Unicórnio (Unicorn), Regie/director: Eduardo Nunes[/caption]
The 41st edition of the Generation program at the Berlin International Film Festival will highlight the festival’s reputation for presenting ambitious new discoveries in international contemporary film to young people told at eye level.
“Generation shows films that stay close to the daily lives and fields of experience of children and young people, frequently in challenging situations. And we won’t ever tire of promoting a broader understanding of film for young viewers. At the same time, a visit to Generation has to be a joyful one, an adventure – and whet the appetite for more great cinema,” comments section head Maryanne Redpath.
16 feature-length films have already been selected for the competition programs Kplus and 14plus. In the diverse cinematic formats characteristic of the section, narratives follow their young protagonists through magical worlds of imagery, creating their very own realities that make the contradictions of the fragile adult world visible in subtle ways.
The complete 2018 Generation program will be publicized in mid-January.
-
Berlin International Film Festival Reveals First Films in 2018 Generation Program
[caption id="attachment_26059" align="aligncenter" width="1200"]
Unicórnio (Unicorn), Regie/director: Eduardo Nunes[/caption]
The 41st edition of the Generation program at the Berlin International Film Festival will highlight the festival’s reputation for presenting ambitious new discoveries in international contemporary film to young people told at eye level.
“Generation shows films that stay close to the daily lives and fields of experience of children and young people, frequently in challenging situations. And we won’t ever tire of promoting a broader understanding of film for young viewers. At the same time, a visit to Generation has to be a joyful one, an adventure – and whet the appetite for more great cinema,” comments section head Maryanne Redpath.
16 feature-length films have already been selected for the competition programs Kplus and 14plus. In the diverse cinematic formats characteristic of the section, narratives follow their young protagonists through magical worlds of imagery, creating their very own realities that make the contradictions of the fragile adult world visible in subtle ways.
The complete 2018 Generation program will be publicized in mid-January.
-
7 Films Advance in Race for Makeup and Hairstyling Oscar at 90th Academy Awards
[caption id="attachment_25682" align="aligncenter" width="1200"]
Allison Janney in I, TonyaI, Tonya[/caption]
The Academy of Motion Picture Arts and Sciences today announced the seven films that remain in competition in the Makeup and Hairstyling category for the 90th Academy Awards.
Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018.
The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on the ABC Television Network at 6:30 p.m. ET/3:30 p.m. PT.
The films are listed below in alphabetical order:
“Bright”
“Darkest Hour”
“Ghost in the Shell”
“Guardians of the Galaxy Vol. 2”
“I, Tonya”
“Victoria & Abdul”
“Wonder”
-
341 Feature Films Officially in Contention for Best Picture Oscar at 90th Academy Awards
Three hundred forty-one feature films are eligible for the 2017 Academy Awards, the Academy of Motion Picture Arts and Sciences announced today.
To be eligible for 90th Academy Awards consideration, feature films must open in a commercial motion picture theater in Los Angeles County by midnight, December 31, and begin a minimum run of seven consecutive days.
Under Academy rules, a feature-length motion picture must have a running time of more than 40 minutes and must have been exhibited theatrically on 35mm or 70mm film, or in a qualifying digital format.
Feature films that receive their first public exhibition or distribution in any manner other than as a theatrical motion picture release are not eligible for Academy Awards in any category.
Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018.
The 90th Oscars® will be held on Sunday, March 4, 2018, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 6:30 p.m. ET/3:30 p.m. PT. The Oscars also will be televised live in more than 225 countries and territories worldwide.
-
Athena Film Festival to Honor Barbara Kopple, Amma Asante and Bridget Everett
[caption id="attachment_26048" align="aligncenter" width="1200"]
Barbara Kopple, Amma Asante and Bridget Everett[/caption]
Academy Award-winning documentary filmmaker Barbara Kopple, BAFTA winning writer and director Amma Asante and cabaret artist and actress Bridget Everett will be honored at 2018 Athena Film Festival.
The festival will honor Barbara Kopple with the Laura Ziskin Lifetime Achievement Award, Amma Asante will receive the Athena Award, and Bridget Everett with be honored with the Inaugural Breakthrough Award. The eighth annual festival, co-founded by the Athena Center for Leadership Studies at Barnard College and Women and Hollywood, will take place February 22 to 25, 2018, at Barnard College in New York City.
The Athena Film Festival celebrates the leadership and creative accomplishments of trailblazers in the entertainment industry. The festival showcases films about powerful and courageous women leaders in real life and the fictional world; it is a weekend dedicated to elevating female voices and stories to inspire and empower a new generation of filmmakers and individuals.
“We are proud to announce our 2018 Athena Film Festival awardees. This outstanding group of women are bold and courageous leaders in the entertainment industry,” said Kathryn Kolbert, co-founder of the Athena Film Festival and the Constance Hess Williams ‘66 Director of the Athena Center for Leadership Studies at Barnard College. “Now more than ever, it is critically important to recognize and support women who are trailblazers in their fields.”
“One of the most exciting things we do at the Athena Film Festival is selecting a handful of incredible women each year to recognize for their contributions to the industry,” said Melissa Silverstein, Athena Film Festival artistic director co-founder and founder of Women and Hollywood. “It’s crucial that women continue to inspire and support each other, and we are thrilled that Athena is a part of that.”
Barbara Kopple is known for her work in documentary film, winning two Oscars® for HARLAN COUNTY, USA and AMERICAN DREAM. The Laura Ziskin Lifetime Achievement award is given to a woman in the film industry whose leadership demonstrates vision and courage and sets a standard for other women to emulate. Past recipients include Jodie Foster, Mira Nair, Sherry Lansing, and Gale Anne Hurd.
Amma Asante has directed films including A WAY OF LIFE, BELLE, which opened the 2014 Athena Film Festival, and A UNITED KINGDOM. Bridget Everett recently starred in films including Sundance hit PATTI CAKE$, FUN MOM DINNER and TRAINWRECK, as well as TV shows “Girls,” and “Inside Amy Schumer.”
Previous Athena Film Festival awardees include Ava DuVernay, Eve Ensler, Greta Gerwig, Diablo Cody, Kasi Lemmons, Karyn Kusama, Debra Martin Chase, Dee Rees and Nekisa Cooper, Patricia Riggen, Callie Khouri, Gina Prince-Bythewood, and Julie Taymor.
The 2018 festival co-chairs include Debra Martin Chase, Geralyn Dreyfous, Paul Feig, Sherry Lansing, Jon Levin, Dylan McDermott, Sheila Nevins, David Oyelowo, Gina Prince-Bythewood, Susan Rovner, Regina K. Scully, and Rachel Weisz.
-
LADY BIRD Wins Big With Indiana Film Journalists Association, Named Best Film of 2017
[caption id="attachment_24371" align="aligncenter" width="1200"]
Lady Bird[/caption]
“Lady Bird” scored with the Indiana Film Journalists Association (IFJA) awards, taking the top prize of best picture as well as best director and best original screenplay for Greta Gerwig, best Actress for Saoirse Ronan and Best Supporting Actress for Laurie Metcalf.
Its five wins are the most for any film in IFJA awards history.
“Faces Places” won the best foreign language film prize; and “Let It Fall: Los Angeles 1982-1992” won best documentary film.
The Original Vision Award, which goes to a film that is especially original or innovative, went to “Loving Vincent.” The Breakout of the Year went to Timothée Chalamet for his work in “Call Me by Your Name” and “Lady Bird.”
The Hoosier Award, which recognizes a significant cinematic contribution by a person or persons with roots in Indiana, or a film that depicts Hoosier State locales and stories, went to “Columbus,” the debut feature film of director Kogonada, which was set and shot in the southern Indiana city noted for its Modernist architecture.
IFJA members issued this statement for the Hoosier Award: “Writer and director Kogonada made the architectural haven of Columbus, Indiana, an integral part of his debut film. As a meditation on time, responsibility and the influence of art on everyday life, ‘Columbus’ shows the introspective side of Hoosiers that is often left out in stereotypical portrayals.”
2017 Indiana Film Journalists Association Awards
Best Film
Winner: “Lady Bird” Runner-up: “The Shape of Water” Other Finalists (listed alphabetically): “Blade Runner 2049” “Brigsby Bear” “Dunkirk” “The Florida Project” “Get Out” “The Post” “Star Wars: The Last Jedi” “Three Billboards Outside Ebbing, Missouri”Best Animated Feature
Winner: “Coco” Runner-Up: “Loving Vincent”Best Foreign Language Film
Winner: “Faces Places” Runner-Up: “BPM (Beats Per Minute)”Best Documentary
Winner: “Let It Fall: Los Angeles 1982-1992” Runner-Up: “Liyana”Best Original Screenplay
Winner: Greta Gerwig, “Lady Bird” Runner-up: Jordan Peele, “Get Out”Best Adapted Screenplay
Winner: Scott Frank, James Mangold and Michael Green, “Logan” Runner-up: Hampton Fancher and Michael Green, “Blade Runner 2049”Best Director
Winner: Greta Gerwig, “Lady Bird” Runner-up: Guillermo del Toro, “The Shape of Water”Best Actress
Winner: Saoirse Ronan, “Lady Bird” Runner-up: Sally Hawkins, “Maudie”Best Supporting Actress
Winner: Laurie Metcalf, “Lady Bird” Runner-up: Allison Janney, “I, Tonya”Best Actor
Winner: Harry Dean Stanton, “Lucky” Runner-up: Gary Oldman, “Darkest Hour”Best Supporting Actor
Winner: Willem Dafoe, “The Florida Project” Runner-up: Doug Jones, “The Shape of Water”Best Vocal/Motion Capture Performance
Winner: Andy Serkis, “War for the Planet of the Apes” Runner-up: Sean Gunn & Bradley Cooper, “Guardians of the Galaxy, Vol. 2”Best Ensemble Acting
Winner: “The Florida Project” Runner-up: “The Post”Best Musical Score
Winner: Alexandre Desplat, “The Shape of Water” Runner-up: Hans Zimmer and Benjamin Wallfisch, “Blade Runner 2049”Breakout of the Year
Winner: Timothée Chalamet, “Call Me by Your Name” and “Lady Bird” Runner-up: Kogonada, “Columbus”Original Vision Award
Winner: “Loving Vincent” Runner-up: “Brigsby BearThe Hoosier Award
Winner: “Columbus” (As a special award, no runner-up is declared in this category.)
-
15 Indie Films Projects Win 2017 Rooftop Filmmakers’ Fund Grants
Rooftop Films awarded fifteen cash and service grants to alumni filmmakers, including The Rooftop Filmmakers’ Fund Garbó NYC Feature Film Grants, which were awarded to directors Eliza Hittman for her new film, A, and Penny Lane for her upcoming Untitled Religious Activism Documentary.
The Rooftop Films Brigade Festival Publicity Grant will be awarded to Michael Palmieri and Donal Mosher for their Untitled Devil Project. Other grantees include awards supporting the feature film debuts of Michael Tyburski and Elizabeth Lo, and the upcoming films by Theo Anthony and Joanna Arnow, whose Bad at Dancing was also supported by the Filmmakers Fund and won a Silver Bear at the 2015 Berlinale.
The Rooftop Filmmakers’ Fund was created to help support up-and-coming independent filmmakers that have shown their work previously at Rooftop Films events, and over the past twenty years the fund has helped some of the most innovative filmmakers in the world to get their movies made. Previous grantees include Benh Zeitlin (for Beasts of the Southern Wild and Glory at Sea), David Lowery (Ain’t Them Bodies Saints), Gillian Robespierre (Obvious Child), Kitty Green (Casting JonBenet), Joshua Z Weinstein (Menashe), Trey Edward Shults (Krisha), Anna Rose Holmer (The Fits), Ana Lily Amirpour (The Bad Batch), 2017 Tribeca Film Festival winner for Best Narrative Feature, Rachel Israel (Keep the Change), Jeremy Saulnier’s FIPRESCI Critics’ award-winner, Blue Ruin, and Jonas Carpignano’s Gotham Awards-winner Mediterranea.
Past Rooftop Filmmakers’ Fund grantees have consistently gone on to great success, and 2018 promises to be no different with six grantees selected for the upcoming Sundance Film Festival: Robert Greene’s Bisbee ’17, Christina Choe’s Nancy, Reinaldo Marcus Green’s Monsters and Men, Marc Johnson’s Ultraviolet, Alexa Lim Haas’ Aqua Viva, and Niki Lindroth Von Bahr’s award-winning animated short The Burden.
“We’ve had the privilege of supporting a wide range of truly wonderful films over the years,” said Rooftop’s Artistic Director Dan Nuxoll, “but we are particularly happy with the spectacular variety of filmmaking talent in this year’s grantees. Twelve of our fifteen grantees are women and/or people of color, and the films they are working on cover the gamut of human (and animal) experience, from drag queens entertaining the bible belt, to stray dogs wandering the Turkish countryside, and vampires stalking their ex-husbands. It’s an exciting and talented group of artists, and each of their films will be unlike anything you have seen before.”
Eliza Hittman is known for her depictions of class, sexuality, and adolescence, as well as her collaborations with non-actors. Her previous films include 2013’s It Felt Like Love, and 2017’s Beach Rats, for which she received a Directing Award at the 2017 edition of the Sundance Film Festival. Hittman’s latest project will take her to Western Pennsylvania to tell the story of a teenager struggling to find access to abortion care.
Filmmaker Penny Lane’s documentary work mines absurd, stranger-than-fiction stories for nuanced analyses of history and accepted truths. This is clear in her past works Our Nixon and Nuts! and continues in her latest, most ambitious and surprising project yet, which will investigate one of the most controversial and entertaining religious movements in modern American history.
COMPLETE LIST OF 2017 ROOFTOP FILMMAKERS’ FUND GRANTS:
Rooftop Films / Garbó NYC $15,000 Feature Film Grant: Eliza Hittman, A When faced with an unwanted pregnancy, Autumn, a vulnerable teenager in rural Pennsylvania hops a greyhound bus to NYC on a transformative journey to reclaim her stolen youth.Rooftop Films / Garbó NYC $15,000 Feature Film Grant:
Penny Lane, Untitled Religious Activism Documentary A wildly entertaining and surprising look at the intersection of faith and activism, that follows one of the most controversial religious movements in modern American history.Rooftop Films / Brigade Festival Publicity Grant ($15,000 value):
Michael Palmieri and Donal Mosher, Untitled Devil Project A seriocomic look at evangelical and LGBT Christians in the American South that examines the complexities of faith through staged performance.Rooftop Films / Nice Shoes Color Correction Feature Film Grant ($60,000 value):
Theo Anthony, All Light, Everywhere A feature documentary exploring past, present, and future relationships between technology, vision, and power. From arcane theories of sight to the emergence of virtual reality and police body camera programs, the film takes a kaleidoscopic investigation into how the reality of what we see is constructed through the tools that we use to see.Rooftop Films / Eastern Effects Equipment Grant ($20,000 value):
Michael Tyburski, Palimpsest Peter, a self-taught scientist in New York City, has a unique, highly specialized profession of his own invention called house tuning. Working as a therapist, of sorts, he calibrates the sounds in peoples’ homes in order to adjust their moods. After years of collecting data, Peter believes he’s discovered naturally occurring harmonies around the city that are influencing the way people behave. Presented through a layered narrative, Palimpsest is a dramatic feature film that examines the subtle forces at play in our urban lives.Rooftop Films / Technological Cinevideo Services Camera Grant ($20,000 value):
Elizabeth Lo, Stray Stray enters the lives of stray dogs in Turkey as the nation faces a profound state of flux. Ancient Greek philosophers thought stray dogs – marginalized and dispossessed – were the most honest observers of humanity. Stray brings this idea into the contemporary world.Rooftop Films / Edgeworx Post-Production Grant ($15,000 value):
Joanna Arnow, Fucking Imaginary Friends Joanna is a filmmaker obsessed with her unavailable nudist collaborator, Max. Her growing feelings soon take the form of two imaginary Max doubles who become her partners on an absurd and sexually twisted adventure.Rooftop Films / Adrienne Shelly Foundation Short Film Grant For Women:
Nikyatu Jusu, Suicide by Sunlight Valentina, a day-walking Black vampire protected from the sun by her melanin, finds it difficult to suppress her bloodlust when a new woman is introduced to her estranged twin daughters.Rooftop Films / DCTV Equipment and Services Short Film Grant:
Kelly Adams, Atlantic Sunrise A community’s struggle against the dark side of natural gas. Nathan Miller, Refuge At a schoolhouse-turned-sanctuary in upstate New York, the tired, poor, and huddled masses wait for their moment to settle in Canada. They wait for asylum that the U.S. cannot provide. This is a story of waiting – the emotional processing by those who have fled the horrors of their home country.Rooftop Filmmakers’ Fund Short Film Grant:
Sarah Beeby, Bloom Leonora is a curious human on a mission to understand sexual desire. With the help of friends, lovers, and random acquaintances, Leonora learns what some of the most important questions are, and who should be asking. Marc Johnson, Ultraviolet A woman named Kanchana and several scorpions explore collaborative survival approaches in a posthuman future in which all living being are considered equal. Ultraviolet invites us to an encounter with other forms of life and experiences involving themes of inter-species sociability, the Anthropocene, the Capitalocene and speculative Fabulations. Inspired by a Chinese poem of the 3rd century BC – written by Zhuangzi – “The Butterfly’s Dream”, Ultraviolet conveys an allegorical narrative in which the parable and the fable unfold in a futuristic and enchanted world. Adele Han Li, Black Hair Human hair is sourced from poor women throughout Asia and purchased mostly by black women in the US and Africa in a billion-dollar global industry. This business of hair underscores the ways in which our history from colonization to globalization creates an intimate yet anonymous link between women oceans apart.The Kayla Thomas Filmmaker Grant:
Ryan Gillis and Miguel Jiron, Fowl When the bars close in the Louisiana bayou, a girl stumbles home to find her kitchen overrun by a coven of satanic chickens. Obsessed with becoming human, the coven tries to force the girl into an unholy body-swapping ritual. She doesn’t respond well to being told what to do. Tess Martin, Orbit Orbit is a 5 minute short film about the relationship between humanity and the sun. Phonotropes (rotating discs which are filmed to bring the animation to life) reveal intimate scenes of our star’s effect on our lives. They let us ponder the life-giving energy that flows through our planet, and make us realize that we are but a blip in the grand scheme of time. Image: Pictured above: 2017 Rooftop Films/Brigade Festival Publicity Grantee Untitled Devil Project By Michael Palmieri and Donal Mosher
-
10 Films Remain in Visual Effects Oscar Race at 90th Academy Awards
[caption id="attachment_25167" align="aligncenter" width="1200"]
Sally Hawkins and Octavia Spencer in the film THE SHAPE OF WATER.The Shape of Water[/caption]
The Academy of Motion Picture Arts and Sciences has selected the 10 films that remain in the running in the Visual Effects category for the 90th Academy Awards.
Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018.
The 90th Oscars® will be held on Sunday, March 4, 2018, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 6:30 p.m. ET/ 3:30 p.m. PT.
The films are listed below in alphabetical order:
“Alien: Covenant”
“Blade Runner 2049”
“Dunkirk”
“Guardians of the Galaxy Vol. 2”
“Kong: Skull Island”
“Okja”
“The Shape of Water”
“Star Wars: The Last Jedi”
“Valerian and the City of a Thousand Planets”
“War for the Planet of the Apes”
-
2018 Berlin Film Festival Reveals First 10 Films in Competition and Berlinale Special
[caption id="attachment_26023" align="aligncenter" width="1200"]
“Eva” By Benoit Jacquot[/caption]
The first ten films have been selected for the Competition and the Berlinale Special of the 2018 Berlin International Film Festival.
Alongside the previously announced opening film, Isle of Dogs by Wes Anderson, films by Benoit Jacquot, Gus Van Sant, Alexey German Jr., Małgorzata Szumowska, Philip Gröning, Thomas Stuber, and Laura Bispuri will screen in Competition.
So far two films by Isabel Coixet and Lars Kraume have been invited to participate in the Berlinale Special. As part of the Official Program, it screens recent works by contemporary filmmakers, as well as documentaries and works with extraordinary formats.
Competition
Don’t Worry, He Won’t Get Far on Foot USA By Gus Van Sant (Milk, Promised Land) With Joaquin Phoenix, Jonah Hill, Rooney Mara, Jack Black, Udo Kier International premiere Dovlatov Russian Federation / Poland / Serbia By Alexey German Jr. (Paper Soldier, Under Electric Clouds) With Milan Maric, Danila Kozlovsky, Helena Sujecka, Artur Beschastny, Elena Lyadova World premiere Eva France By Benoit Jacquot (Three Hearts, Diary of a Chambermaid) With Isabelle Huppert, Gaspard Ulliel, Julia Roy, Richard Berry World premiere Figlia mia (Daughter of Mine) Italy / Germany / Switzerland By Laura Bispuri (Sworn Virgin) With Valeria Golino, Alba Rohrwacher, Sara Casu, Udo Kier World premiere In den Gängen (In the Aisles) Germany By Thomas Stuber (Teenage Angst, A Heavy Heart) With Franz Rogowski, Sandra Hüller, Peter Kurth World premiere Mein Bruder heißt Robert und ist ein Idiot (My Brother’s Name is Robert and He’s an Idiot) Germany By Philip Gröning (Into Great Silence, The Police Officer’s Wife) With Josef Mattes, Julia Zange, Urs Jucker, Stefan Konarske, Zita Aretz, Karolina Porcari, Vitus Zeplichal World premiere Twarz (Mug) Poland By Małgorzata Szumowska (In the Name of, Body) With Mateusz Kościukiewicz, Agnieszka Podsiadlik, Małgorzata Gorol, Roman Gancarczyk, Dariusz Chojnacki, Robert Talarczyk, Anna Tomaszewska, Martyna Krzysztofik World premiereBerlinale Special Gala
The Bookshop Spain / United Kingdom / Germany By Isabel Coixet (Things I Never Told You, My Life Without Me, The Secret Life of Words) With Emily Mortimer, Bill Nighy, Patricia Clarkson German premiere Das schweigende Klassenzimmer (The Silent Revolution) Germany By Lars Kraume (The People vs. Fritz Bauer) With Leonard Scheicher, Tom Gramenz, Lena Klenke, Jonas Dassler, Florian Lukas, Jördis Triebel, Michael Gwisdek, Ronald Zehrfeld, Burghart Klaußner World premiere
-
Aaron Sorkin and Patty Jenkins to Receive Variety’s Creative Impact Award
Variety will present writer Aaron Sorkin with the Creative Impact in Screenwriting Award and director Patty Jenkins with the Creative Impact in Directing Award at the 2018 Palm Springs Film Festival on January 3, 2018.
The award will celebrate Sorkin’s prolific screenwriting career, which includes an Academy Award® for “The Social Network” and multiple Emmy Awards for “The West Wing”, as well as his directorial debut with the upcoming film, “Molly’s Game” from STX films and The Mark Gordon Company, opening Dec. 25. Aaron has received a Golden Globe nomination as well as a Critics Choice nomination for the screenplay of the film.
“It’s no exaggeration to say that Aaron Sorkin has dramatically changed the art of modern film and TV writing,” said Steven Gaydos, VP and Executive Editor, Variety. “With intelligence, passion and wit in equal portions, his propulsive expressiveness has redefined the limits of character and dialogue, and his newest film, “Molly’s Game,” is a thrilling example of the maestro at the top of his game.”
“Molly’s Game” star Jessica Chastain will be presenting Sorkin the award at the brunch. Chastain will receive the Chairman’s Award at the PSIFF Film Awards Gala the evening before.
Jenkins will be the first female director to ever receive the honor, and the award will celebrate her career, from her award-winning first feature, “Monster,” to her most recent work directing Warner Bros. Pictures’ “Wonder Woman.” Among that film’s many accolades, it was recently named one of AFI’s Best Films of The Year, and Jenkins and the film’s star, Gal Gadot, will receive the National Board of Review Spotlight Award.
“Patty Jenkins has directed one of the most critically acclaimed and commercially successful films of the year with “Wonder Woman,” said Variety Co-Editor in Chief, Claudia Eller. “The film grossed $820 million worldwide and has inspired women-and men-old and young, to feel as empowered as the superhero at its center. Patty also scored a big one for female directors, which are in short supply in Hollywood.”
“Wonder Woman” star Gal Gadot will be presenting Patty the award at the brunch. Gadot will receive the Rising Star Award at the PSIFF Film Awards Gala the evening before.
Previous recipients of this award have included Jeff Nichols, Charlie Kaufmann, David O. Russell, and Philip Seymour Hoffman.
-
2018 Atlanta Film Festival Announces First 15 Films
[caption id="attachment_26014" align="aligncenter" width="1200"]
“Still” directed by Takashi Doscher[/caption]
The 42nd Atlanta Film Festival & Creative Conference (ATLFF), taking place April 13 to 22, 2018, announced the first wave of film programming. This selection comprises 15 works in both feature length and short form across narrative, documentary, pilot episode, music video, animation, puppetry, experimental and virtual reality categories.
“One of the most beautiful things about independent film is that it allows creators who may be shut out of the Hollywood machine to tell their own stories and make their voices heard,” said ATLFF Programming Director Alyssa Armand. “As we approach our 42nd year, we look forward to continuing to provide a platform for the alternative by showcasing films that you rarely get to see on the big screen, but that absolutely deserve to be there.”
Of the 15 films, six are directed by ATLFF alumni. Two Georgia-lensed films are included in the first wave, narrative feature “Still,” directed by Takashi Doscher, and Virtual Reality short film “Lá Camila,” directed by Jak Wilmot. Shot in Swaziland and directed by Aaron Kopp and Amanda Kopp, “Liyana” blends a rich animated tale told by five orphans with observational scenes of their reality. Documentary short film “Nuuca,” directed by Michelle Latimer, is a powerful look at the correlation between land exploitation and violence against Indigenous women and girls in North Dakota.
Narrative Feature
Disappearance directed by Ali Asgari Iran, 2017, Persian, 88 minutes In the course of one cold night in Tehran, two young lovers go from hospital to hospital in search of help. Soon they will have to face the tragic consequences of their youthful naivety. Never Steady, Never Still directed by Kathleen Hepburn Canada, 2017, English, 111 minutes Having lived with Parkinson’s disease for almost two decades, Judy (Shirley Henderson) is faced with the heightened challenges of daily life when her husband and caregiver dies of a sudden heart attack on their isolated property on the shores of Stuart Lake. Meanwhile, her teenage son Jamie (Théodore Pellerin), pushed by his father to get a job on the oil fields, is terrified by the idea of filling his shoes at too young an age, and grappling with the daunting task of becoming a man in world that has no apparent room for weakness. #NewMavericks Still directed by Takashi Doscher USA, 2018, English, 88 minutes Sick, dehydrated, and lost, Lily (Madeline Brewer) quite literally falls on the doorstep of Ella (Lydia Wilson) and Adam (Nick Blood) who own and operate a secret distillery in the middle of the Appalachian mountains. However, as Lily begins to recover she starts to notice stranger and stranger things about the couple: Despite their youthful appearance, everything they own appears to be decades old. Although they live on a beautiful farm, there are no livestock and no crops. She notices how they secretly slip away into the woods, carrying glass jugs of water with them. Most alarming, however, is that there seems to be a great rift, a deep emotional strain, between them—as if they are an old married couple who gradually fell out of love as time went on. As Lily delves deeper and deeper into the lives of this mysterious yet beautiful couple, she is soon caught in the middle of their conflict—a heartbreaking power struggle literally a century in the making. Lily will soon learn how the couple came upon this property and the deep and powerful secret they have been protecting all of these years. #GeorgiaDocumentary Feature
Armed with Faith directed by Geeta Gandbhir and Asad Faruqi USA/Pakistan, 2017, Pashto//Urdu, 74 minutes “Armed with Faith” follows the men of the Khyber Pakhtunkhwa Bomb Disposal Unit (KPK BDU) to the front lines of the war against Al-Qaeda and the Taliban in Pakistan. The border province of Khyber Pakhtunkhwa—considered the gateway for terrorists from neighboring Afghanistan and adjacent tribal areas—is the backdrop of our film. The battle for control of this porous border area remains critical to the stability of Pakistan and global security. Should Pakistan, a nuclear power, fall into the hands of terrorists, the entire world is at risk. We witness firsthand the dangerous struggle undertaken by the men of the KPK BDU to protect their country against the Taliban threat in the land they both call home. Liyana directed by Aaron Kopp and Amanda Kopp USA/Swaziland, 2017, English/siSwati, 77 minutes A Swazi girl embarks on a dangerous quest to rescue her young twin brothers. This animated African tale is born in the imaginations of five orphaned children in Swaziland who collaborate to tell a story of perseverance drawn from their darkest memories and brightest dreams. Their fictional character’s journey is interwoven with poetic and observational documentary scenes to create a genre-defying celebration of the transformative power of storytelling.Narrative Short
Arlo Alone directed by Nicole Dorsey Canada, 2017, English, 16:19 “Arlo Alone” is a futuristic drama that follows Arlo, a young woman, as she comes to terms with her own loneliness in a world where in-person contact has become a rarity. #NewMavericks Laws of the Game directed by Aegina Brahim Suriname/UK, 2017, Dutch, 17:54 Zeola is a single mother whose life alternates between her job as a prison guard and her career as a football referee in the men’s league. In her attempt to obtain the international FIFA Badge in an official referee test, Zeola is confronted not only with her own insecurities, but also with the unfairness of the world around her. #NewMavericksDocumentary Short
Carry My Voice directed by Hasan Demirtaş Turkey, 2017, Kurdish, 19:00 Carry My Voice is about the division of Kurdish lands after World War I. The documentary focuses on Syria and Turkey borders and how these new borders have affected the lives of Kurdish people. Nuuca directed by Michelle Latimer USA/Canada, 2017, English/Hidatsa, 12:00 An evocative meditation on Indigenous women’s integral connection to land and the ways in which the extractive industry’s exploitation of the earth is linked to the violence perpetrated against Indigenous women and girls. #NewMavericksAnimated Short
Nevada directed by Emily Ann Hoffman USA, 2017, English, 12:00 A young couple’s romantic weekend getaway is interrupted by a birth control mishap in this stop motion animated comedy. #NewMavericksVirtual Reality Short
Lá Camila directed by Jak Wilmot USA, 2017, English, 20:00 When the storms of nature threaten her very existence, the viewer must help a young shepherd girl fill the shoes of her deceased papá. #GeorgiaPuppetry Short
You Can’t Play With Us directed by Jason Rhein, created by Serene Bacigalupi and Jacques Duffourc USA, 2018, English, 15:00 Rapping unicorns? A dinosaur inventor? A marshmallow avalanche? Experience a new fairy tale from the imaginative world of Leroy’s Place. Built entirely from cardboard and other recycled materials, this endearing short film in puppetry tells a story of overcoming bullying. In a world where dinosaurs eat unicorns for every meal, Delux the dino refuses to eat the magical creatures and sets out to befriend them instead. When the inquisitive dinosaur happens upon some musical unicorns in Marshmallow Mountain, they aren’t as friendly as he expects. It’s not always easy to make new friends, especially when they think you are going to eat them, but Delux uses his unique skills to make the sassy unicorns take a second look. This film is intended for all ages.Experimental Short
Royal Jelly directed by Stephanie Burbano Canada, 2017, English, 9:52 The film begins in abstraction—we meet a drag queen who invites us down the rabbit hole to meet a menagerie of people that make up her community. #PinkPeachPilot Episode
Manic directed by Kate Marks USA, 2016, English, 17:00 Aurora, an overachieving teen with Ivy League dreams, finds herself locked in with a crazy band of misfits when she’s sent to Greener Pastures Therapeutic School. Convinced it’s all a mistake, she fights the system and makes a break for freedom—only to be faced with the truth about why she was committed there in the first place. #NewMavericksMusic Video
Biggest Curse (performed by Original Swimming Party feat. Moonchild Sanelly) directed by Amy Allais South Africa, 2017, English, 4:27 Fundamentally it’s about who gets to eat the cake, and who doesn’t. About the back rooms in many South African houses. And busting through those. But it’s also about childhood, and how easy it is to make friends.

BATTLE OF THE SEXES[/caption]
141 scores from eligible feature-length films released in 2017 have qualified to be nominated in the Original Score category for the 90th Academy Awards.
To be eligible, the original score must be a substantial body of music that serves as original dramatic underscoring, and must be written specifically for the motion picture by the submitting composer. Scores diluted by the use of preexisting music, diminished in impact by the predominant use of songs or any music not composed specifically for the film by the submitting composer, or assembled from the music of more than one composer shall not be eligible.
Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018.
The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 6:30 p.m. ET/3:30 p.m. PT.
The eligible scores along with their composers are listed below, in alphabetical order by film title:
“Alien: Covenant,” Jed Kurzel, composer
“All I See Is You,” Marc Streitenfeld, composer
“All the Money in the World,” Daniel Pemberton, composer
“Annabelle: Creation,” Benjamin Wallfisch, composer
“Band Aid,” Lucius, composer
“Battle of the Sexes,” Nicholas Britell, composer
“Baywatch,” Christopher Lennertz, composer
“Beauty and the Beast,” Alan Menken, composer
“The Big Sick,” Michael Andrews, composer
“Blade Runner 2049,” Benjamin Wallfisch and Hans Zimmer, composers
“The Book of Henry,” Michael Giacchino, composer
“Born in China,” Barnaby Taylor, composer
“The Boss Baby,” Hans Zimmer and Steve Mazzaro, composers
“Boston,” Jeff Beal, composer
“Brad’s Status,” Mark Mothersbaugh, composer
“Brawl in Cell Block 99,” Jeff Herriott and S. Craig Zahler, composers
“The Breadwinner,” Mychael Danna and Jeff Danna, composers
“Breathe,” Nitin Sawhney, composer
“Brigsby Bear,” David Wingo, composer
“Brimstone & Glory,” Dan Romer and Benh Zeitlin, composers
“Captain Underpants The First Epic Movie,” Theodore Shapiro, composer
“Cars 3,” Randy Newman, composer
“The Circle,” Danny Elfman, composer
“Coco,” Michael Giacchino, composer
“Cries from Syria,” Martin Tillman, composer
“A Cure for Wellness,” Benjamin Wallfisch, composer
“Darkest Hour,” Dario Marianelli, composer
“Despicable Me 3,” Heitor Pereira, composer
“The Disaster Artist,” Dave Porter, composer
“A Dog’s Purpose,” Rachel Portman, composer
“Downsizing,” Rolfe Kent, composer
“Drawing Home,” Ben Holiday, composer
“Dunkirk,” Hans Zimmer, composer
“Earth: One Amazing Day,” Alex Heffes, composer
“A Fantastic Woman,” Matthew Herbert, composer
“The Fate of the Furious,” Brian Tyler, composer
“Father Figures,” Rob Simonsen, composer
“Ferdinand,” John Powell, composer
“Fifty Shades Darker,” Danny Elfman, composer
“Film Stars Don’t Die in Liverpool,” J. Ralph, composer
“First They Killed My Father,” Marco Beltrami and Buck Sanders, composers
“Get Out,” Michael Abels, composer
“A Ghost Story,” Daniel Hart, composer
“Gifted,” Rob Simonsen, composer
“The Glass Castle,” Joel P. West, composer
“Going in Style,” Rob Simonsen, composer
“Good Time,” Daniel Lopatin, composer
“Goodbye Christopher Robin,” Carter Burwell, composer
“Gook,” Roger Suen, composer
“Guardians of the Galaxy Vol. 2,” Tyler Bates, composer
“The Hitman’s Bodyguard,” Atli Ӧrvarsson, composer
“Hostiles,” Max Richter, composer
“Human Flow,” Karsten Fundal, composer
“An Inconvenient Sequel: Truth to Power,” Jeff Beal, composer
“It,” Benjamin Wallfisch, composer
“Jane,” Philip Glass, composer
“Jumanji: Welcome to the Jungle,” Henry Jackman, composer
“Justice League,” Danny Elfman, composer
“Kepler’s Dream,” Patrick Neil Doyle, composer
“King Arthur: Legend of the Sword,” Daniel Pemberton, composer
“Kingsman: The Golden Circle,” Henry Jackman and Matthew Margeson, composers
“Kong: Skull Island,” Henry Jackman, composer
“LA 92,” Danny Bensi and Saunder Jurriaans, composers
“LBJ,” Marc Shaiman, composer
“Lady Bird,” Jon Brion, composer
“Lake of Fire,” Qutub-E-Kripa, composer
“Last Flag Flying,” Graham Reynolds, composer
“The Lego Batman Movie,” Lorne Balfe, composer
“The Lego Ninjago Movie,” Mark Mothersbaugh, composer
“The Leisure Seeker,” Carlo Virzì, composer
“Let It Fall,” Mark Isham, composer
“Life,” Jon Ekstrand, composer
“Logan,” Marco Beltrami, composer
“The Lost City of Z,” Christopher Spelman, composer
“Loveless,” Evgueni Galperine and Sacha Galperine, composers
“Loving Vincent,” Clint Mansell, composer
“The Man Who Invented Christmas,” Mychael Danna, composer
“Mark Felt – The Man Who Brought Down the White House,” Daniel Pemberton, composer
“Marshall,” Marcus Miller, composer
“Mary and the Witch’s Flower,” Takatsugu Muramatsu, composer
“Maudie,” Michael Timmins, composer
“Molly’s Game,” Daniel Pemberton, composer
“Moomins and the Winter Wonderland,” Łukasz Targosz, composer
“The Mountain between Us,” Ramin Djawadi, composer
“Mudbound,” Tamar-kali, composer
“The Mummy,” Brian Tyler, composer
“Murder on the Orient Express,” Patrick Doyle, composer
“My Cousin Rachel,” Rael Jones, composer
“Norman: The Moderate Rise and Tragic Fall of a New York Fixer,” Jun Miyake, composer
“Okja,” Jaeil Jung, composer
“Oklahoma City,” David Cieri, composer
“The Only Living Boy in New York,” Rob Simonsen, composer
“Only the Brave,” Joseph Trapanese, composer
“Our Souls at Night,” Elliot Goldenthal, composer
“Paris Can Wait,” Laura Karpman, composer
“Patti Cake$,” Geremy Jasper and Jason Binnick, composers
“Phantom Thread,” Jonny Greenwood, composer
“The Pirates of Somalia,” Andrew Feltenstein and John Nau, composers
“Pirates of the Caribbean: Dead Men Tell No Tales,” Geoff Zanelli, composer
“The Post,” John Williams, composer
“Professor Marston and the Wonder Women,” Tom Howe, composer
“The Promise,” Gabriel Yared, composer
“Pulimurugan,” Gopi Sundar, composer
“Raw,” Jim Williams, composer
“Roman J. Israel, Esq.,” James Newton Howard, composer
“Saban’s Power Rangers,” Brian Tyler, composer
“Same Kind of Different as Me,” John Paesano, composer
“The Second Coming of Christ,” Navid Hejazi, Ramin Kousha and Silvia Leonetti, composers
“Served Like a Girl,” Michael A. Levine, composer
“The Shack,” Aaron Zigman, composer
“The Shape of Water,” Alexandre Desplat, composer
“Slipaway,” Tao Liu, composer
“Smurfs: The Lost Village,” Christopher Lennertz, composer
“Spider-Man: Homecoming,” Michael Giacchino, composer
“Split,” West Dylan Thordson, composer
“The Star,” John Paesano, composer
“Star Wars: The Last Jedi,” John Williams, composer
“Step,” Laura Karpman and Raphael Saadiq, composers
“Stronger,” Michael Brook, composer
“Suburbicon,” Alexandre Desplat, composer
“Swing Away,” Tao Zervas, composer
“Thank You for Your Service,” Thomas Newman, composer
“Their Finest,” Rachel Portman, composer
“Thelma,” Ola Fløttum, composer
“Thor: Ragnarok,” Mark Mothersbaugh, composer
“Three Billboards outside Ebbing, Missouri,” Carter Burwell, composer
“Tickling Giants,” Paul Tyan, composer
“Tommy’s Honour,” Christian Henson, composer
“Trafficked,” David Das, composer
“Transformers: The Last Knight,” Steve Jablonsky, composer
“XXX: Return of Xander Cage,” Brian Tyler and Robert Lydecker, composers
“Victoria & Abdul,” Thomas Newman, composer
“Voice from the Stone,” Michael Wandmacher, composer
“Wakefield,” Aaron Zigman, composer
“War for the Planet of the Apes,” Michael Giacchino, composer
“Wilson,” Jon Brion, composer
“Wind River,” Nick Cave and Warren Ellis, composers
“Wonder,” Marcelo Zarvos, composer
“Wonder Woman,” Rupert Gregson-Williams, composer
“Wonderstruck,” Carter Burwell, composer
“Year by the Sea,” Alexander Janko, composer
Patti Cake$[/caption]
70 songs from eligible feature-length motion pictures released in 2017 qualify for nomination in the Original Song category for the 90th Academy Awards.
To be eligible, a song must consist of words and music, both of which are original and written specifically for the film. A clearly audible, intelligible, substantive rendition of both lyric and melody must be used in the body of the film or as the first music cue in the end credits.
Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018.
The 90th Oscars® will be held on Sunday, March 4, 2018, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 6:30 p.m. ET/3:30 p.m. PT.
The original songs, along with the motion picture in which each song is featured, are listed below in alphabetical order by film title and song title:
“U.N.I (You And I)” from “And the Winner Isn’t”
“Love And Lies” from “Band Aid”
“If I Dare” from “Battle of the Sexes”
“Evermore” from “Beauty and the Beast”
“How Does A Moment Last Forever” from “Beauty and the Beast”
“Now Or Never” from “Bloodline: Now or Never”
“She” from “Bombshell: The Hedy Lamarr Story”
“Your Hand I Will Never Let It Go” from “The Book of Henry”
“Buddy’s Business” from “Brawl in Cell Block 99”
“The Crown Sleeps” from “The Breadwinner”
“World Gone Mad” from “Bright”
“Mystery Of Love” from “Call Me by Your Name”
“Visions Of Gideon” from “Call Me by Your Name”
“Captain Underpants Theme Song” from “Captain Underpants The First Epic Movie”
“Ride” from “Cars 3”
“Run That Race” from “Cars 3”
“Tell Me How Long” from “Chasing Coral”
“Broken Wings” from “City of Ghosts”
“Remember Me” from “Coco”
“Prayers For This World” from “Cries from Syria”
“There’s Something Special” from “Despicable Me 3”
“It Ain’t Fair” from “Detroit”
“A Little Change In The Weather” from “Downsizing”
“Stars In My Eyes (Theme From Drawing Home)” from “Drawing Home”
“All In My Head” from “Elizabeth Blue”
“Dying For Ya” from “Elizabeth Blue”
“Green” from “Elizabeth Blue”
“Can’t Hold Out On Love” from “Father Figures”
“Home” from “Ferdinand”
“I Don’t Wanna Live Forever” from “Fifty Shades Darker”
“You Shouldn’t Look At Me That Way” from “Film Stars Don’t Die in Liverpool”
“This Is How You Walk On” from “Gifted”
“Summer Storm” from “The Glass Castle”
“The Pure And The Damned” from “Good Time”
“This Is Me” from “The Greatest Showman”
“The Hero” from “The Hero”
“How Shall A Sparrow Fly” from “Hostiles”
“Just Getting Started” from “If You’re Not in the Obit, Eat Breakfast”
“Truth To Power” from “An Inconvenient Sequel: Truth to Power”
“Next Stop, The Stars” from “Kepler’s Dream”
“The Devil & The Huntsman” from “King Arthur: Legend of the Sword”
“Have You Ever Wondered” from “Lake of Fire”
“I’ll Be Gone” from “Lake of Fire”
“We’ll Party All Night” from “Lake of Fire”
“Friends Are Family” from “The Lego Batman Movie”
“Found My Place” from “The Lego Ninjago Movie”
“Stand Up For Something” from “Marshall”
“Rain” from “Mary and the Witch’s Flower”
“Myron/Byron” from “The Meyerowitz Stories (New and Selected)”
“Longing For Summer” from “Moomins and the Winter Wonderland”
“Mighty River” from “Mudbound”
“Never Forget” from “Murder on the Orient Express”
“Hold The Light” from “Only the Brave”
“PBNJ” from “Patti Cake$”
“Tuff Love (Finale)” from “Patti Cake$”
“Lost Souls” from “The Pirates of Somalia”
“How A Heart Unbreaks” from “Pitch Perfect 3”
“The Promise” from “The Promise”
“Kaadanayum Kaalchilambe” from “Pulimurugan”
“Maanathe Maarikurumbe” from “Pulimurugan”
“Stubborn Angel” from “Same Kind of Different as Me”
“Dancing Through The Wreckage” from “Served Like a Girl”
“Keep Your Eyes On Me” from “The Shack”
“On The Music Goes” from “Slipaway”
“The Star” from “The Star”
“Jump” from “Step”
“Tickling Giants” from “Tickling Giants”
“Fly Away” from “Trafficked”
“Speak To Me” from “Voice from the Stone”
“Walk On Faith” from “Year by the Sea”