• SHORT TERM 12 Director Destin Cretton Among Finalists for San Francisco Film Society SFFS/ Hearst Screenwriting Grant

    san--francisco--film--society

    The San Francisco Film Society today announced the eight finalists for the fifth annual $15,000 SFFS / Hearst Screenwriting Grant. The 2013 finalists include a number of writer-directors whose work has recently made waves on the international festival scene, including Destin Cretton (Short Term 12), Tom Gilroy (The Cold Lands) and Eliza Hittman (It Felt Like Love). The winner will be announced in mid-September.

    2013 SFFS / HEARST SCREENWRITING GRANT FINALISTS

    Eliza Hittman — A
    Skye, a teenage girl living in rural Pennsylvania, catches a Greyhound bus on a secret journey to New York City to do something for which she might never be forgiven. Hittman’s previous work includes It Felt Like Love (2013). For more information visit elizahittman.com.

    Tariq Tapa — THE BEST THAT TOMORROW WILL BRING
    A recently homeless widow drives cross-country on a parade float, hoping to meet the grandson she has never known before he is deployed to war overseas. Tapa’s previous work includes Zero Bridge (2008). For more information visit mongrelworks.com.

    Shaka King — LIQUID COURAGE
    In the 90’s, drugs and alcohol ruined Deuce Harding’s career. In 2013 they’ll make him a star. King’s previous work includes Newlyweeds (2013). 

    Destin Cretton — MA
    After being a mom for 30 years, Jan is forced to deal with the fact that her youngest son has finally left the nest. On a road-trip down the Oregon Coast, she begins to learn what it means to live life after motherhood. Cretton’s previous work includes Short Term 12 (2013) and I Am Not a Hipster (2012).

    Tom Gilroy — OUR LADY OF THE SNOW
    When a convent is threatened with dissolution, the elderly nuns begin to have ecstatic visions. When the atheist teenager who cooks for them begins to share in those visions, supernatural events come to the aid of the convent. Gilroy’s previous work includes The Cold Lands (2013).  

    Alistair Banks Griffin — SNOW THE JONES
    When teenage vagabond Lexi joins a traveling door-to-door sales crew, she discovers a world much darker than the one from which she was trying to escape. Griffin’s previous work includes Two Gates of Sleep (2010).

    Matthew Porterfield — SOLLERS POINT
    After serving a parole term detained in his father’s house, an ex-offender finds the adjustment to society and the workforce more difficult than the confines of home. Porterfield’s previous work includes I Used to Be Darker (2013) andPutty Hill (2010). For more information visit hamiltonfilmgroup.org.

    Jeremy Teicher and Alexi Pappas — STICK AND CHUB
    In a small American town obsessed with competitive running, 21-year-old star athlete Plumb Marigold rebels against her parents, coaches, agents, and teammates just weeks before the upcoming Olympic trials. Teicher and Pappas’ previous work includes Tall As the Baobab Tree (2013). For more information visit stickandchub.com

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  • Woodstock Film Festival Unveils Official 2013 Poster

    Woodstock Film Festival 2013 Official Poster

    Woodstock Film Festival unveiled its official 2013 poster art, painted by artist Scott Michael Ackerman. This year’s festival will be held October 2-6 in the arts colony of Woodstock, NY and across the Hudson Valley region, including the historic towns of Kingston, Rhinebeck, Rosendale, and Saugerties.

    “I’ve had the pleasure of having my work exhibited in the filmmaker lounge at the Colony Café during the past two Woodstock Film Festivals,” said artist Scott Michael Ackerman. ” Last year, Timothy Hutton bought two of my pieces. That was a real thrill, but it doesn’t top being asked to do the 2013 WFF poster. The painting symbolizes the blossoming of life and reawakening. It’s my hope that it’s an appropriate metaphor for the blossoming that results from all the amazing filmmakers and talent who manifest the creative, fiercely independent spirit that has come to symbolize the Woodstock Film Festival.”

    “We are thrilled to welcome Scott onto our roster of artists” said Meira Blaustein, co-founder & executive director of the Woodstock Film Festival. “The vibrancy, boldness, raw talent and passion that flow from each of his paintings are emblematic of the fiercely independent spirit of the Woodstock Film Festival and of the innovative, passionate and thought provoking filmmakers it supports.”

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  • REVIEW: ROMEOWS (Retired Older Men Eating Out Wednesdays)

    romeow

    “If you accept a dinner invitation you have a moral obligation to be amusing”

    Famous words of the Dutchess of windsor, which serve as the perfect personification of what the ROMEOWS stand for, as a collective. Comprised of Retired old men, Brooklyn college Alumnus who come together each and every Wednesday for the purpose of brotherhood. Documenting their history, their unity, their commitment to one another and their pride in not only their roots but their alma mater as well, ROMEOWS is a lesson in relationships.

    Have you ever experienced a bond so unbreakable that you would schedule the rest of your entire existence around the prerequisite of sharing time and space wit the other(s) who share in this link? If you havent, dont fret, but what you will get to learn and admire are those who can relate. Their story may very well be similar in so many ways to others, but the authenticity in this feature film is unmistakable. The roundtable which serves as a platform for their sharing, and caring is awe inspiring.

    50 years removed from their shared dormitory, Lords House on the campus of world renowned Brooklyn College, these gentlemen are as vibrant and unified as ever. Take a ride on their journey of life, of comraderie, of perspective. From remembering when Brooklyn was the world, or when Nathan’s hot dogs were 15 cents a pop, and a trip on your bicycle to Coney Island was the highlight of your life. Share in the simplicity of the importance of true friendship.

    In an age where everything is so “right now” ROMEOWS as a film focuses on the sweet taste of patience, of not giving into the demands of time in a sense. We are trained, as men more specifically to be firm in our position, our feelings; that is if we are ever bold enough to develop any. We talk sports, out of the need to know more than someone else, we cheer for our team only wanting to be the at the trophy presentation, not for the momento but for the bragging rights. We encourage one another but only to the point where it does not infringe on our ego. Ever dreamed of a place where these are not the rules? Where the new rules are all inclusive, organic, universal, and more than anything based on a love and concern for your fellow man; truly wanting what is best for him the same as you want it for yourself.

    What resonates most for me is the importance of memories, all be it good or bad, memories; those thoughts if you will, which truly encompass the term longevity. Decades, trends, moments have passed but what remains are the ROMEOWS. A group of men, retired, who honor their vow to each other, to their institution, and to dinner at 7PM on Wednesday Nights. A must see if you ask me. Wanna learn about forever, and sharing it with those who mean the most, take notes from the ROMEOWS

    ROMEOWS opens in theaters Friday July 19th.

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  • Colombian Drama “LA PLAYA DC” Open in New York Theater on Friday July 19

    LA Playa DC

    The Colombian film “LA PLAYA DC“, an official selection at 2012 Cannes Film Festival, will open in NY on Friday July 19 for a one week run at reRun Theater in Brooklyn, NY. Directed by Juan Andres Arango, the film tells the story of Tomas (Luis Carlos GUEVARA), an Afro-Colombian teenager who fled the country’s Pacific coast pushed out by the war, faces difficulties of growing up in a city of exclusion and racism. When Jairo (Andrés MURILLO), his younger brother and closer friend disappear, Tomas is forced to leave his home to look for him.

    LA Playa DC

    With the help from his older brother Chaco (James SOLIS), Tomas plunges in the streets of the city. His search becomes an initiatory journey that compels him to face his past and to leave aside the influence of his brothers in order to find his own identity. Through this journey, Tomas reveals a unique perspective of a vibrant and unstable city that, like Tomas, stands on the threshold between what once was and what might be.

    http://youtu.be/nJWLSGikowU

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  • “I HATE MYSELF :)” to World Premiere at NYC’s Rooftop Films

     ihate myself directed by Joanna Arnow

    I HATE MYSELF 🙂 directed by Brooklyn, New York filmmaker Joanna Arnow will World Premiere this weekend – Friday July 19, 2013, as part of the Rooftop Films summer screening series in Brooklyn, NY. “Sex, offensive slam poets, and a naked film editor add to the director’s journey for egoless self-identity in this home movie-style portrait of lilting self-loathing.”

    In I HATE MYSELF :), the 20-something filmmaker Joanna Arnow, here documents her first relationship through the reactions of those around her: her parents, who are blunt yet loving; her friends, disembodied voices on the phone, adamantly giving advice; the editor of her film, a pushy, nude Freud with a ‘fro; and the film’s co-antagonist, Arnow’s boyfriend, a “performance artist” out to offend, drinking heavily and hovering just above derelict. Through her associates’ viewpoints, she reveals a raw and honest portrait of twenty-something Brooklyn malaise and the pathos that fuels it.

    http://youtu.be/eST4qrq6iBY

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  • Locarno Film Festival Unveils Lineup and Jury, Opens with 2 GUNS starring Denzel Washington and Mark Wahlberg

    2 GUNS directed by Baltasar Kormákur and starring Denzel Washington and Mark Wahlberg2 GUNS directed by Baltasar Kormákur and starring Denzel Washington and Mark Wahlberg

    The Locarno Film Festival unveiled the official jury and film lineup for 2013 including a competition lineup up of 20 films, 18 of which are world premieres. The festival will open on August 7 with the action film 2 GUNS directed by Baltasar Kormákur and starring Academy Award® winner Denzel Washington and Mark Wahlberg.

    The Jury of the Concorso internazionale
    President: Lav Diaz, Director (Philippines)
    Matthias Brunner, Cinema Expert (Switzerland)
    Juan de Dios Larraín, Producer (Chile)
    Valérie Donzelli, Director, Actress (France)
    Yorgos Lanthimos, Director, Producer (Greece)

    The Jury of the Concorso Cineasti del presente
    President: Hartmut Bitomsky, Director, Producer (Germany)
    Tine Fischer, Festival Director (Denmark)
    Daniele Gaglianone, Director (Italy)
    Peaches, Musician, Director (Canada)
    Nicolás Pereda, Director (Mexico)

    The Jury of the Pardi di domani
    President: Adriano Aprà, Director, Film Critic (Italy)
    Marta Andreu, Producer (Spain)
    Emir Baigazin, Director (Kazakhstan)
    Grégoire Colin, Actor, Director (France)
    Basil Da Cunha, Director (Switzerland)

    The Jury of the Opera prima – Best First Feature
    Luciano Barisone, Film Critic, Festival Director (Italy/Switzerland)
    Scott Foundas, Film Critic (United States)
    Shelly Kraicer, Film Critic (Canada)

    I film delle giurie presents films featuring or made by members of the official juries,
    Lav Diaz
    NORTE, HANGGANAN NG KASAYSAYAN (Norte, the End of History) – Philippines – 2013

    Juan de Dios Larraín
    GLORIA by Sebastián Lelio – Chile – 2012 (Piazza Grande)

    Valérie Donzelli
    QUE D’AMOUR – France – 2013 (Fuori concorso)

    Yorgos Lanthimos
    ALPIS – Greece – 2011

    Hartmut Bitomsky
    B-52 – Germany/United States/Switzerland – 2001

    Daniele Gaglianone
    L’ORECCHIO FERITO DEL PICCOLO COMANDANTE – Italy – 1993
    I NOSTRI ANNI (Our Years) – Italy – 2000

    Peaches
    PEACHES DOES HERSELF – Germany – 2012

    Nicolás Pereda
    PERPETUUM MOBILE – Mexico – 2009

    Adriano Aprà
    ROSSO CENERE (Red Ashes) by Adriano Aprà and Augusto Contento – France/Italy – 2013
    (Histoire(s) du cinéma)

    Marta Andreu
    108 – CUCHILLO DE PALO by Renate Costa – Spain – 2010

    Emir Baigazin
    HARMONY LESSONS – Germany/France/Kazakhstan – 2013

    Grégoire Colin
    LA BAIE DU RENARD (Fox Bay) – France – 2009
    LISIÈRES (On the Edge) – France – 2009

    Basil da Cunha
    ATÉ VER A LUZ – Switzerland – 2013

    Piazza Grande
    2 GUNS by Baltasar Kormákur – United States
    VIJAY AND I by Sam Garbarski – Belgium/Luxembourg/Germany
    LA VARIABILE UMANA by Bruno Oliviero – Italy
    WRONG COPS by Quentin Dupieux – United States
    WE’RE THE MILLERS by Rawson Marshall Thurber – United States
    THE KEEPER OF LOST CAUSES by Mikkel Nørgaard – Denmark/Germany/Sweden
    LES GRANDES ONDES (À L’OUEST) by Lionel Baier – Switzerland/France/Portugal
    RICH AND FAMOUS by George Cukor – United States
    GABRIELLE by Louise Archambault – Canada
    L’EXPÉRIENCE BLOCHER by Jean-Stéphane Bron – Switzerland/France
    GLORIA by Sebastián Lelio – Chile
    MR. MORGAN’S LAST LOVE by Sandra Nettelbeck – Germany/Belgium
    BLUE RUIN by Jeremy Saulnier – United States
    ABOUT TIME by Richard Curtis – United Kingdom
    FITZCARRALDO by Werner Herzog – Germany/Peru
    SUR LE CHEMIN DE L’ÉCOLE by Pascal Plisson – France

    Concorso internazionale
    CÂND SE LASA SEARA PESTE BUCURESTI SAU METABOLISM by Corneliu Porumboiu – Romania
    E AGORA? LEMBRA-ME by Joaquim Pinto – Portugal
    EDUCAÇÃO SENTIMENTAL by Júlio Bressane – Brazil
    EL MUDO by Daniel and Diego Vega – Peru/France/Mexico
    EXHIBITION by Joanna Hogg – United Kingdom
    FEUCHTGEBIETE by David Wnendt – Germany
    GARE DU NORD by Claire Simon – France/Canada
    HISTORIA DE LA MEVA MORT by Albert Serra – Spain/France
    L’ÉTRANGE COULEUR DES LARMES DE TON CORPS
    by Hélène Cattet and Bruno Forzani – Belgium/France/Luxembourg
    MARY, QUEEN OF SCOTS by Thomas Imbach – Switzerland/France
    PAYS BARBARE by Yervant Gianikian and Angela Ricci Lucchi – France
    REAL by Kiyoshi Kurosawa – Japan
    SANGUE by Pippo Delbono – Italy/Switzerland
    SHORT TERM 12 by Destin Cretton – United States
    SHU JIA ZUO YE by Tso chi Chang – Taiwan
    TABLEAU NOIR by Yves Yersin – Switzerland
    TOMOGUI by Shinji Aoyama – Japan
    TONNERRE by Guillaume Brac – France
    U RI SUNHI by Sangsoo Hong – South Korea
    UNE AUTRE VIE by Emmanuel Mouret – France

    Concorso Cineast
    BUQLMUN by Elvin Adigozel and Ru Hasanov – Azerbaijan/France/Russia
    COSTA DA MORTE by Lois Patiño– Spain
    FORTY YEARS FROM YESTERDAY by Robert Machoian and Rodrigo Ojeda-Beck –United States
    L’HARMONIE by Blaise Harrison –France/Switzerland
    LE SENS DE L’HUMOUR by Marilyne Canto –France
    LOS INSÓLITOS PECES GATO by Claudia Sainte-Luce – Mexico
    MANAKAMANA by Stephanie Spray and Pacho Velez –Nepal
    MOUTON by Gilles Deroo and Marianne Pistone –France
    ROXANNE by Valentin Hotea – Romania/Hungary
    SAI NAM TID SHOER by Nontawat Numbenchapol –Thailand
    THE DIRTIES by Matt Johnson –Canada/United States
    THE SPECIAL NEED by Carlo Zoratti – Germany/Italy
    THE STONE by Se-rae CHO –South Korea
    THE UGLY ONE by Eric Baudelaire –France/Lebanon/Japan
    THE UNITY OF ALL THINGS 團結一切事物by Alex Carver and Daniel Schmidt –United States
    YUAN FANG by Zhengfan Yang – China

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  • “TOOMELAH” “THE ABOMINABLE CRIME” Win Top Awards at 2013 Belize International Film Festival

    ToomelahToomelah

    The Australian film TOOMELAH directed by Ivan Sen won the Best Feature Length Narrative, and THE ABOMINABLE CRIME directed by Micah Fink won the award for Best Feature Length Documentary at the 2013 Belize International Film Festival held in Belize, Central America, from July 11th – 15th, 2013. MAROONS: AFRICANS ON THE MOVE directed by Michael Flores won the prize for Most Notable Belizean Film (in the Festival).

    Starring Dean Daley-Jones, Daniel Conners, Michael Conners, Danieka Connors, Christopher Edwards, TOOMELAH is set in a remote Aboriginal community, 10-year-old Daniel yearns to be a “gangster” like the male role models in his life. Skipping school, getting into fights and running drugs for Linden, the main drug dealer in town, Daniel is well on his way to accomplishing his goal. When a rival drug dealer returns from prison, a violent showdown ensues. After Linden and his gang are taken off to jail, Daniel is suddenly alone and vulnerable. Can he make a choice for the better?

    THE ABOMINABLE CRIME, is described as a story about a mother’s love for her child and an activist’s troubled love for his country. It also gives voice to gay Jamaicans who, in the face of endemic anti-gay violence, are forced to flee their homeland. Told first hand as they unfold, these personal accounts take the audience on an emotionally gripping journey traversing four years and five countries. Their stories expose the roots of homophobia in Jamaican society, reveal the deep psychological and social impacts of discrimination on the lives of gays and lesbians, and offer an intimate first-person perspective on the risks and challenges of seeking asylum abroad.

    The Belizean film MAROONS: AFRICANS ON THE MOVE takes a look at African cultural similarities and African cultural continuity among the people known as the Maroons and the Garifuna, and others in the African Diaspora, featuring accompanying town Jamaica – home to Jamaican Maroons, established under Kudjo, and Nanny, his sister.

    The complete list of winners of the 2013 Belize International Film Festival CONCHSHELL AWARD

    Best Feature Length Narrative
    Winner
    TOOMELAH (Australia, 2011) Dir: Ivan Sen

    Special Jury Mention:
    HOME AGAIN (Canada, 2012) Dir. Sudz Sutherland

    Best Feature Length Documentary
    Winner:
    THE ABOMINABLE CRIME (Jamaica, Holland, UK, Canada, 2013) Dir. Micah Fink

    Special Jury Mention:
    SEPARATED (Australia, Spain, 2012) Dir. Natalie Halla

    Best Short Film
    CEBU (Cuba, 2012) Dir. Pablo Belaubre

    Best Short Documentary Film
    AGAPE: Story of a Dream (Spain, Thailand 2012) Dir. Carlos Quiles

    Most Notable Belizean Film (in the Festival)
    MAROONS: Africans on the Move (Belize 2013) Dir: Michael Flores

    Best Music Video
    Winner #1: COME AWAY by Dir. Ben Hudson
    Artist: Melonie Gillett / Label: Metamorph Creatives, Starbase Films

    Winner #2: EX-BOYFRIEND by Dir. Carlo Habet
    Artist: Tanya Carter / Label: I Am Music / BiG Pikcha Films

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  • Lineup Announced for Sundance’s First Ever NEXT WEEKEND film festival

    BLUE CAPRICE directed by Alexandre MoorsBLUE CAPRICE directed by Alexandre Moors

    The lineup of 10 feature films, 10 short films and related programming was announced today for the first-ever NEXT WEEKEND film festival, August 8-11, 2013  in Los Angeles. NEXT WEEKEND described as – an extension of the popular NEXT <=> section at the Sundance Film Festival in Park City, Utah – is a summer film festival presenting four days of screenings, parties and artist programs that celebrate the renegade spirit of independent filmmaking. As announced last week, NEXT WEEKEND will kick off with an outdoor screening of Chris Smith’s  documentary American Movie and Mark Borchardt’s horror film Coven on August 8.

    FEATIURE FILMS

    12 O’CLOCK BOYS / U.S.A. (Director and screenwriter: Lotfy Nathan) — Pug, a bright 13-year-old boy living on a dangerous, west-side block in Baltimore, dreams of joining the 12 O’Clock Boys – a notorious Urban dirt bike pack who invade the streets, popping wheelies and cruising at high speeds through traffic while clashing with police. (Documentary) LA PREMIERE

    BLUE CAPRICE / U.S.A. (Director: Alexandre Moors, Screenwriters: R. F. I. Porto, Alexandre Moors) — An abandoned boy is lured to America and drawn into the shadow of a dangerous father figure in this film inspired by the real-life events that led to the 2002 Beltway sniper attacks.Cast: Isaiah Washington, Tequan Richmond, Joey Lauren Adams, Tim Blake Nelson, Cassandra Freeman, Leo Fitzpatrick. LA PREMIERE

    CUTIE AND THE BOXER / U.S.A. (Director: Zachary Heinzerling) — Over the course of the chaotic 40-year marriage between New York-based Japanese artists Ushio and Noriko Shinohara, their headstrong, yet complementary personalities form a graceful rumination on companionship, sacrifice and the creative spirit. (Documentary) LA PREMIERE

    THE FOXY MERKINS / U.S.A. (Director: Madeleine Olnek, Screenwriters: Madeleine Olnek, Jackie Monahan, Lisa Haas) — Two lesbian hookers work the streets of New York. One is a down-on-her-luck newbie; the other is a beautiful – and straight – grifter who is an expert on picking up women. Together they face bargain-hunting housewives and double-dealing conservative women in this subversive buddy comedy.Cast: Lisa Haas, Jackie Monahan, Alex Karpovsky, Susan Ziegler, Sally Sockwell, Deb Margolin. WORLD PREMIERE

    HOW TO BE A MAN / U.S.A. (Director: Chadd Harbold, Screenwriters: Bryan Gaynor, Chadd Harbold, Gavin McInnes) — When former comedian Mark is faced with a rare form of cancer, he hires an impressionable cameraman to document his crude and comical lessons on what it means to be a man for his unborn son. But when Mark nearly loses everything, he realizes he has the most to learn. Cast: Gavin McInnes, Liam Aiken, Paulo Costanzo, Megan Neuringer, Nigel DeFriez, Nicole Balsam. WORLD PREMIERE

    IT FELT LIKE LOVE / U.S.A. (Director and screenwriter: Eliza Hittman) — On the outskirts of Brooklyn, a 14-year-old’s sexual quest takes a dangerous turn when she pursues an older guy and tests the boundaries between obsession and love. Cast: Gina Piersanti, Giovanna Salimeni, Ronen Rubinstein, Jesse Cordasco, Nick Rosen, Case Prime. LA PREMIERE

    NEWLYWEEDS / U.S.A. (Director and screenwriter: Shaka King) — A Brooklyn repo-man and his globetrotting girlfriend forge an unlikely romance. But what should be a match made in stoner heaven turns into a love triangle gone awry in this dark ballad of chemical dependency — part coming of age romance, part hallucinatory adventure. Cast: Amari Cheatom, Trae Harris, Tone Tank, Colman Domingo, Isiah Whitlock Jr., Adrian Martinez. LA PREMIERE

    STAND CLEAR OF THE CLOSING DOORS/ U.S.A. (Director: Sam Fleischner, Screenwriters: Rose Lichter-Marck, Micah Bloomberg) — When a young, autistic Mexican boy runs away from his undocumented family on the outskirts of New York City, he embarks on an 11-day odyssey in the city’s subway system, forcing his splintered family to reconcile their differences in order to bring him home. Cast: Andrea Suarez Paz, Jesus Sanchez-Velez, Azul Zorrilla, Tenoch Huerta Mejia, Marsha Stephanie Blake. LA PREMIERE

    A TEACHER / U.S.A. (Director and screenwriter: Hannah Fidell) — A popular young high school teacher in a wealthy suburban Texas high school has an affair with one of her students. Her life begins to unravel as the relationship comes to an end.Cast: Lindsay Burdge, Will Brittain, Jennifer Prediger, Jonny Mars, Julie Phillips, Chris Doubek. LA PREMIERE

    THIS IS MARTIN BONNER / U.S.A. (Director and screenwriter: Chad Hartigan) — In this 2013 Sundance Film Festival award-winning film we discover two men, each searching in their quiet solitude to begin a new life amidst an unspoken need for encouragement and support. Cast: Paul Eenhoorn, Richmond Arquette, Sam Buchanan, Robert Longstreet, Demetrius Grosse. LA PREMIERE

    SHORT FILMS

    THE APOCALYPSE / U.S.A. (Director and screenwriter: Andrew Zuchero) — Four uninspired friends try to come up with a terrific idea for how to spend their Saturday afternoon. Cast: Martin Starr, Ella Rae Peck, Kate Lyn Shiel, Benjamin Pike, Chanel Michaels, Duke Dlouhy.

    THE CUB / U.S.A. (Director and screenwriter: Riley Stearns) — Wolves make the best parents. Cast: Davey Johnson, Savannah Lathem, Mandy Olsen, Alexis McGraw. LA PREMIERE

    THE EVENT / U.S.A., United Kingdom (Director: Julia Pott, Screenwriter: Tom Chivers) — Love and a severed foot at the end of the world. Cast: Alex Britton, Laura Free.

    K.I.T. / U.S.A. (Director and screenwriter: Michelle Morgan) — A guilt-ridden, but well-intentioned yuppie goes to great lengths to prove she is a decent person. Cast: Michelle Morgan, Stephanie Allynne, John F. Beach, Ryan Harrison, Jeff Grace. LA PREMIERE

    #POSTMODEM / U.S.A. (Directors: Jillian Mayer, Lucas Leyva, Screenwriters: Lucas Leyva, Jillian Mayer) — A comedic, satirical, sci-fi pop-musical based on the theories of Ray Kurzweil and other futurists, this is the story of two Miami girls and how they deal with technological singularity, as told through a series of cinematic tweets. Cast: Jillian Mayer, Kayla De La Cerda, Arly Montes, Zoom Zoom, Jesse Miller, Shivers Thedog. LA PREMIERE

    SERAPH / U.S.A. (Director: Dash Shaw, Screenwriters: John Cameron Mitchell, Dash Shaw) — Seraph is an animated short film about how a boy’s childhood scars his later life. LA PREMIERE

    SOCIAL BUTTERFLY / France, U.S.A. (Director and screenwriter: Lauren Wolkstein) — When a 30-year-old American woman attends a teenage party in the South of France, guests wonder who she is and what she is doing there. Cast: Anna Margaret Hollyman, Camille Claris, Ulysse Grosjean.

    A STORY FOR THE MODLINS / Spain (Director: Sergio Oksman, Screenwriters: Carlos Muguiro, Emilio Tomé, Sergio Oksman) — The tale of Elmer Modlin who, after appearing inRosemary’s Baby, fled with his family to a far-off country and shut himself away in a dark apartment for 30 years. LA PREMIERE

    UNTIL THE QUIET COMES / U.S.A. (Director and screenwriter: Kahlil Joseph) — Shot in the Nickerson Gardens housing projects in Watts, Los Angeles, this film deals with themes such as violence, camaraderie and spirituality, through the lens of magic-realism. Cast: Solomon Gibbs, Storyboard P.

    WHAT DO WE HAVE IN OUR POCKETS? / U.S.A., Israel (Director: Goran Dukic, Screenwriters: Goran Dukic, based on a short story by Etgar Keret) — A most unusual love story unravels when the objects in a young man’s pockets come to life. Cast: Azazel Jacobs, Diaz Jacobs.

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  • Director Giuseppe Tornatore and Actor Geoffrey Rush Among Lineup of Guests for 2013 Melbourne International Film Festival

    Geoffrey Rush in The Best Offer

    Academy Award winning Italian film director and screenwriter Giuseppe Tornatore and actor Geoffrey Rush are among the lineup of international and local guests expected to attend the 2013 Melbourne International Film Festival (MIFF). Giuseppe Tornatore and Geoffrey Rush are set to visit Melbourne with the Italian film THE BEST OFFER. which stars MIFF Patron Geoffrey Rush, Donald Sutherland, Jim Sturgess and newcomer Sylvie Hoeks in a mystery drama set in a high-society world of art deals and closed doors.

    The 2013 Melbourne International Film Festival(MIFF) will host a stellar lineup of international and local guests, spanning established auteurs, sporting idols, new faces in international cinema and a whole lot more.

    Academy Award winning Italian film director and screenwriter Giuseppe Tornatore(Cinema Paradiso) is set to visit Melbourne with the Italian box office smash, The Best Offer. Part of MIFF’s International Panorama program, The Best Offer, stars MIFF Patron Geoffrey Rush, Donald Sutherland, Jim Sturgess and newcomer Sylvie Hoeks in a mystery drama set in a high-society world of art deals and closed doors. Geoffrey Rush will join Giuseppe Tornatore at the Australian Premiere on Wednesday 31 July.

    Melbourne will also play host to American rock band, Thirty Seconds to Mars, including acclaimed actor and front man of the band, Jared Leto (Requiem for a Dream). Under the pseudonym Bartholomew Cubbins, Leto directs Artifact, which follows the band as they record their third album, providing an often Spinal Tap-esque insight into the realities of modern music. Also part of the Backbeat program are guests Maureen Gosling, director of This Ain’t No Mouse Music!, which traces one man’s obsession with the American South’s music, and Nathaniel Kohn, producer of Bayou Maharajah: The Tragic Genius of James Booker, an exploration of the life and music of the New Orleans piano legend.

    Cannes Best Screenplay winner, director Jia Zhang-ke and actress Zhao Tao, will be in town to present A Touch of Sin, a confronting character-driven tale of modern China and the domestic conflict its newfound wealth has wrought. Accelerator alumnusAnthony Chen will return to Melbourne with this year’s Camera d’Or winner, Ilo Ilo, the stirring tale of a Singaporean family who take in a Filipino woman as a live-in maid. Also fresh from Cannes is the winner of the Un Certain Regard Directing Prize, Alain Guiraudie, with his steamy thriller Stranger by the Lake; and hot on the heels of Cannes, young German filmmaker Katrin Gebbe will be presenting her film Nothing Bad Can Happen, a harrowing tale of a vulnerable young Christian man.

    The American contingent is strongly represented this year. Champion snowboarder Kevin Pearce will be in Melbourne to present the SXSW Audience Award-winning film The Crash Reel, which documents the rise and literal fall of his career, which was cut short at age 22 in a near-fatal crash. Also from the This Sporting Life section and jetting in from the US is Michelle Major who will present her directorial debut, Venus and Serena – a fascinating insight into the legendary athletes and sisters, Venus and Serena Williams. From the Next Gen program first-time filmmaker Marta Cunningham will be presenting her affecting documentary Valentine Road, about 14-year-old Brandon McInerney from Oxnard, California, who shot and killed his cross-dressing classmate, Lawrence King. Meanwhile indie filmmaker Matt Porterfield, will be in town to present I Used to be Darker – a striking picture of quotidian family dynamics and revelations which will screen in MIFF’s new spotlight, States of Play: American Independents.

    Mark Albiston will be crossing the Tasman with his debut feature Shopping – a coming-of-age drama set in 1981 New Zealand and winner of the Grand Prix of the Generation 14plus International Jury for Best Feature Film at this year’s Berlinale. Also set in New Zealand is Denmark-based director Daniel Joseph Borgman’s debut feature, The Weight of Elephants – a captivating exploration of childhood fragility. Daniel Joseph Borgman will be a guest of the festival and both films will screen in MIFF’s International Panorama program.

    Other international guests include: Chilean actress Paulina García, whose standout performance in Gloria won her the prestigious Silver Bear for Best Actress at this year’s Berlinale; Nicholas Bonner, co-director of Comrade Kim Goes Flying – a vivacious romantic comedy and extremely rare Western–North Korean co-production, screening in MIFF’s new spotlight, Juche Days: North Korea on Film; João Pedro Rodrigues and João Rui Guerra da Mata, who co-direct the audacious documentary hybrid The Last Time I Saw Macau, which screens in MIFF’s TeleScope: Visions from the EU program; and Axel Straschnoy, director of Kilpisjärvellä, which presents the Northern Lights as they are experienced by someone watching them from the ground. Kilpisjärvellä will screen as part of the Planetarium Fulldown Showcase, a special program of jaw-dropping fulldome screenings at the Melbourne Planetarium.

    Former British Film Institute and London Film Festival Director Adrian Wootton returns exclusively to Melbourne for another series of his acclaimed Illustrated Film Talks, this year celebrating major icons of screen culture. The Adrian Wootton Talks Icons series runs from Thursday 1 – Sunday 4 August. Celebrated LA-based developer, writer and lecturer Wendall Thomas is also returning exclusively to Melbourne for more of her popular series unlocking the secrets of films’ script structure with a series of four standalone all-day seminars, running from Monday 29 July – Thursday 1 August.

    MIFF will also host an array of leading Australian talent featured in this year’s festival program. Walking the red carpet on Saturday 3 August for the world premiere of this year’s Centrepiece Gala Tim Winton’s The Turning will be Tim Winton, Robert Connolly, Mia Wasikowska, Tony Ayres, Warwick Thornton, Rhys Graham, Hugo Weaving and producer Maggie Miles. Tim Winton’s The Turning is part of the 2013 MIFF Premiere Fund slate.

    Australian thriller Patrick is another film from this year’s MIFF Premiere Fund that will have its world premiere on Saturday 27 July. Director Mark Hartley (Not Quite Hollywood, MIFF ‘08) reinterprets the classic Aussie horror flick and will be attending alongside cast including Rachel Griffiths, Peta Sergeant, Damon Gameau, Jackson Gallagher, Simone Buchanan and producer Antony I. Ginnane. Other Premiere Fund guests include: writer/director Anna Broinowski (Forbidden Lie$, MIFF ‘07) and producer Lizzette Atkins, with the revolutionary film within a film, Aim High in Creation!, based on the creative manifesto by North Korea’s late leader Kim Jong-il; writer/director Rhys Graham (Words from the City, MIFF ‘07), who tells the story of four teens whose lives are forever scarred by tragedy in Galore, will be joined by cast members Lily Sullivan and Maya Stange and producer Philippa Campey; writer/director Lynn-Maree Milburn (Autoluminescent: Roland S Howard, MIFF ‘11), who shines the spotlight on local Catholic provocateur Father Bob Maguire in the documentary In Bob We Trust, will be joined by Father Bob Maguire, producerRichard Lowenstein and cinematographer Andrew de Groot; and writer/director Zak Hilditch, actor Nathan Phillips (Wolf Creek), rising star Angourie Rice and producerLiz Kearney will be in town to present the apocalyptic thriller These Final Hours.

    Music lovers are in for a treat with a number of Australian talent attending this year’s festival including local punk rock band Cosmic Psychos and Matt Weston, the director of Cosmic Psychos: Blokes you can Trust, which charts the colourful three-decade history of the group; director Kaye Harrison with The Sunnyboy, a film about rock, redemption and the healing power of getting the band back together one last time; and director Juliet Lamont and documentary subject Nikki May with Miss Nikki and the Tiger Girls, the insightful documentary of Burma’s first girl band.

    MIFF’s home-grown contingent of guests continues with legendary surfer Wayne Lynch, the documentary subject of Uncharted Waters by director Craig Griffin, which follows Wayne’s career and the evolutionary influence he had on the sport. Director Kim Mordaunt will be in town to present the multi-award-winning feature, The Rocket, a heart-warming coming of age story set in war-ravaged Laos. Other Australian guests include Lawrence Johnston, director of Fallout about the untold story of Nevil Shute’s famed novel On The Beach and the film of the same name; Award-winning director Ivan Sen (Toomelah, MIFF 11), director of Australian thriller Mystery Road and cast members Aaron Pedersen, Jack Charles and Damian Walshe-Howling; Steve Ostrow, documentary subject of Continental, which explores the notorious venue that sparked a revolution and cemented its place in legend; Haydn Keenan, director of the extraordinary TV series Persons of Interest; Warwick Ross and David Roach, co-directors of Red Obsession which charts the modern fortunes of Bordeaux’s most famous export; Shannon Swan and Angelo Pricolo, co-directors of Lygon Street – Si Parla Italiano, the true story of Melbourne’s most iconic street, as told by the men and women who made it; and from the made-for-ABC-TV Nowhere Boys, by the prolific Matchbox Pictures, director Daina Reid and cast will attend the screening.

    Melbourne International Film Festival runs 25 July – 11 August 2013.

    via press release

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  • The Good, The Bad, and the Horrific: Indie Horror Movies at Film Festivals

    The Blair Witch ProjectThe Blair Witch Project

    We can probably all recall the first time we ever watched a horror film that truly scared us. There’s something so oddly enjoyable about watching scary movies, and though films in the horror genre are not often critical favorites they have started to turn up more often in a surprising place: film festivals.

    Truly, this really isn’t surprising from a business standpoint. First, horror is a genre that has one of the most dedicated fanbases. There aren’t many websites out there solely devoted to Westerns or comedies, but there are hundreds of websites strictly devoted to all things horror.

    Horror films are also popular with first time directors because they tend to be cheaper to make than nearly any other genre. Because of dark lightning, limited casts, and other factors, horror films can be made cheaply – and even more cheaply if made using affordable digital cameras to produce the “found footage” effect. While indie dramas might boost one or two perhaps expensive familiar faces to draw audiences, horror filmmakers know that the scares are the true “stars” of the film and have no issue with hiring amateur or rookie actors for little or no money.

    Many don’t immediately associate horror films with independent film festivals, but all one has to do to gauge the significant role that horror plays in film festivals is to look at the most well-known U.S. film festival, Sundance. Three of the most successful movies in the U.S. box office to make their U.S. premieres at Sundance were not indie dramas but 28 Days Later, Saw, and The Blair Witch Project. In fact, despite other Sundance films garnering immense critical praise and countless prestigious awards, it’s hard to argue against the nearly $900 million Saw and its six sequels collectively made at the worldwide box office.

    As a result, film festivals have recently increased their horror film programming, with an increasing amount hosting midnight screenings for devoted horror film fans. These are certainly a good idea from a festival promotional standpoint, as it draws fans of horror films to festivals who might not normally attend a film festival with more traditional indie dramas and experimental films.

    However, one problem with this is the issue of quality. Again, horror films can be made on extremely low budgets (very often less than $100,000), and the popular found footage style keeps costs down even more. While some talented filmmakers can produce brilliant low budget horror films, it’s not something that anyone with a camera can do. In particular, the once-groundbreaking found footage style that The Blair Witch Project helped pioneer in 1999 has been… well, overdone over the last decade and a half. I’ve seen enough bad found footage horror movies at recent film festivals and on DVD to know that few filmmakers are doing anything new with the style. I’m not alone in this assessment – many such films have scored extremely low with even critics who write for websites devoted to horror films, and several haven’t even gotten any sort of release meaning that they haven’t even made back the low budget invested in them.

    Obviously I’m a huge supporter of indie filmmaking, but I feel that the increased acceptance of horror films shouldn’t be taken as encouragement for indie filmmakers to ALWAYS go the cheap route when making their first horror feature knowing that their film could be accepted regardless of budget.

    Of course filmmaking is expensive – that goes without saying – but just because the “found footage” style means one can shoot a film at low cost doesn’t mean that it’s right for every indie horror film. Filmmakers should take a cue from The Blair Witch directors, who attempted to do something that seemed totally original back in the late 1990s and try to break new ground in horror filmmaking. There’s a reason horror remains so popular with audiences, but it is truly groundbreaking horror films like Psycho, The Exorcist, Halloween, Night of the Living Dead and those mentioned about that remain enduring classics.

    After all, I still love seeing good movies that scares me.

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  • Documentary THE WAITING ROOM An Inside Look Behind the Doors of an Oakland Public Hospital, to Premiere on PBS

    the-waiting-room

    The documentary THE WAITING ROOM, directed by Emmy Award-winning documentary filmmaker Peter Nicks, that goes behind the doors of Oakland’s Highland Hospital, a safety-net hospital fighting for survival while weathering the storm of a persistent economic downturn, premieres on Independent Lens on Monday, October 21, 2013 as part of the first PBS Independent Film Showcase. 

    Highland is the primary care facility for 250,000 patients of nearly every nationality, race, and religion, with 250 patients — most of them uninsured — crowding its emergency room every day.The film weaves together several stories from the hundreds being played out in the waiting room: a frightened child with a dangerous case of strep throat, a young man with a testicular tumor in desperate need of surgery, as well as those suffering from chronic conditions such as alcohol and drug abuse, heart disease, and diabetes. Young victims of gun violence take their turn alongside artists and uninsured small business owners. Steel workers, cab drivers and international asylum seekers crowd the halls.

    We also meet the overwhelmed hospital staff who cope with under-staffing, insufficient beds, and a never-ending stream of ER patients who jump to the head of the line of those sitting in the waiting room. As one doctor says, Highland is “the institution of last resort for so many people.”

     http://youtu.be/15Fn32l_At8

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  • Calvin & Hobbes Documentary “DEAR MR. WATTERSON” Gets A November 15 Release Date

    Dear Mr. Watterson

    The documentary “DEAR MR. WATTERSON,” directed by Joel Allen Schroeder, which explores the phenomenon of Bill Watterson’s popular 1980s and 1990s comic strip Calvin & Hobbes, will be released in theaters and VOD on November 15, 2013 by Gravitas Ventures.

    As described by the filmmakers:

    Calvin & Hobbes dominated the Sunday comics in thousands of newspapers for over 10 years, having a profound effect on millions of readers across the globe. When the strip’s creator, Bill Watterson, retired the strip on New Year’s Eve in 1995, devoted readers everywhere felt the void left by the departure of Calvin, Hobbes, and Watterson’s other cast of characters, and many fans would never find a satisfactory replacement.

    It has now been more than a decade since the end of the Calvin & Hobbes era. Bill Watterson has kept an extremely low profile during this time, living a very private life outside of Cleveland, Ohio. Despite his quiet lifestyle, Mr. Watterson is remembered and appreciated daily by fans who still enjoy his amazing collection of work.

    Mr. Watterson has inspired and influenced millions of people through Calvin & Hobbes. Newspaper readership and book sales can be tracked and recorded, but the human impact he has had and the value of his art are perhaps impossible to measure.

    This film is not a quest to find Bill Watterson, or to invade his privacy. It is an exploration to discover why his ‘simple’ comic strip made such an impact on so many readers in the 80s and 90s, and why it still means so much to us today.

    http://youtu.be/sRnnGfuS4vU

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