• Musical Drama SAINTS REST to Kick Off Summer at First Tuesdays at Midwest Independent Film Festival [Trailer]

    Saints Rest The Midwest Premiere of Saints Rest, from director Noga Ashkenazi (The Grey Area: Feminism Behind Bars) will kick off summer at First Tuesdays at the Midwest Independent Film Festival. An intimate family drama shot on location in Grinnel, Iowa, Saints Rest tells the story of two estranged sisters, who over the course of one summer, form a connection through their shared love of music as they grieve the recent death of their mother. Interweaving striking original music with an authentic and affectionate portrayal of a rural Midwest town, the film sweetly captures the tension between individual dreams and family obligations. Alternately funny and emotionally raw, Saints Rest serves as “musical comfort-food” for those who miss home, their childhood and their families, regardless of how imperfect it all may seem from a distance. Saints Rest recently won the Audience Award at RiverRun International Film Festival, where it screened to 3 sold-out shows. Co-written by Noga Ashkenazi and Chicagoan Tyson Stock, the film was co-executive produced by Rebecca Green (one of Variety’s 10 Producers to Watch and producer for two of the top-grossing and critically acclaimed independent films of 2015, It Follows (Cannes 2014) and I’ll See You in My Dreams (Sundance 2015). The director will be attending the screening along with select cast and crew. https://www.youtube.com/watch?v=yjU_WVgDFfg First Tuesdays: Saints Rest at the Midwest Independent Film Festival Date: Jun. 05, 2018 Time: 6:00pm – 9:30pm @Landmark’s Century Centre Cinema, 2828 N. Clark Street, Chicago, Illinois

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  • My Name Is Myeisha, Buddha.mov, Rock Steady Row, Crime + Punishment Win Top Awards at 4th Mammoth Lakes Film Festival

    [caption id="attachment_27273" align="aligncenter" width="1200"]My Name is Myeisha My Name is Myeisha[/caption] The winners of juried and audience awards of the 4th Annual Mammoth Lakes Film Festival (MLFF) were announced at the Closing Night Award Ceremony at the Sierra Event Center in Mammoth Lakes on Sunday, May 27, 2018. The festival, held from May 23-27, screened over 70 films, including 63 in MLFF’s competition categories. Each of the festival winners received an Orson the Bear Award, handcrafted by Josh Slater of Bear in Mind Carvings located in Mammoth Lakes. “This year’s festival exceeded our expectations on many levels. We welcomed more filmmakers, audience members, and media than in any of our other three years,” said Festival Director Shira Dubrovner. “Against the backdrop of our beautiful city, we were honored to host such an artistic collection of films that continues our commitment of bringing dynamic storytelling to our appreciative community.” “The number of attending filmmakers from all over the world and the quality of their work, combined with the involvement of the Mammoth Lakes community, brought to life a series of scintillating events and thought-provoking discussions at this year’s festival,” said Festival Programmer Paul Sbrizzi. “It has been my privilege to be a part of the Mammoth Lakes Film Festival since it’s conception,” said Documentary Features jury member Allison Amon (EVP Sales & Development, Bullitt). “The festival continues to grow both in scope and reputation, and it is incredibly inspiring to be here in the most beautiful landscape and surrounded by the creativity the festival attracts.” The 2019 festival is slated for May 22 to 26, 2019. The full list of Juried and Audience Awards is below:

    Juried Awards

    Jury Award for Best Narrative Feature, with a $1,000 cash prize, $10,000 Panavision Camera Rental Grant and $10,000 Light Iron Post Production Package, goes to My Name Is Myeisha. Jury Award for Best International Feature, with a $500 cash prize, goes to Tower. A Bright Day. Special Mention goes to writer, director, actor Thomas Aske Berg for his performance in Vidar the Vampire. Jury Award for Best Documentary Feature, with a $1,000 cash prize, goes to White Tide. Special Mention goes to Buddha.mov. Jury Award for Best Narrative Short, with a $500 cash prize and $5,000 VER Rental Grant, goes to Shadow Animals. Special Mentions go to Babies and In A Month. Jury Award for Best Documentary Short, with a $500 cash prize, goes to David and The Kingdom. Jury Award for Best Animation Short, with a $500 cash prize, goes to Cocoon, Cocoon. Special Mention goes to Nevada. Special Jury Award for Bravery, with a $500 cash prize, goes to Minding the Gap.

    Audience Awards

    [caption id="attachment_25678" align="aligncenter" width="1000"]Rock Steady Row Rock Steady Row[/caption] Audience Award for Best Narrative Feature, with a $1,000 cash prize and $5,000 Panavision Camera Rental Grant, goes to Rock Steady Row. Audience Award for Best Documentary Feature, with $1,000 cash prize, goes to Crime + Punishment.

    Jury

    Narrative Features Jury: Tim Rhys (MovieMaker Magazine), Nicole Sperling (Vanity Fair) and Rachel Winter (Producer). Documentary Features Jury: Allison Amon (EVP Sales & Development, Bullitt), Lindsey Bahr (Associated Press) and Peter Baxter (Filmmaker; President/Co-Founder, Slamdance). International Features Jury: Shalini Dore (Variety), Alonso Duralde (TheWrap) and Vincent Spano (Actor). Shorts Jury: Ana Souza (Sundance Film Festival) and Scenery Samundra (Tru Thoughts, NTS Radio).

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  • Watch Official Trailer for Ofir Raul Graizer’s THE CAKEMAKER

    The Cakemaker Strand Releasing has debut the official US trailer for the The Cakemaker, by Israeli filmmaker Ofir Raul Graizer.  The Cakemaker which had its World Premiere at the 2017 Karlovy Vary Film Festival will open in select US theaters on June 29th. Thomas, a young and talented German baker, is having an affair with Oren, an Israeli married man who dies in a car crash. Thomas travels to Jerusalem seeking answers. Keeping his secret for himself, he starts working for Anat, his lover’s widow, who owns a small café. Although not fully kosher and despised by the religious, his delicious cakes turn the place into a city attraction. Finding himself involved in Anat’s life in a way far beyond his anticipation, Thomas will stretch his lie to a point of no return. The Cakemaker is both written and directed by Israeli filmmaker/artist Ofir Raul Graizer, making his feature directorial debut after a number of short films previously.  https://www.youtube.com/watch?v=9XxLHyzsB_Q

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  • American Black Film Festival Announces 2018 Official Selections

    [caption id="attachment_29489" align="aligncenter" width="1200"]Jinn - Nijla Mu'min Jinn – Nijla Mu’min[/caption] The American Black Film Festival (ABFF) continues its 22-year legacy of providing a platform for diverse storytelling and emerging filmmakers, by announcing the 2018 official selections in all screening categories. The festival returns to Miami Beach, FL from June 13-17. From nearly 700 submissions, more than 40 films were selected for the 2018 ABFF lineup, representing a varied group of filmmakers who explore thought-provoking topics affecting people from around the world. The list also includes five alumni filmmakers and four world premieres. “ABFF attendees will experience groundbreaking works from a global selection of independent filmmakers. We are excited to showcase the films from our finalists this June in Miami Beach, Florida,” says Lamonia Deanne Brown, Director of Programming at ABFF Ventures. In 2017,the festival drew more than 8,500 attendees, generating millions of dollars in economic activity in Miami Beach and supported numerous local businesses along Lincoln Road. The 2018 American Black Film Festival Line Up (all categories):

    NARRATIVE FEATURES (In Competition)

    ANIMATOR / U.S.A. Director:Logan Hall and Julian Jones Cast: Levenix Riddle, McKenzie Chinn, Phillip Edward Van Lear, Anita Chandwaney and Geno Walker An artist gains the power to draw the future. When his girlfriend commits suicide, he learns he can erase the past, with chilling consequences. World Premiere BEFORE THE VOWS / Ghana Director:Nicole Amarteifio Cast:John Dumelo, Maame Adjei and Nathaniel Kweku Nii and Afua, a happy couple based in Ghana, devise an unconventional plan to ensure a long and happy marriage. CANAL STREET / U.S.A. Director:Rhyan LaMarr Cast:Bryshere Y. Gray, Mykelti Williamson, Mekhi Phifer, Woody McClain and Jamie Hector After a young mans is accused of murdering his classmates, his father, who is an attorney, defends him in court and struggles to hold onto his faith. World Premiere JINN / U.S.A. Director: Nijla Mu’min Cast:Zoe Renne, Simone Missick, Kelvin Harrison Jr., Hisham Tawfiq, Kelly Jenrette, Ashlei Foushee, Damien Smith and Maya Morales A shape-shifting, pepperoni-loving black teenage Instagram celebrity, exploresher identity and sexuality in the midst of her mother’s conversion to Islam. SPRINTER / Jamaica, U.S.A. Director: Storm Saulter Cast:Dale Elliott, Kadeem Wilson, Shantol Jackson and Bryshere Y. Gray A Jamaican teen hopes a meteoric RISE in TRACK AND FIELD can reunite him with his mother who has lived illegally in the U.S. for over a decade. World Premiere

    NARRATIVE SHOWCASE (Non-Competitive)

    A BOY. A GIRL. A DREAM. / U.S.A. Director: Qasim Basir Cast:Omari Hardwick, Meagan Good, Jay Ellis and Dijon Talton On the night of the 2016 presidential election, Cass, an L.A. club promoter, takes a thrilling and emotional journey with Frida, a Midwestern visitor. CHILDREN OF MUD / Nigeria Director: Imoh Umoren Cast:Liz Benson, Matilda Obaseki and Bassey Ekpenyong Children of Mudis a Nollywood story about love, hope and overcoming obstacles. THE FLEA / U.S.A. Director:Nicanson Guerrier Cast: Isaac Beverly, Sh’Kia Dennis and Kendall Mason Set in the Miami landmark, Flea Market USA, we follow assistant manager Quentin Parker on what is supposed to be his last day at the flea market. World Premiere

    HBO SHORTS

    EMERGENCY / U.S.A. Director: Carey Williams Cast:Darrell Lake, Jason Woods, Peter Pasco, Michael Segovia and Shaw Jones A group of young Black and Latino boys come home to their worst nightmare: An unconscious White girl on the floor of their apartment. Faced with this emergency, they weigh the pros and cons of calling the police. HAIR WOLF / U.S.A. Director: Mariama Diallo Cast:Kara Young, Taliah Webster, Madeline Weinstein, Trae Harris and Jermaine Crawford Set in a black hair salon in rapidly gentrifying Brooklyn, New York, the local residents fend off a strange new monster: white women intent on sucking the lifeblood from black culture. MOTHS & BUTTERFLIES / U.S.A. Director: Alfonso Johnson Cast: Amari Cheatom and Gillian Glasco “Moths” follows Lenny, a socially awkward, schizoaffective man & Cherisse, a high-energy BOUNDLESS soul, as they try to accept themselves in this New York tale about mental illness, love, and the longing to be understood. DAYS AFTER YOUR DEPARTURE / Haiti, U.S.A. Director: Sam Sneed Cast: Joekenneth Museau After losing his mother to a years long battle with cancer, Joekenneth Museau is left to question the meaning of his own existence. SUITABLE / U.S.A. Director:Thembi L. Banks Cast: Kelli Jordan, Tiffany Tenille and Derick Anthony Brandy, a high school tom boy, comes to terms with her sexuality when she decides what she’ll wear to the prom. At its core, this film tackles issues of sexuality, gender and the realities young, black women face as they come-of-age in modern society.

    WEB SERIES

    AVANT GUARDIANS / U.S.A. Director: Clarence Williams, IV Cast:Alesia Etinoff and Zainab Johnson A woke dramedy that covers a range of social justice topics such as mass incarceration, trans/homophobia, and bullying. The Guardian Angel to the 12 year-old future 3rdBlack President, Razz, is mandated to go to therapy with an ArchAngel, Dr. Hanniel. THE YARD / U.S.A. Director:John “Dr. Teeth” Tucker Cast:Fonzworth Bentley, Montrel Miller, Shaina Farrow, DJ Baby Yu and Korey Bryant Set on the campus of Booker A&T, a fictional historically black university, The Yard, is an animated sitcom that follows the comical adventures of five freshmen. Together these flawed students are about to get their first taste of the real world and experience numerous missteps as they navigate college and life. KELOID / U.S.A. Director:Huriyyah Muhammad Cast:Reynaldo Piniella and Kenna Jackson The story revolves around know-it all teenager Keloid, who is born with super abilities he neither wants nor is able to control and his strong-willed, overprotective mother, Marielle. Together they must find a way to survive Keloid’s adolescence, while maintaining SECRETS that keep them safe, and hiding from mistakes in their past that haunt them. BROOKLYNIFICATION / U.S.A. Director: Keith Miller Cast: Karl Williams, Felecia Harrelson, Lamar Cheston and Tallie Medel Brooklynificationis an uncomfortable comedy series about gentrification in New York’s most storied borough. This diverse cast of characters takes on the good, the bad, and the awkward as transforming neighborhoods face the unexpected encounters of Brooklyn’s rapidly changing streets. I AM NOT CHARLOTTE / U.S.A. Director:Jean Pierre Chapoteau Cast: Yani Simone and Darriel Violenes Charlotte, a college student, discovers she is in love with Jake and is convinced that inviting him to dinner will seal the deal. Charlotte takes advice from a few people that she knows all too well to help her win over her crush.

    DOCUMENTARIES

    FANTASTIC: THE LEGACY OF SLUM VILLAGE / U.S.A. Directors: Moe Lynch Cast: T3, Baatin, J Dilla, Q-tip, Common, Sway and Elzhi Fantastic tells the story of how three young men from the east side of Detroit formed one of the most underrated groups in hip hop history. From hustle to success through tragedy and breakups, the legacy of Slum Village lives on. World Premiere NOT IN MY NEIGHBOURHOOD / South Africa, Brazil, U.S.A. Director:Kurt Orderson Cast:Real life citizens Not in my Neigbourhoodgives the account of citizens on the FRONTLINE of the struggle against the intersectional nature of Gentrification from three seemingly World Class Cities: Cape Town, S?o Paulo, and New York. It follows their daily struggles, trials and triumphant moments, as they try to shape the cities they live in, from the bottom up. MAYNARD / U.S.A. Director: Sam Pollard Cast:President Bill Clinton, Ambassador Andrew Young, Rev. Al Sharpton, Mayor Kasim Reed, Mayor Shirley Franklin, Mayor Bill Campbell, Mayor Sam Massel, Rev. Jesse Jackson and Rev. Joseph Lowery He was Obama before Obama, Maynard Holbrook Jackson became first black Mayor of Atlanta, Georgia in 1973 and this film is an exploration into a man who had dreams and ambitions to be a public servant for his people seeing that it was the next logical step in THE JOURNEY that had been started by Dr. King and so many others who had blazed the trail during the years of horrific segregation.

    EMERGING DIRECTORS – Section #1

    UP NORTH / U.S.A. Directors:Emil Pinnock, Damaine Radcliff Cast:Eugene Clark, Ian Duff, Gabriel Ellis, Kris Lofton, Emil Pinnock, Damaine Radcliff When it comes to the prison system, it’s just as hard getting out as going in. Mothers and daughters, fathers and sons, predators and prey FIGHT TO SURVIVE on the streets of Harlem and in the prisons of New York. Up North, an Independent Original Series for TV, explores systems of incarceration, and systems of marginalization in modern day America. SEARCHING FOR ISABELLE / U.S.A. Director: Stephanie Jeter Cast: Charlee Marie Cotton, Stephanie Stockstill, Aida Delaz, Gage Wallace, Joshua J. Volkers While being held captive, Isabelle discovers a mysterious ability to project herself to the outside world. When she appears to her friends in a desperate appeal for help, they work together to try and find her – but time is running out. LALO’S HOUSE / Haiti, U.S.A. Director: Kelley Kali Cast:Garcelle Beauvais, Jimmy Jean-Louis, Jasmin Jean-Louis, Kyra Rose Inspired by true events, two young sisters must escape a child sex trafficking ring disguised as a Catholic orphanage after being taken from their home in Haiti. MOTHERS / U.S.A. Director:Aurora Ferlin Cast:Mickaëlle X. Bizet, Marta Cross, Mark Anthony Williams, Victor Rodriguez, Keena Ferguson When the teenage son of Denise Matthews is murdered, she struggles not to surrender to her grief. Despite her husbands’ concerns, Denise is determined to confront the accused killer in court. The morning of the arraignment she finds support in a chance encounter with an unlikely stranger. World Premiere

    EMERGING DIRECTORS – Section #2

    PAS HONTEUX / U.S.A. Director:John D. Tucker Cast:Travis LaBranch, Leon Lamar, Javicia Leslie, LaToya Edwards The story of a young African American slacker that wakes up one day speaking French. The film brings to light the fact that we not only judge people by their looks but also by the way they speak. So, what if a young urban African American suddenly speaks French? World Premiere FRENCH FRIES / U.S.A. Director:Janine Sherman Barrois Cast: Rebecca Naomi Jones, Carl McDowellMAYNARD A young, hip African-American foodie couple fights to resolvecommunication problems in a modern marriage of six years, four months and three and a half days. Sydney comes home to find that her husband, Jason, having an impromptuguys’ night. She winds up escaping to a hotel to work in silence, though that is not how the night unfolds. World Premiere TRAPEZE /U.S.A. Director:Mark Anthony Green Cast:Rance Nix, Otmara Marrero, Kitty Cash, Sinead Bovell, David Deblinger Oren got the email of his dreams-an invitation to a meeting his company’s CEO. That is if he can actually make it to the meeting. As he navigates through New York City’s decrepit public transportation, women who are out of his league, and a right-winged pedi-cab driver, he’s faced with an even bigger obstacle: political correctness. World Premiere JITTERS / U.S.A. Director: Otoja Abit Cast: Otoja Abit, Jason Patric, Walker Hare Minutes before nuptials, a neurotic young man locks himself away in the back room of a church with the best man he knows.

    EMERGING DIRECTORS – Section #3

    A CRAFTSMAN / U.S.A. Director:Sanford Jenkins Jr. Cast: Marvin Gay, Shirley Jordan, Leonard R. Garner Jr. Overcome with grief, as his late wife’s presence permeates the space they once share, a rural woodworker builds a coffin to be his final resting place. Until a neighbor visits. A FATHER’S LOVE / U.S.A. Director:RonReaco Lee Cast:Terayle Hill, Adriyan Rae, Tichina Arnold, E Roger Mitchell On the toughest day of his life, HIGH SCHOOL FOOTBALL stand-out Andrew is dealing with what teenagers go through and he has a difficult choice to make in regard to his girlfriend and her being pregnant. World Premiere BODEGA! / U.S.A. Directors: Donna Augustin-Quinn & Talibah L. Newman Cast:Aleksandr Krasnopolskiy, Anna Orlova, Eric Jennings, Hadiyah Robinson, Asha Winter, Eden Marryshow, Layla Silvestre, Sawandi Wilson, William Perry In a community facing rapid gentrification, Bodega takes an intimate, yet comedic and dramatic, look at what can happen when people are made to feel like strangers in a city they helped build. When a middle class family moves into Bedford-Stuyvesant, Brooklyn, an elder in THE FAMILY says something inappropriate, causing the local African American community to take extreme measures in order to receive an apology. FEVAH / U.S.A. Director:Randall Dottin Cast:Russell Hornsby, LaRoyce Hawkins, and Melissa Jackson Indira holds onto her heartbreak like a lost treasure. It’s hers and no one is going to tell her what to do with it. Her one-and-only love disappeared 18 months ago leaving her alone to take care of their son. Finally back on her feet with a new place and a new man, she’s ready for the next chapter when her child’s father shows up-making her question the very nature of the treasure she’s been holding onto for so long. PROTOTYPE / U.S.A. Director:Christopher Ortega Cast:Adrian Snow, Milena Phillips, Preston Butler, III, Kali Raquel An Afrofuturist, sci-fi film about a mother and daughter living in isolation on a remote Science compound who work to quickly patent the most human-like artificial intelligence on Earth. As prototype after prototype fail, Sol, who conducts empathy tests on her mother’s android creations, is pressured by her mom, Annette, to deliver a passing test or continue to be confined to the limits of the property. World Premiere WHERE THE WATER RUNS / U.S.A. Director: DuBois Ashong Cast: Darryl Dunning II, Bria Wade, Kyra Locke, Joseph Callari Set during the worst drought in LA history a water transporter uncovers a plot to privatize South Central’s dwindling water supply.

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  • Dark Star Pictures to Release KING COHEN, Documentary on Maverick Filmmaker Larry Cohen [Trailer]

    King Cohen Steve Mitchell’s King Cohen, the true story of writer, producer, director, creator and all-around maverick, Larry Cohen has been acquired by Dark Star Pictures.  Dark Star is planning a July 7th theatrical roll-out followed by an August 14th VOD release. Synopsis: Buckle up for King Cohen, the true story of writer, producer, director, creator and all-around maverick, Larry Cohen (Black Caesar, It’s Alive, Q: The Winged Serpent, The Stuff). Told through compelling live interviews, stills and film/TV clips, the people who helped fulfill his vision, and industry icons such as Martin Scorsese, J.J. Abrams, John Landis, Michael Moriarty, Fred Williamson, Yaphet Kotto and many more, including Larry himself, bring one-of-a-kind insight into the work, process and legacy of a true American film auteur. Few can boast of a career as remarkable or prolific, spanning more than 50 years of entertaining audiences worldwide. King Cohen had its US premiere at Fantastic Fest in 2017, was an official selection at DOC NYC 2017, and has since screened around the world, in Austria, Ireland, Amsterdam and more, ensnaring raves. Cohen, best known for resourceful low-budget horror and thriller films that combine social commentary with prerequisite scares and welcome humor, is responsible for celluloid classics including Black Caesar, It’s Alive, Q: The Winged Serpent, and The Stuff. He was also a major player in the Blaxploitation films of the 1970s, as well as a prominent Hollywood screenwriter (Phone Booth). Mitchell’s film features interviews with such industry luminaries as Martin Scorsese, J.J Abrams, Joe Dante, Mick Garris, John Landis, Fred Williamson as well as Cohen himself. Cohen’s remarkable one-of-a-kind career, from 60’s TV series creator (Branded, The Invaders), to 70’s and 80’s independent film icon and beyond, is chronicled with freewheeling and insightful verve. Winner of the 2017 Fantasia Fest Best Documentary Feature Audience Award, King Cohen hails from Rondo Award-winning writer/director Steve Mitchell, whose film and television credits include co-writing the beloved cult horror/comedy Chopping Mall. “Larry Cohen is one of a kind – a true film auteur. Steve Mitchell has brilliantly captured his essence and passion in this very entertaining and also informative film. We’re ecstatic to bring this work to North American audiences” says Michael Repsch, President of Dark Star Pictures. “We couldn’t be more delighted to have Dark Star Pictures unleash King Cohen on North America,” says producer Matt Verboys. “They completely get Larry Cohen’s indelible impact on cinema and are perfectly suited to get this film in front of enthusiastic viewers!” https://www.youtube.com/watch?v=SPblr7nKaYw  

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  • Watch Trailer for SISTERS OF THE WILDERNESS DOCUMENTARY, 5 Zulu Women on a Journey of Self-Discovery

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    Sisters of the Wilderness Set in the iMfolozi wilderness, South Africa, in the oldest game park in Africa, the iconic Hluhluwe-iMfolozi park, where the White Rhino was saved from extinction, Sisters of the Wilderness tells the story of five young Zulu women venturing into the wilderness for the first time on a journey of self-discovery, reminding them that we are all intimately linked to nature. Sisters of the Wilderness, a new South African social impact feature documentary, directed by award-wining filmmaker, Karin Slater, will have its world premiere at the Encounters South African International Documentary Festival in Cape Town and Johannesburg in June; with further festival screenings at the Durban International Film Festival and at the Nature, Environment, Wildlife Filmmakers (NEWF) Congress in Durban in July and at the Mzansi Women’s Film Festival in Johannesburg in August. The film follows the women as they walk in big game country and camp under the stars, totally surrounded by wild animals. Exposed to the elements and carrying on their backs all they need for the journey, they face emotional and physical challenges, and learn what it takes to survive in the wild. “We want to ‘transfer’ the audience to an ancient place where no barriers separate human and nature,” says creator / producer, Ronit Shapiro, of One Nature Films, whose experience in the iMfolozi wilderness and a meeting with South Africa’s legendary conservationist, the late Dr Ian Player, inspired her to make this film. “A journey into wilderness is an intense experience where one can expect to undergo a personal transformation and build leadership.” Director Karin Slater says, “I was born in Empangeni and spent my early years, close to the iMfolozi wilderness. I have a deep love and connection to this area. I know what the wilderness has done for me over the years.” Sisters of the Wilderness serves as a foundation for an outreach program that will use multiple platforms to re-connect global audiences with nature. The film also explores the plight of this wilderness area threatened by an open-cast coal mine on its border, as well as the severe poaching that is decimating the rhino population here.

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  • FAMILY IN TRANSITION, WILD, THE DISTANT BARKING OF DOGS Win Top Awards at 20th Docaviv

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    [caption id="attachment_29480" align="aligncenter" width="1140"]Family in Transition - Ofir Trainin Family in Transition – Ofir Trainin[/caption] Docaviv, the International Documentary Film Festival, which marks its 20th anniversary this year, announced the winners in a ceremony held at Mindspace Tel- Aviv . This year’s festival which concludes today May 26, has had a record-breaking lineup of 125 Israeli and international documentaries, as well as its first ever Shorts Competition.

    2018 Docaviv Winners

    ISRAELI COMPETITION

    The Howard Gilman Award For the Best Israeli Documentary Film Family in Transition Ofir Trainin Jury’s justification: סרט זה משרטט בעדינות סיפור של With great sensitivity, this film tells the story of identities getting to know themselves and each other anew, and changing right before our eyes. The jury commends the filmmaker for the intimate dynamic he has formed with his subjects and for choosing to make their voices heard, unmediated. An important and timely film, it is a reminder of the power of documentary to refresh our experience of the world and make us question distorted worldviews. Behind the strong bond between subjects and audience is the director’s dedication to his subjects, and when the two meet, the magic happens. Special Jury Award A Perfect Housewife Jane Bibi Jury’s justification: A brave new voice, this filmmaker demonstrates an uncompromising relationship to her craft. Smashing through the restrictive taboos of traditional values, she forges new cinematic pathways to create an unforgettable portrait of the tremendous love that can exist between three generations of women. The Mayor of Tel Aviv-Yafo Award for Best Debut Film Wild Uriel Sinai, Danel Elpeleg Jury’s justification: Jumping between chaos and calm, poetry and humor, man and animal, this film transcends the clichés of its genre, providing a profoundly moving reflection on the fragility and preciousness of life. Best Cinematography Award In The Desert – A Documentary Diptych Cinematograper: Avner Faingulernt Jury’s justification: In this opus, the cinematographer succeeds in crafting through his lens an epic allegory of hope infused with biblical intonations. From the harshest landscapes to the most intimate moments of human interaction, the camera is used with respectful restraint to accentuate the creator’s vision. Best Editing Award The Wounded Healer Editor: Yithzhak Sverdlov Jury’s justification: The editor’s authorial stamp is strong and skillful, weaving the story with great sensitivity and leading us from scene to scene with natural confidence. The editing makes a series of twists and turns while compassionately revealing a complex character coming to terms with his tragic past. Research Award You Only Die Twice Research: Niko Hofinger Jury’s justification: Research is the heart and soul of this film, a film where the director works as investigator, uncovering a personal mystery to reveal a profound truth about family, brotherhood and forgiveness. Best Original Music Award A Sister’s Song Composer: Peter Venne Jury’s justification: In this film, a haunting original score interweaves the film’s competing dualities into the soundscape, fusing together the secular and the sacred worlds, the musical motifs succeed in mirroring the personal stories that unfold before us. AIDC Award for Innovative Filmmaking A Sister’s Song Danae Elon Jury’s justification: This award recognizes the daring vision of a filmmaker who has shown a clear and deep understanding of the filmic language. An authorial stamp marks the film on every level, infusing the text with multiple layers of meaning, resulting in a meditative, thought-provoking journey that continues long after the film concludes. Israeli Competition Best Director Award by Fipresci In The Desert – A Documentary Diptych Avner Faingulernt The International Federation of Film Critics award Jury’s justification: A personal and humane look at both sides of one of the biggest conflict zones in the Middle East. The director of In the Desert finds two separate lyrical languages to tell the film’s stories in a way that serves the differences and similarities between the two sides. Despite being challenging and demanding, the film manages not to patronize the viewers or its subjects. In a film that is tough and gentle at the same time, big concepts like ownership, family, spirituality and calling are all translated into human moments.

    INTERNATIONAL COMPETITION WINNERS

    Best International Film Award The Distant Barking of Dogs Simon Lereng Wilmont Jury’s justification: Set in a village near the Ukraine/Russia frontline this highly accomplished film is a unique window into traumatic experience of growing up next to the battle zone in echoes of artillery fire. The International Competition Main Award goes to Simon Lereng Wilmont’s The Distant Barking of Dogs. Honorable Mention The Waldheim Waltz Ruth Beckermann Jury’s justification: The Honorable Mention goes to a film about truth and lies in politics. The filmmaker follows the investigation of the Jewish World Congress about the military past of the former General Secretary of the United Nations and Austrian President Kurt Waldheim, who has tried to hide his involvement in war crimes in Yugoslavia and Greece during World War II. The film combines private archival footage of the filmmaker with international material and shows how Waldheim and his conservative supporters tried to protect the myth of Austria as a victim of the Third Reich. Ruth Beckermann’s Waldheim Waltz is also a statement against growing populism and sometimes not even hidden anti-Semitism today.

    DEPTH OF FIELD COMPETITION

    Artistic Vision Award Playing Men Matjaž Ivanišin Jury’s justification: For its strong, memorable and vibrant cinematic language, its bold and surprising storytelling and its creative and alternative approach to the way we see men. In Playing Men, the male state of being is addressed in a funny, timely and touching way.

    SHORTS COMPETITION WINNER

    Best Short Film Award Tracing Addai Esther Niemeier Jury’s justification: The winner of the Docaviv Shorts Competition is a true story about a son who disappeared without a trace. Addai, a young man, leaves his mother’s home to join a group of Salafi Syrian fighters and disappears, never to return. The director pieces together fragmented memories, facts and moments into a gentle, story loaded with emotion, yet manages to avoid pathos. The storylines converge into an honest examination of grief, regret and lost hope.

    WINNERS OF THE STUDENTS COMPETITION IN MEMORY AND HONOR OF RUTHI GOTTESMAN

    First Prize My Father’s Son Hillel Rate, Ma’aleh School of Television, Film and the Arts Jury’s justification: For its singular, emotionally stirring characters; for letting us glimpse at a uniquely close father-son relationship from a respectful, loving perspective; for drawing an unconventional portrait of religious masculinity. Second Prize The Bride’s Tree Shadi Habib Allah, Sam Spiegel Film and Television School Jury’s justification: For its gentle, patient and lyrical look at nature and its inhabitants; for dealing with history, identity and legacy as seen through the eyes of children being raised into a grim political reality. Third Prize A Train To The Horizon Sharon Shahanny, Bezalel Academy of Arts and Design Jury’s justification: For turning the spotlight on the backyard of Israeli society and showing its personal and social aspects with sensitivity and humor. The day-to-day life stories the director has brought to the screen depict the complex human reality of life in the south of Israel, the far corner of its social consciousness.

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  • Don’t Let Oleg Die! Imprisoned Ukrainian Film Director Oleg Sentsov Goes on Hunger Strike

    Oleg Sentsov The European Film Academy today released a statement, titled “Don’t Let Oleg Die!’ in support of of Ukrainian filmmaker Oleg Sentsov who has been on a hunger strike for twelve days.  Oleg Sentsov, best known for his 2011 film Gamer, is serving a 20-year prison sentence in Russia on charges of plotting terrorism acts.

    On its website, EFA states, that the Ukrainian filmmaker Oleg Sentsov, who was involved in supporting the Euro Maidan protests in Kiev and who has opposed the annexation of Crimea by Russia, was arrested by the Federal Security Service of the Russian Federation (FSB) in his house in Simferopol on 10 May 2014 and brought to Moscow.  On 25 August 2015, he was sentenced to 20 years in jail, a sentence that was confirmed iIn late November 2015 by the Russian Supreme Court in Moscow.

    Don’t Let Oleg Die! Today is Day 12 of Ukrainian filmmaker Oleg Sentsov’s indefinite hunger strike which his lawyer Dimitri Dinze reports he full plans to follow through to the death should his demands not be met. Oleg Sentsov, who was involved in supporting the Euro Maidan protests in Kiev and who opposed the annexation of Crimea by Russia, was arrested by the Federal Security Service of the Russian Federation (FSB) in his house in Simferopol on 10 May 2014 and brought to Moscow where he was detained and awaiting trial for over a year. Although the key witness had retracted his testimony as given “under duress”, the trial, based on the accusation of Oleg Sentsov having committed “crimes of a terrorist nature”, was continued. Although thousands of signatures supporting an EFA letter to the President of Russia and Russian authorities were gathered across Europe, asking for Sentsov’s immediate release, Oleg Sentsov was sentenced to 20 years in prison. At the end of what Amnesty International described as “an unfair trial in a military court”, in late November 2015 the Russian Supreme Court in Moscow confirmed this sentence and Oleg Sentsov was moved to Yakutia. We are deeply worried so once again we ask that his safety is ensured and that he be released immediately and unconditionally! Please help us to help him, contact your foreign minister, your MP and MEP, and the Russian embassy in your country and ask them to do all they can for the release of Oleg Sentsov! We need to act now! (You can use the template below) With the support of Masha Alyokhina, activist (Pussy Riot), Russia Stephen Daldry, director, UK Mike Downey, producer, UK Dariusz Jablonski, producer, Poland Aki Kaurismäki, director, Finland Mike Leigh, director, UK Ken Loach, director, UK Wojciech Marczewski, director, Poland Daniel Olbrychski, actor, Poland Volker Schlöndorff, director, Germany Béla Tarr, director, Hungary Bertrand Tavernier, director, France Krzysztof Zanussi, director, Poland And 1,750 other members and friends of the European Film Academy as well as institutions including ANAC Associazione Nazionale Autori Cinematografici / National Association of Cinematographic Authors (Italy) APA Audiovisual Producers Association (Czech Republic) Directors UK FERA I Federation of European Film Directors PEN America The Austrian Film Academy The Czech Film Academy The European Producers Club The French Directors’ Guild (SRF) The German Film Academy The Polish Film Academy The Presidium of the Slovak Film and Television Academy (SFTA) The Russian Filmmakers Union Kinosoyuz The Ukrainian Film Academy The Union of Filmmakers of Ukraine Deeply worried, Agnieszka Holland & Wim Wenders PLEASE WRITE TO YOUR FOREIGN MINISTER, YOUR MP AND MEP, AND THE RUSSIAN EMBASSY IN YOUR COUNTRY AND CALL ON THEM TO SECURE OLEG’S SAFETY AND RELEASE. YOU MAY WISH TO USE BELOW TEXT. THANK YOU!!! Dear______________________, Don’t Let Oleg Die! Today Ukrainian filmmaker Oleg Sentsov is on day 12 of an indefinite hunger strike which his lawyer Dimitri Dinze reports he full plans to follow through to the death should his demands not be met. Oleg Sentsov, who was involved in supporting the Euro Maidan protests in Kiev and who opposed the annexation of Crimea by Russia, was arrested by the Federal Security Service of the Russian Federation (FSB) in his house in Simferopol on 10 May 2014 and brought to Moscow where he was detained and awaiting trial for over a year. Although the key witness had retracted his testimony as given “under duress”, the trial, based on the accusation of Oleg Sentsov having committed “crimes of a terrorist nature”, was continued and at the end of what Amnesty International described as “an unfair trial in a military court”, Oleg Sentsov was sentenced to 20 years in prison. In late November 2015 the Russian Supreme Court in Moscow confirmed this sentence and Oleg Sentsov was moved to Yakutia, where he has now started his hunger strike. I am deeply worried so I call on you to make sure that his safety is ensured and that he be released immediately and unconditionally! My name: My address:

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  • THE MOST DANGEROUS YEAR, Doc about Transgender Fight, to World Premiere at Seattle Int’l Film Festival [Trailer]

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    The Most Dangerous Year The Most Dangerous Year, a new documentary by Vlada Knowlton, about transgender fight in Washington state, will world premiere at the 2018 Seattle International Film Festival on May 29 and June 2. In early 2016, when a dark wave of anti-transgender “bathroom bills” began sweeping across the nation, The Hu-man Rights Campaign published a report identifying 2016 as the most dangerous year for transgender Americans. In Washington State six such “bathroom bills” were introduced in the State Legislature. Documentary filmmaker Vlada Knowlton captured the ensuing civil rights battle from the perspective of a small group of embattled parents as they banded together to fight a deluge of proposed laws that would strip away the rights of their young, trans-gender children. As one of the parents, Knowlton presents an intimate portrait of her own struggle to protect her 5-year-old transgender daughter from laws inspired by hate and fear. From tension-filled Senate hearings in Olympia to intimate household settings of the families involved; from thought provoking conversations with key lawmakers to elucidating facts explained by leading scientists – The Most Dangerous Year explores the transgender civil rights battle in all its richness and complexity. While the film follows the story and outcome of anti-transgender legislation in Washington, it culminates in a moving victory for Knowlton and the other families who, it turns out, won the battle before it even began. They won the moment they made the decision to accept and support their kids for exactly who they are

    ABOUT THE DIRECTOR: Vlada Knowlton

    Vlada is a Seattle-based filmmaker. Her first documentary feature, HAVING IT ALL, was selected by Washington’s PBS station, KCTS9, as the anchor program for its “Women Who Inspire” series in August, 2015, and went on to also be broadcast by Oregon Public Broadcasting. Its online premiere, presented by the organizations Flexjobs and 1 Million For Work Flexibility, was a press-covered event that included a panel discussion with Kelly Wallace of CNN. Her current documentary, The Most Dangerous Year, was awarded the Professional Grant from Women in Film Seattle and an Open 4Culture Grant. Prior to becoming a filmmaker Vlada worked at Microsoft. She holds a B.Sc. in Psychology from McGill University and a Ph.D. in Cognitive Science from Brown University. https://vimeo.com/264539442

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  • Danish Actress Trine Dyrholm To Present NICO, 1988 at Karlovy Vary Film Festival [Trailer]

    Nico, 1988 The Karlovy Vary festival’s Horizons section will present the music biopic Nico, 1988, with a personal introduction from Danish actress Trine Dyrholm, who plays the title character. Nico, 1988 charts the final chapters in the artistic career of music icon Nico, birth name Christa Päffgen. Most often talked about as Warhol’s muse or in connection with the band the Velvet Underground, Päffgen lived a dramatic life full of intensity, one that ultimately saw her rebirth as an artist and her discovery of herself as a woman and mother. “Trine Dyrholm was key to the film,” says director Susanna Nicchiarelli about her lead actor. “Her contribution to my film and to me personally was tremendous. Trine gave Nico energy and vitality; she provided the movie with the exact amount of energy that was needed.” Trine Dyrholm started out as the singer for the popular Danish band The Moonlighters. She studied acting and is one of the busiest actors working in Denmark today. Her movie credits include Thomas Vinterberg’s Festen (1998), the comedy In China They Eat Dogs (1999), and the Oscar-nominated historical drama A Royal Affair (2012). In 2016 at the Berlinale she picked up a Silver Bear for best actress in Vinterberg’s The Commune (2016). https://www.youtube.com/watch?v=38RBdHtWkWo

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  • Film Projects by Manuel Abramovich, Grigory Kolomytsev, Elena López Riera, Arantza Santesteban, and Nele Wohlatz Selected for 4th Ikusmira Berriak

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    [caption id="attachment_29451" align="aligncenter" width="1000"]CHUPACABRA CHUPACABRA[/caption] Filmmakers from Germany, Argentina, Spain, and Russia will develop their audiovisual projects within the framework of the Ikusmira Berriak program, which is celebrating its fourth edition this year. The selection committee, which is comprised of members from the Tabakalera International Centre for Contemporary Culture, the San Sebastian Film Festival and, for the first time, Elías Querejeta Zine Eskola, has selected the following projects out of the 155 offerings received from 31 countries: in the international category, El oasis, by Argentine filmmaker Manuel Abramovich (Buenos Aires, 1987) and Dormen os peixes de olhos abertos, by Nele Wohlatz (Hannover, Germany, 1982); in the Spanish filmmaker category, El agua, by Elena López Riera (Orihuela, Spain, 1982); among filmmakers residing in the Basque Autonomous Community, 918 gau, by Arantza Santesteban (Pamplona, Spain, 1979); and among Nest alumni (International Film Students Meeting), Chupacabra, by Grigory Kolomytsev (Krasnodar, Russia, 1990). Projects on daily life in prison, the porn industry, legends, childhood, and alienation inspire the five chosen offerings. The fifth project was chosen thanks to Elías Querejeta Zine Eskola’s partnership in the audiovisual residency program organised by the Tabakalera International Centre for Contemporary Culture and the San Sebastian Film Festival. Several of the filmmakers chosen have enjoyed considerable success at international festivals. Abramovich has premiered his films in Berlin and Karlovy Vary, where he received a special mention, and last year Soldado, his latest film, was shown at Zabaltegi-Tabakalera; López Riera has presented two of her productions at the Director’s Fortnight in Cannes and Locarno; and Nele Wohlatz won the award for Best First Feature in Locarno and Zinebi with El Futuro Perfecto. Kolomytsev was selected two years in a row (2016 and 2017) at Nest, and the Arantza Santesteban’s latest work, co-directed with Irati Gorostidi, was shown at the last Festival in the Zinemira selection, at the Kimuak catalogue sessions for professionals.

    PROJECTS

    918 GAU

    ARANTZA SANTESTEBAN (SPAIN) In the minuscule cell of a police van, a woman that has spent many years in prison told me: to be able to explain what prison is like, you need to have slept in one. Nearly a decade ago, I spent 918 nights in prison. This film is about what it means to live in an isolated world without images. Director’s bio/filmography A history graduate of the University of the Basque Country. She holds a degree in Creative Documentary from the Centre de Dones Francesca Bonemaison (2012, Barcelona). Likewise, she has trained in Documentary Film Writing with Carmen Ávalos (2013, Barcelona). She has carried out specific training with Víctor Erice (2015, San Sebastian) and Patricio Guzmán (2016, Madrid). In 2012, she began to work as a director in various documentaries, including the noteworthy Passatgeres, her first work. Together with others, she curated the GORPUTZ_GRAFIAK exhibition at the Koldo Mitxelena cultural centre (San Sebastian) in 2015. This work brings together genealogy and research work from the Basque Country’s feminist movement. Together with Irati Gorostidi, she directed Euritan in 2017, which was selected in the 2017 Kimuak catalogue. She has made the rounds at festivals such as San Sebastian, Punto de Vista, Miradas Doc, and the Malaga Film Festival. In 2017, she was selected by the Huarte Centre of Contemporary Art to carry out a curatorial research residency, through which she will curate the Imágenes a través: reflexiones sobre imágenes en conflictos (‘Traversing images: reflections on images in conflict’) international seminar in June of 2018. She is a researcher of the Communication, culture, society, and politics master’s program (UNED-Spain), and studies questions that relate to cinematographic representation, feminism, and contemporary political conflicts. Director’s note There are numerous cinematographic narratives about prison, however, in my opinion, they are always missing something. What these images reflect are not daily conditions in prison, but ways in which the popular consciousness about them works. Cells, yards, fences, organised crime, terrorism, and drugs… These are elements that are a part of our prior characterisations. However, it is practically impossible to represent questions that are fundamental to understanding daily life in prison: the passing of time, isolation from the outside world, the physical and psychological consequences of confinement, opaque spaces of domination, etc. This film will address those topics.

    CHUPACABRA

    GRIGORY KOLOMYTSEV (RUSSIA) Nine years old Andrey lives on the outskirt of a small village near the White Sea. Nervous, tired of poverty and fatherlessness mother keeps Andrey in constant tension and beats him. She threatens to send his son to the orphanage at the slightest misconduct from his side. Once Andrey finds a dead dog on the seashore in a storm – he decides that it is a mystical beast “Chupacabra”, a goat vampire, which will save his mother from ills and help them to reunite. Andrey heard on TV that whom Chupacabra bites at the full moon will become Chupacabra himself. Andrey scratches his hand the dead fang. Director’s bio/filmography Grigory Kolomytsev (1990, Russia) graduated from the Russian State University of Cinematography (VGIK) in 2017 (workshop of the Kott brothers). His debut short film Three Sisters (2015) was Semifinalist of the 43d Student Academy Awards. His next short work Mary was shown at more then 60 festivals including San Sebastian, Cairo, Camerimage, ZINEBI, etc. In 2017 he shooted his diploma film I’m Staying on the Black sea shore where he spent his childhood. It was shown at San Sebastian, Premiers Plans – Festival D’Angers, Winterthur etc. Chupacabra will be his debut feature film. Director’s note For me it is very important to make a debut picture about childhood – the necessary distance has already been passed, but feelings and memories are still hot. I was born near the sea. There was my first death experence. Sound of waves and wind is the sound of my childhood, tears of mother is my main humane feeling.  Andrey, this small autistic boy, sincerely believes that there is no death, that he can find love by sacrificing himself.  This is a film about the ordeal of a little Holy child. It is a “Life of Saint Andrey”.

    DORMEN OS PEIXES DE OLHOS ABERTOS

    NELE WOHLATZ (GERMANY) Three outsiders in a tropical city, passing through places that could be anywhere. A condominium tower with white, empty rooms, made in China bric-a-brac stores, a shark-infested beach, the sea. Lixue, Ah, and Bo live in a reality that sometimes seems like fiction and, perhaps, a prediction of the future for the world’s cities. Three verses in an incomplete song, but who is speaking through whom? The alienation of the tree, who are so different, yet so similar. Director’s bio/filmography Nele Wohlatz (1982, Hannover) studied art and film in Karlsruhe and Buenos Aires. She created the short films La mochila perfecta and Tres oraciones sobre la Argentina, and co-directed Ricardo Bär. The first full-length film she directed on her own was El futuro perfecto, which was shown at more than 60 international festivals and won numerous awards, including such as the Best First Feature award at Locarno. Director’s note Recife is a city with a great deal of history, yet it seems that urban development is focused on erasing its mark and replacing it with the feeling of an airport: generic towers with private security surrounded by high walls, shopping centres, and urban highways that connect these locations. I want to make a film could take place anywhere, because it is about people that came for different reasons, but do not belong in their new city. After my first visit to Recife I thought, why not here? Behind its anonymous face, the city is full of ruptures, warmth, and peculiarities. EL AGUA

    EL AGUA

    ELENA LÓPEZ RIERA (SPAIN) It is summertime, and the threat of a powerful storm hangs over a town in the Spanish Levant. Ana is 17 years old and has grown up in the shadows of her mother who disappeared in the last flood, becoming phantasmagorical legend, a character for the townswomen who say that the water there is always mixed with death. In this electric atmosphere before the storm, Ana meets Jose, her first love. Director’s bio/filmography Elena López holds a doctorate in Audiovisual Communication and is a filmmaker. She has directed Pueblo (2015), which debuted at the Director’s Fortnight in Cannes, and Las vísceras (2016), which premiered at the Locarno Festival. She is a member of the Lacasinegra collective, through which she co-directed Pas à Genève. She has also worked as a producer for the Seville, Belfort, and Visions du Réel festivals. Director’s note I was born in Orihuela, a town in the Spanish Levant divided by the Segura, one of Europe’s most polluted rivers. I grew up with my mother, my grandmother, and my aunts, surrounded by women that used to tell all kinds of stories to take the ease off the long afternoons of asphyxiating heat. These stories almost always had a true origin (based on events, secrets whispered between neighbours, or family stories), but changed with each new version until some of them became truly fantastic tales. This is surely why I decided, one day, to make films. It was my way of participating in this popular, collective tale that does not distinguish between history and poetry.

    EL OASIS

    MANUEL ABRAMOVICH (ARGENTINA) “Why do you want to do porn?” they ask at the casting. “Because I love to feign pleasure”. How does pleasure itself become a performance? If an adult film actor transforms their sexuality into a show, where do they find true pleasure? Director’s bio/filmography Manuel Abramovich (Buenos Aires, 1987) is a director, producer, and directory of photography. His work challenges the limits between reality and fiction, and reflects on the concept of an author in so-called ‘documentary filmmaking’. He has directed La Reina (2013), Las Luces (2014), Solar (2016), Soldado (2017), and Años Luz (2017). His works have received numerous awards, and have been shown at festivals and artistic institutions such as the Berlinale, Venice, San Sebastian, MoMA, Cinéma du Réel, IDFA, Tribeca, Tabakalera, Film Society of Lincoln Center, BAFICI, and Documenta Madrid. He was selected for various grants and residencies, including the Fondo Nacional de las Artes (Buenos Aires), Tres Puertos (Mexico and Chile), EMARE (Germany), and others. Currently, he is developing a trilogy focused on sex work and pornography in three cities: Berlin, Mexico City, and Buenos Aires. Años Luz, 2017, Argentina/Spain/Brazil, 72′. Soldado, 2017, Argentina, 73′. Solar, 2016, Argentina, 75′. Las Luces, 2014, Argentina, 6′. La Reina, 2013, Argentina, 19′. Director’s note El Oasis is a film on the construction of intimacy as a show. This is also the second piece of a trilogy that I am producing on the male body used as a business, focused on pornography and sex work in three cities (Berlin, Mexico City, and Buenos Aires). I am interested in the porn industry as a context to talk about sex in a world where the self is constructed by others, where we must be connected to exist and be seen. How does the body itself become a performance? How does pleasure act? The five filmmakers will enjoy a residency of six weeks in San Sebastian from 20 August. In the first four, the filmmakers will develop their projects at Tabakalera’s Creator’s Space, and will receive master classes and guidance from members of this edition’s expert committee, which includes Irish producer Fodhla Cronin O’Reilly, Brazilian filmmaker Sergio Oksman and TorinoFilmLab director, Savina Neirotti, who have guided the judges panel in their selection. In the fifth week of the residency, the participants will prepare the pitching session, which involves a project presentation to the industry during the sixth and final week of the residency. The session is part of the San Sebastian Film Festival. The residents will have the opportunity to arrange meetings with attending professionals who are interested in collaborating in their projects, and will receive an access pass to screenings and the Festival’s other industry activities. Ikusmira Berriak will also provide financial support amounting to 25,000 euros, which will be distributed among the projects selected. In addition, REC Grabaketa Estudioa will offer its feature film post-production services as a prize, which is valued at 35,000 euros. Ikusmira Berriak is a program that seeks to involve new talent as well as producers and people from the audiovisual industry who support innovation and new languages. It is organised by Tabakalera, the San Sebastian Film Festival and Elías Querejeta Zine Eskola in collaboration with REC Grabaketa Estudioa and the Basque Film Archive, and is part of the San Sebastian 2016 European Capital of Culture legacy.

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  • Watch First Official Trailer for Dark Comedy THE SISTERS BROTHERS Starring Joaquin Phoenix, Jake Gyllenhaal

    THE SISTERS BROTHERS Brothers by blood. Sisters by name. Here is the first official trailer for dark comedy The Sisters Brothers. The film, written and directed by Jacques Audiard, stars Joaquin Phoenix, John C. Reilly, Jake Gyllenhaal, and Riz Ahmed; and will be released in theaters in Fall 2018. Based on Patrick Dewitt’s acclaimed novel of the same name, follows two brothers – Eli and Charlie Sisters – who are hired to kill a prospector who has stolen from their boss. The story, a genre-hybrid with comedic elements, takes place in Oregon in 1851. The film is Jacques Audiard’s follow-up to his Palme D’Or Winning DHEEPAN, which premiered at the 2015 Cannes Film Festival. https://www.youtube.com/watch?v=3OwvqKwTKmE

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