• We Need To Talk About Kevin Wins Best Film at BFI London Film Festival

    [caption id="attachment_1775" align="alignnone" width="550"]BEST FILM: WE NEED TO TALK ABOUT KEVIN[/caption]

    Tilda Swinton’s latest film, We Need To Talk About Kevin, took the top prize at The 55th BFI London Film Festival. The film adapted from Lionel Shriver’s popular 2003 novel is about an American woman, Eva (Tilda Swinton), suffering from the fallout of a terrible crime committed by her teenage son, Kevin (Ezra Miller).

    BEST FILM: WE NEED TO TALK ABOUT KEVIN, directed by Lynne Ramsay
    On behalf of the jury John Madden (Chair) said: “This year’s shortlist for Best Film comprises work that is outstanding in terms of its originality and its stylistic reach. It is an international group, one united by a common sense of unflinching human enquiry and we were struck by the sheer panache displayed by these great storytellers. In the end, we were simply bowled over by one film, a sublime, uncompromising tale of the torment that can stand in the place of love. We Need to Talk About Kevin is made with the kind of singular vision that links great directors across all the traditions of cinema.”

    BEST BRITISH NEWCOMER: Candese Reid, actress, Junkhearts
    The award for Best British Newcomer was presented by Edgar Wright and Minnie Driver to Candese Reid, for her acting role in Junkhearts, a sophisticated, social drama about hope and the search for redemption. Starting acting at the age of nine, she joined Nottingham’s prestigious Television Workshop, and her role in Junkhearts, at the age of 18, was her first professional acting role.

    Chair of the Best British Newcomer jury, Andy Harries said, “Candese is a fresh, brilliant and exciting new talent. Every moment she was on screen was compelling.”

    SUTHERLAND AWARD WINNER: Pablo Giorgelli, director of LAS ACACIAS
    The long-standing Sutherland Award is presented to the director of the most original and imaginative feature debut in the Festival. This year, Argentinian director Pablo Giorgelli took the award for his film Las Acacias, a slow-burning, uplifting and enchanting story of a truck driver and his passengers. The director received his Star of London from film director Terry Gilliam.

    The jury commented: “In a lively and thoughtful jury room debate, Las Acacias emerged as a worthy winner, largely because of the originality of its conception. Finely judged performances and a palpable sympathy for his characters makes this a hugely impressive debut for director Pablo Giorgelli.”

    GRIERSON AWARD FOR BEST DOCUMENTARY: INTO THE ABYSS: A Tale of Death, A Tale of Life directed by Werner Herzog
    The award is co-presented with the Grierson Trust, in commemoration of John Grierson, the grandfather of British documentary. Recognising outstanding feature length documentaries of integrity, originality, technical excellence or cultural significance, the jury was chaired by Adam Curtis and the award went to Werner Herzog’s coruscating study of the senselessness of violence and its consequences.

    BFI FELLOWSHIP:  Ralph Fiennes and David Cronenberg (as previously announced)

    Awarded to an individual whose body of work has made an outstanding contribution to film culture, the Fellowship is the highest accolade that the British Film Institute bestows and was awarded to Canadian auteur David Cronenberg whose film A Dangerous Method premiered at the Festival on Monday. The Fellowship was presented by Jeremy Thomas and Michael Fassbender.

    Ralph Fiennes, one of Britain’s pre-eminent actors, who has just made a bold and critically well received transition to film directing with his festival film Coriolanus, was also presented with a Fellowship, this time from fellow actor and personal friend Liam Neeson.

    Greg Dyke, Chair, BFI said: ‘The BFI London Film Festival Awards pay tribute to outstanding film talent, so we are delighted and honoured that both Ralph Fiennes, one of the world’s finest and most respected actors and David Cronenberg, one of the most original and ground-breaking film directors of contemporary cinema, have both accepted BFI Fellowships – the highest accolade the BFI can bestow. I also want to congratulate all the filmmakers and industry professionals here tonight, not only on their nominations and awards, but also for their vision, skill, passion and creativity.’

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  • Nine Finalists for $15,000 for SFFS/Hearst Screenwriting Grant

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    [caption id="attachment_1773" align="alignnone" width="550"]Fanny, Annie & Danny, a film by finalist Chris Brown[/caption]

    The San Francisco Film Society announced today the nine finalists for the third SFFS/Hearst Screenwriting Grant and the grant prize of $15,000.  The finalists were selected from 57 applicants, and the winner will be announced in early December.

    FINALISTS
    Chris Brown, San Franciscoland
    A young Iraqi war veteran is forced to turn to prostitution in order to survive in San Francisco. For information visit fannyannieanddanny.com.

    Jason Cortland, Lumberjunkies
    In a small logging town in Northern Oregon, two brothers circumvent the decline of the timber industry by stealing trees off public lands at night. Following a series of accidents, they have a falling out. The youngest goes to work for their estranged father on a legitimate salvage logging crew. With loyalties shifted, a history of family betrayal leads to an explosion of violence.

    Mark Decena, The Martyr
    The apparent suicide of a peace activist has a galvanizing effect on global efforts to end war and conflict. When the activist unexpectedly turns up very much alive, his colleagues must decide whether the movement’s new momentum is more important than one man’s existence. For information visit kontentfilms.com.

    Gabriel Diani, Etta Devine, Sorry, Wrong Planet
    Sorry, Wrong Planet is a sci-fi comedy about an inept clone soldier named Dort who is accidentally teleported to Earth where he teams up with an illegal immigrant named Miguel to do day labor. He falls in love with a waitress who looks exactly like the empress he is genetically programmed to worship and saves Earth from an alien invasion. For information visit dianidevine.com.

    Joshua Malkin, Both Hands
    When Dora, an ambitious American college student studying in Montreal, spies on the mysterious tattoo artist next door, she ignites a passionate mutual obsession that threatens to destroy both their lives. For information visit smalldrama.com.

    Jonah Markowitz, Falling Home
    An urban and happily childless gay couple’s life is forever changed following a tragic accident. They become the caretakers of two teenagers and the owners of a rural family farm. Three cross-cultural, multigenerational families learn to carry on after extreme tragedy. For information visit logolite-ent.com/jmarkowitz.

    Jean-Louis Milesi, Inland Sea
    A group of kids survives on the streets in a country recently torn apart by a war. Among them is ten-year-old Mickey who never speaks and whose friends treat him like an idiot. While the others are focused only on finding food, Mickey has two goals in life: to find new batteries to light up the plastic blade of his light saber and to find, and kill, his father. For information visit jeanlouismilesi.com.

    Chioke Nassor, How to Follow Strangers
    A woman died alone in her apartment and a year later her body was found decomposing in a crisp Chanel suit. A young man becomes obsessed with this urban tragedy and disappears, wondering if anyone will notice. A young woman who shares his commuting schedule does notice, and when he resurfaces, she decides to follow him, setting off a chain of events that bind them together. For information visit chiokenassor.com.

    Ian Olds, Western Habit
    An Afghan journalist exiled from his war-torn home to a small, bohemian community in Northern California struggles to find a new life for himself while juggling a low-paying job on the local police blotter, a meddling avant-garde theater director and a sexually charged relationship with his roommate, who is also the town sheriff. For information visit fixerdoc.com.

    The 2010 SFFS/Hearst Screenwriting Grant was awarded to Eric Escobar for East County, a drama set in the economic downturn in which a deputy sheriff who is drowning in debt moonlights for his brother’s eviction agency.

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  • Complete List of 45 Films Eligible for 2011 European Film Academy Awards

    [caption id="attachment_1671" align="alignnone" width="550"]THE ARTIST by Michel Hazanavicius[/caption]

    European Film Academy announced the 45 films in this year’s EFA Selection, the list of films recommended for a nomination for the European Film Awards 2011. With 32 countries represented, from A(ustria) to U(nited Kingdom), the list also covers a wide range of genres and themes from comedies about love, friendship, immigration and kidnapping to dramas about childhood, dysfunctional families and national traumas, from portraits of flawed leaders, surrealist animation and historical epics to an almost silent film in black & white.

    The EFA Selection 2011


    ALMANYA – WILLKOMMEN IN DEUTSCHLAND / ALMANYA
    by Yasemin Samdereli
    Germany/Turkey, 101 min.

    AMÉRICA / AMERICA
    by João Nuno Pinto
    Portugal/Spain/Brazil/Russia, 111 min

    THE ARTIST
    by Michel Hazanavicius
    France, 100 min.

    AS IF I AM NOT THERE
    by Juanita Wilson
    Ireland/FYR Macedonia/Sweden, 109 min.

    ATTENBERG
    by Athina Rachel Tsangari
    Greece, 95 min.

    AVE
    by Konstantin Bojanov
    Bulgaria, 86 min.

    BALADA TRISTE DE TROMPETA / THE LAST CIRCUS
    by Alex de la Iglesia
    Spain, 107 min.

    BELI BELI SVET / WHITE WHITE WORLD
    by Oleg Novkovic
    Serbia/Germany/Sweden, 121 min.

    CIRKUS COLUMBIA
    by Danis Tanovic
    Bosnia & Herzegovina/France/UK/Germany/Slovenia/Belgium, 113 min.

    CIRKUS FANTASTICUS / SILENT SONATA
    by Janez Burger
    Slovenia/Ireland, 75 min.

    [DREI / THREE.intern] europeanfilmawards.eu/en_EN/fi…
    by Tom Tykwer
    Germany, 119 min.

    ELDFJALL / VOLCANO
    by Rúnar Rúnarsson
    Iceland/Denmark, 95 min.

    ????? / ELENA
    by Andrey Zvyagintsev
    Russia, 109 min.

    ESSENTIAL KILLING
    by Jerzy Skolimowski
    Poland/Norway/Ireland/Hungary, 84 min.

    LE GAMIN AU VÉLO / THE KID WITH A BIKE
    by Jean-Pierre & Luc Dardenne
    Belgium/France/Italy, 84 min.

    HABEMUS PAPAM
    by Nanni Moretti
    Italy/France, 104 min.

    HÆVNEN / IN A BETTER WORLD
    by Susanne Bier
    Denmark, 113 min.

    HALT AUF FREIER STRECKE / STOPPED ON TRACK
    by Andreas Dresen
    Germany, 110 min.

    HITGANVUT YEHIDIM / INFILTRATION
    by Dover Kosashvili
    Israel/France, 116 min.

    THE KING’S SPEECH
    by Tom Hooper
    UK, 118 min.

    LE HAVRE
    by Aki Kaurismäki
    Finland/France/Germany, 93 min.

    LIDICE
    by Petr Nikolaev
    Czech Republic, 123 min.

    LOVERBOY
    by Catalin Mitulescu
    Romania, 93 min.

    MAJKI / MOTHERS
    by Milcho Manchevski
    FYR Macedonia, 123 min.

    MELANCHOLIA
    by Lars von Trier
    Denmark/Sweden/France/Germany, 130 min.

    NEDS
    by Peter Mullan
    UK, 124 min.

    NOI CREDEVAMO / WE BELIEVED
    by Mario Martone
    Italy/France, 170 min.

    OSLO 31. AUGUST / OSLO, AUGUST 31st.intern]europeanfilmawards.eu/en_EN/fi…
    by Joachim Trier
    Norway, 95 min.

    ??C???? (OVSYANKI) / SILENT SOULS
    by Alexey Fedorchenco
    Russia, 75 min.

    PA NEGRE / BLACK BREAD
    by Agustí Villaronga
    Spain, 109 min.

    LA PETITE CHAMBRE / THE LITTLE ROOM
    by Stéphanie Chuat & Véronique Reymond
    Switzerland/Luxembourg, 87 min.

    LES PETITS MOUCHOIRS / LITTLE WHITE LIES
    by Guillaume Canet
    France, 154 min.

    LA PIEL QUE HABITO / THE SKIN I LIVE IN
    by Pedro Almodóvar
    Spain, 118 min.

    PLAY
    by Ruben Östlund
    Sweden, 113 min.

    PREŽÍT SVUJ ŽIVOT / SURVIVING LIFE
    by Jan Švankmajer
    Czech Republic/Slovakia, 109 min.

    RUNDSKOP / BULLHEAD
    by Michaël R. Roskam
    Belgium/the Netherlands, 123 min.

    SALA SAMOBÓJCÓW / SUICIDE ROOM
    by Jan Komasa
    Poland, 110 min.

    SVINALÄNGORNA / BEYOND
    by Pernilla August
    Sweden/Denmark/Finland, 96 min.

    TAMBIEN LA LLUVIA / EVEN THE RAIN
    by Icíar Bollaín
    Spain, 99 min.

    TILVA ROŠ
    by Nikola Ležaic
    Serbia, 95 min.

    TIRZA
    by Rudolf van den Berg
    The Netherlands, 102 min.

    TOMBOY
    by Céline Sciamma
    France, 84 min.

    A TORINÓI LÓ / THE TURIN HORSE
    by Béla Tarr
    Hungary/France/Switzerland/Germany, 146 min.

    DIE UNABSICHTLICHE ENTFÜHRUNG DER FRAU ELFRIEDE OTT / THE UNINTENTIONAL KIDNAPPING OF ELFRIEDE OTT
    by Andreas Prochaska
    Austria, 112 min.

    WE NEED TO TALK ABOUT KEVIN
    by Lynne Ramsay
    UK, 111 min.

     

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  • Audience Award Winners of 2011 Buffalo International Film Festival

    [caption id="attachment_1770" align="alignnone" width="550"]Cape No. 7[/caption]

    The Buffalo International Film Festival announced the winners of the 2011 Audience Awards selected by a direct vote from the audiences screening the films between October 7-23, 2011.

    5th Annual Buffalo International Film Festival
    Audience Awards

    Best of Festival

    1st Place:  Tie:  Cape No. 7, Taiwan, 2010

    Tie: The Whisperer in Darkness, United States, 2011

    Honorable Mention: Cultures of Resistance, United States, 2010

    Drama

    1st Place: Shock Corridor, United States, 1963

    2nd Place: Essential Killing, Poland, Norway, Ireland, Hungary, 2010

    Honorable Mention: Janie Jones, United States, 2010



    Documentary Film

    1st Place: If A Tree Falls: A Story of the Earth Liberation Front, United States, 2011

    2nd Place: Cultures of Resistance, United States, 2010

    Honorable Mention: Kumpania, United States, 2011



    Foreign Language Films

    1st Place: Cape No. 7, Taiwan, 2008

    2nd Place: Orz Boyz, Taiwan, 2008

    Honorable Mention: Gallants, Romantics Anonymous



    Short Films

    Documentary: A Tribute to Milton Rogovin, 3 short films

    Fiction: Made In Buffalo: 15 Short Films from Buffalo and Western New York



    Comedy

    1st Place: Gallants, Hong Kong, 2010

    2nd Place: Romantics Anonymous, France, 2010



    Horror / Science Fiction

    1st Place: The Whisperer in Darkness, United States, 2011

    2nd Place: The House on Haunted Hill, United States, 1957

    Honorable Mention: Black Eve, Canada, 2011



    Animation

    Flatland, United States, 2007

    Special Event:

    Meet the Pros: Filmmaking Workshop with David Heely & Joan Kramer



    First Annual Samuel Fuller Guerilla Filmmaking Award

    Atwill, United States, 2011, Charles Dennis

     

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  • AFI FEST announces the film retrospective curated by Guest Artistic Director Pedro Almodóvar

    [caption id="attachment_1781" align="alignnone"]Law Of Desire[/caption]

    AFI FEST has released the film retrospective curated by Guest Artistic Director Pedro Almodóvar for the 2011 festival. In addition to the screening of his film LAW OF DESIRE as An Evening With Pedro Almodóvar Gala presentation on Monday, November 7, Almodóvar’s program of classic horror films and thrillers are EYES WITHOUT A FACE (DIR Georges Franju, 1960), LE CERCLE ROUGE (DIR Jean-Pierre Melville, 1970), NIGHTMARE ALLEY (DIR Edmund Goulding, 1947) and THE KILLERS (DIR Robert Siodmak, 1946).

    Almodóvar has created comprehensive notes for these curated films that will be shared with moviegoers as part of the festival’s official program guide.

    Almodóvar will attend the festival on Monday, November 7, joined by Antonio Banderas, who has a leading role in LAW OF DESIRE.

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  • First Look at the Doc NYC Film Festival

     

    [caption id="attachment_1766" align="alignnone" width="550"]The Island President[/caption]

    The Doc NYC Film Festival is kicking off at the IFC Center on 6th Avenue on November 2nd through November 10th 2011. Vimooz’s Francesca McCaffery is covering the Festival, and here are some of the first highlights of what is proving to be a truly inspiring, not-to-be-missed line-up:

     

    The Island President: If you only go see a few films at the Doc NYC Film Festival this year, Jon Shenk’s “The Island President” should be at the very top of your list. Focusing on the pint-sized President Mohamed Nasheed of the Maldives Islands (the country comprised of a thousand scattered islands, South of India) and his amazing quest to crush the threat of global warming- which is literally threatening the life of the Island’s inhabitants. (The Maldives are literally sinking at a stomach-lurching rate, due to the additional CO2 in the air, which is raising ocean water levels.) Learning about his twenty years as a political activist and political prisoner before he was elected- this movie is a tribute to a brilliant, illuminating spirit, and absolutely MUST be seen. (Radiohead does the soundtrack, another great reason to see it!) 

     

    [caption id="attachment_1767" align="alignnone" width="550"]Kumare[/caption]

    Kumare: Kumare is the story of a young, hip Indian-American filmmaker (Vikram Gandhi) who initially started out making a doc about spiritual leaders around the world. Quietly demoralized by many of their “fake” attributes, inauthenticity and very Western appetites, he sets upon an experiment: With two pretty young “assistants,” he gets his yoga certification, grows out his long, black beard, moves to Phoenix, AZ (where no one knows him) and literally remakes himself into a spiritual guru named “Kumare.” He then begins teaching self-created meditation and yoga techniques and life-enriching “seminars” at a local yoga studio. Soon, he has up to twenty students, all who start confiding in him their problems, anxieties and general fears about their lives, loves and relationships. The filmmaker now faces a great dilemma: How is he going to “reveal” his true self without breaking everyone’s heart, including his own? The film is being billed as a Borat-style stunt- and perhaps, it may have been originally conceived as such. But the message the filmmaker decides to make the crux of his highly inventive film is a beautiful one- and the film itself is a hilarious, warm, and extraordinarily thought-provoking. Please make sure to check it out!

    [caption id="attachment_1768" align="alignnone" width="550"]Lemon[/caption]

    Lemon: Another wonderful doc at the Doc NYC Film Festival this year, “Lemon” (directed by Laura Brownson and Beth Levinson) focuses upon the tough upbringing and truly resilient, genius spirit of performer Lemon Andersen, discovered By Russell Simons (and placed on both television and Broadway through the Def Poetry Jam series-winning Andersen an ensemble Tony award for the stage version) and chronicles his ups and downs, as well as his tragic Brooklyn childhood and fight to come up from the projects and become a star. The wonderful thing about watching this film is actually getting to observe an artist at work- we see the countless rehearsals of Lemon’s one -man show, his frustrations as he tries to find funding for it, what he must let go off in order to take the show to the next level, (to the historic Public Theatre) and his incredible drive to succeed. Through it all, we see that Lemon is not just a star performer, but a deft and dazzling poet, and we root for him all the way through. A well-conceived and stylized take on the American Dream, and what one has to do if they truly want to attain it. Also- the film is simply fun and beautiful to watch, just gorgeously well produced. You can say you saw it here first, because this will certainly be at a theater near you or on HBO, very soon.

    [caption id="attachment_1683" align="alignnone" width="550"]Into the Abyss, A Tale of Death, A Tale of Life: Werner Herzog [/caption]

    Into the Abyss, A Tale of Death, A Tale of Life: Werner Herzog

    Herzog again self-narrates another documentary- this time, a strange and stilted journey into the state of Texas, where he interviews two young men imprisoned for murder, one of them on Death Row, as well as the families of three of their victims. In this extensive investigation into the inhabitants of the small town, the family members, and the killers themselves, it is hard not to focus on the fact that these murders seemed to driven not by love, lust or greed, but by the need simply to possess, of all things, a new sports car. Herzog is not making a simple judgment call on materialism and society, or our literally wasted, orphaned-in-spirit youth. He seems be asking, simply: “Why do we kill? And why do states kill?” As Michael Perry proclaims, and scarily correct days before his execution, “The state of Texas wants to murder me!” I found a smaller film to be much more interesting and actually relevant, which was Grober Babcock’s and Blue Hadaegh’s Scenes of a Crime.” This doc painstakingly picks apart the gaping holes in a grueling police interrogation of a father whose infant son has died in his care. As we learn how remiss the detectives were in this case, it makes one reflect upon the pressure we put upon our civil servants to keep our lives and our society tightly in line. This was a far more devastating commentary on how, as one hard-working lawyer for the defense put it, “Very few people put in the position of administering justice seem to really care about doing so.”

     

    We will have continuing highlights and coverage of this wonderful documentary film fest. Please stay tuned, and please go to www.docnyc.net to get your tickets now!

    By Francesca McCaffery

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  • AFI FEST 2011 Announces World Cinema, Breakthrough, Midnight and Shorts programs

    AFI FEST announced the remaining programs and films that will screen in the festival’s World Cinema, Breakthrough, Midnight and Shorts programs at the 25th edition this November. 

    The festival describes each programs as “World Cinema showcases the most anticipated and prize-winning international films of the year, Breakthrough highlights works discovered only through the submissions process and Midnight’s eclectic selection presents films with provocative and unexpected ideas.”

     

    WORLD CINEMA SELECTIONS

    ALMAYER’S FOLLY: DIR/SCR Chantal Akerman.  Belgium/France.  U.S. Premiere.
    ALPS: DIR Yorgos Lanthimos.  SCR Yorgos Lanthimos, Efthimis Filippou.  Greece/France.  U.S. Premiere.
    ARIRANG: DIR Kim Ki-duk.  South Korea.  U.S. Premiere.
    CAFÉ DU FLORE: DIR/SCR Jean-Marc Vallée.  Canada.  U.S. Premiere.
    CARRÉ BLANC: DIR/SCR Jean-Baptiste Léonetti.  France/Luxembourg/Russia/Belgium/Switzerland.  U.S. Premiere.
    THE DAY HE ARRIVES: DIR/SCR Hong Sang-Soo.  South Korea.  U.S. Premiere.
    EXTRATERRESTRIAL: DIR/SCR Nacho Vigalondo.  Spain.
    FAUST: DIR Alexander Sokurov.  SCR Alexander Sokurov, Marina Koreneva.  Russia.  U.S. Premiere.
    FOOTNOTE: DIR/SCR Joseph Cedar.  Israel.  Israel’s official foreign-language Oscar submission.
    THE FORGIVENESS OF BLOOD: DIR Joshua Marston.  SCR Joshua Marston, Andamion Murataj.  USA/Albania/Denmark/Italy.
    THE INVADER: DIR Nicolas Provost.  SCR Nicolas Provost, Giordano Gederlini, François Pirot.  Belgium.  U.S. Premiere.
    JIRO DREAMS OF SUSHI: DIR David Gelb.  USA.
    KINYARWANDA: DIR/SCR Alrick Brown.  USA.
    MAMA AFRICA: DIR Mika Kaurismäki.  Germany/South Africa/Finland.
    ONCE UPON A TIME IN ANATOLIA: DIR Nuri Bilge Ceylan.  SCR Ercan Kesal, Ebru Ceylan, Nuri Bilge Ceylan. Turkey/Bosnia/Herzegovina.  Turkey’s official foreign-language Oscar submission.
    PLAY: DIR/SCR Ruben Östlund.  Sweden/France/Denmark.
    A SEPARATION: DIR/SCR Asghar Farhadi.  Iran.  Iran’s official foreign-language Oscar submission.
    THE SILVER CLIFF: DIR Karim Aïnouz.  SCR Beatriz Brachner, Karim Aïnouz.  Brazil.
    TARGET: DIR Alexander Zeldovich.  SCR Vladimir Sorokin, Alexander Zeldovich.  Russia.
    THIS IS NOT A FILM: DIR/SCR Mojtaba Mirtahmasb, Jafar Panahi.  Iran.
    THE TURIN HORSE: DIR Béla Tarr.  SCR Béla Tarr, László Krasznahorkai.  Hungary.  Hungary’s official foreign-language Oscar submission.

    BREAKTHROUGH SELECTIONS
    The Breakthrough films are true discoveries – films that come straight from the submissions process. 

    EXPECTING: DIR/SCR Francisca Fuenzalida.  Chile.  U.S. Premiere.
    LIGHT OF MINE: DIR Brett Eichenberger.  SCR Jill Remensnyder.  USA.
    THREE AND A HALF: DIR/SCR Naghi Nemati.  Iran.  U.S. Premiere.
    WITH EVERY HEARTBEAT: DIR/SCR Alexandra-Therese Keining.  Sweden.  World Premiere.

    MIDNIGHT SELECTIONS
    The Midnight section showcases an eclectic group of films across the globe from fearless proponents of provocative, jarring and unexpected ideas.

    BEYOND THE BLACK RAINBOW: DIR/SCR Panos Cosmatos.  USA.
    HEADHUNTERS: DIR Morten Tyldum.  DIR Morten Tyldum.  SCR Lars Gudmestad, Ulf Ryberg.  Norway.
    KILL LIST: DIR Ben Wheatley.  SCR Ben Wheatley, Amy Jump.  UK.

    SHORT FILM SELECTIONS (In Competition)
    The films in this section are in competition for the Grand Jury Prize for Live Action Short Film and Animated Short Film.  Both award categories are recognized by the Academy of Motion Picture Arts and Sciences as qualifiers for the annual Academy Awards®.

    30,000 DAYS: DIR Stephanie Barber.  USA.
    ALL FLOWERS IN TIME: DIR Jonathan Caouette.  USA.
    ALL IN ALL: DIR Charlie Reff.  USA.
    ANOTHER BULLET DOGED: DIR Landon Zakheim.  USA.
    BABYLAND: DIR Marc Fratello.  USA.
    BLINK: DIR Rick Rosenthal.  AFI Conservatory Directing Class of 1973.  Canada.
    BROKEN NIGHT: DIR Yang Hyo-Joo.  Korea.
    CLEAR BLUE: DIR Lindsay MacKay.  AFI Conservatory Thesis Film/AFI Directing Class of 2010.  USA.
    DR. BREAKFAST: DIR Stephen Neary.  USA.
    THE EAGLEMAN STAG: DIR Michael Please.  UK.
    EX-SEX: DIR Michael Mohan.  USA.
    FROZEN STORIES: DIR Grzegorz Jaroszuk.  Poland.
    INFINITE MINUTES: DIR Cecilia Felmeri.  Hungary/Romania.
    JUAN Y LA BORREGA: DIR J. Xavier Velasco.  Mexico.
    LIBERTAS: DIR Kan Lume.  Australia/Singapore.
    LITTLE KITTEN: DIR Stephanie Barber.  USA.
    MASKA: DIR Stephen Quay, Timothy Quay.  USA.
    MEXICAN CUISINE: DIR Francisco Guijarro.  USA.
    NEGATIVAPEG: DIR M. Rankin.  Canada.
    NIGHT HUNTER: DIR Stacy Steers.  USA.
    ONCE IT STARTED IT COULD NOT END OTHERWISE: DIR Kelly Sears.  USA.
    ONE MINUTE PUBERTY: DIR Alexander Gellner.  USA.
    PIONEER: DIR David Lowery.  USA.
    PROTOPARTICLES: DIR Chema García Ibarra.  Spain.
    RUNAWAY: DIR Victor Carrey.  Spain.
    SATAN SINCE 2003: DIR Carlos Puga.  USA.
    SLEEP STUDY: DIR Kerri Lenoo, John Merriman.  USA.
    TATUM’S GHOST: DIR Stephanie Barber.  USA.
    THIEF: DIR Julian Higgins.  AFI Conservatory Thesis Film/AFI Directing Class of 2010.  USA.
    TO DIE NEXT TO YOU: Dir Simon Cahn, Spike Jonze.  France.
    UNMANNED: DIR Casey Cooper Johnson.  AFI Conservatory Thesis Film/AFI Directing Class of 2011.  USA.
    THE VOYAGERS: DIR Penny Lane.  USA.
    WE’RE LEAVING: DIR Zachary Treitz.  USA.
    YEARBOOK: DIR Carter Smith.  USA.
    ZERGUT: DIR Natasha Subramaniam, Alisa Lapidu.  USA.

    SHORT FILM SELECTIONS (Out of Competition)
    AANTENI: DIR Todd Cole.  USA.
    I SAW YOUR SISTER YESTERDAY: DIR Mina Park.  USA.
    MENS SANA IN CORPORE SANO: DIR Juliano Dornelles.  Brazil.
    MY BOW BREATHING: DIR Enrico Maria Artale.  Italy.

    WORLD CINEMA SELECTIONS

    ALMAYER’S FOLLY: Chantal Akerman loosely adapts Joseph Conrad’s novel set in Malaysia, the tragic tale of a failed European trader and his
    “mixed blood” daughter.  DIR Chantal Akerman.  CAST Stanislas Merhar, Marc Barbé, Aurora Marion, Zac Andrianasolo.  Belgium/France.
    U.S. Premiere.

    ALPS: DOGTOOTH director Yorgos Lanthimos returns with a tale of a group offering an unusual service for grieving families: They inhabit the
    role of the recently deceased.  DIR Yorgos Lanthimos.  SCR Yorgos Lanthimos, Efthimis Filippou.  CAST Aggeliki Papoulia, Aris Servetalis, Ariane
    Labed, Johnny Vekris.  Greece/France.  U.S. Premiere.

    ARIRANG: Traumatized by a near-fatal accident during filming, director Kim Ki-duk offers a visionary self-portrait of a troubled artist reeling
    from an emotional breakdown.  DIR Kim Ki-duk.  South Korea.  U.S. Premiere.

    CAFÉ DU FLORE: In his follow-up to C.R.A.Z.Y., Jean Marc Vallée tells two parallel stories connected by music about a Montreal D.J. and a
    mother devoted to her special-needs son.  DIR/SCR Jean-Marc Vallée.  CAST Vanessa Paradis, Kevin Parent, Hélène Florent, Evelyne Brochu,
    Marin Gerrier.  Canada.  U.S. Premiere.

    CARRÉ BLANC: One of the strongest debuts in years, CARRÉ BLANC is a dystopian sci-fi vision of a world with limited resources and limitless
    cruelty.  DIR/SCR Jean-Baptiste Léonetti.  CAST Sami Bouajila, Julie Gayet, Jean-Pierre Andreani, Fejria Deliba, Valerie Bodson.
    France/Luxembourg/Russia/Belgium/Switzerland. 

    THE DAY HE ARRIVES: In director Hong Sang-soo’s sublime black-and-white vision of Seoul in winter, a filmmaker’s visit to an old friend
    reverberates with déjà vu-inducing parallels and repetitions.  DIR/SCR Hong Sang-Soo.  CAST Yu Jun-sang, Kim Sang-joong, Song Sun-mi,
    Kim Bok-yung.  South Korea.  U.S. Premiere.

    EXTRATERRESTRIAL: TIMECRIMES director Nacho Vigalondo’s surprising second feature finds an alien invasion providing the backdrop for
    one of the most delightful romantic comedies in years.  DIR/SCR Nacho Vigalondo.  CAST Julian Villagran, Michelle Jenner, Raul Cimas,
    Carlos Areces, Miguel Noguera.  Spain.

    FAUST: RUSSIAN ARK director Alexander Sokurov offers a poetic meditation on Goethe’s legend of the scholar who exchanges his soul for
    unlimited knowledge.  DIR Alexander Sokurov.  SCR Alexander Sokurov, Marina Koreneva.  CAST Johannes Zeiler, Anton Adasinskiy, Isolda
    Dychauk, Georg Friedrich, Hanna Schygulla.  Russia.  U.S. Premiere.

    FOOTNOTE: With wit and pathos, Joseph Cedar tells the story of a rivalry between father and son, both professors in the competitive world of
    Talmudic scholarship.  DIR/SCR Joseph Cedar.  CAST Shlomo Bar Aba, Lior Ashkenazi, Alisa Rosen, Alma Zak, Daniel Markovich, Micah
    Lewesohn, Yuval Scharf, Nevo Kimchi.  Israel.

    THE FORGIVENESS OF BLOOD: In MARIA FULL OF GRACE director Joshua Marston’s assured second feature, a modern Albanian teenager
    finds himself ensnared in his family’s ancient blood feud.  DIR Joshua Marston.  SCR Joshua Marston, Andamion Murataj.  CAST Tristan
    Halilaj, Sindi Laçej, Refet Abazi, Ilire Vinca Çelaj, Çun Lajçi.  USA/Albania/Denmark/Italy. 

    THE INVADER: THE INVADER tells the riveting story of an African immigrant who flees near-enslavement and fights for survival in a European
    city where he does not belong.  DIR Nicolas Provost.  SCR Nicolas Provost, Giordano Gederlini, François Pirot.  CAST Issaka Sawadogo,
    Stefania Rocca, Serge Riaboukine, Dieudonné Kabongo, Tibo Vandenborre, Hannelore Knuts.  Belgium.  U.S. Premiere.

    JIRO DREAMS OF SUSHI: With stunning cinematography and a score by Philip Glass, David Galb’s documentary about renowned 85-year-old
    sushi master Jiro Ono is a complete feast for the senses.  DIR David Gelb.  CAST Jiro Ono, Yoshikazu Ono, Masuhiro Yamamoto, Takashi
    Ono, Hachiro Mizutani.  USA.

    KINYARWANDA: Set in 1994, KINYARWANDA interweaves six true tales into one epic narrative about the Rwandan genocide.  DIR/SCR
    Alrick Brown.  CAST Cassandra Freeman, Edouard Bamporiki, Cleophas Kabasita.  USA.

    MAMA AFRICA: A documentary film about the late Miriam Makeba, the charismatic South African singer and anti-apartheid activist who
    became the voice and the hope of Africa.  DIR Mika Kaurismäki.  Germany/South Africa/Finland.

    ONCE UPON A TIME IN ANATOLIA: A confessed killer leads detectives to his victim’s body in this slow-burning and far from routine police
    procedural from Turkish master Nuri Bilge Ceylan.  DIR: Nuri Bilge Ceylan.  SCR: Ercan Kesal, Ebru Ceylan, Nuri Bilge Ceylan.  CAST
    Muhammet Uzuner, Yilmaz Erdogan, Taner Birsel, A. Mumtaz Taylan, Ercan Kesal.  Turkey/Bosnia/Herzegovina.

    PLAY: Based on actual events, PLAY follows a group of kids lured from an enclosed mall into remote woods by another group with possibly
    nefarious intentions.  DIR/SCR Ruben Östlund.  CAST Anas Abdirahman, Sebastian Blyckert, Yannick Diakité, Sebastian Hegmar, Abdiaziz
    Hilowle.  Sweden/France/Denmark.

    A SEPARATION: Winner of the Golden Bear in Berlin, this drama is a complex portrait of an Iranian family torn apart by a divorce and an
    escalating feud.  DIR/SCR Asghar Farhadi.  CAST Leila Hatami, Peyman Moadi, Shahab Hosseini, Sareh Bayat, Sarina Farhadi, Babak
    Karimi, Merila Zarei.  Iran.

    THE SILVER CLIFF: Abandoned with shocking cruelty by her husband, Violeta embarks on a heartbroken 24-hour odyssey through the bustling
    and beautiful cityscape of Rio de Janeiro.  DIR Karim Aïnouz.  SCR Beatriz Brachner, Karim Aïnouz.  CAST Alessandra Negrini, Thiago
    Martins, Gabi Pereira, Otto Jr., Carla Ribas.  Brazil.

    TARGET: In this flamboyant and ambitious Russian science fiction drama, a wealthy couple from Moscow search for the source of eternal youth.
    DIR Alexander Zeldovich.  SCR Vladimir Sorokin, Alexander Zeldovich.  CAST Maksim Sukhanov, Justine Waddell, Danila Kozlovsky, Daniela
    Stoyanovich.  Russia.

    THIS IS NOT A FILM: Banned by Iran from filmmaking for 20 years and threatened with imprisonment, Jafar Panari offers a remarkable
    portrait of an artist at the crossroads.  DIR/SCR Mojtaba Mirtahmasb, Jafar Panahi.  Iran.

    THE TURIN HORSE: An apocalyptic vision of the harsh lives of peasants in a pitiless landscape, this enigmatic and beautiful film marks
    Hungarian master Béla Tarr’s farewell to cinema.  DIR Béla Tarr.  SCR Béla Tarr, László Krasznahorkai.  CAST Erika Bók, János Derzsi, Mihály
    Kormos, Ricsi.  Hungary.


    BREAKTHROUGH SELECTIONS
    EXPECTING: In Chile, a young girl and her boyfriend wait for a black-market drug to take effect in this tense and insightful examination of teen
    pregnancy.  DIR/SCR Francisca Fuenzalida.  Chile.  U.S. Premiere.

    LIGHT OF MINE:  Rapidly going blind, photographer Owen and his wife Laura take a life-changing trip to Yellowstone National Park where
    they experience a beauty that rivals their tragedy.  DIR Brett Eichenberger.  SCR Jill Remensnyder.  USA.

    THREE AND A HALF: Three women risk everything and travel to the northwest Iranian border in hopes of escaping prison and reuniting with
    their comrades.  DIR/SCR Naghi Nemati.  CAST Samaneh Vafaiezadeh, Shooka Karimi, Negar Hassanzadeh, Mehdi Poormoosa.  Iran. 
    U.S. Premiere.

    WITH EVERY HEARTBEAT: In this Swedish romantic drama, uptight Mia attends her father’s engagement party and not only gains a
    stepmother, but also a new lover, Frida.  DIR/SCR Alexandra-Therese Keining.  CAST Ruth Vega Fernandez, Liv Mjönes, Lena Endre, Krister
    Henriksson.  Sweden.  World Premiere.


    MIDNIGHT SELECTIONS
    BEYOND THE BLACK RAINBOW:  An intense and hallucinogenic sci-fi film set in 1983, director Panos Cosmatos’ BEYOND THE BLACK
    RAINBOW is a one-of-a-kind film experience.  DIR/SCR Panos Cosmatos.  CAST Michael Rogers, Eva Allan, Scott Hylands, Marilyn Norry,
    Rondel Reynoldsen.  USA.

    HEADHUNTERS: In this thriller, corporate headhunter by day, art thief by night Roger will do anything to keep his gorgeous wife happy, even
    stealing from the wrong adversary.  DIR Morten Tyldum.  SCR Lars Gudmestad, Ulf Ryberg.  CAST Aksel Hennie, Synnøve Macody Lund,
    Nikolaj Coster-Waldau.  Norway.

    KILL LIST: As bills stack up and pressures at home mount, an unemployed dad realizes it’s time to get back on the horse and kill some people.
    DIR Ben Wheatley.  SCR Ben Wheatley, Amy Jump.  CAST Neil Maskell, Michael Smiley, MyAnna Buring.  UK.

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  • Gotham Independent Film Awards Announce 2011 Nominees

    [caption id="attachment_1762" align="alignnone" width="550"]Best Feature Nominee – Meek’s Cutoff[/caption]

    The IFP’s Gotham Independent Film Awards™ nominations were announced today; twenty four films will compete in six competitive categories for Best Feature, Best Documentary, Breakthrough Director, Breakthrough Actor, Best Ensemble Performance, and Best Film Not Playing at a Theater Near You.

    The nominees for the 21st Annual Gotham Independent Film Awards are:
    Best Feature

    Beginners

    Mike Mills, director; Leslie Urdang, Dean Vanech, Miranda de Pencier, Jay Van Hoy, Lars Knudsen, producers (Focus Features)

    The Descendants

    Alexander Payne, director; Jim Burke, Alexander Payne, Jim Taylor, producers (Fox Searchlight Pictures)

    Meek’s Cutoff

    Kelly Reichardt, director; Neil Kopp, Anish Savjani, Elizabeth Cuthrell, David Urrutia, producers (Oscilloscope Laboratories)

    Take Shelter

    Jeff Nichols, director; Tyler Davidson, Sophia Lin, producers (Sony Pictures Classics)

    The Tree of Life

    Terrence Malick, director; Sarah Green, Bill Pohlad, Brad Pitt, Dede Gardner, Grant Hill, producers (Fox Searchlight Pictures)

    Best Documentary

    Better This World

    Katie Galloway and Kelly Duane de la Vega, directors; Katie Galloway, Kelly Duane de la Vega, Mike Nicholson, producers (Loteria Films, Picturebox, Motto Pictures and Passion Pictures; ITVS in association with American Documentary | POV)

    Bill Cunningham New York

    Richard Press, director; Philip Gefter, producer (Zeitgeist Films)

    Hell and Back Again

    Danfung Dennis, director; Mike Lerner, Martin Herring, producers (Docurama Films)

    The Interrupters

    Steve James, director; Alex Kotlowitz, Steve James, producers (The Cinema Guild)

    The Woodmans

    C. Scott Willis, director; Neil Barrett, Jeff Werner, C. Scott Willis, producers (Lorber Films; Kino Lorber, Inc.)

    Best Ensemble Performance

    Beginners

    Ewan McGregor, Christopher Plummer, Mélanie Laurent, Goran Visnjic, Kai Lennox, Mary Page Keller, Keegan Boos (Focus Features)

    The Descendants

    George Clooney, Shailene Woodley, Beau Bridges, Robert Forster, Judy Greer, Matthew Lillard, Nick Krause, Amara Miller, Mary Birdsong, Rob Huebel (Fox Searchlight Pictures)

    Margin Call

    Kevin Spacey, Paul Bettany, Jeremy Irons, Zachary Quinto, Penn Badgley, Simon Baker, Mary McDonnell, Demi Moore, Stanley Tucci, Aasif Mandvi (Roadside Attractions)

    Martha Marcy May Marlene

    Elizabeth Olsen, Christopher Abbott, Brady Corbet, Hugh Dancy, Maria Dizzia, Julia Garner, John Hawkes, Louisa Krause, Sarah Paulson (Fox Searchlight Pictures)

    Take Shelter

    Michael Shannon, Jessica Chastain, Tova Stewart, Shea Whigham, Katy Mixon, Kathy Baker, Ray McKinnon, Lisagay Hamilton, Robert Longstreet (Sony Pictures Classics)

    Breakthrough Director

    Mike Cahill for Another Earth (Fox Searchlight Pictures)

    Sean Durkin for Martha Marcy May Marlene (Fox Searchlight Pictures)

    Vera Farmiga for Higher Ground (Sony Pictures Classics)

    Evan Glodell for Bellflower (Oscilloscope Laboratories)

    Dee Rees for Pariah (Focus Features)

    Breakthrough Actor

    Felicity Jones in Like Crazy (Paramount Vantage)

    Elizabeth Olsen in Martha Marcy May Marlene (Fox Searchlight Pictures)

    Harmony Santana in Gun Hill Road (Motion Film Group)

    Shailene Woodley in The Descendants (Fox Searchlight Pictures)

    Jacob Wysocki in Terri (ATO Pictures)

    Best Film Not Playing at a Theater Near You

    Codependent Lesbian Space Alien Seeks Same

    Madeleine Olnek, director; Laura Terruso, Madeleine Olnek, producers

    Green

    Sophia Takal, director; Lawrence Michael Levine, producer

    The Redemption of General Butt Naked

    Eric Strauss, Daniele Anastasion, directors and producers

    Scenes of a Crime

    Blue Hadaegh & Grover Babcock, directors and producers

    Without

    Mark Jackson, director; Mark Jackson, Jessica Dimmock, Michael Requa, Jaime Keeling, producers

    New this year, IFP will present the inaugural euphoria Calvin Klein Spotlight on Women Filmmakers ‘Live the Dream’ grant, a $25,000 cash award for an alumnus of IFP’s Independent Filmmaker Labs. This grant aims to further the careers of emerging women directors by supporting the completion, distribution and audience engagement strategies of their first feature film.

    The nominees are:

    Jenny Deller, director, FUTURE WEATHER

    Lucy Mulloy, director, UNA NOCHE

    Rola Nashef, director, DETROIT UNLEADED

    The 2nd Annual Gotham Independent Film Audience Award will be voted on again by the independent film community, 230,000 film fans worldwide. To be eligible, a U.S. film must have won an audience award at one of the top 50 U.S. or Canadian film festivals from November 2010 through October 2011. Voting begins today at http://gotham.ifp.org/audience_award. The nominees will be announced November 7th and the winner will be revealed at the Gotham Awards ceremony.

    The Gotham Awards’ ceremony will be held on Monday, November 28th at Cipriani Wall Street. In addition to the competitive awards, Charlize Theron, Gary Oldman, David Cronenberg and Tom Rothman will each be presented with a career tribute.

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  • Rooftop Films Announce their Filmmakers’ Fund Grantees

     

    Rooftop Films is not only known for its Summer festival, they also support the filmmakers whose work they screen to help make new movies through the Rooftop Filmmakers’ Fund.

    Rooftop Films announced the recent recipients of their Filmmakers’ Fund Grantees:

    Lucy Walker’s short documentary The Tsunami and the Cherry Blossom (Filmmakers’ Fund Grantee ’11) has been named among eight shortlisted contenders for the 84th Academy Awards’ best Documentary Short Subject category, of which three to five films will earn Oscar nominations.

    After premiering with great acclaim at the 2011 Sundance Film Festival, Sean Durkin’s debut fiction feature Martha Marcy May Marlene (Filmmakers’ Fund Grantee ’10) was sold to Fox Searchlight Pictures for $2 million. The film made its New York Premiere at this year’s New York Film Festival, and will make its theatrical premiere this Friday, October, 21, 2011.

    Melanie Shatzky and Brian M. Cassidy’s documentary feature The Patron Saints (Filmmakers’ Fund Grantee ’07) made its World Premiere at the 2011 Toronto International Film Festival.

    Susan Youssef’s fiction feature Habibi (Rooftop Filmmakers’ Fund Grantee ’04) made its World Premiere at the 2011 Venice Biennale, and its North American Premiere at the 2011 Toronto International Film Festival.

    Ian Cheney’s documentary feature The City Dark (Rooftop Filmmakers’ Fund Grantee ’09) has begun a successful theatrical run, hitting Boston, MA, Minneapolis, MN, Bellingham, WA, and Washington, DC, with more cities to follow.

    Moon Molson’s fiction short Crazy Beats Strong Every Time (Rooftop Filmmaker’s Fund Grantee ’09) premiered at this year’s Sundance Film Festival, and played the 2011 Rooftop Films Summer Series along with many other festivals across the country.

    Dustin Guy Defa’s fiction short Family Nightmare (Filmmakers’ Fund Grantee ’09) played the 2011 BAMCinemaFEST and the 2011 Rooftop Films Summer Series.

    James M. Johnston’s fiction short Knife (Filmmakers’ Fund Grantee ’09) played at this year’s Sarasota Film Festival, Rooftop Summer Series, and many other festivals across the country.

    Heidi Brandenburg and Matt Orzel’s feature documentary When Two Worlds Collide has received support from both Cinereach and the Sundance Institute.

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  • Entertainment Industry Expresses Concern for Imprisoned Iranian Filmmakers

    [caption id="attachment_1758" align="alignnone" width="550"]Imprisoned Iranian Filmmaker Jafar Panahi [/caption]

    Numerous entertainment industry organizations have issued statements in support of the six imprisoned Iranian filmmakers. According to the press release, “In September 2011, the Iranian government arrested six independent filmmakers for allegedly working with the BBC, on charges including espionage and treason. Along with the ongoing house arrest of director Jafar Panahi and the prior arrest of actress Marzieh Vafamehr, who was later sentenced to one year in prison and 90 lashes, the arrests sparked outrage from filmmaking communities within Iran and around the world. Prior to the release of two of the filmmakers, all six were denied access to their lawyers and families, who were forced to remain silent. ”

    Statement from the Board of Governors of the Academy of Motion Picture Arts and Sciences

    As an international organization representing over 6000 artists in 35 countries, the Academy of Motion Picture Arts and Sciences is deeply concerned whenever and wherever the rights of filmmakers are threatened.  The recent arrest of six Iranian filmmakers, the sentence of “one year in jail and 90 lashes” to an actress just for playing a role in an acclaimed film, and the continued house arrest of Jafar Panahi, among others, is a situation that demands our serious attention.  These filmmakers – and others – are artists, not political combatants.  We join our colleagues around the world in calling unequivocally for these filmmakers’ safety, release, and return to filmmaking.  They deserve the same, full freedom of expression that the overwhelming majority of our members enjoy every day, no matter where they are from, no matter where they work, no matter what their beliefs.

    Statement from the Board of Directors of American Cinema Editors

    The American Cinema Editors is an organization of more than 500 professional film editors in the United States and around the globe.  We join with the other members of the filmmaking community in expressing our deep concern whenever and wherever the basic human rights of free expression are threatened.

    As storytellers, we feel that the arrest of fellow artists for expressing their beliefs, revealing truths and pursuing creative freedom, no matter how controversial, is a story that should no longer have to be told in the 21st century.

    Statement from the Board of Governors of the American Society of Cinematographers

    The American Society of Cinematographers is an organization of more than 300 professional directors of photography in the United States and throughout the world. We foster the collaboration of cinematographers and the creative exchange of ideas and issues of mutual concern to our members and to the global filmmaking community.  We are deeply concerned whenever and wherever the rights of filmmakers are threatened. We share these concerns with our fellow guilds and film organizations: The Academy of Motion Picture Arts and Sciences (AMPAS), The Directors Guild of America (DGA), The Producers Guild of America (PGA), The Screen Actors Guild (SAG), The Writers Guilds of America East and West (WGA), the American Cinema Editors (ACE) and the International Documentary Association (IDA).

     

    Statement from the Board of Governors of the American Society of Cinematographers (con’t)

    We are deeply concerned regarding the recent arrest of six Iranian filmmakers. The sentence of “one year in jail and 90 lashes” to an actress just for playing a role in an acclaimed film, and the continued house arrest of Jafar Panahi, among others, is a situation that demands our serious attention.  These filmmakers – and others – are artists, not political combatants.  We join our colleagues and cinematographers around the world in calling unequivocally for these Iranian filmmakers’ safety, release, and return to filmmaking.  They deserve the same, full freedom of expression that the overwhelming majority of our members enjoy every day, no matter where they are from, no matter where they work, no matter what their beliefs.

    Statement from the Directors Guild of America

    The Directors Guild of America joins our colleagues and fellow artists around the world in condemning the baseless and cruel imprisonment or detainment of filmmakers by the Iranian government.

    We first raised this issue last year immediately after the sentencing of prominent Iranian filmmaker Jafar Panahi.  We are extremely concerned that not only does Panahi remain under arrest, but the Iranian government continues to detain filmmakers and other artists without cause.

    As an organization representing 14,500 directors and members of the directorial team who live and work all over the world, it is our belief that for a society to flourish, artists must have the freedom to live and work without fear of imprisonment, retribution or censorship.  Creative freedom is an essential building block of liberty, culture, civil and human rights, and we join the world community in opposing any attempt to suppress the rights of artists to engage in creative expression.  We hope the Iranian government will release these filmmakers and recognize that their creative works can only strengthen and enrich Iranian society.

    Statement from the International Documentary Association

    The International Documentary Association believes that the power and artistry of film is vital to cultures and societies globally, and we fiercely defend the rights of filmmakers and artists everywhere to practice their art and to seek and reveal truth in their work, however provocative that truth may be. We strenuously uphold the principles of free speech and freedom from censorship. The expression of truth should never be silenced by the exercise of power by a State or system of authority that may feel threatened by the content of the artistic or journalistic work–both essential elements of democracy. Together with our entire international community of documentary filmmakers, The International Documentary Association calls for the release and fair treatment of Iranian filmmakers, artists, and actors. These artists, and other filmmakers, actors and journalists like them, must be immediately released and allowed to continue their artistic and journalistic work without restriction or penalty. We stand united with them, as do artists across the globe. And we will continue to fight for their fundamental human right of self-expression.

    Statement from the Producers Guild of America

    As supporters of creative freedom, the Producers Guild of America, on behalf of its more than 4,800 members, wishes to express its profound dismay over the treatment of producer Katayoun Shahabi, directors Jafar Panahi, Naser Saffarian, Hadi Afarideh, Mojtaba Mirtahmasb and Shahnam Bazdar, and journalist and documentarian Mohsen Shahrnazdar at the hands of their Iranian government.  The silencing of these voices and others via arrest, coercion and political pressure is unacceptable, and we stand steadfast with our colleagues within the industry and around the world in calling for their release.  We look forward to the day when these storytellers are permitted to resume their callings, and hope that even in their captivity, these artists know that they have the sympathy, respect and support of our creative community.

    Statement from Screen Actors Guild

    Iran has a strong tradition of artistic expression reaching back thousands of years. That tradition is under attack in a contemporary Iran that has seemingly turned against its own artists. Screen Actors Guild deeply deplores the persecution of actor Marzieh Vafamehr and the filmmakers and other entertainment and media industry representatives now under attack in Iran. We add our voices to the thousands of artists worldwide calling on the Iranian government to immediately free Marzieh and the other artists and filmmakers imprisoned because of their artistic and cultural endeavors.  We urge Iran to refrain from stifling the artistic expression of its citizens and to let their unique and valuable voices be heard once again.

    Statement from the Writers Guilds of America, West and East

    The Writers Guilds of America West and East add their voices to the calls for the release of writer/director Jafar Panahi, now under house arrest, and all other members of Iran’s creative community unjustly imprisoned or detained.

    The art of Iran is one of the great treasures of humankind.  Its cinema has a long and vibrant history–and in recent years, the Iranian cinema has been one of the very brightest lights illuminating the art form for the rest of the world. Its filmmakers represent the richness of Iranian culture and the extraordinary imagination of the Iranian people.  All of us are poorer when their voices are stilled.

    We urge the government of Iran to remember that these are artists, not political enemies, that they have, as all free people do, the right to hold and express opinions.  And we urge the government of Iran to remember that their work is the most powerful ambassador of understanding between the people of Iran and the people of the world.

    Nothing is more dangerous to a society than the silencing of art. Therefore, we ask the government of Iran to release its filmmakers and to allow them to live and to work freely, as they have previously done in their country and as most of their fellow artists do in the rest of the world.

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  • Bingham Ray named new Exec Director of San Francisco Film Society

     

    Bingham Ray has been appointed the new executive director of the San Francisco Film Society effective November 7, 2011.  Ray comes to the San Francisco Film Society from New York City, where he recently served as the first run programming consultant to the Film Society of Lincoln Center, executive consultant to the digital distribution company SnagFilms and adjunct professor at New York University’s Tisch School of the Arts.

    “This opportunity defines the phrase ‘too good to be true’ for me,” said Ray. “To be invited to head one of the world’s greatest, most prestigious film societies, in one of the world’s greatest cities, is beyond extraordinary. Stepping in behind Graham Leggat is truly a daunting task. He elevated the San Francisco Film Society and its great Festival to world-class levels and assembled an incredibly talented staff, all of which are supported by a progressive, passionate and involved board of directors. I’m thrilled to be in such great company and welcome the challenges to come in this exciting new personal and professional chapter.”

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  • Ashland Independent Film Festival has a new Executive Director

    The Ashland Independent Film Festival has a new Executive Director. She is Anne Ashbey Pierotti, and she will succeed Tom Olbrich on November 1.  Pierotti is already well known to the festival, having served on the Ashland Independent Film Festival’s board of directors from 2006 to June of 2011 and was the board’s President from 2008 to 2010.

    “I am deeply honored to have been selected for this position,” said Pierotti. “I look forward to collaborating with the AIFF’s incredible staff, board, volunteers and community supporters to build upon the festival’s success and ensure a bright future for independent film in Southern Oregon.”

    The eleventh annual Ashland Independent Film Festival will be held April 12-16, 2012.

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