• Documentary “HEY BARTENDER” from SXSW Kicks Off Theatrical Run on June 7 in NYC

    Douglas Tirola’s documentary HEY BARTENDER, which had it’s world premiere at this year’s SXSW Film Festival, will begin it’s theatrical run on June 7, 2013 in New York City at the Village East Cinema.   

    Directed by Douglas Tirola (An Omar Broadway Film, All In – The Poker Movie) and featuring a number of the world’s renowned bartenders and cocktail drinkers, HEY BARTENDER is a love story to the cocktail and the people who make them. The film gives insider access to the most exclusive bars in New York, chronicling the story of the comeback of the cocktail and the rebirth of the bartender. The film also features commentary from some of New York City’s best cocktail hosts including Graydon Carter, Danny Meyer, Amy Sacco, and Frank Pelligrini of Raos, among others.  

    On June 7th the film will be released at the Village East Cinema in New York City and on June 14th the film will spread into ten more markets including Sundance Select in Los Angeles, the Denver Film Center, and the Gaslamp Theater in San Diego.  The film will continue to open in various markets across the country throughout the summer and early fall, including the Roxie in San Francisco on June 28th and The O-Cinema in Miami on July 12th.   

    http://youtu.be/ZLHdqCXe-OM

     

    Read more


  • LA Jewish Film Festival to Feature THE LAST WHITE KNIGHT to Commemorate Assassination of Civil Rights Leader Medgar Evans

    The LA Jewish Film Festival, will commemorate the 50th anniversary of the assassination of civil rights leader Medgar Evers with the screening of THE LAST WHITE KNIGHT: IS RECONCILIATION POSSIBLE?  The Los Angeles Jewish Film Festival will run June 1 – 6, 2013.

    THE LAST WHITE KNIGHT: IS RECONCILIATION POSSIBLE? discusses Paul Saltzman’s experience as a civil rights worker in Mississippi in 1965 and his return in 2007 to find the KKK member who had assaulted him.  Is reconciliation possible? His assailant was Byron de la Beckwith Jr., whose father, Byron de la Beckwith Sr., murdered NAACP Field Secretary Medgar Evers

    http://youtu.be/85z_pYawYJM

    Read more


  • Mark Cousins, Director of Documentary, “A STORY OF CHILDREN AND FILM” at Cannes Film Festival

    Mark Cousins, director of documentary, “A STORY OF CHILDREN AND FILM”  – official selection at the 2013 Cannes Film Festival, Cannes Classics – in The Cannes Movie Stars Lounge.

    “A STORY OF CHILDREN AND FILM” is described by the festival as a personal and poetic essay by Mark Cousins which explores what cinema tells us about childhood, and what childhood tells us about cinema, by reference to movies from all around the world. The
    is also described as the world’s first movie about kids in global cinema … as seen through 53 great films from 25 countries. 

    Read more


  • Oscar winning Italian director Bernardo Bertolucci at 2013 Cannes Film Festival

    Bernardo Bertolucci, the 9-time Oscar winning Italian director and screenwriter of “The Last Emperor”, whose movies include “Last Tango in Paris” (1972), “The Sheltering Sky” (1990), and “The Dreamers” (2003) in The Cannes Movie Stars Lounge at the 66th annual Cannes Film Festival. During the opening ceremony of the 2011 Cannes Film Festival, Mr. Bertolucci was awarded the “Palme d’Honneur” for his life’s work in film.

    The director is in Cannes to present his movie, “The Last Emperor”, which is in the 66th Festival de Cannes Classics Selection. Mr. Bertolucci met with the press in the Cannes Movie Stars Lounge for afternoon TV and print interviews. 

    Read more


  • Eighteen Projects by African Filmmakers Selected for Durban FilmMart at 34th Durban International Film Festival

    Eighteen film projects by African filmmakers have been selected for the finance forum of the Durban FilmMart (DFM) which takes place from July 19 to 22 during the 34th Durban International Film Festival held July 18 to 28 in Durban South Africa.

    The Durban FilmMart (DFM) is a co-production and finance market and is a joint program of the Durban Film Office (DFO) and the Durban International Film Festival (DIFF). DFM provides filmmakers from across Africa a valued opportunity to pitch projects to financiers, distributors, sales agents and potential co-producers, and participate in meetings, project presentations and a series of master classes and workshops on latest industry trends.

    Selected Documentaries

    Blindness (South Africa): Directed by Sarah Ping Nie Jones and produced by Jean Meeran  
    Behind the Falls (South Africa): Directed by Rowan Pybus and produced by  Sydelle Willow Smith
    Miners Shot Down (South Africa): Directed/Produced by Rehad Desai, produced/written and co-directd by Anita Khanna and produced by Brian Tilley 
    Not Just a Stripper (South Africa): Directed and produced by Izette Mostert 
    GTI – Paradise in Hell (Rwanda): Directed and produced by Yves Montand 
    Searching for Janitou (Algeria): Directed by Mohamed el Amine Hattou and produced by Anusha Nandakumar and co-produced by Claire Mazeau-Karoum 
    Unearthed (South Africa): Directed and produced by Jolynn Minnaar
    We Want Development (Kenya): Directed by Phillipa Ndisi-Hermann and produced by Atieno Odenyo 

    Selected Fiction Projects

    Andani and the Mechanic (South Africa): Directed and produced by Sara Blecher 
    Black Sunshine (Ghana): Directed by Akosua Adoma Owusu and co-produced by Julio Chavezmontes and Angele Diabang
    Five Fingers for Marseilles (South Africa): Directed and produced by Michael Matthews and written and produced by Sean Drummond 
    Free the Town (Kenya): Directed by Nikyatu Jusu and produced by Vincho Nchogu 
    Life More or Less (Nigeria): Directed by Julius Morno and produced by Kinsley Madueke 
    Njangi- Fifty Fifty (Cameroon): Directed and produced by Victor Viyuoh 
    Sea Monster (South Africa): Directed by Anthony Silverston and co-produced by  Stuart Forrest and Mike Buckland 
    Solidarity (Zambia): Directed by Rungano Nyoni and produced by Juliette Grandmont 
    The Bill (South Africa): Directed by Nosipho Dumisa and produced by Travis Taute 
    Whiplash (South Africa): Directed by Meg Rickards and produced by Jacky Lourens 

    The 4th edition of the Durban FilmMart takes place from July 19-22 2013, during the 34th edition of the DIFF (18-28 July 2012).

    Image: From top left clockwise

    Julius Morno (Life More or Less – Nigeria); Victor Viyuoh (Njangi- Fifty Fifty – Cameroon); Rehad Desai (Miners Shot Down – South Africa); Izette Mostert (Not Just a Stripper – South Africa); Phillipa Ndisi-Hermann (We Want Development – Kenya); Nikkia Moulterie

    Read more


  • Weinstein Co Grabs “BLUE RUIN” at Cannes Film Festival for Fall 2013 Release Date

    BLUE RUIN, one of the select few American films world premiering in Director’s Fortnight at this year’s Cannes Film Festival is expected to get a Fall 2013 US release date after being snagged by The Weinstein Co.’s label RADiUS – TWC.

    Written and directed by Jeremy Saulnier’s whose first feature MURDER PARTY was a cult hit, BLUE RUIN tells the story of a man who finds his quiet life upended by unwelcome news and subsequently sets off for his childhood home to carry out an act of revenge. Proving an improbable assassin, he winds up in a brutal fight to protect his estranged family.”

    http://youtu.be/uIwzTUzmXto

    Read more


  • Tribeca Film Fetival Winner “THE ROCKET ” Expected to Get Fall 2013 Release Date

    Kino Lorber is expected to release the award winning film “THE ROCKET” in US theaters this Fall 2013 after it snagged the top awards early this year at this year’s Tribeca Film Festival and Berlin Film Festival. 

    THE ROCKET, the first feature film from director and writer Kim Mordaunt, won the Best Narrative Feature award, the Audience Award for Best Narrative Film and the Best Actor in a Narrative Feature award for 10-year-old Sitthiphon Disamoe at the 2013 Tribeca Film Festival; and the Crystal Bear – Generation Kplus prize for Best Film, Best First Feature award and The Amnesty International Award at the 2013 Berlin International Film Festival.

    The film is set in contemporary Laos and tells the story of a boy named Ahlo, played by Sitthiphon Disamoe, who is believed to be a bearer of bad luck and is therefore blamed for a string of disasters – including his mother’s death. When his family loses their home and is forced to move, Ahlo meets the spirited orphan Kia and her eccentric uncle Purple: an ex-soldier with a purple suit, a rice-wine habit and an unbridled love for James Brown.


     
    Struggling to hang onto his father’s trust, Ahlo leads his family, Purple and Kia through a land scarred by war in search of a new home. But bad luck seems to follow Ahlo, and in a last plea to prove he’s not cursed, Ahlo builds a giant explosive rocket to enter the most lucrative but dangerous competition of the year: The Rocket Festival.”

    http://youtu.be/dDxt4gKyGfo

    Read more


  • Champion Snowboarder Kevin Pearce Documentary “THE CRASH REEL” on Course for Winter 2013 Release Date

    Phase 4 Films is planning an early Winter 2013 theatrical release in the US for Academy-Award nominated filmmaker Lucy Walker’s documentary “THE CRASH REEL” which premiered earlier this year at 203 Sundance Film Festival.

    THE CRASH REEL” tells the story of U.S. champion snowboarder Kevin Pearce using years of verite footage to expose the excitement and appeal, as well as the high stakes, of participating in extreme-action sports coupled with a soundtrack that includes music from Chemical Brothers, Underworld, and Moby.

    Read more


  • METRO MANILA from Sundance Film Festival To Get US Release

    Sean Ellis’ acclaimed thriller, METRO MANILA, which had its world premiere at this year’s Sundance Film Festival where it won the Audience Award for “Best Film” in the World Cinema dramatic competition will be released in the US by distribution partners 108 Media and Paladin.

    METRO MANILA centers around Oscar Ramirez, a poor rice farmer from the Northern Philippine mountains, who moves his family to the capital mega-city of Metro Manila in search of a better life. The sweltering capital’s bustling intensity soon overwhelms the Ramirezes, and they fall prey to the manipulations of hardened locals. Left penniless, Oscar gets a lucky break when he is offered steady work at an armored truck company and is taken under the wing of its friendly senior officer, Ong.  Grateful for the job, Oscar doesn’t realize how dangerous it is; after all, Manila is a city where machine gun-wielding security guards are seen in every shop, from banks and jewelry stores to Starbucks, and where armed robbery has become a daily occurrence. Driving a cash-laden armored truck makes Oscar a moving target, but robbery isn’t the only danger he faces: when it becomes apparent that Ong was lying in wait for someone just like Oscar for some time, and that his motives for hiring him were far from altruistic, Oscar finds himself ensnared in a web of intrigue far more perilous than anything he faces on the mean streets of Manila.

    http://youtu.be/UjQK6rOWXTY

    Read more


  • SEE a Clip from WE ARE WHAT WE ARE Playing at Cannes Film Festival

    See the first “Official” clip of the Cannes Film Festival’s Directors’ Fortnight film, WE ARE WHAT WE ARE, directed by Jim Mickle, and starring Julia Garner.

    In WE ARE WHAT WE ARE, a re-imagining of the 2010 Mexican film of the same name, Jim Mickle paints a gripping and gruesome portrait of an introverted family struggling to keep their macabre traditions alive.

    A seemingly wholesome and benevolent family, the Parkers have always kept to themselves, and for good reason. Behind closed doors, patriarch Frank (Bill Sage, BOARDWALK EMPIRE) rules his family with a rigorous ferver, determined to keep his ancestral customs intact at any cost.  As a torrential rainstorm moves into the area, tragedy strikes and his daughters Iris (Ambyr Childers) and Rose (Julia Garner) are forced to assume responsibilities that extend beyond those of a typical family.  As the unrelenting downpour continues to flood their small town, the local authorities begin to uncover clues that bring them closer to the secret that the Parkers have held closely for so many years.

    WE ARE WHAT WE ARE also stars Michael Parks (DJANGO UNCHAINED), Kelly McGillis (STAKELAND), Nick Damici (STAKELAND), Wyatt Russell (THIS IS 40) and newcomer Jack Gore. WE ARE WHAT WE ARE was written by Mickle and Damici.  The two previously collaborated on the screenplays for Mickle’s first two features, MULBERRY STREET and STAKELAND (winner of the “Midnight Madness” Audience Award at the 2010 Toronto International Film Festival).

    http://youtu.be/ZwZj7pRnsP0

    Read more


  • REVIEW: The Moment

    by Morgan Davies

    The Moment, the sophomore feature from director Jane Weinstock, is a slippery film: we never quite know whether what we’re seeing is reality or filtered through protagonist Lee’s unstable mind. Lee, a war photographer played by Jennifer Jason Leigh, is first convinced that her ex-boyfriend John (Martin Henderson) is missing, then that she murdered him, but as her therapist reminds her, any of her particularly intense convictions could simply be fantasies. She is suffering from PTSD from her wartime experiences and injuries, and has moved from a rehab facility for the body (where she met John) to one for her mind.

    Lee can’t trust herself and we can’t trust Lee, or the film, which seems at times to be the mere product of her disordered, haunted psyche. Weinstock returns again and again to certain images and moments, changing them subtly each time, until they become almost dreamlike, a surreal, kaleidoscopic sequence of repetitions. Over and over again, Lee opens the refrigerator and sees (or doesn’t see) the leftover morphine from John’s hospital stay, takes (or doesn’t take) it out, pours (or doesn’t pour) it into his wineglass on the night when she last saw him. And though John may be gone, Lee cannot quite let go of him – she sees him in the form of one of her co-patients at the hospital, also played (for the most part) by Henderson. The purity of the frame cracks and crumbles as it attempts to follow her through the fractured narrative of her life. How can she possibly uncover the mystery of what really happened to John and what is really going on with her quasi-estranged daughter (Alia Shawkat) if she can’t trust her own memories? How can we?

    The Moment plays with these concepts in consistently interesting ways, and the actors – Leigh in particular – all give capable, persuasive performances that can seem as rewardingly ambiguous as the film itself, at least until its conclusion, which is disappointingly straightforward. Weinstock’s desire to probe the inconsistencies of memory and personality is admirable and engaging, but does not always succeed: some moments feel a little too on-the-nose, and her use of a handheld camera in the “present” portions of the film is unnecessary and alienating. There is something a little inaccessible about the movie from an aesthetic point of view that makes it difficult for the viewer to allow herself to be utterly swept away by the narrative, no matter how compelling we might find the central character.

    http://youtu.be/OY1In2lqUf4

    Read more


  • Documentary “FREE CHINA: THE COURAGE TO BELIEVE” to Open in LA on May 31 and New York City on June 7

    The documentary, FREE CHINA: THE COURAGE TO BELIEVE,  directed by Michael Perlman (Tibet: Beyond Fear), in which survivors of Chinese forced labor prisons share their stories, opens in LA on May 31 and New York City on June 7. The film will also be released online on June 4th, which marks the historic anniversary of the Tiananmen Square Massacre.

    The filmmakers will also host the Be the Voice of Freedom! Concert on Sunday, May 19, from 8 – 11 pm ET, at SPiN, Susan Sarandon’s Ping Pong Social Club in New York City.  The concert marks the launch of the ICONS UNITE YouTube channel and the theatrical release of FREE CHINA: THE COURAGE TO BELIEVE. 

    The Be the Voice of Freedom! Concert will mark the first live performance of the FREE CHINA: THE COURAGE TO BELIEVE theme song, The Courage to Believe, sung by award-winning composer Tony Chen as well the first public screening of The Courage to Believe music video performed by Q’orianka Kilcher who starred as Pocahontas in Terrence Malick’s The New World. 

    http://youtu.be/KtCY4apulLg

    Read more