• 9 Films to Receive $150,000 in Documentary Finishing Funds from Gucci Tribeca Documentary Fund

    [caption id="attachment_1415" align="alignnone" width="485"]An American Promise, Directed by Michele Stephenson & Joe Brewster[/caption]

    The Tribeca Film Institute (TFI) and Gucci announced the 2011 recipients selected for the Gucci Tribeca Documentary Fund. The Fund, now in its fourth year, provides finishing finances, year-round support and guidance to domestic and international documentary filmmakers with feature-length films highlighting and humanizing issues of social importance from around the world.

    A jury consisting of Jessica Alba, Amir Bar-Lev, Wendy Ettinger, Frida Giannini, Edward Norton, and Mariane Pearl, selected 9 projects from 450 submissions from 38 countries to receive a total of $150,000, to be administered by the Tribeca Film Institute.

    New this year, The PPR Corporate Foundation for Women’s Dignity & Rights, has joined the Gucci Tribeca Documentary Fund, and created the Spotlighting Women Documentary Award which will annually provide funding of $50,000. Three film projects that illuminate the courage, compassion, extraordinary strength of character, and contributions of women from around the world have been chosen for the inaugural award.

    The projects that will collectively receive $100,000 total in funding for the 2011 Gucci Tribeca Documentary Fund are:

    –          An American Promise, Directed by Michele Stephenson & Joe Brewster—An American Promise  follows filmmaker-parents who spend 12 years with the camera turned on themselves and another African American family as their firstborn sons enter a prestigious college preparatory school in 1999. An intimate, poignant and complex portrayal of how race and privilege are experienced by African American middle class families today.

    –          Caught in the Net, Directed by Hilla Medalia—Caught in the Net follows China as the first country in the world to classify Internet Addiction as a clinical disorder. The film features a Beijing treatment center where Chinese teenagers are being de-programmed. We follow the lives of three teens from the day they arrive throughout their three month treatment period and their return home.

    –          Democrats, Directed by Camilla Nielsson and Produced by Henrik Veileborg—Democrats is a film about the creation of a new constitution in Zimbabwe. The film follows two top politicians, who have been appointed to lead the country through the reform process. The two men are political opponents, but united in the ambition to make history by giving the nation a new founding document – that can give birth to the future’s Zimbabwe.

    –          The Great Invisible, Produced and Directed by Margaret Brown and Produced by Jason Orans—The Great Invisible is a feature-length look at the global oil economy through the lens of characters that work in the oil and fishing industries on the Gulf Coast. Much like Margaret Brown’s last documentary The Order of Myths, this film will be shot in a verité style with select interviews to supplement verité information. In addition to the people in the film, the landscapes of the oil world will be established as a distinct character.

    –          Untitled Global Health Documentary, Directed by Kief Davidson— Untitled Global Health Documentary is the story of Partners In Health, a remarkable public health charity operating in the world’s poorest countries PIH’s controversial founders, including Dr. Paul Farmer are larger-than-life heroes, fighting to change the way the world cares for the poorest among us, by insisting on healthcare as an inalienable human right.

    –          Charge, Directed by Mike Plunkett—Charge is a look at the Green Revolution already underway,  and the conflict over lithium, a key energy resource, which has rapidly escalated. Against a background of conflict, the disparate fates of three men hang in the balance.

    The projects that will collectively receive $50,000 total in funding for the inaugural 2011 Spotlighting Women Documentary Award are:

    –          Barefoot Engineers, Directed by Jehane Noujaim—Barefoot Engineers follows three women who leave their remote villages to go on a life-changing journey to India with the hopes of becoming Solar Engineers. When they return to their villages, they will wire their communities and turn on the lights.

    –          Justice for Sale, Directored by Ilse & Femke van Velzen—Justice for Sale is a dramatic story which follows two young, courageous human rights lawyers who refuse to accept that justice is indeed “For Sale” in their country. Claudine and her husband Eugene, fight for justice to end impunity in the Democratic Republic of Congo.

    –          The World Before Her, Directed by Nisha Pahuja—The World Before Her asks: Beauty Pageants– passé in the West–but in India, where women remain second-class citizens, can they actually be empowering? The World Before Her follows two converging story lines–that of the girls who want to become Miss India, and that of the forces that want the pageant banned.

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  • Tribeca/ESPN Sports Film Festival to premiere on video-on-demand (VOD) beginning June 23, 2011

    [caption id="attachment_1324" align="alignnone" width="560"]TURKEY BOWL[/caption]

    Tribeca Film and ESPN have partnered to present the Tribeca/ESPN Sports Film Festival which will premiere on video-on-demand (VOD) beginning June 23, 2011, through August 25, 2011.   The Tribeca/ESPN Sports Film Festival On Demand lineup of titles cover a wide spectrum of sports, including: CATCHING HELL, from director Alex Gibney, about baseball’s most famous scapegoats; TURKEY BOWL, a narrative feature about a group of friends that get together every year for the time,-honored tradition of touch football; RENÉE, about transgender tennis player Renée Richards; FIRE IN BABYLON, about the champion West Indies cricket team; and BOYS OF SUMMER, about the Little League World Series.

    The Tribeca/ESPN Sports Film Festival On Demand will also feature select titles from ESPN’s “30 for 30” series, including: THE TWO ESCOBARS, THE U and PONY EXCESS.

    Following are the upcoming titles to premiere On Demand from June 23 – August 25:

    CATCHING HELL documents the pop fly that will live in infamy. When Chicagoan Steve Bartman fatefully deflected a foul ball in Game 6 of the 2003 National League Championship, the city’s long-suffering Cubs fans found someone new to blame for their cursed century without a World Series title. Oscar-winning director Alex Gibney explores the psychology of diehard sports fans, the frightening phenomenon of scapegoating, and the hysteria that turned mild-mannered Bartman into the most hated fan.  Produced by ESPN Films, CATCHING HELL recently had its World Premiere at the 2011 Tribeca Film Festival and will premiere on ESPN September 27th.

    FIRE IN BABLYON tells the captivating story of the glorious domination of the West Indian cricket team, who, with a combination of phenomenal skill and fearless spirit, became the one of the greatest teams in sports history.  Told in the words of legendary and revered players of the time, including Sir Viv Richards, Michael Holding, and Sir Clive Lloyd, FIRE IN BABYLON illustrates how this exceptional team fundamentally changed the sport forever. With their mastery of ‘fast-bowling’ with pitches that sometimes reached a deadly 90 miles per hour, they hijacked the genteel game of the privileged elite and played it on their own terms. With impressive archival footage and a robust soundtrack that includes the likes of Bob Marley and the Wailers, Gregory Issacs, Faithless and Horace Andy, FIRE IN BABYLON celebrates the emancipation of a people through sport, whilst painting a fascinating picture of this extraordinary era of sporting dominance and its roots in politics, pride, anti-colonial fury and music. Directed by Stevan Riley and produced by award-winning filmmakers Charles Steel and John Battsek, FIRE IN BABYLON recently had its US Premiere at the 2011 Tribeca Film Festival.

    RENÉE chronicles the life of trailblazing transsexual athlete Renée Richards, who shook the world of sports in 1977 with her controversial entry into the US Open. Simultaneously, it follows her today as she struggles to cope with a life of contradictions and personal conflict. Through interviews with tennis legends, family, friends and experts from the transsexual field, a story of perseverance, breakthrough and hardship unfolds. Directed by Eric Drath and produced by ESPN Films, RENÉE recently had its World Premiere at the 2011 Tribeca Film Festival and will premiere on ESPN October 4th.

    TURKEY BOWL tells the story of 10 friends who gather together every summer in LA to play the Turkey Bowl – a co-ed touch football game that brings a piece of small-town tradition to the urban sprawl – all for the beloved prize for the winning team… a turkey. Friendships flare and fade, jealousy is met with laughter and pain, old and unrequited love threatens to remain old and unrequited – all of these undercurrents are revealed in the unique, improvised rhythm of this backyard sport and this real-time comedy. Written and directed by Kyle Smith (and funded by his win on the reality show “Crash Course”), feature film TURKEY BOWL was a fan favorite at the recent SXSW Film Festival.  TURKEY BOWL will also have a limited New York run beginning on June 3, 2011 at the reRun Theater.

    The following is available from July 21 – August 25:

    BOYS OF SUMMER follows a scrappy Little League® team from a tiny Caribbean island as they fight the odds to reach the Little League World Series in Williamsport, Pennsylvania. The Curaçao youth baseball team has competed at the Little League World Series in America for an incredible seven consecutive years.  Over the course of one season, the boys face injuries and obstacles as they try to keep the winning streak alive.  Determined team manager Vernon Isabella and his players learn the meaning of national pride in a story that travels from a humble island ball field to the international spotlight and back.  Directed, shot and produced by Keith Aumont, BOYS OF SUMMER has had a successful run on the film festival circuit, including the Aruba International Film Festival, the New York International Latino Film Festival, the New Orleans Film Festival, the Palm Beach International Film Festival, the Cine Las Americas International Film Festival and the Latin American Film Festival.

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  • New York Asian Film Festival 10th Anniversary Line-up

    [caption id="attachment_1412" align="alignnone" width="560"]Official Opening Night Film, MILOCRORZE: A LOVE STORY[/caption]

    The New York Asian Film Festival celebrates its tenth birthday and returns to the Lincoln Center July 1 – 14, 2011, and Japan Society July 7 – 10, 2011. MILOCRORZE: A LOVE STORY will be featured as the official opening night film, and THE YELLOW SEA as the official closing night film. Other highlights, or presents as the festival calls them includes: A Takashi Miike World Premiere! The long-awaited animated epic based on Osamu Tezuka¹s life of Buddha! The International Premiere of the new movie from Johnnie To! Rare Filipino exploitation! An avalanche of retro screenings to celebrate our tenth birthday! And special guests Tsui Hark, Ryoo Seung-Wan, Su Chao-pin, Takayuki Yamada, Tak Sakaguchi and many more!

    The New York Asian Film Festival is presented in association with the Film Society of Lincoln Center and Japan Society’s Japan Cuts: Festival of New Japanese Film.

    The Line-Up!!!!
    Official Opening Night Film
    MILOCRORZE: A LOVE STORY (Japan, 2011, North American Premiere, 90 minutes) Truly trippy, this bizarro musical/variety/samurai/love story from Japan is one solid slab of psychedelia from Yoshimasa Ishibashi, the mad genius behind the Fuccon Family.
    ***The movie’s director, Yoshimasa Ishibashi, and star, Takayuki Yamada, will be at the screenings
    Presented with Japan Cuts: Festival of Contemporary Japanese Cinema

    Centerpiece Presentation
    SHAOLIN (Hong Kong, 2011, North American Premiere, 131 minutes) It doesn’t get any bigger than this. Superstar Andy Lau, Nic Tse and Jackie Chan all star in this swank, blockbuster retelling of the primal martial arts story: the destruction of Shaolin Temple, which is the birthplace of martial arts. It’s a movie that’s been made many times (hence the alternate title NEW SHAOLIN TEMPLE) but never before has it been this massive, this lavish and this chock full o’action.
    ***The movie’s director, Benny Chan, will be at the screening

    Centerpiece Presentation
    NINJA KIDS!!! (Japan, 2011, World Premiere, 100 minutes) – Takashi Miike has been impressing critics with 13 ASSASSINS and his 3D remake of HARA KIRI that just played Cannes. Whatever. We’ve got the World Premiere of his insane new kid’s flick about feuding ninja schools. People wonder where all the craziness went from Miike’s two new films? He put it all in here. Your jaw will drop like an elevator with a snapped cable. We love you, Takashi Miike!!!
    Presented with Japan Cuts: Festival of Contemporary Japanese Cinema

    Official Closing Night Film
    THE YELLOW SEA (Korea, 2010, New York Premiere, 156 minutes) – from the director of THE CHASER, and fresh out of Cannes, this is the Korean action movie in excelsis. A North Korean immigrant is sent to Seoul to perform a hit. Soon the Chinese mafia, the Korean mafia and the cops, are after him and hatchets are deployed, trucks are flipped and all hell breaks loose.
    ***The movie’s director, Na Hong-Jin will be at the screening

    The 2011 Star Asia Awards will go to:

    Star Asia Rising Star Award
    Takayuki Yamada – Japan’s most versatile young actor has gone from being a TV heartthrob to a TRAIN MAN (his breakthrough role) to one of Takashi Miike’s 13 ASSASSINS. And in this year’s Opening Night selection, MILOCRORZE: A LOVE STORY, he plays every single male part.

    Star Asia Lifetime Achievement Award
    Tsui Hark – One of our first events was a retrospective of Hong Kong’s veteran filmmaker and award-winning director, Tsui Hark, way back in 2001. We figured it was time to bring him to the festival and recognize his extraordinary, lifelong contributions to Hong Kong cinema, especially after his latest film, DETECTIVE DEE AND THE MYSTERY OF THE PHANTOM FLAME, was a huge box office hit and won “Best Director” at the Hong Kong Film Awards 2011.

    The festival also has three special focuses:
    WU XIA: HONG KONG’S FLYING SWORDSMEN
    Presented with the support of the Hong Kong Economic and Trade Office New York of the Hong Kong Special Administrative Region Government, this special focus is on Hong Kong’s wu xia (literally “martial arts”) films. It’s a genre that’s unique to Hong Kong and while it’s all about showcasing the Chinese martial arts tradition it’s come to refer specifically to that brain-expanding genre of Hong Kong movies that use the cutting edge of cinematography and the best special effects of the time to paint a world full of flying swordsmen, deadly female warriors, legendary blades and more than a touch of fantasy.

    This line-up will include:
    DETECTIVE DEE AND THE MYSTERY OF THE PHANTOM FLAME (Hong Kong, 2010, 122 minutes) – Tsui Hark’s return to greatness is a Holmes-ian fantasia about spontaneous combustion and kung fu deer. An exiled detective is returned to favor in the Imperial court to solve a series of mysterious deaths that delay the inauguration of the Empress Wu, played by Carina Lau, who won “Best Actress” at the Hong Kong Film Awards 2011 for her performance. The movie also won top prizes in Art Direction, Costume and Make-up Design as well as in Sound Design and Visual Effects.
    ***The movie’s director, Tsui Hark, will be at the screening

    THE BLADE (Hong Kong, 1995, 100 minutes) – a rare screening of Tsui Hark’s martial masterpiece, this is one of the towering achievements of Chinese cinema. In a rare 35mm print.
    ***The movie’s director, Tsui Hark, will be at the screening

    DUEL TO THE DEATH (Hong Kong, 1983, 83 minutes) – Ching Siu-tung’s directorial debut deploys ninjas, poisoned blades and some of the world’s most innovative choreography to create a movie that’s one part martial arts film, one part exploitation shocker and one part ballet. Screening on a rare 35mm print!

    DRAGON INN (Hong Kong, 1992, 109 minutes) – two of Hong Kong’s greatest actresses, Maggie Cheung and Brigitte Lin, take on Donnie Yen’s bloodless eunuch in this Tsui Hark-produced swordplay romance. Directed by Raymond Lee, it’s a remake of King Hu’s 1967 masterpiece. A brand new print of this classic film, struck specially for the New York Asian Film Festival.
    ***The movie’s producer, Tsui Hark, will be at the screening

    ZU: WARRIORS FROM THE MAGIC MOUNTAIN (Hong Kong, 1983, 94 minutes) – the movie that launched a thousand wu xia, Tsui Hark’s surreal phantasmagoria will blow your mind. Recruiting Hollywood special effects technicians just off Star Wars and Star Trek the Motion Picture, Tsui Hark’s film reinvented a genre and kickstarted Hong Kong’s entire special effects industry. This is a rare chance to see a 35mm print of this movie in all its big screen glory.
    ***The movie’s director, Tsui Hark, will be at the screening

    Special focus:
    SEA OF REVENGE: NEW KOREAN THRILLERS
    In 2008, when the Korean film industry was at its lowest point, Na Hong-Jin released the word-of-mouth hit, THE CHASER, launching a wave of twisty thrillers focused on intense action and ace performances. In this special focus, presented in association with the Korean Cultural Service New York, we show you the best of what THE CHASER has wrought.

    This line-up will include:
    THE YELLOW SEA (Korea, 2010, New York Premiere, 156 minutes) – Na Hong-Jin reunites with his stars from THE CHASER to make this big, relentless follow-up. We’ve got it fresh from its Cannes screening as part of Un Certain Regard
    ***The movie’s director, Na Hong-Jin, will be at the screening

    THE UNJUST (Korea, 2010, New York Premiere, 119 minutes) – longtime festival favorite, action director Ryoo Seung-Wan, turns in this epic, sprawling corruption saga that recalls Sidney Lumet back in his PRINCE OF THE CITY days.
    ***The movie’s director, Ryoo Seung-Wan, will be at the screening

    BEDEVILLED (Korea, 2010, New York Premiere, 115 minutes) – this time, the ladies are doing it. An all-female version of DELIVERANCE, where a city slicker goes to an insular rural community where she’s not wanted. Possibly the greatest women vs. men movie ever made, lead actress Seo Young-Hee took home six “Best Actress” awards for her performance here.

    THE CHASER (Korea, 2008, 125 minutes) – the thriller that saved the Korean film industry, this mega-hit is what you’d get if you cross-bred Alfred Hitchcock with a pit bull.
    ***The movie’s director, Na Hong-Jin, will be at the screening

    HAUNTERS (Korea, 2010, New York Premiere, 114 minutes) – 50% superhero movie, 50% horror movie and 100% Korean thriller, this bigtime commercial hit is about a troubled kid who can control minds and the simple guy, immune to his ability, who’s out to stop him.

    THE MAN FROM NOWHERE (Korea, 2010, 119 minutes) – one part Batman, one part Bourne, Korean mega-star, Won Bin, revamped his image as a hard man of action with this movie about a spy coming out of retirement to take on a ring of organ harvesters. The number one movie at the Korean box office in 2010 (beating INCEPTION and IRON MAN 2), it took home SIXTEEN film awards!

    TROUBLESHOOTER (Korea, 2010, New York Premiere, 99 minutes) – produced by Ryoo Seung-Wan, this is a classic “wrong man” movie, only this time the wrong man is a hardcore ex-cop (Sol Kyung-Gu from the highly successful PUBLIC ENEMY series) and it’s got the black, bleak sense of absurdist humor most thrillers lack.
    ***The movie’s producer, Ryoo Seung-Wan, and director, Kwok Hyeok-Jae, will be at the screening

    Special focus:
    SU CHAO-PIN: TAIWAN’S KING OF ENTERTAINMENT
    In the US, we think of Taiwanese movies as an endless stream of art films. But with the support of the Taipei Economic and Cultural Office in New York, we are proud to bring to New York one of the few Taiwanese directors who makes blockbuster hits that actual real live people go to see: Su Chao-pin!

    This line-up will include:
    REIGN OF ASSASSINS (Hong Kong/Taiwan/China, 2010, 117 minutes, New York Premiere) – co-directed with John Woo, starring Michelle Yeoh and Korean star Jung Woo-Sung, this massive martial arts hit gives the genre a beating, bleeding, romantic heart.
    ***The movie’s director and writer, Su Chao-pin, will be at the screening

    THE CABBIE (Taiwan, 2000, 94 minutes) – Su’s first movie set new trends in Taiwan for actually being entertaining. He wrote this flick based on his experiences driving a cab, and it’s a fast-paced black comedy about a cabbie in love with a traffic cop.
    ***The movie’s writer, Su Chao-pin, will be at the screening

    BTS: BETTER THAN SEX (Taiwan, 2002, 92 minutes) – one of the most hyperactive, funniest movies about sex you’ll ever see. Pity this poor teenage porn-addict who just wants to find a real girl. Way ahead of its time, this movie manages to be all about sex without feeling pervy. ***The movie’s director and writer, Su Chao-pin, will be at the screening

    And now the full line-up!

    CHINA
    BUDDHA MOUNTAIN (China, 2010, North American Premiere, 105 minutes) – gobbling up festival awards around the world, Sylvia Chang stars as a suicidal landlady who rents an apartment to three irritating young hipsters in this transcendent drama from Li Yu (LOST IN BEIJING) one of the only female directors working in China. Popular actress, Fan Bingbing (SHAOLIN), stars as one of the hipsters, but it’s Sylvia Chang, the most important woman in Chinese show business in the 70’s and 80’s, who owns this movie.

    OCEAN HEAVEN (China/Hong Kong, 2010, New York Premiere, 96 minutes) – directed by another female director, this movie sees Jet Li team up with cinematographer Christopher Doyle and composer Joe Hisaishi to make a restrained, heartbreaking movie about a dad (Jet Li) trying to teach his autistic son how to live on his own. Beautifully shot, scored, acted and observed, it’s got no action, all heartbreak.

    HONG KONG
    THE BLADE (Hong Kong, 1995, 100 minutes) – part of Wu Xia focus.
    ***The movie’s director, Tsui Hark, will be at the screening

    DETECTIVE DEE AND THE MYSTERY OF THE PHANTOM FLAME (Hong Kong, 2010, 122 minutes) – part of Wu Xia focus.
    ***The movie’s director, Tsui Hark, will be at the screening

    DRAGON INN (Hong Kong, 1992, 109 minutes) – part of Wu Xia focus. Brand new print!
    ***The movie’s producer, Tsui Hark, will be at the screening

    DUEL TO THE DEATH (Hong Kong, 1983, 83 minutes) – part of Wu Xia focus.

    PUNISHED (Hong Kong, 2011, International Premiere, 94 minutes) – the latest movie produced by Johnnie To, this is a hardcore revenge drama featuring a powerhouse turn by Anthony Wong as a real estate billionaire whose wild child daughter has been kidnapped. Bullet-to-the-head action the way Hong Kong used to do it.

    SHAOLIN (Hong Kong/China, 2011, North American Premiere, 131 minutes) – Centerpiece Presentation
    ***The movie’s director, Benny Chan, will be at the screening

    RIKI-OH: THE STORY OF RICKY (Hong Kong, 1991, 91 minutes) – the classic Hong Kong midnight action movie about prison privatization and monsters who strangle you with their guts. Rarely seen on the big screen, this is a full-on, ridiculously crazy mind-melter full of crucifixion, flaying, classic kung fu combat and prison wardens who keep breath mints in their glass eyeballs.

    ZU: WARRIORS FROM THE MAGIC MOUNTAIN (Hong Kong, 1983 94 minutes) – part of Wu Xia focus.
    ***The movie’s director, Tsui Hark, will be at the screening

    JAPAN
    13 ASSASSINS: DIRECTOR’S CUT (Japan, 2010, 141 minutes, New York Premiere) – the complete UNCUT version of Takashi Miike’s samurai masterpiece. With 17 minutes of original footage restored.
    ***One of the movie’s stars, Takayuki Yamada, will be at the screening

    ABRAXAS (Japan, 2010, New York Premiere, 113 minutes) – straight outta Sundance comes this movie about a punk rocker turned Buddhist monk who still yearns to rock out.

    BATTLE ROYALE (Japan, 2000, 114 minutes) – a celebratory screening of Kinji Fukasaku’s masterpiece now that it finally – after 10 years!!!! – has a new distributor who wants people to actually see it.
    Presented with Japan Cuts: Festival of Contemporary Japanese Cinema

    A BOY AND HIS SAMURAI (Japan, 2010, North American Premiere, 109 minutes) – the director of FISH STORY and GOLDEN SLUMBER returns to the festival with this family film about a samurai who winds up in the modern era. Surprisingly, it then becomes an exceptional food movie! This is the father-son movie you’ve been looking for.

    DARK ON DARK (Japan, 2011, International Premiere, 17 minutes) – this short film is the directorial debut from Makoto Ohtake, a well-known Japanese comedian and actor since the 80’s (he’s worked extensively with Takeshi Kitano and the popular City Boys troupe). It’s all about a two-bit talent manager and his outrageously endowed adult video talent bringing peace into the world via their various “gifts.” Screens with HORNY HOUSE OF HORROR.

    GANTZ and GANTZ: PERFECT ANSWER (Japan, 2011, 130 minutes & 150 minutes) – presented back-to-back it’s the uncut, subtitled, live action movies based on Japan’s existential sci fi action manga. It’s the New York Premiere of the subtitled GANTZ and the North American Premiere of the subtitled GANTZ: PERFECT ANSWER.
    Presented with Japan Cuts: Festival of Contemporary Japanese Cinema

    HEAVENS STORY (Japan, 2010, North American Premiere, 278 minutes) – “King of Pink Films” Takahisa Zeze spent almost two years shooting this 4 hour movie about two random murders and the heartbreak, trauma and healing that spills out from them over the next two decades. Monumental and strange, passionate and philosophical, this is an epic in every sense of the word and a towering achievement in film.
    Presented with Japan Cuts: Festival of Contemporary Japanese Cinema

    HORNY HOUSE OF HORROR (Japan, 2010, North American Premiere, 75 minutes) ­ Japan does the violent porno horror thing better than anyone else and this oddity features butt-walls, wiener-eating and demon hookers. This is the directorial debut from the writer of MUTANT GIRLS SQUAD, and it’s firmly in the vein of that film and ROBO GEISHA. Only, you know, set in a horny house that’s full of horror.
    Preceded by: DARK ON DARK (see above, 17 minutes)

    KARATE-ROBO ZABORGAR (Japan, 2011, New York Premiere, 106 minutes) ­ Noboru Iguchi (Robo Geisha) makes his best film yet. Not just that, but this is the best-looking flick from label, Sushi Typhoon, yet. Slick, big budget and almost family friendly, it’s based on an obscure TV show from the 70’s about a young, bright-eyed police officer and his karate robot (who transforms into a motorcycle) fighting crime. But in Iguchi’s version, the two split up and have to reunite years later after middle-age has taken its toll.

    THE LAST DAYS OF THE WORLD (Japan, 2011, World Premiere, 96 minutes) – a return to the trippy, socially-engaged, blackly comic, ridiculously violent revolutionary movies of Japan’s 60’s. A high school student has a vision that the world is ending and so, faced with no consequences, he abducts a fellow student and goes on a crime spree.

    LOVE AND LOATHING AND LULU AND AYANO (Japan, 2010, North American Premiere, 105 minutes) – based on a book of interviews with porn film dayworkers, this exuberant, anime-influenced movie about life on the bottom rungs of the adult film business treats life in the porno business as a chance for some actors to escape their humdrum, everyday existences.
    Presented with Japan Cuts: Festival of Contemporary Japanese Cinema

    MILOCRORZE: A LOVE STORY (Japan, 2011, North American Premiere, 90 minutes) – Opening Night Movie
    ***The movie’s director, Yoshimasa Ishibashi, and star, Takayuki Yamada, will be at the screenings
    Presented with Japan Cuts: Festival of Contemporary Japanese Cinema

    NINJA KIDS!!! (Japan, 2011, World Premiere, 100 minutes) – Centerpiece Presentation
    Presented with Japan Cuts: Festival of Contemporary Japanese Cinema

    OSAMU TEZUKA’S BUDDHA: THE GREAT DEPARTURE (Japan, 2011, North American Premiere, 111 minutes) – the much-anticipated animated epic based on Osamu Tezuka’s landmark life of the Buddha.
    Presented with Japan Cuts: Festival of New Japanese Film

    RINGING IN THEIR EARS (Japan, 2011, International Premiere, 89 minutes) – Yu Irie (8000 MILES 1 & 2) returns with this ambitious flick about an upcoming concert by a reclusive rock group and the managers, obsessed fans, shut-ins, single moms and kindergarten teachers who are affected by it. A true tribute to the healing power of rock and roll.
    Presented with Japan Cuts: Festival of Contemporary Japanese Cinema

    VERSUS (Japan, 2000, 120 minutes) – a tenth-anniversary celebration of the Japanese zombie action film that launched a thousand horror/splatter/action flicks.
    ***Star and action choreographer, Tak Sakaguchi, and writer, Yudai Yamaguchi, will be at the screening.

    YAKUZA WEAPON (Japan, 2011, New York Premiere, 105 minutes) – stuntman-turned-director, Tak Sakaguchi, turns in a high calibre, action-heavy riff on Robocop all about a robot yakuza out to put his fist through the skulls of the bad guys. From Sushi Typhoon, purveyor of movies like Vampire Girl vs Frankenstein Girl.
    ***The movie’s director and star, Tak Sakaguchi, and co-director and writer, Yudai Yamaguchi, will be at the screening
    Presented with Japan Cuts: Festival of Contemporary Japanese Cinema

    KOREA
    BATTLEFIELD HEROES (Korea, 2011, New York Premiere, 118 minutes) – an absurdist satire about war, this movie from Lee Joon-Ik (director of KING AND CLOWN, the highest-grossing Korean film of all time) is like a Terry Gilliam movie gone Korean as a farmer too poor to even have a name gets drafted into one of medieval Korea’s eternal wars.
    ***The movie’s director, Lee Joon-Ik, will be at the screening.

    BEDEVILLED (Korea, 2010, New York Premiere, 115 minutes) – part of Sea of Revenge focus.

    THE CHASER (Korean, 2008, 125 minutes) – part of Sea of Revenge focus.

    CITY OF VIOLENCE (Korea, 2006, 92 minutes) – an encore presentation of the best all-out action film from Ryoo Seung-Wan (THE UNJUST). Like a less ironic version of KILL BILL.
    ***The movie’s director, Ryoo Seung-Wan, will be at the screening

    FOXY FESTIVAL (Korea, 2010, North American Premiere, 110 minutes) ­ a “Making Our Neighborhoods Safe & Happy” festival has the vice cops working overtime in this multi-character comedy that’s like a Robert Altman flick about fetishes. Love – and handcuffs, and nipple clamps – all conspire to save the day from the forces of conformity.

    HAUNTERS (Korea, 2010, New York Premiere, 114 minutes) – part of Sea of Revenge focus.

    THE MAN FROM NOWHERE (Korea, 2010, 119 minutes) – part of Sea of Revenge focus.

    MSFF SHORTS (Korea, 2010) – Korea’s best directors assemble two selections of that country’s best short horror, action and comedy movies just for you.

    THE RECIPE (Korea, 2010, New York Premiere, 107 minutes) – a serial killer escapes from prison but is recaptured when he stops to eat a bowl of stew that’s so good he loses track of time. What is the secret behind the stew? Korea finally delivers its best food film with this kitchen romance.

    TROUBLESHOOTER (Korea, 2010, New York Premiere, 99 minutes) – part of Sea of Revenge focus.
    ***The movie’s producer, Ryoo Seung-Wan, and director, Kwok Hyeok-Jae, will be at the screening

    THE UNJUST (Korea, 2010, New York Premiere, 119 minutes) – part of Sea of Vengeance focus.
    ***The movie’s director, Ryoo Seung-Wan, will be at the screening

    THE YELLOW SEA (Korea, 2010, New York Premiere, 156 minutes) – Closing Night Movie
    Part of Sea of Revenge focus.
    ***The movie’s director, Na Hong-Jin, will be at the screening

    MALAYSIA
    SELL OUT (Malaysia, 2008, New York Premiere, 110 minutes) – one of the best, smartest and funniest movies ever made in Malaysia finally escapes from the clutches of its evil distributor and it was worth the wait. A musical about money, creativity and a reality show focusing on those who are about to die, this is like nothing else in our line-up except (maybe) MILOCRORZE.

    PHILIPPINES
    MACHETE MAIDENS UNLEASHED (Australia, 2010, New York Premiere, 84 minutes) – from the people who made Not Quite Hollywood, comes this definitive documentary about the Filipino exploitation film bonanza that erupted in the 70’s and 80’s.

    RAW FORCE (Philippines/USA, 1982, 86 minutes) – one of the strangest Filipino/US co-productions from the 80’s, this rarely-screened exploitation fever dream is better known by its other title Kung Fu Cannibals. With zombies, ninjas, samurai, kung fu, and evil monks, this is the entire 1980’s exploitation industry fired into your eyes via firehose.

    TAIWAN
    BETTER THAN SEX (Taiwan, 2002, 92 minutes) ­ part of Su Chao-pin focus.
    ***The movie’s director, Su Chao-pin, will be at the screening

    THE CABBIE (Taiwan, 2000, 94 minutes) – part of Su Chao-pin focus
    ***The movie’s writer, Su Chao-pin, will be at the screening

    REIGN OF ASSASSINS (Hong Kong/Taiwan/China, 2010, 117 minutes) ­ part of Su Chao-pin focus.
    ***The movie’s co-director and writer, Su Chao-pin, will be at the screening

    THAILAND
    BKO: BANGKOK KNOCKOUT (Thailand, 2010, New York Premiere, 105 minutes) – Tony Jaa’s mentor, Panna Rittikrai, will school you now. This exploitation stunt-tacular features all his best stuntmen and women unleashing muay thai, capoeira, dirt bike fu, shovel beatdowns, fights on fire, fights in the water, fights under trucks, fights in mid-air, and two back-to-back climactic smackdowns that have to be seen to be believed.

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  • REVIEW: Mike Mills Wonderful New Film “Beginners” stars Ewan MacGregor, Christopher Plummer and Melanie Laurent-and must be seen immediately!

    There are a certain few films that you know from the first few frames that something essential and true is being conjure. Mike Mills wonderful new film “Beginners,” starring Ewan MacGregor, Christopher Plummer, and Melanie Laurent, opens this week. Ewan MacGregor plays Oliver Fields, a sweet illustrator in his late thirties who quickly and quietly falls head over heels for French actress Anna (Melanie Laurent of “Inglorious Basterds”) while she is shacked up at the Biltmore Hotel during a film shoot. While falling into this new love, the commitment-shy Fields starts thinking about his late father, Hal Fields (Christopher Plummer).

    “Beginners” is based on a true story of Mills’ own elderly father’s decision to come-out as a gay man at 75- shortly after his wife’s passing-then begin to literally live out loud and proud as a gay man before succumbing to his own death from cancer, years later. Complete with a wonderful group of nurturing, gay friends and sweetly sexy, young lover (Goran Visnjic of “ER”), Hal’s new life enlightens and enables his son to see love in an entirely new light. In fact, his father’s joyous, fulfilling new existence allows Oliver to see that it is possible for him.

    Christopher Plummer plays Hal Fields with his own enigmatic, gorgeous ease, and it is amazing to see how MacGregor takes in and plays off the masterly performance from Plummer. It is truly one of the most beautiful father-son relationships I’ve ever seen depicted onscreen. Laurent is totally luminous, as usual, and also adds her own succinct generational weight to her portrait of Anna, a busy French actress who, before meeting Oliver, preferred the company of empty hotel rooms to any kind of real, breathing relationship.

    “Beginners” shows us how a certain post-Vietnam generation is still being haunted by the previous era’s mistakes, unhappiness and haunting nostalgia. Being a child born of the mid-Sixties himself, Mills uses his own highly creative and varied background as an music video director, illustrator and graphic artist to collage out feelings in a quietly beautiful, brand-new and whip-smart cinematic form. There is not a single false note in Ewan MacGregor’s performance. He and Laurent shine bright with both the quiet glory of new love, while battling off the heavy weight of their own, carried-down emotional baggage. Christopher Plummer is, quite simply, outstanding- giving a magnetic, warm and oh-so watchful performance as Oliver’s powerful memories of his now-deceased father resonate and collide with his present relationship.

    Amidst the memories, the nostalgia and the sweet tumult of the present, LA has rarely been given a better, more iconic treatment. The locations, from the Richard Neutra “Health House” occupied by Oliver’s dying father, to the hills of Griffith Park, to rollerskating (yes!) in the lobby of the Biltmore Hotel, Mills shows Los Angeles shining or smudged- all depending on Oliver’s mood. Oh, and there is a sanguine Jack Russell terrier, (once belonging to Hal,) who speaks to Oliver in hilariously plaintive subtitle.

    It’s an important, masterful film, as Mills seems to be shaping up to be one of only a handful of American filmmakers giving actual adults in this country a real voice and authentic identity. I cannot wait to see what he’s going to create next. Go and see this film for many reasons- but, please, please… just go and really see it.

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  • Bela Tarr’s “The Turin Horse” to be released in the US in the winter

    Bela Tarr’s apocalyptic masterpiece “The Turin Horse,” will be released in theaters in the US this winter, by Cinema Guild.

    On January 3, 1889 in Turin, Italy, Friedrich Nietzsche steps out of the doorway of number six, Via Carlo Albert. Not far from him, the driver of a hansom cab is having trouble with a stubborn horse. Despite all his urging, the horse refuses to move, whereupon the driver loses his patience and takes his whip to it. Nietzsche comes up to the throng and puts an end to the brutal scene, throwing his arms around the horse’s neck, sobbing. His landlord takes him home, where he lies motionless and silent for two days on a divan until he mutters the obligatory last words, and lives for another ten years, silent and demented, cared for by his mother and sisters. Somewhere in the countryside, the driver of the hansom cab lives with his daughter and the horse. Outside, a windstorm rages.

    Widely considered one of the most important filmmakers in world cinema, Bela Tarr’s films include “Almanac of the Fall” (1985), “Damnation” (1988), “Sátántangó” (1994), “Werckmeister Harmonies” (2000) and “The Man from London” (2007). He has said “The Turin Horse” (2011) will be his last film.

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  • RIP: Leonard Kastle, Writer and Director of “The Honeymoon Killers”

    [caption id="attachment_1407" align="alignnone" width="560"]Leonard Kastle stands in front of a poster of The Honeymoon Killers[/caption]

    One-hit writer and director, Leonard Kastle, of his first and only film, “The Honeymoon Killers,” reportedly died May 18 at his home in Westerlo, N.Y., after a brief illness, said Tina Sisson, a friend. He was 82.

    “The Honeymoon Killers,” released in 1970, is described as a “grimly realistic, low-budget, black-and-white crime drama about a lowlife lothario and his overweight nurse lover whose partnership in conning lonely women leads to murder.”

    “The Honeymoon Killers” was based on the true-life story of Martha Beck and Raymond Fernandez, the so-called Lonely Hearts Killers who were executed at New York’s Sing Sing prison in 1951.

    The film’s original director was reportedly a young Martin Scorsese. But Scorsese’s filmmaking pace was too slow and he was soon removed. Industrial filmmaker Donald Volkman then stepped in for a time before Kastle took over as the credited director.

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  • 2011 Kiev International Film Festival is postponed to Fall

    [caption id="attachment_1405" align="alignnone" width="768"]Adrien Brody at 2nd International Film Festival[/caption]

    According to an update on their website, due to economic reasons, the Kiev International Film Festival in Kiev, Ukraine, which was previously planned for June 15-20, 2011, is postponed to September 20-25, 2011.

    Kiev International Film Festival, which was previously planned for 15-20 June, 2011, is postponed to 20-25 September, 2011.

    Due to economic crisis most of sponsors cut off their budgets, and the support from the state could not be received for this period. Festival team doesn’t want to lower the international level of the event and decided to change the dates of the festival to have the chance to receive the state support in the next period.

    Kiev International Film Festival appreciates the help in organization provided by partners, sponsors and friends. Festival team apologizes for the inconvenience. Thank you for understanding.

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  • 2011 Humboldt Film Festival Winners; ‘Swing” takes Best of the Fest and Best Animated Film Prizes

    The Humboldt Film Festival, described as the the’ world’s oldest student-run film festival’ ..’bringing independent and alternative short films to Humboldt county for forty-three years’ recently wrapped an announced it’s 2011 winners. Swing, directed by Yen-Ting Kuo, took the top prize Best of the Fest, in addition to Best Animated Film at the 44th edition. SWING is about how living people influence the perspectives of people on the brink of death. If there was choice for unconscious patients to live or die, how would their surroundings influence that impossible choice?

    And the complete list of winners:

    Best of the Fest
    Swing

    Best Animated Film
    Swing

    Best Documentary Film
    Bye Bye Now!

    Best Narrative Film
    Fading Away (Zwischen Licht Und Schatten)

    Best Experimental Film
    I Give You Life

    People’s Choice Award
    Lest We Forget

    Ledo Matteoli Award for best immigration story
    The Stitches Speak

    Jim Demulling Speak Out Award
    The Work of 1000

    Most Revolutionary Film
    Bye Bye Now!

    Eagle Eye Award (Best Cinematography)
    Last Seen on Dolores Street

    Honorable Mention
    Stan Vs. Squirrel

    [image via flickr]

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  • 2011 Berkshire International Film Festival to kick off June 2nd; Lineup to feature some 70 films

    [caption id="attachment_948" align="alignnone"]Page One; Inside the New York Times[/caption]

    The Berkshire International Film Festival (BIFF) will run from June 2rd through June 5th, 2011 in Great Barrington and June 3rd through June 5th in Pittsfield, Massachusetts. The film festival will feature some 70 US and international independent feature films, documentaries, and shorts.

    In addition, BIFF will host Q&A sessions with filmmakers, a special screening of Pittsfield native, Kent Jones and his latest film on Elia Kazan written and directed with Martin Scorcese, and the BIFF has partnered with the Human Rights Watch Film Festival to showcase films from the festival which will conclude in an exciting panel discussion with award-winning filmmakers and professionals in the field. This year’s festival will feature films from 15 countries and host over two dozen filmmakers. The sixth anniversary will also include the expansion to Simon’s Rock and the continuation of the successful Berkshire Bank’s sponsorship of the Next Great Filmmaker Award, and the Juried Prize Award for narrative and documentary films sponsored by GWFF USA.

    The festival kicks-off in Great Barrington with the Sundance documentary hit which puts the spotlight on one of the great journalistic institutions “Page One; Inside the New York Times” directed by Andrew Rossi. “Page One” is in the great tradition of a fly-on-the-wall documentary. Andrew Rossi’s riveting documentary PAGE ONE: INSIDE THE NEW YORK TIMES deftly gains unprecedented access to the New York Times newsroom and the inner workings of the Media Desk. With the Internet surpassing print as our main news source and newspapers all over the country going bankrupt, PAGE ONE chronicles the transformation of the media industry at its time of greatest turmoil. Writers like Brian Stelter, Tim Arango and the salty but brilliant David Carr track print journalism’s metamorphosis even as their own paper struggles to stay vital and solvent, while their editors and publishers grapple with up-to-the-minute issues like controversial new sources and the implications of an online pay-wall. Meanwhile, rigorous journalism is thriving—PAGE ONE gives us an up-close look at the vibrant cross-cubicle debates and collaborations, tenacious jockeying for on-record quotes, and skillful page-one pitching that brings the most venerable newspaper in America to fruition each and every day. Opening night festivities include a cocktail party and light buffet supper for pass-holders catered by Max Ultimate Food from Boston at the “BIFF Tent” behind the Town Hall in Great Barrington prior to the screening of “Page One.”

    The Sixth anniversary celebration continues its’ expansion into Pittsfield and will kick-off at the Beacon on Friday, June 3rd with the opening night presentation of the Sundance Audience award-winning film “Buck” by director Cindy Meehl and the winning short film of BIFF and Berkshire Bank’s Next Great Filmmaker Award. “Your horse is a mirror to your soul, and sometimes you may not like what you see. Sometimes, you will.” So says Buck Brannaman, a true American cowboy and sage on horseback who travels the country for nine grueling months a year helping horses with people problems. BUCK, a richly textured and visually stunning film, follows Brannaman from his abusive childhood to his phenomenally successful approach to horses. A real life “horse-whisperer”, he eschews the violence of his upbringing and teaches people to communicate with horses through leadership and sensitivity, not punishment. Buck possesses near magical abilities as he dramatically transforms horses – and people – with his understanding, compassion and respect. In this film, the animal-human relationship becomes a metaphor for facing the daily challenges of life. A truly American story about an unsung hero, BUCK is about an ordinary man who has made an extraordinary life despite tremendous odds. The director will be in attendance for a Q&A following the screening and will also be the closing night film of the BIFF on Sunday, June 5 at the Mahaiwe.

    In addition to the 28 narrative features, 20 documentaries, 22 shorts from 19 different countries, BIFF will host some special events throughout the weekend including GWFF USA’s Juried Prize Award for narrative and documentary filmmaking, WAMC’s The Roundtable live from the Triplex on Friday, free family film screenings and a panel discussion called “Small Acts, Big Changes” on Human Rights with award-winning filmmakers and industry professionals on Sunday, special screenings at Simon’s Rock College and Hancock Shaker Village, a special preview screening of the documentary on Jacob’s Pillow and a special event sponsored by Berkshire Media and Film Commission of A LETTER TO ELIA written and directed by Pittsfield native, Kent Jones and Martin Scorcese on Saturday.

    The BIFF’s second annual Jury will include, actors Peter Riegert, Jayne Atkinson, and Michel Gill, award-winning screenwriters Courtney Hunt and John Orloff, distribution guru Josh Braun, Production Designer Kristi Zea and casting agent Gretchen Rennell. There will be four films in competition, for both categories of feature documentary and narrative, and the award will carry a $5,000 prize sponsored by GWFF USA to be presented on Sunday, June 5th at allium in Great Barrington.

    The festival will also have five short film programs which will showcase some 22 shorts from the Berkshires and around the world.

    2011 PROGRAMMED FILMS
    Feature and documentary films from the US include, “A Letter to Elia” directed by Martin Scorcese and Kent Jones, “A Novel Romance” directed by Allie Dvorin “Beginners” directed by Mike Mills, “Bellflower” directed by Evan Glodell, “Buck” directed by Cindy Meehl, “Crime After Crime” directed by Yoav Potash, “Granito” directed by Pamela Yates, “If A Tree Falls; The Story of the Earth Liberation Front” directed by Marshall Curry and Sam Cullman, “Miss Representation” directed by Jennifer Siebel Newsom, “Never Stand Still” directed by Tom Honsa, “Norman” directed by Jonathan Segal, “On The Ice” directed by Andrew Okpeaha MacLean, “Page One; A Year at the New York Times” directed by Andrew Rossi, “Part Time Fabulous” directed by Alethea Root, “Rebirth” directed by James Whitaker, “The Four Faced Liar” directed by Jacob Chase, “The Myth of the American Sleepover” directed by David Robert Mitchell, “Troubadours” by Morgan Neville, “We Still Live Here” directed by Anne Makepeace, “We Were Here” directed by David Weissman, “Whisper in the Darkness” directed by Sean Branney, “Windfall” directed by Laura Israel, and “!Women Art Revolution” directed by Lynn Hershman.

    International feature and documentary films include “A Barefoot Dream” (South Korea) directed by Tae-gyun Kim, “Copacabana” (France) directed by Marc Fitoussi, “Dhobi Ghat (Mumbai Dairies)” (India) directed by Kiran Rao, “Dusk (Schemer)” (Netherlands) directed by Hanro Smitsman, “Face To Face” (Australia) directed Michael Rymer, “Feathered Cocaine” (Iceland) directed by Örn Marino Arnarson and Thorkell S. Hardarson, “Habermann” (Germany/Czech Republic/Austria) directed by Juraj Herz, “Happy Happy (Norway) directed by Anne Sewitsky, “Henry of Navarre” (German/France/Spain/Czech Republic) directed by Jo Baier, “Hitler in Hollywood” (France) directed by Frederic Sojcher, “Illegal” (Belgium) directed by Olivier Masset-Depasse, “Kinyarwanda” (Rwanda/US) directed by Alrick Brown, “L’Amour Fou” (France) written by Pierre Thoretton, “La Prima Cosa Bella (Italy) directed by Paolo Virzi, “Monga” (Tawain) directed by Doze Niu, “My Afternoons With Margueritte” (France) directed by Jean Becker, “Position Among The Stars” (Netherlands) directed by Leonard Retel Helmrich, “Red Light Revolution” (China/Aust) directed by Sam Voutas, “The Child Prodigy” (France) directed by Luc Dionne “The Green Wave” (Germ/Iran) directed by Ali Samadi Ahadi, “The Life of Fish” (Chile) directed by Matias Bize, “The Team” (Canada) directed by Patrick Reed, “The Trip” (UK) directed by Michael Winterbottom, “You Don’t Like the Truth; 4 Days in Guantanamo” (Canada) directed by Luc Côté and Patricio Henriquez and “Youth Producing Change” directed by various teen filmmakers from various countries.

    [ source: BIFF ]

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  • Actress Jane Seymour ‘beyond sorry and appalled’ for Schwarzenegger comment

    Actress Jane Seymour reportedly said to CNN at the red carpet premiere of her new IFC movie “Love Marriage Wedding” on May 17 that she believed “there will be lots of information coming people’s way…I heard about two more [out of wedlock kids] somebody else knows about. I even met someone who knows him well.”

    Yesterday on “The View” Friday, Seymour regretted her remarks, saying, “I’m so beyond sorry and appalled that I found myself even talking on the subject at all.”

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    Love Marriage Wedding is directed by Dermot Mulroney and stars Mandy Moore, Kellan Lutz, James Brolin, Jane Seymour, Jessica Szohr, Michael Weston, Sarah Lieving, Joe Chrest. In the film, Mandy Moore is a marriage counselor whose life as a newly wed married to Kellan Lutz is turned upside down when she discovers her parents’ happy marriage is unexpectedly headed for divorce. Determined to reconcile her parents for their 30th anniversary surprise party she stops at nothing plunging from one compromising situation to another.

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  • AFI-Discovery Channel Silverdocs Documentary Festival 2011 Film Lineup

    [caption id="attachment_1398" align="alignnone" width="560"]DONOR UNKNOWN[/caption]

    AFI-Discovery Channel Silverdocs Documentary Festival announced its full slate of competition films for the Festival

    AFI-Discovery Channel Silverdocs Competition Slate
    Sterling U.S. Feature Competition

    BETTER THIS WORLD / USA, 2011, 97 minutes (Director: Katie Galloway, Kelly Duane de la Vega) — When two Midland, Texas, activists make Molotov cocktails at the 2008 Republican Convention, a dramatic story unfolds, with multiple domestic terrorism charges, an entrapment defense and a surprising FBI informant.  The film sets in high relief the impact the war on terror has on civil liberties and political activism in a post-9/11 world.

    BOB AND THE MONSTER / USA, 2011, 85 minutes (Director: Keirda Bahruth) — Bob Forrest first made his name as an outspoken indie-rock hero and popular front man for the band, Thelonious Monster.  But it is his role as one of the most influential drug counselors in the U.S. today that he would cherish most.  Shot over six years, the film offers an inspiring example of how one man was able to overcome his demons and use his success to help others do the same.

    THE BULLY PROJECT / USA, 2011, 90 minutes (Director: Lee Hirsch) — This film tackles the timely topic of bullying in this sensitive examination of an urgent crisis in American society.  The film follows five children and their families over the course of one school year as their lives are affected in different ways by bullying.

    DRAGONSLAYER / USA, 2011, 75 minutes (Director: Tristan Patterson) — Few skateboard movies are as vibrant as DRAGONSLAYER, which follows oddball Josh “Screech” Sandoval as he drifts between the skate circuit and an ill-defined but adaptive existence in Southern California’s recession-wracked suburbs.  In a setting where nothing seems whole, first-time director Tristan Patterson finds arid beauty, hazy intimacy and a thread of hope.

    GIVE UP TOMORROW / Philippines/Spain/USA/UK, 2011, 95 minutes (Director: Michael Collins) — In 1997, two sisters vanished without a trace on the island of Cebu in the Philippines.  Paco Larrañaga was sentenced to death for their rape and murder despite overwhelming evidence to support his innocence.  Spanning more than a decade, the film chronicles the shocking corruption within the Philippine judicial system and one of the most sensational cases in the country’s history.

    INCENDIARY: THE WILLINGHAM CASE / USA, 2010, 102 minutes (Director: Steve Mims, Joe Bailey, Jr.) — In 2004, Cameron Todd Willingham was executed in Texas for the 1991 arson murders of his three daughters, despite evidence that the fire wasn’t arson.  The film masterfully explores why Willingham has become a cause célèbre for arson investigation reform and death penalty repeal.

    JIRO DREAMS OF SUSHI / USA/Japan, 2011, 81 minutes (Director: David Gelb) — A feast for the senses, JIRO DREAMS OF SUSHI introduces us to master chef Jiro Ono, proprietor of the revered 10-seat, $300-a-plate Sukiyabashi Jiro restaurant in Tokyo.  Filmmaker David Gelb offers extraordinary access to the process of preparing the celebrated sushi that has earned Jiro an elite three Michelin stars.

    THE LEARNING / USA/Philippines, 2010, 90 minutes (Director: Ramona Diaz) — This absorbing documentary follows four teachers from the Philippines who are recruited to work in the American public school system.  Leaving behind husbands, children and extended families who depend heavily on them, Dorotea, Rhea, Grace and Angel spend one year teaching in Baltimore public schools, where they can make up to 25 times their salaries versus in the Philippines.

    THE LOVING STORY / USA, 2011, 75 minutes (Director: Nancy Buirski) — Mildred and Richard Loving never imagined that their unassuming love story would be the basis of a watershed anti-miscegenation civil rights case.  But in 1967, when this soft-spoken interracial couple are exiled from Virginia – the only home they have ever known – for the mere crime of falling in love and getting married, they feel they have no choice but to fight back.

    OUR SCHOOL / Romania/Switzerland/USA, 2011, 93 minutes (Director: Mona Nicoara, Miruna Coco-Cozma) — Shot over the course of four years, OUR SCHOOL follows the attempt to integrate isolated rural Roma (or “gypsy”) children into the mainstream school system of Romania.  Focusing on seven-year-old Alin, 12-year-old Beni and 16-year-old Dana, this fascinating film takes an unflinching look at the challenges of a longstanding tradition of prejudice.
    Sterling World Feature Competition

    AT THE EDGE OF RUSSIA / Poland/Russia, 2010, 72 minutes (Director: Michael Marczak) — Aleksey is eager to serve Mother Russia, but this 19-year-old recruit sees little soldiering while stationed at the country’s frozen northern border.  With invasion unlikely, his burly superior’s lessons teach more about isolation, quotidian civil service and drunken paternity than anything else.

    BAKHMARO / Georgia/Germany, 2011, 58 minutes (Director: Salome Jashi) — Incredibly visually striking, BAKHMARO is a quiet, unhurried film about the persistence of hope in the face of irrelevancy.  A restaurant where nobody goes and a staff that serves no one in a building in rural Georgia’s Guria region are at the center of this compellingly claustrophobic documentary.

    DONOR UNKNOWN / USA, 2010, 76 minutes (Director: Jerry Rothwell) — Twenty-year-old JoEllen Marsh was raised by two loving mothers in Pennsylvania who used a carefully chosen anonymous sperm donor to create her.  When JoEllen discovers an online registry that connects her to several other young adults fathered by the same donor, she reaches out to her newly discovered half-siblings and sets out to meet her biological father when he publicly reveals his identity.

    EL BULLI – COOKING IN PROGRESS / Germany/Spain, 2010, 108 minutes (Director: Gereon Wetzel) — Celebrated chef Ferran Adrìa shares the spotlight with his magnificent culinary creations in a film sure to appeal to foodies and non-foodies alike.  For six months a year, Adrìa and his creative team close shop on his world-famous El Bulli Restaurant in Spain to prepare for a new season’s menu representing the best in molecular gastronomy.

    FAMILY INSTINCT / Latvia, 2010, 58 minutes (Director: Anris Gauja) — A unique chronicle of family gone awry, this film is an unsparing exploration of a Latvian household built on the incestuous relationship between Zanda and her imprisoned brother Valdis, whose pending homecoming creates tremendous frisson.

    FIRE IN BABYLON / UK, 2010, 82 minutes (Director: Stevan Riley) — This energetic documentary looks back at the legendary West Indies cricket team that rose to prominence in the 1970s and 80s.  Led by the dynamic Clive Lloyd, the team used the game of cricket to battle oppressive forces of prejudice on the playing field through superior athleticism and a bold, insuppressible spirit.

    THE FIRST MOVIE / Canada/Iraq/Kurdistan/UK, 2009, 77 minutes (Director: Mark Cousins) — A lyrical and magical look at the power of cinema, director Mark Cousins’ whimsical film explores what transpires after he exposes the children of a small rural village in Iraq to the magic of film.  Through their experiences, Cousins shows viewers a side of Iraq that they are rarely allowed to experience.

    GRANDE HOTEL / Belgium/Mozambique/Portugal, 2010, 57 minutes (Director: Lotte Stoops) — The Grande Hotel in Beira, Mozambique, once a luxurious haven in the Portuguese colony, is a shadow of its former self since closing in 1963.  The film traces the history of the building, from its opening in 1954, with 110 sumptuous guest rooms, to today, when the abandoned hotel serves as a home to more than 2,500 people who live in its crumbling ruins.

    EL VELADOR (THE NIGHT WATCHMAN) / Mexico, 2011, 72 minutes (Director: Natalia Almada) — The turmoil of Mexico’s bloodiest conflict since the revolution plays out in subtle yet poignant detail as filmmaker Natalia Almada quietly observes the daily routine of Martin, the night watchman and groundskeeper of the cemetery that houses the remains of Mexico’s most notorious drug lords.

    POSITION AMONG THE STARS / Indonesia/Netherlands, 2010, 109 minutes (Director: Leonard Retel Helmrich) — Filmmaker Leonard Retel Helmrich concludes his in-depth three-part portrait of Indonesia as seen through the eyes of one family living in the slums of Jakarta.  The Shamuddin family’s anxieties, hopes and frequent, often hilarious fights culminate in a poignant mosaic of Indonesian life today.

    WIEBO’S WAR / Canada, 2011, 92 minutes (Director: David York) — When Wiebo Ludwig moves his sizeable family to the rural plains of northern Canada to live closer to God, the last thing he expects is to be transformed from a holy man into an eco-terrorist.  Yet when energy companies start encroaching on his land soon after discovering it lies on Canada’s biggest gas field, Wiebo feels compelled to protect himself and his family from their newly toxic surroundings.

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  • John Malkovich & Otar Iosseliani to receive CineMerit Award at 2011 Munich Film Festival

    [caption id="attachment_1395" align="alignnone" width="480"]Masks within masks: Malkovich playing a Kubrick impostor in COLOUR ME KUBRICK – A TRUE…ISH STORY[/caption]

    [caption id="attachment_1396" align="alignnone" width="480"]In his element: Otar Iosseliani and DoP Julie Grunebaum shooting CHANTRAPAS[/caption]

    This year, FILMFEST MÜNCHEN aka Munich Film Festival honors Georgian writer-director Otar Iosseliani and American acting icon John Malkovich with the CineMerit Award.

    Every year, FILMFEST MÜNCHEN presents the CineMerit Award, sponsored by German carmaker Audi, to outstanding personalities in the international film community for extraordinary contributions to motion pictures as an art form.

    Festival Director Andreas Ströhl: “Otar Iosseliani is the unsurpassed master of the melancholy comedy, and John Malkovich has always been in a class of his own. His unconventional performances make every film he’s in worth seeing. We’re very proud that they are both coming to Munich for the festival.”

    Otar Iosseliani, born in Tbilisi in 1934, is one of the grandseigneurs of poetic cinema.  The internationally acclaimed filmmaker began making films in Georgia in the ’60s and ’70s. Unwilling to put up with Soviet censorship, he emigrated to France in 1982. His films are characterized by a unique visual and narrative style, an ironic world view and an all-embracing love of humanity despite people’s shortcomings.

    Otar Iosseliani will receive his CineMerit Award at the festival’s Award Ceremony on July 1st at 6 pm.  The keynote speaker is the Berlin-based Georgian director Dito Tsintsadze. Following the ceremony, Iosseliani’s latest film will be screened: CHANTRAPAS (France, 2010) is about a  Georgian filmmaker who leaves his homeland in search of a better life – a film with obvious autobiographical content. FILMFEST MÜNCHEN will be screening six of this exceptional director’s films in all.

    John Malkovich is one of the greatest actors of his generation but he is also a producer, writer and director. He has played every imaginable character in the course of his career. Malkovich, the man with the endearing malicious smile, acts in Hollywood blockbusters as well as no budget films.

    John Malkovich will receive his CineMerit Award at a gala on June 27 at 7:30 pm  in the festival center. Veronica Ferres, who appeared in KLIMT with Malkovich, is the keynote speaker. Brian Cook’s COLOUR ME KUBRICK – A TRUE…ISH STORY will follow.  Five other Malkovich films are also being screened, among them Volker Schlörndorff’s THE OGRE, Spike Jonze’s BEING JOHN MALKOVICH, Raoul Ruiz’ KLIMT and THE DANCER UPSTAIRS, which Malkovich also directed.

    [ source: FILMFEST MÜNCHEN ]

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