From a broad global pool of more than 1,200 applicants, Sundance Institute and Adobe selected fifteen 18-to-24-year-old filmmakers from three continents for the one-year 2019 Sundance Ignite Fellowship.
For the fourth year, fellows were selected based on their one- to eight-minute original films, submitted through Adobe Project 1324, Adobe’s platform for young creators, along with their written applications. The finalists were selected based on their original voice, diverse storytelling and rigor in their filmmaking pursuits.
In addition to their trip to the Festival, Sundance Ignite fellows are paired with a Sundance Institute alumni professional for a full year of guidance and development, gaining industry exposure and meaningful mentorship. This year’s new Sundance Ignite mentors include Heather Rae (Tallulah), Dee Rees (Mudbound) and Andrew Ahn (Spa Night). In addition to a personalized Festival experience and mentorship track, Sundance Ignite fellows gain unique access to workshops, internships, and work opportunities at Sundance Institute’s renowned Labs and artists programs supported by Adobe Project 1324.
With Sundance Ignite as their launchpad, past fellows have springboarded into opportunities on the festival circuit, graduate film programs and beyond. Past Sundance Ignite Fellows include Sindha Agha, whose Sundance Ignite Short Film Challenge submission Birth Control Your Own Adventure was picked up by the New York Times’ Op-Docs and premiered at the Tribeca Film Festival; Charlotte Regan, who premiered her film Fry Up at the 2018 Sundance Film Festival; Emily Ann Hoffmann who also premiered her film Nevada at the 2018 Sundance Film Festival, and Gerardo Coello who participated in the Sundance Institute’s Creative Producing Summit in 2018.
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15 Rising Filmmakers Win 2019 Sundance Ignite Fellowships
From a broad global pool of more than 1,200 applicants, Sundance Institute and Adobe selected fifteen 18-to-24-year-old filmmakers from three continents for the one-year 2019 Sundance Ignite Fellowship.
For the fourth year, fellows were selected based on their one- to eight-minute original films, submitted through Adobe Project 1324, Adobe’s platform for young creators, along with their written applications. The finalists were selected based on their original voice, diverse storytelling and rigor in their filmmaking pursuits.
In addition to their trip to the Festival, Sundance Ignite fellows are paired with a Sundance Institute alumni professional for a full year of guidance and development, gaining industry exposure and meaningful mentorship. This year’s new Sundance Ignite mentors include Heather Rae (Tallulah), Dee Rees (Mudbound) and Andrew Ahn (Spa Night). In addition to a personalized Festival experience and mentorship track, Sundance Ignite fellows gain unique access to workshops, internships, and work opportunities at Sundance Institute’s renowned Labs and artists programs supported by Adobe Project 1324.
With Sundance Ignite as their launchpad, past fellows have springboarded into opportunities on the festival circuit, graduate film programs and beyond. Past Sundance Ignite Fellows include Sindha Agha, whose Sundance Ignite Short Film Challenge submission Birth Control Your Own Adventure was picked up by the New York Times’ Op-Docs and premiered at the Tribeca Film Festival; Charlotte Regan, who premiered her film Fry Up at the 2018 Sundance Film Festival; Emily Ann Hoffmann who also premiered her film Nevada at the 2018 Sundance Film Festival, and Gerardo Coello who participated in the Sundance Institute’s Creative Producing Summit in 2018.
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Finnish-Syrian LGBT Romantic Drama A MOMENT IN THE REEDS Gets Release Date
Finnish-Syrian LGBT romantic drama A Moment in the Reeds, the feature debut of Finnish writer/director Mikko Makela is a moving gay romance between a young Finnish academic and a struggling Syrian refugee, set against an idyllic Finnish summer.
After world premiering at the 2017 London Film Festival and a year of critical success on the worldwide festival circuit and opening theatrically to critical acclaim in Finland this past summer, A Moment in the Reeds releases on December 4th, 2018 in the U.S. and Canada on DVD & VOD.
Mikko Makela’s stunning debut explores the relationship between two men, set against an idyllic Finnish summer. Whilst visiting his estranged father, Leevi meets Tareq, a handsome Syrian immigrant employed to restore the family lake house. Leevi’s father departs for the city, leaving the two men alone in the beautiful remote countryside and enabling them to act on their impulses and the chemistry that clearly exists between them. Far removed from their everyday lives, the only immediate threat to the men’s relationship is the eventual return of Leevi’s father. But there’s also Tareq’s complex relationship with his family back in Syria. Makela sensitively explores the perspectives of both men, who long for some human connection, acceptance and a place to call home. Locating marginalised characters at the forefront of the story, Makela’s film is a very welcome and refreshingly frank portrait of contemporary Finnish society.
One of the first LGBT-themed films made in Finland, Makela’s intimate drama places at its center the freedom and acceptance of sexual and ethnic minorities, amidst the backdrop of breathtaking Finnish lake country.
https://www.youtube.com/watch?v=sld9shloXw4
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GREEN BOOK Wins Best Film, CAPERNAUM, THE PUSH Win Awards at 2018 St. Louis International Film Festival
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“Green Book” directed by Peter Farrelly[/caption]
The St. Louis International Film Festival (SLIFF) presented seven major filmmaking awards during the course of the 2018 festival, with the award for Best Film going to “Green Book” directed by Peter Farrelly. Other awards include Charles Guggenheim Cinema St. Louis Awards to Jim Finn, Jane Gilooly, and Karyn Kusama; Women in Film Award to Melanie Mayron; Lifetime Achievement Award to Joe Edwards and John Goodman; and the Contemporary Cinema Award to Jason Reitman.
2018 St. Louis International Film Festival Awards Winners
Shorts Awards
Juries choose the winners of seven awards from among the shorts in competition. The SLIFF shorts competition is officially sanctioned by the Academy of Motion Pictures Arts and Sciences, making the winners in the Best of Fest, Best Animated, Best Live Action, and Best Documentary categories eligible to submit for Oscar® consideration. The 2018 winners: Best Documentary Short: “Koka, The Butcher” directed by Bence Máté Best Local Short: “The Buck: Midwest Gully” directed by Jun Bae Best Short Short: “The Puppy Trials” directed by Becky Nicol & Thomas Nicol Best International Short: “Death, Father & Son” directed by Waltgenwitz Denis & Paronnaud Vincent Best Animated Short: “Le Mans 1955” directed by Quentin Baillieux Best Live-Action Short: “Rainbow Ruthie” directed by Ruthie Marantz Best of Fest: “Souls of Totality” directed by Richard RaymondInterfaith Awards
Juries gives Interfaith Awards to both a documentary and a narrative, choosing from among 10 competition films (five in each category), which were selected for their artistic merit; contribution to the understanding of the human condition; and recognition of ethical, social, and spiritual values. The 2018 winners: Best Documentary Feature: “Intelligent Lives” directed by Dan Habib Best Narrative Feature: “Eternal Winter” directed by Attila Szasz St. Louis Film Critics Association Joe Pollack and Joe Williams Awards In conjunction with the St. Louis Film Critics organization, SLIFF holds juried competitions for documentary and narrative features. The awards are named in honor of the late St. Louis Post-Dispatch critics Joe Pollack (narrative) and Joe Williams (documentary). The winners are picked by two juries composed of St. Louis film critics. SLIFF chose eight films to compete in each category. The 2018 winners: Best Documentary Feature: “Letter from Masanjia” directed by Leon Lee Best Narrative Feature: “The Captain” directed by Robert SchwentkeMidrash Award
Midrash St. Louis engages myriad aspects of American culture — hot topics, deep subjects, music, arts, and film — and seeks to give and receive commentary on the subjects and issues that matter to people in St. Louis and that form and shape our views and lives. The Midrash St. Louis Film Award celebrates St. Louis-related films of honesty and artistry that portray the need or the hope for reconciliation or redemption. These are among the most powerful and worthy themes that films should explore. Eligible work for the Midrash St. Louis Film Award includes feature and short films largely shot in St. Louis or directed by filmmakers with strong local ties. The award comes with a cash prize of $500. The 2018 winner: “The Man Behind the Merferds” directed by Josh HerumNew Filmmakers Forum Emerging Director Award (The Bobbie)
The New Filmmakers Forum (NFF) annually presents the Emerging Director Award. Since its inception, NFF was co-curated by Bobbie Lautenschlager. Bobbie died in the summer of 2012, and SLIFF honors her memory by nicknaming the NFF Emerging Director Award as the Bobbie. Five works by first-time feature filmmakers competed for the prize, which includes a $500 cash award. The 2018 winner: Emerging Director Award (“The Bobbie”): “Farmer of the Year” directed by Vince O’Connell & Kathy SwansonSpotlight on Inspiration Documentary Award
This year, SLIFF inaugurates this juried competition, which awards a $5,000 prize to a feature documentary that focuses on people working to make the world a better place and that inspires audience members and leaves them with a sense of hope for the future. The 2018 winner: “The Providers” directed by Laura Green & Anna Moot-LevinBest of Fest Audience Choice Awards
Audience voting determines the winner of three awards from among the films in competition. The 2018 winners: Leon Award for Best Documentary Film: “The Push” directed by Grant Korgan & Brian Niles TV5MONDE Award for Best International Film: “Capernaum” directed by Nadine Labaki Best Film: “Green Book” directed by Peter Farrelly
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Watch Trailer for Jeff Fry’s Anti-War Short Film KRIEG
Filmmaker Jeff Fry’s directorial debut is the Academy-qualified live-action short film “Krieg,” that follows the journey of a soldier whose remorse for inaction in the face of murder compels him to risk all to protect a wounded enemy airman.
Tasked with locating a French Underground transmitter, an elite German SS mountain unit commits atrocities against their Partisan prisoners. Shamed by his involvement, one officer is compelled to leave camp and seek out the transmitter on his own hoping that, by finding the radio, he can prevent further crimes. He discovers a downed American aircraft and, in a twistof fate, finds redemption by delivering the wounded bombardier to the very enemy for whom they are searching.
“Krieg” is an anti-war film that challenges our conceptions of war and how the enemy behaves, blurring the boundaries between nations to teach us that wars are not fought on the battlefield, but in the hearts of men. “Krieg” stars Heiko Obermoller (“A Cure For Wellness”), Scott Bailey (“Timeless”), Alexander Schottky (“Nikola”), Zoey Sidwell (“How To Get Away With Murder”), Alex DeVorak (”Night of the Dead: Leben Tod”), Rene Heger (“Circle”), Marko Janovic (“Then What Happened?”), Amanda Michaels (“Krieg”), Sierra Willis (“Forerunner”), Chad Evans (“Krieg”), Joshua M. Bott (“Loser’s Lounge”), John Gillen (“Surge of Power: The Revenge of the Sequel”), Matt O’Hare (“Wearing Hitler’s Pants”), Ken Collins (“Cape Fear”), and Alison Lees-Taylor (“Escape From Tomorrow”), among others.
Fry wrote, produced, directed, and shot this intimate WW2 narrative. His filmmaking career has spanned from the inner workings of NASA’s Mission Control to Hollywood. For the last thirty years, he has been serving others by working on their films, hence he finally created his own, the theme of which is “serving others.” “Krieg” is actually a product of his desire to serve other filmmakers by developing a project so unique that their incredible talents would not go unnoticed.
“Krieg” is still continuing its incredible film festival awards sweep, to date having received an unprecedented thirty-three awards and an additional thirty nominations. “Krieg” can next be seen by film festival audiences across the United States at the Red Rock Film Festival in Utah on November 8th, at the Alexandria Film Festival in Virginia on November 11th, and at the Dragonfly Film Festival in Tempe, Arizona on November 16th & 17th, among others. The dialogue in “Krieg” is German and French with subtitles, but the film was produced in the United States, making it “An American Foreign Film” – Fry’s trademark for his domestically produced foreign language films. Shot in 35mm, the film has an organic feel and style appropriate to the period. The costumes and props are authentic, and the scale of the film is epic, peppered with vintage aircraft and vehicles.
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TOMORROW, TRANSMILITARY, GENERAL MAGIC Win Awards at 2018 Napa Valley Film Festival
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Tomorrow[/caption]
The 8th Annual Napa Valley Film Festival (NVFF) announced this year’s juried and audience award winners at the Uptown Theatre in Napa on Saturday, November 10, 2018.
The festival also announced that the next edition will take place from November 13 to 17, 2019.
Each of the festival winners received a large format wine bottle from one of the festival’s esteemed Vintner Circle winery partners. The two winners of the 18 films that vied for the title of Best Narrative Feature and Best Documentary Feature, as determined by the respective juries, were awarded $10,000, presented by Meadowood Napa Valley.
“I was most impressed by the array of topics and compelling and courageous film subjects included in this year’s festival,” said juror Amy Shatsky, Series Producer of PBS’s Independent Lens. Juror Alexandre Philippe, filmmaker and creative director of Exhibit A Pictures, also said, “Having served on multiple juries throughout the world, serving on the documentary jury at NVFF was unequivocally one of the most pleasant and enriching experiences of my year.”
2018 Napa Valley Film Festival Juried Awards
Jury Award for Best Narrative Feature presented by Rombauer Vineyards, and with a $10,000 cash prize courtesy of Meadowood Napa Valley, goes to Tomorrow. Jury Award for Best Documentary Feature presented by Acumen Wines, and with a $10,000 cash prize courtesy of Meadowood Napa Valley, goes to General Magic. Jury Award for Best Screenplay presented by Charles Krug Winery goes to Are You Glad I’m Here. Jury Award for Best Ensemble Cast presented by Vintner’s Collective goes to Cold Brook. Jury Award for Best Narrative Short presented by Reynolds Family Winery goes to Have It All. Jury Award for Best Documentary Short presented by RiverHouse by Bespoke Collection goes to Fear Us Women. Jury Award for Best Verge Film presented by Cru by Vineyard 29 goes to Summer ‘03. Special Jury Award – Best Genre Bending presented by VGS Chateau Potelle goes to White Tide: The Legend of Culebra. Special Jury Award – Best Untold Story presented by Cuvaison goes to TransMilitary.2018 Napa Valley Film Festival Audience Awards
Audience Award for Favorite Actor presented by J. Lohr Vineyards & Wines goes to Sebastian Street for his work in the film Tomorrow. Honorable Mention, presented by Castellucci Napa Valley, goes to Logan Miller for his work in the film You Can Choose Your Family. Audience Award for Favorite Actress presented by Italics Winegrowers goes to Stephanie Leonidas for her work in the film Tomorrow. Honorable Mention, presented by Castellucci Napa Valley, goes to Skyler Samuels for her work in the film Spare Room. Audience Award for Favorite Documentary Feature presented by Provenance Vineyards goes to TransMilitary. Audience Award for Favorite Documentary Short presented by Hess Collection goes to Fear Us Women. Audience Award for Favorite Narrative Feature presented by Alpha Omega Winery goes to Tomorrow. Audience Award for Favorite Narrative Short presented by Duckhorn Portfolio goes to Tzeva Adom: Color Red. Audience Award for Favorite Food & Beverage Spotlight Film presented by Grgich Hills Estate goes to Soufra. Audience Award for Favorite Special Screening presented by Materra | Cunat Family Vineyards goes to Pick of the Litter. Audience Award for Favorite Verge Film presented by Barnett Vineyards goes to White Tide: The Legend of Culebra. The documentary film Sharkwater Extinction also received Special Recognition by the NVFF Programming Team for Courageous Filmmaking. Narrative Features Jury: Richard Keith, Nancy Collet and Jill Green Documentary Features Jury: Alexandre O. Philippe, Amy Shatsky and Lissa Gibbs Narrative Shorts Jury: Emily Ting, Felicity Wren and Brent Emery Documentary Shorts Jury: Jonathan Robinson, Miguel Martinez and Sophie Constantinou Verge Jury: Jeff Grace, Gren Wells and Alece Oxendine
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Watch an EXCLUSIVE Clip from CHINA LOVE on Chinese Ritual of Pre-Wedding Photography
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China Love. At Only Photo Studio just out of Shanghai. This is a “go-to” pre wedding photography studio with 3 floors of ‘old world’ romantic and fantasy sets. July 2015[/caption]
Just for you our readers, an exclusive clip from China Love directed by Olivia Martin-McGuire premiering in the U.S. on November 9, 2018 at 2018 DOC NYC.
China Love takes us on a billion-dollar ride of fantasy exploring contemporary China through the window of the pre-wedding photography industry. The film is a feature length observational documentary which follows Chinese and Australian participants as they navigate love, weddings and family in the lead up to the most important ritual of Chinese society – getting married.
China Love is directed and produced by Olivia Martin-McGuire, produced by Rebecca Barry and Madeleine Hetherton, and features documentary subject Allen Shi the owner of the Jihao Group.
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Austin Film Festival Announces 2018 Winners, THE INTERPRETERS Wins Hiscox Courage Award
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The Interpreters[/caption]
Austin Film Festival (AFF) announced its 2018 Jury Award winners, Hiscox Audience and Courage Award Winners, and the Screenplay Competition winners.
One film was selected to receive the Hiscox Courage Award. Voted on by the audience, the Hiscox Courage Award is presented to the film that best embodies the virtue of courage and to the filmmaker who best embraced the risk to share the story. The 2018 Hiscox Courage Award was awarded to The Interpreters, directed by Andres Caballero and Sofian Khan. The Interpreters is a documentary feature that follows local interpreters from Iraq and Afghanistan who worked with US forces and are now trying to rebuild their lives.
2018 Austin Film Festival Jury Award Winners
Narrative Feature: Clara, written by Akash Sherman and James Ewasiuk Documentary Feature: The Interpreters, directed by Andres Caballero and Sofian Khan Comedy Vanguard Feature: In Reality, written by Ann Lupo, Esteban Pedraza, and Aaron Pryka Dark Matters Feature: Ghost Light, written by Geoffrey Taylor and John Stimpson Narrative Short presented by ShortsTV: Judas Collar, written by Alison James Narrative Student Short: Woman in Stall, written by Josh Boles Documentary Short: Father K, directed by Judd Ehrlich Animated Short: Sister, written by Siqi Song Scripted Digital Series presented by Stage 13: Song in the Sky, created by Samuel Frederich2018 Austin Film Festival Hiscox Audience Award Winners
Narrative Feature: Above the Clouds, written by Simon Lord Documentary Feature: Care to Laugh, directed by Julie Getz Dark Matters Feature: Alive, written by Jules Vincent and Chuck McCue Comedy Vanguard Feature: In Reality, written by Ann Lupo, Esteban Pedraza, and Aaron Pryka Texas Independent Feature: The Iron Orchard, written by Gerry De Leon and Ty Roberts Narrative Short: Everything Mattress, written by Chase Joliet Documentary Short: Father K, directed by Judd Ehrlich Animated Short: Lost & Found, written by Bradley Slabe Narrative Student Short: Tiny Warriors, written by Jono Chanin Scripted Digital Series: The Gary Gold Story, created by Greg Ash Marquee Feature: Green Book, written by Nick Vallelonga, Brian Hayes Currie, and Peter Farrelly2018 Austin Film Festival Screenplay Competition Winners
Drama Screenplay Award presented by the Writers Guild of America, East: Horsehead Girls by Wenonah Wilms Comedy Screenplay Award presented by Sony Pictures Animation: Sex APPeal by Tate Elizabeth Hanyok Sci-Fi Screenplay Award: Our Own Devices by Paul Vance Enderby Entertainment Award (scripts that can be produced under $10 million): Project Horizon by Charles Morris, II Horror Screenplay Award: The Patience of Vultures by Greg Sisco AMC Drama Teleplay Pilot Award: Worth by Stuti Malhotra Comedy Pilot Award: What Will Jessie Do? by Kevin Luperchio Short Screenplay Award: Ruby Throat by Sarah Polhaus Scripted Digital Series Award presented by Stage 13: Epizootic by Dan Young Drama Teleplay Spec Award: The Handmaid’s Tale, “Rebels” by Angela Jorgensen Comedy Teleplay Spec Award: Unbreakable Kimmy Schmidt, “Kimmy Volunteers!” by Maggie Gottlieb Playwriting Award: Particular Disposition by Benjamin Fulk Fiction Podcast Award: The Rest Stop at the End of the Universe by Samuel Suksiri2018 Austin Film Festival Josephson Entertainment Screenwriting Fellowship Winners
In addition, producer Barry Josephson announced the selected fellows for the inaugural Josephson Entertainment Screenwriting Fellowship, which will provide a one-on-one mentorship with Josephson and his team in Los Angeles for the writers of one feature screenplay and one teleplay pilot. The winners were: Feature Screenplay: The Death of Colm Canter by Revati Dhomse & Hector Lowe Teleplay Pilot: Lifers Anonymous by Sean Collins-Smith
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GREEN BOOK, FREE SOLO, RELAXER, AMÉRICA Win at 2018 Virginia Film Festival
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L to R: Viggo Mortensen and Mahershala Ali in GREEN BOOK[/caption]
After showcasing an impressive lineup of nearly 200 films, the audience attending the 31st Annual Virginia Film Festival voted Peter Farrelly’s Green Book winner of the Audience Award for Best Narrative Feature, and National Geographic’s Free Solo won for Best Documentary Feature. Relaxer won the 2018 Programmer’s Awards for Best Narrative Feature, and América won for Best Documentary Feature.
The Virginia Film Festival also presented its first-ever Commonwealth Awards to honor their achievements of Virginia filmmakers. The inaugural Commonwealth Award winners were Fiddlin’, for Best Virginia Feature Film, and Werowocomoco, for Best Virginia Short Film.
2018 Virginia Film Festival Audience Awards
Narrative Feature: Green Book Documentary Feature: Free Solo Narrative Short: Are You Volleyball?! Documentary Short: Unstuck: An OCD Kids Movie2018 Virginia Film Festival Programmer’s Awards
Narrative Feature: Relaxer Documentary Feature: América Narrative Short: Lamb Documentary Short: Like Dolls, I’ll Rise
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MY NAME IS MYEISHA Wins Best Film at 2018 Ithaca Fantastik
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My Name is Myeisha[/caption]
The Ithaca Fantastik film festival wrapped up the 7th edition of genre programming, documentaries, events last Sunday, and awarded the top prize of Best Film to MY NAME IS MYEISHA, directed by Gus Krieger.
The 2018 edition of the festival hosted films from 19 different countries and welcomed guests such as STARFISH director A.T. White; GIRLS WITH BALLS actress Anne-Solenne Hatte; Perry Blackshear, director of THE RUSALKA; BOILED ANGELS director Frank Henenlotter, producer Mike Hunchback and criminal indie comic book artist and subject of the film Mike Diana; and CAM actor Patch Darragh. The festival also hosted the very first DRUNKEN CINEMA projection in the US where spectators were invited to participate to an informal drinking game involving secret rules while watching an 80’s classic genre film.
This year, the jury was composed of Yellow Veil Pictures co-owner Joe Yanick, programmer and producer Vanessa Meyer and the Archive co-owner and Vinegar Syndrome lead restoration artist Brandon Upson.
2018 Ithaca Fantastik Film Festival Award Winners
Best Film: MY NAME IS MYEISHA, dir. Gus Krieger Best Screenplay: DOG, Samuel Benchetrit and Gábor Rassov Best Achievement in Directing: Gus Krieger, MY NAME IS MYEISHA Special Mention directing: Yann Gonzalez, KNIFE + HEARTShort Films
Best Horror Short: MILK dir. Santiago Menghini Best WTF! Short: MOTHER FUCKER dir. Nicholas Payne, who was in attendance at the festival. Best comedy Short: FETISH, dirs. David Lee Hess and Richard H. PerryNecessary Voices Short Films
The Necessary Voices shorts section was created this year to uplift the voices of filmmakers and narratives that often aren’t lifted. This year’s Necessary Voices honorable mentions are as follows : DEATH METAL GRANDMA, dir. Leah Galant, EVERY GHOST HAS AN ORCHESTRA, dir. Shayna Connely TiCK, dir. Ashlea Wessel THOSE WHO CAN DIE, dir. Charlotte Cayeux SWEET DECEIT, dir. Shannon Jones ENTROPIA, dir. Marinah Janello BFF GIRLS, dir. Brian LonanoAudience Awards
Cinema Pur Audience Award: KEEP AN EYE OUT, dir. Quentin Dupieux International Competition Audience Award: MY NAME IS MYEISHA, dir. Gus Krieger Short Audience Award: FETISH, dirs. David Lee Hess and Richard H. Perry
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Watch Spine-Tingling Electrifying Trailer for CAM, Set in World of Webcam Porn
Netflix today released the new trailer for the psychological cyberworld thriller CAM starring Madeline Brewer, set in the world of webcam porn.
It follows Alice (Brewer), an ambitious camgirl, who wakes up one day to discover she’s been replaced on her show with an exact replica of herself. As this copy begins to push the boundaries of Alice’s internet identity, the control that Alice has over her life, and the men in it, vanishes. While she struggles to regain what she’s lost, she slowly finds herself drawn back to her show and to the mysterious person who has taken her place.
Daniel Goldhaber directed the pic, which was co-financed by Blumhouse Productions and Gunpowder & Sky and produced by Divide/Conquer. Goldhaber also co-wrote the story with Isabelle Link-Levy and Isa Mazzei, who penned the script from her experience as an ex-camgirl, making CAM a rare film about sex work openly written by a sex worker. Link-Levy, Adam Hendricks, John Lang, Greg Gilreath produced.
CAM premiered at this year’s Fantasia International Film Festival in Montreal and stars Madeline Brewer (“The Handmaid’s Tale”), Patch Darragh (“The First Purge”), Melora Walters (“Venom”), and Devin Druid (“13 Reasons Why”). The film took home the best first feature and best screenplay awards from Fantasia and recently won best actress, a special jury prize for production design, and the audience award at the Brooklyn Horror Film Festival.
https://www.youtube.com/watch?v=pN8xZ5WDonk
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Miami Film Festival to Host Fashion in Film Program for 2019 Festival
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Antonio Lopez 1970: Sex Fashion & Disco[/caption]
Miami Design District (MDD) will partner with Miami Dade College (MDC) to present the acclaimed Fashion in Film Festival in the Miami Design District as part of the upcoming 36th edition of Miami Film Festival, March 1 to 10, 2019. The Fashion in Film Festival will be curated by Marketa Uhlirova, University of the Arts London, Central Saint Martins.
“Cinema at its best takes us to places of wonder, and for our next edition Miami Film Festival will take cinema to a new place of wonder: the Miami Design District, one of Miami’s coolest neighborhoods,” said Miami Film Festival executive director Jaie Laplante. “We are thrilled to be expanding the 36th edition of the Festival into this oasis for culture, art, food, fashion, and film.”
“Every year Miami Dade College’s Miami Film Festival puts on an extraordinary and surprising program. This year, the Miami Design District is honored to co-present and host the Fashion in Film Festival through this collaboration and partnership with the Miami Film Festival and Central Saint Martins, University of the Arts, London. We are grateful to Cathy Leff for helping bring Fashion in Film to the District and this new and exciting partnership with the Miami Film Festival,” said Craig Robins, President & CEO of Dacra, the real estate development company behind the Miami Design District. “The District serves as a center for high fashion, luxury and design. It also is a vibrant cultural hub where creative and enriching programming comes to life that serves our community. I couldn’t think of a better place for Fashion in Film to take place. Get your tickets early.”
This special Miami edition of the London festival takes place during the final weekend of Miami Film Festival, March 8 to 10th.The program will consist of a specially curated program comprising screenings, performance, panel discussions, and chats that explore the intersection between fashion and cinema. The program will be presented at Nite Owl Theater and in Paradise Plaza, a popular convening place within the District.
“For Miami, I am interested in staging a speculative dialogue between cinema, fashion and art – as three areas of creative practice that are normally seen as separate – to consider different kinds of intersections and continuities among them. Looking at the entire history of cinema it is evident that fashion and dress have been among major concerns for filmmakers and artists working in the medium of moving image. There has been great interest in the rituals of dressing, undressing, and posing; in self-fashioning and physical transformation; in the decadently pleasurable qualities of decorative surfaces, in the poetry and uncanny tension between the organic and the artificial body – and that of disembodied clothes that assume a life of their own,” commented curator Marketa Uhlirova, co-founder and director of the annual London festival.
While the full line-up of Fashion in Film will be unveiled in late January, Uhlirova, Laplante, and Leff divulged details of the program’s opening event taking place on March 8th. In collaboration with London composer, music producer, and filmmaker Rollo Smallcombe, Uhlirova will present The Inferno Unseen, their own assemblage of rushes from the kinetically experimental visuals of Henri-George Clouzot’s The Inferno, starring Romy Schneider, one of the most tantalizing uncompleted projects in film history. Smallcombe will accompany the presentation with live music. A Festival party on the rooftop deck of Paradise Plaza will complete the evening.
Miami Design District and Miami Film Festival’s announcement was unveiled at a reception in one of the future venues for the program, Nite Owl Theater, and was accompanied by a screening of James Crump’s new fashion documentary Antonio Lopez 1970: Sex, Fashion & Disco, courtesy of Film Movement.
Miami Film Festival is the only major film festival produced and presented worldwide by a college or university. MDC is also home to the renowned Miami Fashion Institute which has also used film as a teaching tool with its popular film series.

COLD WAR by Pawel Pawlikowski[/caption]
The Polish drama
HAPPY AS LAZARRO[/caption]
HAPPY AS LAZZARO
LAZZARO FELICE
Italy, France, Germany, Switzerland
WRITTEN & DIRECTED BY Alice Rohrwacher
PRODUCED BY Carlo Cresto-Dina, Tiziana Soudani, Alexandra Henochsberg, Grégory Gajos, Arthur Hallereau, Pierre-François Piet, Michel Merkt, Michael Weber & Viola Fügen
GRÄNS (BORDER) by Ali Abbasi[/caption]
Ali Abbasi, Isabella Eklöf & John Ajvide Lindqvist for BORDER
Matteo Garrone, Ugo Chiti & Massimo Gaudioso for DOGMAN
Gustav Möller & Emil Nygaard Albertsen for THE GUILTY
Pawel Pawlikowski for COLD WAR
Alice Rohrwacher for HAPPY AS LAZZARO