• Spike Lee’s Bad 25 and Lee Daniels’ The Paperboy Among New Films Added to 2012 Toronto Film Fest

    [caption id="attachment_2811" align="alignnone" width="1020"]Nicole Kidman in Lee Daniels’ The Paperboy[/caption]

    The Toronto International Film Festival has added 3 Galas and 18 Special Presentations, including 8 World Premieres, to its 2012 slate. The Festival will close with Paul Andrew Williams’ A Song For Marion, starring Vanessa Redgrave and Terence Stamp. 

    Films added include Spike Lee’s Bad 25 which celebrates the 25th anniversary of the Michael Jackson “Bad” album with unseen footage, and Lee Daniels’ The Paperboy starring Matthew McConaughey, Nicole Kidman, John Cusack, David Oyelowo and Zac Efron,

    The Toronto International Film Festival runs from September 6 to 16, 2012. 

     

     GALAS

    Closing Night Film

    Song for Marion – Paul Andrew Williams, UK (World Premiere)                                                                                                 

    A feel-good, heart-warming story about how music can inspire you. Song for Marion stars Terence Stamp as Arthur, a grumpy pensioner who can’t understand why his wife Marion (Vanessa Redgrave) would want to embarrass herself singing silly songs with her unconventional local choir. But choir director Elizabeth (Gemma Arterton) sees something special in the reluctant Arthur and refuses to give up on him. As she coaxes him out of his shell, Arthur realizes that it is never too late to change.

    Emperor – Peter Webber, Japan/USA (World Premiere)                                                                                                                            

    In the aftermath of Japan’s defeat in World War II and the American occupation of the country, a Japanese expert (Matthew Fox) on the staff of Gen. Douglas MacArthur (Tommy Lee Jones) is faced with a decision of historic importance, in this epically scaled drama from director Peter Webber (Girl With a Pearl Earring).

    What Maisie Knew – Scott McGehee, David Siegel, USA (World Premiere)

    Based on the Henry James novella, the story frames on 7-year-old Maisie, caught in a custody battle between her mother – a rock and roll icon – and her father. What Maisie Knew is an evocative portrayal of the chaos of adult life seen entirely from a child’s point of view.Starring Joanna Vanderham, Onata Aprile, Alexander Skarsgård, Julianne Moore, and Steve Coogan.

    Arthur Newman – Dante Ariola, USA (World Premiere)

    Wallace Avery is tired of being a loser. Once a hot shot in the world of competitive amateur golf, Wallace was dubbed ‘The Choker’ when he hit the pro circuit. Unable to shake off a monumental loss of nerve on the greens, Wallace retired from the pro tour and slipped into the ranks of the quietly desperate. Deciding to address a radical problem with a radical solution, he stages his own death, buys himself a new identity as Arthur Newman, and sets out toward his own private Oz of golf. An offbeat love story set in a perfect storm of identity crisis, Arthur Newman looks at how two people try to remake themselves and come around to owning up to some basic truths about the identities they left at home. Starring Emily Blunt, Colin Firth, and Anne Heche.

    Bad 25 – Spike Lee, USA (North American Premiere)

    Bad 25 celebrates the 25th anniversary of the Michael Jackson “Bad” album with unseen footage, content shot by Jackson himself, and a treasure chest of findings. The documentary is divided into two parts: artists today who were influenced by Michael, and people who worked by his side – musicians, songwriters, technicians, engineers, people at the label – all committed to Michael and the follow-up to the biggest record of all time, “Thriller.”  Interviewees include: Mariah Carey, L.A. Reid and Sheryl Crow.

    Disconnect – Henry Alex Rubin, USA  (North American Premiere)

    Disconnect interweaves multiple storylines about people searching for human connection in today’s wired world. Through poignant turns that are both harrowing and touching, the stories intersect with surprising twists that expose a shocking reality into our daily use of technology that mediates and defines our relationships and ultimately our lives. Directed by Academy Award nominee Henry Alex Rubin (Murderball), and starring Jason Bateman, Hope Davis, Frank Grillo, Paula Patton, Michael Nyqvist, Andrea Riseborough, Alexander Skarsgård, and Max Theriot, as well as Jonah Bobo, Colin Ford and Haley Ramm.

    Do Not Disturb – Yvan Attal, France (World Premiere)

    Jeff unexpectedly shows up on Ben’s doorstep at 2am. Since their college days, they’ve taken very different paths. Jeff is still the wild man, a serial lover, an artist and eternal vagabond who’s never stopped roaming the world. Ben has settled down with chilled-out and wonderful Anna; they bought a small and comfortable house in the suburbs and started trying to make a baby. But this quiet life is disrupted by the whirlwind that is Jeff, especially when he takes Ben to a wild party, from which they return at dawn, having made a decision that is about to turn all of their lives upside down. This provocative, hot and funny new film by award-winning French director Yvan Atta stars François Cluzet and Charlotte Gainsbourg.

    Greetings from Tim Buckley – Dan Algrant, USA (World Premiere)

    Greetings from Tim Buckley follows the story of the days leading up to Jeff Buckley’s eminent 1991 performance at his father’s tribute concert in St. Ann’s Church. Through a romance with a young woman working at the concert, he learns to embrace all of his feelings toward the father who abandoned him – longing, anger, forgiveness, and love. Culminating in a cathartic performance of his father’s most famous songs, Jeff’s debut stuns the audience and launches his career as one of the greatest young musicians of his time. Starring Imogen Poots and Penn Badgley.

    Lines of Wellington – Valeria Sarmiento, Portugal (North American Premiere)

    After the failed attempts of Junot and Soult in 1807 and 1809, Napoleon Bonaparte sent a powerful army, commanded by Marshal Massena, to invade Portugal in 1810. The French easily reached the centre of the country, where the Anglo-Portuguese army, led by General Wellington, was waiting. Starring John Malkovich, Nuno Lopes, Soraia Chaves, Marisa Paredes, and Victoria Guerra.

    Love is All You Need – Susanne Bier, Denmark (North American Premiere)

    Love Is All You Need is a new film by Academy Award-winner Susanne Bier. Philip (Pierce Brosnan), an Englishman living in Denmark, is a lonely, middle-aged widower and estranged single father. Ida (Trine Dyrholm) is a Danish hairdresser, recuperating from a long bout of illness, who’s just been left by her husband for a younger woman. The fates of these two bruised souls are about to intertwine, as they embark for Italy to attend the wedding of Philip’s son and Ida’s daughter. With warmth, affection and confidence, Bier has shaken a cocktail of love, loss, absurdity, humour and delicately drawn characters who will leave only the hardest heart untouched. This is a film about the simple yet profound pains and joys of moving on – and forward – with your life.

    On The Road – Walter Salles, France/Brazil (North American Premiere)

    Directed by acclaimed filmmaker Walter Salles and based on the iconic novel by Jack Kerouac, On The Road tells the provocative story of Sal Paradise (Sam Riley), a young writer whose life is ultimately redefined by the arrival of Dean Moriarty (Garrett Hedlund), a free-spirited, fearless, fast-talking Westerner and his girl, Marylou (Kristen Stewart). Traveling cross-country, Sal and Dean venture out on a personal quest for freedom from the conformity and conservatism engulfing them in search of the unknown, themselves, and the pursuit of it – the pure essence of experience. Seeking unchartered terrain and the last American frontier, the duo encounter an eclectic mix of men and women, each adding meaning to their desire for a new way of life. The screenplay is by Jose Rivera (Academy Award nominee for The Motorcycle Diaries), while Executive Producer Francis Ford Coppola has been developing the project since 1978. Also stars Viggo Mortensen and Kirsten Dunst.

    Passion – Brian De Palma, France/Germany (North American Premiere)

    An erotic thriller in the tradition of Dressed To Kill and Basic Instinct, Brian de Palma’s Passion tells the story of a deadly power struggle between two women in the dog-eat-dog world of international business. Christine possesses the natural elegance and casual ease associated with one who has a healthy relationship with money and power. Innocent, lovely and easily exploited, her admiring protégé, Isabelle, is full of cutting-edge ideas that Christine has no qualms about stealing. They’re on the same team, after all… But when Isabelle falls into bed with one of Christine’s lovers, war breaks out. Starring Rachel McAdams, Noomi Rapace, Karoline Herfurth and Paul Anderson.

    Rhino Season – Bahman Ghobadi, Iraqi Kurdistan/Turkey (World Premiere) 

    After thirty years spent in prisons of the Islamic Republic of Iran, Kurdish-Iranian poet Sahel finally walks free. Now the one thing keeping him alive is the thought of finding his wife Mina, who thinks he is long dead and has since moved to Turkey. Sahel sets out on an Istanbul-bound search. Starring Behrouz Vossoughi, Monica Bellucci and Yilmaz Erdogan.

    Spring Breakers – Harmony Korine, USA (North American Premiere)

    Four sexy college girls plan to fund their spring break getaway by burglarizing a fast food shack. But that’s only the beginning. During a night of partying, the girls hit a roadblock when they are arrested on drug charges. Hung over and clad only in bikinis, the girls appear before a judge but are bailed out unexpectedly by Alien (James Franco), an infamous local thug who takes them under his wing and leads them on the wildest spring break trip in history. Rough on the outside but with a soft spot inside, Alien wins over the hearts of the young spring breakers, and leads them on a spring break they never could have imagined. Starring Selena Gomez, James Franco, Vanessa Hudgens and Heather Morris.

    The Master – Paul Thomas Anderson, USA (North American Premiere)

    A striking portrait of drifters and seekers in post World War II America, Paul Thomas Anderson’s The Master unfolds the journey of a Naval veteran (Joaquin Phoenix) who arrives home from war unsettled and uncertain of his future — until he is tantalized by The Cause and its charismatic leader (Philip Seymour Hoffman). Starring Amy Adams, Joaquin Phoenix, Philip Seymour Hoffman and Laura Dern.

    The Paperboy – Lee Daniels, USA (North American Premiere) 

    A chilling sex-and-race-charged film noir, The Paperboy takes audiences deep into the backwaters of steamy 1960s South Florida, as investigative reporter Ward Jansen and his partner Yardley Acheman chase a sensational, career-making story with the help of Ward’s younger brother Jack and sultry death-row groupie Charlotte Bless. Starring Matthew McConaughey, Nicole Kidman, John Cusack, David Oyelowo and Zac Efron.

    The Son Did It – Daniele Ciprì, Italy/France (North American Premiere)

    The Son Did It is the story of the Ciraulos, a poor family from South Italy whose young daughter is mistakenly killed by the Mafia. As compensation, they receive a large amount of money from the State but this sudden richness will change their life in a completely unexpected way. Starring Toni Servillo, Giselda Volodi, Alfredo Castro and Fabrizio Falco.

    The Suicide Shop – Patrice Leconte, France/Belgium/Canada  (International Premiere)

    Imagine a shop that for generations has sold all the accoutrements for the perfect suicide. This family business prospers in all its bleak misery, until the day it encounters joie de vivre in the shape of younger son, Alan. What will become of The Suicide Shop in the face of Alan’s relentless good cheer, optimism and determination to make the customers smile? Starring Bernard Alane, Isabelle Spade,Kacey Mottet Klein, Isabelle Giami and Laurent Gendron.

    Thérèse Desqueyroux – Claude Miller, France   (International Premiere)

    In the Landes region of France, near Bordeaux, marriages are arranged to merge land parcels and unite neighbouring families. Thus, young Thérèse Larroque becomes Mrs. Desqueyroux. But her avant-garde ideas clash with local conventions and in order to break free from the fate imposed upon her and live a full life, she will resort to tragically extreme measures. Starring Audrey Tautou, Gilles Lellouche and Anaïs Demoustier.

    White Elephant – Pablo Trapero, Argentina/Spain (North American Premiere)

    In a poverty-stricken and highly dangerous Buenos Aires slum, two men – both friends, both priests, both deeply respected by the local community for their tireless endeavours on behalf of the poor and the dispossessed – take very different paths in their struggle against violence, corruption and injustice. Starring Martina Gusman, Ricardo Darin and Jérémie Renier.

    Yellow – Nick Cassavetes, USA   (World Premiere)

    Nick Cassavetes’ seminal work, Yellow, is a searing take on modern society and the demands it makes on people. Centered on Mary Holmes, a young woman who has a difficult time feeling things, and swallowing twenty Vicodin a day doesn’t help. We enter herhallucinatory world, peopled with Busby Berkeley dancers, Cirque du Soleil, Circus freaks, and human farm animals where nothing is quite what it seems. Starring Sienna Miller, Gena Rowlands, Ray Liotta, David Morse, Lucy Punch, Max Theoriot, Riley Keough, Daveigh Chase, Heather Wahlquist and Melanie Griffith.

    Read more


  • World Premieres From Edward Burns Among Films in 2012 Toronto Film Festival’s Contemporary World Cinema Program

    The Contemporary World Cinema program at this year’s Toronto International Film Festival will feature the world premieres of films by directors such as Sara Johnsen, Kasia Rosłaniec, Edward Burns, Sion Sono, Robert Connolly, John Akomfrah, Saïd Ould-Khelifa, Annemarie Jacir, Jo Sung-hee and Licinio Azevedo.

    The Toronto International Film Festival runs from September 6 to 16, 2012. 

    Film lineup includes:

     

    3 Pablo Stoll Ward, Uruguay/Germany/Argentina
    North American Premiere
    For Rodolfo (Humberto de Vargas), life at home feels empty and cold, as if he doesn’t belong. Meanwhile, his first wife, Graciela (Sara Bessio) and their teenage daughter Ana (Anaclara Ferreyra Palfy) are living through defining moments in their lives. Subtly, Rodolfo will try to slip back into the place he once had next to them — the one he walked away from 10 years ago. 3 is a comedy about three people and the absurd fate to which they are doomed: being a family.

    A Hijacking Tobias Lindholm, Denmark
    North American Premiere
    In A Hijacking, Tobias Lindholm turns his attention to a current topic: piracy at sea. The cargo ship MV Rozen is heading for harbour when it is boarded and captured by pirates in the Indian Ocean. Amongst the men on board are the ship’s cook Mikkel (Pilou Asbæk) and the engineer Jan (Roland Møller), who, along with the rest of the seamen, are taken hostage in a cynical game of life and death. With the demand for a ransom of millions of dollars, a psychological drama unfolds between the CEO of the shipping company (Søren Malling) and the Somali pirates.

    A Werewolf Boy Jo Sung-hee, South Korea
    World Premiere
    Summoned by an unexpected phone call, an elderly woman visits a cottage she used to visit when she was a young girl. Half a century before, she moved to a peaceful village and discovered a “wolf boy” hiding in the darkness. She recalls teaching the boy how to wear clothes, how to speak and how to write along with other human behaviours. However, when threatened, he let loose his bestial instincts and became the subject of the villagers’ fears. In order to save the life of the boy who risked his to be by her side, she left him with a promise: “Wait for me. I’ll come back for you.”

    After the Battle Yousry Nasrallah, Egypt/France
    North American Premiere
    Mahmoud is one of the “Tahrir Square Knights” who, on February 2, 2011 — manipulated by Mubarak’s regime — charged against the young revolutionaries. Beaten, humiliated, unemployed and ostracized in his neighbourhood near the Pyramids, Mahmoud and his family are losing their footing. It is then that he meets Reem, a young Egyptian divorcée. Modern and secular, Reem works in advertising, is a militant revolutionary, and lives in a nice neighbourhood in Cairo. Their meeting will change their lives.

    *Janice Gross Stein, Director of the Munk School of Global Affairs and member of the Order of Canada, is an internationally renowned expert on conflict management. She will speak about After the Battle in an extended Q&A session, following one of the screenings.

    All That Matters is Past Sara Johnsen, Norway
    World Premiere
    Reunited after years apart, childhood sweethearts William and Janne are forced to confront the dark secrets of their past — and the menacing presence of William’s pathologically jealous brother — in this haunting story from celebrated Norwegian director Sara Johnsen.

    Baby Blues Kasia Rosłaniec, Poland
    World Premiere
    Polish director Kasia Rosłaniec follows her controversial, irresistibly scrappy debut Mall Girls with this edgy and disarmingly frank look at teen pregnancy. Natalia is a 17-year-old mom living with her mother and son, Antos. She wanted to have a baby because it was a “cool” thing to do, and feels she would have someone to love; someone who can love her in return. Everything changes when Natalia’s mother decides to move out, giving Natalia a chance to lead a “normal life.”

    Barbara Christian Petzold, Germany
    North American Premiere
    Set in East Germany in the early 1980s, the new film from renowned director Christian Petzold (Jerichow) is a suspenseful chamber piece about an accomplished Berlin physician, banished to a rural hospital as punishment, who is torn between the promise of escape across the border and her growing love for a fellow colleague — who may be planning to betray her to the secret police.

    Bwakaw Jun Robles Lana, Philippines
    International Premiere
    An ornery old retiree — who only came to terms with his homosexuality tragically late in life — leads an isolated existence with only his faithful dog for company, until a chance encounter offers him a final chance for happiness.

    Children of Sarajevo Aida Begic, Bosnia-Herzegovina/Germany/France/Turkey
    North American Premiere
    Rahima, 23, and Nedim, 14, are orphans of the Bosnian war. They live in Sarajevo, a transitional society that has lost its moral compass, including in its treatment of the children of those who were killed fighting for the freedom of their city. After crime-prone adolescent years, Rahima has found comfort in Islam and she hopes her brother will follow in her footsteps. Everything becomes more difficult the day Nedim gets into a fistfight at school with the son of a local strongman. The incident triggers a chain of events leading Rahima to discover that her young brother leads a double life.

    Clandestine Childhood Benjamín Ávila, Argentina/Spain/Brazil
    North American Premiere
    Argentina 1979. After years of exile, 12-year-old Juan and his family return to Argentina under fake identities. Juan’s parents and his uncle Beto are members of the Montoneros Organization, which is fighting against the Military Junta that rules the country. Because of their political activities, they are being tracked down relentlessly. His friends at school and the girl he loves, Maria, know him as Ernesto, a name he must not forget with his family’s survival being at stake. This is a story about militancy, undercover life and love.

    *Brian Stewart, Senior Fellow at the Munk School of Global Affairs, is an acclaimed foreign correspondent and an expert on foreign affairs and the military. He will speak about Clandestine Childhood in an extended Q&A session, following one of the screenings.

    Comrade Kim Goes Flying Anja Daelemans, Nicholas Bonner and Gwang Hun Kim, Belgium/North Korea/UK
    World Premiere
    Comrade Kim Yong Mi is a North Korean coalminer. Her dream of becoming a trapeze artist is crushed by the arrogant trapeze star Pak Jang Phil, who believes miners belong underground and not in the air. Comrade Kim Goes Flying is a heartwarming story of trying to make the impossible, possible.

    The Cowards Who Looked to the Sky Yuki Tanada, Japan
    World Premiere
    Based on the award-winning novel of the same name, this boldly erotic yet movingly tender portrait of a group of vulnerable, variously wounded people — a depressed housewife, her high-school-aged lover, and his best friend, who is struggling to provide for himself and his senile grandmother — whose intersecting lives yield both sorrow and a fragile, yet enduring, hope for a brighter future.

    The Cremator Peng Tao, China
    World Premiere
    Convinced that he should not die single, lonely cremator Cao resorts to marrying a dead woman when he is diagnosed with lung cancer. The plan is complicated by the arrival of a young girl at the crematorium looking for her missing sister.

    Dead Europe Tony Krawitz, Australia
    International Premiere
    From the producers of Shame and Animal Kingdom, Dead Europe is a tense and moody mystery set on the turbulent streets of contemporary Europe. The film follows a young photographer named Isaac (Ewen Leslie) who — while taking his deceased father’s ashes from Australia to Greece — comes to learn that something sinister happened in his family’s past. Despite an effort to distract himself with a mix of random sex and drugs, Isaac’s world begins to unravel as he realizes that he cannot escape the ghosts of the past. Marking the long awaited second feature of Australian filmmaker Tony Krawitz, with a screenplay by Louise Fox based on the epic novel by Christos Tsiolkas, the film also stars Marton Csokas and Kodi Smit-McPhee.

    Dust Julio Hernández Cordón, Guatemala/Spain/Chile/Germany
    North American Premiere
    In a small Guatemalan village where many “disappeared” during the country’s civil war, a troubled young man struggles with the memory of his murdered father — and the nearby presence of the man who turned his father in.

    Eagles Dror Sabo, Israel
    World Premiere
    Alienated from a society that no longer seems to have a place for them, two elderly ex-soldiers undertake a vigilante campaign against injustice and disrespect on the streets of Tel Aviv.

    *Ron Levi, Director of the Master of Global Affairs at the Munk School, is an expert on global justice, and human rights regimes. He will speak about Eagles in an extended Q&A session, following one of the screenings.

    Fin (The End) Jorge Torregrossa, Spain
    World Premiere
    A group of old friends get together for a weekend in a mountain cabin. Years have gone by, and yet nothing seems to have changed between them. But lurking behind the laughter and stories is a murky episode from the past that continues to haunt them. A strange, sudden incident alters their plans, leaving them stranded and with no line of communication to the outside world. On their way for help, the group starts to disintegrate, just as a new natural order is unveiled.

    The Fitzgerald Family Christmas Edward Burns, USA
    World Premiere
    Seven adult siblings from a working-class, Irish-American family must deal with their estranged father’s desire to return home for Christmas for the first time since he walked out on the family 20 years earlier. Family rifts emerge: the four oldest siblings were fully grown when the patriarch Big Jim (Ed Lauter) left, while the younger children never had a relationship with their father, and still feel the effects of his exit. Like with any family, Christmas brings a mixed bag of complicated family dynamics. Alliances form, old wounds are reopened or glossed over, and the possibility for a new hope and forgiveness emerges.

    Fly With the Crane Li Ruijun, China
    North American Premiere
    Old Ma, who believes that white cranes will carry buried dead bodies to heaven, is absolutely daunted by the idea of being crematedafter death. When the government implements the practice of cremation under a mass urbanization measure, he seeks the help of his grandchildren.

    Ghost Graduation Javier Ruiz Caldera, Spain
    International Premiere
    Modesto is a teacher who sometimes sees dead people. Not only has this cost him a fortune at the shrink, it has also got him fired from every school he’s ever worked at. His luck changes when he lands a job at Monforte where five students have turned the prestigious school into a house of horrors. Modesto is charged with getting all five kids to pass their senior year and to get out of there once and for all…but it won’t be that easy.

    God Loves Caviar Iannis Smaragdis, Greece/Russia
    World Premiere
    This majestic epic tells the true-life, stranger-than-fiction tale of 18th-century Greek pirate turned merchant Ioannis Varvakis, who rose from humble beginnings to become the head of one of the largest mercantile empires in Europe.

    Gone Fishing Carlos Sorin, Argentina
    World Premiere
    Marco is a travelling salesman and a recovering alcoholic who decides to change the direction of his life after a stay at a detox centre. His counselor suggests he take up a hobby as part of his treatment and Marco decides to try fishing. He then heads to PuertoDeseado during shark fishing season to find his estranged daughter, Ana.

    The Great Kilapy Zézé Gamboa, Angola/ Brazil/Portugal
    World Premiere
    Zézé Gamboa’s sardonic historical drama follows a good-hearted, apolitical con man who, on the eve of Angolan independence in the mid-1970s, pulls off a massive swindle at the expense of the Portuguese colonial administration — and soon after finds himself hailed as a hero of the national liberation struggle.

    Him, Here, After Asoka Handagama, Sri Lanka
    North American Premiere
    Returning to his community after defeat in the Sri Lankan civil war, a former Tamil rebel known only as “Him” faces hostility, suspicion and bitter recriminations in Asoka Handagama’s beautifully elegiac meditation on the aftermath of war.

    *Michael Ignatieff, Senior Fellow at the Munk School of Global Affairs, is an internationally renowned writer, journalist, former politician, and expert on foreign affairs. He will speak about Him, Here, After in a Q&A session, following one of the screenings.

    The Holy Quaternity Jan Hřebejk, Czech Republic
    World Premiere
    Two ostensibly ordinary middle-aged couples, Marie and Vitek, and Dita and Ondra, are linked by more than just a lifelong friendship, a shared house in a small town and same-aged adolescent children: they are linked by love. Both men, Ondra and Vitek, who are work colleagues, sincerely love their wives, but they both also harbour a secret yearning for the other’s wife. When, by a stroke of fortune, the foursome finds themselves on an almost uninhabited island in the Caribbean, it’s just a matter of time before their long-suppressed feelings come out.

    Imagine Andrzej Jakimowski, Poland/France/Portugal
    World Premiere
    Ian, a new instructor at a well-known Lisbon clinic for the visually impaired, starts to teach spatial orientation to his international group of blind patients. For him, the key to getting around and living a fulfilling life lies in the mind and the imagination — and not sensory perception. However, his methods — although successful — may prove to be too challenging.

    In The Fog Sergei Loznitsa, Germany/Russia/Belarus/The Netherlands/Latvia
    North American Premiere
    In this eerie, dreamlike World War II drama from Sergei Loznitsa (My Joy), a partisan suspected of being a traitor is apprehended by his comrades and taken out into the woods to be executed — but as the night fog closes in, the difference between darkness and light (and innocence and guilt) becomes ever more murky.

    In the Name of Love Luu Huynh, Vietnam
    World Premiere
    In this dark love triangle that proceeds with the inexorable logic of a Greek tragedy, a dedicated wife in a small Vietnamese fishing village secretly turns to another man when her husband is unable to give her the child they both crave — but the surrogate father’s crazed jealousy will have fateful consequences.

    Jackie Antoinette Beumer, The Netherlands
    International Premiere
    Twin sisters Sofie and Daan, 33, have been raised by their two fathers. When they receive an unexpected phone call from their hitherto unknown biological mother Jackie (Holly Hunter) in the United States, they embark on an amazing adventure that alters their assumptions about everything they once believed to be true. The trip with the strange and ill-adjusted Jackie will change Sofie’s and Daan’s lives for good.

    Jump Kieron J. Walsh, Ireland/United Kingdom
    International Premiere
    Jump follows the lives of four 20-somethings whose lives collide one fateful New Year’s Eve in a night of fast talk, accidents and intrigue. At its heart it is a story of impossible love, a Brief Encounter for our times.

    Just the Wind Bence Fliegauf, Hungary/Germany/France
    North American Premiere
    A Romani family struggles to continue their simple daily routine amid the anxiety of a series of suspected racially-motivated murders of their neighbours. Just the Wind is inspired by real events, a powerful social statement from the acclaimed director of Womb, Dealer and Milky Way.

    Juvenile Offender Yikwan Kang, South Korea
    World Premiere
    Ji-gu is a 15-year-old juvenile offender under probation who lives with his ailing grandfather. When he is caught committing a crime, he is sent to the juvenile reformatory. Upon his grandfather’s passing, Ji-gu is reunited with his mother — whom he believed to be dead. Together they set out to make up for lost time.

    Key of Life Kenji Uchida, Japan
    North American Premiere
    When Kondo, a wealthy contract killer accidentally hits his head in a bathhouse, an unemployed actor named Sakurai switches their locker keys. Sakurai takes on Kondo’s identity, while Kondo, who is suffering from amnesia, assumes the impoverished life of Sakuria. The reversal of fortune becomes complicated when Sakurai finds himself embroiled in a hit gone wrong, while Kondo meets the lovely Kanae, an ambitious magazine editor who is looking for a simple, honest man to be her husband.

    Kinshasa Kids Marc-Henri Wajnberg, Belgium
    North American Premiere
    Kinshasa, Congo. About 30,000 children are accused of witchcraft and expelled from home. Living on the street, little José and his fellow friends, along with a crazy impresario called Bebson — all considered to be witch children — decide to form a music band to ward off bad luck. Together, they will rock Kinshasa!

    The Land of Hope Sion Sono, Japan
    World Premiere
    In a typical Japanese village, Yoichi Ono lives with his wife, Izumi and his parents. The Ono family lives a frugal but happy life as dairy farmers in the peaceful village. One day, the worst earthquake in history strikes, causing a nearby nuclear power station to explode. Their neighbours, who live within the range of the nuclear power station, are forcibly ordered by the government to evacuate. But the Ono family, whose property sits half in and half out of the designated range, must decide whether or not to leave their home.

    Middle of Nowhere Ava DuVernay, USA
    International Premiere
    What happens when love takes you places you never thought you’d go? Winner of the Best Director Award at the 2012 Sundance Film Festival, Middle of Nowhere chronicles a young woman caught between two worlds, and two men, in the search for herself. Ruby, a bright medical student, sets aside her dreams when her husband is incarcerated. This new life challenges her to the very core. Her turbulent path propels her in new, often challenging, directions of self-discovery.

    Museum Hours Jem Cohen, Austria/USA
    North American Premiere
    A Vienna museum guard befriends a foreign visitor who has been called to Austria because of a medical emergency. The grand Kunsthistorisches Art Museum becomes an enigmatic crossroads which sparks explorations of their lives, of the city, and of the ways artworks reflect and shape the world.

    Once Upon a Time Was I, Verônica Marcelo Gomes, Brazil/France
    World Premiere
    This film follows the reflections of Verônica, a recently graduated medical student going through a time of uncertainty. She questions not only her career choices, but also her most intimate bonding and even her ability to cope with life in contemporary urban Brazil.

    Paradise: Love Ulrich Seidl, Austria/Germany/France
    North American Premiere
    Perennial provocateur Ulrich Seidl (Dog Days, Import/Export) explores the politically charged issue of sex tourism in the sun-kissed “paradise” of Kenya, where a middle-aged Austrian voraciously samples the wares of the local meat market while searching for true love — the one commodity that’s not for sale in this neo-colonial bazaar.

    The Patience Stone Atiq Rahimi Afghanistan/France
    World Premiere
    In a country torn apart by a war, a beautiful woman watches over her husband in a decrepit room. He is reduced to a vegetative state because of a bullet in the neck. One day, the woman starts a solitary confession to her silent husband. She talks about her childhood, her frustrations, her loneliness, her dreams and her desires.

    Penance Kioshi Kurosawa, Japan
    North American Premiere
    Fifteen years ago, tragedy struck a small town when a young elementary school girl Emili (Hazuki Kimura) was abducted and killed by a stranger. Four girls who had been playing with Emili at the time were the first to discover her body. The abductor is never found and the crime goes unsolved. Crazed with grief, Emili’s mother Asako (Kyoko Koizumi) condemns the four girls, none of whom can remember the abductor’s face. She tells them, “Do whatever you have to do to find the killer. Otherwise, you can pay a penance that I approve.” Deeply affected by Asako’s condemnation, the four girls become adults burdened with the curse of “penance,” which eventually triggers a chain of tragic events.

    Peripeteia John Akomfrah, United Kingdom/Holland
    World Premiere
    British filmmaker John Akomfrah imagines the lives of a black man and woman who appear in a 16th-century drawing by German Renaissance master Albrecht Dürer.

    Road North Mika Kaurismäki, Finland
    International Premiere
    Timo is an esteemed concert pianist whose personal life is on the rocks. One day Timo finds an older, shabby-looking man at his door. The man, Leo, turns out to be his father who left the country when Timo was three — and hasn’t been in touch in 35 years. Leo, an eternal trickster with a positive outlook on life, had to leave his homeland thanks to a series of messy entanglements. Now he’s come back to hand over a rather mysterious legacy to his son and to answer questions regarding the past. To do this, the two will have to embark on a trip together and hit the road north.

    Shores of Hope Toke Constantin Hebbeln, Germany
    International Premiere
    In this vivid historical drama set in 1980s East Germany, two dockworkers and best friends who dream of escaping the repressive regime are forced to choose their loyalties when the state police promise them safe passage out of the country — if they inform on their co-workers and union leader.

    Sleeper’s Wake Barry Berk, South Africa
    International Premiere
    John Wraith, a man in his mid-40s, regains consciousness in hospital. His wife and daughter were killed in a car accident because he fell asleep at the wheel. He retreats to a remote coastal hamlet to heal, but finds himself embroiled in a dangerous relationship with a beautiful and unpredictable 17-year-old girl.

    Smashed James Ponsoldt, USA
    International Premiere
    Kate (Mary Elizabeth Winstead) and Charlie (Aaron Paul) are a young married couple whose bond is built on a mutual love of music, laughter and drinking. When Kate’s drinking leads her to dangerous places and her job as a school teacher is put into jeopardy, she decides to join AA and get sober. With the help of her friend and sponsor Jenny (Octavia Spencer), and the vice principal at her school — the awkward, but well intentioned, Mr. Davies — Kate takes steps toward improving her health and life. But sobriety isn’t as easy as Kate had anticipated. Her new lifestyle brings to the surface a troubling relationship with her mother, the lies she’s told her employer, and calls into question whether or not her relationship with Charlie is built on love or is just a boozy diversion from adulthood.

    The Thieves Choi Dong-hoon, South Korea
    North American Premiere
    Bullets fly, barbs are traded and old scores are settled when a Korean master criminal and his crew hightail it to Macao to join his treacherous former partner on a $20-million jewel heist, in this full-throttle action caper from South Korean director Choi Dong-hoon.

    The Tortoise, An Incarnation Girish Kasaravalli, India
    International Premiere
    In Girish Kasaravalli’s gently philosophical character piece, a humble, low-level civil servant cast as the lead in a popular TV serial chronicling the life of Gandhi finds uncanny echoes between his own life and that of the legendary leader — and sets out to correct their mutual failings.

    Three Kids Jonas d’Adesky, Belgium
    World Premiere
    Best friends Vitaleme, Pierre and Mikenson are 12 years old and live in a home in Port-au-Prince, Haiti. Vitaleme is haunted by his memories as a child servant and obsessed by the idea of freedom. When the town is struck by an earthquake, they find themselves on the street and have to get by on petty crime.

    Three Worlds Catherine Corsini, France
    North American Premiere
    Al, a young man from a modest background is about to marry his boss’s daughter and succeed him as the head of a car dealership. One night, he is guilty of a hit-and-run accident. The next day, a remorseful Al decides to inquire about his victim, not knowing that Juliette, a young woman, has witnessed the accident.

    Thy Womb Brillante Mendoza, The Philippines
    North American Premiere
    Shaleha Sarail is a barren woman who believes that to fulfill her husband’s greatest wish of having a son is tangible proof of Allah’s grace. She resolves to find the woman who will bear her husband a child.

    Underground Robert Connolly, Australia
    World Premiere
    Set in 1980s Melbourne, Underground is a riveting thriller that focuses on the teenage years of one of the most controversial figures of modern times — Wikileaks founder Julian Assange (newcomer Alex Williams in his first major role). The film follows Assange and his gang of close friends — the International Subversives as they call themselves — as they wage a battle from their bedrooms, trying to break into the computer systems of the world’s most powerful organizations. In the process, they are forced to battle authorities and eventually one another. Written and directed by Robert Connolly, the film also stars Anthony LaPaglia, Rachel Griffiths and Callan McAuliffe.

    *Ron Deibert, Director of the Citizen Lab at the Munk School of Global Affairs, is an expert and advisor to governments and organizations on cyber security, cyber-crime, freedom of expression, and access to information. He will speak about Underground in an extended Q&A session following one of the screenings

    Virgin Margarida Licinio Azevedo, Mozambique
    World Premiere
    Veteran filmmaker Licinio Azevedo drew on the stories of real women who endured the Mozambican “re-education camps” for this dramatic and inspiring elegy to the insurgent spirit of women across nations, histories and cultures.

    Watchtower Pelin Esmer, Turkey/Germany/France
    World Premiere
    Haunted by guilt over the death of his family, a man takes a job as a fire warden in a remote tower in the wilderness, and is inexorably drawn towards a young woman with a dark, terrible secret of her own.

    What Richard Did Lenny Abrahamson, Ireland
    World Premiere
    A high school rugby star’s life is irrevocably changed when a senseless act of violence leads to a sudden, shocking tragedy.

    When I Saw You Annemarie Jacir, Palestine/Jordan/Greece
    World Premiere
    Jordan, 1967: displaced in a refugee camp after the occupation of their West Bank village, an 11-year old boy and his mother enact the emancipating dream that every refugee has imagined countless times.

    Zabana! Saïd Ould-Khelifa, Algeria
    World Premiere
    Zabana! is an impassioned, meticulously researched account of the short life of Algerian freedom fighter Ahmed Zabana, whose execution in 1956 by French colonial authorities ignited the “Battle of Algiers” — and the crucial phase of Algeria’s struggle for independence.

    Canadian films previously announced in the Contemporary World Cinema programme include: Rafaël Ouellet’s Camion, Bruce Sweeney’s Crimes of Mike Recket, Sudz Sutherland’s Home Again, Sean Garrity’s My Awkward Sexual Adventure and Anita Doron’s The Lesser Blessed.

    Image of The Fitzgerald Family Christmas.

    Read more


  • “Ricky on Leacock,” “We Women Warriors,” and “Holy Man” are Shining Lights at IDA’s Docuweeks Fest in NYC and LA this Month

    by Francesca McCaffery

    There are some really nice doc films at IDA’s continuing DocuWeeks Festival (in New York and Los Angeles) this week…Here were a few genuine stand-outs:

    In Ricky on Leacock, director Jane Weiner shares with us nearly forty years of friendship and footage on the creator of cinéma vérité, the legendary filmmaker Richard Leacock. Ricky is one of those great artist depictions which allow the viewer to feel and create their own assumptions and thoughts about both the upbringing and family background of the subject, but this absence works wonderfully here: We witness what an elegant, generous spirit really was, and through wonderful interviews and clips from the likes of D.A. Pennebaker, Robert Drew, Ed Pincus, Jonas Mekas, Dušan Makavejev, and others, we see what an astounding influence Leacock had on certainly not only cinema and how it was conceived for the new generation, but television, TV journalism and live news.

    Always searching to make the camera and sound equipment as unobtrusive and invisible as possible, one only wonders how much work the man could have created in the wholly digital age. “My life has been about cooking and making film, and it’s been wonderful,” Leacock joyfully intones at the end of the film. Who could ask for anything more, from an artist or the truly great and inspiring film about his still important legacy? A must-see doc this season- one that will really lift both your heart and soul.

    Holy Man-The USA Vs. Douglas White, directed by Jennifer Jessum and narrated by Martin Sheen, tell s the story of Douglas White, one of the last living medicine men of the Lakota Sioux from Pine Ridge Indian Reservation in South Dakota. White, who has since passed away. White spent 17 years in the federal pen for a crime, the film very persuasively posits, he did not commit. Coupled with amazing interviews of former leaders of AIM (American Indian Movement) and other prominent lawyers and Sixties figureheads, the film truly breaks your heart as it tells the story of how the US has coupled the American Indian population oppressed and disenfranchised. (The Pine Ridge Reservation is located in one of the desperately poor counties of the United States.) Activist Russell Means ends with this very scary, sentient premonition: “It’s happening to the Americans,” he says “but they just don’t see it yet. But it’s happening. Welcome to the reservation.”

    We Women Warriors is director Nicole Karsin’s seven year-in-the-making doc that tells the story of three women, leaders of their different indigenous tribes in Colombia. Colombia has 102 aboriginal groups, one-third of which face extinction because of the conflict between the government and the rebel FARC groups over land, cocoa plantations and rampant drug smuggling. These women show astonishing courage and grace, choosing the path of non-violence to resist and deal with both the army and the guerillas that have killed many of their friends, husbands and brothers. Karsin also shows us that these women are taking up their time-honored tradition of weaving to galvanize their voices as well as make a living for themselves and their respective tribes. (She now sells the beautiful bags with her staff outside all of the screenings, and has links to websites to help.)

    Other stand-outs at the Docuweeks Festival are Patrick Shen’s searing La Source, narrated by Don Cheadle, which tells the tale of Josue Lajuenesse, a Haitian Princeton janitor who returns to his country after the devastating 2010 earthquake to revive his lifelong dream to bring what is most fundamental to his village’s survival-clean water; Nelson Cheng’s The Magic Life, about three struggling magicians trying to go “legit” as working artists, Macky Alston’s Love Free or Die, about the first openly gay bishop in “Christendom.” Don’t miss Docuweeks-which just began in LA last week (at the Laemmle NoHo 7) and two more weeks in NYC (at the wonderful IFC Center.)

    Read more


  • The 2012 Docuweeks Festival starts in LA & Continues in NYC-Interview with brave “We Woman Warriors” Director Nicole Karsin

    Please don’t forget to check out the remaining two weeks of the  Docuweeks 2012, the incredible film festival of the International Documentary Association, playing at NYC’s IFC Center through August 30th. There are some great, new, Oscar-worthy documentary films playing there now, and VIMOOZ will be giving you capsule reviews throughout the festival. (Docuweeks started in Los Angeles today, August 10th, at the Laemmle Noho 7 Theater.

    One wonderful documentary is We Women Warriors, which follows three native women caught in the crossfire of Colombia’s warfare who use nonviolent resistance to defend their peoples’ survival. Colombia has 102 aboriginal groups, one-third of which face extinction because of the conflict. Trapped in a protracted predicament financed by the drug trade, indigenous women are resourcefully leading and creating transformation imbued with hope. We Women Warriors bears witness to neglected human rights catastrophes and interweaves character-driven stories about female empowerment, unshakable courage, and faith in the endurance of indigenous culture.” 

    Nicole Karsin, the director the doc of We Women Warriors, speaks with VIMOOZ:

     

    [caption id="attachment_2804" align="alignnone" width="382"]We Women Warriors Director Nicole Karsin[/caption]

    We Women Warriors director Nicole Karsin

     

    Vimooz: One of things that I love about We Women Warriors is your incredible dedication to the film and its mission. Can you outline briefly, from start to finish, how you became first involved in the film?

     

    Nicole Karsin: I lived in Colombia for seven years and shot this film mostly during 2006-2009. Using my hard-earned access as a journalist, I traveled between several villages during three years to chronicle a few exceptional native women using the wisdom of words and the tribal tradition of collective actions to defend themselves amid ongoing combat. Fluent in Spanish, and savvy about traveling in Colombia’s conflict zones, I sometimes became a one-person production team, shooting alone in the Colombian countryside. At other times, I traveled and worked with a small, committed Colombian crew.

     

    I moved to Los Angeles in 2009 with my film’s first rough-cut in hand. The following three years were dedicated to post production: re-editing, seeking funding and feedback. I participated in fellowships offered by Film Independent and the National Association for Latino Independent Producers, both of which were tremendous sources of support and helped me craft my film to the best of my ability. In May, I completed a successful Kickstarter campaign that raised $50,000 and enabled me to complete the film. From June until present I have been securing archival footage and music rights and undergoing final post.

     

    Vimooz: Can you tell us a bit of your background? Was it primarily academic, or always film/media-based?

     

    NK: I never studied film, but I got my Masters in Journalism, which was a great training for reporting and interviewing, very important skills for docs.

     

    Vimooz: What kept you going back to Colombia? I know you have a few heavy stories to tell! It wasn’t the safest of areas you were shooting in, is that correct?

     

    NK: I actually lived there for seven years, so it wasn’t a case of returning. Though I did return to do a couple pick up interviews after I returned to LA in 2009. But yes, it was difficult. In a three-month period in 2005, I covered the brutal massacre of someone I knew and respected, as well as intense combat that ravaged northern Cauca forcing entire communities to evacuate. I also was affected at the time by assassination attempts against Colombian journalists, who were colleagues and friends.

     

    Vimooz: Two part question: What would be the dream result of this film getting distribution in the theatres, or a venue like HBO: For the film’s mission itself, and for your own career as a doc director?

     

    I’m delighted that my film is participating in DocuWeeks, which I’ve attended over the past couple years. It’s been a showcase of incredible documentaries and a source of inspiration. I did not expect my world premiere to be an Oscar-qualifying screening, but I’m grateful for this opportunity. Currently, I’m focusing on these two weeks of screenings. But the film will screen in Mexico in November, which thrills me because it’s a critical audience to reach.

     

    Of course I would love to secure distribution in all territories, theatrical releases worldwide and to have HBO pick up my film along with my post tab. But right now the film’s life is just about to begin, and I’m excited to see how it unfolds. We’ll see what the distribution gods have in mind. In terms of my own career – I want to make more documentaries, and I’ll be appreciative to have graduated from the first-time filmmaker status.

     

    Vimooz: Did you self-fund a majority of the film yourself? Was Kickstarter a huge help?

     

    NK: I did. I got several grants, a couple large anonymous donations, and did years of funding appeals & events using my fiscal sponsor to offer tax-deductible donations. My Kickstarter campaign was to secure finishing funds and it succeeded.

     

    Vimooz: For the fledging documentarian, where can they go with the seed of an idea? Should they try getting grants for their project? Or is going through Kickstarter and their friends the best bet?

     

    NK: They should submit to all grants and funding opportunities, as well as conducting their own fundraising campaign, which includes but should not be limited to Kickstarter. Also, it’s important to actively seek out feedback and support, attend workshops & discussions like those organized by the International Documentary Association and apply for fellowships like those offered by Film Independent and the National Association for Latino Independent Producers, all of which were tremendous sources of support and helped me craft my film to the best of my ability.

     

    Vimooz: What are some of your favorite docs and directors?

     

    NK: WHEN THE MOUNTAINS TREMBLE directed by Pamela Yates was the film I most tried to emulate while making my film. I also love Yate’s subsequent GRANITO: HOW TO NAIL A DICTATOR. Other films I love include Jennifer Fox’s REINCARNATION, Bernardo Ruiz’s El REPORTERO, and THE LIGHT IN HER EYES by Julia Meltzer and Laura Nix. Yes, I am citing most of POV’s 25th season because it’s amazing and fresh in my mind. There are so many fabulous films that move and inspire me, perhaps too many to name. Ah, Lucy Walker’s WASTELAND was wonderful, as was CALL ME KUCHU by Katherine Fairfax Write and Malika Zouhali-Worrall.

     

    Vimooz: Can you tell us about your next, upcoming project? We can’t wait to hear!

     

    NK: I have another short documentary I shot in Colombia and a short I shot In Chiapas, Mexico, both of which require post funding to complete. I have a strong desire to shoot a documentary in a region other than Latin America. Southeast Asia really enthralls me. For the moment, I am going to enjoy the premiere and life of my first film, deal with distribution and develop the film’s engagement campaign so it can be used as a tool for social change. But I will definitely continue to make films, and I’m happy to keep Vimooz in the loop.

     

    Thank you so much, Nicole, and great luck with the film!

     

    You can hear Nicole speak at a Q&A TONIGHT, August 10th,  at the IFC Center in New York after the 9:45 pm showing of We Women Warriors, or please be sure to catch it this weekend and all next week at IFC NYC for Docuweeks.

    Read more


  • Fall in Love with Conrad Jackson’s “Falling Overnight” and its star-Emilia Zoryan- This Week

    [caption id="attachment_2806" align="alignnone" width="853"]Falling Overnight[/caption]

    Falling Overnight- opening today in NYC at Cinema Village West

    Review written by Francesca McCaffery

    Directed by Conrad Jackson, Falling Overnight is those rarest of indie gems- genuinely heart-felt and a pleasure to watch. Young photographer Chloe (Emilia Zoryan) and skinny, appealing Elliot (Parker Croft) meet uber- cute in a café in LA, the audience having learned only moments before that he is scheduling a rather profound surgery for the very next day, without the help or support of any noticeable friends, or family, around him. We are immediately drawn in…

    Elliot is young, but one of those rare early 20-somethings- he appears to be completely financially independent, somewhat of an internet start-up wunderkind who wisely cashed out early. Not one to dwell, or feel sorry for himself,  Elliot spontaneously decides to go to Chloe’s art show, where she has casually invited him along. After an awkward start, with Chloe having to actively let him know, more than once, that she is in fact interested in hanging out with him, their big evening begins…

     

    Like another pretty, self-aware couple I remember from another sweet micro-budget gem filmed in Los Angeles, Chad Hartigan’s Luke and Brie Are On a First Date, their chemistry and attraction is almost unbearably awkward, cloying, reticent, adorable, all at once, and finally, truly undeniable.

    I simply cannot think of a more instantly reflective little film that makes one really wonder not what they should be doing with their lives, but what they really want to be doing, at this very moment in time. “I always wanted to go Spain…” Elliot gently weeps, near the end of the film. We wish the both of them the happiest of futures together, if possible- while- at the same time, longing for the very same promise ourselves.

    The two leads are, quite simply terrific, in performances that are highly naturalistic yet minimal in the nicest of ways. VIMOOZ had the pleasure of catching up with one of Falling Overnight’s lovely stars, Emilia Zoryan, who has a preternatural self-possession on screen that manages to be innocent, knowing and sultry at the same time. She isabsolutely someone to watch. Here, she tells us here about filmingFalling Overnight, the director’s process, and how she came to be cast:

    Vimooz: You were so wonderful in Falling Overnight! How did you first get involved with the film?

    Emilia Zoryan: Thank you very much! The audition process was very competitive, actually. Everything was riding on my performances in those rooms. Funny thing was, there was an error, and I didn’t get my sides until 10 minutes before I went in that first time! Thankfully, I memorize lines very quickly. Each time going in, I became aware of the fact that the stakes got higher and higher. Luckily, my final audition stole the role. I am told now that I was the “dark horse.” I like that. But honestly, I feel fate got me involved in this film.

    Vimooz: Your performance is incredibly natural. How long have you been acting?

    Emilia: I have been acting ever since Falling Overnight, so, a bit over two years now. I was studying Economics at UCLA while filmingFalling Overnight. I realized how miserable I was at University. Now that I have graduated, I will seriously pursue a career in acting. I have modeled, acted in commercials, and danced most of my life, but acting in film is a totally different animal.

    Vimooz: Did Conrad let you and Parker improvise a lot? Parker Croft, your co-star, co-wrote the script, is that right?

    Emilia: Parker, Aaron, and Conrad wrote the script and laid a very firm foundation for the film as a whole. I was given the freedom to change things or add to their work. Sometimes, Parker would play with his lines and I would follow his lead. The only improvised scene is probably the dialogue for the biking scene.

    Vimooz: How did the director (Conrad Jackson) rehearse with both of you?

    Emilia: We took the rehearsals scene by scene, tackling the heavy stuff early on. Conrad would tape rehearsals to see what worked, and what didn’t. I loved that he would whisper directions in our ears so the other wouldn’t see what change was coming. Filming out of chronological order is very difficult, but rehearsals allowed me to learn the arc of my character to the point where I understood where Chloe was, emotionally, every time in every separate moment. Rehearsals were also where I got to know the gang, and we messed around a lot and bonded. It was hard work, but also, a very exciting time in my life.

    Vimooz: The subject matter is extremely heavy, yet is handled with such a wonderful lightness and truth. The ending of the film is particularly poignant. Can you can encapsulate what the entire experience felt like, briefly, for us?

    Emilia: I knew I had to “approach with caution” from the very beginning, because it was immediately evident that this story, this subject matter in general, was very sensitive for the filmmakers. I have seen loss all around me, but thankfully have never experienced losing a close one. So I really had to figure out how to put myself in the mind of a girl who is a free spirit, but, simultaneously, wants to protect her heart from loss. At the time, I had never been in an acting class, so I invented my own method of acting. Later, I studied film theory at UCLA, and discovered that the method I thought I came up with on my own had already existed and that “The Magic If,” and “Substitution” were tools that were very popular. Imagine how hard I laughed at myself!

    Vimooz: Tell us about some of your favorite films, and who you would like to work with next….?

    Emilia: My favorite performance in film is, without a doubt, Sean Penn’s in She’s So Lovely. Robin Wright was phenomenal in that film, as well. I am a big fan Darren Aronofsky’s work: Black Swan,Requiem for a Dream, and The Fountain. It would be an honor to work with him. The Fountain is one of my favorite films showing death in a new light- “Death frees every soul.”

    I think that is a beautiful idea.

    Pllease check out Falling Overnight, opening today, July 27th, in NYC at Cinema Village West. Vimooz recommends you grab a friend and GO. This film will seriously lift your heart…

    Read more


  • The Man Who Knew How To Fly, Derek, A Morning Stroll and A Morning Stroll are Winners of 2012 NY Shortsfest

    The New York International Short Film Festival aka NY Shortsfest held May 29 – 31 in New York City, announced its 2012 winners. And the winners are

     

    BEST DRAMA 

    The Man Who Knew How To Fly

    Director: Robi Michael

     

    BEST COMEDY 

    Derek

    Director: Ricky Gervais 

     

    BEST ANIMATION

    A Morning Stroll

    Director: Grant Orchard 

     

    BEST OF NEW YORK

    Harry Grows Up

    Director: Mark Nickelsburg .

    Read more


  • KAUWBOY by Boudewijn Koole is the winner of the first European Film Academy Young Audience Award

    10-13-year-old audiences in Amsterdam, Belgrade, Copenhagen, Erfurt, Norrköping and Turin have elected KAUWBOY by Boudewijn Koole as the winner of the first European Film Academy Young Audience Award. The German jury speakers Marie-Louis und Carl (both 12 years old) presented the award to co-author Jolein Laarman who thanked the children for their votes and stated, “it’s so important that the European Film Academy gives all the children a voice!”

    The European Film Academy Young Audience Award is organised and presented by the European Film Academy and EFA Productions with the support of the Mitteldeutsche Medienförderung (MDM). 

    Read more


  • Tribeca Film to Release Berlin Film Fest and Tribeca Film Fest Prize Winner War Witch

    Tribeca Film acquired U.S. rights to Kim Nguyen’s award winning War Witch (Rebelle), described as “a powerfully poignant film shot in the Congo with an exceptional lead performance by Rachel Mwanza, a newcomer who was discovered on the streets of Kinshasa.” In her very first acting role, Mwanza has already garnered critical acclaim for her astounding performance winning the Silver Bear- Best actress award at the Berlin Film Festival, where the film made its world premiere in competition, as well as the Best Actress in a Narrative Feature Film Award at the Tribeca Film Festival.  The film took home the “Founders Award” for best narrative feature at Tribeca, where it made its North American premiere. 

    The film, with a screenplay by Nguyen, stars Mwanza, Alain Bastien, Serge Kanyianda, Ralph Prosper and Mizinga Mwinga. The film was produced by Pierre Even and Marie-Claude Poulin of Montreal-based ITEM 7. Tribeca Film plans a release across multiple platforms in the first quarter of 2013.

     

    War Witch tells the story of Komona, a young girl whose life is anything but normal.  Kidnapped by African rebels at the age of 12, Komona was forced at gunpoint to slaughter her own parents and fight as a child soldier against the government in the jungles.  But Komona was no ordinary solider.  Due to her ability to see gray ghosts in the trees that warn her of approaching enemies, she was deemed a sorceress and bestowed the title of War Witch by the supreme leader of the rebels, Great Tiger. War Witch exudes visceral energy and emotional power as Komona’s journey ultimately finds her in love with a fellow child soldier named Magician (Serge Kanyinda), but pregnant with another man’s child. Saddled with the reality that a life of normalcy is forever beyond her grasp, Komona must find a way to resolve the actions of her past. 

    “This film has spectacular resonance at a time when the world has been awakened to the situation of children being conditioned to wage war in Africa,” said Geoff Gilmore, Chief Creative Officer of Tribeca Enterprises. “Director Kim Nguyen balances heartbreakingly emphatic scenes of conflict, romantic yearning, and lyrical and dreamlike storytelling.  We are so proud to be bringing this award winning film to wider audiences and look forward to taking this exhilarating journey with the filmmakers.”

    “I am thrilled to have Tribeca Film distribute War Witch. Hearing the team talk about the film is a true inspiration and I am incredibly thrilled to be working closely with them for the release in the U.S.”, said writer-director Kim Nguyen. “We are confident that Tribeca Film’s passionate team can bring this special film to a wide audience in the U.S. and are very pleased to have them as U.S. distributor,” added Marie-Claude Poulin and Pierre Even for Item 7. 

     

    Read more


  • San Francisco Film Society Announces 11 Finalists for 2012 SFFS Documentary Film Fund

    The San Francisco Film Society announced the 11 finalists for the $100,000 2012 SFFS Documentary Film Fund, which supports feature-length documentaries in postproduction. The SFFS Documentary Film Fund was created to support singular nonfiction film work that is distinguished by compelling stories, intriguing characters and an innovative visual approach. 

    From 2011 to 2013, a total of $300,000 will be disbursed to further new work by documentary filmmakers nationwide. Expected to grow in the coming years as further underwriting is secured, the Documentary Fund was inaugurated thanks to a generous gift from valued Film Society patrons Sharon and Larry Malcolmson.

     

    2012 Finalists

    Mike Plunkett, director; Anna Farrell, producer, Charge

    Charge is a character-driven story about Bolivians’ relentless fight to control their country’s abundant natural resources.

    Katy Chevigny, codirector/coproducer; Ross Kauffman, codirector/coproducer, E-Team

    E-Team follows the intense and courageous work of three intrepid members of Human Rights Watch’s Emergency Team on the front lines of identifying international human rights abuses.

    Roger Ross Williams, director; Julie Goldman, producer, God Loves Uganda

    God Loves Uganda goes inside the powerful and underreported evangelical campaign to change the face of African culture with values imported from America’s Christian Right. As the radical effort to eliminate “sexual immorality” creates a wave of religious violence and hatred, an embattled Ugandan pastor searches for solutions.

    Charles Schultz, director/producer, The Last Crop

    Seven out of every ten of America’s farms will change hands over the next twenty years as aging farmers face retirement. In California’s Central Valley one family’s struggle to ensure their farm’s future conveys the powerful emotions and deep values inherent in this national issue. For more information: thelastcropfilm.com 

    David Sampliner, director/producer, My Own Man

    As Sampliner turns 40 and faces marriage and fatherhood, he finds himself in an identity crisis. Stalled in his career and feeling alienated from other men, the filmmaker decides to get in better touch with his manhood. He explores a range of manly pursuits and seeks out a broad spectrum of men to explore the complex world of contemporary masculinity.

    Shaul Schwarz, director; Lars Knudsen, producer; Jay Van Hoy, producer, Narco Cultura 

    Narco Cultura explores the phenomenon of narcotics culture in North America through the personal stories of those entangled in the drug wars, from cartel-sponsored musicians and filmmakers to a crime scene investigator.

    Holen Kahn, codirector/coproducer; Alessandra Zeka, codirector/coproducer, A Quiet Inquisition

    When abortion is criminalized in Nicaragua an OB/GYN doctor at a public hospital must choose between disregarding her medical ethics by obeying the new law or risking incarceration by breaking the law to treat girls and women whom she believes are in danger.

    Matt Wolf, director; Kyle Martin, producer, Teenage

    Based on a groundbreaking book by punk author John Savage, Teenage is an unconventional historical film about the invention of the term “teenager.” Bringing to life fascinating youths from the early 20th century — from party-crazed flappers and punk swing kids to brainwashed Nazi Youth and frenzied, consumerist sub-debs — the film reveals the prehistory of the modern teenager and the struggle between adults and adolescents to define youth.

    Johanna Hamilton, director/producer, Untitled 1971

    Hamilton continues her exploration of social movements and the limits of dissent, this time turning her lens to domestic contradictions in North America.

    Nicholas Philipides, codirector/coproducer; Benjamin Schuder, codirector/coproducer, The Village of Peace

    The Village of Peace explores the lives of four individuals in an Israeli village that was settled 40 years ago by African Americans from Chicago. The four main characters each provide a different perspective on the village and its history, as well as their individual place within Israeli culture. For more information: villageofpeacemovie.com

    Emily Topper, director; Mary Posatko, producer, The Wreckage

    Topper’s grandfather was shot in Baltimore in 1972, and because race seemed to be involved, the topic became taboo within her family. The Wreckage is a close to-the-bone examination of the murder and the family’s reaction.

    Read more


  • Dear Mandela Leads The Winners of 2012 Brooklyn Film Festival

    The Brooklyn Film Festival (BFF) announced the winners for its annual festival, themed DECOY. The competitive event ran from June 1 through June 10 at indieScreen in Williamsburg and Brooklyn Heights Cinema.

    Winners were chosen from 104 film premieres that were selected from over 2,000 submissions coming from 111 countries. This year, BFF featured more than 30 New York City based film directors with over a dozen projects shot in Brooklyn.

    Through the resources of industry-related sponsors, the Brooklyn Film Festival awarded the 2012 winners with a total of $57,000 in prizes and film services. 

     

    GRAND CHAMELEON AWARD

    DEAR MANDELA by Dara Kell & Christopher Nizza

     

    Best Narrative Feature

    OLD DOG by Pema Tseden

     

    Best Documentary

    DEAR MANDELA by Dara Kell & Christopher Nizza

     

    Best Narrative Short

    CHEAP EXTERMINATION by Minka Farthing-kohl

     

    Best Animation

    THE MAKING OF LONGBIRD by Will Anderson

     

    Best Experimental

    MOVE by John Graham

     

    Best New Director 

    BROOKLYN CASTLE by Katie Dellamaggiore 

     

    Spirit Awards

    Feature Narrative: GEORGE THE HEDGEHOG by W. Wawszczyk, J. Tarkowski, T. Lesniak

    Documentary: [S]COMPARSE by Antonio Tibaldi

    Short Narrative: PIGEON KICKER by Daniel Long

    Experimental: PLACES OTHER PEOPLE HAVE LIVED by Laura Yilmaz

    Animation: WE, THE MASSES by Eoghan Kidne

     

    Audience Awards

    Feature Narrative: CAT SCRATCH FEVER by Lisa Duva

    Documentary: MY BROOKLYN by Kelly Anderson & GUT RENOVATION by Su Friedrich

    Short Narrative: NANI by Justin Tipping

    Experimental: SEA PAVILION by Marysia Makowska & Todd Somodevilla

    Animation: OLD MAN by Leah Shore

     

    Certificates of Outstanding Achievement

    Screenplay: TINA GHARAVI for I AM NASRINE

    Producer: CAITLYN COADY for PERCIVAL’S BIG NIGHT

    Cinematography: PIOTR SOBOCINSKI for ROSE

    Editing: LISA DUVA, KATHERINE NOLFI, BEN BROWN for CAT SCRATCH FEVER

    Original Score: ROBERT AIKI AUBREY LOWE for LAST KIND WORDS

    Actor Female: SARAH WHARTON for PERCIVAL’S BIG NIGHT

    Actor Male: BRYAN KAPLAN for FRAY

    Read more


  • See Girl Run and Beauty Is Embarrassing Among 2012 deadCENTER Film Festival Winners

     

    deadCENTER Film Festival announced its 2012 award recipients on Saturday evening, June 9, 2012. The awards ceremony was held immediately before the free, outdoor screening of “Under African Skies”, on the Great Lawn at the Myriad Gardens.  

    “This year, deadCENTER Film Festival’s submissions were judged by 25 individuals from across the country, ranging from film critics and distributors, to academics and filmmakers,” said Festival Director Kim Haywood.  “Our winners truly represent independent film voices from around the world.” 

    The 2012 winners are as follows: 

     

    Best Narrative Feature, See Girl Run

    See Girl Run is what happens when a 30-something woman allows life’s ‘what ifs’ to overwhelm her appreciation for what life actually is. Disregarding her current obligations, she digs into her romantic past in hopes of invigorating her present.

    Best Documentary Feature, Beauty Is Embarrassing

    Raised in the Tennessee mountains, Wayne White started his career as a cartoonist in NYC. He found success as one of the creators of the Pee-wee’s Playhouse TV show which led to work designing some of the most iconic images in pop culture. The movie features Matt Groening, Mark Mothersbaugh, Todd Oldham, Paul Reubens, Gary Panter, Jonathan Dayton, Valerie Feris and many more.

    Special Jury Narrative Feature, Somebody Up There Likes Me

    Thirty-five years in the life of Max (Keith Poulson), his best friend Sal (Nick Offerman) and a woman they both adore, Lyla (Jess Weixler). The trio stumble through mandatory but seemingly unfulfilling entanglements, at weddings, funerals, hospitals, eateries, divorce courts and the tool shed. A deadpan fable about time sneaking up on and swerving right around us.

    Special Jury Documentary Feature, The Queen of Versailles

    A character-driven documentary about a family who attempts to build the biggest house in America. The film intimately documents a billionaire’s rise and fall, amidst economic crisis. The vérité narrative explores varying interpretations of the American Dream through character studies of family members and household employees, as it examines the culture of consumerism.

    Narrative Short, After School Special

    What do we really know about the people around us? A man and a woman have an awkward encounter at an indoor playground in this Neil LaBute penned slice-of-life starring Sarah Paulson and Wes Bentley.

    Documentary Short, A Brief History of John Baldessari

    A towering figure in the art world, standing at 6’7″, John Baldessari’s epic career crammed into 5 and a half frenzied minutes…narrated by Tom Waits.

    Best Student Film, Reprise

    Struggling in an abusive same-sex marriage, Meena is forced to confront the reality of her relationship, her life, and the difficult choice between staying and leaving.

    Oklahoma Film, Bringing Up Bobby

    The story of European con-artist Olive (Milla Jovovich), who flees to Oklahoma with her 10-year-old son in an effort to live out the American Dream. Olive and Bobby blithely charm their way from one adventure to another, but Olive”s criminal past is always in danger of catching up. The stellar cast also features Bill Pullman, Marcia Cross and Rory Cochrane.

    Best Short Screenplay, Lightening Round

     

    Read more


  • Thirteen students Are Winners of the Academy of Motion Picture Arts and Sciences 39th Annual Student Academy Awards

    Thirteen students from colleges and universities around the world were honored tonight (June 9) as winners at the Academy of Motion Picture Arts and Sciences’ 39th Annual Student Academy Awards.  The medal placements were announced at the awards ceremony, which featured as presenters actors Laura Dern, Cuba Gooding, Jr., Greg Kinnear and Mena Suvari alongside Academy President Tom Sherak at the Academy’s Samuel Goldwyn Theater.

    The winners are:

     

    Alternative

    Gold Medal*:    “The Reality Clock,” Amanda Tasse, University of Southern California

    *Only one winner was selected in this category.

    Animation

    Gold Medal:      “Eyrie,” David Wolter, California Institute of the Arts

    Silver Medal:    “The Jockstrap Raiders,” Mark Nelson, University of California, Los Angeles

    Bronze Medal:  “My Little Friend,” Eric Prah, Ringling College of Art and Design

    Documentary

    Gold Medal:      “Hiro: A Story of Japanese Internment,” Keiko Wright, New York University

    Silver Medal:    “Dying Green,” Ellen Tripler, American University

    Bronze Medal:  “Lost Country,” Heather Burky, Art Institute of Jacksonville

    Narrative

    Gold Medal:      “Under,” Mark Raso, Columbia University

    Silver Medal:    “Narcocorrido,” Ryan Prows, American Film Institute

    Bronze Medal:  “Nani,” Justin Tipping, American Film Institute

    Foreign Film

    Gold Medal:      “For Elsie,” David Winstone, University of Westminster, United Kingdom

    Silver Medal:    “Of Dogs and Horses,” Thomas Stuber, Film Academy Baden-Württemberg, Germany

    Bronze Medal:  “The Swing of the Coffin Maker,” Elmar Imanov, The International Film School Cologne, Germany

     

    Read more