The Misogynists[/caption]
The 23 year-old Cucalorus Film Festival is transforming to broaden its exploration of innovation and creativity by showcasing performers and entrepreneurs along with filmmakers. This year’s Cucalorus Festival taking place November 8 to 12, in downtown Wilmington, NC, is organized into three broad programs: Film, Stage and Connect.
The catalyst for this transformation is the Cucalorus Connect Conference, an exploration of the digital transformation that is changing the way we live, work and play. Michele Holbrook from Corning will deliver the opening keynote and will be joined by executives from GE Hitachi Nuclear, ESPN, CBS Sports, SAS, Microsoft, K4Connect and more. Entrepreneur George Taylor, who has been instrumental in building the ecosystem for startups in North Carolina, will make a special announcement about his work to launch a brewery run by active gang members during the closing keynote.
Headlining Thursday’s schedule, Onur Tukel returns to Wilmington for the Southern US Premiere of his latest film “The Misogynists” – a devastatingly satirical comedy about two Trump supporters celebrating in a hotel room on election night.
Cucalorus will host the World Premiere of Canadian filmmakers Hannah Cheesman and Mackenzie Donaldson’s “The Definites” – a tightly crafted drama about a woman who leaves her husband-to-be and dives into her own wild desires during a libidinous, party-filled weekend at Art Basel in Miami. Rounding out the premieres at the festival are Dan Mirvish’s “Bernard and Huey,” Jordan Canning’s “Ordinary Days,” Jennifer Morrison’s “Sun Dogs,” and Bob Byington’s “Infinity Baby.” The full lineup of over 200 features and shorts will be announced next week and will include special curated programs from Toronto International Film Festival‘s Lisa Haller and Lisa Vandever from Cinekink.
The festival’s Works-in-Progress program, a workshop-style review of top social documentaries in-the-making from African American filmmakers, includes Unapologetic by Ashley Mills, Seeds of Struggle by Dennis Terry, Woody Shaw: Beyond All Limits by Woody Shaw III, Time of the Phoenix: The First Rainbow Coalition by Ray Santisteban, You Only Live Once by Terrance Pitts, and While I Breathe, I Hope by Emily Harrold.
The newest branch of the festival family is the Cucalorus Stage program, built on the success of performance-focused events like Dance-a-lorus, the Bus to Lumberton, and Visual/Sound/Walls. The Cucalorus Stage Experience includes more than 40 performers working in dance, music, theatre, comedy and performance. Alexandra Tatarsky returns to the festival with “Americana Psychobabble” – a delirious anti-narrative of American emptiness, violence and nonsense — part exorcism and part enema! Returning to the fest after her buzz-worthy debut, Shirley Gnome will share her new show “Taking it up the Notch.” Dram Tree Shakespeare, Pineapple-Shaped Lamps and a host of other cutting edge performers round out the lineup while the David Lynch-inspired Bus to Lumberton installation is being created by award-winning alum Josephine Decker.-
Onur Tukel’s THE MISOGYNISTS Among Headliners for 23rd Cucalorus Film Festival
[caption id="attachment_24822" align="aligncenter" width="1200"]
The Misogynists[/caption]
The 23 year-old Cucalorus Film Festival is transforming to broaden its exploration of innovation and creativity by showcasing performers and entrepreneurs along with filmmakers. This year’s Cucalorus Festival taking place November 8 to 12, in downtown Wilmington, NC, is organized into three broad programs: Film, Stage and Connect.
The catalyst for this transformation is the Cucalorus Connect Conference, an exploration of the digital transformation that is changing the way we live, work and play. Michele Holbrook from Corning will deliver the opening keynote and will be joined by executives from GE Hitachi Nuclear, ESPN, CBS Sports, SAS, Microsoft, K4Connect and more. Entrepreneur George Taylor, who has been instrumental in building the ecosystem for startups in North Carolina, will make a special announcement about his work to launch a brewery run by active gang members during the closing keynote.
Headlining Thursday’s schedule, Onur Tukel returns to Wilmington for the Southern US Premiere of his latest film “The Misogynists” – a devastatingly satirical comedy about two Trump supporters celebrating in a hotel room on election night.
Cucalorus will host the World Premiere of Canadian filmmakers Hannah Cheesman and Mackenzie Donaldson’s “The Definites” – a tightly crafted drama about a woman who leaves her husband-to-be and dives into her own wild desires during a libidinous, party-filled weekend at Art Basel in Miami. Rounding out the premieres at the festival are Dan Mirvish’s “Bernard and Huey,” Jordan Canning’s “Ordinary Days,” Jennifer Morrison’s “Sun Dogs,” and Bob Byington’s “Infinity Baby.” The full lineup of over 200 features and shorts will be announced next week and will include special curated programs from Toronto International Film Festival‘s Lisa Haller and Lisa Vandever from Cinekink.
The festival’s Works-in-Progress program, a workshop-style review of top social documentaries in-the-making from African American filmmakers, includes Unapologetic by Ashley Mills, Seeds of Struggle by Dennis Terry, Woody Shaw: Beyond All Limits by Woody Shaw III, Time of the Phoenix: The First Rainbow Coalition by Ray Santisteban, You Only Live Once by Terrance Pitts, and While I Breathe, I Hope by Emily Harrold.
The newest branch of the festival family is the Cucalorus Stage program, built on the success of performance-focused events like Dance-a-lorus, the Bus to Lumberton, and Visual/Sound/Walls. The Cucalorus Stage Experience includes more than 40 performers working in dance, music, theatre, comedy and performance. Alexandra Tatarsky returns to the festival with “Americana Psychobabble” – a delirious anti-narrative of American emptiness, violence and nonsense — part exorcism and part enema! Returning to the fest after her buzz-worthy debut, Shirley Gnome will share her new show “Taking it up the Notch.” Dram Tree Shakespeare, Pineapple-Shaped Lamps and a host of other cutting edge performers round out the lineup while the David Lynch-inspired Bus to Lumberton installation is being created by award-winning alum Josephine Decker.
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Russian Resurrection Film Festival to Honor Director Andrei Konchalovsky with Retrospective
The retrospective for the 2017 Russian Resurrection Film Festival in Western Australia will celebrate the 80th birthday of film director, screenwriter and producer Andrei Konchalovsky.
Andrei Konchalovsky’s career in film spans over 45 years, kick starting in Russia in the 60’s and 70’s before moving to Hollywood in the 80’s where he directed a range of films including Runaway Train with Jon Voight and Tango & Cash starring Kurt Russell and Sylvester Stallone. Both be screening at Russian Resurrection Film Festival this year.
Andrei Konchalovsky has now returned to Russia where he continues to work today.
Currently living in Moscow, he still makes the occasional trip to Hollywood to work on mainstream TV productions including the Emmy-winning The Odyssey and The Lion in Winter.
He was named ‘Best Director’ at Russia’s prestigious Nika Awards held earlier this year in Moscow. His most recent film Rai (Paradise), a holocaust themed drama also took home the ‘Best Film’ award at the ceremony. Paradise will also be screening at the Russian Resurrection Film Festival.
Festival Director Nicholas Maksymow says the Russian Resurrection Film Festival looks forward to celebrating the incredible career of Andrei Konchalovsky with audiences.
“We are delighted to be celebrating the 80th birthday of legendary director Andrei Konchalovsky with a special retrospective at the Russian Resurrection Film Festival this year. Andrei is an incredibly talented Russian director who has achieved greatness in his career in Russia and Hollywood. Andrei’s critically acclaimed work in film, television and theatre has been influential to audiences across the globe and we look forward to bringing a selection of these fantastic films to screens across Australia and New Zealand.”
The selection of films screening as part of the Andrei Konchalovsky retrospective this year include Nest of the Gentry (1969), Uncle Vanya (1970), Runaway Train (1985), Tango & Cash (1989), Gloss (2007), Paradise (2016).
Nest of the Gentry (1969) is based on a novel by Ivan Turgenev. It is a tale about love, emotions and relationships and stars Nikita Mikhalkov.
Based on Chekhov’s much-loved play, Uncle Vanya (1970) is a powerhouse production featuring some of Russia’s best actors of the era including Irina Kupchenko, Innokenti Smoktunovsky, Sergei Bondarchuk and Irina Miroshnichenko. It is an exceedingly graceful, beautifully acted production that highlights Chekhov as Russia’s saddest, gentlest, funniest and most compassionate playwright.
Starring Jon Voight and Eric Roberts, Konchalovsky’s second American film Runaway Train (1985) is based on a screenplay by the Japanese master, Akira Kurosawa. The story follows two dangerous prisoners who escape from a desolate Alaskan maximum-security prison across the icy wilderness.
Sylvester Stallone and Kurt Russell star as Tango and Cash (1989), a typical 80’s Hollywood police blockbuster mixing thrilling action with hilarious characters and goofy jokes.
Gloss (2007) is described by many as a Russian spin on hit comedy The Devil Wears Prada. It is a canny satire on the modern fixation with fashion and celebrity culture. The film follows Galia, a seamstress from Rostov who moves to Moscow in the hope of becoming rich and famous.
As mentioned above, the multi-award winning Paradise (2016) will also be screening at the Russian Resurrection Film Festival; the film is an absorbing Holocaust drama built on the unlikely juncture of grace and despair, horror and rapture.
The Russian Resurrection Film Festival 2017 returns to Cinema Paradiso in Northbridge from October 27 to November 1 , 2017.
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A GRAY STATE, Documentary on Mysterious Deaths of Filmmaker David Crowley and His Family, Gets US Release
A Gray State, the A&E IndieFilms acclaimed documentary feature from Erik Nelson and executive produced by Werner Herzog, has been acquired by First Run Features. The film, which had its world premiere at this past Tribeca Film Festival to critical praise, will receive a US theatrical release this November along with an awards push. Following the theatrical run “A Gray State” will make its television debut on A&E.
In 2010 David Crowley, an Iraq veteran, aspiring filmmaker and charismatic up-and-coming voice in fringe politics, began production on his film “Gray State.” Set in a dystopian near-future where civil liberties are trampled by an unrestrained federal government, the film’s crowd funded trailer was enthusiastically received by the burgeoning online community of libertarians, Tea Party activists as well as members of the nascent alt-right.
In January of 2015, Crowley was found dead with his family in their suburban Minnesota home. Their shocking deaths quickly become a cause célèbre for conspiracy theorists who speculate that Crowley was assassinated by a shadowy government concerned about a film and filmmaker that was getting too close to the truth about their aims. Directed by “Grizzly Man” producer Erik Nelson and Executive Produced by Werner Herzog, “A Gray State” combs through Crowley’s archive of 13,000 photographs, hundreds of hours of home video, and exhaustive behind-the-scenes footage of David’s work in progress to reveal what happens when a paranoid view of the government turns inward — blurring the lines of what is real and what people want to believe.
“’A Gray State’ is a deep dive into some of the fault lines that are fracturing America,” said Erik Nelson. “It’s a dark ride through the tunnel of conspiracy culture, the trauma experienced by many veterans, celebrity worship, gun obsession, and the unforeseen consequences of an addiction to social media. But it is a dark ride that tries to point a way to the light.”
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Free NYFF Live will Feature Richard Linklater, Sean Baker, Vanessa Redgrave and More
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Richard Linklater[/caption]
The sixth edition of free talk series NYFF Live during the 2017 New York Film Festival will feature actors, directors, writers, critics, and other industry insiders participating in daily evening discussions in the Amphitheater at the Elinor Bunin Munroe Film Center.
NYFF55 Directors Dialogues include conversations with Main Slate filmmakers Lucrecia Martel, Agnès Varda & JR, Hong Sang-soo, and Philippe Garrel. This year’s On Cinema features Opening Night filmmaker Richard Linklater (Last Flag Flying) in an in-depth discussion with NYFF Director Kent Jones about films that have influenced and inspired him, illustrated with film clips.
NYFF Live features panels on The Square, The Meyerowitz Stories (New and Selected), The Florida Project, and other films from NYFF55, as well as discussions with festival talent including Vanessa Redgrave, Luca Guadagnino, and Claire Denis.
NYFF Live and Directors Dialogues
Ruben Östlund, The Square Swedish filmmaker Ruben Östlund’s The Square won the coveted Palme d’Or at Cannes this year. The satirical drama, starring Claes Bang and Elisabeth Moss, follows a well-heeled contemporary art curator at a Stockholm museum who falls prey to a pickpocketing scam, triggering an overzealous response and then a crisis of conscience. Östlund, whose features also include Play and Force Majeure, will talk about writing and directing The Square, which plays at this year’s NYFF. VR and the Future of Virtual Production by Lucasfilm Demo and Talk with Rachel Rose, Jose Perez, and Nick Rasmussen From the depths of earth’s oceans to galaxies far, far away, VR allows us to be anyone, go anywhere, and see anything. Lucasfilm and its visual effects division, Industrial Light & Magic, have harnessed the power of this medium to create a new Virtual Production toolset, allowing filmmakers to build and scout a virtual set, manipulate props, puppeteer characters and vehicles, even compose shots to create virtual storyboards. It’s a game-changing application that is easy to learn, allowing storytellers to focus on the elements that blend together to form great stories. The creators of the toolset will participate in a conversation about the development of the platform and its potential to impact the filmmaking process, followed on Saturday by a public demonstration that will allow audiences to experience the system first hand. On Cinema: Richard Linklater In this annual special event, NYFF Director Kent Jones sits down with world-renowned filmmakers for an in-depth talk about films that have influenced and inspired them, illustrated with film clips. This year, Jones will talk with Richard Linklater, whose intensely emotional comic drama Last Flag Flying is this year’s opening night selection, and whose many superb films (Slacker, Dazed and Confused, Waking Life, and Boyhood, to name just a few) have been genuine gifts to modern American cinema. Gamescape: The Revenge of Full Motion Video It’s 1983. You find yourself in an arcade in the ’burbs. Among the future classics—Galaga, Space Invaders, Donkey Kong—you find something different: Sega’s Astron Belt or Cinematronics’ Dragon’s Lair, games that eschewed pixelated sprites for video and vivid animation. Full Motion Video games were movies you could play—to a point: the technical execution left something to be desired. Games were unreliable, systems crashed, and FMV all but disappeared. But FMV is making a comeback as creators breathe new life into this 35-year-old form. The 2017 edition of Gamescape celebrates some of the best new FMV work and looks back on titles both famous and infamous from the golden age of the arcade. GameScape is co-curated by Clara Fernandez-Vara, of the NYU Game Center. IndieWire Screen Talk LIVE podcast with Eric Kohn & Anne Thompson Take a seat to watch IndieWire’s Chief Film Critic Eric Kohn and Editor at Large Anne Thompson engage in film debate and banter as they record the next episode of their popular podcast, Screen Talk. Kohn and Thompson will give their takes on the first weekend of the New York Film Festival, and talk about how awards season is shaping up. HBO Directors Dialogues: Lucrecia Martel A singular artist working in cinema today, Argentinean director Lucrecia Martel makes films that are unlike any others. This year, Zama, showcased in the Main Slate, marks Martel’s fourth feature and fourth New York Film Festival appearance, following La Cienaga (2001), The Holy Girl (2004), and The Headless Woman (2009). Join Martel for a discussion of her films and her remarkable latest, an adaptation of a classic Argentinean novel, set in the late 18th century. Film Comment: The Cinema of Experience At this year’s NYFF, filmmakers are rising to the challenge of representing race and immigration at a pivotal time in our nation’s history. Our guests will discuss how cinematic technique is used to reflect such experiences and what is different about the latest generation of storytelling. Moderated by Film Comment Editor-in-Chief Nicolas Rapold, and featuring critic Teo Bugbee, writer-programmer Ashley Clark, and writer-filmmaker Farihah Zaman. Serge Bozon & Isabelle Huppert, Mrs. Hyde Academy Award nominee Isabelle Huppert headlines Serge Bozon’s eccentric comedic thriller loosely based on Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde. Huppert plays a timid physics professor at a suburban high school constantly mocked by colleagues and students. During a stormy night, she is struck by lightning, and wakes up as the newly powerful Madame Hyde. Meet Huppert as she talks about transforming into this character, and her career in movies and television; and Bozon, who will share his experiences making the movie. HBO Directors Dialogues: Agnès Varda & JR At age 89, legendary French filmmaker Agnès Varda has collaborated with 34-year-old visual artist JR on a remarkable new film, titled Faces Places. In it, the two of them journey from one rural French village to another, meeting people, taking their photographs, and printing large-scale versions of them, placed grandly within the environments. The two artist friends will discuss their unique project and the wise and wonderful film that came out of it. Noah Baumbach, The Meyerowitz Stories (New and Selected) No stranger to the New York Film Festival, Noah Baumbach has presented The Squid and the Whale (2005), Margot at the Wedding (2007), and Frances Ha (2012) here. Baumbach returns this year with the comedic drama The Meyerowitz Stories (New and Selected), starring Dustin Hoffman, Adam Sandler, Ben Stiller, and Emma Thompson. The film harkens back to the themes of family vanities and warring attachments he has explored in previous movies. Baumbach will talk about writing the film, and working with a cast that includes screen legend Hoffman. NYFF Shorts Filmmakers For the past three years, the New York Film Festival has celebrated short form filmmakers living and working in the city. Meet the directors with films in the festival’s “New York Stories” program: Jason Giampietro (Unpresidented), Adinah Dancyger (Cheer Up Baby), Ashley Connor and Joe Stankus (The Layover), Kevin Wilson, Jr. (My Nephew Emmett), John Wilson (The Road to Magnasanti) and Pacho Velez & Yoni Brook (Mr. Yellow Sweatshirt). Making The Florida Project: Sean Baker & Chris Bergoch Sean Baker (writer-director-producer-editor) and Chris Bergoch (writer-producer) collaborated on The Florida Project, which is having its U.S. premiere at the New York Film Festival. In this discussion, they’ll delve into the particulars of how The Florida Project was conceived and executed through its various stages in development. Set over one summer, the film follows precocious six-year-old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the shadow of nearby Disney World. Making Call Me by Your Name: Luca Guadagnino, Armie Hammer, and Michael Stuhlbarg Luca Guadagnino’s film has already caused a sensation at the Sundance, Berlin, and Toronto film festivals. Based on the book by André Aciman and from a screenplay by James Ivory, Call Me by Your Name centers on the son of an American professor who falls for the graduate student who comes to study and live with his family in their northern Italian home during the summer. Join Guadagnino and actors Armie Hammer and Michael Stuhlbarg as they talk about what is sure to be one of the most debated films of the fall. Spotlight on Documentary Filmmakers The amount of nonfiction films has skyrocketed since the turn of the century. Festivals around the world have celebrated the form, while critics and filmgoers have increasingly included docs on their roster of films to see. The group of filmmakers showing at this year’s NYFF—including Alison McAlpine (Cielo), Nancy Buirski (The Rape of Recy Taylor), Ena and Ines Talakic (Hall of Mirrors), among others—represent a cross-section of some of the most compelling documentarians working today. Documenting Creativity: Griffin Dunne, Rebecca Miller, Susan Lacy, Josh Koury & Myles Kane Many documentaries showing at this year’s NYFF focus on the lives and work of major writers and artists. At this talk, the directors behind four of these films will speak about their processes in representing creative people onscreen: Griffin Dunne, on creating a portrait of his aunt in Joan Didion: The Center Will Not Hold; Rebecca Miller, on the long road to constructing a documentary on her father in Arthur Miller: Writer; Susan Lacy, who traces the private, public, and artistic development of one of cinema’s true giants in Spielberg; and Josh Koury & Myles Kane on Voyeur, which closely followed Gay Talese as he worked on his controversial book The Voyeur’s Motel. Film Comment: Filmmakers Chat For the second year, Film Comment gives you the rare chance to see some of today’s most important filmmakers in dialogue with each other. A selection of NYFF directors past and present will talk together about their influences and inspirations in a discussion moderated by the magazine’s editor-in-chief Nicolas Rapold, with filmmakers Claire Denis (Let the Sun Shine In) and Joachim Trier (Thelma). Vanessa Redgrave, Sea Sorrow Her career as an actor has spanned six decades, but Academy Award winner Vanessa Redgrave has now become a documentary director with Sea Sorrow, a timely examination of the world’s urgent migrant crisis. Redgrave will be joined by producer Carlo Gabriel Nero to discuss what moved her to take on the project and how she set out to accomplish her filmmaking goals. Greta Gerwig, Lady Bird Greta Gerwig is a familiar presence at the New York Film Festival, seen in films such as Frances Ha (2012), Eden (2014), and 20th Century Women (2016). Gerwig has returned to the festival this year as a filmmaker, presenting her directorial debut, Lady Bird, starring Saoirse Ronan as an artistically inclined young woman trying to define herself in the shadow of her mother (Laurie Metcalf) and searching for an escape route from her hometown of Sacramento. Join Gerwig as she talks about segueing to behind the camera and telling a story that comes from a very personal place. HBO Directors Dialogues: Hong Sang-soo Beyond prolific, South Korean director Hong Sang-soo has presented new films in NYFF’s Main Slate for five years in a row. And this year, he has two new movies: The Day After, a black-and-white tale of mistaken identity, déja vu, and adultery; and On the Beach at Night Alone, an achingly personal response to public scandals surrounding his romantic life, starring Kim Min-hee (The Handmaiden). Hong will be on-hand to discuss these intimate, dialogue-driven, comic-tinged dramas. Field of Vision Presents Since its launch in 2013, Field of Vision has been a trailblazer in producing and championing short-form documentaries about developing and ongoing stories from around the world. This evening will spotlight three current films, featuring clips and discussions with their filmmakers. These include Marshall Curry’s A Night at the Garden, about a chilling rally held in New York nearly 80 years ago and which has resonance today; Josh Begley’s Best of Luck with the Wall, which gives perhaps the first true look at the consequences of Trump’s proposed wall between the U.S. and Mexico; and a sneak from Farihah Zaman and Jeff Reichert’s latest project, American Carnage, about the films and politics of Breitbart News chief and former Trump adviser Steve Bannon. HBO Directors Dialogues: Philippe Garrel French master Philippe Garrel represents a strain of modernist cinema that stretches from the post–New Wave era to today, as evidenced by three of his films showing during NYFF this year. We’re pleased to present his newest film, the penetrating meditation on relationships and fidelity Lover for a Day, showing in the Main Slate, as well as restorations of his La Révélateur, made while the events of May ’68 were unfolding, and his devastatingly personal 1979 film L’Enfant secret. And we’re thrilled to have Garrel at this rare public appearance. Keeping Cultural Borders Open: Laurie Anderson and special guests This year at the New York Film Festival, hundreds of artists and activists will band together to launch The Federation. Formed by Laurie Anderson, Laura Michalchyshyn, and Tanya Selvaratnam in response to the increased xenophobia and closing of physical borders, The Federation is a coalition of individuals and organizations committed to keeping cultural borders open and recognizing how essential artistic experiences are to fostering compassion, critical thinking, and joy. Join Anderson, Selvaratnam, Sara Driver, Barbet Schroeder, and other special guests for a discussion about the aims of the initiative and the role artists play in combatting cultural barriers. Presented with The Federation Real Characters: Writing Biopics and Origin Stories One of the deepest connections we can have to a movie is through fully conceptualized, credible characters. Without them, even the most engrossing plot may not resonate. The Writers Guild of America, East brings together the creators behind some unforgettable recent movie characters to tell us how they made them intriguing and believable. Presented with WGA East Film Comment: Festival Wrap In what is becoming an annual tradition, Film Comment contributing critics and editors gather for the festival’s last weekend and talk about the films they’ve seen, discussing—or arguing about—the selections in the lineup, from Main Slate and beyond. Access New Audiences: Wonderstruck & The Blind Boys of Alabama Join Michele Spitz (Woman of Her Word) and Jo-Ann Dean (SIGNmation) for a discussion on how filmmakers and distributors can increase audience outreach and box-office by incorporating accessible language components for both Deaf and Blind communities. Participating are Deaf actors Lauren Ridloff, Anthony Natale, and John McGinty, featured in NYFF Centerpiece Wonderstruck; Leslie McCleave, producer-director of How Sweet the Sound: The Blind Boys of Alabama; and award-winning audio producer, director, and engineer Cliff Hahn. The panelists will provide insight on budgeting, grant opportunities, and how American Sign Language (ASL), Audio Description (AD) and Open/Closed Captioning (OC/CC) are inclusive assets. ASL Interpretation Provided. Presented with NYWIFT
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Kino Lorber to Release LET THE CORPSES TAN (Laissez bronzer les cadavres) | Trailer
Hélène Cattet and Bruno Forzani’s latest film Let The Corpses Tan (Laissez bronzer les cadavres), has been acquired by Kino Lorber for release in the US, following its North American debut at the 2017 Toronto International Film Festival.
The film stars acclaimed Romanian-American actress Elina Löwensohn (Schindler’s List, A Very Long Engagement), Stéphane Ferrara (Alexander) and Hervé Sogne (SK1, JCVD) and was photographed in cinemascope by Manuel Dacosse (Amer, Evolution, Axolotl Overkill), the directors’ longtime director of photography.
A gang of thieves absconding with 250kg of stolen gold arrives at the abode of a listless artist caught in a bohemian love triangle. The scenario quickly escalates into a desperate day-long firefight between cops and robbers throughout the remote ruins of a Mediterranean hamlet — and genre and art-house tropes collide in a relentless reverie of action spectacle, exquisitely photographed on Super 16mm film. TIFF
This eagerly anticipated follow up to Amer (2009) and The Strange Color of Your Body’s Tears (2013) had its world premiere at the 2018 Locarno International Film Festival and a U.S. premiere at Fantastic Fest, in Austin, TX.
Let The Corpses Tan will play at other upcoming fall and winter festivals before a summer 2018 theatrical release – followed by a fall SVOD, VOD and physical media launch.
https://www.youtube.com/watch?v=8Cx48AN5_y8
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VIDEO: Watch Indie Thriller MOST BEAUTIFUL ISLAND Trailer
Here is the new trailer for the indie thriller Most Beautiful Island written and directed by Ana Asensio, and winner of Grand Jury Prize at the 2017 SXSW. The film starring Ana Asensio, Natasha Romanova, David Little, Nicholas Tucci, Larry Fessenden, Caprice Benedetti will open in select cities on November 3rd.
Most Beautiful Island is a psychological thriller set in the world of undocumented female immigrants hoping to make a life in New York City. Shot on Super 16mm with an intimate, voyeuristic sensibility, Most Beautiful Island chronicles one harrowing day in the life of Luciana, a young immigrant woman struggling to make ends meet while striving to escape her past. As Luciana’s day unfolds, she is whisked, physically and emotionally, through a series of troublesome and unforeseeable extremes.
https://www.youtube.com/watch?v=J1AZFpQex3Q
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HOSTILES Starring Christian Bale to Open 12th Rome Film Fest
Hostiles directed by Scott Cooper, and starring Christian Bale along with Rosamund Pike, will be the opening film of the 12th Rome Film Fest taking place October 26 to November 5, 2017.
The fourth feature-length film by American filmmaker and screenwriter Scott Cooper, who previously directed Crazy Heart, Out of the Furnace and Black Mass, is an unconventional dramatic western that explores with remarkable intensity one of the most common and complex themes addressed by this genre: the relationship with Native Americans. Set in 1892, Hostiles tells the story of an Army captain who agrees to escort an old Cheyenne war chief and his family to tribal lands in Montana. Oscar®-winner Christian Bale (the “Dark Knight” trilogy, American Hustle, The Fighter) – who works again with Cooper after Out of the Furnace – and British actress Rosamund Pike (Gone Girl, Pride and Prejudice, Barney’s Version) star in the leading roles with Wes Studi (Dances with Wolves, The Last of the Mohicans, Heat).
“I am extremely excited to open the 12th Rome Film Fest with Hostiles,” stated Rome Film Festival artistic director Antonio Monda. “This is a western with an epic structure, that looks deeply into eternal themes such as violence, the evil that dwells within the hearts of men, but also freedom and the possibility of starting over: a brave and important film inspired by the cinematic tradition of John Ford and the literary tradition of Cormac McCarthy. Powerful and moving, Hostiles is rooted in the finest tradition of American cinema: a journey inside the wild heart of that great nation and of our souls, in search of redemption. Magnificently directed by Scott Cooper and masterfully played by Christian Bale and Rosamund Pike, it has all the qualities it needs to become a classic of cinema and of the western genre”.
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Ittetsu Nemoto Is Not Your Ordinary Monk in THE DEPARTURE | Trailer
The Departure directed by Lana Wilson (After Tiller) is described as poetic and deeply moving look at a former punk-turned-Buddhist priest in Japan who has made a career out of helping suicidal people find reasons to live.
The documentary film which premiered at the 2017 Tribeca Film Festival will open in New York at the Metrograph Theater on Friday, October 13. It will be followed by a release in Los Angeles on Friday, October 20, with other cities to follow.
A 44-year-old Tokyo native, Ittetsu Nemoto loves riding his motorcycle and dancing all night in clubs. But he’s also a Rinzai Zen priest, who lives with his wife, mother and baby son at a temple in the remote countryside of Gifu prefecture, Japan. There, over the last ten years, he has become famous for his work in combating suicide. But this work has come increasingly at the cost of his own family and health, as he refuses to draw lines between the people he counsels and himself. With astonishing access and artistry, Wilson’s camera captures Nemoto at a crossroads, when his growing self-destructive tendencies lead him to confront the same question his patients ask him: what makes life worth living?
https://www.youtube.com/watch?v=JnQNXOl8Nbw
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Philip Gelatt’s THEY REMAIN will World Premiere at Portland’s H. P. Lovecraft Film Festival
They Remain, the highly anticipated film, written and directed by Philip Gelatt (Europa Report) and adapted from Laird Barron’s short story “-30-”, will World Premiere at the 2017 H. P. Lovecraft Film Festival on Saturday, October 7th.
“We are extremely honored to be showing this genre-bending thriller to our highly engaged audience even before it makes its theatrical run next year,” said Brian Callahan, Festival Director. “The film has already been acquired for distribution by Paladin, and the producers of They Remain know that it is a perfect fit for the H. P. Lovecraft Film Festival. Laird Barron has been a guest at the festival in the past, and it’s only fitting that the feature film adaptation of his story premieres to the best audience in the world.”
They Remain defies categorization and journeys into the shadowy realm where nature, science, and the supernatural co-exist in horrific symbiosis. William Harper Jackson (“True Story”) and Rebecca Henderson (“Mistress America”) star as two scientists investigating the root of environmental changes and strange animal behavior at a remote site where a Manson Family-style cult committed atrocities. The isolated location, the unraveling of their relationship, and the biome itself begin to lead them down a path of doom where primeval forces threaten to consume them. Whether you’re a fan of author Laird Barron or a fan of cosmic horror cinema, you will not want to miss this screening.
Barron’s novels, short fiction, and poems have earned him a substantial readership among aficionados of fantasy, noir, horror, and sci-fi, and have twice won him the Shirley Jackson Award. Gelatt, similarly, combines multi-disciplinary experience as a graphic novelist and comic book creator for the “Indiana Jones” franchise, and for such companies as Dark Horse Comics and Oni Press, with his background as a video game writer for such companies as Crystal Dynamics and Frictional Games, and on “Rise of The Tomb Raider” (for which he won the WGA Award). With this pedigree, it is unsurprising that They Remain succeeds in splicing these various strains of pop culture DNA into a unique and imaginative cinematic hybrid.
The 22nd Annual H.P. Lovecraft Film Festival takes place October 6 to 8th at the historic Hollywood Theatre in Portland, Oregon.
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THE NEWSPAPERMAN: THE LIFE AND TIMES OF BEN BRADLEE to Debut on HBO
Washington Post executive editor Ben Bradlee, credited with taking down President Richard Nixon in 1974 after the Post broke the Watergate story, exposing the largest political scandal in American history, is the subject of the documentary The Newspaperman: The Life and Times of Ben Bradlee.
Told primarily in his own words, The Newspaperman: The Life and Times of Ben Bradlee is an intimate portrait of this formidable man, tracing his remarkable ascent from a young Boston boy stricken with polio to the one of the most pioneering and consequential journalistic figures of the 20th century when it debuts Monday, December 4, exclusively on HBO.
Ben Bradlee’s career spanned the most critical moments of the second half of the 20th century. As a foreign correspondent for Newsweek in the ’50s, Bradlee cut his teeth reporting from the frontlines of wars in the Middle East. In Washington, he befriended young Massachusetts senator John F. Kennedy and later gained unprecedented access to the White House. By the ’70s, he had transformed the Washington Post from an undistinguished local paper into a national powerhouse, publishing the Pentagon Papers, breaking Watergate and challenging the New York Times for supremacy.
Taking on the political establishment and ushering in a new era of investigative journalism, the tough-talking, chain-smoking Bradlee came to epitomize the modern newspaper editor. Today, when the First Amendment and the press are under constant attack, Bradlee’s fortitude in the face of withering criticism has never been more relevant.
The Newspaperman: The Life and Times of Ben Bradlee delves into the highs and lows of Bradlee’s personal life and career, and features previously unseen home movies, photographs, archival footage and interviews with a who’s who of American journalism, Washington insiders, and family and friends who knew him best, including: Bob Woodward, Carl Bernstein, Quinn Bradlee, Courtland Milloy, David Maraniss, David Remnick, Don Graham, George Vaillant, Henry Kissinger, Ben Bradlee Jr., Jim Hoagland, Jim Lehrer, John Dean, Norman Lear, Richard Cohen, Robert Kaiser, Robert Redford, Sally Bedell Smith, Sally Quinn, Tina Brown and Tom Brokaw.
John Maggio (“Looking for Lincoln”) directs; Peter Kunhardt, Teddy Kunhardt and George Kunhardt (HBO’s Emmy(R)-winning “Jim: The James Foley Story“) produce.
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Austin Film Festival Announces 2017 Film Lineup, CHAPPAQUIDDICK to Close Fest
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Chappaquiddick[/caption]
The 24th Austin Film Festival (AFF) unveiled its lineup of feature films, and Chappaquiddick, a drama recounting Ted Kennedy’s infamous 1969 car accident resulting in the death of his campaign worker, will close out the Festival.
A staple of the Festival, AFF’s retrospective series this year will feature Philip D’Antoni’s 1973 drama The Seven-Ups presented by David Simon and George Pelecanos (The Deuce, The Wire), Jack Fisk’s 1981 film Raggedy Man—a tribute to Sam Shepard—presented by writer William D. Wittliff in partnership with the Wittliff Collections, and seminal 1987 action film Predator presented by Shane Black (Lethal Weapon, The Nice Guys) who is currently working on the film’s reboot. Additionally, already announced Extraordinary Contribution to Film awardee Walter Hill will present his cult classic The Warriors.
In addition to the slate of 150+ films, AFF will present premieres and retrospectives of television programming, including the season 2 premiere of Hulu’s darkly comedic psychic drama Shut Eye , and the premiere of the Season Finale of HBO’s drama The Deuce.
Also confirmed to attend is Dan Rather, who will help present the World Premiere of the documentary Fail State, chronicling the rise of predatory for-profit colleges. Writer/producer Gale Anne Hurd (The Terminator, The Walking Dead) will also be in attendance for AFF’s screening of documentary Mankiller about barrier-breaking female Cherokee leader Wilma Mankiller.
Other World Premieres include Wild Honey (Francis Stokes’ comedy about a phone sex operator searching for love), Coming to My Senses (a documentary following a man’s journey to regain his mobility after an accident), and Transformer (chronicling the transition of world-renowned body builder Matt Kroczaelski into Janae after being outed as transgender). Making its US Premiere at AFF is comedy Don’t Talk to Irene, which also won AFF’s Comedy Screenplay Award in 2013. Written and directed by Pat Mills, Irene premiered this month at Toronto International Film Festival to a receptive audience.
Austin Film Festival also revealed today their full Screenwriters Conference schedule, which will take place the first four days of the Festival, October 26-29. The Conference features a roster of prominent screenwriters in film and television, including Kenneth Lonergan, Keenen Ivory Wayans, Noah Hawley, Courtney A. Kemp, Lindsay Doran, Misha Green, Michael Arndt, Mark Frost, Michael Green, Sarah Gubbins, Christopher Vogler, Scott Frank, Megan Amram, John August, Eric Heisserer, and many more
Austin Film Festival’s 2017 slate:
Marquee Features:
Lady Bird – Opening Night Film Writer/Director: Greta Gerwig The Current War – Centerpiece Film Writer: Michael Mitnick Director: Alfonso Gomez Chappaquiddick – Closing Night Film Writers: Taylor Allen, Andrew Logan Director: John Curran 24 Hours to Live Writers: Zach Dean, Jim McClain, Ron Mita Director: Brian Smrz 42 Grams Director: Jack C. Newell An Ordinary Man Writer/Director: Brad Silberling The Boy Downstairs Writer/Director: Sophie Brooks Blame Writers: Laurie Shephard, Quinn Shephard Director: Quinn Shephard Call Me By Your Name *REGIONAL PREMIERE Writers: James Ivory, Andre Aciman Director: Luca Guadagnino Darkest Hour *REGIONAL PREMIERE Writer: Anthony McCarten Director: Joe Wright Endings: The Good, the Bad, and the Insanely Great – The Movie Special Presentation by Michael Arndt Into the Night: Portraits of Life and Death Director: Helen Whitney Please Stand By Writer: Michael Golamco Director: Ben Lewin Permanent Writer/Director: Colette Burson Mansfield 66/67 Directors: P. David Ebersole, Todd Hughes Three Billboards Outside Ebbing, Missouri **REGIONAL PREMIERE Writer/Director: Martin McDonagh The Upside *REGIONAL PREMIERE Writers: Jon Hartmere Director: Neil BurgerMarquee-TV Programming
HBO’s The Deuce-Season Finale Writers: George Pelecanos, David Simon, Chris Yakaitis Director: Michelle MacLaren YouTube Red’s Do You Want to See a Dead Body? Creator: Rob Huebel Hulu’s Shut Eye Season 2 Premiere Episode: “We’re Not in Kansas Anymore” (Season Premiere) Executive Producer/Showrunner: John Shiban Executive Producers: Mark Johnson, Melissa Bernstein Writer: Amy Berg New Form Original Premieres Small Talk Creator: Becca Gleason Love Me Do Creator: Gaby Dunn Press Start Creators: Evan Beamer and Dave ChildsRetrospective Programming
Confessions of a Serial Killer (1985) – Presented by Mark Blair Writer/Director: Mark Blair Predator (1987) – Presented by Shane Black Writers: Jim Thomas, John Thomas Director: John McTiernan Raggedy Man (1981) – Presented by William D. Wittliff Writer: William D. Wittliff Director: Jack Fisk The Seven-Ups (1973) – Presented by George Pelecanos and David Simon Writers: Albert Ruben, Alexander Jacobs, Sonny Grosso Director: Philip D’Antoni The Warriors (1979) – Presented by Walter Hill Writers: Walter Hill, David Shaber, Sol Yurick (novel) Director: Walter HillNarrative Features:
Amanda and Jack Go Glamping Writer/Director: Brandon Dickerson An American in Texas Writers: Anthony Pedone, Stephen Floyd Director: Anthony Pedone Beauty Mark Writer/Director: Harris Doran Cast: Laura Bell Bundy, Jeff Kober, Madison Iseman Bleed. Scream. Beat! Writers: Aldo Miyashiro, Ãrika Villalobos, Abril Cárdenas Director: Aldo Miyashiro Boost Writer/Director: Darren Curtis Dabka Writer/Director: Bryan Buckley Flock of Four Writer: Gregory Caruso, Michael Nader Director: Gregory Caruso Here We Are Writer/Director: David Bellarosa High & Outside: a baseball noir Writer: Dan O’Dair Director: Evald Johnson Hollow in the Land Writer/Director: Scooter Corkle In Blue Writers: Jan-Willem den Bok & Jaap van Heusden Director: Jaap van Heusden Kafou Writers: Jasmuel Andri, Bruno Mourral, Gilbert Mirambeau Director: Bruno Mourral Logndagen Writer/Director: Yaghoob Keshavarz Sarkar Meerkat Moonship Writer/Director: Hanneke Schutte Quality Problems Writer/Director: Brooke Purdy Quest Writers: Santiago Rizzo & Darren Anderson Director: Santiago Rizzo Southern Tale Writer/Director: Tel Royal Space & Time Writer/Director: Shawn Gerrard Sun Dogs Writer: Jennifer Morrison Director: Anthony Tambakis Tenn Writer: Stacey Miller Director: James Franco House of Tomorrow Writer/Director: Peter Livolsi Time Trap Writer: Mark Dennis Directors: Mark Dennis, Ben FosterComedy Vanguard Features
Chasing the Blues Writer: Scott Smith, Kevin Guilfoile Director: Scott Smith Don’t Talk To Irene *US PREMIERE Writer/Director: Pat Mills Dr. Brinks & Dr. Brinks Writer: Josh Crockett, Jonathan Pappas Director: Josh Crockett The Great Unwashed Writer: Louis Fonseca, Nick Horseman Director: Louis Fonseca The Outdoorsman Writer: Ryan Gilmour Director: David Haskell Shop of Little Pleasures Writer: Julia Frick, Alice Frick Director: Julia Frick Wild Honey Writer/Director: Francis StokesDark Matters Features
Bodies Writer: Joseph Baker Director: Tom Large Bullitt County Writer/Director: David McCracken Freddy/Eddy Writer/Director: Tini Tüllmann Ruin Me Writer: Trysta A. Bissett, Preston DeFrancis Director: Preston DeFrancis The Landing Writers/Directors: David Dodson and Mark Dodson Touched Writer/Director: Karl R. HearneDocumentary Feature
Augie Director: James Keach Beauty and Ruin Writer/Director: Marc de Guerre Coming to My Senses Director: Dominic Gill Fail State *WORLD PREMIERE Writers: Alexander Shebanow, Regina Sobel, Nicholas Adams Director: Alexander Shebanow Mankiller *REGIONAL PREMIERE Writer: Valerie Red-horse Mohl, Gale Anne Hurd Director: Valerie Red-horse Mohl Mr. Fish: Cartooning From the Deep End Director: Pablo Bryant Shot in the Dark Director: Dustin Nakao Haider Transformer Writer/Director: Michael Del Monte Triumph: The Untold Story of Perry Wallace Writers: Rich Gentile, Eli Spielman, Bruce Johnson What Haunts Us Writer: Mark Monroe Director: Paige Goldberg TolmachFamily Series
Earth: One Amazing Day Writers: Frank Cottrell Boyce, Richard Dale, Geling Yan Directors: Richard Dale, Lixin Fan, Peter Webber Into the Who Knows! Writers: Micah Barber, Tony Faia

The official trailer debuted for Barracuda, directed by Julia Halperin and Jason Cortlund; and starring Allison Tolman, Sophie Reid and JoBeth Williams.
Orion Pictures and Samuel Goldwyn Films will release Barracuda in select cities on October 6th.
Merle (Allison Tolman, FX’s “Fargo”) finds her life beginning to splinter when Sinaloa (newcomer Sophie Reid), the musician half-sister she never knew existed, appears on her doorstep in Texas. Initially distrustful of this enigmatic woman, a bond quickly forms between the two.
As Merle allows her half-sister into her life, Sinaloa reveals a quiet fury through her music, and her fierce attachment begins to place Merle’s career aspirations, her relationship to her mother, and even her impending marriage, in jeopardy. Merle fights to keep her world together while Sinaloa’s increasingly intense and erratic behavior threatens to erupt into something darker.