• Watch First Trailer for Sundance Indie Drama COLETTE Starring Keira Knightley as a 19th-Century French Writer

    Colette Bleecker Street Films has released the first official trailer for Colette starring Keira Knightley which world premiered earlier this year at the 2018 Sundance Film Festival. Colette which is directed by English filmmaker Wash Westmoreland (The Fluffer, Quinceañera, The Last of Robin Hood, and Still Alice) will be released in select theaters starting September 21st. After marrying a successful Parisian writer known commonly as “Willy” (West), Sidonie-Gabrielle Colette (Knightley) is suddenly transplanted from her childhood home in rural France to the intellectual and artistic splendor of Paris. Soon after, Willy convinces Colette to ghostwrite for him. She pens a semi-autobiographical novel about a witty and brazen country girl named Claudine, sparking a bestseller and a cultural sensation. After its success, Colette and Willy become the talk of Paris and their adventures inspire additional Claudine novels. Colette’s fight over creative ownership and gender roles drives her to overcome societal constraints, revolutionizing literature, fashion and sexual expression. https://www.youtube.com/watch?v=c_8U7gjb2k4

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  • Stefanie Sparks’ Edgy Comedy IN CASE OF EMERGENCY Gets a VOD Release Date of July 24 [Trailer]

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    In Case of Emergency NYC filmmaker Stefanie Sparks wrote, produced, directed, and stars in the edgy comedy film “In Case of Emergency,” which is being released on Prime Video and iTunes on July 24. This darkly comic gem won the audience choice award at Bushwick Film Festival after being selected as the opening night film, and went on to win Best Feature at the Broad Humor Film Festival and the audience choice award at New Filmmakers New York. With a soundtrack of feminist-fueled anthems by The Coathangers, Girlpool, Chastity Belt, Childbirth, and more, this edgy comedy is an entertaining commentary on the intense social pressure for women to “have it all.” In Case of Emergency is one woman’s sometimes raunchy, always funny internal battle of style vs. substance. Following an accident, NYC socialite Sarah Williams is forced to reevaluate her life goals. Is she ready to put away her judgements and pearls to descend into the subways of redemption? Or will she continue up the photo shopped elevator towards a lonely, bitter Park Avenue high rise? Stefanie Sparks breathes satiric perfection into Sarah, with comedic actress Jenni Ruiza starring as her social opposite and unlikely supporter, Melinda. Annapurna Sriram and Andrea Morales round out the cast as Sarah’s perfectly-coiffed best “frenemies.” The film also features appearances by Phoebe Robinson (2 Dope Queens) and Cathy Curtin (Orange is the New Black), as well as other emerging female comedians.

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  • Watch New Trailer for Exorcism Horror Film ALONG CAME THE DEVIL

    Along Came the Devil Gravitas Ventures has released the trailer for the horror film Along Came the Devil directed by actor-filmmaker Jason DeVan. The film starring Jessica Barth, Matt Dallas, Sydney Sweeney, Madison Lintz, Heather DeVan, and Bruce Davison, will be released in theatres and on VOD and Digital HD on August 10th. Ashley (Sydney Sweeney, “The Handmaid’s Tale”) is sent to live with her estranged Aunt Tanya (Jessica Barth, Ted 2) . While in her old hometown she has visions of her deceased mom, driving her to contact the spirit world. Ashley unknowingly unearths a demonic force, which leaves her loved ones fighting for her soul. The film also stars Matt Dallas (Painted Woman), Bruce Davison (Insidious: The Last Key), Madison Lintz (“Bosch”), and Heather DeVan. https://www.youtube.com/watch?v=UQFuhqCdXIg

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  • See New Poster for Sundance Award Winning Film THE MISEDUCATION OF CAMERON POST Starring Chloë Grace Moretz

    The Miseducation of Cameron Post Just days after debuting the new trailer, here is the new poster for Sundance Award winning film The Miseducation of Cameron Post starring Chloë Grace Moretz. FilmRise will release The Miseducation of Cameron Post in New York on August 3rd and Los Angeles on August 10th Based on the celebrated novel by Emily M. Danforth, The Miseducation of Cameron Post directed by Desiree Akhavan follows the titular character (Chloë Grace Moretz) as she is sent to a gay conversion therapy center after getting caught having sex with the prom queen. Run by the strict Dr. Lydia Marsh (Jennifer Ehle) and her brother, Reverend Rick (John Gallagher Jr.) — himself an example of how those in the program can be “cured” — the center is populated by teens “struggling with same-sex attraction.” In the face of outlandish discipline, dubious methods, and earnest Christian rock songs, Cameron forms an unlikely gay community, including the amputee stoner Jane (Sasha Lane) and the Lakota Two-Spirit, Adam (Forrest Goodluck). In creating a family on her own terms, she learns what it means to empower herself and have confidence in her identity.

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  • Watch Trailer + Poster for A WHALE OF A TALE on Controversial Debate over Whale and Dolphin Hunting Traditions

    A Whale of a Tale Movie Poster The new trailer and poster dropped today for the documentary A Whale of a Tale from director/producer Megumi Sasaki of Herb & Dorothy. Following THE COVE documentary, A Whale of a Tale reveals the complex story behind the ongoing debate – can a proud 400-year-old whaling tradition survive a tsunami of modern animal-rights activism and colliding forces of globalism vs. localism? The film will open theatrically in New York on Friday, August 17 (The Quad) and Los Angeles on Friday, August 24 (Laemmle Music Hall) with a nationwide release to follow. In 2010, Taiji, a sleepy fishing town in Japan, suddenly found itself in the worldwide media spotlight. THE COVE, a documentary denouncing the town’s longstanding whale and dolphin hunting traditions, won an Academy Award and almost overnight, Taiji became the go-to destination and battleground for activists from around the world. Told through a wide range of characters including local fishermen, international activists and anAmerican journalist (and long time Japanese resident), this powerful documentary unearths a deep divide in eastern and western thought about nature and wildlife and cultural sensitivity in the face of global activism.

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  • 10 Indie Films Win Spring 2018 SFFILM Rainin Grants

    [caption id="attachment_30788" align="aligncenter" width="1200"]Boots Riley (l to r.) Director Boots Riley and Steven Yeun on the set of SORRY TO BOTHER YOU, an Annapurna Pictures release.[/caption] Ten indie narrative films will receive a total of $250,000 in funding in the latest round of SFFILM Rainin Grants, to support the next stage of their creative process, from screenwriting to post-production. SFFILM Rainin Grants provided by SFFILM, in partnership with the Kenneth Rainin Foundation, are awarded twice annually to filmmakers whose narrative feature films will have significant economic and/or professional impact on the Bay Area filmmaking community or meaningfully explore pressing social issues. Applications are currently being accepted for the Fall 2018 round of SFFILM Rainin Grants; the deadline to apply is August 29. For more information visit sffilm.org/makers. SFFILM, in partnership with the Kenneth Rainin Foundation, is the largest granting body for independent narrative feature films in the United States. The SFFILM Rainin Grant program has awarded over $5 million to more than 100 projects since its inception, including Boots Riley’s indie phenomenon Sorry to Bother You, which hit theaters nationwide this month; Reinaldo Marcus Green’s Monsters and Men, which won a Special Jury Prize at Sundance earlier this year; Geremy Jasper’s Sundance breakthrough Patti Cake$, which closed the 2017 Cannes Director’s Fortnight program; Chloé Zhao’s Songs My Brothers Taught Me, which screened at Sundance and Cannes in 2015; Short Term 12, Destin Cretton’s sophomore feature which won both the Narrative Grand Jury Award and Audience Award at SXSW 2013; Ryan Coogler’s debut feature Fruitvale Station, which won the 2014 Film Independent Spirit Award for Best First Feature, the Un Certain Regard Avenir Prize at the 2013 Cannes Film Festival, and both the Grand Jury Prize and Audience Award in the narrative category at Sundance 2013; and Ben Zeitlin’s debut phenomenon Beasts of the Southern Wild, which won Sundance’s Grand Jury Prize and Cannes’ Camera d’Or in 2012 and earned four Academy Award nominations (including Best Picture). The panelists who reviewed the finalists’ submissions are Noah Cowan, SFFILM Executive Director; Lauren Kushner, SFFILM Senior Manager of Artist Development; Kimberly Parker, film producer; Jennifer Rainin, CEO of the Kenneth Rainin Foundation; Jenny Slattery, SFFILM Associate Director of Foundations and Artist Development; Shelby Stone, President of Production at Freedom Road Productions; and Caroline von Kühn, SFFILM Director of Artist Development. The jury noted in a statement: “We are delighted to support these ten extraordinarily talented filmmaking teams, five of whom are filmmakers based here in the Bay Area. Each of these filmmakers is creating a rich and singular world while wrestling with essential social justice issues. We look forward to being allies and supporters to these artists as they bring this expansive range of visions to life.”

    SPRING 2018 SFFILM RAININ GRANT WINNERS

    Cops and Robbers Jinho “Piper” Ferreira, writer; Jason Michael Berman, producer (screenwriting) – $25,000 Frustrated with the lack of impact of his artistic efforts and haunted by the police killing of Oscar Grant, John “Jay” Punch decides to pay his own way through the police academy in an attempt to create change from the inside. He finds out very quickly that he’s in for the fight of his life, and the thing most likely to be changed is him. The Huntress Suzanne Andrews Correa, writer/director (screenwriting) – $25,000 In Ciudad Juarez, a city where violence against women goes unnoticed and unpunished, an unlikely heroine emerges to seek justice. I’m No Longer Here Fernando Frias, writer/director; Gerardo Gatica, Gerry Kim, and Alberto Muffelmann, producers (post-production) – $40,000 After a misunderstanding with members of a local cartel, 17-year-old Ulises Samperio is forced to migrate to the US, leaving behind what defines him most: his gang and the dance parties that he loves so much. He tries to adapt to American life, but quickly realizes that he would rather return home than confront the alienation he faces in New York. Mafak Bassam Jarbawi, writer/director; Shrihari Sathe and Yasmine Qaddumi, producers (post-production) – $30,000 After 15 years of imprisonment, Ziad struggles to adjust to modern Palestinian life as the hero everyone hails him to be. Unable to distinguish reality from hallucination, he unravels and drives himself back to where it all began. Santosh Sandhya Suri, writer/director; Diarmid Scrimshaw and Anna Duffield, producers (screenwriting) – $25,000 In the rural hinterlands of Northern India, a young woman police officer is drawn into a sex crime investigation steeped in prejudice and corruption. Her journey to confront the killer challenges both who she is and who she wants to become. Sealskin Woman Tani Ikeda, director/co-writer; A-lan Holt, co-writer (screenwriting) – $15,000 A young girl goes to live with her grandparents in Japan after her mother dies. There she discovers that the people who are supposed to protect her can’t, and she must rely on her own magic to save herself. Shit & Champagne D’Arcy Drollinger, writer/director, Michelle Moretta and Brian Benson, producers (screenwriting) – $25,000 Shit & Champagne is a high-octane, high-camp, slapstick send-up of the iconic exploitation films of the 1970s. The film is a tribute to female empowerment flavored with borscht belt comedy, with an original funk score, fabulous vintage-inspired fashion, and cross-gender casting. Strange Fruit Elizabeth Oyebode, writer (screenwriting) – $25,000 Thirty years after slavery’s end, a pugnacious Black newswoman, embarks on a life-threatening investigation into the Black lives that America contends do not matter. Sutro Forest Travis Matthews, writer/director; Mollye Asher, João Federici and George Rush, producers (screenwriting) – $15,000 A young homeless woman prepares to leave San Francisco for a new opportunity, but when her brother goes missing, she loses herself on a mysterious journey that puts her in mortal danger. Todos los Cuerpos Pequeños (All Small Bodies) Jennifer Reeder, writer/director; Laura Heberton, writer/producer (screenwriting) – $25,000 In a not-too-distant dystopian future, in the wake of a climate-change-related disaster, two nearly wild mixed-race girls with special powers named Z and Bub fight to survive along the desert ruins of the former US/Mexico border wall.

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  • PBS Online Film Festival Returns for 7th Edition with 25 Independent Short Films

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    [caption id="attachment_30783" align="aligncenter" width="1176"]Flip the Record Flip the Record[/caption] The PBS Online Film Festival returns for a seventh year July 16-27 featuring 25 short-form independent films from multiple public media partners and PBS member stations. The PBS Online Film Festival is part of a multi-platform initiative to increase the reach and visibility of independent films, and to provide a showcase for diverse storytelling that inspires and engages. The festival will be available via PBS and station digital platforms, including PBS.org. As in previous years, films will also be available to stream on YouTube and Facebook. This year’s lineup features films from the Black Public Media, Center for Asian American Media (CAAM), Independent Television Service (ITVS), Latino Public Broadcasting, National Association of Latino Independent Producers (NALIP), Pacific Islanders in Communications (PIC), POV, To The Contrary, Vision Maker Media  and World Channel, as well as PBS local member stations, including DPTV (Detroit),  KLRU-TV Austin PBS, Louisiana Public Broadcasting, NET (Nebraska), Twin Cities Public Television, UNC-TV, Vermont PBS, WNET (New York) and WSIU (Illinois). “Every year, PBS and its member stations challenge ourselves to elevate the breadth and depth of innovative storytelling through our work with the PBS Online Film Festival,” said Ira Rubenstein, Chief Digital & Marketing Officer. “The world of filmmaking is changing, and filmmakers can make as much of an impact on small screens as they do on big screens. The festival amplifies unique stories from an exciting collection of filmmakers across the country, reaching viewers on platforms as diverse as the films themselves.” Viewers are encouraged to vote for their favorite film to win the “Most Popular” award, and a distinguished panel of eight jury members will select their favorite film of the festival for the “Juried Prize.” This year’s jury members include International Documentary Association Executive Director Simon Kilmurry, Black Film Critics Circle Founder Mike Sargent, WGBH Educational Foundation Executive Producer Judith Vecchione, Firelight Media & Films Documentary Lab Manager Chloe Walters-Wallace, Digital Media Executive Adnaan Wasey, Senior Director of Programming & Development at PBS Pamela Aguilar, FRONTLINE Producer & Editor Michelle Mizner and American Experience Producer Eric Gulliver. Short films featured in the 2018 PBS Online Film Festival include: Black Public Media “Heroes of Color” An educational video series highlighting the outstanding achievements of people of color. CAAM “Flip the Record” In this 1980s coming-of-age story, a Filipino American teen flips the narrative by teaching herself how to DJ. “Our Time” A dark family secret opens up a young child’s eyes to a sobering reality, but also love. DPTV “Hungry for Love” Two down-and-out foodies embark on an all-night dining adventure through Sapporo, Japan. “The Book Club” A sequel to the stop-motion short film “The List,” “The Book Club” is, at heart, a love story, but carries a deeper message about staying true to oneself. ITVS “Pops Ep. 1 “La Guardia Adjusts to Fatherhood”” Pops tells three stories of African Americans from a variety of socio-economic backgrounds and regions, all deeply engaged in the beautiful struggle of fatherhood. “The F Word Ep. 1 ‘F Is for: Foster Care’” A queer Bay Area couple bumble through a bureaucratic maze as they seek to form their family by adopting from foster care. KLRU “Animal Facts Club Presents – Endangered Rituals” The curious mating rituals of the endangered Attwater Prairie Chicken and Houston Toad. Latino Public Broadcasting “Caracol Cruzando” A Costa Rican girl decides if she will bring her pet turtle across the U.S. border. Louisiana Public Broadcasting “Mr. United States” Today, Avery D. Wilson appears to be a confident pillar of his community, but in this uplifting story, he reveals otherwise. Avery was bullied as a child and later questioned how being gay would affect his faith. As an adult, he feared how his parents would react to his secret. It wasn’t until years later that Avery learned to accept himself – to love himself  –  and become Mr. United States. NALIP “Desde el principio” In the darkness of a soundproof recording studio, a conversation sparks between two voice actors dealing with a shared tragedy. “The Melancholy Man” “The Melancholy Man” tells the story of the world’s saddest man who meets the world’s saddest woman. Through a fantastical lens, these characters come together in their harmonious misery and find something that surprises them both. NET Nebraska “Total Eclipse of the Heartland” From sky to prairie, relive the Great American Eclipse of 2017 in 360 degrees. PIC “Ka Piko” When his girlfriend dies during childbirth, Makana, a young Native Hawaiian man, must perform a traditional birthing ritual with his girlfriend’s overbearing father. POV “Redneck Muslim” A Muslim hospital chaplain honors his Southern heritage while challenging white supremacy. To The Contrary “Ties That Bind” A personal and heartfelt documentary on one family’s experience with gender transition. Twin Cities Public Television “I Am a Refugee” There are 64 million refugees in the world. This film explores their experience. “Women in Sports Leadership” Explore why having women coaches matters, hear some of their barriers and celebrate a few successes. UNC-TV “Cowgirl Up” A cowgirl from Natchez, Mississippi pursues her lifelong dream to become the first African American female in the National Finals Rodeo. Vermont PBS “Black Canaries” Isolated, desperate, and haunted by his coal-stained birthright, Father continues his daily descent into the accursed Maplemine — even after it has crippled his ancestors and blinded his youngest son. Vision Maker Media “A Redemption Story” See how Leo Yankton (Oglala Lakota) contributed in efforts to protect the water on the Standing Rock reservation and continues to find ways to have a positive impact with Native Country and the rest of the world. World Channel “Black Muslim Woman” Against a rhythmic score, Mikel Aki’leh delivers a powerful poem on beauty and blackness. WNET “Stronghold of Resistance: Sable Island & Her Legendary Horses” This short film takes viewers to the shores of Sable Island, a remote strip of land less than a mile wide, whose only full-time inhabitants are a herd of near-mythical wild horses; no human attempts at colonization have ever succeeded. “Wind Back” A sealed door divides a little boy from his mother. He will go to great lengths to be with her, but when that barrier breaks down, the boy will have to become an adult. WSIU “Super Predator: Preludes of the Black Fish” Parallels the predator-prey relationship of a black man and social boundaries.

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  • Durban International Film Festival to Celebrate 100th Anniversary of President Nelson Mandela’s Birth

    [caption id="attachment_30777" align="aligncenter" width="1200"]An Act Of Defiance An Act Of Defiance[/caption] 2018 marks the 100th anniversary celebrations around the globe of President Nelson Mandela’s birthday, and the Durban International Film Festival (DIFF) will present three films that provide fascinating insights into one of the most celebrated statesmen to have ever lived. The DIFF, which is organised by the University of KwaZulu-Natal’s Centre for Creative Arts and takes place from July 19 to 29, will feature Celebrating Mandela One Hundred, An Act Of Defiance and The State Against Mandela and the Others. Celebrating Mandela One Hundred, is a documentary feature produced and conceptualised by Anant Singh, and made with the support and endorsement of the Nelson Mandela Foundation. The film traces Mandela’s life from his roots in the rural village of Mveso, to becoming one of the greatest leaders the world has ever seen. Celebrating Mandela One Hundred takes us beyond the political and into the personal, and features exclusive interviews with family members, close friends, comrades, politicians and international celebrities, telling us the story of a man who became an international icon. An Act Of Defiance directed by Jean Van De Velde, tells the story of Bram Fischer who managed to reconcile his white Afrikaner roots with his desire for justice, joining the struggle against apartheid out of principle. He defended Nelson Mandela and his comrades in the Rivonia Trial of 1963 and 1964 – playing a crucial role in preventing the ANC-leaders being sentenced to death – and was an underground guerrilla at the same time. [caption id="attachment_30778" align="aligncenter" width="1000"]The State Against Mandela and the Others The State Against Mandela and the Others[/caption] Linking in with this film The State Against Mandela and the Others directed by Nicolas Champeaux, Gilles Porte, is a documentary based on recently recovered archival recordings of the Rivonia Trial hearings. Although Mandela took centre stage during the historic trial, there were nine others who, like him, faced the death sentence and were subject to pitiless cross-examinations. The film transports us back into the thick of the courtroom battles and attempts to redress the historic balance by putting Mandela’s comrades centre stage. State Against Mandela and the Others is a reminder, says co-director Gilles Porte, “that all great things that happen in this world are achieved collectively.”

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  • Films by Claire Denis, Simon Jaquemet, Kim Jee-woon and More to Compete for Golden Shell at 66th San Sebastián Film Festival

    [caption id="attachment_30771" align="aligncenter" width="1000"]The Black Book (Le cahier noir) The Black Book (Le cahier noir)[/caption] The latest films by Claire Denis, Simon Jaquemet, Kim Jee-woon, Naomi Kawase, Benjamín Naishtat, Valeria Sarmiento and Markus Schleinzer are the first films confirmed to be competing for the Golden Shell at the 66th San Sebastián Film Festival. Claire Denis (Paris, 1946), the director of Beau travail or White Material, will be competing for the first time for the Golden Shell with High Life. In this science-fiction film, Denis is working once again with Juliette Binoche, after Un beau soleil intérieur (Let the Sun Shine In) -which won the SACD Award in the Directors’ Fortnight at Cannes ex aequo last year with Philippe Garrel- and Robert Pattinson. For Naomi Kawase (Nara, Japan, 1969) this will be her second time in the Official Section, after she presented Genpin, which won the Fipresci Award, in 2010. Now, after taking part in Un Certain Regard and in the Official Competition at Cannes with her last two films, An / Sweet Bean and Hikari / Radiance, respectively, she will be coming to San Sebastián with Vision, shot in her native province. The film also stars the French actress Juliette Binoche and the Japanese actor, Masatoshi Nagase (An, Hikari, Paterson). Kim Jee-woon (Seúl, 1964) will also be competing for the Golden Shell for the second time. After presenting Ang-ma-reul bo-at-da / I Saw the Devil in San Sebastián in 2010, the South Korean director will be taking part withIllang: The Wolf Brigade, the Korean remake of Jin-Roh, the anime written by Mamoru Oshii (Ghost in the Shell) about the Keberos Panzer Cops, a violent police force. This is also the second time that Valeria Sarmiento (Valparaíso, Chile, 1948) will be competing as a director in the Official Section, after presenting Elle more than two decades ago, in 1995. But Sarmiento’s links to the Festival go back to a previous decade, at the beginning of her career, when she won the Grand Prix Donostia for Best New Director in 1984 with Notre mariage, her first fictional feature film. The last time that she took part in the Festival was in Zabaltegi, where her film As Linhas de Torres / Lines of Wellington was programmed in 2012. The French/Portuguese coproduction Le cahier noir / The Black Book is inspired by the novel Livro Negro de Padre Dinis, by Camilo Castelo Branco, who also wrote Mistérios de Lisboa, which was edited by Sarmiento and which won Raúl Ruiz the Silver Shell for best director in San Sebastián (2010). El Livro Negro de Padre Dinis can be considered to be a prequel of the character that also appears in Mistérios de Lisboa. Rojo is the third feature by Benjamín Naishtat (Buenos Aires, 1986), whose debut film, Historia del miedo (History of Fear), was one of the films chosen in Films in Progress 24, competed in Berlin in 2014 and was also screened in Horizontes Latinos. With his second film, El movimiento (The Movement, 2015), he formed part of the official section in Locarno. Rojo, with a cast including Darío Grandinetti, Andrea Frigerio and Alfredo Castro, is set in Argentina in the 1970s, on the eve of the military dictatorship. Markus Schleinzer (Vienna, 1971), who competed in the official section at Cannes with his debut film, Michael, will be presenting his second feature film, Angelo, in San Sebastián. Schleinzer, who wrote together with the director, Michael Sturminger, the screenplay for Casanova Variations, which competed for the Golden Shell in 2014, now focuses on the story of an African who is Europeanised by force in a story starring Makita Samba, Alba Rohrwacher and Larisa Faber. In 2014 Simon Jaquemet (Zurich, 1978) premiered his award-winning first film, Chrieg / War, in the New Directors section at the Festival. With his second film, Der unschuldige / The Innocent, he is back in San Sebastián in the Official Section, with the portrait of a woman trapped by her past in a religious community. The other films that make up the Official Section will be announced in the next few weeks. [caption id="attachment_30770" align="aligncenter" width="1000"]ANGELO ANGELO[/caption] ANGELO MARKUS SCHLEINZER (AUSTRIA – LUXEMBOURG) Cast: Makita Samba, Alba Rohrwacher, Larisa Faber The story of Angelo, an African born in the 18th century, who is brought to Europe at the age of 10. Becoming a servant at the court of enlightened nobility, he is able to use his otherness to be an appreciated guest and attraction for the members of high society. Being close to the emperor he decides to marry Magdalena, a young maidservant, with whom he falls in love. Doing so, Angelo inevitably suffers from the rejection from the court. On the height of his prestige, he has to realize, that his otherness will never be erased. He will never know a normal life, and he will always remain an outsider. Based on true events. DER UNSCHULDIGE / THE INNOCENT SIMON JAQUEMET (SWITZERLAND – GERMANY) Cast: Judith Hofman, Christian Kaiser, Thomas Schüpbach, Urs-Peter Wolters Ruth works in a neuroscience research lab, as much as she’s part of an extreme traditionalist and conservative Christian family. She suddenly finds herself facing her own past when her former lover reemerges after disappearing twenty years in jail, putting into question her feelings, her life and soon her faith. HIGH LIFE CLAIRE DENIS (FRANCE – GERMANY – UK – POLAND – USA) Cast: Robert Pattinson, Juliette Binoche, André Benjamin, Mia Goth Deep space. Beyond our solar system. Monte and his infant daughter Willow live together aboard a spacecraft, in complete isolation. A solitary man, whose strict self-discipline is a protection against desire –his own and that of others– Monte fathered the girl against his will. His sperm was used to inseminate Boyse, the young woman who gave birth to her. They were members of a crew of prisoners: space convicts, death row inmates. Guinea pigs sent on a mission to the black hole closest to Earth. Now only Monte and Willow remain. And Monte is changed. Through his daughter, for the first time, he experiences the birth of an all-powerful love. Willow grows, becoming a young girl, then a young woman. ILLANG: THE WOLF BRIGADE KIM JEE-WOON (SOUTH KOREA) Cast: GANG Dong-won, HAN Hyo-Joo, JUNG Woo-sung, KIM Mu-Yeol, HAN Ye-ri, CHOI Min-ho, HEO Joon-ho In 2029, after the governments of North and South Korea announce a 5-year plan to reunify the country, strong sanctions by the world’s powerful nations cripple the economy and lead to a hellish period of chaos. With the appearance of an armed anti-government terrorist group called The Sect which opposes reunification, the President creates a new police division called the Special Unit which amasses significant political power. However the intelligence service Public Security, which sees its own influence drop, hatches a plot to annihilate the Special Unit. Amidst this bloody struggle between two ultra-powerful institutions, rumors emerge of a secret ‘Wolf Brigade’ being formed within the Special Unit. The human weapons who are called wolves, ‘Illang’ (The Wolf Brigade). LE CAHIER NOIR / THE BLACK BOOK VALERIA SARMIENTO (FRANCE – PORTUGAL) Cast: Lou de Laâge, Stanislas Merhar, Niels Schneider, Jenna Thiam, Fleur Fitoussi, David Caracol, Vasco Varela da Silva, Tiago Varela da Silva The story of the adventures, in the twilight of the eighteenth century, of a singular couple formed by a little orphan with mysterious origins and his young Italian nurse of a similarly uncertain birth. They lead us in their wake, from Rome to Paris, from Lisbon to London, from Parma to Venice. Always followed in the shadows, for obscure reasons, by a suspicious-looking Calabrian and a troubling cardinal, they make us explore the dark intrigues of the Vatican, the pangs of a fatal passion, a gruesome duel, banter at the court of Versailles and the convulsions of the French Revolution. ROJO BENJAMIN NAISHTAT (ARGENTINA – FRANCE – NETHERLANDS – BRAZIL – FRANCE) Cast: Dario Grandinetti, Andrea Frigerio, Alfredo Castro In the mid-1970s a stranger arrives in a quiet provincial town. At a restaurant, for no apparent reason he starts to assault Claudio, a well-known lawyer. The community supports the lawyer and the stranger is humiliated and gets thrown out. Later on the way home, Claudio and his wife Susana are intercepted by the stranger who is determined to take terrible revenge on him. The lawyer then starts out on a road of no-return, of death, secrets and silences. VISION NAOMI KAWASE (JAPAN – FRANCE) Cast: Juliette Binoche, Masatoshi Nagase Jeanne, a French journalist, comes to Japan in search of ‘Vision’, a rare medicinal herb said to strip away all spiritual anguish and weaknesses in human beings. She knows that ‘Vision’ only appears once every 997 years under special conditions and that time is near. Aki, a wise villager who knows the forest well, prophesies the arrival of the mysterious ‘One’ and then disappears. Tomo, who was devoted to Aki, works as a keeper of the forests and is beginning to sense, instinctively, recent changes in the mountains. Is there a connection between the disappearance of Aki and the changes taking place in the forest? Will Jeanne succeed in finding the phantom herb Vision? A millennial event is taking place in the Yoshino mountains of Nara, opening a door to the One and the true potential of human existence.

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  • Billy Wilder’s SOME LIKE IT HOT and More in Venezia Classici Lineup of 75th Venice International Film Festival

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    [caption id="attachment_30765" align="aligncenter" width="1200"]SOME LIKE IT HOT SOME LIKE IT HOT[/caption] Since 2012, the Venezia Classici of the Venice International Film Festival has been presenting the world premieres of a selection of the best restorations of classic films conducted over the previous year by film libraries, cultural institutions and productions all over the world. Curated by Alberto Barbera in collaboration with Stefano Francia di Celle, Venezia Classici also presents a selection of documentaries about cinema and its filmmakers. The Jury, chaired by Italian director Salvatore Mereu (Three Steps Dancing, Pretty Butterflies), is composed of 26 cinema history students – nominated by their professors – from Italian universities, DAMS performing arts courses, and Ca’ Foscari University of Venice, and will award the VENEZIA CLASSICI AWARD for the BEST RESTORED FILM and the BEST DOCUMENTARY ON CINEMA. The numerous restored masterpieces in the Venezia Classici section of the 75th Venice International Film Festival include: The Night of the Shooting Stars (1982) by Paolo and Vittorio Taviani, Il posto (1961) by Ermanno Olmi, The Ascent (1976) by Larisa Shepitko, The Place Without Limits (1977) by Arturo Ripstein, The Brick and the Mirror (1964) by Ebrahim Golestan, Adieu Philippine (1962) by Jacques Roziers, Last Year in Marienbad (1961, Golden Lion at the Venice International Film Festival) by Alain Resnais, Some Like It Hot (1959) by Billy Wilder, Street of Shame (1956, Special Mention at the Venice International Film Festival) by Kenji Mizoguchi, The Night Porter (1974) by Liliana Cavani and Love, Thy Name Be Sorrow (1962) by Tomu Uchida. The 75th Venice International Film Festival will be held at the Lido from August 29 to September 8, 2018; it is directed by Alberto Barbera and organized by the Biennale chaired by Paolo Baratta. The list of the films selected for the Venezia Classici section of the 75th Festival:

    VENEZIA CLASSICI

    THEY LIVE [ESSI VIVONO] by JOHN CARPENTER (USA, 1988, 94’, COL.) restoration: Studiocanal IL PORTIERE DI NOTTE (THE NIGHT PORTER) by LILIANA CAVANI (Italy, 1974, 120’, COL.) restoration: CSC-Cineteca Nazionale and Istituto Luce – Cinecittà THE NAKED CITY [LA CITTÀ NUDA] by JULES DASSIN (USA, 1948, 96’, B/W) restoration: Brook Productions and Master Licensing KHESHT O AYENEH (THE BRICK AND THE MIRROR) by EBRAHIM GOLESTAN (Iran, 1964, 130’, B/W) restoration: Ecran Noir production (Mitra Farahani) and Ebrahim Golestan in collaboration with Cineteca di Bologna AKASEN CHITAI (STREET OF SHAME) [LA STRADA DELLA VERGOGNA] by KENJI MIZOGUCHI (Japan, 1956, 86’, B/W) restoration: Kadokawa Corporation IL POSTO by ERMANNO OLMI (Italy, 1961, 95’, B/W) restoration: Cineteca di Bologna and Titanus L’ANNÉE DERNIÈRE À MARIENBAD (LAST YEAR IN MARIENBAD) [L’ANNO SCORSO A MARIENBAD] by ALAIN RESNAIS (France, Italy, 1961, 94’, B/W) restoration: Studiocanal with the support of Centre National du Cinéma et de l’image animée and Chanel EL LUGAR SIN LÍMITES (THE PLACE WITHOUT LIMITS) [IL LUOGO SENZA LIMITI] by ARTURO RIPSTEIN (Mexico, 1977, 110’, COL.) restoration: Cineteca Nacional México and Imcine ADIEU PHILIPPINE [DESIDERI NEL SOLE] by JACQUES ROZIERS (France, Italy, 1962, 103’, B/W) restoration: Cinémathèque française and A17 with the support of Centre national du cinéma et de l’image animée. In collaboration with Les Archives audiovisuelles de Monaco, La Cinémathèque suisse and Extérieur Nuit. VOSKHOZHDENIYE (THE ASCENT) [L’ASCESA] by LARISA SHEPITKO (Russia, 1976, 110’, B/W) restoration: Mosfilm (producer of the restoration Karen Shakhnazarov) THE KILLERS [CONTRATTO PER UCCIDERE] by DON SIEGEL (USA, 1964, 102’, COL.) restoration: Universal Pictures THE KILLERS [I GANGSTERS] by ROBERT SIODMAK (USA, 1946, 95’, B/W) restoration: Universal Pictures LA NOTTE DI SAN LORENZO (THE NIGHT OF THE SHOOTING STARS) by PAOLO E VITTORIO TAVIANI (Italy, 1982, 107’, COL.) restoration: CSC-Cineteca Nazionale and Istituto Luce – Cinecittà KOI YA KOI NASUNA KOI (LOVE, THY NAME BE SORROW aka THE MAD FOX) [LA VOLPE FOLLE] by TOMU UCHIDA (Japan, 1962, 109’, COL.) restoration: Toei Company, Ltd. MORTE A VENEZIA (DEATH IN VENICE) by LUCHINO VISCONTI (Italy, France, USA, 1971, 130’, COL.) restoration: Cineteca di Bologna and Istituto Luce – Cinecittà in collaboration with Warner Bros. and The Criterion Collection NOTHING SACRED [NULLA SUL SERIO] by WILLIAM A. WELLMAN (USA, 1937, 74’, COL.) restoration: The Museum of Modern Art SOME LIKE IT HOT [A QUALCUNO PIACE CALDO] by BILLY WILDER (USA, 1959, 121′, B/W) restoration: Park Circus in collaboration with Metro Goldwyn Mayer and The Criterion Collection The Venezia Classici section will also feature the presentation of a selection of documentaries about cinema and its filmmakers. The complete list of the section will be announced during the press conference presenting the program of the Venice Film Festival, on Wednesday, July 25th at 11 a.m. in Rome (Cinema Moderno). Salvatore Mereu – Biography Salvatore Mereu was born in Dorgali in 1965. After graduating in film directing from the Centro Sperimentale di Cinematografia in Rome, he made several short films including Notte rumena (1996), Miguel (1999), Il mare (2004). Starting with his first feature-length film, Ballo a tre passi (Three Steps Dancing, 2003), distinguished by its particular four-part structure, each corresponding to one season of the year, he explores the relationship between tradition and modernity in his native land, Sardinia. For Ballo a tre passi, Mereu won the Settimana della Critica award in Venice in 2003, as well as the David di Donatello and the Ciak d’Oro as best emerging director. He was also nominated for three Nastro d’argento awards including Best Screenplay. His second film, Sonetàula (2008), was presented at the Berlin Film Festival in the Panorama section, and was awarded the Globo d’oro of the Foreign Press, as well as the FIPA d’Or at the Biarritz Film Festival for Best Screenplay. He returned to the Venice Film Festival in 2010 with Tajabone, set among the young students of the middle schools on the outskirts of Cagliari, and in 2012 participated in the Orizzonti section with Bellas mariposas (Pretty Butterflies), from the eponymous book by Sergio Atzeni, the story of two adolescent girls who live in a working-class neighbourhood in Cagliari. The film won him the Schermi di Qualità award at the Venice Film Festival, the Big Screen Award at the Rotterdam Festival. For the same film, he won the Premio Suso Cecchi D’Amico for Best Screenplay and the Premio Tonino Guerra for Best Screenplay at the Bif&st. In 2013, again for the Venice Film Festival, he made the collective film Venezia 70 – Future Reloaded along with 70 directors from around the world, to celebrate the Festival’s 70th edition. For years he has alternated his work as a director with his teaching of image education. He has taught film in various schools around the island, producing several short films with his students (Il mare, La vita adesso, Scegliere per crescere, Futuro prossimo), selected for the most important Italian and international film festivals. In recent years, in collaboration with CELCAM, he has taught a course in film direction and screenwriting at the Department of Humanities and Philosophy at the University of Cagliari. Since 2004, he has been a member of the Accademia del Cinema Italiano.

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  • Watch Movie Maverick Larry Cohen Discuss Special Effects in “Q : The Winged Serpent” in Clip from KING COHEN [Video]

    King Cohen A brand-new video clip debuted today from the highly anticipated King Cohen, the story of Movie Maverick Larry Cohen, before its release July 20. In this fun new clip, Cohen, as well as Joe Dante (“Gremlins”) and Michael Moriarty (“The Stuff”), discuss the filmmaker’s use of special effects in the 1982 classic “Q : The Winged Serpent”. The highly anticipated King Cohen, the true story of writer, producer, director, creator and all-around maverick, Larry Cohen, will receive a full theatrical run across the U.S beginning July 20 in L.A (with other cities in the weeks to follow), courtesy Dark Star Pictures. Cohen, best known for resourceful low-budget horror and thriller films that combine social commentary with prerequisite scares and welcome humor, is responsible for celluloid classics including Black Caesar, It’s Alive, Q: The Winged Serpent, and The Stuff. He was also a major player in the Blaxploitation films of the 1970s, as well as a prominent Hollywood screenwriter (Phone Booth). The acclaimed film features interviews with such industry luminaries as Martin Scorsese, J.J Abrams, Joe Dante, Mick Garris, John Landis, Fred Williamson as well as Cohen himself. Cohen’s remarkable one-of-a-kind career, from 60’s TV series creator (Branded, The Invaders), to 70’s and 80’s independent film icon and beyond, is chronicled with freewheeling and insightful verve. Winner of the 2017 Fantasia Fest Best Documentary Feature Audience Award, King Cohen hails from Rondo Award-winning writer/director Steve Mitchell, whose film and television credits include co-writing the beloved cult horror/comedy Chopping Mall. King Cohen is a La-La Land Entertainment production, in association with Big And Tall Pictures and Off The Cliff Productions. It is directed and produced by Steve Mitchell and produced by Matt Verboys and Dan McKeon. King Cohen begins its theatrical run July 20 in LA, with other cities to follow. Synopsis: Buckle up for King Cohen, the true story of writer, producer, director, creator and all-around maverick, Larry Cohen. Told through compelling live interviews, stills and film/TV clips, the people who helped fulfill his vision, and industry icons such as Martin Scorsese, J.J. Abrams, John Landis, Michael Moriarty, Fred Williamson, Yaphet Kotto and many more, including Larry himself, bring one-of-a-kind insight into the work, process and legacy of a true American film auteur. Few can boast of a career as remarkable or prolific, spanning more than 50 years of entertaining audiences worldwide.

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  • World Wide Motion Pictures to Release THE ROAD TO MOTHER, Kazakhstan’s Submission for Best Foreign Language Film Oscar

    The Road to Mother The Road to Mother (Anaga aparar jol), Kazakhstan’s official submission for the 2017 Academy Awards in the category of Best Foreign Language Film has been acquired by World Wide Motion Pictures Corporation for release in the US. The Road to Mother will be released in select theaters throughout the US in fall 2018, including major metropolitan areas, with many Kazakhstani and Asian American organizations offering their support. Executive Produced by Aliya Nazarbayeva, directed by Akan Sateyev (also known for Strayed, Zhauzhurek Myng Bala), and starring internationally acclaimed Central Asia actors Bolat Abdilmanov, Aruzhan Jazilbekova, and Berik Aitzhanov, The Road to Mother was produced by KazakhFilm JSC. Inspired by true events and spanning nearly a century, the epic drama follows the journey of a young Kazakh family from the 1930s to present day and explores the history of Kazakhstan through war, famine, collectivization, and the determination of the clan to remain united. “The film’s producers and I are honored to finally have The Road to Mother opening theatrically in the United States. I’m very happy that the World Wide Motion Pictures Corporation’s marketing and distribution team could see that the film’s heartwarming story was truly universal and could be enjoyed by audiences anywhere in the world,” states the film’s director, Akan Satayev. The Road to Mother premiered at the 38th Moscow International Film Festival to critical acclaim and has been showcased at numerous other festivals, including: the New York Eurasian Film Festival (USA) – Winner: Best Foreign Film; the Marco Polo Film Festival (Croatia) – Winner: Best Film; WeLink International Film Festival (USA) – Winner: Best Feature Film; the Eurasian Bridge International Film Festival (Yalta) – Winner: Grand Prix and Best Actress for Altynai Nogherbek; and the Almaty Independent Film Festival (Kazakhstan) – Winner: Tulpar Prize. Additionally, The Road to Mother was recognized by the Ak Ilbirs National Film Awards (Kyrgyzstan) in the category of Best Central Asia Film. “World Wide is very proud to be releasing a meaningful multigenerational drama that also carries with it the high prestige of being Kazakhstan’s official foreign language entry for the Oscars,” states CEO Paul D. Hancock. “Families throughout the United States, especially mothers, will surely embrace this heartwarming story.” The Road to Mother will be released in select theaters throughout the US in fall 2018, including major metropolitan areas, with many Kazakhstani and Asian American organizations offering their support.

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