• 2018 IDFA Awards – REASON Wins Top Award for Best Documentary

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    [caption id="attachment_32856" align="aligncenter" width="1200"]Anand Patwardhan (India), The IDFA Award for Best Feature-Length Documentary Film Reason, The film is a broad-ranging examination of Indian society, where secular rationalists are hunted down as they attempt to stem the rising tide of religious and nationalist fundamentalism.  Photo: Nichon Glerum International Documentary Filmfestival Amsterdam 2018, Award Show in de Stadsschouwburg. Anand Patwardhan (India), The IDFA Award for Best Feature-Length Documentary Film Reason, The film is a broad-ranging examination of Indian society, where secular rationalists are hunted down as they attempt to stem the rising tide of religious and nationalist fundamentalism.
    Photo: Nichon Glerum International Documentary Filmfestival Amsterdam 2018, Award Show in de Stadsschouwburg.[/caption] Reason by Anand Patwardhan won the Award for Best Feature-Length Documentary at the awards ceremony of the 31st International Documentary Film Festival Amsterdam.  Los Reyes by Bettina Perut and Iván Osnovikoff won the Special Jury Award for FeatureLength Documentary.  IDFA runs until Sunday November 25, 2018. Giacinto Scelsi. The First Motion of the Immovable by Sebastiano d’Ayala Valva was awarded the IDFA Award for Best First Appearance, and Kabul, City in the Wind by Aboozar Amini won the IDFA Special Jury Award for First Appearance. The Beeld en Geluid IDFA Award for Dutch Documentary went to ‘Now something is slowly changing’ by mint film office. But Now Is Perfect by Carin Goeijers received the IDFA Special Jury Award for Dutch Documentary. At the beginning of the evening, Reber Dosky presented the Prins Bernhard Cultuurfonds Documentary Stipend (€ 50.000) to filmmaker Sophie Dros.

    International Documentary Filmfestival Amsterdam 2018 Awards

    IDFA Competition for Feature-Length Documentary

    [caption id="attachment_32858" align="aligncenter" width="1200"]Reason by Anand Patwardhan Reason by Anand Patwardhan[/caption] Anand Patwardhan won the IDFA Award for Best Feature-Length Documentary (€ 15.000) with Reason (India). The film is a broad-ranging examination of Indian society, where secular rationalists are hunted down as they attempt to stem the rising tide of religious and nationalist fundamentalism. From the jury report: The IDFA Award for Best Feature-Length Documentary is unanimously given to Reason by Anand Patwardhan for the epic storytelling of the rise of the far right in one of the most populated countries of this planet, the violence of religious and ultranationalist militias with the support of authorities and dominant medias, the dignity of resistance in multiple forms, often at life-cost, in a way that acknowledges the complexity of the situation but put it in a very understandable shape. [caption id="attachment_32860" align="aligncenter" width="1200"]Los Reyes by Bettina Perut and Iván Osnovikoff Los Reyes by Bettina Perut and Iván Osnovikoff[/caption] In addition, the jury presented the IDFA Special Jury Award for Feature-Length Documentary (€ 2.500) to Los Reyes (Chile, Germany) by Bettina Perut and Iván Osnovikoff. In this almost fairytale-like film, the phenomenal, dreamlike camerawork centers almost entirely on the subtle interaction between two dogs, as they play with a ball, a stick, a stone, and each other. From the jury report: The IDFA Special Jury Award for Feature-Length Documentary goes to Los Reyes, by Bettina Perut and Iván Osnivikoff (Chile, Germany) for the creative and beautiful way it displaces the viewer gaze by associating a sensible look at non-human wonderful characters and the soundtrack that connects daily lives of animal and human stray dogs.

    IDFA Competition for First Appearance

    Sebastiano d’Ayala Valva won the IDFA Award for Best First Appearance (€ 10.000) for Giacinto Scelsi. The First Motion of the Immovable (France, Italy). Aboozar Amini won the IDFA Special Jury Award for First Appearance, in memory of Peter Wintonick (€ 2.500) for Kabul, City in the Wind (Netherlands, Afghanistan, Japan, Germany).

    IDFA Competition for Mid-Length Documentary

    The IDFA Award for Best Mid-Length Documentary (€ 10.000) was awarded to Andrei Kutsila for Summa (Poland, Belarus). The IDFA Special Jury Award for Mid-Length Documentary (€ 2.500) went to In Touch (Poland, Iceland) by Pawel Ziemilski.

    IDFA DocLab Competition for Digital Storytelling

    Ross Goodwin won the IDFA DocLab Award for Digital Storytelling (€ 5.000) for 1 the Road (United States).

    IDFA DocLab Competition for Immersive Non-Fiction

    The IDFA DocLab Award for Immersive Non-Fiction (€ 5,000) went to Eat | Tech | Kitchen (Netherlands, United States) by Klasien van de Zandschulp & Emilie Baltz.

    IDFA Competition for Dutch Documentary

    The Beeld en Geluid IDFA Award for Dutch Documentary (€ 7.500) went to ‘Now something is slowly changing’ by mint film office. Carin Goeijers received the IDFA Special Jury Award for Dutch Documentary (€ 2.500) for But Now Is Perfect.

    IDFA Competition for Short Documentary

    I Signed the Petition (United Kingdom, Germany, Switzerland) by Mahdi Fleifel won the IDFA Award for Best Short Documentary (€ 5.000). The IDFA Special Jury Award for Short Documentary (€ 2.500) went to And What Is the Summer Saying (India) by Payal Kapadia.

    IDFA Competition for Student Documentary

    Beryl Magoko won the IDFA Award for Best Student Documentary (€ 5.000) for In Search… (Germany, Kenya). The IDFA Special Jury Award for Student Documentary (€ 2.500) was presented to Dana Gelman for Backwards (Israel).

    IDFA Competition for Kids & Docs

    The IDFA Award for Best Children’s Documentary (€ 5.000) went to Dancing for You (Poland) by Katarzyna Lesisz. Martijn Blekendaal received the IDFA Special Jury Award for Children’s Documentary (€ 2.500) for The Man Who Looked Beyond the Horizon (the Netherlands).

    Other Awards

    At the beginning of the evening, Reber Dosky presented the Prins Bernhard Cultuurfonds Documentary Stipend (€ 50.000) to filmmaker Sophie Dros. This € 50.000-Euro stipend towards the making of a new documentary was donated by an anonymous donor, who has made the stipend possible through the Cultuurfonds. The Amsterdam Human Rights Award (€ 25.000) was presented on Tuesday evening to Island of The Hungry Ghosts (Germany, United Kingdom, Australia) by Gabrielle Brady. The award was made possible by the City of Amsterdam.

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  • 2018 Whistler Film Festival to Feature Record Number of Films Directed by Women

    [caption id="attachment_29003" align="aligncenter" width="1214"]Birds Without Feathers Birds Without Feathers[/caption] The Whistler Film Festival will present an unprecedented number of female focused films, talent, events, and awards throughout its 2018 programs.  The Festival will screen 21 feature films and 18 short films directed or co-directed by women or non-binary individuals, which makes up 46% of this year’s film programming, the highest percentage for the festival to date. WFF will also have 41 Canadian females out of 80 (51%) participating in 11 different talent programs, including 16 directors, 5 producers, 3 screenwriters, 8 filmmakers, 1 actor, and 7 musicians in bands in the Music Showcase. “The Whistler Film Festival’s female focused initiatives are aligned with several industry wide mandates, and we are committed to promoting the shared goal of breaking the celluloid ceiling, increasing the number of women in the director’s chair, addressing the imbalance of industry diversity behind the camera, and supporting the collaborative efforts to bring more female written and directed narratives to screen, and more females on screen to reflect society,” says Shauna Hardy Mishaw, WFF Executive Director. “With strong representation both in front of and behind the camera in our films, and talent programs this year, Whistler is maintaining a timely leadership role for women in the industry, when the need is not only apparent, the collective is calling for it.“

    2018 Whistler Film Festival Feature Films directed or co-directed by Women

    A COLONY (Canada) Dir. Geneviève Dulude-De Celles AN AUDIENCE OF CHAIRS (Canada) Dir. Deanne Foley BELLA CIAO! (Canada) Dir. Carolyn Combs BIRDS WITHOUT FEATHERS (United States) Dir. Wendy McColm CIRCLE OF STEEL (Canada) Dir. Gillian McKercher ELIJAH AND THE ROCK CREATURE (Canada) Dir. Jen Walden FALLS AROUND HER (Canada) Dir. Darlene Naponse FAMILY FIRST (CHIEN DE GARDE) (Canada) Dir. Sophie Dupuis FREE SOLO (United States) Dir. E. Chai Vasarhelyi & Jimmy Chin GIRLS OF THE SUN (France) Dir. Eva Husson HONEY BEE (Canada) Dir. Rama Rau HUGH HEFNER’S AFTER DARK: SPEAKING OUT IN AMERICA (Canada) Dir. Brigitte Berman IN GOD I TRUST (Canada) Dir. Maja Zdanowski INTO INVISIBLE LIGHT (Canada) Dir. Shelagh Carter ON THE BASIS OF SEX (United States) Dir. Mimi Leder LOVE, SCOTT (Canada) Dir. Laura Marie Wayne MARY QUEEN OF SCOTS (United Kingdom) Dir. Josie Rourke THE NATURALLY WANTON PLEASURE OF SKIN (Canada) Dir. Renée Beaulieu SASHINKA (Canada) Dir. Kristina Wagenbauer TROUBLE IN THE GARDEN (Canada) Dir. Roz Owen UNTOGETHER (United States) Dir. Emma Forrest

    2018 Whistler Film Festival Short Films directed or co-directed by Women

    CEDAR TREE OF LIFE (Canada) Dir. Odessa Shuquaya MISS WORLD (Taiwan) Dir. Georgia Fu LITTLE WAVES (Canada) Dir. Ariane Louis-Seize LUNAR-ORBIT RENDEZVOUS (Canada) Dir. Mélanie Charbonneau THREE CENTIMETRES (Lebanon) Dir. Lara Zeidan THUNDERBIRD (Canada) Dir. Erin Collins HUNTING SEASON (Canada) Dir. Shannon Kohli THE FIELD (India) Dir. Sandhya Suri EMPTYING THE TANK (Canada) Dir. Caroline Monnet 20 MINUTES TO LIFE (Canada) Dir. Veronika Kurz EGG (France) Dir. Martina Scarpelli BROTHERHOOD (Canada) Dir. Meryam Joobeur CC (Canada) Dir. Kailey Spear and Sam Spear HOW LONG? (Canada) Dir. Ayden Ross GIRL IN THE GALACTIC SUN (Canada) Dir. Heather Perluzzo FANTASMAGORIA (Canada) Dir. Lilén Aimare I SEE STARS (Canada) Dir. Caid Dow I WILL KEEP YOUR LIGHT (Canada) Dir. Chelsea Xinyi Chen

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  • Watch John Maringouin’s Brilliant GHOSTBOX COWBOY Trailer Starring David Zellner

    Ghostbox Cowboy The new trailer debuted today for GHOSTBOX COWBOY, written and directed by John Maringouin; and starring David Zellner  (director of KUMIKO THE TREASURE HUNTER, DAMSEL). The film also featuring Robert Longstreet, Specialist, Vincent Xie, Carrie Gege Zhang, J.R. Cazet will open theatrically in Los Angeles on November 30, San Francisco on December 7 and New York on December 14. GHOSTBOX COWBOY trailer John Maringouin’s brilliant, darkly comedic morality tale examines a wildly ambitious Westerner who tries to get in on China’s tech boom and finds that he may not be up to the task. Texan Jimmy Van Horn (David Zellner) is a cowboy huckster who arrives in the booming city of Shenzhen with a couple of bitcoins and huge ambitions of parlaying them into economic success. Lucky for Jimmy, he’s got a friend holding open the back door to this “accidental Shangri-La” — Bob Grainger (Robert Longstreet) – who’s gotten new teeth, a blonde wig and looks twenty years younger. He promises to do the same for Jimmy in 6 weeks. Maringouin (BIG RIVER MAN) develops a startling visual language in this excitingly fresh, complex perspective on China’s economic growth – and the gold rush mentality it inspires. https://www.youtube.com/watch?v=Sf2ybQTE-eg

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  • SHOPLIFTERS and MOANANUIĀKEA Win Audience Awards at Hawaii International Film Festival

    [caption id="attachment_30641" align="aligncenter" width="1200"]Shoplifters Shoplifters[/caption] The ballots have been tabulated and the festival attendees of the 38th edition of the Hawaii International Film Festival voted SHOPLIFTERS directed by Hirokazu Kore-eda winner of Narrative Feature Audience Award, and MOANANUIĀKEA: ONE OCEAN, ONE PEOPLE, ONE CANOE directed by Naalehu Anthony was voted winner of DocumentaryFeature Audience Award. The Audience Award for Short Film went to HAE HAWAI’I directed by Ty Sanga.

    2018 Hawaii International Film Festival Audience Award Winners

    NARRATIVE FEATURE AUDIENCE AWARD WINNER

    SHOPLIFTERS directed by Hirokazu Kore-eda After one of their shoplifting sessions, a poor family come across a little girl freezing in the cold, and although initially reluctant, welcome her into their home. Though happy together, an unforeseen incident begins to unravel hidden secrets and test the bonds that unite them. From Palme d’Or-winning director Hirokazu Kore-eda, SHOPLIFTERS tells a breathtaking story of family and love told across four seasons on the streets of contemporary Tokyo. SHOPLIFTERS had its world premiere at the Cannes Film Festival, where it won the Palme d’Or, the grand prize. It is also Japan’s official entry to the foreign language Academy Awards category.

    DOCUMENTARY FEATURE AUDIENCE AWARD WINNER

    MOANANUIĀKEA: ONE OCEAN, ONE PEOPLE, ONE CANOE directed by Naalehu Anthony In 1976, a voyaging canoe sparked a cultural revival that quickly spread throughout Polynesia, breathing life into ancient myths and legends. More than four decades later, Hōkūleʻa continues to inspire a new generation of navigators and voyagers to gather their courage and sail beyond the horizon of the Pacific. MOANANUIĀKEA: ONE OCEAN. ONE PEOPLE. ONE CANOE. celebrates the historic Worldwide Voyage that connected countless communities from around the globe. A voyage that also represented the fulfillment of the vision of Nainoa Thompson and his contemporaries, the passing of the mantle to the next generation of kānaka maoli who will retain the skills of their ancestors and perpetuate this tradition for generations to come. MOANANUIĀKEA had its world premiere at HIFF as the Closing Night Film.

    SHORT FILM AUDIENCE AWARD WINNER

    HAE HAWAI’I directed by Ty Sanga In 1893, a group of businessmen and sugar planters illegally overthrow the Hawaiian monarchy. The kingdom slowly dissolves as loyalists to the crown try to preserve what is left. A young Hawaiian thief is selected to safeguard the unifying symbol of the kingdom, the Hawaiian flag.

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  • BETHANY HAMILTON: UNSTOPPABLE Wins Top Prize at 38th Hawaii International Film Festival

    [caption id="attachment_32837" align="aligncenter" width="1050"]Bethany Hamilton: Unstoppable Bethany Hamilton: Unstoppable[/caption] The Hawaii International Film Festival (HIFF) presented their 2018 Jury awards with The Best Made In Hawaii Feature Award going to BETHANY HAMILTON: UNSTOPPABLE directed by Aaron Lieber.  The jurors also awarded a second place award to MOANANUIĀKEA: ONE OCEAN, ONE CANOE, ONE PEOPLE, directed by Na’alehu Anthony. The Made In Hawaii competition film awards category was launched in 2017 to spotlight the flourishing local independent film scene on the Hawaiian Islands. The Jurors shared their thoughts on the winning films: “This year’s Made in Hawaii nominees showcase a beautifully diverse range of stories, that all share a common theme: the transformative impact of community and family. BETHANY HAMILTON: UNSTOPPABLE quickly showed us that what we thought we knew, was just the beginning of the story. Emotional and inspiring, this film did what all great docs do – it captured defining moments you can’t believe were captured on film with twists and turns that defied expectations. This amazing story of a deeply relatable underdog was also complemented with epic cinematography and a final shot that has to be seen to be believed. https://www.youtube.com/watch?v=Dworl7UXMRU “This year’s second place awardee, MOANANUIĀKEA: ONE OCEAN, ONE CANOE, ONE PEOPLE. honors a movie that captures a movement decades, and arguably centuries, in the making. Hokule’a isn’t just a canoe. It’s a compass that reconnects us to our past and points the way to a better future. Over the past 40 years it has not only sparked a Hawaiian renaissance, it has now, incredibly, connected cultures and communities from every point around the globe, a symbolic lei that encircles the world.” The Best Made In Hawaii Short Film Award winner is MAUKA TO MAKAI, directed by Jonah Okono and Alika Maikau, with the Second Prize in the Made in Hawaii Shorts program going to Erin Lau’s THE MOON AND THE NIGHT. All films in Shorts programs #1 – 4, plus PACIFIC SHOWCASE SHORTS and MADE IN HAWAII shorts programs are eligible for the overall HIFF BEST SHORT FILM award which was won by MAY 14th, directed by Boo Eunjoo. The jury also announced a Special Jury Mention, for Andre Hoermann and Anna Samo’s OBON; recognizing its striking animated retelling of one survivor’s account of the Hiroshima nuclear bomb attack. [caption id="attachment_28168" align="aligncenter" width="1180"]People’s Republic of Desire People’s Republic of Desire[/caption] HIFF also debuted the inaugural Ka’ū Ka Hōkū Filmmaker Award, presented to an emerging filmmaker who has completed their first or second feature film which went to PEOPLE’S REPUBLIC OF DESIRE, directed by Hao Wu. The 2018 Halekulani Career Achievement Award was presented to actress Moon So-ri. Dubbed the “Meryl Streep” of South Korea, Moon is one of the most acclaimed Asian actresses of her generation. Moon recently directed the feature-length omnibus THE RUNNING ACTRESS. The Halekulani Maverick Award was given to an international cinema artist who has a unique and eclectic career trajectory, contributing to international cinema and the filmed arts in an innovative way. This year, HIFF presented the award to American actress, writer, and rapper Awkwafina. Awkwafina, whose given name is Nora Lum, brings an impressive range of talent peppered with her signature flair, and has become a major breakout talent this year with her co-starring roles in Ocean’s 8 and Crazy Rich Asians. HIFF also presented the Halekulani Maverick Award to actor-turned-director Takumi Saito. As an actor, Saito is known for his breakout role in the wildly popular Japanese TV drama “Hirugao”. His feature film directorial debut, Blank 13, quietly evokes the enigma of discovering the private life of a loved one, whether dead or alive; and the elasticity of familial bonds. The Hawaii International Film Festival’s PIC Trailblazer Award was presented to a cinema artist of Pacific Islander heritage who broadens the scope of Pacific Islander stories onto the world stage, producing award winning work in independent and global cinema, becoming a trendsetter in their field and a cultural ambassador that shines a spotlight on Pacific islander culture in mainstream media. The 2018 HIFF Pacific Islanders in Communications Trailblazer Award was given to Heperi “Hepi” Mita. Mita’s career began in 2007, working in online journalism for the pulitzer prize winning Las Vegas Sun newspaper. He returned to his home country of Aotearoa / New Zealand in 2011, following the death of his mother — indigenous filmmaking pioneer Merata Mita (UTU). His directorial debut, Merata: How Mum Decolonised The Screen, world premiered at the New Zealand International Film Festival this past summer. HIFF will present the Hawaii premiere of this film at Spring Showcase 2019. The NETPAC Award is presented annually at international film festivals in Berlin, Cannes, Venice, Rotterdam, Pusan, Singapore, Taiwan, Yamagata, Amiens and Hawaii. HIFF is the only film festival in North America given permission to present the NETPAC award. This year’s NETPAC Award winner is STILL HUMAN by Oliver Siu Kuen Chan. From the Jury: “The award for best narrative feature for an emerging filmmaker from the Asia Pacific region goes to STILL HUMAN by Oliver Siu Kuen Chan for its humane way of exploring racial and social class, the treatment of the disabled and the aged, and portraying the intersection of hopelessness and dreams.”

    2018 Hawaii International Film Festival Award Winners

    Made In Hawaii Best Feature: BETHANY HAMILTON: UNSTOPPABLE directed by Aaron Lieber (1st Place); MOANANUIĀKEA: ONE OCEAN. ONE PEOPLE. ONE CANOE. Directed by Naalehu Anthony (2nd Place) Made In Hawaii Best Short: MAUKA TO MAKAI directed by Alika Maikau & Jonah Okano (1st Place); THE MOON AND THE NIGHT directed by Erin Lau (2nd Place) HIFF Best Overall Short Film: MAY 14th directed by Eunjoo Boo; OBON directed by Hoermann Andre & Anna Samo NETPAC Winner: STILL HUMAN directed by Oliver Siu Kuen Chan

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  • Leon Lee’s Social Justice Documentary LETTER FROM MASANJIA on DVD/VOD on December 4th

    Letter From Masanjia Filmmaker and Peabody Award winner, Leon Lee’s social justice documentary Letter From Masanjia, follows the true story of an Oregon woman who finds a desperate SOS letter penned by a political prisoner in her Halloween decorations and the nail-biting chain of events that it sparks when she takes the letter public, exposing appalling flagrant human rights violations – that leads to sweeping labor reform in China. Parade Deck Films opened this powerful documentary “Letter From Masanjia” theatrically in New York and Los Angeles on September 14th, 2018, and now Gravitas Ventures, a Red Arrow Studios company, will bring the film to audiences across North America on DVD & VOD/Digital platforms including: iTunes, Amazon, FandangoNow, VUDU, Xbox, Vimeo, Google Play, etc. on this upcoming December 4th, 2018. Imagine being a young mother buying holiday decorations at a local Kmart, only to discover a letter asking for help from a prisoner in a labor camp in China? This is a shockingly true tale that dominated the news in real time then and is sadly as prominent a story as it is now I our current political climate as we celebrate Thanksgiving this week. Canadian based, acclaimed filmmaker and Peabody Award winner, Leon Lee’s social justice documentary “Letter From Masanjia,” shines a powerful light on human rights violations in China. When this story originally broke it was covered around the world affecting unprecedented change with the American disovery of a political prisoners letter. Coming off of a wildly successful festival run and excellent enthusiastic early critical reviews – Leon Lee’s “Letter From Masanjia” has been hailed by audiences and critics alike as one of the best docs of 2018, taking home Audience Award for Documentary Feature at the 2018 Asian American International Film Festival, Atlanta Docufest, Newburport Documentary Film Festival, and Calgary International Film Festival. https://www.youtube.com/watch?v=bKRavgm-KPY&feature=youtu.be

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  • 7 Documentaries Nominated for 2019 Producers Guild of America Award

    [caption id="attachment_32398" align="aligncenter" width="1200"]Won’t You Be My Neighbor? Won’t You Be My Neighbor?[/caption] The Producers Guild of America (PGA) revealed today the 7 documentary films selected as 2019 Documentary Motion Pictures nominees that will advance in the final voting process for the 30th Annual Producers Guild Awards.  The Producers Guild Awards honor excellence in motion picture and television productions, as well as some of the living legends who shape the profession. The ceremony for the 2019 Producers Guild Awards presented by General Motors takes place on January 19, 2019 at The Beverly Hilton hotel in Los Angeles where the final winners will be announced. The films nominated for the Award for Outstanding Producer of Documentary Motion Pictures are listed below in alphabetical order: The Dawn Wall https://www.youtube.com/watch?v=edfw9ip9sCQ Free Solo https://www.youtube.com/watch?v=urRVZ4SW7WU Hal https://www.youtube.com/watch?v=GBGfKan2qAg Into the Okavango https://www.youtube.com/watch?v=SXVohy5eAP8 RBG https://www.youtube.com/watch?v=biIRlcQqmOc&t=2s Three Identical Strangers https://www.youtube.com/watch?v=uM5TQ4f7ycw Won’t You Be My Neighbor? https://www.youtube.com/watch?v=FhwktRDG_aQ&t=4s During the awards show, the Producers Guild also will present special honors to individual producers, including recognizing President of Marvel Studios Kevin Feige with its David O. Selznick Achievement Award. The 2019 Producers Guild Awards Event Chairs are Donald De Line and Amy Pascal. In 1990, the Producers Guild held the first-ever Golden Laurel Awards, which were renamed the Producers Guild Awards in 2002. Richard Zanuck and Lili Fini Zanuck took home the award for Best Produced Motion Picture for “Driving Miss Daisy,” establishing the Guild’s awards as a bellwether for the Oscars.

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  • Yance Ford, Alexandria Bombach Among Inaugural Class of Sundance Institute’s Momentum Fellows

    [caption id="attachment_32810" align="aligncenter" width="1200"]Alexandria Bombach Alexandria Bombach[/caption] Sundance Institute announced today the eight members of the inaugural class of the Momentum Fellowship, a full-year program of deep, customized creative and professional support for writers, directors, and producers from underrepresented communities  working across documentary and feature filmmaking, episodic content, and virtual reality, who are poised to take the next step in their careers. The Momentum Fellowship evolved from the former Women at Sundance Fellowship, a highly successful model that merited evolution and expansion for impact across a greater cohort of underrepresented communities. Those eligible for this larger, more intersectional program now include artists identifying as women, non-binary, and/or transgender, artists of color, and artists with disabilities. The 2019 Momentum Fellows are Alexandria Bombach, Amber Fares, Josh Feldman, Yance Ford, Ro Haber, Megha Kadakia, Alysa Nahmias, and Eva Vives. “Our inaugural class of fellows bring such an array of unique talents and experiences to the creative table, and we are beyond excited for this year of collaboration and development,” said Karim Ahmad, Director of Outreach & Inclusion. “We also hope that this intersectional approach will be a model for increasingly vital conversations about allyship across demographic silos in the artist and industry communities at large.” “After supporting six classes of Women at Sundance fellows, we are thrilled to expand the fellowship to include voices from underrepresented communities. The Momentum Fellowship offers critical support so that artists can fulfill their potential, create sustainable careers, and form a close-knit cohort that will develop into an invaluable alliance,” said Caroline Libresco, Director of Women at Sundance. The robust, year-long Momentum Fellowship is made possible thanks to the generous support and strategic partnership of The Harnisch Foundation and Warner Bros. Pictures. The Fellowship includes professional mentorship; coaching through the Harnisch Coaching Program offered by Renee Freedman and Company; an artist sustainability grant; travel grants to the Sundance Film Festival to participate in curated activities; introductions to branded and episodic content; and bespoke year-round support. Additionally, Sundance Institute has partnered with Warner Bros. Pictures to establish the Sundance Institute | Warner Bros. Feature Film Directors Track. In keeping with the company’s greater goals of inclusion and commitment to diversity in front of and behind the camera, Warner Bros. is dedicated to helping nurture and grow this new class of Fellows, which includes access to executives and workshops hosted on the studio’s Burbank lot. The Momentum Fellowship Program is meant to allow for customized activities and sub-groups where necessary, while still organized under the banner of an intersectional fellowship. Sundance Institute gratefully acknowledges each of the contributors to its Outreach and Inclusion Department and Women at Sundance, whose partnership has enabled the Institute to support dozens of bold and underrepresented voices in independent storytelling throughout the evolution of its programming.

    2019 Momentum Fellows

    Alexandria Bombach

    Alexandria Bombach is an award-winning cinematographer, editor, and director from Santa Fe, New Mexico. Her feature-length documentary On Her Shoulders follows Nadia Murad, a 23-year-old Yazidi woman who survived genocide and sexual slavery committed by ISIS. Repeating her story to politicians and media, Nadia was thrust onto the world stage as the voice of her people. Away from the podium, she must navigate bureaucracy, fame, and people’s good intentions. On Her Shoulders premiered at the 2018 Sundance Film Festival where Alexandria won Best Directing in the U.S. Documentary Competition. Her first feature-length documentary, Frame By Frame, follows the lives of four Afghan photojournalists who are facing the realities of building Afghanistan’s first free press. The film had its world premiere at SXSW 2015, went on to win more than 25 film festival awards and screened in front of the president of Afghanistan, Ashraf Ghani. Alexandria continued her work in Afghanistan in 2016, directing the Pulitzer Center-supported New York Times Op-Doc, Afghanistan By Choice – an intertwining portrait of five Afghans who must weigh the costs of leaving or staying as the country’s security deteriorates. In addition to her feature documentary work, Alexandria’s production company RED REEL has been producing award-winning, character-driven stories since 2009. Her 2013 film Common Ground unearths the emotion behind a proposed wilderness-area addition for a community in Montana – as heritage and tradition are seemingly defended on both sides. Her Emmy Award-winning 2012 series MoveShake captured the internal conflicts of people dedicating their lives to a cause. Alexandria is currently working on her next feature documentary, writing her first narrative script, and freelancing as a cinematographer and an editing consultant. If time allows, you can also find her weaving blankets on her loom or making ceramics on her wheel.

    Amber Fares

    Amber Fares is an award-winning documentary director, producer and cinematographer. Her recent projects include Senior Producer/Cinematographer on America Inside Out with Katie Couric (2018), which aired on National Geographic, and cinematographer and co-producer on the feature length documentary The Judge (2017), which premiered at TIFF and will air on PBS this fall. Amber was also brought on as an Associate Producer on Transparent Season 4 (2017), where she consulted specifically on storylines that took place in Palestine. Amber’s debut film, Speed Sisters (2015), premiered at HotDocs and is currently playing on Netflix globally. The Saudi Gazette named it one of the top 10 films to watch on Netflix and The New York Times called it “subtly rebellious and defiantly optimistic.” Amber is currently working with Grace Lee and Marjan Safinia on the feature length documentary called And She Could Be Next about women of color running for political office across America. Amber’s films have won numerous awards and have played in film festivals around the world, including TIFF, Sheffield, Hot Docs, IDFA, CPH:Dox and Doc NYC. Her work has been featured on CNN, Al Jazeera, ALLURE, Amazon, PBS, VICE and National Geographic. Amber was a 2015 Sundance Catalyst Fellow, 2014 Sundance Institute Edit and Story Lab Fellow and spoke at TedXWomen Barcelona 2013.

    Josh Feldman

    Josh Feldman is a lifelong writer, whose first recognition came in the form of a Young Playwrights Award from Arena Stage in Washington, D.C. He is currently in production on the second season of an original television series he co-created and wrote for SundanceNow, This Close, on which he also stars. The show had its world premiere at the Sundance Film Festival in 2018, where he premiered the webseries the show is based on the year before.

    Yance Ford

    Yance Ford is an Oscar and Emmy nominated director based in New York City. His debut film Strong Island was nominated for Best Documentary Feature at the 90th Academy Awards when Ford made history as the first trans director nominated for an Oscar. Strong Island won the Gotham Award for Best Documentary, the Sheffield DocFest Tim Hetherington Award, the Full Frame Filmmaker & Charles E. Guggenheim Emerging Artist Award and the Black Film Critics Circle Award for Best Documentary. Strong Island premiered at the Sundance Film Festival winning a U.S. Documentary Special Jury Award for Storytelling. Strong Island launched globally on Netflix in September 2017. A graduate of Hamilton College and the Production Workshop at Third World Newsreel, Ford is a Sundance Institute Fellow, a MacDowell Colony Fellow and a Creative Capital Grantee and the 2017 IDA Emerging Filmmaker Award. During his tenure as Series Producer at POV his curatorial work garnered over five Emmy Awards and 16 Emmy nominations. Strong Island was nominated for a George Foster Peabody Award and at the 11th Annual Cinema Eye Honors became the first nominee ever to win for Best Direction and Best Debut and Best Feature. The film was recently nominated for a Primetime Emmy for Exceptional Merit in Documentary Filmmaking. The Root named Yance Ford among the 100 most influential African Americans of 2017 and in September he became a Sundance Institute Art of Non-Fiction grantee for a nonfiction project in development. Yance is represented by Jessica Lacy, ICM Partners and Nina Shaw, Del Shaw Moonves Tanaka Finkelstein & Lezcano.

    Ro Haber

    Ro Haber is an aesthetically minded writer and director whose work spans the Narrative, Documentary and VR spaces. They are a graduate of NYU Tisch School of the Arts and have been a fellow of Film Independent’s Episodic Lab, Outfest’s Screenwriting lab, AFI’s Directing Workshop for Women, and Universal’s inaugural Directing Program. They were listed on The Alice Initiative’s 2018 list of directors ready to helm studio films and most recently was a 2018 Ryan Murphy TV HALF Program fellow, shadowing on FX’s new show, Pose. They won the Audience Award at LA Film Festival and the New Orleans Film Festival, a Webby Award, the Grand Jury Prize at Outfest, and was nominated for a 2017 GLAAD award for their digital documentary series New Deep South, which premiered at the 2017 Tribeca Film Festival. Their doc series, Braddock, PA (on Topic) garnered praise from The New York Times and The New Yorker. Their most recent branded projects are with the Chan Zuckerberg Initiative, Stink Studios x LBGT Center x Google, and Tribeca x Bulgari. Obsessed with young, digital culture, Haber has recently ventured into the world of Virtual Reality. They were a 2017 Sundance New Frontiers Lab Fellow for Belle of the Ball, a VR project they are co-directing with Silas Howard and Pussykrew. They were a speaker at the Engadget Alternative Realities conference, which showcases the latest thinkers in Virtual and Augmented Reality. Their next project is called Chingonas, a young adult television show with conceptual horror elements.

    Megha Kadakia

    Megha Kadakia brings a unique blend of business experience and artistic vision to the world of independent filmmaking through her production company Blue Velocity Pictures. Kadakia has produced: Miss India America, starring Tiya Sircar and Hannah Simone, currently on Netflix worldwide; Raspberry Magic, starring Alison Brie and Bella Thorne, distributed to STARZ; and The Tiger Hunter, starring Danny Pudi, Jon Heder, Rizwan Manji, Karen David and Kevin Pollak, released nationwide Fall of 2017 through Shout Factory! and Regal Cinemas and currently on Netflix. Kadakia’s latest feature Hummingbird, with writer/director Tanuj Chopra and actress Sheetal Sheth, was filmed August 2018. Kadakia recently co-founded the global media entertainment brand for young girls, Super Amazing Princess Heroes, and works with filmmakers and activists to create social impact entertainment as Head of Media Production at Creative Visions. Kadakia worked at Disney | ABC, Deloitte Consulting and several film production organizations in the capacity of Business Development and Finance. She received an MBA from Columbia University, Graduate School of Business and a B.S. in BioChemistry and Specialization in Business from UCLA.

    Alysa Nahmias

    Alysa Nahmias is an award-winning filmmaker and founder of the Los Angeles-based production company Ajna Films. Alysa’s directorial debut feature, Unfinished Spaces, co-directed with Benjamin Murray, won a 2012 Spirit Award, numerous festival prizes, and was selected for Sundance Film Forward. Unfinished Spaces is in the permanent collection at the Museum of Modern Art, New York. As a creative producer, Alysa’s most recent film is the Sundance award-winning Unrest (2017) directed by Jennifer Brea. Her producing credits also include: the Los Angeles Film Festival award-winning fiction feature No Light and No Land Anywhere (2016) by director Amber Sealey with executive producer Miranda July; Afternoon Of A Faun: Tanaquil Le Clercq directed by Nancy Buirski with creative advisor Martin Scorsese (2013); and Shield and Spear directed by Petter Ringbom (2014). As a consulting producer, Nahmias frequently advises on films such as Academy Award-nominated director Jennifer Redfearn’s Tocando La Luz (2015) and Abby Epstein and Ricki Lake’s Weed the People (2018). Alysa’s work has been shown at festivals and exhibitions worldwide, including Sundance, Berlinale, SXSW, HotDocs, Sheffield Doc/Fest, CPH:DOX, Film Society of Lincoln Center’s Sound + Vision, and has been released theatrically in the US and UK, exhibited at MoMA and the Venice Biennale, and broadcast on Netflix, PBS, and HBO. Alysa is a 2017 Sundance Creative Distribution Fellow, 2016 Sundance Catalyst Fellow, and 2013 Film Independent Fellow. She holds a B.A. from NYU’s Gallatin School of Individualized Study and an M.Arch with a Certificate in Media + Modernity from Princeton University. Currently, Alysa is directing two films about influential artists, producing a documentary about mobile home parks and the affordable housing crisis, executive producing another documentary about Afghan cinema during the communist era, and developing a limited series.

    Eva Vives

    Eva Vives is a graduate of NYU’s Tisch School of the Arts. In 2000, she won the Best Short Prize at the Sundance Film Festival and Cannes Film Festival with Five Feet High and Rising, a short she cast, edited and produced. She followed that up with the feature Raising Victor Vargas, which she co-wrote. Vives wrote and directed her short film Join the Club, which was premiered at the Sundance Film Festival in 2016, and played in many other festivals. She was also a finalist for the 2016 Atlanta Film Festival Filmmaker to Watch. Her auto-biographical directorial debut All About Nina, starring Mary Elizabeth Winstead and Common, opened in theaters September 2018.

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  • 5 Indie Films Win $100,000 in Fall 2018 SFFILM Westridge Grants

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    Winners of Fall 2018 SFFILM Westridge Grants Five filmmaking teams were granted funding in the Fall 2018 round of SFFILM Westridge Grants, to help support the screenwriting and project development stages of their narrative feature films.  SFFILM Westridge Grants, which are awarded twice annually, are designed for US-based filmmakers whose stories take place primarily in the United States and focus on the significant social issues and questions of our time. The next application period will open later this month. SFFILM Westridge Grants provide support to film projects in their critical early stages, safeguarding filmmakers’ creative processes and allowing artists to concentrate on thoughtfully developing their stories while building the right strategy and infrastructure to guide them through financing and production. In addition to cash grants, recipients will benefit from SFFILM’s comprehensive and dynamic artist development program, SFFILM Makers, as well as support and counsel from SFFILM and Westridge Foundation staff. The panelists who reviewed the finalists’ submissions were Lauren Kushner, SFFILM Senior Manager of Artist Development; Alana Mayo, Head of Production at Outlier Society; Shelby Rachleff, Westridge Foundation Program Manager; Shira Rockowitz, Associate Director, Feature Film Program, Sundance; Jenny Slattery, SFFILM Associate Director of Artist Development and Foundations; and Caroline von Kühn, SFFILM Director of Artist Development. In a statement, the panelists said, “We are delighted to support these five outstanding projects—each of the filmmakers has the boldness and originality to make a world visceral and vivid, whether it’s a freezing village in northern Alaska or a megachurch hell house in Texas. But they also have the sensitivity to lay bare the deeply personal experiences of the characters who move through those worlds, shouldering their burdens and reaching out for each other despite them.”

    FALL 2018 SFFILM WESTRIDGE GRANT WINNERS

    Captain C! John Paul Su, writer/director – screenwriting – $20,000 Caleb Diaz is an eleven-year-old Filipino-American queer comic book fanboy who lives in a diverse working-class neighborhood in American suburbia. After saving his classmate from a group of bullies, he is wrongfully accused of stabbing that same classmate. With the impending threat of expulsion, he struggles to prove his innocence, and fulfill his dream of becoming his family’s ultimate superhero. Invoking Juan Angel Daniel Eduvijes Carrera, writer/director – screenwriting – $20,000 Mexican immigrant Magdalena Cruz is hired as the live-in caretaker for Ian, a severely ill child whose forced isolation has created budding psychic abilities and a fascination for the paranormal. But unbeknownst to Ian’s overprotective father, the distressed Magdalena has a child of her own hidden in the basement bedroom. After the two boys share an unexpected encounter, Ian is convinced the mysterious child must be a ghost and seeks to unravel his tragic story. Placas Paul S. Flores, writer; Tashana Landray, producer – screenwriting – $20,000 Sixteen-year-old Edgar wants nothing to do with his father, former gang member Fausto (known as “Placas” for his many tattoos). Placas wants what every father wants: to provide a better life for his son. As Placas strives to put his past behind him, going through tattoo removal and therapy, Edgar is recruited by a rival gang. As Placas’ past and Edgar’s future collide, they both face choices that will change the course of their lives. Qimmit Andrew Okpeaha MacLean, writer/director; Cara Marcous, producer – screenwriting – $20,000 Inspired by true events, Qimmit tells the story of Suvlu, an Iñupiaq hunter who is forced to make a monstrous decision for the survival of his family. Righteous Acts Alicia D. Ortega, writer – screenwriting – $20,000 Homeschooled teenager Judith thinks she’s finally found her people when she joins the cast of a megachurch “hell house,” where evangelical teens aim to scare people into salvation. But when she doesn’t land the coveted role of the Abortion Girl, she convinces herself she’s the only player doing God’s work and that it’s her holy duty to expose the true wages of sin.

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  • PBS Independent Lens Winter/Spring 2019 Season to Feature RUMBLE, THE KING, CHARM CITY

    [caption id="attachment_20521" align="aligncenter" width="1200"]Rumble: The Indians Who Rocked the World Rumble: The Indians Who Rocked the World[/caption] From renowned film veterans including Eugene Jarecki (The King) to first-time filmmakers Anna Moot-Levin and Laura Green (The Providers), Denali Tiller (Tre Maison Dasan) and Ciara Lacey (Out of State), the award-winning PBS series Independent Lens Winter and Spring 2019 lineup of documentary films takes viewers on a cross-country journey through modern America. “This season of Independent Lens is a road trip across America, visiting people and places rarely explored on film,” said Lois Vossen, Independent Lens executive producer. “From a family fighting to preserve their way of life in rural North Dakota to a high school wrestling team in Alabama, from an Arizona prison to a health clinic in northern New Mexico, this season’s filmmakers expand our perspectives and shed light on communities large and small, offering an insightful and timely cinematic state of the union.”

    PBS series Independent Lens Winter and Spring 2019 lineup

    (dates are subject to change) My Country No More by Jeremiah Hammerling and Rita Baghdadi (Monday, January 7) Between 2011 and 2014, oil drilling in rural North Dakota reached a historical peak, setting off a modern-day gold rush of Wild West proportions. Explore the human cost of the boom through the intimate lens of one family fighting for their agricultural way of life, a fight which puts them at odds with family members and neighbors determined to sell. Rodents of Unusual Size by Christopher Metzler, Jeff Springer and Quinn Costello (Monday, January 14) Go deep into the bayous with Louisiana fisherman Thomas Gonzales, who has lived through hurricanes and oil spills but now faces an even more insidious threat: an invasive species of monstrous 20-pound “swamp rats” which, with their orange teeth and voracious appetites, are eating up coastal wetlands. But Thomas and a pack of lively bounty hunters are hell-bent on saving Louisiana before it dissolves beneath their feet. It’s man vs. rodent. May the best mammal win. RUMBLE: The Indians Who Rocked the World by Catherine Bainbridge and Alfonso Maiorana (Monday, January 21) The acclaimed documentary explores how Native American musicians transformed American blues, jazz and rock – despite frequent attempts to ban, censor, and erase Indigenous culture. This eye-opening musical celebration tells the story of ground-breaking performers including Charley Patton, Mildred Bailey, Link Wray, Jimi Hendrix, and Jesse Ed Davis, and features Robbie Robertson, Taj Mahal, George Clinton, Martin Scorsese, Slash, Jackson Browne, Taboo, Buffy Sainte-Marie, Steve Van Zandt, Quincy Jones, Tony Bennett, Iggy Pop, Steven Tyler, and many more. The King by Eugene Jarecki (Monday, January 28) Forty years after the death of Elvis Presley, filmmaker Eugene Jarecki takes the King’s 1963 Rolls-Royce on a musical road trip across America. From Memphis to New York, Las Vegas, and beyond, the journey traces the rise and fall of Elvis as a metaphor for the country he left behind. A diverse cast of Americans joins the journey including Alec Baldwin, Rosanne Cash, Chuck D, Emmylou Harris, Ethan Hawke, Van Jones, Mike Myers, and Dan Rather, among many others. Black Memorabilia by Chico Colvard (Monday, February 4) At the intersection of racial identity, historical narrative, and international commerce, this film follows the propagation of demeaning representations of African Americans – black memorabilia. The story goes around the world to meet the people who reproduce, consume and reclaim these racially-charged objects. Hale County This Morning, This Evening by RaMell Ross (Monday, February 11) Visit the world of Hale County, Alabama. Composed of intimate and unencumbered moments in the lives of people in the community, the film offers a richly detailed glimpse at life in America’s Black Belt, simultaneously celebrating its beauty and bearing witness to the consequences of the social construction of race. [caption id="attachment_28168" align="aligncenter" width="1180"]People’s Republic of Desire People’s Republic of Desire[/caption] People’s Republic of Desire by Hao Wu (Monday, February 25) In China, a generation of young people has come of age on social media, where virtual relationships are replacing real-life connections. Both the wealthy and the poor gather in online showrooms, finding entertainment and a way to feel connected. Although these groups never cross paths in real life, in the digital universe they band together to worship idols who earn as much as $130,000 a month singing karaoke or hosting interactive talk shows. Tre Maison Dasan by Denali Tiller (Monday, April 1) An estimated one in 14 American children has a parent in prison. Tre Maison Dasan tells the story of three of these children – Tre, Maison and Dasan – each from the small state of Rhode Island. An emotional exploration of relationships tested by separation and the challenges of growing up with a parent behind bars, the film gives voice to the youngest victims of America’s epidemic of incarceration. The Providers by Anna Moot-Levin and Laura Green (Monday, April 8) Set against the backdrop of the physician shortage and opioid epidemic in rural America, The Providers follows three “country doctors” in northern New Mexico at clinics that offer care to all who walk through the doors, regardless of ability to pay. With personal struggles that at times reflect those of their patients, the journeys of the providers unfold as they work to reach Americans who would otherwise be left without healthcare. Marcos Doesn’t Live Here Anymore by David Sutherland an Independent Lens, Frontline and VOCES co-presentation (Monday, April 15) From acclaimed director David Sutherland (Kind-Hearted Woman, Country Boys, The Farmer’s Wife) comes this unique look at the immigration issue. The film follows the efforts of Elizabeth Perez, a decorated United States Marine veteran, to reunite her family after the deportation of her husband, an undocumented worker from Mexico. Her struggle begins to challenge her assumptions about justice and fairness in the nation she fought for. Charm City by Marilyn Ness (Monday, April 22) Filmed during three years of unparalleled violence in Baltimore, Charm City delivers a powerfully candid portrait of those on the frontlines. With grit, fury and compassion, a group of police, citizens, community leaders and government officials grapple with the consequences of violence and try to reclaim their city’s future. Out of State by Ciara Lacy (Monday, May 6) Shipped thousands of miles away from Hawaii to a private prison in the Arizona desert, two native Hawaiians, David and Hale, discover their indigenous traditions from a fellow inmate serving a life sentence. When they finish their terms and return to Hawaii, eager to prove to themselves and their families that the experience has changed them forever, they struggle with the hurdles of life as formerly incarcerated men, asking the question: can you really go home again? Harvest Season by Bernardo Ruiz (Monday, May 13) California’s Napa Valley is one of the premier wine growing regions in the world, celebrated as an idyllic and luxurious destination. Yet, many of the vineyard workers and the small producers with roots in the fields are rarely credited for the valley’s famed bounty. Filmed over the course of one agricultural year, Harvest Season takes an “other side of the valley” approach, giving a unique view of the dramatic process that goes into making some of the world’s most celebrated wines. [caption id="attachment_29609" align="aligncenter" width="1200"]Wrestle, Courtesy of Sinisa Kukic Wrestle[/caption] Wrestle by Suzannah Herbert and Lauren Belfer (Monday, May 20) As they fight their way towards the state championship, four high school wrestlers from Alabama face injustices and challenges on and off the mat. Together with their coach, they grapple with obstacles that jeopardize their success and, despite the odds, pursue their goals with humor and courage.

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  • GREEN BOOK to Receive Vanguard Award at Palm Springs International Film Festival

    [caption id="attachment_32616" align="aligncenter" width="1200"]“Green Book” directed by Peter Farrelly “Green Book” directed by Peter Farrelly[/caption] The cast and director of the film Green Book will be presented with the Vanguard Award at the annual Film Awards Gala at the upcoming 30th annual Palm Springs International Film Festival (PSIFF).  The Vanguard Award is a group honor distinguishing a film’s cast and director in recognition of their collective work on an exceptional film project. Actors Viggo Mortensen and Mahershala Ali as well as director Peter Farrelly are expected to attend. Green Book joins previously announced honorees Glenn Close, Rami Malek and Melissa McCarthy. The Festival runs January 3-14. Past recipients of the Vanguard Award include The Shape of Water and La La Land. When Frank Anthony Vallelonga, aka Tony Lip (Viggo Mortensen), a New York City bouncer from an Italian-American neighborhood in the Bronx, is hired to drive and protect Dr. Don Shirley (Mahershala Ali), a world-class black pianist, on a concert tour from Manhattan to the Deep South, they must rely on The Green Book — a travel guide to safe lodging, dining and business options for African Americans during the era of segregation and Jim Crow laws — to steer them to places where Shirley will not be refused service, humiliated, or threatened with violence. Set against the backdrop of a country grappling with the valor and volatility of the Civil Rights Movement, two men will be confronted with racism and danger and be comforted by generosity, kindness and their own unique senses of humor. Together, they will challenge long-held assumptions, push past their seemingly insurmountable differences, and embrace their shared humanity. The film, from Participant Media and DreamWorks Pictures, is directed by Peter Farrelly. “Viggo Mortensen and Mahershala Ali are an on-camera dream team in the crowd-pleasing film Green Book, inspired by a true friendship, about a New York City bouncer hired to drive and protect pianist Dr. Don Shirley on a concert tour in the Deep South,” said Festival Chairman Harold Matzner. “Director Peter Farrelly, who also co-wrote the script, delivers a heartfelt movie-going experience that is guaranteed to receive awards attention for the actors, its director and the film itself. It is our honor to present the Vanguard Award to Green Book.” https://www.youtube.com/watch?v=QkZxoko_HC0

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  • Dame Judi Dench will be Honored at 21st British Independent Film Awards

    [caption id="attachment_32794" align="aligncenter" width="1200"]Judi Dench Judi Dench[/caption] Dame Judi Dench will receive the 2018 Richard Harris Award at the British Independent Film Awards for her outstanding contribution by an actor to British film, in recognition of her distinguished career  in the UK and advocacy of the British film industry across the globe. The award will be presented to her at the 2018 awards ceremony to be held at Old Billingsgate Market on Sunday December 2nd marking the 21st anniversary of BIFA. Now in its seventeenth year, the Richard Harris Award has previously been bestowed upon Daniel Day-Lewis, Helena Bonham Carter, Chiwetel Ejiofor, Julie Walters, John Hurt, Emma Thompson, Jim Broadbent, Alison Steadman, Bob Hoskins and, in 2017, Vanessa Redgrave. The award honors an actor or actress who has contributed significantly to British films throughout their career. Jared Harris, in whose father’s memory the award is granted, commented: “Dangerous on stage, on screen and apparently behind the wheel of a car, Dame Judi Dench and Richard Harris have a lot in common! We are delighted that she has agreed to accept this award. Dame Judi has stolen every scene she has ever been in, and stolen our hearts along the way. Although she hates being called a national treasure and prefers to be thought of as a jobbing actor, she is undeniably both the standard bearer and the gold standard for British Actors.” “It has been my absolute privilege to spend almost 60 years working in the British film industry, one of the most vibrant and creative homes for filmmakers in the world. To be recognized with this award, which bears the name of the great Richard Harris and counts some of my favorite actors and actresses amongst its past recipients is a source of deep pride and a very special honor.” – Dame Judi Dench Following last year’s roles in Kenneth Branagh’s Murder on the Orient Express and Victoria & Abdul, directed by Stephen Frears, Dame Judi recently wrapped production on Disney’s Artemis Fowl, directed by Kenneth Branagh, and will soon be seen in feature film Red Joan, directed by Trevor Nunn.

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