOMB tells a powerful story of the most destructive invention in human history. From the earliest testing stages to its use as the ultimate chess piece in global politics, the program outlines how America developed the bomb, how it changed the world and how it continues to loom large in our lives.

    Viewers witness the raw power and strangely compelling beauty of rare and pristine images of above-ground nuclear tests. The documentary includes interviews with historians Richard Rhodes, Martin Sherwin, Robert Norris, Sergei Khrushchev and others, along with men and women who helped build the weapon piece by piece. Audiences also hear from former Secretary of State George Shultz and Secretary of Defense William Perry, who reveal how the bomb was viewed inside government circles, as well as those who hold firsthand memories of seeing the first mushroom clouds fill the skies.

    This groundbreaking film provides captivating insights through its masterfully restored footage and its assemblage of voices who were there when the atomic age began.

    In URANIUM – TWISTING THE DRAGON’S TAIL, host and physicist Dr. Derek Muller unlocks the mysteries of uranium, one of the Earth’s most controversial elements. Dr. Muller embarks on an epic journey across the globe to explain the fascinating details of uranium’s birth and life. Born from the collapse of a star, uranium has brought hope, progress and destruction. It has revolutionized society, from medicine to warfare. It is an element that has profoundly shaped the past, will change the future and will exist long after humans have left the Earth. Filmed on five continents, the two-hour program, produced by Emmy® Award-winning filmmaker Sonya Pemberton, delivers a gripping story of an ancient element’s footprint on the world.

    “We are who we are because of uranium,” Muller says. “It unlocks the secrets of the universe and reveals the nature of reality. It’s both a dream of clean limitless power and a nightmare of a silent, poisoned Earth.”

    “PBS is the place to untangle complicated issues like harnessing nuclear power and the use of destructive forces,” said Beth Hoppe, Chief Programming Executive and General Manager of General Audience Programming for PBS. “These two documentaries offer a chance to contemplate the indelible impact America’s nuclear age has had on our parents, grandparents and ourselves, and they will surely spark conversations in homes across the country.”

    Credits: 
    THE BOMB is written and directed by Rushmore DeNooyer. Executive producer is Kirk Wolfinger. A Lone Wolf production for PBS. Bill Margol, Senior Director, Programming & Development, developed and oversees the project for PBS.

    URANIUM – TWISTING THE DRAGON’S TAIL is written and directed by Wain Fimeri and developed and produced with support from SBS Australia, Film Victoria and Screen Australia. A Genepool production for PBS. Bill Gardner, Vice President, Programming & Development, oversees the project for PBS.

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  • 18 Documentaries Complete Lineup for 2015 Berlinale Panorama

    Une jeunesse allemande (A German Youth) Une jeunesse allemande (A German Youth)  

    Panorama Dokumente of the 2015 Berlin International Film Festival will open with the world premiere of Une jeunesse allemande (A German Youth) by Jean-Gabriel Périot.

    Using archive material, the film traces without bias or commentary the developments leading up to the “German Autumn” in late 1977. The gradual radicalisation of leaders of the Red Army Faction (RAF) is made palpable in excerpts from, e.g., Holger Mein’s film Freiheit für Teufel (Freedom for Teufel) and Ulrike Meinhof’s Bambule (Rampage). The film examines the expulsion of a large number of undergraduate students from the German Film and Television Academy (dffb) for their radicalism, as well as the independent student workers’ cinema, ROSTA Kino, and the directors’ revolt at the “EXPRMTL (Knokke Experimental Film Festival)” in Belgium.

    Tell Spring Not to Come This Year by Saeed Taji Farouky and Michael McEvoy addresses the fatal situation in Afghanistan now that all international troops have left the country. And Censored Voices by Mor Loushy traces the bitter taste of triumph. Young Israeli soldiers return home after the Six-Day War and immediately talk on tape about their experiences: the country is in a flush of victory. Now the director shows these same men listening to what they once said.
    A statement by Katrin Seybold, who died in 2012, opens her final work: “The films I make need to be made. When people are dead, then they’re dead, and all we have left are Gestapo reports, the reports of the perpetrators.” Die Widerständigen „also machen wir das weiter …” (The Resistors “their spirit prevails …”) consists of interviews about the resistance movement against the Nazis. The film was finished by Seybold’s friend and colleague Ula Stöckl, whose legendary 1968 film, Neun Leben hat die Katze (The Cat Has Nine Lives), is screening in this year’s Berlinale Classics.

    Music films and special artist portraits have a tradition in the Panorama. Nina Simone went from being a talented jazz and classical pianist to a highly political human rights activist. In the film What Happened, Miss Simone?, Liz Garbus weaves together film documents, interviews and, of course, the music of this inimitable singer to create an atmospheric portrait. Brett Morgen also includes a great deal of music in Cobain: Montage of Heck, an intimate glimpse into the life and work of the founder of the grunge band Nirvana, Kurt Cobain.

    Inuk Silis Høegh’s Sume – Mumisitsinerup Nipaa (Sumé – The Sound of a Revolution) shows how the rock musicians of this band from Greenland devoted themselves in the mid 1970s to opposing Danish colonisers and brought about the revival of Greenlandic, their native tongue. And, as already announced (Press Release from December 16, 2014), in around 1980 one of the most creative musical chapters in West Berlin took place, as documented in B-Movie: Lust and Sound in West-Berlin by Jörg A. Hoppe, Klaus Maeck and Heiko Lange.

    Two extraordinary artists, both filmmakers whose world careers began in Berlin, are Jia Zhang-ke and Walter Salles: the latter is presenting an affectionate portrait of his colleague Jia Zhang-ke, Um homem de Fenyang (Jia Zhang-ke, a Guy from Fenyang), which includes many excerpts from his films that make recent upheavals in Chinese society more tangible. Besides the previously announced portrait ofFassbinder – Lieben ohne zu fordern (Fassbinder – To Love without Demands) by Danish filmmaker Christian Braad Thomsen, the Panorama is presenting two rediscoveries: one about Yvonne Rainer, the incredibly inspirational but also, by nature, modest dancer, choreographer and filmmaker, whose filmMURDER and murder won the TEDDY Award in 1997 (Feelings Are Facts: The Life of Yvonne Rainer by Jack Walsh). The other is about Annemarie Schwarzenbach, whose modern European attitudes, writings on travelling the world, and stunning, highly androgynous look in the 1920s are still fascinating today not only to the queer and gender community (Je suis Annemarie Schwarzenbach / My Name is Annemarie Schwarzenbach by Véronique Aubouy).

    Two more works have joined the line-up of films that focus on self-determination and sexuality: Danish director Jannik Splidsboel’s Misfits shows how there are several thousand churches in the Bible Belt of the USA but only one gay-lesbian youth centre. For many it is the only safe haven from a socialisation based on religious fundamentalism. Splidsboel presented How Are You about the artists Elmgreen&Dragset in the Panorama 2011. In Haftanlage 4614 (Prison System 4614), Jan Soldat, who showed his short film Zucht und Ordnung (Law and Order) in the Panorama 2012, explores the longings and desires revealed by “prison fetishists”: these inmates are voluntarily behind bars.

    The following titles complete the list of Panorama films.

    Panorama Dokumente

    Censored Voices – Israel / Germany
    By Mor Loushy
    European premiere

    Cobain: Montage of Heck – USA
    By Brett Morgen
    International premiere

    Die Widerständigen „also machen wir das weiter …” (The Resistors “their spirit prevails …”) – Germany
    By Ula Stöckl, Katrin Seybold
    World premiere

    Feelings Are Facts: The Life of Yvonne Rainer – USA
    By Jack Walsh
    World premiere

    Haftanlage 4614 (Prison System 4614) – Germany
    By Jan Soldat
    World premiere

    Je suis Annemarie Schwarzenbach (My Name is Annemarie Schwarzenbach) – France
    By Véronique Aubouy
    World premiere

    Jia Zhang-ke, um homem de Fenyang (Jia Zhang-ke, a Guy from Fenyang) – Brazil
    By Walter Salles 
    European Premiere

    Misfits – Denmark / Sweden
    By Jannik Splidsboel
    World premiere

    Sume – Mumisitsinerup Nipaa (Sumé – The Sound of a Revolution) – Greenland / Denmark / Norway
    By Inuk Silis Høegh
    European premiere

    Tell Spring Not to Come This Year – Great Britain
    By Saeed Taji Farouky, Michael McEvoy
    World premiere

    Une jeunesse allemande (A German Youth) – France / Switzerland / Germany
    By Jean-Gabriel Périot
    World premiere

    What Happened, Miss Simone? – USA
    By Liz Garbus
    International premiere

    Previously announced Panorama Dokumente films:

    B-Movie: Lust & Sound in West-Berlin by Jörg A. Hoppe, Klaus Maeck, Heiko Lange, Germany (WP)
    Danielův Svět (Daniel’s World) by Veronika Lišková, Czech Republic (IP)
    El hombre nuevo (The New Man) by Aldo Garay, Uruguay / Chile (WP)
    Fassbinder – Lieben ohne zu fordern (Fassbinder – To Love without Demands) by Christian Braad Thomsen, Denmark (WP)
    Iraqi Odyssey by Samir, Switzerland / Germany / Iraq / United Arab Emirates (EP)
    The Yes Men Are Revolting by Laura Nix, Andy Bichlbaum, Mike Bonanno, USA (EP)

    (WP= World premiere, IP= International premiere, EP = European premiere)

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  • Alex Gibney’s Scientology Doc to Open Big Sky Film Festival

    GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEFGOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF

    The Big Sky Documentary Film Festival has released the lineup of 40 films, plus opening night film Alex Gibney’s GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF.

    The 12th Big Sky Documentary Film Festival (BSDFF) opens February 6th with a free screening, fresh from its Sundance premiere, of Oscar-winning director Alex Gibney’s GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF. 

    The film, which is controversial in its own right, is based on the controversial book of the same title by Pulitzer-winning journalist Lawrence Wright, who is featured in the film along with eight former members of the Church of Scientology. The book drew significant litigation from the Church, and HBO expects the same for the film.  The film will enjoy a limited theatrical and festival run before its broadcast premiere on HBO in March.

    The Big Sky Documentary Film Festival has also released the list of 40 films vying to win one of four juried competitions.  

    Big Sky Documentary Film Festival Competitions –

    Mini-Doc Award –

    BREAK KIDS, Emily Kassie, 8 minutes
    BROKEN LANDSCAPES, Michael T. Miller, 13 minutes
    CAILLEACH, Rosie Reed Hillman, 14 minutes
    THE LAST SMALLHOLDER, Francis Lee, 9 minutes
    LITTLE HERO, Marcus A. McDouglad & Jennifer Medvin, 10 minutes
    LUCHADORA, River Finlay, 12 minutes
    OMID, Jawad Wahabzada, 9 minutes
    SLOW SEASON, John Fiege, 6 minutes
    TREASURE ISLAND, Elizabeth Lo & Melissa Langer, 7 minutes
    UNDER THE BED, Michael Galinsky & Suki Hawley, 11 minutes

    MINI-DOC JURY –

    John Cohen, Filmmaker
    Yarrow Kramer, Filmmaker
    Adam Singer, Filmmaker

    Short Documentary Award –

    BROKEN CITY POETS, Ariane Wu, 29 minutes
    CONTROVERSIES, Ryan Mckenna, 22 minutes
    FIGHTER BY NATURE, JP Keenan & Aryelle Cormier, 28 minutes
    GROWING HOME, Faisal Attrache, 21 minutes
    HINOKI FARM, Akiro Hellgardt, 29 minutes
    LA REINA, Manuel Abramovich, 19 minutes
    MIE NISHI, Bruno Caticha, 19 minutes
    POUTERS, Paul Fegan, 17 minutes
    SANTA CRUZ DEL ISLOTE  19 minutes
    THE VOW, Cameron Zohoori, 40 minutes

    SHORT DOCUMENTARY JURY –

    Christoph Green, Filmmaker
    Alexandra Hanibal, Tribecca DocFund
    Noland Walker, ITVS

    Feature Documentary Award –

    1971, Johanna Hamilton, 80 minutes
    BOYS WITH BROKEN EARS,  Nima Shayeghi, 80 minutes
    HIP HOP-ERATION, Bryn Evans, 93 minutes
    MEET THE HITLERS, Matt Ogens, 83 minutes
    NOW EN ESPANOL, Andrea Meller, 67 minutes
    PERSONAL GOLD, Tamara Christopherson, 89 minutes
    SIBLINGS ARE FOREVER, Frode Fimland, 85 minutes
    THERE WILL BE NO STAY,  Patty Dillon, 71 minutes
    TOP SPIN, Sara Newens & Mina T. Son, 76 minutes
    TRUE SON, Kevin Gordon, 72 minutes

    FEATURE DOCUMENTARY JURY

    Erik Augustin Palm, Journalist
    Desroches Mia, National Film Board of Canada
    Tracy Rector, Filmmaker
    Brian Newman, Producer

    Big Sky Award –

    BILLY MIZE AND THE BAKERSFIELD SOUND, William J. Saunders, 95 minutes
    BY BLOOD, Sam Russell & Marcos Barbery, 63 minutes
    CHILDREN OF THE ARCTIC, Nick Brandestini, 94 minutes
    DAUGHTERS OF EMMONAK, Graeme Aegerter, Bobby Moser, & Samantha Andre, 17 minutes
    DESERT HAZE, Sofie Benoot, 109 minutes
    FISHTAIL, Andrew Renzi, 61 minutes
    FLORENCE, ARIZONA, Andrea B. Scott, 77 minutes
    GAUCHO DEL NORTE, Sofian Khan & Andres Caballero, 58 minutes
    LOVE AND TERROR: ON THE HOWLING PLAINS OF NOWHERE, Dave Jannetta, 100 minutes
    THE LAST SEASON,  Sara Dosa, 80 minutes

    BIG SKY AWARD JURY

    Sandra Itkoff, Producer
    Julie Campfield, RocoFilms
    Nikki Heyman, POV

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  • Milwaukee Film Festival Announces 2015 Dates

    milwaukee film festival

    The 7th annual Milwaukee Film Festival will take place from September 24 to October 8, 2015.

    The 15-day festival includes feature films, shorts programs, education screenings, post-film conversations, and panel discussions.

    Bud and Sue Selig have renewed their support of the Milwaukee Film Festival for another three consecutive years, pledging $150,000 annually for 2015, 2016, and 2017. The Selig family was one of the first major supporters when the festival began in 2009, committing $100,000 for each of the 2009, 2010, and 2011 festivals. They continued their generous support in 2012, 2013, and 2014 with an increased gift of $150,000 per year.

    “Sue and I are thrilled to continue our support of the Milwaukee Film Festival. In six short years, Milwaukee Film has grown to become a vital cultural institution for Milwaukee, bringing a dynamic energy to our beloved city” says Bud Selig. “We can’t wait for this fall to celebrate its 7th year.”

    Jonathan Jackson, Artistic and Executive Director for Milwaukee Film, adds: “We are humbled by the philanthropic leadership of Bud and Sue. They had the vision to take a chance on a fledgling non-profit in 2009 during the financial crisis. Their continued generosity–$1,200,000 in support to date–inspires our staff and board to produce a better festival every single year.”

    In recognition of the Selig family’s charitable contribution, The Allan H. (Bud) and Suzanne L. Selig Audience Award for Best Feature Film and Best Short Film are presented each year to the overall audience favorites in both the feature film and short film categories. The 2014 winners included Alive Inside (feature; director Michael Rossato-Bennett) and The Numberlys (short; directors William Joyce and Brandon Oldenburg).*

    Last year’s festival presented 275 films from 63 countries at four venues and on five screens. With the support of 82 Sponsors and 262 Community Partners, the festival saw continued growth in overall event attendance–64,187 in 2014, compared to 55,194 in 2013. In addition, the 2014 festival boasted 72 sold-out screenings (compared to 64 in 2013). A record 108 visiting guests participated in more than 431 individual festival events over the course of 15 days.

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  • Aviation Thriller CHARLIE VICTOR ROMEO to Screen Online

    CHARLIE VICTOR ROMEO

    Aviation thriller CHARLIE VICTOR ROMEO will be released on iTunes, Amazon, Vudu, Google Play on January 20,  and Netflix on March 20, 2015.

    Following a highly successful worldwide festival run (including the 2013 Sundance Film Festival, New York Film Festival, AFI Fest, CPH:DOX) and a theatrical release at New York’s renowned Film Forum, aviation thriller CHARLIE VICTOR ROMEO will now make its digital premiere through Sundance Institute’s #ArtistServices program.

    Originally shot in 3D, CHARLIE VICTOR ROMEO takes place in the cockpit of a variety of aircrafts, its dialogs based on actual black box recordings. When you board an airplane, you put your life in the hands of the pilot and co-pilot. What happens in the cockpit when these professionals are faced with impending disaster? 

    CHARLIE VICTOR ROMEO (code for “cockpit voice recorder”) dramatizes six harrowing airline emergencies, using the sparest of elements to foreground the heroic professionalism of these unsung men and women. The film is adapted from a critically acclaimed theatrical production of the same name, staged in 1999, which won two Drama Desk Awards — after which it toured both nationally and internationally for ten years. The aviation community embraced the production, and the Pentagon has used it for pilot training.

    CHARLIE VICTOR ROMEO is a collaboration between Collective: Unconscious, who originally staged the play, and 3LD Art & Technology Center, where the project was filmed in 3-D as part of a program to produce and distribute experimental art.

    The Sundance Institute’s #ArtistServices program provides Institute-supported artists with exclusive opportunities for creative self-distribution, marketing and financing solutions for their work.

    CHARLIE VICTOR ROMEO: Co-Directed by Robert Berger, Patrick Daniels, and Karlyn Michelson. Written by Robert Berger, Patrick Daniels, and Irving Gregory. Edited by Karlyn Michelson. 3-D Production: NHK Cosmomedia. Cast: Patrick Daniels, Irving Gregory, Noel Dinneen, Sam Zuckerman, Debbie Troche, Nora Woolley. A Collective: Unconscious and 3-Legged Dog production. USA.   

    https://www.youtube.com/watch?v=Xyw9zYJDDEA

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  • John Boorman’s QUEEN AND COUNTRY Set For February Release

    John Boorman's QUEEN AND COUNTRY

    John Boorman’s QUEEN AND COUNTRY, will open in New York on February 18, and in Los Angeles, San Francisco and Berkeley, on February 27. 

      QUEEN AND COUNTRY, John Boorman’s acclaimed sequel to HOPE AND GLORY, had its world premiere at the 2014 Cannes Film Festival, and went on to screen at numerous international film festivals including Vancouver, London, New York and Palm Springs. QUEEN AND COUNTRY will open at Film Forum in New York on Wednesday, February 18, and at Laemmle Royal, Playhouse 7 and Town Center 5 in Los Angeles, as well as in San Francisco and Berkeley, on Friday, February 27. A national release will follow.

    American Cinematheque will present Movie Alchemist: The Films of John Boorman from February 20-26 at the Aero Theatre in Santa Monica, CA, including a sneak screening of QUEEN AND COUNTRY on Tuesday, February 24 at 7:30 pm, with John Boorman in attendance. 

    QUEEN AND COUNTRY is the hilarious follow-up to John Boorman’s HOPE AND GLORY (1987 nominated for 5 Academy Awards), when 9-year-old Bill Rohan rejoices in the destruction of his school by an errant Luftwaffe bomb.  QUEEN AND COUNTRY picks up the story nearly a decade later as Bill (Boorman’s alter-ego), played by a charming Callum Turner, begins basic training in the early 1950s, during the Korean War. Bill is joined by a trouble-making army mate, Percy (Caleb Landry Jones). They never get near Korea, but engage in a constant battle of wits with the Catch-22-worthy, Sgt. Major Bradley — the brilliant David Thewlis. Richard E. Grant is their superior, the veddy, veddy, infinitely put-upon, aptly-named Major Cross. A superb ensemble cast limns a wonderfully funny and often moving depiction of a still-recovering postwar England.

    https://www.youtube.com/watch?v=_qG1TvckA-Q

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  • Joel & Ethan Coen to Preside Over Cannes Film Festival Jury

    Joel and Ethan Coen

    Filmmakers Joel and Ethan Coen will preside over the jury of the 68th edition of the Cannes Film Festival.

    Filmmakers Joel and Ethan Coen have accepted the invitation from President Pierre Lescure and General Delegate Thierry Frémaux to become the Presidents of the 68th edition of the Festival.

    “We look forward to returning to Cannes this year”, Joel and Ethan Coen said from the Hail Caesar! film shoot with George Clooney, Christophe Lambert, Scarlett Johansson, Tilda Swinton, Josh Brolin and Channing Tatum.“We welcome as always the opportunity to watch movies there from all over the world. Cannes is a festival that has been important to us since the very beginning of our career. Presiding over the Jury is a special honor, since we have never heretofore been president of anything. We will issue further proclamations at the appropriate time.” 

    The Festival de Cannes will take place from Wednesday 13 until Sunday 24 May, 2015. 

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  • Grindhouse Thriller THE LADIES OF THE HOUSE Gets VOD Release

    John Stuart Wildman’s THE LADIES OF THE HOUSE

    John Stuart Wildman’s THE LADIES OF THE HOUSE will be released in the U.S. in April/May on VOD via Gravitas Ventures.

    Featuring a screenplay by Justina Walford and Wildman, the film stars Farah White, Melodie Sisk, Brina Palencia, Samrat Chakrabarti, and Michelle “Belladonna” Sinclair and was produced by White, Wildman, Walford and Adam Dietrich. THE LADIES OF THE HOUSE had its world premiere at last year’s Dallas International Film Festival.  

    THE LADIES OF THE HOUSE follows the fate of two brothers, Jacob and Kai, who, along with their friend Derek, go to a dance club to celebrate Kai’s birthday. After Derek convinces the other two to follow one of the dancers home, and then talks their way into the house to party with her, things take a tragic turn resulting in the young woman’s death.

    However, that is simply the beginning of the nightmare for the young men, because her roommates (Getty, Lin and Crystal) aren’t just fellow dancers, they are also cannibals with a fierce sense of home and family – and a taste for men. After Kai quickly falls victim to Getty and Lin and is on his way to becoming the centerpiece of that evening’s meal, Derek tries to figure out how to escape while Jacob discovers his survival may hinge on the twisted desire and whims of Crystal, the beautiful and sociopathic “baby” of the family.

    The film marks the feature film directorial debut for Wildman, who is the Senior Publicist for the Film Society of Lincoln Center and columnist for Film Threat. Prior to completing THE LADIES OF THE HOUSE, Wildman has enjoyed an eclectic career in entertainment and film. The former Head of Press & Public Relations for the American Film Institute, as well as the PR Director for AFI FEST and the DALLAS International Film Festival, Wildman has headed the PR efforts for film festivals across the country and written for numerous film sites. Film credits as an actor include a brief appearance in Noah Baumbach’s upcoming WHILE WE’RE YOUNG, as well as the cult classic, SORORITY BABES IN THE SLIMEBALL BOWL-O-RAMA.

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  • “Birdman” Flies High at 20th Critics’ Choice Movie Awards

    boyhood 20th Annual Critics’ Choice Movie AwardBoyhood Wins 20th Annual Critics’ Choice Movie Award

    The Broadcast Film Critics Association (BFCA) announced the winners of the 20th Annual Critics’ Choice Movie Award, with Birdman taking home seven awards.

    “Boyhood” was named Best Picture and garnered three additional wins including Best Supporting Actress for Patricia Arquette, Best Young Actor/Actress for Ellar Coltrane, and Best Director for Richard Linklater.

    “Birdman,” the most nominated film of the evening, won seven awards including Best Actor for Michael Keaton, Best Acting Ensemble, Best Original Screenplay for Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris Jr., and Armando Bo, Best Cinematography for Emmanuel Lubezki, Best Editing for Douglas Crise and Stephen Mirrione, Best Actor in a Comedy for Michael Keaton, and Best Score for Antonio Sanchez. Michael Keaton is the first person in the 20-year history of the Critics’ Choice Movie Awards to win three awards in a single year (Best Actor, Best Actor in a Comedy, and as part of the “Birdman” Best Ensemble).

    “The Grand Budapest Hotel” claimed three awards including Best Comedy, Best Art Direction for Adam Stockhausen (Production Designer) and Anna Pinnock (Set Director), and Best Costume Design for Milena Canonero.

    “Force Majeure” took home Best Foreign Language Film and “Life Itself” was named Best Documentary Feature.

    WINNERS OF THE 20th ANNUAL CRITICS’ CHOICE MOVIE AWARDS

    Best Picture – “Boyhood”
    Best Actor – Michael Keaton, “Birdman”
    Best Actress – Julianne Moore, “Still Alice”
    Best Supporting Actor – J.K. Simmons, “Whiplash”
    Best Supporting Actress – Patricia Arquette, “Boyhood”
    Best Young Actor/Actress – Ellar Coltrane, “Boyhood”
    Best Acting Ensemble – “Birdman”
    Best Director – Richard Linklater, “Boyhood”
    Best Original Screenplay – Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris Jr., Armando Bo, “Birdman”
    Best Adapted Screenplay – Gillian Flynn, “Gone Girl”
    Best Cinematography – Emmanuel Lubezki, “Birdman”
    Best Art Direction – Adam Stockhausen (Production Designer), Anna Pinnock (Set Decorator), “The Grand Budapest Hotel”
    Best Editing – Douglas Crise, Stephen Mirrione, “Birdman”
    Best Costume Design – Milena Canonero, “The Grand Budapest Hotel”
    Best Hair & Makeup – “Guardians of the Galaxy”
    Best Visual Effects – “Dawn of the Planet of the Apes”
    Best Animated Feature – “The Lego Movie”
    Best Action Movie – “Guardians of the Galaxy”
    Best Actor in an Action Movie – Bradley Cooper, “American Sniper”
    Best Actress in an Action Movie – Emily Blunt, “Edge of Tomorrow”
    Best Comedy – “The Grand Budapest Hotel”
    Best Actor in a Comedy – Michael Keaton, “Birdman”
    Best Actress in a Comedy – Jenny Slate, “Obvious Child”
    Best Sci-Fi/Horror Movie – “Interstellar”
    Best Foreign Language Film – “Force Majeure”
    Best Documentary Feature – “Life Itself”
    Best Song – “Glory”, Common and John Legend, “Selma”
    Best Score – Antonio Sanchez, “Birdman”

    Image via 20th Annual Critics’ Choice Movie Award

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  • Sundance Institute to Honor Director Alejandro G. Iñárritu

    Alejandro G. Iñárritu

    Alejandro G. Iñárritu will be honored with the Vanguard Leadership Award at the fifth annual Sundance Institute benefit on June 2, 2015 in Los Angeles.

    Iñárritu will be honored for the originality and independent spirit of his films, including Amores Perros (2000), 21 Grams (2003),Babel (2006), Biutiful (2010) and Birdman (2014). He is the first Mexican director to be nominated for the Academy Award for Best Director and by the Directors Guild of America for Best Director. He is also the first Mexican-born director to have won the Prix de la mise en scene or best director award at Cannes (2006). Amores Perros is featured in the Sundance Collection at UCLA, an independent film preservation program established in 1997. He has produced three films that appeared at the Sundance Film Festival: Nine Lives (2005), Mother & Child (2010) and Rudo y Cursi (2009).

    Keri Putnam, Executive Director of Sundance Institute, said, “The current health and vibrancy of independent film is best reflected in the stories from filmmakers who continue to push and break boundaries. Alejandro G. Iñárritu is among the most creative and innovative filmmakers working today, and the boldness, humanity and audacity of his films will inspire generations to come.”

    Iñárritu said, “It comes as a great honor to receive this award from an organization whose mission, spirit and objectives are noble and have a profound effect on many filmmakers around the world.”

    Iñárritu will be the fourth recipient of the Vanguard Leadership Award, joining philanthropist and former Institute Trustee George Gund, journalist and film critic Roger Ebert and actress and arts advocate Glenn Close. In addition to the Vanguard Leadership Award, the Institute presents the Vanguard Award, including a cash grant and mentorship from industry professionals and Institute staff, to an emerging artist with creative independence. Benh Zeitlin (Beasts of the Southern Wild), Ryan Coogler (Fruitvale Station), Damien Chazelle (Whiplash) are past recipients, and the 2015 recipient will be announced in the spring. The Vanguard Awards were founded in 2011 to mark the 30th anniversary of the Sundance Institute Feature Film Program and its founding director, Michelle Satter.

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  • Black Panthers Film to Open Pan African Film Festival

     The Black Panthers: Vanguard of the RevolutionThe Black Panthers: Vanguard of the Revolution

    Director Stanley Nelson’s The Black Panthers: Vanguard of the Revolution is the Opening Night film of the 23rd Pan African Film & Arts Festival (PAFF)  

    Triangle-Going to America will be highlighted as the Centerpiece selection and closing the Festival is The Man in 3B. All films will screen at RAVE Cinemas 15, located within the Baldwin Hills Crenshaw Plaza, 4200 Marlton Avenue, Los Angeles, CA 90008. The 23rd Annual Pan African Film Festival will take place in Los Angeles February 5-16, 2015.

    Veteran documentarian Stanley Nelson brings his newest film to PAFF straight from Sundance Film Festival for its West Coast premiere. The Black Panthers: Vanguard of the Revolution takes a look at the rise and fall of the Black Panther Party, but also how it influenced how African-Americans look at themselves today. Whether they were right or wrong, whether they were good or bad, more than 40 years after the Black Panther Party was founded in Oakland, California, the group and its leadership remain powerful and enduring figures in our popular imagination. The Black Panthers is the first feature-length documentary to showcase the Black Panther Party, its significance to the broader American culture, its cultural and political awakening for Black people, and the painful lessons wrought when a movement derails. The film includes riveting eyewitness accounts from the first members who joined the organization when its founder, Huey P. Newton, was still alive as a young, brash upstart who confronted local police and American tradition with a loaded gun and a law book. This film weaves voices from varied perspectives who lived this story” police, FBI informants, journalists, white supporters, and detractors, those who remained loyal to the party and those who left it. Because the participants from all sides were so young in the 60s and 70s, they are still around to share firsthand accounts.

    “PAFF is excited about hosting award-winning director Stanley Nelson’s The Black Panthers: Vanguard of the Revolution. This film is right on time. The issues that the Black Panther Party and other Black Power organizations dealt with in the 1960s continue to be the major issues confronting the black community today. The film offers a striking and compelling look at the personalities, the drama, the wit that come hurtling down to us in the present day. The film is an entertaining must-see for all who are looking to better understand where we are at this historical moment and where we might go in the future,” says PAFF Founder and Executive Director, Ayuko Babu.

    Immigration has been the topic of many recent news reports and headlines, including President Obama taking bold new steps to fix America’s broken immigration system. Triangle-Going to America addresses this very issue. Each year, hundreds of Africans from Ethiopia, Eritrea and and throughout the African continent leave their countries to make the journey across the world with hope and dreams of coming to America. The film’s characters Kaleab and Jemal are willing to endure any danger to reach America and the promise of a better life. Along the way Kaleab meets Winta, an Eritrean beauty who is also making the journey. Together, they travel an arduous and illegal path wrought with danger, exploitation and death from East and North Africa through Italy, Mexico and finally to the United States. Triangle stars Solomon Bogale and Mahder Assefa, two of the most famous actors in Ethiopia.

    “At PAFF, we always want to stay current with today’s domestic and international issues and be entertaining at the same time. Triangle fits into this vision. Immigration is not just an issue in the Latino community, but also affects the Black communities in the U.S. and Europe,” adds Babu.

    The Man in 3B includes a star-studded cast, including Lamman Rucker, Billie D. Williams, Jackee Harry, Marla Gibbs, Brely Evans and more. Daryl Graham (Lamman Rucker) has just moved into a Jamaica, Queens, apartment building and his neighbors, male and female alike, can’t stop talking about him. From his extreme attractiveness to his undeniable swag, Daryl is the man every woman wants and every man wants to be.

    PAFF Executive Director Ayuko Babu says, “PAFF loves to showcase films like The Man in 3B. There is an interesting twist in the storyline which is not usually found in romantic comedies. This film is entertaining and gives us insight into ourselves and encourages attitudes that are important to our development, which makes this the perfect closing night film at PAFF.”

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