• Oscar winning Italian director Bernardo Bertolucci at 2013 Cannes Film Festival

    Bernardo Bertolucci, the 9-time Oscar winning Italian director and screenwriter of “The Last Emperor”, whose movies include “Last Tango in Paris” (1972), “The Sheltering Sky” (1990), and “The Dreamers” (2003) in The Cannes Movie Stars Lounge at the 66th annual Cannes Film Festival. During the opening ceremony of the 2011 Cannes Film Festival, Mr. Bertolucci was awarded the “Palme d’Honneur” for his life’s work in film.

    The director is in Cannes to present his movie, “The Last Emperor”, which is in the 66th Festival de Cannes Classics Selection. Mr. Bertolucci met with the press in the Cannes Movie Stars Lounge for afternoon TV and print interviews. 

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  • Eighteen Projects by African Filmmakers Selected for Durban FilmMart at 34th Durban International Film Festival

    Eighteen film projects by African filmmakers have been selected for the finance forum of the Durban FilmMart (DFM) which takes place from July 19 to 22 during the 34th Durban International Film Festival held July 18 to 28 in Durban South Africa.

    The Durban FilmMart (DFM) is a co-production and finance market and is a joint program of the Durban Film Office (DFO) and the Durban International Film Festival (DIFF). DFM provides filmmakers from across Africa a valued opportunity to pitch projects to financiers, distributors, sales agents and potential co-producers, and participate in meetings, project presentations and a series of master classes and workshops on latest industry trends.

    Selected Documentaries

    Blindness (South Africa): Directed by Sarah Ping Nie Jones and produced by Jean Meeran  
    Behind the Falls (South Africa): Directed by Rowan Pybus and produced by  Sydelle Willow Smith
    Miners Shot Down (South Africa): Directed/Produced by Rehad Desai, produced/written and co-directd by Anita Khanna and produced by Brian Tilley 
    Not Just a Stripper (South Africa): Directed and produced by Izette Mostert 
    GTI – Paradise in Hell (Rwanda): Directed and produced by Yves Montand 
    Searching for Janitou (Algeria): Directed by Mohamed el Amine Hattou and produced by Anusha Nandakumar and co-produced by Claire Mazeau-Karoum 
    Unearthed (South Africa): Directed and produced by Jolynn Minnaar
    We Want Development (Kenya): Directed by Phillipa Ndisi-Hermann and produced by Atieno Odenyo 

    Selected Fiction Projects

    Andani and the Mechanic (South Africa): Directed and produced by Sara Blecher 
    Black Sunshine (Ghana): Directed by Akosua Adoma Owusu and co-produced by Julio Chavezmontes and Angele Diabang
    Five Fingers for Marseilles (South Africa): Directed and produced by Michael Matthews and written and produced by Sean Drummond 
    Free the Town (Kenya): Directed by Nikyatu Jusu and produced by Vincho Nchogu 
    Life More or Less (Nigeria): Directed by Julius Morno and produced by Kinsley Madueke 
    Njangi- Fifty Fifty (Cameroon): Directed and produced by Victor Viyuoh 
    Sea Monster (South Africa): Directed by Anthony Silverston and co-produced by  Stuart Forrest and Mike Buckland 
    Solidarity (Zambia): Directed by Rungano Nyoni and produced by Juliette Grandmont 
    The Bill (South Africa): Directed by Nosipho Dumisa and produced by Travis Taute 
    Whiplash (South Africa): Directed by Meg Rickards and produced by Jacky Lourens 

    The 4th edition of the Durban FilmMart takes place from July 19-22 2013, during the 34th edition of the DIFF (18-28 July 2012).

    Image: From top left clockwise

    Julius Morno (Life More or Less – Nigeria); Victor Viyuoh (Njangi- Fifty Fifty – Cameroon); Rehad Desai (Miners Shot Down – South Africa); Izette Mostert (Not Just a Stripper – South Africa); Phillipa Ndisi-Hermann (We Want Development – Kenya); Nikkia Moulterie

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  • Weinstein Co Grabs “BLUE RUIN” at Cannes Film Festival for Fall 2013 Release Date

    BLUE RUIN, one of the select few American films world premiering in Director’s Fortnight at this year’s Cannes Film Festival is expected to get a Fall 2013 US release date after being snagged by The Weinstein Co.’s label RADiUS – TWC.

    Written and directed by Jeremy Saulnier’s whose first feature MURDER PARTY was a cult hit, BLUE RUIN tells the story of a man who finds his quiet life upended by unwelcome news and subsequently sets off for his childhood home to carry out an act of revenge. Proving an improbable assassin, he winds up in a brutal fight to protect his estranged family.”

    http://youtu.be/uIwzTUzmXto

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  • Tribeca Film Fetival Winner “THE ROCKET ” Expected to Get Fall 2013 Release Date

    Kino Lorber is expected to release the award winning film “THE ROCKET” in US theaters this Fall 2013 after it snagged the top awards early this year at this year’s Tribeca Film Festival and Berlin Film Festival. 

    THE ROCKET, the first feature film from director and writer Kim Mordaunt, won the Best Narrative Feature award, the Audience Award for Best Narrative Film and the Best Actor in a Narrative Feature award for 10-year-old Sitthiphon Disamoe at the 2013 Tribeca Film Festival; and the Crystal Bear – Generation Kplus prize for Best Film, Best First Feature award and The Amnesty International Award at the 2013 Berlin International Film Festival.

    The film is set in contemporary Laos and tells the story of a boy named Ahlo, played by Sitthiphon Disamoe, who is believed to be a bearer of bad luck and is therefore blamed for a string of disasters – including his mother’s death. When his family loses their home and is forced to move, Ahlo meets the spirited orphan Kia and her eccentric uncle Purple: an ex-soldier with a purple suit, a rice-wine habit and an unbridled love for James Brown.


     
    Struggling to hang onto his father’s trust, Ahlo leads his family, Purple and Kia through a land scarred by war in search of a new home. But bad luck seems to follow Ahlo, and in a last plea to prove he’s not cursed, Ahlo builds a giant explosive rocket to enter the most lucrative but dangerous competition of the year: The Rocket Festival.”

    http://youtu.be/dDxt4gKyGfo

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  • Champion Snowboarder Kevin Pearce Documentary “THE CRASH REEL” on Course for Winter 2013 Release Date

    Phase 4 Films is planning an early Winter 2013 theatrical release in the US for Academy-Award nominated filmmaker Lucy Walker’s documentary “THE CRASH REEL” which premiered earlier this year at 203 Sundance Film Festival.

    THE CRASH REEL” tells the story of U.S. champion snowboarder Kevin Pearce using years of verite footage to expose the excitement and appeal, as well as the high stakes, of participating in extreme-action sports coupled with a soundtrack that includes music from Chemical Brothers, Underworld, and Moby.

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  • METRO MANILA from Sundance Film Festival To Get US Release

    Sean Ellis’ acclaimed thriller, METRO MANILA, which had its world premiere at this year’s Sundance Film Festival where it won the Audience Award for “Best Film” in the World Cinema dramatic competition will be released in the US by distribution partners 108 Media and Paladin.

    METRO MANILA centers around Oscar Ramirez, a poor rice farmer from the Northern Philippine mountains, who moves his family to the capital mega-city of Metro Manila in search of a better life. The sweltering capital’s bustling intensity soon overwhelms the Ramirezes, and they fall prey to the manipulations of hardened locals. Left penniless, Oscar gets a lucky break when he is offered steady work at an armored truck company and is taken under the wing of its friendly senior officer, Ong.  Grateful for the job, Oscar doesn’t realize how dangerous it is; after all, Manila is a city where machine gun-wielding security guards are seen in every shop, from banks and jewelry stores to Starbucks, and where armed robbery has become a daily occurrence. Driving a cash-laden armored truck makes Oscar a moving target, but robbery isn’t the only danger he faces: when it becomes apparent that Ong was lying in wait for someone just like Oscar for some time, and that his motives for hiring him were far from altruistic, Oscar finds himself ensnared in a web of intrigue far more perilous than anything he faces on the mean streets of Manila.

    http://youtu.be/UjQK6rOWXTY

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  • SEE a Clip from WE ARE WHAT WE ARE Playing at Cannes Film Festival

    See the first “Official” clip of the Cannes Film Festival’s Directors’ Fortnight film, WE ARE WHAT WE ARE, directed by Jim Mickle, and starring Julia Garner.

    In WE ARE WHAT WE ARE, a re-imagining of the 2010 Mexican film of the same name, Jim Mickle paints a gripping and gruesome portrait of an introverted family struggling to keep their macabre traditions alive.

    A seemingly wholesome and benevolent family, the Parkers have always kept to themselves, and for good reason. Behind closed doors, patriarch Frank (Bill Sage, BOARDWALK EMPIRE) rules his family with a rigorous ferver, determined to keep his ancestral customs intact at any cost.  As a torrential rainstorm moves into the area, tragedy strikes and his daughters Iris (Ambyr Childers) and Rose (Julia Garner) are forced to assume responsibilities that extend beyond those of a typical family.  As the unrelenting downpour continues to flood their small town, the local authorities begin to uncover clues that bring them closer to the secret that the Parkers have held closely for so many years.

    WE ARE WHAT WE ARE also stars Michael Parks (DJANGO UNCHAINED), Kelly McGillis (STAKELAND), Nick Damici (STAKELAND), Wyatt Russell (THIS IS 40) and newcomer Jack Gore. WE ARE WHAT WE ARE was written by Mickle and Damici.  The two previously collaborated on the screenplays for Mickle’s first two features, MULBERRY STREET and STAKELAND (winner of the “Midnight Madness” Audience Award at the 2010 Toronto International Film Festival).

    http://youtu.be/ZwZj7pRnsP0

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  • REVIEW: The Moment

    by Morgan Davies

    The Moment, the sophomore feature from director Jane Weinstock, is a slippery film: we never quite know whether what we’re seeing is reality or filtered through protagonist Lee’s unstable mind. Lee, a war photographer played by Jennifer Jason Leigh, is first convinced that her ex-boyfriend John (Martin Henderson) is missing, then that she murdered him, but as her therapist reminds her, any of her particularly intense convictions could simply be fantasies. She is suffering from PTSD from her wartime experiences and injuries, and has moved from a rehab facility for the body (where she met John) to one for her mind.

    Lee can’t trust herself and we can’t trust Lee, or the film, which seems at times to be the mere product of her disordered, haunted psyche. Weinstock returns again and again to certain images and moments, changing them subtly each time, until they become almost dreamlike, a surreal, kaleidoscopic sequence of repetitions. Over and over again, Lee opens the refrigerator and sees (or doesn’t see) the leftover morphine from John’s hospital stay, takes (or doesn’t take) it out, pours (or doesn’t pour) it into his wineglass on the night when she last saw him. And though John may be gone, Lee cannot quite let go of him – she sees him in the form of one of her co-patients at the hospital, also played (for the most part) by Henderson. The purity of the frame cracks and crumbles as it attempts to follow her through the fractured narrative of her life. How can she possibly uncover the mystery of what really happened to John and what is really going on with her quasi-estranged daughter (Alia Shawkat) if she can’t trust her own memories? How can we?

    The Moment plays with these concepts in consistently interesting ways, and the actors – Leigh in particular – all give capable, persuasive performances that can seem as rewardingly ambiguous as the film itself, at least until its conclusion, which is disappointingly straightforward. Weinstock’s desire to probe the inconsistencies of memory and personality is admirable and engaging, but does not always succeed: some moments feel a little too on-the-nose, and her use of a handheld camera in the “present” portions of the film is unnecessary and alienating. There is something a little inaccessible about the movie from an aesthetic point of view that makes it difficult for the viewer to allow herself to be utterly swept away by the narrative, no matter how compelling we might find the central character.

    http://youtu.be/OY1In2lqUf4

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  • Documentary “FREE CHINA: THE COURAGE TO BELIEVE” to Open in LA on May 31 and New York City on June 7

    The documentary, FREE CHINA: THE COURAGE TO BELIEVE,  directed by Michael Perlman (Tibet: Beyond Fear), in which survivors of Chinese forced labor prisons share their stories, opens in LA on May 31 and New York City on June 7. The film will also be released online on June 4th, which marks the historic anniversary of the Tiananmen Square Massacre.

    The filmmakers will also host the Be the Voice of Freedom! Concert on Sunday, May 19, from 8 – 11 pm ET, at SPiN, Susan Sarandon’s Ping Pong Social Club in New York City.  The concert marks the launch of the ICONS UNITE YouTube channel and the theatrical release of FREE CHINA: THE COURAGE TO BELIEVE. 

    The Be the Voice of Freedom! Concert will mark the first live performance of the FREE CHINA: THE COURAGE TO BELIEVE theme song, The Courage to Believe, sung by award-winning composer Tony Chen as well the first public screening of The Courage to Believe music video performed by Q’orianka Kilcher who starred as Pocahontas in Terrence Malick’s The New World. 

    http://youtu.be/KtCY4apulLg

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  • Mountainfilm Reveals Full 35th Film Line Up incl “URANIUM DRIVE-IN,” “MAIDENTRIP”

    [caption id="attachment_3895" align="alignnone" width="550"]Uranium Drive-In[/caption]

    The 35th Mountainfilm in Telluride festival will run Memorial Day Weekend, May 24 to May 27, 2013 in Telluride, Colorado OA and according to Festival Director David Holbrooke, “This is one of the strongest years for documentaries that we’ve ever seen.” “From films we scouted at the earlier festivals in the year — Sundance, SXSW and Tribeca — to our own submissions, there just seemed to be an unusual number of really fine films for consideration.”

    The films range from shorts of just a few minutes to feature-length films, and they cover a spectrum of topics that ranges from adventure and action sports to pressing environmental and social issues.

    Highlighted films include:

    The Crash Reel – Directed by Lucy Walker whose past Mountainfilm screenings include Waste Land and The Tsunami and the Cherry Blossom, the film profiles professional snowboarder Kevin Pearce, one of the very few competitors to ever stand above Shaun White on a podium, and his recovery from a traumatic brain injury suffered in half-pipe training. With Walker and Pearce, in person.

    Maidentrip – Directed by Jillian Schlesinger and winner of the SXSW Audience Choice award, the film portrays teenage sailor Laura Dekker and her record-setting solo trip around the world.

    Manhunt – Directed by Greg Barker, Manhunt traces with meticulous detail the two-decade hunt for Osama bin Laden. With Barker and a CIA analyst and a CIA operative, in person.

    Dirty Wars – Directed by Richard Rowley who followed investigative reporter Jeremy Scahill, author of international bestseller Blackwater, to shed light on America’s murky covert wars in Afghanistan, the Arabian peninsula, Somalia and beyond. With NY Times and International Herald Tribune columnist Roger Cohen, in person.

    Rising From Ashes – Directed by T. G. Johnstone and produced and narrated by Forest Whitaker. Rwandan genocide survivors struggle to realize their dream of forming a national cycling team.

    God Loves Uganda – Directed by Roger Ross Williams whose Academy Award-winning short Music by Prudence and star Prudence Mathena, so moved Mountainfilm audiences in 2010, this film focuses on American Christians who go to Uganda to proselytize while also bringing an anti-gay message. With Williams, in person.

    Life According to Sam – Directed by Sean and Andrea Nix Fine, this film tells the story of Sam Berns who suffers from progeria, an extremely rare and fatal disease, and of the courageous fight by his parents to save his life. With the Fines, in person, and Berns, by skype.

    Keeper of the Mountains – Directed by Allison Otto, this short documentary profiles Elizabeth Hawley who has tracked, recorded and archived every Himalayan expedition of the past half-century. With Otto, in person.

    Uranium Drive-In – Directed by Suzan Beraza, whose film Bag It galvanized Mountainfilm audiences in 2010 and won that year’s Audience Choice award, this is a world premiere about a controversial uranium processing facility planned just upwind of Telluride. With Beraza, in person.

    Film info via Mountainfilm in Telluride

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  • 13 Students From US Colleges Win 2013 Student Academy Awards

     

    Thirteen students from nine U.S. colleges and universities as well as three students from foreign universities have been selected as winners in the Academy of Motion Picture Arts and Sciences’ Student Academy Awards competition.  This year saw first-time honors go to Elon University, Occidental College and the University of Michigan in the U.S. competition, as well as to Zurich University of the Arts, Switzerland, and RITS School of Arts, Belgium, in the foreign competition. The medal placements – gold, silver and bronze – in each of the award categories will be announced at the official aawards ceremony on June 8, 2013.

    The winners are (listed alphabetically by film title):

    Alternative
    “Bottled Up,” Rafael Cortina, Occidental College
    “The Compositor,” John Mattiuzzi, School of Visual Arts 
    “Zug,” Perry Janes, University of Michigan

    Animation
    “Dia de los Muertos,” Lindsey St. Pierre and Ashley Graham, Ringling College of Art and Design
    “Peck Pocketed,” Kevin Herron, Ringling College of Art and Design
    “Will,” Eusong Lee, California Institute of the Arts

    Documentary
    “Every Tuesday: A Portrait of The New Yorker Cartoonists,” Rachel Loube, School of Visual Arts
    “A Second Chance,” David Aristizabal, University of Southern California
    “Win or Lose,” Daniel Koehler, Elon University

    Narrative
    “Josephine and the Roach,” Jonathan Langager, University of Southern California
    “Ol’ Daddy,” Brian Schwarz, University of Texas at Austin
    “Un Mundo para Raúl (A World for Raúl),” Mauro Mueller, Columbia University

    Foreign Film
    “Miss Todd,” Kristina Yee, National Film and Television School, United Kingdom
    “Parvaneh,” Talkhon Hamzavi, Zurich University of the Arts, Switzerland
    “Tweesprong (Crossroads),” Wouter Bouvijn, RITS School of Arts, Erasmus College Brussels, Belgium

    The winners will be brought to Los Angeles for a week of industry activities that will culminate in the awards ceremony, hosted by 1978 Student Academy Award winner and comedian Bob Saget, on Saturday, June 8, at 7:30 p.m. at the Academy’s Samuel Goldwyn Theater in Beverly Hills.

    The Student Academy Awards were established in 1972 to support and encourage excellence in filmmaking at the collegiate level.  Past Student Academy Award winners have gone on to receive 46 Oscar® nominations and have won or shared eight awards.  The roster includes such distinguished filmmakers as John Lasseter, Pete Docter, Robert Zemeckis, Trey Parker and Spike Lee.

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  • 11th African Diaspora International Film Festival – Chicago Releases 2013 Lineup; Opening Night Film “AFRICAN INDEPENDENCE”

    [caption id="attachment_3890" align="alignnone" width="550"]African Independence[/caption]

    The Annual African Diaspora International Film Festival – Chicago (ADIFF- Chicago) will celebrate its 11th anniversary in Chicago from June 13 to June 20, 2013. The festival will kick off with the Chicago Premiere of Opening Night Film African Independence, written, directed and produced by scholar, filmmaker and PBS History Detectives host, Professor Tukufu Zuberi. 

    African Independence retraces the history of the independence movement throughout Africa using archival footage as well as interviews with such personalities as President Kenneth Kaunda of Zambia, Hon. SamiaYaaba Nkrumah, daughter of Dr. Kwame Nkrumah- Ghana’s first President,President F.W. de Klerk of South Africa and many others. 

    ADIFF-Chicago will also screen the Chicago Premiere of award winning film from Senegal The Pirogue by Moussa Toure, an official selection in the Un Certain Regard section of 2012 Cannes Film Festival. This powerful drama in which a group of 30 men and a woman sail to Europe in a pirogue, facing the sea and the possibility of never reaching their destination in exchange for the myth of a better life in Europe. 

    Chicago based Malagasy filmmaker/actor/producer Haminiaina Ratovoarivony will present the Chicago premiere of his fiction film Legends of Madagascar , a road movie set in Madagascar that offers a fresh, young and contemporary perspective on his country.  The festival will also screen the Chicago premiere of Haitian film Maestro Issa Saieh by France Voltaire, a musical documentary that traces Maestro Issa’s contributions to the music scene in Haiti between 1942 and 1959.

    [caption id="attachment_3891" align="alignnone" width="550"]Hill and Gully[/caption]

    Other films to be presented in the festival include Hill and Gully (pictured above) by New York based independent filmmaker Patrice Johnson Chevannes, an urban Cinderella story set during 2008, the historic election year of Barack Obama; award-winning French/Algerian documentary Here We Drown Algerians by Yasmina Adi about the vicious attack by French police on a peaceful march in Paris by Algerians supporting the independence of their country on October 17, 1961; Senegal/Switzerland/Luxembourg musical documentary Return to Gorée by Pierre-Yves Borgeaud which follows Senegalese musician and current Culture Minister of Senegal, Youssou N’Dour, as he recruits musicians to prepare for a concert on the Gorée Island that today symbolizes the slave trade and stands to honor its victims.

    Also in the program are award-winning drama from Malawi Seasons of a Life by C. Shemu Joyah, a moving story about women who fights back using the Malawi legal system; award-winning short Swiss drama Objection VI by Rolando Colla about the life and death of an asylum seeker in Switzerland; the fascinating docu-drama set in French Guiana Aluku Liba, Maroon Again by Nicolas Jolliet which follows a young maroon who leaves the mines to return to his roots and traditional lifestyle; the African drama newly released on DVD Borders by Mostefa Djadjam which is a companion piece to The Pirogue as both films focus on African immigrants travelling towards Europe looking for a better life; a multicultural, multigenerational vision and presentation of the Shakespeare play Tango McBeth by Philadelphia based independent filmmaker Nadine M. Patterson; the race film from Venezuela Mestizo by Mario Handler which follows the struggles of an emotionally tortured young man son of a white rich property owner and of a poor fisher woman; and the beautiful drama from Mozambique Nelio’s Story by Solveig Nordlund about the life and dreams of a young child soldier who escapes the war and becomes a healer.

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