• 12 Local British Columbia Films to Screen in Vancouver International Film Festival’s 2017 BC Spotlight

    [caption id="attachment_23661" align="aligncenter" width="1217"]Dead Shack - Peter Ricq Dead Shack[/caption] The Vancouver International Film Festival (VIFF) has unveiled the festival’s much-anticipated Sea to Sky programming stream: a showcase of the inspired works from British Columbia. Sea to Sky’s name reflects this province’s diverse creators and the astonishing range of storytelling techniques they employ. The 2017 BC Spotlight film lineup features 12 titles. On the heels of world premiere announcements at the Toronto International Film festival, Kathleen Hepburn’s Never Steady, Never Still, Wayne Wapeemukwa’s Luk’Luk’I and Kyle Rideout’s Public Schooled will play to eager hometown audiences. Jason James’ Entanglement, Peter Ricq’s Dead Shack, Scooter Corkle’s Hollow in the Land and Cody Bown’s Gregoire will likewise hit Vancouver screens having already made their marks on the festival circuit. VIFF will also be home to five world premieres, including Ana Valine’s Once There Was a Winter, Melanie Wood’s Shut Up and Say Something, Elle-Máijá Tailfeathers’ c’əsnaʔəm, the city before the city (in partnership and collaboration with the Musqueam First Nation and the c’əsnaʔəm, the city before the city curatorial team), Boris Ivanov’s On Putin’s Blacklist and LaTiesha Ti’si’tla Fazakas and Natalie Boll’s Meet Beau Dick: Maker of Monsters. All films in the BC Spotlight will compete in the #mustseeBC competition. Launching on September 14, this social media campaign invites film fans to preview these features and the still-to-be-announced BC shorts, promote local creators across social networks and vote online to determine this year’s most anticipated local films. By successfully engaging thousands of fans through social media, the winning film receives a special red carpet screening during the festival. Totally Indie Day, presented by STORYHIVE, is a dynamic day designed to provide hands-on advice from top experienced industry professionals to emerging content creators through targeted business, creative and personal development opportunities. This tent pole industry event supports rising feature film directors, by connecting them with award-winning screenwriters, directors and producers from some of the most popular and successful screen-based content series, today. Attendees also have the chance to meet with Canadian and US distributors and network with industry professionals.

     Vancouver International Film Festival  2017 BC Spotlight film series:

    c̓əsnaʔəm, the city before the city DIR. ELLE-MAIJA TAILFEATHERS IN PARTNERSHIP AND COLLABORATION WITH THE MUSQUEAM FIRST NATION AND THE C’ƏSNAʔƏM, THE CITY BEFORE THE CITY CURATORIAL TEAM We live our lives on land that was never ceded or sold by those who were living here at ‘first contact,’ and yet we know precious little about the Lower Mainland before real estate. This film aims to correct that with a meaningful reminder of the history and prehistory of this land and her first people. VIFF alumnus Elle-Máijá Tailfeathers, in collaboration with the Musqueam First Nation and the UBC Museum of Anthropology curatorial team, shares this reflection on a time when BC was indeed super and natural. Dead Shack DIR. PETER RICQ With their best attempt at a wholesome family vacation already being sabotaged by f-bombs and baser desires, three teenage friends are suddenly sent careening on a detour into over-the-top, gory horror in this ode to ’80s genre flicks from Peter Ricq (whose band HUMANS supplies the synth score). Thanks to the equal attention lavished on characters and physical comedy/carnage (courtesy of first-rate practical effects), this severed-tongue-in-cheek film’s blunt force trauma packs all the more punch. Entanglement DIR. JASON JAMES Intent on ending his misery, Ben (Silicon Valley’s Thomas Middleditch) merely adds to a laundry list of embarrassments. So it’s no surprise when subsequent efforts to connect with the woman who was nearly his adoptive sister (Jess Weixler) send him into a darkly comic tailspin that leaves him questioning every relationship in his life, as well as his increasingly tenuous grip on reality. Jason James’ sophisticated film poignantly questions whether it’s ever advisable to let things go. Gregoire DIR. CODY BOWN Shot in his hometown of Fort McMurray before it was ravaged by wildfires, Cody Bown’s drama draws on real life events to capture snapshots of a community teetering on a precipice and a collection of twentysomethings whose seemingly directionless lives have intersected. Bown draws remarkable performances from an ensemble cast (headed by Jared Abrahamson); his film will resonate with anyone who’s reached that stage in life where there’s no other option than making a life-changing decision. Hollow in the Land DIR. SCOOTER CORKLE When a body is found in a trailer park and her missing brother (Jared Abrahamson) becomes the number one suspect, headstrong Alison (Dianna Agron) decides to take things into her own hands, setting out to track him down and clear his name before the cops find him first. The harder this amateur detective looks, the more people turn up dead, and soon she becomes a suspect herself. In a town tucked away between a mountain range, secrets get buried deep. If Alison’s not careful, she’ll get buried with them. Luk’Luk’I DIR. WAYNE WAPEEMUKWA February 2010: as Canada battles the US for Olympic hockey supremacy, a handful of engrossing, life-and-death dramas unfold in the back alleys, seedy bars and SROs of Vancouver’s Downtown Eastside. Filmmaker Wayne Wapeemukwa invites some of the city’s marginalized citizens to step into starring roles, and he shines a light on the urban realities we’re often too eager to avert our eyes from. In the process he crafts a discordant city symphony that charts Vancouver’s complexities. Meet Beau Dick: Maker of Monsters DIR. LATIESHA TI’SI’TLA FAZAKAS, NATALIE BOLL Admirers of Pacific Northwest art are notably unanimous in their admiration of the oeuvre of the late Kwakwaka’wakw artist Beau Dick, whose generosity and prolific nature embodied the very spirit of potlatch. LaTiesha Ti’si’tla Fazakas and Natalie Boll share an intimate profile of this man’s rare charisma; his carvings, which remain revered in art circles; and his passionate activism, which culminated in the breaking of coppers in Victoria and Ottawa as an act of protest against legislative injustices. Never Steady, Never Still DIR. KATHLEEN HEPBURN Set against a spectacular northern BC backdrop, Kathleen Hepburn’s debut is the intimate story of a devoted mother wrestling with Parkinson’s (Shirley Henderson, astonishing in a demanding role) and a son saddled with his first adult responsibilities (future star Théodore Pellerin). Eloquently scripted, and directed with both tenderness and assurance, the film uses its note-perfect, naturalistic performances and intricately calibrated revelations to create powerful, cathartic drama. On Putin’s Blacklist DIR. BORIS IVANOV An engaging and timely tour d’horizon of Mother Russia and her place in the world today. We witness the wounded pride of Russians as the Soviet Empire crumbles, and the jingoistic xenophobia born out of an increased reliance on foreign investment. Propaganda and demonization of the “other” result in institutionalized racism and a culture of disdain. Boris Ivanov brings us up to speed on the shameful adoption crisis, the state-sanctioned hacking of the Internet and the heartless treatment of LGBTQ citizens. Once There Was a Winter DIR. ANA VALINE The Canadian north’s unforgiving nature is amplified to chilling effect in this claustrophobic, white-knuckle thriller from Ana Valine (Sitting on the Edge of Marlene). What is supposed to be a quick stop at a remote trailer turns into a standoff between embittered brothers, with an innocent woman (Kate Corbett) caught in the crossfire. As old wounds are reopened and fresh blood is spilled, the wolves at the door pose little threat in comparison to the personal demons being unleashed inside. Public Schooled DIR. KYLE RIDEOUT Book-smart but unschooled in the ways of life, home-schooled teen Liam (Daniel Doheny) has a bright future laid out, even if casual conversation amounts to a social minefield for him. But then he lays eyes on the wooden leg of the prettiest girl in public school and decides on self-sabotage; the result is an extended Grade 12 stay. This comedy from Kyle Rideout (Eadweard) is fuelled by chemistry between Liam and his helicopter mom (Judy Greer) that is so spectacularly awkward it would make Oedipus blush. Shut Up and Say Something DIR. MELANIE WOOD Internationally acclaimed spoken-word artist Shane Koyczan gives a poignant and powerful voice to those relegated to the margins: the bullied, awkward and visibly different. In this entrancing documentary, Melanie Wood reveals a bashful alchemist who creates dazzling rhetorical fireworks. With candour, Koyczan shares his momentous and deeply personal journey to finally meet his estranged father. The result is his most important poem yet—and the more intimate his words are, the more universal they become.

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  • Tribeca Film Festival Announces 2018 Dates

    2018 Tribeca Film Festival Dates The 17th edition of the Tribeca Film Festival returns to New York City running April 18 to 29, 2018. For filmmakers, submissions will open September 5 for all sections of the Festival – feature and short films, TV, Immersive, N.O.W. (New Online Work) and the Tribeca X Award. Filmmakers can submit a film for consideration via Withoutabox  and VR, episodic, online storytelling, and branded storytelling can be submitted directly to Tribeca Film. Deadlines to submit U.S. and projects for the 2018 Tribeca Film Festival are as follows:
    • September 5, 2017 – SUBMISSIONS OPEN
    • October 18, 2017 – EARLY ENTRY DEADLINE for feature and short films, Tribeca TV, Tribeca Immersive, N.O.W. (New Online Work)
    • November 22, 2017 – OFFICIAL ENTRY DEADLINE A for feature films, Tribeca TV, Tribeca Immersive, N.O.W.
    • December 1, 2017 – OFFICIAL ENTRY DEADLINE B for short films
    • December 13, 2017
      • EARLY ENTRY DEADLINE for Tribeca X Award
      • LATE ENTRY DEADLINE for feature films, TV, Immersive, N.O.W.
    • January 12, 2018 – OFFICIAL ENTRY DEADLINE for Tribeca X Award
    • February 14, 2018 – LATE ENTRY DEADLINE for Tribeca X Award
    The Festival is curated by the programming team including Director of Programming Cara Cusumano, Artistic Director Frederic Boyer; VP of Shorts Sharon Badal; Liza Domnitz (features, TV, and online work); Loren Hammonds (virtual reality and features); Ian Hollander (features); Ben Thompson (shorts); Mara Webster (talks), and Ingrid Kopp (Storyscapes), program advisors Paula Weinstein and Tammie Rosen, and a team of associate programmers.

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  • RLJE Films to Release BRAWL IN CELL BLOCK 99 Starring Vince Vaughn

    Brawl in Cell Block 99 starring Vince Vaughn Brawl in Cell Block 99 starring Vince Vaughn, Jennifer Carpenter, Marc Blucas, Udo Kier, and Don Johnson has been acquired by RLJE Films for release in the US. RLJE Films plans to release Brawl in Cell Block 99 in theaters on October 6, 2017. The film will first make its World Premiere at the 2017 Venice International Film Festival and will continue on to screen at the 2017 Toronto International Film Festival and Fantastic Fest. In Brawl in Cell Block 99, a former boxer named Bradley (Vince Vaughn) loses his job as an auto mechanic, and his troubled marriage is about to end. At this crossroads in his life, he feels that he has no better option than to work for an old buddy as a drug courier. This improves his situation until the terrible day that he finds himself in a gunfight between a group of police officers and his own ruthless allies. When the smoke clears, Bradley is badly hurt and thrown in prison, where his enemies force him to commit acts of violence that turn the place into a savage battleground. Writer/director S. Craig Zahler is an award-winning screenwriter, director, novelist, cinematographer and musician. Zahler’s newest novel Hug Chickenpenny: The Panegyric of an Anomalous Child is set for publication this fall.

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  • VIDEO: Watch Robert Redford and Jane Fonda Reunite in Official Trailer for OUR SOULS AT NIGHT

    Our Souls at Night Watch Robert Redford and Jane Fonda Reunite in the official trailer for “Our Souls at Night” based on the best-selling novel written by Kent Haruf.  The film will be released on Netflix and in select theaters on September 29. Fifty years since playing newlyweds in Barefoot in the Park, Academy Award (R) winners Robert Redford and Jane Fonda come together onscreen for the fourth time in Netflix’s Our Souls at Night, this time playing a couple who find love unexpectedly later in life. Based on the best-selling novel written by Kent Haruf and adapted for the screen by Scott Neustadter and Michael H. Weber (The Fault in Our Stars), Our Souls at Night is set in Colorado and begins when Addie Moore (Jane Fonda) pays an unexpected visit to a neighbor, Louis Waters (Robert Redford). Her husband died years ago, as did his wife, and in such a small town they’d been neighbors for decades, but had little contact. Their children live far away and they are all alone in their big houses. She seeks to establish a connection, and make the most of the rest of the time they have. In addition to Redford and Fonda, the film stars Bruce Dern, Matthias Schoenaerts, Judy Greer and Iain Armitage. https://www.youtube.com/watch?v=MjVzSnkmF2Q

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  • VIDEO: Watch Official Trailer for “Monkey Business: The Adventures of Curious George’s Creators”

    Monkey Business: The Adventures of Curious George’s Creators The Orchard has released the official trailer for Monkey Business: The Adventures of Curious George’s Creators, a documentary film about Curious George creators, Hans & Margret Rey. The film directed by Ema Ryan Yamazaki will be released by The Orchard On Digital and On Demand August 15th. Featuring a narrow escape from the Nazis on makeshift bicycles, Monkey Business explores the extraordinary lives of Hans and Margret Rey, the authors of the beloved Curious George children’s books. Monkey Business: The Adventures of Curious George’s Creators poster Curious George is the most popular monkey in the world. Since his introduction in the first publication in 1941, the beloved series has sold over 75 million books in more than 25 languages. MONKEY BUSINESS explores the lesser-known tale of George’s creators, Hans and Margret Rey. Originally from Hamburg, Germany, the Reys first met when Hans was dating Margret’s older sister. Years later, having heard that Hans was wasting his artistic talents as a bookkeeper in Rio, Margret traveled to Brazil to persuade him to marry her and do something creative together. After their four-week honeymoon to Paris turned into a four-year residency, they accidentally became children’s book authors when a publisher suggested they create a book out of a cartoon Hans had drawn. Being German Jews, however, their life in Paris abruptly came to an end in June 1940 when the Reys were forced to escape from the Nazis by riding makeshift bicycles—a manuscript of the first Curious George book was one of the few possessions they could smuggle out with them. Arriving in New York as refugees, they started their life anew and over the next three decades they created a classic that continues to touch the hearts and minds of children around the world. https://www.youtube.com/watch?v=Ayjx-0wZxpg

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  • 3 European Films in Production Selected for San Sebastian Film Festival’s 1st Glocal in Progress

    [caption id="attachment_23605" align="aligncenter" width="1200"]A Decent Man by Hadrian Marcu A Decent Man by Hadrian Marcu[/caption] Dantza (Spain), Izbrisana / Erased (Slovenia – Croatia – Serbia) and Un om la locul lui / A Decent Man (Romania) are the three European productions selected for the first edition of Glocal in Progress at the San Sebastian International Film Festival. The three feature films are all at the post-production stage and will be presented to an audience of producers, distributors, sales agents and programmers, among other professionals, offering them the chance of contributing to their completion and international distribution. Dantza will be the fifth participation by the Basque director Telmo Esnal at the San Sebastian Festival after presenting in New Directors in 2005 Aupa Etxebeste! co-written and co-directed with Asier Altuna; the short film Amona putz! in the Zinemira Basque Film Showcase in 2009; Urte berri on, amona! (Happy New Year Granma!) in Zabaltegi-New Directors in 2011 and the short Iraila from the collective film Kalebegiak, co-directed with Asier Altuna and presented at the Velodrome in the 64th edition. Izbrisana / Erased by Miha Mazzini, a co-production between Slovenia, Croatia and Serbia, and the Romanian production Un om la locul lui / A Decent Man, by Hadrian Marcu are the first films of their directors. This industry activity has the objective of lending greater visibility to European productions in non-hegemonic languages (those not filmed in German, Spanish, French, English, Italian and Russian). In 2016 alone, 21 films spoken totally or partially in said languages participated in the different competitions of the Festival, with Jätten / The Giant (Swedish) carrying off the Special Jury Prize and Park (Greek) the Kutxabank-New Directors Award. Glocal in Progress complements the work started in 2014 by the Basque Government Department of Culture and Language Policy with the creation of Glocal Cinema, an initiative intended to promote networks between the film industries which produce films in non-hegemonic languages. DANTZA TELMO ESNAL (SPAIN) Based on symbols and metaphors from Basque dances, Dantza is an imaginative musical film about the cycle of life and the development of society. Dance is used to deal with universal subjects in this film: amongst other things, survival, beliefs, celebrations, love and the never-ending struggle against death. The simple, clear narrative is backed up by songs, movement and rhythm. IZBRISANA / ERASED MIHA MAZZINI (SLOVENIA – CROATIA – SERBIA) Ana (36) gives birth in a local hospital and everything goes well. There is only a small, bureaucratic problem: Ana is not on the computer files. It must be a software glitch, nothing serious. After a few days, Ana is entangled in a web of Kafkaesque proportions: Not appearing in the computer means no social security, no permanent address. Ana is suddenly a foreigner, even though she spent all of her life in Slovenia. Legally, she doesn’t exist. So, her child is an orphan. And orphans can be put up for adoption. *On 26th February 1992 the Interior Ministry of the Republic of Slovenia erased 25,671 of its own nationals. The majority of those erased still have no legal status. UN OM LA LOCUL LUI / A DECENT MAN HADRIAN MARCU (ROMANIA) Petru, a drilling engineer living in a community of oil industry workers, has a conflict. On the one hand he is about to get married to his pregnant girlfriend, Laura, and on the other he is involved with the wife of one of his colleagues Sonia, who suffers an accident at work. Petru’s new life seems to be starting, while Sonia feels hers is ending. Although he feels indebeted to her, he also feels responsible towards his unborn child. Laura finds out about his relationship with Sonia, unleashing a series of events. Petru and Sonia end up seeking comfort in each other’s arms. Both suffer irreversible damage as they desperately attempt to survive.

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  • Glenn Close to Receive Zurich Film Festival’s Golden Icon Award and Present Latest Film THE WIFE

    [caption id="attachment_23598" align="aligncenter" width="1296"]Glenn Close (with Jonathan Pryce) in The Wife Glenn Close (with Jonathan Pryce) in The Wife[/caption] Actress Glenn Close will receive the Golden Icon Award at this year’s Zurich Festival, and present her latest film, The Wife with her co-stars Jonathan Pryce and Annie Starke and director Björn Runge. The Golden Icon Award is the Festival’s most prestigious symbol of recognition, in appreciation of the lifetime achievements of an actor or actress. Glenn Close will be honored with the award on Sunday October 1. ZFF Co-Directors Nadja Schildknecht and Karl Spoerri state “We’re honored to present Glenn Close with our Golden Icon Award at this year’s Festival. From her commanding portrayal of Patty Hewes in Damages to the glorious Marquise de Merteuil in Stephen Frears’ Dangerous Liasions via Alex Forrest and Cruella De Vil, Glenn Close has brought her extraordinary presence to countless memorable roles over a truly formidable career. We are delighted to welcome her to Zurich and screen her latest film The Wife.”

    THE WIFE

    Behind any great man, there’s always a greater woman … and you’re about to meet her. It is crucial you get to know this woman – many of us already do and don’t even realise it. Joan Castleman (Glenn Close): a highly intelligent and still-striking beauty – the perfect alpha wife. Forty years spent sacrificing her own talent, dreams and ambitions to fan the flames of her charismatic husband Joe (Jonathan Pryce) and his skyrocketing literary career. Ignoring his infidelities and excuses because of his “art” with grace and humor. Their fateful pact has built a marriage upon uneven compromises. And Joan’s reached her breaking point. On the eve of Joe’s Nobel Prize for Literature, the crown jewel in a spectacular body of work, Joan’s coup de grace is to confront the biggest sacrifice of her life and secret of his career. The Wife is a poignant, funny and emotional journey; a celebration of womanhood, self-discovery and liberation.

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  • Toronto International Film Festival Announces Classic Films on 2017 TIFF Cinematheque Program

    [caption id="attachment_23585" align="aligncenter" width="1200"]Rude, Directed by Clement Virgo Rude[/caption] The Toronto International Film Festival announced the films slated for the 2017 TIFF Cinematheque program. In light of Canada’s sesquicentennial, this year’s program celebrates homegrown filmmakers and their works by revisiting and restoring landmarks of Canada’s cinematic history. This all-Canadian lineup consists of titles culled from TIFF’s Canada on Screen list of essential Canadian moving-image works. TIFF Cinematheque will be a FREE program for all to enjoy as part of Canada on Screen. Highlights include the debuts of three new digital restorations done under the supervision of the films’ directors. Featured titles are Clement Virgo’s Rude (95), the first Canadian dramatic feature to be written, directed and produced by an all-black team; Patricia Rozema’s Cannes Prix de la jeunesse–winning I’ve Heard the Mermaids Singing (87); and Peter Mettler’s poetic essay film Picture of Light (94). Showcasing iconic films dealing with themes still relevant and prevalent today, this year’s program underscores the endurance of Canada’s legacy on screen. “At TIFF we’re proud to continue our commitment to the preservation and restoration of Canada’s filmic history,” said Jesse Wente, Head, TIFF Cinematheque. “These groundbreaking works from the 1980s and 1990s demonstrate our country’s long history of celebrating directors who push boundaries with their personal visions. We look forward to bringing them back to audiences via these beautiful digital restorations.” “I am delighted that this year’s Toronto International Film Festival will showcase several digitally restored classics of Canadian cinema,” said the Honorable Mélanie Joly, Minister of Canadian Heritage. “As we celebrate Canada 150, I invite you all to participate, and to experience these films that reveal the richness of our cinematic heritage.” Also featured as part of the Cinematheque lineup are larger-than-life screenings of Graeme Ferguson’s North of Superior (71), at Cinesphere, the world’s first permanent IMAX cinema, presented in collaboration with Ontario Place. As the first film commissioned for and screened at Cinesphere at its 1971 grand opening, North of Superior is the film that helped put the IMAX format on the map. The 42nd Toronto International Film Festival runs from September 7 to 17, 2017. Films screening as part of the TIFF Cinematheque program include:

    2017 TIFF Cinematheque

    I’ve Heard the Mermaids Singing Patricia Rozema, Canada, 1987 *New digital restoration: Work carried out at Technicolor, Toronto and Montreal under the supervision of Director Patricia Rozema. Picture of Light Peter Mettler, Canada, 1994 *New digital restoration: Work carried out at Technicolor, Toronto and Montreal, with soundtrack restoration by Lou Solakofski of Tattersall Sound and Picture, and Peter Bräker sound design, Switzerland, under the supervision of Director Peter Mettler. Rude Clement Virgo, Canada, 1995 *New digital restoration: Work carried out at Technicolor, Toronto and Montreal under the supervision of Director Clement Virgo and Producer Damon D’Oliveira. North of Superior Graeme Ferguson, Canada, 1971 *Special IMAX screening at Cinesphere

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  • 29 Canadian Short Films to Screen at 2017 Toronto International Film Festival

    [caption id="attachment_23581" align="aligncenter" width="1200"]An Imagined Conversation: Kanye West & Stephen Hawking An Imagined Conversation: Kanye West & Stephen Hawking[/caption] 29 Canadian short films, including 11 titles directed by women and three films by Indigenous filmmakers, will light up the screens this September at the 2017 Toronto International Film Festival.  Highlights include: Michelle Latimer’s Nuuca, executive produced by Oscar winner Laura Poitras, and the latest by Latimer, who was part of Sundance’s The New Climate program earlier this year; Sol Friedman’s An Imagined Conversation: Kanye West & Stephen Hawking, a hilarious black-and-white animation right out of a parallel universe; Caroline Monnet’s Creatura Dada, which stars Alanis Obomsawin and is Monnet’s first project since becoming the first Canadian filmmaker to be selected for the prestigious Cannes Cinéfondation Residence program; and Naledi Jackson’s The Drop In, at Toronto-set sci-fi immigration thriller that takes place entirely in a hair salon. The Festival’s Canadian short film slate also includes: Molly Parker’s Bird, the compelling directorial debut of the B.C. actor known for her roles in Deadwood, House of Cards and other TV hits; TIFF Rising Star alumnus Connor Jessup’s Lira’s Forest, the actor-turneddirector’s second short at the Festival; Matthew Rankin’s Cannes selection The Tesla World Light (Tesla : Lumière Mondiale), a luminescent black-and-white animation and live-action mix centred around the famous inventor; and Gabriel Savignac’s Stay, I Don’t Want to Be Alone (Reste, je ne veux pas être toute seule), a touching, beautifully crafted portrait of a pastry factory worker with an intellectual disability at a difficult moment in her life. All 24 Canadian Short Cuts titles are eligible for the IWC Short Cuts Award for Best Canadian Short Film. All films in the Short Cuts programme are eligible for the IWC Short Cuts Award for Best Film. This year’s jury includes Marit van den Elshout, Head of CineMart at the International Film Festival Rotterdam; award-winning filmmaker Johnny Ma (Old Stone); and Cannes 2017 Art Cinema Award winner Chloé Zhao (The Rider). The 42nd Toronto International Film Festival runs from September 7 to 17, 2017.

    SHORT CUTS

    The Argument (with annotations) Daniel Cockburn, Canada/UK World Premiere Bickford Park Linsey Stewart, Dane Clark, Canada World Premiere Bird Molly Parker, Canada World Premiere Charles Dominic Etienne Simard, Canada/France World Premiere Creatura Dada Caroline Monnet, Canada Toronto Premiere Crème de menthe Philippe David Gagné, Jean-Marc E. Roy, Canada North American Premiere The Crying Conch (Le cri du lambi) Vincent Toi, Canada North American Premiere The Drop In Naledi Jackson, Canada World Premiere For Nonna Anna Luis De Filippis, Canada World Premiere Grandmother (ʔEtsu) Trevor Mack, Canada World Premiere homer_b Milos Mitrovic, Conor Sweeney, Canada World Premiere An Imagined Conversation: Kanye West & Stephen Hawking Sol Friedman, Canada World Premiere Latched Justin Harding, Rob Brunner, Canada World Premiere Lira’s Forest Connor Jessup, Canada World Premiere Midnight Confession Maxwell McCabe-Lokos, Canada/USA World Premiere Milk Heather Young, Canada World Premiere Nuuca Michelle Latimer, Canada World Premiere Pre-Drink Marc-Antoine Lemire, Canada World Premiere Rupture Yassmina Karajah, Jordan/Canada World Premiere Shadow Nettes Phillip Barker, Canada World Premiere Stay, I Don’t Want to Be Alone (Reste, je ne veux pas être toute seule) Gabriel Savignac, Canada World Premiere The Tesla World Light (Tesla : Lumière Mondiale) Matthew Rankin, Canada North American Premiere Threads Torill Kove, Canada/Norway North American Premiere We Forgot to Break Up Chandler Levack, Canada World Premiere

    WAVELENGTHS

    Heart of a Mountain Parastoo Anoushahpour, Ryan Ferko, Faraz Anoushahpour, Taiwan/Canada World Premiere Palmerston Blvd. Dan Browne, Canada World Premiere Scaffold Kazik Radwanski, Canada North American Premiere some cities Francesco Gagliardi, Canada World Premiere Turtles Are Always Home (Sokun Al Sulhufat) Rawane Nassif, Canada/Lebanon/Qatar Toronto Premiere

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  • Toronto International Film Festival Unveils Canadian Feature Slate of 26 Films

    [caption id="attachment_23575" align="aligncenter" width="1200"]Don’t Talk to Irene Don’t Talk to Irene[/caption] The 2017 Toronto International Film Festival unveiled today the 26 titles that make up the Festival’s Canadian feature slate. Featuring a crop of provocative first features, this year’s diverse and varied Canadian lineup boasts one of the highest numbers of feature directorial debuts ever, as well as one of the highest numbers of films from Western Canada in recent years. Over 30% of the titles have a first-time feature director, while seven out of nine are TIFF alumni. This year’s Canadian slate is bolstered by a number of titles from Canadian Festival veterans. Among these titles are: Alanis Obomsawin’s Our People Will Be Healed; Alan Zweig’s There is a House Here; Simon Lavoie’s The Little Girl Who Was Too Fond of Matches (La petite fille qui aimait trop les allumettes); Mina Shum’s Meditation Park; Robin Aubert’s vérité zombie flick Les Affamés; Ingrid Veninger’s Porcupine Lake; Pat Mills’ high school misfit comedy Don’t Talk to Irene; Oscar nominee Kim Nguyen’s Eye on Juliet; Adam MacDonald’s Pyewacket; celebrated director Denis Côté’s Ta peau si lisse (A Skin So Soft); and Jennifer Baichwal and Nicholas de Pencier’s previously announced Long Time Running. Among the Canadian first features at the 2017 Festival are: Sadaf Foroughi’s AVA, a superbly crafted drama about an Iranian teenager at a pivotal crossroad; Ian Lagarde’s All You Can Eat Buddha, which follows a man’s surreal impact on vacationers at a Cuban resort; Carlos and Jason Sanchez’s A Worthy Companion, a psychological thriller about obsession and trauma; Trailer Park Boys star Cory Bowles’ Black Cop, an arresting satirical exploration of police-community relations; Kathleen Hepburn’s powerful family drama Never Steady, Never Still; Grayson Moore and Aidan Shipley’s Cardinals, a disturbing look at the impact of a convicted murderer’s return to her community; Wayne Wapeemukwa’s Luk’Luk’I, a look at the denizens of an impoverished Vancouver neighbouhood; and Molly McGlynn’s Mary Goes Round, about an addiction counsellor struggling with her own issues. Two exciting titles making their World Premieres at the Festival are Mary Harron’s Alias Grace, based on the award-winning novel by Margaret Atwood, written by Sarah Polley and starring Sarah Gadon, Anna Paquin and Paul Gross; and Sean Menard’s The Carter Effect, on how NBA All-Star Vince Carter made an impact on Toronto. Rounding out the program are Kyle Rideout’s winning comedy about eccentricity and high school Public Schooled; Tarique Qayumi’s powerful Afghanistan-set drama BLACK KITE; and Matt Embry’s shocking and poignant MS doc Living Proof. The slate also features performances by multiple Canadian and international stars, including Sandra Oh; Sheila McCarthy; Don McKellar; Russell Peters; Evan Rachel Wood; Geena Davis; Sarah Gadon; Sarah Julia Stone; Scott Thompson; Judy Greer; Afghanistan’s most prominent rising star Haji Gul; and beloved Chinese actress Cheng Pei-Pei. “It is exciting to see a new wave of Canadian first-time feature directors play with genres and take risks,” said Steve Gravestock, Senior Programmer, TIFF. “This year’s lineup has a truly international feel to it, too, with a number of features shot all over the globe — something that also speaks to the boldness of many of the filmmakers included in the slate.” “We are thrilled to have a lineup with such a rich diversity of voices and perspectives,” said Magali Simard, Programmer and Theatrical Senior Manager, TIFF. “Not only are different regions of the country represented, but so are multiple age groups, backgrounds, languages and filmmaking styles. This lineup showcases the incredible wealth of talent currently at work in Canada.” All 25 Canadian feature films at the Festival are eligible for the Canada Goose Award for Best Canadian Feature Film. All nine Canadian feature directorial debuts are eligible for the City of Toronto Award for Best Canadian First Feature Film. This year’s Canadian awards jury is composed of Mark Adams, Artistic Director of the Edinburgh International Film Festival; Canadian documentarian and Hillman Prize winner Min Sook Lee (Migrant Dreams); and artist and filmmaker Ella Cooper, who is also the founder of Black Women Film! Canada. The 42nd Toronto International Film Festival runs from September 7 to 17, 2017.

    SPECIAL PRESENTATIONS

    Eye on Juliet Kim Nguyen, Canada North American Premiere

    MASTERS

    Our People Will Be Healed Alanis Obomsawin, Canada World Premiere

    TIFF DOCS

    The Carter Effect Sean Menard, Canada/USA World Premiere Living Proof Matt Embry, Canada World Premiere There is a House Here Alan Zweig, Canada World Premiere

    DISCOVERY

    A Worthy Companion Carlos Sanchez, Jason Sanchez, Canada World Premiere All You Can Eat Buddha Ian Lagarde, Canada World Premiere AVA Sadaf Foroughi, Iran/Canada/Qatar World Premiere Black Cop Cory Bowles, Canada World Premiere Cardinals Grayson Moore, Aidan Shipley, Canada World Premiere Luk’Luk’I Wayne Wapeemukwa, Canada World Premiere Mary Goes Round Molly McGlynn, Canada World Premiere Never Steady, Never Still Kathleen Hepburn, Canada World Premiere

    CONTEMPORARY WORLD CINEMA

    BLACK KITE Tarique Qayumi, Canada/Afghanistan World Premiere Don’t Talk to Irene Pat Mills, Canada World Premiere Les Affamés Robin Aubert, France/Canada World Premiere Meditation Park Mina Shum, Canada World Premiere Porcupine Lake Ingrid Veninger, Canada World Premiere Public Schooled Kyle Rideout, Canada World Premiere Pyewacket Adam MacDonald, Canada World Premiere The Little Girl Who Was Too Fond of Matches (La petite fille qui aimait trop les allumettes) Simon Lavoie, Canada World Premiere

    PRIMETIME

    Alias Grace Mary Harron, Canada/USA World Premiere PROTOTYPE Blake Williams, Canada North American Premiere A Skin so Soft (Ta peau si lisse) Denis Côté, Canada/Switzerland North American Premiere Previously announced Canadian features at the Festival include Jennifer Baichwal and Nicholas de Pencier’s Long Time Running (Gala) and Seth A. Smith’s The Crescent (Midnight Madness).

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  • First Wave of Films Announced for 2017 Fantastic Fest , Opens with THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

    [caption id="attachment_23572" align="aligncenter" width="1000"]THREE BILLBOARDS OUTSIDE EBBING, MISSOURI THREE BILLBOARDS OUTSIDE EBBING, MISSOURI[/caption] Fantastic Fest returns for its thirteenth year, kicking off with this year’s opening night film, the US premiere of Martin McDonagh’s THREE BILLBOARDS OUTSIDE EBBING, MISSOURI, a beautifully comic and delightfully dark tale of loss and redemption. S. Craig Zahler makes his triumphant return with the US premiere of 2018’s most hyper-violent slice of brute force, BRAWL IN CELL BLOCK 99. Not to be outmuscled, Zahler’s bringing backup in the form of the thunderous trifecta of Vince Vaughn, Don Johnson and Udo Kier. And Barry Keoghan marks his first Fantastic Fest, sharing Yorgos Lanthimos’ savage horror epic THE KILLING OF A SACRED DEER for the first time in the US. Embracing cinema spanning from Egypt to Lebanon to Iraq to Afghanistan, the festival turns an eye to celebrate the best of the region. Highlights include Egypt’s rarely seen Rocky Horror Picture Show adaptation ANYAB and the International Premiere of the box office smash AL ASLEYEEN (aka THE ORIGINALS) directed by Marwan Hamed. “It’s truly a joy to be able to showcase a variety of Arabic genre films never before seen in the US to shatter preconceptions.” said Fantastic Fest Creative Director Evrim Ersoy. “Cinema from this region is as exciting, inventive and as wild as anything we’ve ever seen and we’re here to prove it. It’s going to be a wild ride! Yalla, Habibi!” Fantastic Fest’s global reach isn’t relegated exclusively to Arabic nations, as it has once again scoured the corners of the globe to bring the best cinema to Austin, TX. Sweden is well represented with Ruben Ostlund’s brilliantly sardonic THE SQUARE; Japan’s master of malevolence, Takashi Miike, hits a bloody century with his 100th feature, BLADE OF THE IMMORTAL; Scotland flies its flesh-eating flag with John McPhail’s zombie musical, ANNA AND THE APOCALYPSE; and Austrian Oscar winner Stefan Ruzowitsky delivers a brutal and relentless ride with COLD HELL. Maine’s finest son, Stephen King, is gorgeously represented with two standouts from Netflix’s burgeoning genre slate. GERALD’S GAME receives its US premiere along with the welcome return of Fantastic Fest alumni Mike Flanagan, who delivers a chilling adaptation of one of King’s most beloved bedside tales starring Carla Gugino and Bruce Greenwood. And Fantastic Fest first-timer Zak Hilditch will be in attendance to share his perfectly precise vision of King’s uber-creepy novella, 1922, for its world premiere. Sticking with the theme of world premieres, this year’s program features a selective set of titles from first-time feature filmmakers whose wildly impressive debuts belie the depth of their filmographies. Spanish short master Yayo Herrero excels with his fantasy horror, MAUS; Bradley Buecker explores wasted youth and packs a visceral punch from the wrong side of the tracks with JUVENILE; and Lukas Feigelfeld shocks with his atmospheric exploration of a medieval hell in HAGAZUSSA – A HEATHEN’S CURSE. Fantastic Fest alumni are well represented this year as DAN DREAM reunites KLOWN’s dynamic duo of Casper Christensen and Frank Hvam for an electric road trip back to the ‘80s; GENERATION B sees WASTE LAND director Pieter Van Hees return with a mad comedy; and RON GOOSSENS: LOW-BUDGET STUNTMAN delivers the warm embrace of directors Steffen Haars and Flip van der Kuil, whose previous NEW KIDS features and BROs BEFORE HOs crushed at previous editions of Fantastic Fest.

    2017Fantastic Fest FIRST WAVE FILM

    1922 USA, 2017 World Premiere, 101 mins Director – Zak Hilditch 1922 is based on Stephen King’s 131-page story telling of a man’s confession of his wife’s murder. The tale is told from from the perspective of Wilfred James, the story’s unreliable narrator who admits to killing his wife, Arlette, in Nebraska. But after he buries her body, he finds himself terrorized by rats and, as his life begins to unravel, he becomes convinced his wife is haunting him. 78/52 USA, 2017 Regional Premiere, 91 min Director – Alexandre O. Philippe This masterful documentary focuses on a single aspect of Hitchcock’s PSYCHO to demonstrate the master’s technical ability in storytelling. With expert interviews and rollicking analysis, 78/52 sets a new bar in how to examine film overall. ANNA AND THE APOCALYPSE Scotland, 2017 World Premiere, 107 min Director – John McPhail Anna’s life is dominated by the typical concerns of her youthful peers until the Christmas season in her small town brings not Santa, but an outbreak of the undead in this genre-mashing holiday horror musical. Yep. Musical. ANYAB Egypt, 1981 Repertory, 100 min Director – Mohammed Shebl ANYAB (FANGS) is an oddity worth rediscovering! An Egyptian take on THE ROCKY HORROR PICTURE SHOW, this eye-popping musical of madness manages to cram horror, science fiction and even social commentary together while charming with its outrageous costumes and action. BLADE OF THE IMMORTAL Japan, 2017 US Premiere, 141 min Director – Takashi Miike Takashi Miike’s 100th journey is an adaptation of the BLADE OF THE IMMORTAL manga. Manji, a samurai who cannot die, crosses paths with Rin Asano, a young girl whose parents were killed. Manji swears to help Rin Asano avenge her parents’ deaths. BRAWL IN CELL BLOCK 99 USA, 2017 US Premiere, 132 min Director – S. Craig Zahler S. Craig Zahler (BONE TOMAHAWK) returns with his sophomore feature, BRAWL IN CELL BLOCK 99. An exhilarating exercise in analog violence, CELL BLOCK follows the brutal exploits of a former boxer who finds himself incarcerated after a drug deal goes wrong. Trapped in a maximum security facility, he must fight to stay alive and to protect those he loves. COLD HELL Germany, 2017 US Premiere, 91 min Director – Stefan Ruzowitzsky A young Turkish woman living in Vienna feels increasingly lonely after she witnesses a murder and finds herself next on the killer’s agenda in this smart and gritty thriller from the director of ANATOMY and the Oscar-winning THE COUNTERFEITERS. DAN DREAM Denmark, 2017 US Premiere, 97 min Director – Jesper Rofelt KLOWN duo Casper Christensen and Frank Hvam reunite for a true-life tale of epic failure. Witness the non-arrival of the Danish electric car! THE ENDLESS USA, 2017 Texas Premiere, 111 min Directors – Justin Benson & Aaron Moorhead When brothers Justin and Aaron return to the cult that they escaped from ten years ago, they encounter a web of secrets and mysteries that threatens to tear them apart. GENERATION B (GENERATIE B) Belgium, 2017 ep. 1-4 = North American Premiere; ep. 5-6 = World Premiere, 210 min Director – Pieter Van Hees The generation gap has never been wider than it is in Pieter Van Hees’ deliriously absurd satire, pitting old generation money against Millennial apathy — and the occasional naked anarchist — following Belgium’s economic collapse. GERALD’S GAME USA, 2017 US Premiere, 103 mins Director – Mike Flanagan Flanagan unites with master of the macabre Stephen King for his cinematic interpretation of King’s beloved GERALD’S GAME. Starring Carla Gugino and Bruce Greenwood, GERALD’S GAME delivers pitch-perfect performances in a faithful adaptation where the horrors of the mind are much worse than what’s in front of you. HAGAZUSSA – A HEATHEN’S CURSE Germany, 2017 World Premiere, 102 min Director – Lukas Feigelfeld Set in the 15th Century in the Austrian Alps, Lukas Feigelfeld’s HAGAZUSSA takes us back to a dark period in which even the remotest parts of Europe suffered from the paranoia and superstition of the time. JAILBREAK Cambodia, 2017 US Premiere, 92 min Director – Jimmy Henderson Cambodia’s traditional martial art of bokator is unleashed in all its bone crunching fury in this action-packed tale of police trapped in the midst of a raging prison riot. JUVENILE USA, 2017 World Premiere, 87 min Director – Bradley Buecker The emotionally powerful story of Billy, an angry youth who spends his evenings stealing cars with best friend Mikey while attempting to cultivate a stable relationship with his girlfriend Jules. THE KILLING OF A SACRED DEER Ireland / United Kingdom, 2017 US Premiere, 120 min Director – Yorgos Lanthimos The life of a brilliant surgeon is thrown into disarray when his friendship with a bizarre teenager threatens the lives of his entire family. Faced with a frightening choice, the man will be forced to assess all that he’s ever done. KING COHEN USA, 2017 US Premiere, 104 min Director – Steve Mitchell Featuring interviews from some of the biggest names in genre cinema including Joe Dante, Robert Forster and Fred Williamson, this documentary tells the story of one of the best and hardest working exploitation filmmakers. MAUS Spain, 2017 World Premiere, 90 min Director – Yayo Herrero Yayo Herrero’s directorial debut is a couple’s nightmare journey into the heart of darkness. A superlative horror parable, this shocking film is an indictment of modern history, war and the difficulties of reconciliation. It is a story for our times. MY FRIEND DAHMER USA, 2017 Texas Premiere, 107 min Director – Marc Meyers This is the story of Jeffrey Dahmer, a high school loner whose life would shape up to be something far more frightening than anyone could have imagined. THE ORIGINALS Egypt, 2017 International Premiere, 125 mins Director – Marwan Hamed Samir works for a bank, provides for his ever-demanding family and dreams of being in an Egyptian talent show. When he’s unexpectedly fired, Samir finds himself recruited to be part of a secret society and finds a darker side to life in Egypt. RON GOOSSENS: LOW-BUDGET STUNTMAN The Netherlands, 2017 US Premiere, 78 min Directors – Steffen Haars & Flip van der Kuil The latest from the comedic team behind the NEW KIDS films and BROs BEFORE HOs. Ron Goossens is totally shitfaced. Only by working as a movie stuntman and bedding the hottest actress in the Netherlands can Ron save his marriage. THE SQUARE Sweden, 2017 US Premiere, 150 min Director – Ruben Östlund An art museum director’s life becomes a comedy of errors when trying to put together his latest exhibit in FORCE MAJEURE director Ruben Ostlund’s latest, which won the Palme D’Or at this year’s Cannes. SUPER DARK TIMES USA, 2017 Regional Premiere, 102 min Director – Kevin Phillips A split-second act of violence forever changes the lives of two ‘90s kids. Now they must cope with both the fallout of that moment and the pressures of high school in this clever and bloody coming-of-age thriller. THREE BILLBOARDS OUTSIDE EBBING, MISSOURI USA, 2017 US PREMIERE, 110 min Director – Martin McDonagh A grieving mother takes drastic measures in an attempt to catch her daughter’s killer. Challenging the police to solve the case, she posts a series of billboards that threaten the fabric of rural, Missouri. TIGER GIRL Germany, 2017 US Premiere, 90 min Director – Jakob Lass Failing to crack the ranks as a would-be cop, Maggie begrudgingly settles for a security guard job until she encounters Tiger, a fierce young woman whose rebellious antics leave Maggie questioning which side of the law she truly belongs on. TOP KNOT DETECTIVE Australia, 2016 North American Premiere, 87 min Directors – Aaron McCann & Dominic Pearce Aliens! Ninjas! Robots! Enormous egos! Get ready to enter the world of TOP KNOT DETECTIVE! Possibly the greatest cult TV series you’ve never heard of, TOP KNOT DETECTIVE and its creator Takashi Tawagoto come to life in this gonzo documentary.

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  • 2017 British Urban Film Festival Unveils Lineup, and BUFF Awards Nominees

    [caption id="attachment_23566" align="aligncenter" width="1200"]Free In Deed Free In Deed[/caption] The 2017 British Urban Film Festival will feature over 30 film screenings plus 2 masterclasses, The Live Script Readings and the BUFF Awards ceremony, all hosted at the BT Tower from September 6 to 12. The London premiere of Free In Deed will open this year’s 2017 British Urban Film Festival on Wednesday September 6th and will feature a live Q&A with actor David Harewood who stars in the lead role as a pastor with healing powers set in an American black church. The following day, the festival will feature the London premiere of ‘A Landscape of Lies’ directed by Paul Knight with a cast including Marc Bannerman and TV presenter Andrea Mclean. Also screening at the festival will be the London premiere of Chapter and Verse on Friday September 8th. The movie centers around a reformed gang leader from Harlem, played by Daniel Beaty, and also stars Omari Hardwick and Emmy award-winning actress Loretta Devine. Both Beaty and director Jamal Joseph (a former black panther) will feature in the Q&A. The festival program will also feature the London premieres of Blue Hollywood, directed by Francesco Gabriele, hair documentary Back to Natural, and Stay Woke, a documentary from B.E.T about the Black Lives Matter movement. On Saturday September 9,  Africa features heavily in the line-up with the documentary Black Stars of Highlife and African rom-com Potato Potahto, starring O.C Ukeje & Joselyn Dumas. Other festival highlights include the 5th annual renewal of the Live Script Readings, hosted by actor Wil Johnson on Thursday September 7th; an acting masterclass with Ashley Walters on Monday, September 11th; and a Make-up masterclass with artist Joy Adenuga on Tuesday September 12th. This years shorts include: STREETS PAVED WITH GOLD – directed by Victor Richards SEE YOU YESTERDAY – directed by Stefon Bristol JOCELYN – directed by Rachel Wang and Mark Currie CREAM – directed by Palesa Lebona BLACKLAND – directed by John Sailsman JUNIOR – directed by Pearl Gluck STAY WOKE – directed by Laurens Grant IN HUMANS WE TRUST – directed by Tim Kent ADAM AND EVE – directed by Jermaine Wong CATFORD JESUS – directed by Dan Jones and Chris Michael Fretwell NEON – directed by Mark J Blackman LEROY – directed by Marley Morrison PARALLEL UNIVERSES – directed by `Liran Nathan WHEN KIDS GROW UP -directed by Shahaub Roudbari AMBER – directed by Andi Osho THE DEAL – directed by Johann Myers and Mark Oliver ART OF LOVE – directed by Quason Matthews BROKEN – directed by Daniel Alexander REMEMBERANCE DAY – directed by Rob Woods HUM – directed by Stefano Nurra PADLOCK MEN – directed by Lewis T Powell DEIDRE – directed by Jo Southwell WE LOVE MOSES – directed by Dionne Edwards NEW NEIGHBOURS – directed by E.G Bailey MORNING GLORY – directed by Robert Bertrand 5 X 5 – directed by Kate Herron THIS IS MY STORY – directed by Vicki Kisner BLOOM – directed by ARCADE GIRL – directed by Tze Hao Wong THE DATE – directed by John Dunn

    Nominees for the 2017 BUFF Awards

    Best Short FIlm Cover Me, Hush, Signs of Silence, Lifeline Blessing Anyiam-Osigwe Award for Best Actress Pippa Nixon, Rosamund Pike, Jade Asha, Juanita Ingram Best Actor Dylan Duffus, David Oyelowo, David Gyasi, Ed Hayter Best Film A United Kingdom, The Intent, To Dream, Residential Best Live Script: TBA Best Female Emerging Talent Isis Davis, Maia Watkins, Kate Lassman Long, Krystine Atti Best Male Emerging Talent Elijah Baker, Louis Chandler-Joseph, Aubrey Whyte, Freddie Thorp BUFF Honorary Award: Ashley Walters

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