The World Premiere of Justin Lee’s heart-pounding sasquatch movie Big Legend, will open the Portland Horror Film Festival on June 13th.
Kevin Makely stars as an ex-soldier who ventures into the Pacific Northwest to uncover the truth behind his fiance’s disappearance and finds more than bargained for after teaming up with a local hunter. The powerhouse cast includes Todd A. Robinson, Summer Spiro, with horror-icons Amanda Wyss (A Nightmare on Elm Street), Adrienne Barbeau (The Fog), and Lance Henriksen (Aliens).
Director Justin Lee, actors Kevin Makely, Todd A. Robinson, and Amanda Wyss, Executive Producer Shawn Nightingale, and Producer Drew Garrettson will be in attendance for the World Premiere.
Filmed on location in the Pacific Northwest, Big Legend is a Papa Octopus Production headed by Kevin Makely, Shawn Nightingale and Justin Lee.
https://www.youtube.com/watch?v=FeAuKeB70mM-
World Premiere of BIG LEGEND to Open the 2018 Portland Horror Film Festival [Trailer]
The World Premiere of Justin Lee’s heart-pounding sasquatch movie Big Legend, will open the Portland Horror Film Festival on June 13th.
Kevin Makely stars as an ex-soldier who ventures into the Pacific Northwest to uncover the truth behind his fiance’s disappearance and finds more than bargained for after teaming up with a local hunter. The powerhouse cast includes Todd A. Robinson, Summer Spiro, with horror-icons Amanda Wyss (A Nightmare on Elm Street), Adrienne Barbeau (The Fog), and Lance Henriksen (Aliens).
Director Justin Lee, actors Kevin Makely, Todd A. Robinson, and Amanda Wyss, Executive Producer Shawn Nightingale, and Producer Drew Garrettson will be in attendance for the World Premiere.
Filmed on location in the Pacific Northwest, Big Legend is a Papa Octopus Production headed by Kevin Makely, Shawn Nightingale and Justin Lee.
https://www.youtube.com/watch?v=FeAuKeB70mM
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EIGHT GRADE and HALF THE PICTURE Win at Sundance London
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EIGHTH GRADE[/caption]
Sundance Film Festival: London ’18 wrapped after four days, with the Audience Favourite award going to Eighth Grade directed by Bo Burnham; and director Amy Adrion was awarded a special Picturehouse #WhatNext Prize.
Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school — the end of her thus far disastrous eighth grade year — before she begins high school.
Eighth Grade had its International premiere at Sundance Film Festival: London following its World Premiere at the 2018 Sundance Film Festival in Park City, Utah, U.S.A. Festivalgoers voted in the thousands for their favourite films across the four-day event at Picturehouse Central for this Audience Favourite Award.
The special Picturehouse #WhatNext prize was awarded to Amy Adrion for the way her documentary Half the Picture represents key female voices and helps amplify the conversation around the treatment of female directors in Hollywood. With seven out of the twelve films presented in the main programme directed by women, the 2018 Sundance London festival celebrated female talent and asked #WhatNext for a fairer film future.
Half the Picture had its European premiere at Sundance Film Festival: London following its World Premiere at the 2018 Sundance Film Festival in Park City, Utah, U.S.A. At a pivotal moment for gender equality in Hollywood, successful women directors tell the stories of their art, lives and careers. Having endured a long history of systemic discrimination, women filmmakers may be getting the first glimpse of a future that values their voices equally.
Over 30 filmmakers and actors attended the festival to introduce their films and participate in audience Q&As, including Toni Collette and Ari Aster for the Time Out Gala film Hereditary; Ethan Hawke for First Reformed; Idris Elba and cast members from his directorial debut Yardie; and Crystal Moselle and the cast of Skate Kitchen.
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16 German Films to World Premiere in New German Cinema Section of Filmfest München
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Mackie Messer – Brechts Dreigroschenfilm[/caption]
16 German film productions are celebrating their world premiere in the New German Cinema section of the Filmfest München – Munich International Film Festival. Starting things off is Joachim A. Lang’s “Mackie Messer – Brechts Dreigroschenfilm“, the opening film of the 36th Filmfest München, whose message is Brecht’s aphorism “In the contradiction lies the hope.”
Against the backdrop of historical circumstances, Oliver Haffner’s feature film “Wackersdorf – Be Alert, Courageous and Solidaric” raises a sensitive question about political activism: as personal as it is suspenseful, the film depicts opposition to the construction of a nuclear reprocessing plant in 1980s Bavaria.
“Safari – Match Me If You Can” by Munich director Rudi Gaul is about love in the digital age. A new dating app, Safari, makes the Bavarian capital a vehicle for self-promotion. Arthur Schnitzler’s stage play “La Ronde” is catapulted into the present day, with hilarious consequences.
Robert Bohrer and Emma Rose have submitted a most unusual “Love Movie”. An apathetic thirtysomething falls in love with a war photographer, and together they experience all the highs and lows of a relationship.
Jakob Lass, whose “Love Steaks” earned the Förderpreis Neues Deutsches Kino in four categories in 2013, is back in Munich. In his latest film, “Right Here Right Now”, we live through the last night of a Hamburg club and everything that a good farewell party entails. Partying is also a theme in Henning Gronkowski’s “Yung”. The film portrays Berlin teenagers on their (often wrong) way through the city and through life. Naturally this includes hedonism, sexuality, and drugs.
Several of the films in this year’s New German Cinema section broach the issue of relations between the sexes. Linus de Paoli’s thriller “A Young Man with High Potential” is the shocking story of a highly intelligent but prudish student of computer science who turns to chemical substances when rejected by the object of his affection. By contrast, in Leonel Dietsche’s “The New End”, only the men survive in a post-apocalyptic world in which might makes right.
Philipp Eichholtz’s comedy “Everything Always All the Time” is a bit more playful and lighthearted. In, Kim would like to be a man. That isn’t such an easy thing when others must first get used to this kind of new identity.
In Eva Trobisch’s drama, the protagonist tells herself things will be “All Good”. Since being raped, she does everything she can to keep up appearances — in order not to lose her job. Ann-Kristin Reyels’ “We Were Just Playing” is another film in which a character has a dark secret. Miro and Jona come from different worlds and want to be friends nonetheless.
Damian John Harper’s “In the Middle of the River” is about a traumatic incident: a young man returns to his home town to kill his grandfather. At the moment of truth, his plan is thwarted and the two men are forced to spend the rest of the day with each other. Family situations with a potential for conflict are also at the root of Michael Klier’s chamber play “Family Idiots”, about a mentally disabled girl whose family must decide whether to send her to an institution. It’s a moral question that threatens to pit the family members against each other. Katinka Narjes’ film “Sirens” is also about family ties: the bond between two sisters is indestructible, yet they must learn to let go.
Two documentaries are part of the New German Cinema section in 2018. In “The Brasch Family”, Annekatrin Hendel tells the story of three generations of a German family full of history, conflicts, and twists. In the meantime, Lola Randl, a previous guest at Filmfest München, offers a subjective and personal exercise in self-experimentation with “The Bees and the Birds”, moving to the countryside and exploring alternative ways of living both in front of and behind the camera.
As usual, the best achievements by new directors in the New German Cinema section will be awarded the Förderpreis Neues Deutsches Kino. The FIPRESCI Award will also be given for the fourth time to the best film in the section.
All the films in the New German Cinema section:
“A Young Man with High Potential”
by Linus de Paoli, Germany 2018
starring Adam Ild Rohweder, Amanda Plummer, Paulina Galazka, Vanja Bajdarova, Pit Bukowski Schattenkante, Hahn Film
“Alles ist gut” (“All Good”)
by Eva Trobisch, Germany 2018
starring Aenne Schwarz, Andreas Döhler, Hans Löw, Tilo Nest, Lina Wendel
TRIMAFILM GmbH, Starhaus Filmproduktion, BR
“Ende Neu” (“The New End”)
by Leonel Dietsche, Germany 2018
starring Sylvester Groth, Georg Friedrich, Milena Tscharntke, Samuel Schneider, Mick Morris Mehnert
Filmakademie Baden-Württemberg, SWR, Paxfilm
“Familie Brasch” (“The Brasch Family”)
by Annekatrin Hendel, Germany 2018
starring Marion Brasch, Katharina Thalbach, Christoph Hein, Bettina Wegner, Florian Havemann
IT WORKS! Medien GmbH, von Vietinghoff Filmproduktion, RBB, SWR, MDR
“Idioten der Familie” (“Family Idiots”)
by Michel Klier, Germany 2018
starring Lilith Stangenberg, Jördis Triebel, Hanno Koffler, Florian Stetter, Kai Scheve
Michael Klier-Film, almost famous UG, RBB, Arte
“In the Middle of the River”
by Damian John Harper, Germany/USA 2018
starring Eric Hunter, Max Thayer, Nikki Lowe, Matthew T. Metzler, Ava Del Cielo
Weydemann Bros., ZDF – Das kleine Fernsehspiel, Arte
“Kim hat einen Penis” (“Everything Always All the Time”)
by Philipp Eichholtz, Germany 2018
starring Martina Schöne-Radunski, Christian Ehrich, Stella Hilb, Matthias Lier, Lana Cooper
Von Oma gefördert
“Liebesfilm” (“Love Movie”)
by Robert Bohrer, Emma Rosa Simon, Germany 2018
starring Eric Klotzsch, Lana Cooper, Hartmut Becker, Sabine Vitua, Gerdy Zint
BASIS BERLIN Filmproduktion, Deutsche Film- und Fernsehakademie Berlin (DFFB), ZDF – Das kleine Fernsehspiel
“Mackie Messer – Brechts Dreigroschenfilm”
by Joachim A. Lang, Germany 2018 starring Lars Eidinger, Tobias Moretti, Hannah Herzsprung, Joachim Król, Claudia Michelsen
Zeitsprung Pictures GmbH, SWR, Arte, Velvet Films
“Nixen” (“Sirens”)
by Katinka Narjes, Germany 2018
starring Odine Johne, Lucy Wirth, Emelie Harbrecht, Roland Bonjour
Deutsche Film- und Fernsehakademie Berlin (DFFB)
“Safari – Match Me If You Can”
by Rudi Gaul, Germany 2018
starring Justus von Dohnányi, Sunnyi Melles, Elisa Schlott, Juliane Köhler, Max Mauff
Rat Pack Filmproduktion GmbH, Tele München GmbH, Martin Richter Filmproduktion
“So was von da” (“Right Here Right Now”)
by Jakob Lass, Germany 2018
starring Niklas Bruhn, Tinka Fürst, David Schütter, Mathias Bloech, Bela B. Felsenheimer
C-Films Deutschland GmbH, DCM Pictures GmbH, Tatami Films GmbH
“Von Bienen und Blumen” (“The Bees and the Birds”)
by Lola Randl, Germany 2018
starring Lola Randl
DETAiLFILM GmbH, Tohuwabohu GmbH
“Wackersdorf” (“Wackersdorf – Be Alert, Courageous and Solidaric”)
by Oliver Haffner, Germany 2018
starring Johannes Zeiler, Anna Maria Sturm, Peter Jordan, Fabian Hinrichs, Sigi Zimmerschied
if… Productions, BR, Arte
“Wir haben nur gespielt” (“We Were Just Playing”)
by Ann-Kristin Reyels, Germany 2018
starring Finn-Henry Reyels, Roman Bkhavnani, Silke Bodenbender, Godehard Giese
kurhaus production Film & Medien GmbH, ZDF – Das kleine Fernsehspiel
“Yung”
by Henning Gronkowski, Germany 2018
starring Janaina Liesenfeld, Emily Lau, Joy Grant, Abbie Dutton
G.G. Production GmbH, deutschfilm GmbH
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Alex Gibney Directing New HBO Documentary on the Rise and Fall of Healthcare Company Theranos
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Alex Gibney[/caption]
Academy Award winner Alex Gibney is working on a new documentary for HBO, investigating the rise and fall of Theranos, the one-time multibillion-dollar healthcare company founded by Elizabeth Holmes.
In 2004, Elizabeth Holmes dropped out of Stanford to start a company that was going to revolutionize healthcare. In 2014, Theranos was valued at $9 billion, making Holmes, who was touted as “the next Steve Jobs,” the youngest self-made female billionaire in the world. Just two years later, Theranos was cited as a “massive fraud” by the SEC, and its value was less than zero.
Drawing on extraordinary access to never-before-seen footage and testimony from key insiders, director Alex Gibney will tell a Silicon Valley tale that was too good to be true. With all the drama of a real-life heist film, the untitled documentary will examine how this could have happened and who is responsible, while exploring the psychology of deception.
“This story is a classic example of truth is more dramatic than fiction,” says Gibney. “The characters are at once larger-than-life and real.”
A Jigsaw Production for HBO Documentary Films; directed and written by Alex Gibney (“Enron: The Smartest Guys in the Room,” HBO’s Emmy-winning “Going Clear: Scientology and the Prison of Belief“); producers, Alex Gibney, Erin Edeiken, Jessie Deeter; editor, Andy Grieve; co-editor, Alexis Johnson; associate producer, Ophelia Harutyunyan; executive producer Graydon Carter. For HBO: executive producers, Sara Bernstein, Nancy Abraham.
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Leonardo DiCaprio to Produce TV Documentary Series on President Ulysses S. Grant for History
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Leonardo DiCaprio[/caption]
History network has greenlit “Grant,” a six-part television documentary based on Pulitzer Prize-winning author Ron Chernow’s #1 New York Times bestselling biography, produced by Academy Award-winner Leonardo DiCaprio. The documentary will portray one of the most complex and under-appreciated generals and presidents in U.S. History – Ulysses S. Grant. Chernow will also serve as executive producer.
“Grant is one of the most brilliant, yet flawed figures in U.S. History and Chernow’s extraordinary biography has transformed our understanding of him at the deepest level,” said Eli Lehrer, Executive Vice President of Programming, History. “This documentary will look at the Civil War and Reconstruction through the intriguing lens of Grant and we look forward to bringing Chernow’s fascinating portrait of this president to life.”
The six-part documentary examines Grant’s life story using his perspective and experiences to explore a turbulent time in History – the Civil War and Reconstruction. Grant is known for his role as U.S. Army General and Commanding General during the Civil War, but few recognize his struggles during his youth, his time at West Point, his service in the Mexican War alongside some of the greatest names from U.S. military History or his several failed business ventures before the Civil War.
Criticized for a scandal ridden Presidency and with a reputation for being a drunk, Grant was often dismissed by scholars, even after he distinguished himself as an extraordinary military strategist and leader during the Civil War. However, a primary focus of his Administration was Reconstruction and the herculean task to reconcile the North and the South. One of the most courageous and unexpected initiatives of Grant’s Presidency was protecting the four million freed slaves who had become U.S. citizens with the right to vote – despite the enormous resistance he faced. Most notably after his presidency, Grant embarked on a world tour in hopes Americans would forget the scandals during his term and negotiated a contract with a friend – famed novelist Mark Twain – to publish his now famous memoirs.
History has seen continued success with mega-docs such as Emmy Award winner “The Men Who Built America,” Emmy Award winner “America: The Story of Us,” Emmy Award nominee “The World Wars,” and “Vietnam in HD.” Most recently, “The Men Who Built America: Frontiersmen” reached 26 million viewers on a Live+7 basis.
“Grant” is produced for History by Appian Way Productions and RadicalMedia in association with Lionsgate Television. Leonardo DiCaprio and Jennifer Davisson are executive producers for Appian Way Productions who are also producers on Lionsgate’s feature film based on the same property. Dave Sirulnick, Justin Wilkes and Fisher Stevens are executive producers for RadicalMedia. Ron Chernow is executive producer. Eli Lehrer, Mary E. Donahue and Jennifer Wagman are executive producers for History. Brian Volk-Weiss also serves as executive producer.
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Rooftop Films to US Premiere EXIT MUSIC Cameron Mullenneaux’s Docu-Portrait of Ethan Rice Dying with Cystic Fibrosis
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Ethan Rice, Subject of Exit Music[/caption]
On Saturday, June 16, Rooftop Films will present the U.S. Premiere of Exit Music, Cameron Mullenneaux’s intimate and emotional docu-portrait of Ethan Rice, a 28 year old with Cystic Fibrosis, during the final months of his life. Filmmaker Cameron Mullenneaux will be in attendance and will participate in a special conversation along with Green-Wood Cemetery’s Death Educator Amy Cunningham after the film.’
The event will take place at Green-Wood Cemetery, in Brooklyn and will feature a live musical performance by Samuel R Saffery.
Exit Music
Born with cystic fibrosis, 28-year-old Ethan Rice has been preparing to die his entire life. His father Ed, a Vietnam veteran with PTSD, immersed him in a world of imagination and documented it on camera, a hobby that provided relief from the fear of his son’s prognosis and his own painful past. Equal parts comedy and darkness, Exit Music is the last year, last breath, and final creative act of Ethan as he awaits the inevitable. Interweaving home movies with Ethan’s original music and animation, his story is an unflinching meditation on mortality and invites the viewer to experience Ethan’s transition from reality to memory. In a culture that often looks away from death, this film demystifies the dying process, a universal cornerstone of the human experience.
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Rob Tregenza’s GAVAGAI, Adapted from the Poetry of Tarjei Vesaas, Opens August 3 [Trailer]
Shadow Distribution has released the official trailer for Rob Tregenza’s GAVAGAI, adapted from the poetry of Tarjei Vesaas, considered to be one of Norway’s greatest writers. The film will open at Cinema Village in New York on August 3rd, and at the Music Hall in Los Angeles on August 10. Other select cities will follow.
Rob Tregenza’s uncompromising cinematic vision and devotion has, among other things, led him to direct such celebrated Independent films as Talking to Strangers, The Arc and Inside Out and to work with Jean-Luc Godard and, as a cinematographer with particular belief in long takes, for Alex Cox and Bela Tarr. In GAVAGAI, director Rob Tregenza and screenwriter Kirk Kjeldsen have adapted the poetry of Tarjei Vesaas, considered to be one of Norway’s greatest writers (1897-1970) to the screen.
German businessman Carsten Neuer travels to Norway to finish the impossible translation of some Norwegian poems by Tarjei Vesaas into Chinese, a project of his late wife. He hires Niko, a down-on-his-luck tour guide, to drive him to the poet’s home and places of inspiration to stimulate his own translation. On the road, the ghost of Carsten’s wife appears to him, while Niko struggles with the sudden consequences of his girlfriend’s pregnancy. On this journey, two very different men come to realize the transforming power of love, the limits of language, and the human need for friendship.
Shot entirely in Telemark, Norway on 35mm, the film stars Andreas Lust (from the Golden Bear-nominated film Der Räuber, The King’s Choice, and the Oscar-nominated film Revanche), Anni-Kristiina Juuso (from The Cuckoo and The Kautokeino Rebellion), and Mikkel Gaup (from Tregenza’s Inside/Out and the Oscar-nominated films Pathfinder and Breaking The Waves).
https://www.youtube.com/watch?v=QNOH5AagobM
Director
Rob Tregenza (born November 14, 1950) is a North American cinematographer, film director, and producer. Besides shooting his own projects, Tregenza also worked as a director of photography with other directors, including Béla Tarr (Werckmeister Harmonies), Claude Miller (Marching Band), Pierre William Glenn (The Sad and Lonely Death of Edgar Allan Poe), and Alex Cox (Three Businessmen). Tregenza earned his PhD from UCLA in 1982. He has produced, directed and photographed four feature films: Talking to Strangers (1987), which appeared at the Berlin International Film Festival, Edinburgh International Film Festival, Toronto International Film Festival; The Arc (1991), a co-production with Film Four International which showed in Berlin, Edinburgh, Toronto, and Chicago; Inside/Out (1997), which screened at Cannes, Toronto, Rotterdam, and Sundance; and Gavagai (2016). Tregenza’s first feature, Talking to Strangers, won him acclaim and the eye and praise of Jean-Luc Godard, who personally selected the film in 1996 to be showcased at the Toronto Film Festival. Richard Brody, of The New Yorker, wrote of the main character, Jesse, in the film: “The drive for [his] purity extends through all domains—intimate, intellectual, artistic, and, for that matter, religious—as the quest for experience comes into conflict with the yearning for the realization of a higher, even transcendently great, ideal.” Tregenza’s third feature, Inside/Out, premiered at the 1997 Cannes Film Festival in the Un Certain Regard section. Tregenza’s fourth feature film, GAVAGAI (2016) was shot in 35mm, in Telemark,Norway. It stars Andreas Lust (The Robber 2010, Revanche 2008), Anni-Kristiina Juuso (The Cuckoo 2009) and Mikkel Gaup (Kautokeino Rebellion 2008) GAVAGAI was based on 15 poems by Tarjei Vesaas.
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THE SILENCE OF OTHERS To Have NY Premiere At Human Rights Watch Film Festival
The award-winning documentary The Silence of Others is a beautiful, cinematic, and poetic film about the people who are fighting for justice and a reckoning in Spain on crimes committed by the Franco regime during its brutal 40 year rule. It won the two prizes – Audience Award (Panorama) and Peace Prize at the Berlinale – 2018 Berlin International Film Festival. The Silence of Others will have its NY premiere at the 2018 Human Rights Watch Film Festival in New York City this month
The Silence of Others reveals the epic struggle of victims of Spain’s 40-year dictatorship under General Franco, who continue to seek justice to this day. Filmed over six years, the film follows victims and survivors as they organize the groundbreaking “Argentine Lawsuit” and fight a state-imposed amnesia of crimes against humanity, in a country still divided four decades into democracy.
Synopsis: The Silence of Others offers a cinematic portrait of the first attempt in history to prosecute crimes of Franco’s 40-year dictatorship in Spain (1939-1975), whose perpetrators have enjoyed impunity for decades due to a 1977 amnesty law. It brings to light a painful past that Spain is reluctant to face, even today, decades after the dictator’s death.
Filmed with intimate access over six years, the story unfolds on two continents: in Spain, where survivors and human rights lawyers are building a case that Spanish courts refuse to admit, and in Argentina, where a judge has taken it on using the principle of universal jurisdiction, which allows foreign courts to investigate crimes against humanity if the country where they occurred refuses to do so.
The implications of the case are global, as Spain’s transition from dictatorship to democracy continues to be hailed as a model to this day. The case also marks an astonishing reversal, for it was Spain that pioneered universal jurisdiction to bring down former Chilean dictator Augusto Pinochet, and yet now it is an Argentine judge who must bring Spain’s own past to light.
The Silence of Others tells the story of this groundbreaking international lawsuit through the voices of five survivors who have broken Spain’s “pact of silence” and become plaintiffs in the case, including victims of torture, parents of stolen children, and family members who are fighting to recover loved ones’ bodies from mass graves across Spain. Guiding this monumental effort are Carlos Slepoy, the human rights lawyer who co-led the case against Pinochet, and Ana Messuti, a philosopher of law.
The case is making history: what started as a small, grassroots effort has yielded the first-ever arrest warrants for perpetrators, including torturers, cabinet ministers, and doctors implicated in cases of stolen children. It has brought the nearly forgotten case to the front page of The New York Times and has stirred a flurry of international attention.
Through this dramatic, contemporary story, The Silence of Others speaks to universal questions of how societies transition from dictatorship to democracy and how individuals confront silence and fight for justice. What happens when a country is forced to reckon with its past after so many years of silence? Can justice be done after so long?
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Almudena Carracedo and Robert Bahar[/caption]
Directors’ Statement: In 2010, the story of Spain’s “stolen children” began to come out. The story of these crimes, with roots in the early days of Franco’s rule, led us to explore the marginalization and silencing of victims of many Franco-era crimes, ranging from extrajudicial killings at the end of the Spanish Civil War to torture that took place as recently as 1975.
As we began to learn more, we were baffled by basic questions: how could it be that Spain, unlike other countries emerging from repressive regimes, had had no Nuremberg Trials, no Truth and Reconciliation Commission, no national reckoning? Why, instead, was a “pact of forgetting” forged in Spain? And what were the consequences of that pact, 40 years into democracy, for the still-living victims of Franco’s dictatorship?
When we began filming the process of the “Argentine lawsuit” in 2012, which challenged this status quo, few thought that it would amount to much. But as we filmed those early meetings, we could see that the lawsuit was stirring up something vital, transforming victims and survivors into organizers and plaintiffs and bringing out dozens, and then hundreds, of testimonies from all over Spain.
As the number of testimonies snowballed, the case was building into a persuasive argument about crimes against humanity that demanded international justice. We thus discovered that The Silence of Others was going to be a story about possibilities, about trying to breach a wall, and that, rather than focusing on what had happened in the past, it would be all about what would happen in the future. We also saw that the film would embody great passion and urgency because, for many of the plaintiffs, this case would offer the last opportunity in their lifetimes to be heard.
Even so, as we set out filming those early meetings, we could scarcely have imagined that we would follow this story for six years and film over 450 hours of footage.
Screenings at HRWFF-NY
Tuesday, June 19, 2018 at 6:30 PM
Film Society of Lincoln Center
Elinor Bunin Munroe Film Center
Wednesday, June 20, 2018 at 9:00 PM
IFC Center
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Watch New Trailer for Bollywood Biopic SANJU staring Ranbir Kapoor, Opens on June 29
After directing two of the highest grossing Bollywood movies of all-time (3 Idiots and P.K.), award-winning filmmaker Rajkumar Hirani returns with the epic biopic SANJU staring Ranbir Kapoor as cinema legend Sanjay Dutt (nicknamed “Sanju” by his legions of fans). The theatrical trailer has made its world premiere and has already been viewed nearly 30 million times on YouTube and Facebook after only one day. SANJU opens day and date worldwide on June 29.
SYNOPSIS: Few lives in our times are as dramatic and enigmatic as the saga of Sanjay Dutt. Coming from a family of cinema legends, he himself became a film star, and then saw dizzying heights and darkest depths: adulation of diehard fans, unending battles with various addictions, brushes with the underworld, prison terms, loss of loved ones, and the haunting speculation that he might or might not be a terrorist. Sanju is in turns a hilarious and heartbreaking exploration of one man’s battle against his own wild self and the formidable external forces trying to crush him. It depicts the journey of a man through everything that life can throw at him. Some true stories leave you thinking “did this really happen?” This is one such unbelievable story that happens to be true.
https://www.youtube.com/watch?v=1J76wN0TPI4
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Key West Film Festival Debuts First Stock Island Film Festival, Opens with DAMSEL Starring Robert Pattinson
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Mia Wasikowska, Robert Pattinson in Damsel.[/caption]
Next weekend, the Key West Film Festival will debut the new Stock Island Film Festival (STIFF for short). Celebrating the Keys’ long and notorious reputation as a haven for smuggling and drug-running, fishing and fighting, falling in love, and other nefarious activities, STIFF’s opening night feature film and shorts programs will bring you similarly-themed renegade films from around the world.
STIFF will dock legally at The Perry Hotel Key West (7001 Shrimp Road) and COAST (6404 Front Street) for an exciting and energetic three nights, Thursday June 7th through Saturday June 9th.
Florida’s very own bad boy doc-maker Billy Corben (Square Grouper, Cocaine Cowboys, Dawg Fight, ESPN’s 30 for 30 The U) will show a sneak peak of his latest project, A Sunny Place for Shady People. Hometown filmmaker and KWFF Director Quincy Perkins (Love in Youth) will also be there for the closing night awards party.
Opening Night, Thursday June 7th, will kick off with the new Zellner Brothers feature film Damsel (Sundance/Berlin 2018), starring Robert Pattinson, including a Q&A with the brother director team! Friday June 8th and Saturday June 9th will feature four shorts programs by international and local filmmakers.
Join Billy, Quincy, filmmakers, and film fans closing night poolside when awards will be handed out for Best Comedy and Documentary, the Audience Award (called the Square Grouper), the Perry Student Award, The Silver Stiffy for best local film and Golden Stiffy for best all-round potential, and the Corben Contraband selected by the co-host himself.
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Aaron Schimberg’s Oddball Comedy CHAINED FOR LIFE to World Premiere at BAMcinemaFest
The oddball comedy Chained for Life directed by Aaron Schimberg and starring Jess Weixler, Adam Pearson and Stephen Plunkett will World Premiere on Sunday, June 24th at BAMcinemaFest.
Building on the promise of his hallucinogenic debut Go Down Death, Brooklyn filmmaker Aaron Schimberg delivers another brilliantly oddball, acerbically funny foray into gonzo surrealism. In a deft tragicomic performance, Jess Weixler (Teeth) plays Mabel, a movie star “slumming it” in an outré art-horror film being shot in a semi-abandoned hospital. Cast opposite her is Rosenthal ( Under the Skin’s Adam Pearson), a gentle-natured young man with a severe facial deformity. As their relationship evolves both on and offscreen, Schimberg raises provocative questions about cinematic notions of beauty, representation, and exploitation. Tod Browning crossed with Robert Altman crossed with David Lynch only begins to describe something this startlingly original and deeply felt.
World Premiere: Sunday, June 24th at 6:30pm (Peter Jay Sharp Building BAM Rose Cinemas)
Aaron Schimberg:
Aaron Schimberg is a filmmaker living in New York. He is an alumnus of the 2017 New York Film Festival Artist Academy. His debut feature GO DOWN DEATH was called “an astonishing out-of-nowhere film” by Filmmaker Magazine and “a stunning midnight movie in the tradition of Jodorowsky and The Saragossa Manuscript” by The Dissolve. It was selected for inclusion in the IFP Narrative Lab. Aaron is a programmer at Brooklyn’s Spectacle Theater where he has curated dozens of programs including a series of North Korean films and a Tatsumi Kumashiro retrospective. He is the co-founder of Grand Motel Films, which, in 2016, rediscovered and restored the lost 1966 film WHO’S CRAZY?, featuring an original soundtrack by Ornette Coleman.
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Doppelgänger Releasing Partners with Bloody Disgusting, will Release Black Metal Comedy HEAVY TRIP
Doppelgänger Releasing announced a new distribution relationship with horror genre website Bloody Disgusting, and will kick things off with the release of Finnish black metal comedy Heavy Trip, which had its world premiere at SXSW. Doppelgänger (the genre label of arthouse distributor Music Box Films) is planning a limited theatrical run along with a home entertainment release in late 2018, and will screen the film at the upcoming Cinepocalypse Genre Film Festival at the Music Box Theatre in late June.
When Turo and his undiscovered heavy metal band—eventually named Impaled Rektum—get their first chance in 12 years to leave the basement and play at Norway’s biggest heavy metal music festival, they steal a van, a corpse, a coffin, and a drummer from the local mental hospital and hit the road.
“We’ve admired Bloody Disgusting’s ability to create and grow the most actively engaged online horror communities out there, and we’re looking forward to working with them on identifying and releasing exciting new content that pushes the boundaries of genre filmmaking,” said Lisa Holmes, Director of Sales at Music Box Films/ Doppelgänger Releasing. “Heavy Trip has a perfect combination of humor, heart, and heavy metal, and we’re excited to work with Bloody Disgusting to bring it to American audiences.”
“Heavy Trip is destined for cult classic status and we know horror and music fans will unite in celebration of this heartwarming, but totally metal comedy,” said Brad Miska of Bloody Disgusting. “We’re extremely proud of our Chicago roots and working with the prestigious Music Box is a dream come true. This is just the opening act! “