So much conflict comes out of the struggle for power, even regarding the smallest stakes possible.  ZERO CHARISMA is a film about struggles regarding what might seem like small stakes to an outside viewer, but to the characters involved it is literally an epic struggle between a “hero” and his nemesis.

Zero Charisma is about Scott (Sam Eidson), an overweight, pasty-white thirty-something Texan whose life revolves around his weekly role-playing game sessions with his friends.  As the writer of the game the group has played weekly for years and the gamemaster, Scott is fueled by the power he holds over his friends, which is held in place by his friends’ timid natures and Scott’s proneness of nerd rage when someone displays even a hint of an attitude that he finds disagreeable.  For instance, when one of his friends, Kenny (Jeff Fenter) explains that his wife is pressuring him to stop playing, Scott is furious.  Kenny says to Scott, “I don’t think you’d understand. You’ve never even had a girlfriend.”  Scott, completely unconvincingly, answers angrily, “Yeah, because I don’t like to be tied down! How many times to I have to say that?”  The only thing that rings true of that answer is that Scott is obsessed with controlling his little corner of the universe, even if it means he still lives with his grandmother (Anne Gee Byrd) and works at Donut Taco II because he was fired from his job at the local game shop (it’s only temporary, he insists).  After all, at least he has control of the game.

Once Kenny leaves the game Scott and his friends need to find a replacement, and soon Miles (Garrett Graham) joins the group.  However, unlike Scott and his friends Miles is a hipper, cooler “nerd” who immediately wins over Scott’s crew… all except for Scott, who instantly feels threatened.  Scott’s fellow players, stuck with him for so long, are relieved to meet someone who makes being geeky seem socially acceptable.  As this is going on, Scott’s life at home also begins to unravel, with his estranged mother (Cyndi Williams) returning to the fold and revealing exactly why Scott has so many pent-up personality issues.

When I first started watching Zero Charisma I thought it was funny, but felt it was punching an easy target.  Edison’s Scott is the epitome of the nerd stereotype that was already ancient by the time Comic Book Guy joined the cast of The Simpsons and also resembles (physically and emotionally) a grown-up Eric Cartman.  But gradually directors Katie Graham and Andrew Matthews (Matthews also wrote the screenplay) fold back the layers of Scott and reveal the psychological issues that have kept him in a state of arrested development.  Scott is so obsessed with controlling his game because it’s literally the only thing in his life that he has control over.  So once he sees that he’s losing that, his mental unraveling is understandable and, in many ways, suspenseful.  After all, Scott is already convinced everyone is out to ruin his life and has a short temper – what will hold him back when his life (no matter how “pathetic”) actually does begin to fall apart?

Most of the talent involved with Zero Charisma are working on their first feature film (this is the first time both Graham and Matthews have directed a film), and in some ways it has a rough rookie edge to it.  Some of that is endearing because it lends to how socially awkward the lead characters are, particularly Scott, but it would be hard to not enjoy Zero Charisma as a kind of twisted, realistic take on the quirky, nerdy archetype Napoleon Dynamite character that has been seen in indie movies so many times in recent years.  With that in mind, even a handful of rookie hiccups can’t distract from what is probably the most honest film about nerd stereotypes I’ve seen.

The beauty of Zero Charisma is its exploration of the role our imagination plays in the way we perceive the world around us.  For Scott, every conflict is a war between good and evil on a medieval battlefield, with his handsome warrior alter ego always on the side of good.  Audiences might find that laughable, but that perception isn’t far off from the way most of us see ourselves in our struggles against the conflicts in our own lives.  By making Scott so stereotypical, the filmmakers and Eidson reveal how deceiving that stereotype really can be.

 Rating: 4 out of 5 : See it …… It’s Very Good

http://youtu.be/2Bun5bJ2nVE

Opens in

New York: Cinema Village – Opens October 11
Chicago: Facets Cinematheque – Opens October 18
San Francisco: Roxie Theater – Opens October 18
Phoenix: Film Bar – Opens October 18
San Jose: Camera 2 – Opens October 18
Portland: Hollywood Theatre – Opens October 25
Houston: Alamo Drafthouse, Vintage Park – Opens October 25
Columbus: Gateway Film Center – Opens November 4
Santa Fe: Jean Cocteau Cinema – Opens November 8
Albuquerque: Guild Cinema – Opens November 29

Directors: Katie Graham, Andrew Matthews
Writers: Andrew Matthews
Producers: Thomas Fernandes, Ezra Venetos
Featuring:  Sam Eidson, Garrett Graham, Brock England

Synopsis:
As the strict Game Master of a fantasy role-playing game, Scott (Sam Eidson) leads his friends in a weekly quest through mysterious lands from the safety of his grandmother’s kitchen. But his mastery of his own domain starts to slip — along with everything else in his life — when neo-nerd hipster Miles (Garrett Graham) joins the game, winning over the group with his confident charm and dethroning Scott with an unexpected coup. Caught in delusions of grandeur, Scott must roll the dice and risk everything to expose Miles as the fraud he believes him to be. A darkly comedic fable of epic proportions, Zero Charisma is an ode to nerds from every realm.

Festivals:
2013 SXSW Film Festival
2013 Newport Beach International Film Festival
2013 Fantasia International Film Festival
2013 Maryland Film Festival
2013 South Side Film Festival

Winner of:
Audience Award, Narrative Spotlight category  – 2013 SXSW Film Festival

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Growing pains may easily be one of the things that mostly all human beings can relate to. I can speak for myself assuredly when I say that life’s lessons come in all shape, sizes, and consequence.  For Lead actress Yainis Ynoa, better known as Lena AKA “Babygirl” it seems like they come all too frequently.  Already dealing with. being a 16-year-old latina in the Bronx which comes with many an obstacle economically, and socially there are expectations of her; her complex homelife is a constant theme throughout the film, documenting a relationship that seems like she is the parent most of the time.  Their bond is undying, of course, but their relation to each other is awkward at times, as you witness the responsibilities of the home and in guiding each other too often fall in the lap of Babygirl. 

At times she is a crutch, others a confidant, and at the most important moments she is her mothers conscience. Lena has taken on the burden of holding the fort down as some would say as Lucy struggles with her demons, and promiscuosity.  Falling head over heels for whom she believed would be Mr. Right has quickly turned into another heartache.  When learning that Mr Right, Victor, secretly covets the company of her daughter not her, Lucy loses it in a reaction that almost costs the two (mother and daughter) their relationship

Outside is no relief for the Lena; as an after thought, her closest friends like Daishan are really jealous, instead of suppportive. Judgemental in time when what Lena needs is consolation; her intrigue with a neighborhood sweetheart named Xavier who innocently wants nothing more than to share moments of puppy love, a stark contrast to the creepish desires of Victor.  What was overwhelming at first, becomes a place of comfort for Lena as she quickly learns what trying to grow up too fast can amount to.  

From backstab to backlash, tribulation, to exhilaration ( a first kiss, or first alcoholic beverage at a time when she does not even know how to order except from the kids menu ) follow the maturation of Lena AKA Babygirl in this very candid portrayal of what unfortunately is the life of boriqua teenager in the mean streets of Fordham Heights.

BABYGIRL a film by Macdara Vallely NOW PLAYING thru October 10 New York’s QUAD CINEMA

http://youtu.be/ohaKTlsbP1E

WRITTEN AND DIRECTED BY: Macdara Vallely
PRODUCERS: David Collins; Gigi Dement; R. Paul Miller    
EXECUTIVE PRODUCERS: Felix Werner; Kathrin Werner
CINEMATOGRAPHER: Jarin Blaschke       
FILM EDITOR: Nathan Nugent
CAST: Yainis Ynoa, Rosa Arredondo, Flaco Navaja, Joshua Rivera, Gleendilys Inoa

SYNOPSIS: Set in the Bronx, BABYGIRL is about Lena (Yainis Ynoa), a fifteen-year old Nuyorican girl, who has watched her heart-broken single-mom (Rosa Arredondo) fall in love with one man after another.  When Victor (Flaco Navaja), the latest boyfriend, starts hitting on Lena, she sets out to expose him.   But the plan backfires, and Lena finds herself trapped in an impossible love-triangle.  The only way out is for her to stand up and confront some bitter home truths. BABYGIRL is the second feature by Irish director, Macdara Valley, who moved to Bronx, New York seven years ago. 

WINNER:  PANAVISION’S INDEPENDENT SPIRIT AWARD
Santa Barbara Intl. Film Festival Award – BEST FEATURE 2013
Jameson Dublin Intl. Film Festival – BEST IRISH FEATURE 
Tribeca Film Festival 2012 – OFFICIAL SELECTION   

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