Supa Modo[/caption]
The inspiring and beautiful new Kenyan film, Supa Modo is set to screen at the upcoming Zanzibar International Film Festival, taking place in Stone Town Zanzibar from July 7th to 15th, with generous support from the Kenya Film Commission.
The film which had its much-acclaimed world premiere at Berlinale in February has been heralded as a stunning debut for director Likarion Wainaina and its young cast.
Acquired by Rushlake Media, the film was produced by Ginger Ink Films Africa in partnership with One Fine Day Films (OFDF). OFDF has released other award-winning African films including Kati Kati and Nairobi Half Life. It was at the One Fine Day Films BrainRoom – a two-week masterclass that allows writers to pitch and develop their ideas – where Wainaina’s story idea for Supa Modo was pitched and selected for production.
The Kenya Film Commission will be hosting the screening of the film on Wednesday, July 11th at ZIFF’s main venue of the Old Fort Amphitheatre with various members of the cast and production team in attendance.
Kenya Film Commission Ag. CEO, Mr. Timothy Owase had this to say of the importance of the film’s screening at ZIFF. This is part of our commitment to support local filmmakers, we are pleased to premiere Supa Modo outside Kenya and ZIFF provides a better platform for this purpose. We laud the organizers for consideration to screen Supa Modo and reaffirm our commitment to continue supporting Kenyan filmmakers and exporting local content.
“Supa Modo” tells the inspiring story of a young girl whose dream of becoming a superhero is threatened by terminal illness, inspiring her village to rally together to make her dream come true. It stars newcomer Stycie Waweru in the lead role, alongside a host of veteran Kenyan thesps, including Maryanne Nungo and Nyawara Ndambia.
In a statement, Rushlake’s Philipp Hoffmann described the genre-bending “Supa Modo” as “truly unique.” “It’s all at once a film with a strong female lead, a superhero film, a film about grief and dying, and about community and people coming together,” he said. “I immediately saw great potential for a touching story that attests to beautiful, universal human values and appeals to both young and grown-up audiences.”
ZIFF Festival Director Fabrizio Colombo has this to say of the film and its selection for ZIFF,
“Supa Modo once again shows just how important and professional Kenya film industry has become. It’s a film that will resonate strongly with ZIFF audiences, for locals especially as a Swahili movie, and universally, as it touches people with heart and deep meaning.”
https://youtu.be/Zoua2UFeUqw-
Holt McCallany and Vincent Pastore Set to Star in IRON TERRY MALONE
[caption id="attachment_30356" align="aligncenter" width="1200"]
Vincent Pastore. © Luigi Novi / Wikimedia Commons[/caption]
Actors Holt McCallany (“MindHunter”) and Vincent Pastore (“The Sopranos”) will headline the upcoming dark comedy “Iron Terry Malone” directed by award-winning filmmaker Johnny Greenlaw (Mommy’s Box). The screenplay, based on true events, hails from award-winning actors/writers Christian Keiber and Robert John Keiber.
Utilizing many of the same locations used by Elia Kazan’s On The Waterfront (1954), the film is set largely in Hoboken, N.J., with the owner and five regulars teaming up to kill off one of their own to save their favorite bar from closing. McCallany, the acclaimed star of Netflix’s ‘’Mindhunter’’, plays a local mobster named Mean Mike, who with the bar’s owner Harry Moffet, played by John Doman (The Wire), hatch the plan to off the town beggar and drunk “Iron” Terry Malone, played by Pastore.
Befriending Malone by getting him so drunk he can’t think or remember where he is, the six would-be assassins first try poisoning him. Then, they try freezing him. Then, they run him over with a car, but Malone will just not die! And as summer turns to winter, things go from bad to worse, as this unlikely group of killers begins to turn on each other and find out just why their marked man is called “Iron” Terry Malone.
“What excites me about this film, besides the stellar cast, is the story and screenplay”, says Greenlaw. “The fact that it is based on actual events, that took place many years ago, we get to look inside the depths of humanity and what you’re willing to sacrifice just to get by in life. I look forward to bringing this dark comedy to the big screen.”
Adds writer Christian Keiber : “Iron Terry Malone”, is a true passion project of mine. To be able to bring this film to life alongside my friends and family, both in the cast and crew, is the sole reason I became a filmmaker.”
In addition to McCallany, Pastore and Doman, the film’s superlative ensemble also includes, Christian Keiber (“Gotham’’), Bill Sorvino (“Who’s Jenna..?”), Kerry McGann (“Bloodrunners’’), Johnny Greenlaw (“Mommy’s Box”), Robert John Keiber (“Trust Me, I’m a Lifeguard”), Maureen Van Zandt (“The Sopranos’’), and Gary Pastore (“The Deuce’’). Sam Calagione, owner of Dogfish Head Brewery, the official beer sponsor of the film, will also appear in the movie.
Kerry McGann, Bill Sorvino, Johnny Greenlaw, Jason L. Koerner and Bryce C. Campbell serve as producers, with Christian Keiber as executive producer.
“Iron” Terry Malone begins production in Hoboken, NJ in November.
-
Watch New U.S. Trailer for Robert Schwentke’s THE CAPTAIN
Music Box Films has released the official trailer for the German film, The Captain by Robert Schwentke that will open in New York at The Quad on July 27th and in Los Angeles at Nuart on August 10th.
Based on a disturbing true story, The Captain follows Willi Herold (Max Hubacher), a German army deserter who stumbles across an abandoned Nazi captain’s uniform during the last, desperate weeks of the Third Reich. Newly emboldened by the allure of a suit that he stole only to stay warm, Willi discovers that many Germans will follow the leader, whosoever that happens to be. A parade of fresh atrocities follow in the self-declared captain’s wake, and serve as a profound reminder of the consequences of social conformity and untrammeled political power.
After an illustrious career in Hollywood, Robert Schwentke’s (Red, Flightplan) German homecoming film The Captain, is simultaneously a historical docudrama, a tar-black comedy, and a sociological treatise, presenting fascism as a pathetic pyramid scheme, a system to be gamed by the most unscrupulous and hollow-souled.
https://www.youtube.com/watch?v=mVj23p5vwe4
-
Palm Springs International Film Festival Announces 2019 Dates
[caption id="attachment_30345" align="aligncenter" width="960"]
Actress Meryl Streep, PSIFF Artistic Director Michael Lerman, Actor Tom Hanks[/caption]
The Palm Springs International Film Festival (PSIFF) announced the dates of its 30th edition. Festival dates will be Thursday, January 3 through Monday, January 14, 2019.
Highlights include:
On Thursday, January 3, the annual Film Awards Gala will kick off the festival at the Palm Springs Convention Center. Last year’s star-studded event, hosted by Mary Hart, honored Mary J. Blige, Timothée Chalamet, Jessica Chastain, Willem Dafoe, Gal Gadot, Holly Hunter, Allison Janney, Gary Oldman, Sam Rockwell, Saoirse Ronan and The Shape of Water. More than 2,500 guests attend the event which kicks off Awards season. Tickets go on sale August 1.
The screening portion of the festival will run Friday, January 4 through Monday, January 14. On January 4, the festival will run all day screenings with the official Opening Night screening taking place that evening at Richards Center for the Arts with a party to follow at the Palm Springs Art Museum.
The festival will close on Sunday, January 13, with Best of the Fest screenings taking place Monday, January 14.
Image via Facebook
-
Yen Tan’s Emotional Family Drama “1985” Set for October Release
Wolfe Releasing has acquired writer director Yen Tan’s 1985, starring Cory Michael Smith, Academy Award nominee Virginia Madsen, Emmy and Golden Globe winner Michael Chiklis and Jamie Chung, for a theatrical release this October.
The Texas-set family drama had its World Premiere at the 2018 SXSW Film Festival, where it was praised as “a miracle of a film” (Film School Rejects), “a poignant, even provocative meditation on a part of LGBTQ history” (The Daily Beast), “a deeply emotional tearjerker and family story… that earns its tears honestly and scrupulously” (The Wrap) and “a model of eloquent restraint” (The Hollywood Reporter).
1985 marks a continuing relationship between Tan and Wolfe, following their release of his acclaimed romantic drama Pit Stop. The film was produced by HutcH and Ash Christian, with HutcH also serving as Director of Photography (shooting the film in gorgeous black-and-white on 16mm film), co-editor, and conceiving the story with Tan.
1985 was inspired by Tan’s award-winning short film of the same name, and follows Adrian (Smith), a closeted young man returning to his Texas hometown for Christmas during the first wave of the AIDS crisis. Burdened with an unspeakable tragedy in New York, Adrian reconnects with his brother (Aidan Langford) and estranged childhood friend (Chung), as he struggles to divulge his dire circumstances to his religious parents (Madsen and Chiklis).
“I’m beyond thrilled to be partnering with Wolfe on 1985. It is a crucial part of our history that deserves to be revisited and discussed with new perspectives. The crux of the story is a message that inspires love, hope, and empathy in times of crisis. We can’t wait to bring this timely film to a wide audience,” Tan said.
“It has been four years since we worked with Yen on his award-winning film Pit Stop, and we are honored to collaborate with Yen and HutcH on their beautiful new film 1985. The film has blown audiences away with powerful performances from an incredible cast, the wonderful direction and writing from Yen, and HutcH’s masterful camera work,” said Wolfe’s Jim Stephens. “Wolfe will continue to screen the film at top festivals through the summer including Frameline and Outfest as we gear up for a theatrical release in October and getting the film out to award voters.”
-
Jeremy Zagar’s Sundance Award-Winning Debut Feature WE THE ANIMALS Opens on August 17

Jeremy Zagar’s We The Animals, based on the celebrated novel by Justin Torres, and winner of the Innovator Award at the 2018 Sundance Film Festival will open on August 17 in New York and Los Angeles with a national rollout to follow.
-
Kew Gardens Festival of Cinema in Queens, NY, Reveals 2018 Film Lineup + New Home
[caption id="attachment_29603" align="aligncenter" width="1242"]
The Song of Sway Lake[/caption]
Kew Gardens Festival of Cinema returns with a film lineup of 110 films and Regal Entertainment Group as the lead sponsor for the 2nd annual 10-day event in Queens, taking place from August 3rd to August 11th, 2018. While the festival organizers are saddened to leave the Kew Gardens Cinemas in Kew Gardens, they are very excited for what this means for the future of the film festival. For it’s sophomore year, Kew Gardens Festival of Cinema will be moving into its new home at Regal Entertainment Group’s UA Midway Stadium 9 in Forest Hills, Queens.
The Opening Night Film at the Midway will be the New York Premiere of Ari Gold’s award-winning and critically acclaimed “The Song of Sway Lake” starring Rory Culkin on Friday, August 3rd at 6:30pm. On Sunday, August 12th, the festival’s Awards Dinner Gala returns to Terrace on the Park in Flushing Meadows-Corona Park.
To kick-off the sophomore edition, Kew Gardens Festival of Cinema has partnered with Queens Museum to bring A MIDSUMMER NIGHT’S FEAST: A Celebration of Food, Art and Cinema. This spectacular one-night event, taking place inside the Queens Museum on Tuesday, July 31st from 6:00 p.m. to 9:00 p.m., will feature over 30 food vendors from Queens and other parts of NYC.
On Thursday, August 9th, the Queens Museum will be presenting a festival selected film, as part of their Passport Thursdays Outdoor Screening series.
On Saturday, August 12th, The Center At Maple Grove will play host to two panels – The Jury’s Out: Meet the 2018 Festival Jurors, and A Change Overdue: Diversity in Cinema, a discussion on diversity in an independent film featuring invited filmmakers from the Festival. Friday, August 10th, UA Midway Stadium 9 will play host to the Festival’s Midnight Madness Grindhouse Horror Night.
2018 Kew Gardens Festival of Cinema Film Lineup
NARRATIVE FEATURES:
A VIOLENT MAN Dir. Matthew Berkowitz, USA, 107 min. NEW YORK PREMIERE Ty is a little known MMA fighter until a viral video reveals him beating the undefeated world champion in a local gym. Ty is suddenly a murder suspect when the reporter covering his story is found dead, but why kill the journalist who would make him a legend? ALL EYES ON YOU Dir. Felix Maxim Eller, Germany, 88 min. NEW YORK PREMIERE The silent loner Marco is dreaming about a girl ever since they met, but she seems to have disappeared. In a cold Halloween night, he searches for her in the streets once again. Chased by a mysterious man, he soon discovers the darkest secrets of the city, initiating a nightmarish race against time. BEHIND THE BLUE DOOR Dir. Mariusz Palej, Poland , 93 min. EAST COAST PREMIERE For 11-year-old Lukas, an incredible adventure begins the moment he and his mom set off on a summer holiday trip and have a terrible car crash. His mom is in a coma, and the boy must visit his aunt Agatha. She brings him to her guesthouse by the seaside. Here, discovers a secret passage to a different dimension and soon learns what amazing and yet frightening mysteries this new world offers. The movie won Best Debut at Ale Kino! BLUE Dir. Gabriela Ledesma, USA, 109 min. EAST COAST PREMIERE Based on true events, Blue is a light hearted drama that tells the story of Helen Daniels, a young woman struggling to piece her world together after a botched suicide attempt. This is the debut feature film for writer/director Gabriela Ledesma. BRUCE!!!! Dir. Eden Marryshow, USA, 104 min. QUEENS PREMIERE Let’s be real: Bruce is an a**hole. He’s sh*tty to his friends. He’s sh*tty to pretty much every woman in his life. He has no job. He has no career. And his parents are tired of lending him money. And you know what? Honestly, all of this was working out pretty well for him, until he meets Kiera, falls hopelessly in love and is finally forced to grow the f*ck up… in his thirties. CHASING SUNSHINE Dir. Darren Coyle, USA, 63 min. NEW YORK PREMIERE A buddy, odd couple comedy where we follow Darcy and Jack as they drive all over the San Fernando Valley following clues on a scavenger hunt. DARCY Dir. Heidi Philipsen and Jon Russell Cring, USA, 96 min. QUEENS PREMIERE It’s summer break, and fifteen-year-old Darcy is working in her family’s motel, a seedy operation on the edge of town. Sustaining the motel is the practice of taking in occupants who have until only recently been incarcerated—an arrangement that Darcy’s parents have arranged with the Department of Corrections for a price. EDGE OF THE WORLD Dir. Randy Redroad, USA, 85 min. NEW YORK PREMIERE Mitch Davis has a long winning history as the Boys Ranch cross country coach. Admired for his leadership with at risk young men, he is well respected by his peers. But, since a devastating personal loss five years ago, Coach Davis has not been the same. HOW TO GROW YOUR OWN Dir. Milton Chassman, USA, 91 min. EAST COAST PREMIERE One part mockumentary, one part docu-drama, How to Grow Your Own could very well be cinema’s first ever mocku-drama! It tells the story of a weed-growing agoraphobic and the directionless stoner who comes to stay. INTO THE VALLI Dir. Nicholas Buscarino, USA, 77 min. WORLD PREMIERE Into the Valli takes us on a dive into Chris Parrella’s warped mind; which houses a multi-layered obsession to do whatever it takes to emulate the life of a legendary singer. As his family distances themselves, his obsession grows deeper in hopes he can reach the same level of success. MOVING PARTS Dir. Emilie Upczak, Trinidad and Tobago, 77 min. NEW YORK PREMIERE After the death of her father, Zhenzhen hires a smuggler to take her to the Caribbean island where her brother, Wei, works in construction. Wei gets her a job at a restaurant, but when the smuggler demands more cash, she is forced into a compromising position. Help comes unexpectedly from Evelyn, who runs an art gallery in the neighborhood—but the contrast between the dark rooms above the restaurant and the blindingly white gallery calls everyone’s innocence into question. MURDER MADE EASY Dir. Dave Palamaro, United States, 76 min. EAST COAST PREMIERE Best pals Joan and Michael host an elaborate dinner party for their dearest friends to remember the passing of Joan’s husband Neil. But as each guest arrives they find that their very lives are on the menu to protect a secret that links them all. Pop Horror.com calls Murder Made Easy: “A spectacular homage to the classic murder mysteries of Agatha Christie and Alfred Hitchcock.” MY NAME IS BATLIR, NOT BUTLER Dir. Stare Yildirim, Turkey, 90 min. QUEENS PREMIERE In My Name is Batlir, Not Butler, the film’s protagonist says, “I’m not actually overweight, I just have some excess in a certain area….It is told in Anatolia that, the baby looks like whatever the mother craves for while she is pregnant. My mother craved for watermelon. I mostly talk to 52 Hertz, she is the loneliest whale in the world, and she is my best friend.” NYMPHADELLE Dir. Quentin de Jubécourt, France, 55 min. NEW YORK PREMIERE A long time ago, in a medieval world, Aegeus, son of Lord Theron, is forced to hide in the forest after the murder of his parents for political reasons. He meets there a young woman, Asteria, who decides to follow him on his journey. ONE BEDROOM Dir. Darien Sills-Evans, USA, 83 min. QUEENS PREMIERE Breaking up is easy. Moving out is hard. After five years of ups and downs, an African American 30-something couple in a gentrifying Brooklyn neighborhood spends their final afternoon together arguing and remember better days, as one of them moves out and hopefully on with her life. REGIONRAT Dir. Javier Reyna, USA, 99 min. EAST COAST PREMIERE Ray, a pothead underachieving teenager, feeling lonely after a self-imposed six months exile in Seattle, returns to his hometown and as he reconnects with friends, he is soon reminded why he left town in the first place. Based on the novel by Richard Laskowski. SNOWFLAKE Dir. Adolfo Kolmerer and William James, Germany, 121 min. In an odd twist of fate, Tan and Javid find themselves living out a bizarre screenplay page by violent page. While hunting down the murderer of their families, their reality turns topsy turvy when they read of their own untimely deaths and realize this screenplay is coming true. SOMETHING Dir. Stephen Portland, USA, 90 min. EAST COAST PREMIERE A man (Michael Gazin) and woman (Jane Rowen) are struggling to adjust to life with their new baby. But their situation begins to unravel further, when they start to suspect that a menacing stranger could be lurking, watching, even entering their home. This twisty and chilling single-location drama/horror/mystery will keep you guessing right up until the end, and even after that. SUSHI TUSHI OR HOW ASIA BUTTED INTO AMERICAN PRO FOOTBALL Dir. Ziad Hamzeh, USA, 90 min. NEW YORK PREMIERE The coach of a pro football team, The Portland Lobsters, that has lost 32 in a row, as a last resort, travels to Japan to buy a school of sumo wrestlers. He intends to bring the sumo wrestlers back to Maine to replace his inept offensive line. The team is eventually able to form a front line that allows their QB to throw a pass and not get sacked. T-JUNCTION Dir. Amil Shivji, Tanzania, 105 min. After the passing of her estranged father, Fatima makes an unlikely friend at a hospital, Maria. Bound by pain, Fatima keeps coming back to hear Maria’s tale of the T-junction where she found love and loss in a ragtag community. THE BEST OF ALL WORLDS Dir. Adrian Goiginger, Austria, 103 min. QUEENS PREMIERE A kid’s true story of his life in the unusual world of his heroin addict mother and their love of each other. THE DIRTY KIND Dir. Vilan Trub, USA, 85 min. WORLD PREMIERE Raymond, a young private investigator specializing in divorce, gets too ambitious and takes on a case that involves more than just snapping pictures of cheating couples. While searching for the estranged daughter of a client, Raymond discovers that she works as a stripper under the name Natalie Cottontail. Natalie’s exploits bring together a desperate collection of lost souls – sucking everyone down a drain of despair. THE DOCTOR’S CASE Dir. James Douglas, Canada, 66 min. EAST COAST PREMIERE The Master of Horror meets the Master Detective. When a diabolical English lord is murdered, Sherlock Holmes and Watson must unexpectedly exchange roles in order to solve ‘the perfect locked room mystery.’ Based on the short story by Stephen King. THE ESCORT Dir. Bizhan Tong, United Kingdom, 69 min. WORLD PREMIERE When Eric pays an escort, Veronica, for 60 minutes of her time he intends to convince her to quit this line of work. But Veronica is no damsel in distress and what ensues is a verbal battle of wits which peel away the layers of who they really are. What they find out about themselves and the secret Eric holds will ensure nothing remains the same again. THE MISSING SUN Dir. Brennan Vance, USA, 78 min. NEW YORK PREMIERE After a solar flare powers down her remote community, Alma discovers her husband Terry comatose. Suspecting he is having an out-of-body affair with an ex-lover, Alma attempts to bring him back to reality with help from Terry’s estranged, drug-addled son and the leader of a new-age religion that specializes in astral travel. THE SONG OF SWAY LAKE Dir. Ari Gold, USA, 94 min. NEW YORK PREMIERE It’s summer on Sway Lake, the most glamorous lake in the Adirondacks – former playground of the jazz-age New York aristocracy. Music collector Ollie Sway recruits his only friend, a rowdy Russian drifter, to help him steal a 78 record from his own family’s estate. TRAUMA Dir. Lucio A. Roja, Chile , 107 min. A shocking, brutal tale that blends the dark history of Chile’s recent past (violent and repressive military dictatorship of Pinochet) with the seemingly modern and progressive Chile of today. The two worlds clash when a group of women venture to the idyllic countryside for a weekend of fun. However, their outing soon turns nightmarish when a man, a victim of torture in the hands of the government, unleashes his pent-up rage on them. VIRGINIA MINNESOTA Dir. Daniel Stine, USA, 97 min. NEW YORK PREMIERE Separated for fifteen years by a childhood tragedy that robbed them of their mysterious and inspirational little friend, Virginia, two young women—Lyle and Addison—are reunited at the place both vowed never to return. Together, they embark on an illuminating overnight journey where they revisit painful memories and discover long-forgotten gifts Virginia had bestowed on them so many years before. WE (WIJ) Dir. Rene Eller, The Netherlands, 100 min. Sex, nihilism and aimless youth…During one hot summer in a Belgian-Dutch border village, eight teenagers play games of discovery to break the listless monotony. They challenge each other and themselves and soon, their sexual curiosity starts to blur the lines between right and wrong.DOCUMENTARIES:
BENEATH THE INK Dir. Cy Dodson, USA, 13 min. EAST COAST PREMIERE A timely look at hate and racism in one Southeastern Ohio community that reveals heartfelt moments of change and redemption. BETWEEN NEIGHBORHOODS Dir. Seth Fein, USA, 82 min. Have you seen the Unisphere? What do you see? Between Neighborhoods sees the interborough and international histories of imperialism and immigration that orbit the world, in Queens, across the last fifty years. HORROR MOVIE: A LOW BUDGET NIGHTMARE Dir. Gary Doust, Australia, 100 min. NEW YORK PREMIERE A filmmaker’s life-long dream turns into a nightmare when he sets out to make a super-low-budget horror film about an aborted fetus that seeks revenge on its family. With Hollywood ‘scream queen’ Dee Wallace (E.T., Cujo, The Howling) onboard, union issues and the budget spiralling out of control, it’s not long before things wildly go off the rails. KEW GARDENS: SAVE THE BRIDGE Dir. Jonathan Oliveira, USA, 19 min. WORLD PREMIERE A series of mom and pop shops reside on the Kew Gardens bridge which bring a variety of uniqueness to the community; but after the MTA pleas for the bridge to be brought down, three teens take it upon themselves to give the people of Kew Gardens a voice to speak out against the corporate giant. MODIFIED Dir. Aube Giroux, Canada, 87 min. NEW YORK PREMIERE Modified is a feature-length documentary-memoir that questions why genetically modified organisms (GMOs) are not labeled on food products in the United States and Canada, despite being labeled in 64 countries around the world. NOTHING CHANGES: ART FOR HANK’S SAKE Dir. Matthew Kaplowitz, USA, 80 min. How far would you go to pursue your passion? At 87 years old, Hank Virgona commutes to his Union Square studio six days a week and makes art. Despite poor health, cancer, lack of revenue and obscurity as an artist, Hank is unrelenting in his quest to understand how life and art are the same. OPERATION WEDDING Dir. Anat Zalmanson-Kuznetsov, Israel and Latvia, 63 min. QUEENS PREMIERE Leningrad, 1970. A group of young Soviet Jews who were denied exit visas, plots to “hijack” an empty plane and escape the USSR. STAMP SHOW Dir. Michael Fishman, USA, 14 min. WORLD PREMIERE In 2016 the world’s largest stamp show, which takes place once every ten years, was held in NYC at the Javits Convention Center. The subject was intriguing though I knew it would be crowded and challenging (the official count for attendees was 23,017). With a small camera in hand, I set out to capture the experience of attending the sprawling show. THE COMMODORE STORY Dir. Steven Fletcher, United Kingdom, 120 min. EAST COAST PREMIERE A cram-packed 2-hour documentary that take us through Commodore’s world changing evolution from the 70’s to the 90’s from the PET, Vic20, C64 to the Amiga and beyond including the very rare C65 and the wave of new Commodore related products that are hitting the market today. Commodore was started by Jack Tramiel who was a survivor of the Holocaust. THIS LAND Dir. Alan Thompson, USA, 58 min. NEW YORK PREMIERE This land is our only home, yet due to our addiction to fossil fuels, a finite, non-renewable source of energy to sustain our lifestyles, we are putting our future at risk. This Land takes us from the Texas and Mexico border to the Dakotas, and then Northern Canada. We’ll meet native and local communities fighting against gas and oil pipelines and see what is at stake for our land, this land.SHORT FILMS:
88 CENTS Dir. Tyler Pina, USA, 37 min. NEW YORK PREMIERE A TAXI OF COLDNESS Dir. Joonha Kim, South Korea, 20 min. ACE Dir. Jordan Gear, USA, 19 min. NEW YORK PREMIERE AN AMERICAN ATTORNEY IN LONDON Dir. Darrell Alden, United Kingdom, 15 min. NEW YORK PREMIERE ANGEL OF ANYWHERE Dir. James Kicklighter, USA, 22 min. ANOTHER GIRL Dir. Austin Kase, USA, 22 min. AWKWARD Dir. Jared Beekhuyzen, Australia, 13 min. WORLD PREMIERE BLESS ME FATHER Dir. Paul Horan, USA, 16 min. BUTTERFLIES Dir. Cady McClain, USA, 13 min. QUEENS PREMIERE CAST IRON CAN’T BE WELDED Dir. Buks Rossouw, South Africa, 19 min. CREATIVE BLOCK Dir. Nicola Rose, USA, 16 min. QUEENS PREMIERE DAMES IN CARS Dir. Jason Spagnuoli, USA, 6 min. DOOR TO DOOR Dir. Kevin Etherson, USA, 9 min. QUEENS PREMIERE E.RO.SION, NOUN Dir. Catriona Rubenis-Stevens, USA, 14 min. QUEENS PREMIERE FLOAT Dir. Tristan Seniuk and Voleak Sip, USA 24 min. QUEENS PREMIERE JESSICA Dir. Jessica Kingdon, USA, 11 min. JOE Dir. Kaye Tuckerman, USA, 20 min. NEW YORK PREMIERE LOSS Dir. Jayne Nicoletti, USA, 3 min. MS. LINDA Dir. Ciara Cordasco, USA, 3 min. MY NAME IS SOMEBODY Dir. Orges Bakalli, USA, 14 min. ONCE UPON A DREAM Dir. Anthony Nion, Belgium, 13 min. QUEENS PREMIERE PATH OF DREAMS Dir. Tamara Ruppart, Japan, 25 min. QUEENS PREMIERE PHOTOKILL Dir. Lance J. Reha, USA, 19 min. PIETAS Dir. Lance J. Reha, USA, 4 min. R.V Dir. Will Hawkes and Melissa Center, USA, 10 min. EAST COAST PREMIERE ROOSTER AND THE QUEEN Dir. Aaron Weisblatt , USA , 18 min. ROSE AND PEONY Dir. Sébastien Azzopardi , France, 11 min. SISTERS Dir. Charles Ancelle, USA, 21 min. NEW YORK PREMIERE ST. JOSEPH Dir. Kathrina Miccio, USA, 24 min. NEW YORK PREMIERE SWEETHEART Dir. Marco Spagnoli, Italy, 8 min. NORTH AMERICAN PREMIERE TABIIB (THE DOCTOR) Dir. Jim Savio, USA, 30 min. THE CONDUCTOR Dir. Xavier Guignard, United Kingdom, 22 min. EAST COAST PREMIERE THE GIRLS WERE DOING NOTHING Dir. Dekel Berenson, United Kingdom, 17 min. THE INVADERS Dir. Mateo Márquez, USA, 7 min. NEW YORK PREMIERE THE LONG WET GRASS Dir. Justin Davey, Ireland, 14 min. QUEENS PREMIERE THE NOISE OF THE LIGHT Dir. Valentin Petit, France, 23 min.
-
Eliran Malka’s THE UNORTHODOX to Open + Wes Anderson’s ISLE OF DOGS to Close 35th Jerusalem Film Festival
[caption id="attachment_30313" align="aligncenter" width="1200"]
The Unorthodox[/caption]
The Unorthodox, the first feature film directed by Eliran Malka, will make its world premiere as the opening film for this year’s 35th edition of the Jerusalem Film Festival on July 26, 2018. The Festival will close with a festive screening of the animated film, Isle of Dogs, by American director Wes Anderson which earlier this year opened the 2018 Berlin Film Festival.
THE UNORTHODOX
Synopsis: When Yakov Cohen’s daughter is expelled from school for ethnic reasons, he decides to fight back. It’s 1983 and Yakov, a printer in Jerusalem, is just a regular guy. He has no knowledge, no money, no connections and no political experience. But he does have the will and the passion to take action, and a belief that he and and other Sephardic Jews should be able to hold their heads up high. Yakov brings two friends along and together they start the first ethnic political group in Jerusalem, with an operation characteristic of the people they represent: not the suit-wearing types, but rather the people working their way up from the bottom. Their operation is informal, full of love for their fellow man, animated by a great sense of humor and a whole lot of rage. They didn’t know how to play the political game, so they made it all up as they went along – setting off on one of the oddest, most surprising and moving election campaigns Israel has ever known. Today, the Sfarad’s Guardians political party – known as “Shas” – is an empire, an institution and a brand influencing an entire society. Yakov Cohen still works at his printing house at the Bukharan Quarter in the heart of Jerusalem city. The Unorthodox is the first feature film directed by Eliran Malka, best known as the creator of the hit Israeli TV series Shababnikim. Inspired by the unique formation story of Israel’s Shas political party, which created a movement for Israel’s disenfranchised Sephardic community, the film is a comic drama about events that reshaped Israeli society and continue to resonate today. The Unorthodox also marks a return to the screen for lead actor Shuli Rand, who endeared himself to audiences in films such as Ushipizin by Gidi Dar, Marco Polo: The Missing Chapter by Rafi Bukai, and Life According to Agfa by Assi Dayan. In The Unorthodox Shuli Rand plays the lead role of Ya’akov Cohen, a man who, in wanting a small change, transformed an entire country. Director Eliran Malka is best known for the award winning Israeli television series Shababnikim, a humorous dive into the lives of four Jerusalem yeshiva students. Shababnikim was the top rated show on Israel’s HOT network last year, beating out imports such as Game Of Thrones and The Handmaid’s Tale. Malka studied at the Ma’aleh Film School in Jerusalem and also previously directed the short film 71 Square Meters.ISLE OF DOGS
[caption id="attachment_25762" align="aligncenter" width="1329"]
Isle of Dogs[/caption]
Wes Anderson’s new film transports us to Japan to tell the story of Atari, the nephew of a corrupt mayor. When the mayor banishes all dogs from the city of Megasaki, Atari highjacks a plane to Trash Island to find his pet. Joined by a pack of courageous canines, he embarks on a journey that will determine the fate of the region.
Through a long line of films including, The Royal Tenenbaums and The Grand Budapest Hotel, Anderson has established himself as one of the most esteemed and original filmmakers in the world. In Isle of Dogs, his second animated film, he creates a lush and exciting world, and continues to develop his unique cinematic language.
-
Short Film CANDY & RONNIE Tackling Drug Addiction to Screen at Pittsburgh Independent Film Festival [Trailer]

Tyler Tackett as Billy Isaaks & Mair Mulroney as Alice Murphy taking a pill in Candy & Ronnie The multi award-winning short film Candy & Ronnie, written and directed by Pittsburgh native filmmaker Skyko, has been selected for the 2018 Pittsburgh Independent Film Festival on Saturday June 23rd at 7PM, at Baverso Theater / Ryan Arts Center. The director and his producer-wife Lucy Macedo will be in attendance for a Q&A.
-
Jane Fonda to Receive Traverse City Film Festival Lifetime Achievement Award
Michael Moore, Oscar®-winning filmmaker and Traverse City Film Festival founder and president, announced today that Jane Fonda will be honored with the festival’s Lifetime Achievement Award. The award will be presented to Fonda during the festival’s 14th annual edition, running July 31 to August 5 along the beautiful shores of Lake Michigan in Traverse City, Michigan.
A two-time Oscar® winning actress (and seven-time Oscar® nominee), four-time Golden Globe® winner, two-time BAFTA winner, and Emmy® Award winner, Fonda is an American icon whose work both on screen and off has inspired audiences and women for decades.
“I can think of no other artist who has given more to her country,” said Moore. “What an honor for our festival audience to welcome and to be inspired by the work of this American Icon. Her voice is as needed today as much as ever.”
Moore will personally host the legendary actress, author, and activist at the Traverse City Film Festival, one of the most popular cultural events in the Midwest. The 2018 program is expected to result in more than 100,000 admissions to its roster of nearly 100 movies.
Fonda’s body of work includes “Coming Home” (for which she won the Academy Award® for Best Actress in 1978), “Klute” (for which she won the Academy Award® for Best Actress in 1971), ”They Shoot Horses, Don’t They?”, “Julia,” “The China Syndrome,” “On Golden Pond,” and “The Morning After” (films for which she received five additional Academy Award® nominations), and more than 40 other films. Since 2015, she has starred in the irresistible Netflix sitcom “Grace and Frankie,” and just this past spring in the hit film “Book Club.”
Fonda is also the subject of the revealing new HBO documentary “Jane Fonda in Five Acts” directed by Susan Lacy, which will screen at the festival, with Fonda and Lacy in attendance.
The festival will also present a 40th anniversary screening of “Coming Home,” a screening of “Julia”, and a free nighttime screening of “Nine to Five” projected on a 65-foot screen at the festival’s open space on the shores of Lake Michigan.
Fonda’s lifetime commitment to social change has also inspired a generation of artists and activists. She chairs the Georgia Campaign for Adolescent Pregnancy Prevention, sits on the boards of Women’s Day Media Center, which she helped found, and V-Day: Until the Violence Stops. She established the Jane Fonda Center for Adolescent Reproductive Health at the Emory School of Medicine and has long been a leading advocate for environmental issues, human rights, and the empowerment of women and girls.
-
Locarno Festival to Pay Tribute to the Taviani Brothers
[caption id="attachment_30299" align="aligncenter" width="1200"]
Paolo Taviani and Vittorio Storaro[/caption]
The Locarno Festival will pay tribute to the remarkable career of the Taviani brothers and also honor the memory of Vittorio Taviani, who died last April during the upcoming 71st edition. Director and screenwriter Paolo Taviani will be a guest in Piazza Grande and the tribute will be accompanied by the screening their film Good morning Babilonia (1987) in a new print restored by Italy’s National Film Archive (CSC) and Istituto Luce-Cinecittà.
Hallmarked by an expressive language in which both poetry and politics run deep, the Tavianis made a number of outstanding films in the history of Italian cinema. From the 1960s the two master directors produced work that was socially committed but also highly poetic, telling real stories that were often fraught with contradictions and bringing vital issues of political and civic engagement to the attention of a wider public. The Taviani’s talents were first shown to a Locarno audience in 1974 (San Michele aveva un gallo) and then later 1982 (La notte di San Lorenzo), a milestone screening in the Festival’s long history.
Paolo and Vittorio Taviani began directing films in 1954 with a series of documentaries on social subjects. The short feature San Miniato, luglio ’44, made in collaboration with Cesare Zavattini, belongs to this period. They went on to work with Joris Ivens on L’Italia non è un paese povero (1960). Their full-length feature film debut came in 1962 when, together with Valentino Orsini, they made Un uomo da bruciare, starring Gian Maria Volonté in a portrait of political activism that was inspired by Salvatore Carnevale, a Sicilian trade unionist murdered by the mafia. It was the first title in what was to become an impressively long filmography, as I sovversivi (1967) and Sotto il segno dello scorpione (1969) renewed the intense creative partnership to which they devoted their entire careers. As the years went by the Tavianis explored new styles and also began to achieve international recognition. San Michele aveva un gallo (1972) and Allonsanfàn (1974), with Marcello Mastroianni and Lea Massari, were selected for the Directors’ Fortnight, but it was in 1977, with Padre Padrone, based on an autobiographical novel by Gavino Ledda, that they won the Golden Palm and Critics’ Prize at Cannes. They received their awards from jury president Roberto Rossellini, and in Italy were also awarded a special David di Donatello and a Nastro d’Argento.
After Il prato (1979) the Tavianis made another remarkable film, La notte di San Lorenzo (1982), a choral portrait of life in rural Tuscany during the Second World War. Screened at Locarno in Piazza Grande, this was the Tuscan brothers’ first film with music by Nicola Piovani and it won them the Grand Prix at Cannes, plus David di Donatello and Nastro d’Argento awards for direction and screenwriting. The Tavianis then moved on to another literary adaptation, Kaos (1984). Based on Pirandello’s Novelle per un anno, it won a David di Donatello for best screenplay. Two years later they received a Golden Lion for career achievement at the Venice International Film Festival and in 1987 they embarked on a major international production with Good morning Babilonia, the story of two Tuscan brothers who emigrate to the USA to seek their fortune. They were to return to historical settings for Il sole anche di notte (1990), Fiorile (1993), Le affinità elettive (1996) and Tu ridi (1998). During the following decade the Tavianis made several features for television, including Resurrezione (2001) and Luisa Sanfelice (2004). They also continued to produce literary adaptations such as La masseria delle allodole (2007) and Maraviglioso Boccaccio (2015).
In 2012 the Tavianis returned to Berlin with Cesare deve morire and won the Golden Bear, as well as two David di Donatello awards for best direction and best film. The last feature on which they worked together was Una questione privata in 2017, eventually credited only to Paolo as director because of his brother’s failing health. Their last work in partnership, after a lifelong career together in filmmaking, rounded off a cycle whose closure leaves a strong sense of loss on the international cinema scene.
Carlo Chatrian, Artistic Director of the Locarno Festival: “Among the many pictures which could rightfully be screened to mark the extraordinary career of the Tavianis, Good morning Babilonia is a period drama that combines the beauty of Italian cathedrals with the nascent movie industry in California. Today – in an epoch in which the film art seems to be becoming somehow immaterial – it has a special resonance. It is not just a homage to the great Italian tradition of art and craft workshops, but also an insightful interpretation of what cinema is about, which includes craft skills in its collective artistic vision. In my view this, together with a consistently maintained ethical position, is one dimension of the Taviani brothers’ approach to filmmaking that deserves to be remembered. I am therefore especially happy and honored to be able to welcome Paolo Taviani to recall the splendid contribution that he, together with his brother Vittorio, made towards the ageless cinema we celebrate every year in Locarno.”
The Locarno Festival will pay tribute to Paolo Taviani in Piazza Grande and the tribute will be accompanied by a world premiere screening of the restored print of Good morning Babilonia (1987) by the Italian National Film Archive (CSC) and Istituto Luce-Cinecittà.
The 71st Locarno Festival will take place from 1 to 11 August 2018.

The Santa Barbara International Film Festival (SBIFF) will return for the 34th edition of the festival, from January 30 to February 9, 2019,Official festival screenings and related events will be held throughout Santa Barbara, including the Arlington and Lobero Theatres.
“It’s extraordinary and a cause for celebration that SBIFF is heading into its 34th edition. We love that after this past difficult year, Santa Barbara is anxiously ready to welcome once again more world-class filmmakers – and putting together our popular and insightful panels and tributes. Join us,” said SBIFF Executive Director Roger Durling.
Last year’s Tribute Honors were bestowed upon artists including Allison Janney, Margot Robbie, Jordan Peele, Guillermo Del Toro, Saoirse Ronan, Sam Rockwell, and Timothée Chalamet. The festival’s acclaimed Panel Series will return highlighting the year’s most accomplished producers, writers, and women in the entertainment industry.